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En este episodio de Wrap It Up! Daily, Marco te trae las últimas novedades del mundo audiovisual:Zhiyun revoluciona la iluminación portátil con la X100 RGB, Blazar presenta sus nuevos lentes anamórficos Beetle Pancake, Portkeys lanza el monitor táctil PT5 III, Hollyland estrena su intercom Solidcom SE Pro, y GetGood Drums lanza su primer instrumento virtual nativo, Modern & Massive 2. Además, descubre una oferta especial en el kit de iluminación Profoto B1X 500 AirTTL.¡No te lo pierdas!
Finn McKenty is one of my favorite YouTube content creators who is also a brand strategist and marketing director. Between his Punk Rock MBA and personal channel, Finn has over 500k subscribers on YouTube. The Punk Rock MBA looks to promote career, business and life advice for the DIY community. Finn skillfully analyzes the cultural significance of punk and metal like a tenured English lit professor. With deep research and an incredible wealth of knowledge, you can easily find yourself going down a YouTube rabbit hole for hours on topics like how “Tony Hawk's Pro Skater changed music forever” or “what actually killed grunge?” We talk about his process and what it takes to make a living as a YouTuber. Finn also has a successful career as a marketing strategist and brand coach. We discuss what impact OpenAI's ChatGPT will have on marketing, how to create content for viral lift on TikTok, whether being an entrepreneur is truly punk rock and why he thinks celebrity cap tables are a dumb idea.I am a big fan of Finn's and his brutal honesty when it comes to mentoring founders, entrepreneurs, and band members. His advice is very direct and to the point. We geek out on a lot of topics and try not to hold back any punches. If you are interested in popular culture, music, brand marketing, data analysis and what it takes to make a living as a YouTuber, then I think you'll enjoy this episode.Discussion Topics:(1:37) Icebreaker – Artists that capture the zeitgeist of the 2020s.(9:16) Reverse engineering the TikTok effect.(18:29) ChatGPT for marketers.(24:07) Is being an entrepreneur punk rock?(35:27) Digital marketing business case: GetGood Drums.(42:45) Succeeding as a YouTuber.(1:05:32) Celebrity cap tables are dumb.(1:16:31) Rapid fire questions.
Hello Chaps & Chapettes, we're back after a little unplanned break! (Mostly due to me being busy!) What a way to come back with Joe Hamilton from GetGoodDrums. We should all know GGD by now and seen and used many of their brilliant products. We spoke about he became friends and a colleague to Nolly, Private school upbringing and how he'd survive on a desert island! Check him out here https://www.getgooddrums.com/ https://www.instagram.com/joe_ggd/?hl=en
Misha Mansoor is an American guitarist, businessman, entrepreneur, composer, songwriter, and music producer, best known as the founder of and one of the three guitarists in the progressive metal band Periphery. Mansoor is also a part of the projects Haunted Shores and Four Seconds Ago, previously having been a part of the projects Of Man, Not of Machine and Snuggles. Mansoor is also involved with many entrepreneurial and business ventures, namely GetGood Drums, Horizon Devices, and 3DOT Recordings.
Doc welcomes Periphery drummer and co-founder of GetGood Drums, Matt Halpern, to the show and they talk about Periphery's approach to writing and recording a new album during the pandemic, the secret to the band's chemistry, how he balances his naturalistic drumming style with the more computerized modern technology of digital drum programs, what inspired him to start the music education company, Bandhappy, and become an entrepreneur, why he focuses so much of his life on health, wellness, and being disciplined, and the two wrap up talking about some of their favorite films. This episode features the songs "Until I Can Breathe" by Cerebellion and "Feed The Ground" by Periphery. Follow Matt on Instagram and Twitter @MattPeriphery Follow Doc on Instagram and Twitter @DocCoyle Please support this episode's sponsor Cerebellion at cerebellion1.com Listen to more great podcasts like this at soundtalentmedia.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices
Ukas gjest er født i det kalde nord, oppvokst i bibelbeltet og knuser voksenlivet i Oslo. Han har mastergrad i utøvende musikk, jobber i produksjonsselskapet «Need Music» og er en populær YouTube creator som samarbeider med bla. gigantene Zildjan og Mapex. Tidligere i år gav han ut sin egen «groove pack» sammen med Baard Kolstad fra Leprous kalt «Beyond Prog» gjennom selveste «GetGood Drums» som drives av Nolly, Matt og Misha fra bandet Periphery! En av Norges aller beste å råeste trommiser Simen Sandnes fra Arkentype og Shining er på besøk!SoMe: instagram.com/simensandness instagram.com/arkentype facebook.com/Arkentype instagram.com/shiningnorway facebook.com/shiningnorway Hør Arkentype & Shining her: https://open.spotify.com/artist/4IzmDCzlwnl81Q2rwskK3g?si=_2dZ9TwyT5aiHiK2Bm2Hxw https://open.spotify.com/artist/370lLcSfFuzXFatC0DFLel?si=NPGeMz7GRASFAt0Exf6ODg Følg oss på din foretrukne streaming tjeneste og sosiale medier SoMe: facebook.com/faenpod instagram.com/faenpod instagram.com/robbemadsen instagram.com/big.d.karsten Offisiell spilleliste: https://open.spotify.com/playlist/1C5NfbZJdX5vzPqWgWkVgO?si=2MvaN-5zTnKqS9YvXBZXyQ music by Arkentype, Shining & Chemtrails Oslo
Audio engineer, bass player and producer Adam “Nolly” Getgood is on the show today.If you are in the metal scene, I’m sure you have heard about Adam, who played bass for the band Periphery. Adam is also the co-founder of the popular drum sample pack, GetGood Drums. And he also has a Neural DSP Archetype guitar amp simulator, called Nolly.I have always struggled with that sort of metal but it was great talking to Adam about itIn this interview, we spoke about:• My anxiety with listening to bands like Meshuggah and Periphery• Why Adam thinks bands like Mastodon are more uncontrolled• Performing Napalm Death - You Suffer• In-depth about guitar amps• The nakedness of playing through a Fender amp• Adam’s guitar amp simulator, Archetype: Nolly• How guitar cabs have the biggest effect on the sound• Programming drums and using drum samples• Why the finished song is all that mattersAnd much more!Check out Nolly's guitar amp simulator here: https://neuraldsp.com/plugins/archetype-nollyCheck out Getgood Drums here: https://www.getgooddrums.com►► Join The Audio Tribe To Get Exclusive Access To Interviews And More: https://www.youraudiosolutions.com/exclusive-access
Matt Halpern plays drums for Periphery, is a world-renowned clinician, podcast host, entrepreneur, and co-founder of GetGood Drums. ON THIS EPISODE: 1:45 – The struggles of being a dog owner 14:25 – Don’t go into relationships pretending to be someone you’re not 42:51 – The purpose of friends 59:02 – Carving out time for people 1:08:11 – Fitness and health ... Read More The post EP 303 | Matt Halpern appeared first on Unstoppable Recording Machine.
