Podcasts about metal music

On the 142nd Episode of Dorm Damage With Tom & Zeus the guys list their Mount Rushmore of "Hair Metal" Music Videos. Tom & Zeus continue their "The Mount Rushmore" series, where Tom and Zeus will pick a category and then they will list their top 4 in the category each. In this episode the guys will list their top 4 hair metal music videos. They each will have their own criteria and then choose their 4 videos on their Mount Rushmore! Yeah Bango Tango! To Purchase Shout It Out Loudcast's KISS Book “Raise Your Glasses: A Celebration Of 50 Years of KISS Songs By Celebrities, Musicians & Fans Please Click Below:   ⁠⁠Raise Your Glasses Book⁠⁠   For all things Shout It Out Loudcast the #1 KISS Podcast check out our amazing website by clicking below:   ⁠⁠www.ShoutItOutLoudcast.com⁠⁠   Interested in more Shout It Out Loudcast content?  Care to help us out?  Come join us on Patreon by clicking below:   ⁠⁠SIOL Patreon⁠⁠   Get all your Shout It Out Loudcast Merchandise by clicking below:   ⁠⁠Shout It Out Loudcast Merch At Printify⁠⁠   Shop At Our Amazon Store by clicking below: ⁠⁠Shout It Out Loudcast Amazon Store⁠⁠   Please Email us comments or suggestions by clicking below: ⁠⁠ShoutItOutLoudcast@Gmail.com⁠⁠   Please subscribe to us and give us a 5 Star (Child) review on the following places below: ⁠⁠iTunes⁠⁠ ⁠⁠Podchaser⁠⁠ ⁠⁠Stitcher⁠⁠ ⁠⁠iHeart Radio⁠⁠ ⁠⁠Spotify ⁠⁠   Please follow us and like our social media pages clicking below: ⁠⁠Twitter⁠⁠ ⁠⁠Facebook Page⁠⁠ ⁠⁠Facebook Group Page Shout It Out Loudcasters⁠⁠ ⁠⁠Instagram⁠⁠ ⁠⁠YouTube⁠⁠   Proud Member of the Pantheon Podcast click below to see the website: ⁠⁠Pantheon Podcast Network⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode begins with a lively discussion about brand new albums from Khemmis, Fires in the Distance and Godthrymm. We also share What We're Listening To and creak open the catacombs to reveal our Picks From the Crypt. Plus, Markisan is in the hot seat for the Wheel of Pain segment, Would You Rather. Find out what imaginative hypotheticals the gang throws at him, then cringe in horror at the terrible choices he's forced to make! 

Send me a DM here (it doesn't let me respond), OR email me: imagineabetterworld2020@gmail.comToday I'm honored to introduce you all to: Sexual assault survivor, whistleblower and overcomer, Frontwoman, singer and songwriter for the band Wisher, loving fiancee to Noah, black belt badass, belly dancing goddess, workout fanatic, creative writer, artist and poet, Pirates of the Caribbean devottee, animal lover, Pokemon card collector, special effect and set building aficionado, former Jane from Tarzan, recovering alcoholic and sobriety champion, and an incredible young woman breaking her silence for the first time today: Kayleigh KAnnA little bit about Kayleigh and what we will be discussing today: Born with dreams that refused to stay small, young Kayleigh scribbled “singer” on those childhood “what I want to be” papers. Music was never a hobby - it was destiny written in her bones. Today, as the ethereal yet thunderous voice of Wisher, Kayleigh channels that calling into symphonic metal that blends the grandeur of Nightwish, the cinematic sweep of Hans Zimmer, and the heavy fire of Avenged Sevenfold. Their music is raw, evolving, and deeply human: shorter, sharper tracks like “Aqua Devita” that feel like emotional release, harmony-laden guitars that soar like choirs, and live shows where Kayleigh performs as if every modest venue is Live Aid. She closes her eyes, sees thousands, spins, jumps, and pours out her soul - because the stage is her haven, her zone, and her way of sharing joy no matter if two people or two thousand adoring fans stand before her.Wisher itself tells a story of growth and chosen family. After years of lineup changes and compromise, the current steadfast crew of Wisher jams from the heart - meshing whimsical wonder with crushing riffs, and prioritizing real connection over perfection. The band's journey mirrors Kayleigh's own: honest, theatrical, a little intense, and utterly authentic. They've turned bar stages and club nights into sacred spaces of celebration, even when life throws emergencies, health struggles, or industry hurdles their way. Kayleigh leads with love, canceling shows if a bandmate needs care - always choosing mental health and family over deadlines, because she knows what truly matters.Yet Kayleigh's light shines brightest against the shadows. She has looked unflinchingly at the entertainment industry's underbelly - its documented ties to exploitation and human trafficking - and refused to dim her own path. A survivor herself who carries the weight of knowing too much, she re-evaluated