Today’s guitar villain is Misha Mansoor, a key founder of the beguiling genre of Djent and an overall machine of a guitar player. Misha is the mastermind behind the wall of sound that is the band Periphery, a signature artist of Jackson guitars and BareKnuckle pickups, the founder of the excellent Get Good Drums software, and an avid sports car enthusiast. Misha is also the founder of Horizon Devices, a company featuring some truly spectacular guitar pedals like the Apex PreAmp and Flux Echo, and now, most recently, they’re making guitar strings. With that resume, you better prepare yourself, because it’s time for this episode of Guitar Villains.Intro and Misha’s supervillain alter-ego: 0:00Burning Questions: 6:14Misha’s backward sense of harmony: 11:10Problem-solving in songwriting: 15:10Name Those Notes: 16:44The re-release and return of Bulb: 27:35Guitar playing from the producer perspective: 30:14The hardest and easiest thing about playing guitar: 32:22The most important skill guitar players ignore: 34:34Writing music starting with a drum groove: 37:02The problem with drum loops: 40:29The difference between delay and echo: 42:00Misha’s dream band: 45:59Misha’s favorite airplane album: 48:56Misha’s supervillain advice: 49:39Check out Horizon DevicesCheck out GetGood DrumsFollow Periphery on YouTube Sign up for Guitar Super System, the most popular independent guitar learning platform on the internet: https://bit.ly/GVMM006
How I grew businesses and generated over $1 million in revenue for CreativeLive, Getgood Drums, Horizon Devices, URM Academy and finally started to believe in myself. Follow The Punk Rock MBA on Twitter, Facebook, and YouTube. Follow Finn McKenty on Instagram. Check out Finn's social media coaching program. Sign up for the PRMBA newsletter. PRMBA Merch Produced and edited by Deanna Chapman. Support The Punk Rock MBA on Patreon Learn more about your ad choices. Visit megaphone.fm/adchoices
Misha Mansoor, aka Bulb is one of the guitarists of Periphery as well as one of the founding partners behind ventures such as Horizon Devices and Getgood Drums. 1:32 - Keeping busy during quarantine 14:23 - Building a career online 35:41 - Time management and avoiding burnout 47:58 - Taking a vacation 1:01:03 - Getting worn out 1:14:59 - Avoiding getting stale 1:38:52 - Communication is key - singing at someone instead of yelling 1:53:42 - Where does Periphery go next? 2:02:18 - Will there be another summer camp? 2:14:56 - Low vs. high gain Want to level up your guitar game? Check out Riffhard.
This week, Periphery Drummer and Co-Founder of GetGood Drums, Matt Halpern hops in The Cosmic Canoe for a deep chat about versatility as a musician, a business person, and as a human. If you want to watch this interview, head over to https://youtu.be/GEjFZukkKSM
Matt Halpern plays drums for Periphery, is a world-renowned clinician, podcast host, entrepreneur, and co-founder of GetGood Drums. ON THIS EPISODE: 2:58 – Making the most out of quarantine 18:43 – Dealing with anxiety 28:49 – Communication and practice 37:29 – Routine and health 1:01:09 – Breathing techniques 1:11:25 – Mindfulness meditation 1:18:22 – Diet and exercise 1:31:08 – Healthy ... Read More The post EP 273 | Matt Halpern appeared first on Unstoppable Recording Machine.
Adam “Nolly” Getgood is the co-founder of GetGood Drums and an insanely talented mixing engineer whose sound has become the template for an entire generation of bands. He’s worked with Devin Townsend, Good Tiger, and Periphery. Ermin Hamidovic is the owner of Systematic Productions, the author of The Systematic Mixing Guide, and a killer mastering engineer who’s worked with Periphery, ... Read More The post EP 268 | Adam “Nolly” Getgood and Ermin Hamidovic appeared first on Unstoppable Recording Machine.
Dez (Good Tiger, Former Wrestlers, GGD) joins Matt, Jordan, and Justin from his new home out west. He shares how he's been adjusting to this new life rhythm. We examine our relationships with control, trust, and acceptance as it relates to navigating the pandemic. We discuss culture and community more broadly as we're all interconnected in both spread and solution. Toward the end we dig into a helpful graphic that's been positively viral...offering us a model of self awareness. We want to connect with you! Join our private, supportive Facebook group full of creatives from around the world: facebook.com/groups/chocolatecroissants or search "Chocolate Croissants" in Groups. Instagram: @chocolatecroissantspodcast @mattperiphery @jordanbeatwell @justinblakegoodman @dezgoodtiger
Matt Halpern spent years working towards making his creative work a full-time career. Now he's in Periphery, loves teaching others how to play drums, and works on GetGood Drums. In this episode, he shares his approach to reaching out to people to work with them, proper etiquette for following up, what you can do to be creative while working another job, and much more. Follow Matt on Instagram. Check out GetGood Drums. Follow The Punk Rock MBA on Twitter, Facebook, and YouTube. Follow Finn McKenty on Instagram. PRMBA Merch Produced and edited by Deanna Chapman. Support The Punk Rock MBA on Patreon Learn more about your ad choices. Visit megaphone.fm/adchoices
The one-hundred and eighth episode of Sunday Funday podcast, hoisted by Benjamin. . . Episode #108 finds us exploring uncharted space once again! It is a new day, a new era. We are in search of new sounds, for a new theme song. Today, we explore the INVASION drum sampler from GGD GetGood Drums. I’m a huge fan of all of these drum packs, with the midi-packs, it really is amazing to have such access to great drum samples nowadays. Since the last drums we recorded in the previous episode had some unwanted noise, and inability to separate room tones from direct drum hits, we’re going to once again! attempt a technique demonstrated by a video I saw by Matt Lange recently. This podcast aims to uncover the magic and demystify Native Instruments Reaktor 6, KOMPLETE instruments, and music production in general. . . . KONTAKT. . . GGD GetGood Drums. The Invasion. . . . #nativeinstruments #komplete #kontakt #GGD . . . YouTube: https://www.youtube.com/sundayfunday TOTAL HUMAN OPTIMIZATION, workout equipment, supplements, education, and more at https://www.onnit.com Soundcloud: https://soundcloud.com/sundayfundaypodcast iTunes: https://itunes.apple.com/us/podcast/sunday-funday-reaktor-podcast/id1407932536?mt=2 Google: https://play.google.com/music/m/Ipibc65b22qvb33ziujbg2b2aue?t=SUNDAY_FUNDAY_REAKTOR_PODCAST https://www.native-instruments.com/en/ https://www.native-instruments.com/en/products/maschine/production-systems/maschine/ https://www.instagram.com/sundayfundaypodcast/ Nativeinstruments, native instruments, GGD, GetGood Drums, GetGoodDrums, Invasion, Komplete, Komplete12, Drums, Recording Multiple Outputs Maschine, Avid, ProTools, PRO TOOLS, iTunes, google, podcast, dance, rock, electronic, synth wave, music production, ONNIT
The seventy-seventh episode of Sunday Funday podcast, hoisted by Benjamin. . . Episode #77 finds us embarking on a new journey! The lads at GetGood Drums have a tremendous library of drum samples, recorded in realistic spaces and articulations. They offer a few KONTAKT instruments to bring all these samples together into a playable drummer, today’s instrument of focus is the GGD MODERN & MASSIVE library! We also illustrate how to set up Pro Tools to record multiple outputs from Kontakt, the most efficient way to capture drums in a manner that is easy to mix. This podcast aims to uncover the magic and demystify Native Instruments KOMPLETE library, and sound design in general. . . . KONTAKT . . GGD. GetGood Drums. Modern & Massive. . . . YouTube: https://www.youtube.com/sundayfunday Soundcloud: https://soundcloud.com/sundayfundaypodcast iTunes: https://itunes.apple.com/us/podcast/sunday-funday-reaktor-podcast/id1407932536?mt=2 Google: https://play.google.com/music/m/Ipibc65b22qvb33ziujbg2b2aue?t=SUNDAY_FUNDAY_REAKTOR_PODCAST https://www.getgooddrums.com/ https://www.getgooddrums.com/collections/homepage-collection/products/modern-massive-pack http://www.periphery.net/ https://www.native-instruments.com/en/ https://www.native-instruments.com/en/specials/komplete/heavyweight-bass-and-drums-special/ https://www.instagram.com/sundayfundaypodcast/
Misha Mansoor is best known for being the guitarist and founding member of successful progressive metal band Periphery as well as other projects like Haunted Shores, Four Seconds Ago. His love for gear and work ethic has led him to work with some companies in the game like Jackson Guitars, Bare knuckle Pickups to him starting his own business ventures with GetGood Drums and Horizon Devices. In This Episode: - Misha Gives Us Some Thoughts On Being An Entrepreneur - Why He Chooses Cubase To Be His DAW Of Choice - How he uses our Olympus Symphonic Choir libraries - Songwriting Tips And Getting Out Of Writers Block - Wanting To Some Day Be A Video Game Composer Follow us on: Instagram: https://www.instagram.com/soundironaudio/ Facebook: https://www.facebook.com/soundironco/ Twitter: https://twitter.com/soundiron Subscribe to our YouTube channel: https://goo.gl/gnrrpY
Periphery drummer Matt Halpern joins us this week. We talk about the band's new album Periphery IV: Hail Stan, which stan he'd be hailing if he had a choice, the importance of taking a full year to write the record, releasing it on the band's own label 3DOT Recordings, having Adam “Nolly” Getgood produce and play bass despite exiting the band a few years ago, how he continues to teach drum lessons, being part owner of the software company Getgood Drums and his feelings on drum software in general, and why he and Spencer choose to record the song “Shadow of the Day” by Linkin Park as a tribute to Chester Bennington. Petar, Brandon, and Jozalyn tackle Sammy Hagar's comments on Michael Anthony returning to Van Halen, the internet mom who attacked the wrong Mastodon on behalf of her son, and Duff McKagan referencing the “magnificent” material Axl has for a new Guns N' Roses album. Songs: Periphery - “Blood Eagle” Fallujah - “Ultraviolet”
Howdy! On this episode of The Stateside Podcast we hang with our friend & repeat guest Finn Mckenty. Finn is the host of the popular YouTube show The Punk Rock MBA, Director of Marketing at URM Academy, and a partner at GetGood Drums. We talk about how many Hatebreed tattoos Finn has and Alan tells us that he hates "education and shit." We discuss how networking should be about hanging out with/trying to meet like-minded people...and shouldn't be 'transactional.' Finn explains what a "parasocial relationship is" and Alan tells us what's pissing him off this week. ACHOO!!!! After the ceremonial pee break we do some Fight Talk with Finn Mckenty, Current Events, and the Movie Pick of the Week! Subscribe to Finn's YouTube channel and follow Finn on Instagram @finnmckenty If you like this show at all, please share this podcast with at least ONE person. If you even just did that we would be very grateful!! If you’re in a band, run a small company, or just have a thing you want promoted, consider sponsoring the show and we’ll promote your thing!! Follow the guys on Instagram @itcamefromthesky, @jamesianmacmillan, @statesidemgmt Stateside Management is a producer management company. Bookings for any of the producers/mix engineers on the Stateside roster please email James at james@statesidemgmt.com. www.statesidemgmt.com Contact Alan for any design related questions at www.alanashcraft.com The Stateside Podcast is hosted by James MacMillan and Alan Ashcraft. Produced, mixed, and edited by James MacMillan. Logo design and social assets by Alan Ashcraft. Outro Song on this episode is "The Getaway" by The Days The Nights. Music written by Nathan Abner, Michael Draper, & James MacMillan. --- Support this podcast: https://anchor.fm/statesidepodcast/support
Howdy! On this episode of The Stateside Podcast we hang with our friend & repeat guest Finn Mckenty. Finn is the host of the popular YouTube show The Punk Rock MBA, Director of Marketing at URM Academy, and a partner at GetGood Drums. We talk about how many Hatebreed tattoos Finn has and Alan tells us that he hates "education and shit." We discuss how networking should be about hanging out with/trying to meet like-minded people...and shouldn't be 'transactional.' Finn explains what a "parasocial relationship is" and Alan tells us what's pissing him off this week. ACHOO!!!! After the ceremonial pee break we do some Fight Talk with Finn Mckenty, Current Events, and the Movie Pick of the Week! Subscribe to Finn's YouTube channel and follow Finn on Instagram @finnmckenty If you like this show at all, please share this podcast with at least ONE person. If you even just did that we would be very grateful!! If you’re in a band, run a small company, or just have a thing you want promoted, consider sponsoring the show and we’ll promote your thing!! Follow the guys on Instagram @itcamefromthesky, @jamesianmacmillan, @statesidemgmt Stateside Management is a producer management company. Bookings for any of the producers/mix engineers on the Stateside roster please email James at james@statesidemgmt.com. www.statesidemgmt.com Contact Alan for any design related questions at www.alanashcraft.com The Stateside Podcast is hosted by James MacMillan and Alan Ashcraft. Produced, mixed, and edited by James MacMillan. Logo design and social assets by Alan Ashcraft. Outro Song on this episode is "The Getaway" by The Days The Nights. Music written by Nathan Abner, Michael Draper, & James MacMillan.