her dreams rather than selling her soul for fame. She speaks openly about the darkness: artists lost, survivors silenced, monopolies like Live Nation squeezing out local voices, and the ethical cost of “success.” Her response? Double down on integrity, support real artists who build with heart and entrepreneurship, treat music as ministry, prioritize purpose over profit, and fiercely protect what is sacred.And on today's show, Kayleigh will be breaking the silence on her own story of survival - a life-altering, traumatic event and aftermath that changed her life forever. A testimony of ultimate betrayal by people she loved, trusted, and cared deeply about. And together, we will be taking off the heavy layers of guilt and shame that have weighted heavy on her heart and soul for many years, and shedding them - handing them back to those who caused the betrayal that was never supposed to happen. Kayleigh has spent years advocating for others - she has loudly been cheering on the survivor community - learning, educating others, and being an incredible ally - all while silently harboring a testimony of her own. And today that silence breaks. Today, a bright light gets shined on the darkness. And today, Kayleigh's voice expands from singing on stages and her online advocacy, and into the eyes and ears of those ready to bear witness to her own story of overcoming. Today, she passes the torch she has received from other survivors in her own healing journey to all of you here with us today. Kayleigh is proof that survivors don't just endure - they rise, they sing, they uplift. In her music and her message, she hands us back our own light: the reminder that we all have a soul, a purpose, and the power to create beauty anyway. She is living testimony that no matter what you've survived, your voice can still shake the world with love. 

Get ready to snap your necks, Australia, because New Zealand black-thrash titans Bulletbelt are crossing the ditch this June to tear you all a new one.The Wellington metal veterans are locked and loaded for the highly anticipated resurrection of Dead of Winter Festival. Taking place on Saturday, June 27, 2026, at its brand-new stomping ground the Mansfield Tavern, this iconic alternative counter-culture gathering is officially back after a multi-year hiatus. While Aussie heavyweights like DZ Deathrays and Mammal are ready to hold down the home front, Bulletbelt represents the absolute pinnacle of relentless, sonic savagery coming from across the Tasman.If you have ever witnessed Bulletbelt live, you know they do not just play music; they deliver a sonic assault that leaves your ears ringing and your feet bruised. Their signature blend of old-school thrash velocity and cold, uncompromising black metal atmospheric filth creates a hellish wall of sound. It is the kind of measured aggression that instantly gets your head snapping. For years, these guys have carved out a reputation as one of the hardest-working, most road-hardened extreme metal forces in the Southern Hemisphere.Dead of Winter has always been a sanctuary for the outsiders, the riff-lords, and the beautiful weirdos of the heavy music community. Moving the madness to the legendary Mansfield Tavern means 34 acts will split your skull across multiple stages. It offers the perfect, high-intensity indoor environment for Bulletbelt to do what they do best: decimate crowds. Expect sweat-soaked leather, full-throttle blast beats, and a wave of pure, unadulterated energy that hits with the subtle force of a flying brick.HEAVY caught up with drummer Steve Francis to find out more. With Dead Of Winter returning after a number of years, we ask Steve just how important festivals that nurture homegrown talent are to the continued growth of Australian and New Zealand music."They're huge," he replied instantly. "And look at Australia. Look at how many amazing heavy bands there are at the moment, and a little bit of a parallel to back here in Wellington. I think the local scene at the moment here in Wellington and the bigger New Zealand is probably better than it's ever been. There's so many bands that are getting overseas and getting signed to international labels and coming over to play Brisbane with such a really cool, diverse lineup as well.We came two years ago and played Necrosonic Festival, and that was catered a little bit more to the heavier side of the rock genre. But this one is really exciting because we're going to be presenting ourselves in front of a bunch of people who aren't just into heavy music, they're into all sorts of rock-oriented music. So, yeah, really excited."In the full interview, Steve reported that Bulletbelt has been off the road since a November 