This week I brought my personal business questions to Finn McKenty, who gave me some absolutely massive insight that will help me focus my effort, and save me hundreds of hours down the line in 2019! Finn has incredible insights from his marketing work with URM, Periphery, A Day to Remember, Febreze, Abercrombie, Hollister, GetGood Drums, and so many more! What we cover in this episode: When you do or don't need a studio or business nameWhy you need fewer social media presencesRespecting the medium of the content you are putting out to make sure it is formatted properlyWhy you should use your life's journey over and over and SO much more! • Join our FB group to discuss this week's episode and soak up knowledge from our awesome community • http://fb.com/groups/stayspongyshow • Comments, ideas, feedback, or questions • stayspongyshow@gmail.com • If you haven’t yet, subscribe or follow the show, as well as rate us if you are on Apple Podcasts. It helps a lot
Learn what "melodic rhythms" are, and how you can use them to inject primal energy into your music, like Architects does in their new single “Hereafter” (from upcoming album "Holy Hell"). Hello revolutionaries, and welcome to the Hack Music Theory channel. This is our New Music Friday show, where we trawl through the new releases every week to find the hottest theory hacks for your weekend studio session! So, if that sounds useful to you, then please subscribe to our YouTube channel and hit the bell to get notifications. Alright, it’s time to open your DAW to hack music theory. GIVEAWAYWe’ve got a super special show for you today, as we’ve partnered with the mighty GetGood Drums for an exciting giveaway of their brand new drum library: Modern & Massive! And just for the record, this is not a sponsored video (we don’t do any sponsored content on our channel), we bought our copy of Modern & Massive, but because it’s literally the best drum kit sounds we’ve ever heard, we just had to share ‘em with you! And there’s an interesting story behind why we chose this video for the giveaway. Yes indeed, Dan Searle (the amazing Architects drummer) actually recorded his drums for the new album in the same studio that the Modern & Massive drum library was recorded in. And on top of that, the genius behind GetGood Drums, Adam “Nolly” Getgood, also engineered and mixed the new Architects album. So if you love Dan’s drum sound, you need this library! And if you don’t win in our giveaway, just buy a copy like we did, it’s so worth it. You can enter our giveaway by subscribing to our channel and to the GetGood Drums channel (over at YouTube.com/GetGoodDrums). Then, drop us a comment on the above video and tell us why you should win the Modern & Massive drum library. We’ve got two copies to give away, which means our favourite two comments will both win. So, make those answers really sincere, or really funny! We’ll announce the winners in next week’s video. THEORYRhythm is ancient and primal, as our ancestors were almost certainly banging on things long before they were blowing into bone flutes. Now, fast forward over 40,000 years, and the colossal opening riff of the new Architects single “Hereafter” has this same primal energy to it, because it would function just as well if it was played on one pitch. This makes it a "melodic rhythm", which is a musical concept whereby a memorable rhythm is usually composed first, then pitches are assigned to the notes afterwards. Examples of "melodic rhythms" range from Beethoven’s 5th symphony to Architects new single. The difference between a "melodic rhythm" and a melody, is that a "melodic rhythm" is still recognizable when its melody is removed, or when the pitches are all changed. And that’s exactly why our example in this video still sounds like the “Hereafter” riff, even though we’ve changed all the pitches. Step 1 - Pulse & BackbeatSet your grid to 4 bars of 4/4, at a tempo of 121 BPM. Now, we’re gonna start by giving your creation a heartbeat. So, hit a cymbal (we chose the china) on every 1/4 note beat. This is your beast’s pulse! Next, it’s snare time. And Architects drummer, Dan Searle, went with a super groovy halftime backbeat here, which is when you spank the snare on beat 3, instead of the regular beat 2 and beat 4. Step 2 - 16ths & VariationAh yeah, it’s kick time! So, we’re gonna get this party started with a bunch of 1/16 notes on the kick, for momentum, and throw a few on the snare too. And you only need to program 2 bars, cos then you just copy and paste ‘em into bars 3 and 4. Also, be sure to use syncopation, for maximum groove! Syncopation is when you play an off-beat, but not the on-beat just before it. And on one of your syncopated 1/8 note kicks, hit a crash as well, to really accent that off-beat. And for the ultimate syncopation, don’t play a kick on beat 1 of bar 2 and bar 4. Yeah this is such a sick trick from Dan, and it takes this groove to a whole new level! Then the final bit of Step 2 is to simply add one 1/16 note to bar 4, to give it some variation, so it rolls around to the beginning. Step 3 - TripletsSo many rhythms these days consist of straight notes only, which is fine, but sprinkling a few triplets into a rhythm that’s mainly straight notes, is just so tasty, as they’re totally unexpected! So, change your grid to 1/16 triplets, and get sprinkling. Don’t overdo it though, once per bar is plenty! Step 4 - MelodyLastly, now that your rhythm is pumping, it’s time to turn it into a "melodic rhythm". So copy and paste your kick and snare rhythm into a guitar, bass or synth track, and then extend all the notes to the right, so there’s no rests in between the notes. Next, move the notes up and down to create your melody. And if you’re going for something heavy like Architects, then use dissonant intervals, which are the intervals of 1 semitone, 3 semitones, 6 semitones, 8 semitones, 10 semitones, and 11 semitones. And with that, you’re done! THANKSLastly, thanks big time to everyone who made this video possible: Nolly, Matt, Misha, and our good chum Dez (who’s not only part of GetGood Drums, he’s also in one of our favourite bands: Good Tiger), and big thanks to our studio wizard Meyrick de la Fuente (from the band Exist Immortal) for mixing and mastering the example in this video, and last but definitely not least, thanks to the mighty Malcolm Shoolbraid (who’s the drummer from Thigma) for doing the playthrough. And by the way, Thigma’s debut album (which was produced by Ray), is coming out soon, so check out their link below, cos if you dig Architects, you’ll dig Thigma. Finally, please note that despite