2024 15th‑anniversary show while recording a new album, which is finished and produced by U.S. producer Damien Reynard to achieve a “world‑class” sound. The record emphasizes more melody, higher tempos (including songs near 200 BPM) and power‑metal influences, and is planned for release around October; release timing is partly delayed by the postponed film Deathgasm 2, for which Bulletbelt wrote the theme.Steve characterized the band's festival approach as high‑energy, crowd‑engaging “party band” sets and said festivals are crucial for reaching broader rock audiences beyond heavy‑music niches. He confirmed the band will perform two new songs during the Australian shows and named local bands he's anticipating at Dead of Winter and more.Dead Of Winter will be held at the Mansfield Tavern in Brisbane on June 27, featuring Mammal, DZ Deathrays, Jay and Lindsay, Beanflipper, Toe to Toe, Slim Krusty and many more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersLet's be honest for a second. When you hear that Karnivool is touring, your ears instantly prick up. They are the undisputed kings of Australian progressive rock, a band that makes complexity sound like second nature. But when the tour announcement dropped, the words Car Bomb and TesseracT were slapped on the bill alongside them, things suddenly took an even bigger turn for the better. This isn't just a concert line-up; it's an absolute musical assault on the senses.HEAVY has always loved music that challenges you—the kind of tracks that don't just sit in the background but grab you by the throat and force you to pay attention. That is exactly what this tour is going to do. If Karnivool is the masterclass in sonic atmosphere, deep groove, and sweeping, emotional melodies, then Car Bomb is the chaotic entity sent to tear the room to pieces before the headliners even touch the stage.For the uninitiated, Car Bomb doesn't just play metal; they weaponise time signatures. Their style is a dizzying, frantic, and claustrophobic mathcore that feels like a glitching supercomputer trying to punch its way out of your speakers. Pairing their jagged, laser-guided ferocity with Karnivool's lush, towering soundscapes and the wizardry of TesseracT is a stroke of absolute genius. It's a beautiful contrast between absolute, calculated chaos and pristine, progressive beauty.HEAVY sat down with Car Bomb's guitarist Greg Kubacki to find out more. One of the topics of discussion is how Car Bomb find the balance between styles and genres in the creative process."I do the majority of the writing these days," Greg replied. "Back in the day, it was all of us working together in a room, but now we all have responsibilities, so I do the majority of the stuff. When the song starts, I start with an idea and put it on the shelf for a month or two and come back to it and see if I like it. And if I like something - whether it's technical or it's knuckle-dragging, really simple stuff - I'll just start working on a song from there.When I run out of ideas, that's when I usually know a song's done. Or if I put the song again on the shelf for another month and listen to it, and I don't find anything wrong with it, then I'm like, okay, it's good. But usually we have so many ideas that we're always working on. It's not like the movie Amadeus, where we're just writing it out, and it's written in five minutes (laughs)."In the full interview, Greg explains why it has taken Car Bomb so long to make it to Australia, how he prepares to tour a country for the first time and what they are expecting. He talked about the live show and what to expect, including what three songs people going to the show should listen to in order to get to know the band and music more.Greg ran us through difficulties in transforming the musical complexities into the live arena, as well as finding the balance between styles in the creative process. We spoke about the early days of Car bomb and the musical climate that gave birth to the band, the first time he heard one of his own songs on the radio and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