the live drummer in the playthrough video, all the drums you’re hearing are the programmed MIDI drums with 100% of the sounds coming from the Modern & Massive library, we just wanted a drummer in the playthrough, so all the non-drummers watching can see the pattern being played. NEXTSo, now that you’ve got one section down, how do you write a new section for it, and then, how do you transition between those two sections? Great questions, and if this is something you need help with, then check out our cutting-edge online apprenticeship course, where you’ll literally learn every step of the music making process, and most importantly, you’ll learn how to finish your songs! Also, please note that we intentionally wrote our example to be very similar to Architects, but we did that for the sake of this lesson. So, instead of copying Architects, please explore how you can use this hack creatively with your own musical personality, so it sounds like you! Alright, that’s it! We really hope this video has inspired and empowered you, and if it has, please drop us a comment on YouTube. We love hearing from you! Thanks for joining the Hack Music Theory revolution, and we’ll see you next week! Kate & Ray Harmony (AKA Revolution Harmony)Music Teachers & Producers in Vancouver BC, Canada LEARN1: Read our free book (below) & watch our YouTube videos2: Read our "Part 1" book & "Songwriting & Producing" PDF3: Learn our Secret Art of Song-Whispering, and effortlessly finish your music! ABOUTHack Music Theory is the pioneering notation-free method for making great music. Taught by award-winning music lecturer Ray Harmony, and his protégé (and wife) Kate Harmony, from their studio in Vancouver BC, Canada. Ray is the author of critically-acclaimed book series "Hack Music Theory", and has made music with Serj Tankian (System of a Down), Tom Morello (Rage Against the Machine), Steven Wilson (Porcupine Tree), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), and many more. Kate has the highest grade distinction in Popular Music Theory from the London College of Music, and is the only person on the planet who's been trained by Ray to teach his Hack Music Theory method! While these Hack Music Theory YouTube lessons teach music theory for producers and DAW users, they are designed to accommodate all music makers (songwriters, guitarists, etc.) and all genres, from Electronic Music to R&B, Pop to Hip-Hop, Reggae to Rock, EDM/Dance to Metal (and yes, we djefinitely Djent!). Photo of Architects courtesy of Epitaph Records Wooohooo!!! You’re a mere 30 minutes away from being even smarter than you already are. Just head on over to your inbox now for your free download. There was an error submitting your subscription. Please try again. “The most brilliant, fast, easy & fun music theory book I’ve ever seen!” DEREK SIVERS, CD Baby founder We use this field to detect spam bots. If you fill this in, you will be marked as a spammer. 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Learn what "melodic rhythms" are, and how you can use them to inject primal energy into your music, like Architects does in their new single “Hereafter” (from upcoming album "Holy Hell"). Hello revolutionaries, and welcome to the Hack Music Theory channel. This is our New Music Friday show, where we trawl through the new releases every week to find the hottest theory hacks for your weekend studio session! So, if that sounds useful to you, then please subscribe to our YouTube channel and hit the bell to get notifications. Alright, it’s time to open your DAW to hack music theory. GIVEAWAYWe’ve got a super special show for you today, as we’ve partnered with the mighty GetGood Drums for an exciting giveaway of their brand new drum library: Modern & Massive! And just for the record, this is not a sponsored video (we don’t do any sponsored content on our channel), we bought our copy of Modern & Massive, but because it’s literally the best drum kit sounds we’ve ever heard, we just had to share ‘em with you! And there’s an interesting story behind why we chose this video for the giveaway. Yes indeed, Dan Searle (the amazing Architects drummer) actually recorded his drums for the new album in the same studio that the Modern & Massive drum library was recorded in. And on top of that, the genius behind GetGood Drums, Adam “Nolly” Getgood, also engineered and mixed the new Architects album. So if you love Dan’s drum sound, you need this library! And if you don’t win in our giveaway, just buy a copy like we did, it’s so worth it. You can enter our giveaway by subscribing to our channel and to the GetGood Drums channel (over at YouTube.com/GetGoodDrums). Then, drop us a comment on the above video and tell us why you should win the Modern & Massive drum library. We’ve got two copies to give away, which means our favourite two comments will both win. So, make those answers really sincere, or really funny! We’ll announce the winners in next week’s video. THEORYRhythm is ancient and primal, as our ancestors were almost certainly banging on things long before they were blowing into bone flutes. Now, fast forward over 40,000 years, and the colossal opening riff of the new Architects single “Hereafter” has this same primal energy to it, because it would function just as well if it was played on one pitch. This makes it a "melodic rhythm", which is a musical concept whereby a memorable rhythm is usually composed first, then pitches are assigned to the notes afterwards. Examples of "melodic rhythms" range from Beethoven’s 5th symphony to Architects new single. The difference between a "melodic rhythm" and a melody, is that a "melodic rhythm" is still recognizable when its melody is removed, or when the pitches are all changed. And that’s exactly why our example in this video still sounds like the “Hereafter” riff, even though we’ve changed all the pitches. Step 1 - Pulse & BackbeatSet your grid to 4 bars of 4/4, at a tempo of 121 BPM. Now, we’re gonna start by giving your creation a heartbeat. So, hit a cymbal (we chose the china) on every 1/4 note beat. This is your beast’s pulse! Next, it’s snare time. And Architects drummer, Dan Searle, went with a super groovy halftime backbeat here, which is when you spank the snare on beat 3, instead of the regular beat 2 and beat 4. Step 2 - 16ths & VariationAh yeah, it’s kick time! So, we’re gonna get this party started with a bunch of 1/16 notes on the kick, for momentum, and throw a few on the snare too. And you only need to program 2 bars, cos then you just copy and paste ‘em into bars 3 and 4. Also, be sure to use syncopation, for maximum groove! Syncopation is when you play an off-beat, but not the on-beat just before it. And on one of your syncopated 1/8 note kicks, hit a crash as well, to really accent that off-beat. And for the ultimate syncopation, don’t play a kick on beat 1 of bar 2 and bar 4. Yeah this is such a sick trick from Dan, and it takes this groove to a whole new level! Then the final bit of Step 2 is to simply add one 1/16 note to bar 4, to give it some variation, so it rolls around to the beginning. Step 3 - TripletsSo many rhythms these days consist of straight notes only, which is fine, but sprinkling a few triplets into a rhythm that’s mainly straight notes, is just so tasty, as they’re totally unexpected! So, change your grid to 1/16 triplets, and get sprinkling. Don’t overdo it though, once per bar is plenty! Step 4 - MelodyLastly, now that your rhythm is pumping, it’s time to turn it into a "melodic rhythm". So copy and paste your kick and snare rhythm into a guitar, bass or synth track, and then extend all the notes to the right, so there’s no rests in between the notes. Next, move the notes up and down to create your melody. And if you’re going for something heavy like Architects, then use dissonant intervals, which are the intervals of 1 semitone, 3 semitones, 6 semitones, 8 semitones, 10 semitones, and 11 semitones. And with that, you’re done! THANKSLastly, thanks big time to everyone who made this video possible: Nolly, Matt, Misha, and our good chum Dez (who’s not only part of GetGood Drums, he’s also in one of our favourite bands: Good Tiger), and big thanks to our studio wizard Meyrick de la Fuente (from the band Exist Immortal) for mixing and mastering the example in this video, and last but definitely not least, thanks to the mighty Malcolm Shoolbraid (who’s the drummer from Thigma) for doing the playthrough. And by the way, Thigma’s debut album (which was produced by Ray), is coming out soon, so check out their link below, cos if you dig Architects, you’ll dig Thigma. Finally, please note that despite the live drummer in the playthrough video, all the drums you’re hearing are the programmed MIDI drums with 100% of the sounds coming from the Modern & Massive library, we just wanted a drummer in the playthrough, so all the non-drummers watching can see the pattern being played. NEXTSo, now that you’ve got one section down, how do you write a new section for it, and then, how do you transition between those two sections? Great questions, and if this is something you need help with, then check out our cutting-edge online apprenticeship course, where you’ll literally learn every step of the music making process, and most importantly, you’ll learn how to finish your songs! Also, please note that we intentionally wrote our example to be very similar to Architects, but we did that for the sake of this lesson. So, instead of copying Architects, please explore how you can use this hack creatively with your own musical personality, so it sounds like you! Alright, that’s it! We really hope this video has inspired and empowered you, and if it has, please drop us a comment on YouTube. We love hearing from you! Thanks for joining the Hack Music Theory revolution, and we’ll see you next week! Kate & Ray Harmony (AKA Revolution Harmony)Music Teachers & Producers in Vancouver BC, Canada LEARN1: Read our free book (below) & watch our YouTube videos2: Read our "Part 1" book & "Songwriting & Producing" PDF3: Learn our Secret Art of Song-Whispering, and effortlessly finish your music! ABOUTHack Music Theory is the pioneering notation-free method for making great music. Taught by award-winning music lecturer Ray Harmony, and his protégé (and wife) Kate Harmony, from their studio in Vancouver BC, Canada. Ray is the author of critically-acclaimed book series "Hack Music Theory", and has made music with Serj Tankian (System of a Down), Tom Morello (Rage Against the Machine), Steven Wilson (Porcupine Tree), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), and many more. Kate has the highest grade distinction in Popular Music Theory from the London College of Music, and is the only person on the planet who's been trained by Ray to teach his Hack Music Theory method! While these Hack Music Theory YouTube lessons teach music theory for producers and DAW users, they are designed to accommodate all music makers (songwriters, guitarists, etc.) and all genres, from Electronic Music to R&B, Pop to Hip-Hop, Reggae to Rock, EDM/Dance to Metal (and yes, we djefinitely Djent!). Photo of Architects courtesy of Epitaph Records Wooohooo!!! You’re a mere 30 minutes away from being even smarter than you already are. Just head on over to your inbox now for your free download. There was an error submitting your subscription. Please try again. “The most brilliant, fast, easy & fun music theory book I’ve ever seen!” DEREK SIVERS, CD Baby founder We use this field to detect spam bots. If you fill this in, you will be marked as a spammer. DOWNLOAD FREE BOOK /* Layout */ .ck_form { /* divider image */ background: #EAE9EA url(data:image/gif;base64,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) repeat-y center top; font-family: 'Montserrat'; line-height: 1.5em; overflow: hidden; color: #000000; font-size: 16px; border-top: none; border-top-color: #666666; border-bottom: none; border-bottom-color: #3d3d3d; -webkit-box-shadow: none; -moz-box-shadow: none; box-shadow: none; clear: both; margin: 0px 0px; } .ck_form, .ck_form * { -webkit-box-sizing: border-box; -moz-box-sizing: border-box; box-sizing: border-box; } #ck_subscribe_form { clear: both; } /* Element Queries — uses JS */ .ck_form_content, .ck_form_fields { width: 50%; float: left; padding: 5%; } .ck_form.ck_horizontal { } .ck_form_content { border-bottom: none; } .ck_form.ck_vertical { background: #fff; } .ck_vertical .ck_form_content, .ck_vertical .ck_form_fields { padding: 10%; width: 100%; float: none; } .ck_vertical .ck_form_content { border-bottom: 1px dotted #aaa; overflow: hidden; } /* Trigger the vertical layout with media queries as well */ @media all and (max-width: 499px) { .ck_form { background: #fff; } .ck_form_content, .ck_form_fields { padding: 10%; width: 100%; float: none; } .ck_form_content { border-bottom: 1px dotted #aaa; } } /* Content */ .ck_form_content h3 { margin: 0px 0px 0px; font-size: 0px; padding: 0px; } .ck_form_content p { font-size: 14px; } .ck_image { float: left; margin-right: 5px; } /* Form fields */ .ck_errorArea { display: none; } #ck_success_msg { padding: 10px 10px 0px; border: solid 1px #ddd; background: #eee; } .ck_label { font-size: 14px; font-weight: bold; } .ck_form input[type="text"] { font-size: 16px; text-align: center; margin-top: 20px; margin-bottom: 0px; padding: 8px 8px; width: 100%; border: 1px solid #d6d6d6; /* stroke */ -moz-border-radius: 4px; -webkit-border-radius: 4px; border-radius: 30px; /* border radius */ background-color: #fff; /* layer fill content */ height: auto; } .ck_form input[type="email"] { font-size: 16px; text-align: center; margin-top: 0px; margin-bottom: 15px; padding: 8px 8px; width: 100%; border: 1px solid #d6d6d6; /* stroke */ -moz-border-radius: 4px; -webkit-border-radius: 4px; border-radius: 30px; /* border radius */ background-color: #fff; /* layer fill content */ height: auto; } .ck_form input[type="text"]:focus, .ck_form input[type="email"]:focus { outline: none; border-color: #aaa; } .ck_checkbox { padding: 10px 0px 10px 20px; display: block; clear: both; } .ck_checkbox input.optIn { margin-left: -20px; margin-top: 0; } .ck_form .ck_opt_in_prompt { margin-left: 4px; } .ck_form .ck_opt_in_prompt p { display: inline; } .ck_form .ck_subscribe_button { width: 100%; color: #fff; margin: 0px 0px 0px; padding: 8px 8px; font-size: 18px; background: #d74128; -moz-border-radius: 4px; -webkit-border-radius: 4px; border-radius: 30px; /* border radius */ cursor: pointer; border: none; text-shadow: none; } .ck_form .ck_guarantee { color: #626262; font-size: 12px; text-align: center; padding: 5px 0px; display: block; } .ck_form .ck_powered_by { display: block; color: #aaa; } .ck_form .ck_powered_by:hover { display: block; color: #444; } .ck_converted_content { display: none; padding: 5%; background: #fff; } /* v6 */ .ck_form_v6 #ck_success_msg { padding: 0px 10px; } @media all and (max-width: 403px) { .ck_form_v6.ck_modal .ck_close_link { top: 30px; } } @media all and (min-width: 404px) and (max-width: 499px) { .ck_form_v6.ck_modal .ck_close_link { top: 57px; } }
Learn what "melodic rhythms" are, and how you can use them to inject primal energy into your music, like Architects does in their new single “Hereafter” (from upcoming album "Holy Hell"). Hello revolutionaries, and welcome to the Hack Music Theory channel. This is our New Music Friday show, where we trawl through the new releases every week to find the hottest theory hacks for your weekend studio session! So, if that sounds useful to you, then please subscribe to our YouTube channel and hit the bell to get notifications. Alright, it's time to open your DAW to hack music theory. GIVEAWAYWe've got a super special show for you today, as we've partnered with the mighty GetGood Drums for an exciting giveaway of their brand new drum library: Modern & Massive! And just for the record, this is not a sponsored video (we don't do any sponsored content on our channel), we bought our copy of Modern & Massive, but because it's literally the best drum kit sounds we've ever heard, we just had to share ‘em with you! And there's an interesting story behind why we chose this video for the giveaway. Yes indeed, Dan Searle (the amazing Architects drummer) actually recorded his drums for the new album in the same studio that the Modern & Massive drum library was recorded in. And on top of that, the genius behind GetGood Drums, Adam “Nolly” Getgood, also engineered and mixed the new Architects album. So if you love Dan's drum sound, you need this library! And if you don't win in our giveaway, just buy a copy like we did, it's so worth it. You can enter our giveaway by subscribing to our channel and to the GetGood Drums channel (over at YouTube.com/GetGoodDrums). Then, drop us a comment on the above video and tell us why you should win the Modern & Massive drum library. We've got two copies to give away, which means our favourite two comments will both win. So, make those answers really sincere, or really funny! We'll announce the winners in next week's video. THEORYRhythm is ancient and primal, as our ancestors were almost certainly banging on things long before they were blowing into bone flutes. Now, fast forward over 40,000 years, and the colossal opening riff of the new Architects single “Hereafter” has this same primal energy to it, because it would function just as well if it was played on one pitch. This makes it a "melodic rhythm", which is a musical concept whereby a memorable rhythm is usually composed first, then pitches are assigned to the notes afterwards. Examples of "melodic rhythms" range from Beethoven's 5th symphony to Architects new single. The difference between a "melodic rhythm" and a melody, is that a "melodic rhythm" is still recognizable when its melody is removed, or when the pitches are all changed. And that's exactly why our example in this video still sounds like the “Hereafter” riff, even though we've changed all the pitches. Step 1 - Pulse & BackbeatSet your grid to 4 bars of 4/4, at a tempo of 121 BPM. Now, we're gonna start by giving your creation a heartbeat. So, hit a cymbal (we chose the china) on every 1/4 note beat. This is your beast's pulse! Next, it's snare time. And Architects drummer, Dan Searle, went with a super groovy halftime backbeat here, which is when you spank the snare on beat 3, instead of the regular beat 2 and beat 4. Step 2 - 16ths & VariationAh yeah, it's kick time! So, we're gonna get this party started with a bunch of 1/16 notes on the kick, for momentum, and throw a few on the snare too. And you only need to program 2 bars, cos then you just copy and paste ‘em into bars 3 and 4. Also, be sure to use syncopation, for maximum groove! Syncopation is when you play an off-beat, but not the on-beat just before it. And on one of your syncopated 1/8 note kicks, hit a crash as well, to really accent that off-beat. And for the ultimate syncopation, don't play a kick on beat 1 of bar 2 and bar 4. Yeah this is such a sick trick from Dan, and it takes this groove to a whole new level! Then the final bit of Step 2 is to simply add one 1/16 note to bar 4, to give it some variation, so it rolls around to the beginning. Step 3 - TripletsSo many rhythms these days consist of straight notes only, which is fine, but sprinkling a few triplets into a rhythm that's mainly straight notes, is just so tasty, as they're totally unexpected! So, change your grid to 1/16 triplets, and get sprinkling. Don't overdo it though, once per bar is plenty! Step 4 - MelodyLastly, now that your rhythm is pumping, it's time to turn it into a "melodic rhythm". So copy and paste your kick and snare rhythm into a guitar, bass or synth track, and then extend all the notes to the right, so there's no rests in between the notes. Next, move the notes up and down to create your melody. And if you're going for something heavy like Architects, then use dissonant intervals, which are the intervals of 1 semitone, 3 semitones, 6 semitones, 8 semitones, 10 semitones, and 11 semitones. And with that, you're done! THANKSLastly, thanks big time to everyone who made this video possible: Nolly, Matt, Misha, and our good chum Dez (who's not only part of GetGood Drums, he's also in one of our favourite bands: Good Tiger), and big thanks to our studio wizard Meyrick de la Fuente (from the band Exist Immortal) for mixing and mastering the example in this video, and last but definitely not least, thanks to the mighty Malcolm Shoolbraid (who's the drummer from Thigma) for doing the playthrough. And by the way, Thigma's debut album (which was produced by Ray), is coming out soon, so check out their link below, cos if you dig Architects, you'll dig Thigma. Finally, please note that despite the live drummer in the playthrough video, all the drums you're hearing are the programmed MIDI drums with 100% of the sounds coming from the Modern & Massive library, we just wanted a drummer in the playthrough, so all the non-drummers watching can see the pattern being played. NEXTSo, now that you've got one section down, how do you write a new section for it, and then, how do you transition between those two sections? Great questions, and if this is something you need help with, then check out our cutting-edge online apprenticeship course, where you'll literally learn every step of the music making process, and most importantly, you'll learn how to finish your songs! Also, please note that we intentionally wrote our example to be very similar to Architects, but we did that for the sake of this lesson. So, instead of copying Architects, please explore how you can use this hack creatively with your own musical personality, so it sounds like you! Alright, that's it! We really hope this video has inspired and empowered you, and if it has, please drop us a comment on YouTube. We love hearing from you! Thanks for joining the Hack Music Theory revolution, and we'll see you next week! Kate & Ray Harmony (AKA Revolution Harmony)Music Teachers & Producers in Vancouver BC, Canada LEARN1: Read our free book (below) & watch our YouTube videos2: Read our "Part 1" book & "Songwriting & Producing" PDF3: Learn our Secret Art of Song-Whispering, and effortlessly finish your music! ABOUTHack Music Theory is the pioneering notation-free method for making great music. Taught by award-winning music lecturer Ray Harmony, and his protégé (and wife) Kate Harmony, from their studio in Vancouver BC, Canada. Ray is the author of critically-acclaimed book series "Hack Music Theory", and has made music with Serj Tankian (System of a Down), Tom Morello (Rage Against the Machine), Steven Wilson (Porcupine Tree), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), and many more. Kate has the highest grade distinction in Popular Music Theory from the London College of Music, and is the only person on the planet who's been trained by Ray to teach his Hack Music Theory method! While these Hack Music Theory YouTube lessons teach music theory for producers and DAW users, they are designed to accommodate all music makers (songwriters, guitarists, etc.) and all genres, from Electronic Music to R&B, Pop to Hip-Hop, Reggae to Rock, EDM/Dance to Metal (and yes, we djefinitely Djent!). Photo of Architects courtesy of Epitaph Records Wooohooo!!! You're a mere 30 minutes away from being even smarter than you already are. Just head on over to your inbox now for your free download. There was an error submitting your subscription. Please try again. “The most brilliant, fast, easy & fun music theory book I've ever seen!” DEREK SIVERS, CD Baby founder We use this field to detect spam bots. If you fill this in, you will be marked as a spammer. 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In this episode of "Inside the Machine", our fifth guest is Adam "Nolly" Getgood, Co-founder of GetGood Drums and producer of Periphery, Animals As Leaders, Bleed From Within and Rise To Remain. -- For more info on Neural DSP, please visit https://store.neuraldsp.com -- Connect with Neural DSP Facebook: https://facebook.com/NeuralDSP Twitter: http://twitter.com/NeuralDSP Instagram: http://instagram.com/NeuralDSP
Misha Mansoor is best known for being the guitarist and founding member of successful progressive metal band Periphery as well as other projects like Haunted Shores, Four Seconds Ago. His love for gear and work ethic has led him to work with some companies in the game like Jackson Guitars, Bare knuckle Pickups to him starting his own business ventures with GetGood Drums and Horizon Devices. In This Episode: - Misha Gives Us Some Thoughts On Being An Entrepreneur - Why He Chooses Cubase To Be His DAW Of Choice - How he uses our Olympus Symphonic Choir libraries - Songwriting Tips And Getting Out Of Writers Block - Wanting To Some Day Be A Video Game Composer
Adam “Nolly” Getgood drops in to touch on everything from launching his new drum sample company GetGood Drums, to why he stepped down as the touring bassist for Periphery, production and mixing tips, as well as what it takes to network with the top tier world-class professionals out there. “There’s this curve that happens where when you are first starting ... Read More The post EP71 | Adam “Nolly” Getgood appeared first on Unstoppable Recording Machine.
Adam “Nolly” Getgood drops in to touch on everything from launching his new drum sample company GetGood Drums, to why he stepped down as the touring bassist for Periphery, production and mixing tips, as well as what it takes to network with the top tier world-class professionals out there. “There's this curve that happens where when you are first starting out, you don't know what you're listening for and being able to hear things in a really controlled environment in an amazingly treated room, allows you to develop your ear to hear the subtleties...what happens once you know what you're listening to, you start to need less information to be able to do your job...” - Adam "Nolly" Getgood (Periphery, GetGood Drums) On this episode: - How classical informs Nolly's musical perspective - The countless producers who came up in the forum scene - Nolly's transition from touring musician with Periphery to full-time producer/engineer - How he delivered amazing mixes working with headphones on a tour bus - What DAW Nolly prefers these days - The techniques Nolly uses to get his SLAMMING bass tone ITB - Why he prefers a Beta57 to the SM57 Links: GetGood Drums Nolly on Nail The Mix Aphex