On the 142nd Episode of Dorm Damage With Tom & Zeus the guys list their Mount Rushmore of "Hair Metal" Music Videos. Tom & Zeus continue their "The Mount Rushmore" series, where Tom and Zeus will pick a category and then they will list their top 4 in the category each. In this episode the guys will list their top 4 hair metal music videos. They each will have their own criteria and then choose their 4 videos on their Mount Rushmore! Yeah Bango Tango! To Purchase Shout It Out Loudcast's KISS Book “Raise Your Glasses: A Celebration Of 50 Years of KISS Songs By Celebrities, Musicians & Fans Please Click Below:   ⁠Raise Your Glasses Book⁠   For all things Shout It Out Loudcast the #1 KISS Podcast check out our amazing website by clicking below:   ⁠www.ShoutItOutLoudcast.com⁠   Interested in more Shout It Out Loudcast content?  Care to help us out?  Come join us on Patreon by clicking below:   ⁠SIOL Patreon⁠   Get all your Shout It Out Loudcast Merchandise by clicking below:   ⁠Shout It Out Loudcast Merch At Printify⁠   Shop At Our Amazon Store by clicking below: ⁠Shout It Out Loudcast Amazon Store⁠   Please Email us comments or suggestions by clicking below: ⁠ShoutItOutLoudcast@Gmail.com⁠   Please subscribe to us and give us a 5 Star (Child) review on the following places below: ⁠iTunes⁠ ⁠Podchaser⁠ ⁠Stitcher⁠ ⁠iHeart Radio⁠ ⁠Spotify ⁠   Please follow us and like our social media pages clicking below: ⁠Twitter⁠ ⁠Facebook Page⁠ ⁠Facebook Group Page Shout It Out Loudcasters⁠ ⁠Instagram⁠ ⁠YouTube⁠   Proud Member of the Pantheon Podcast click below to see the website: ⁠Pantheon Podcast Network⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

A new era of the Metalheads Podcast begins! We introduce an exciting structure for the show that includes streamlined discussions of New Releases, What We're Listening To and Pick From the Crypt. After tackling those familiar segments we unveil THE WHEEL OF PAIN! At the end of each show we'll take turns spinning a virtual wheel with 30 unique discussion topics. The spinner will then lead the segment selected in the next show! For this inaugural Wheel of Pain, we pre-selected the segment, Behind the Curtain. Led by Jay, we discussed the legacy and impact of legendary producer Martin Birch. Plus, George and Will recap their time at Maryland Death Fest and we spin the wheel live for the first time. Find out WHAT our next segment will be and WHO will run it!

Interview by Kris PetersKnown for redefining genre boundaries, Prompts have built a reputation for masterfully fusing elements of nü-metal, mathcore, djent and deathcore, crafting a sound that is entirely unique to them that feels both experimental and refined. With members hailing from both Japan and South Korea, the band's dual heritage continues to shape their distinctive sound - a melding of contrasting influences and cultures.Continuing to prove themselves as one of metals most exciting up and coming acts, Japan-based metalcore outfit Prompts tread new ground on silky smooth new single "Death of Me", out now via Greyscale Records in partnership with Papercut Records (US).Leaning into a more subdued and atmospheric direction, "Death of Me" sees the band trade thrashing undercurrents for a slow-burning sense of yearning. The track lingers and aches, built around a deeply human contradiction - the kind of love where wanting the best for someone means convincing yourself to walk away. "One part of you swears letting go is the right thing to do, while the most honest part of you is quietly begging for the exact opposite," says the band. Ultimately, "Death of Me" unfolds as a confession confronting vulnerability and embracing softer truths. "It is about finally facing the softer, weaker parts of yourself you were trying to hide, and admitting that all you really wanted was to stay close to the person who never left your heart.”HEAVY sat down with frontman PK while he was in Australia as guest vocalist for Crystal Lake to find out more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersA band who transcend genre and have transfixed fans across the globe since emerging in 2003, ENTER SHIKARI weave an unforgettable blend of post hardcore rock and electronic wizardry, while also flying the flag for meaningful lyricism that spans politics, climate change and the very gamut of the human experience.During their remarkable and celebrated career, Enter Shikari have received several accolades in the form of gongs from NME, Kerrang!, Rock Sound, Heavy Music Awards and more. They have played a whopping 3000+ live shows around the world including three headline arena tours in the UK, supported the likes of The Prodigy and Linkin Park and played festivals such as Glastonbury, Reading & Leeds, Download and Slam Dunk where they also headlined in 2023.And now it's Australia's turn, as Enter Shikari ready for their first headline tour of this country since 2022 on the back of dropping their most recent album, Lose Your Self, as a well kept secret with no singles, no promotion. Nothing. A band who have never been afraid to shun convention, Enter Shikari remain as fresh and relevant today as when they first burst onto the scene in 2003. HEAVY took the opportunity to chat with frontman Rou Reynolds ahead of the tour, starting by asking if he is packed and ready to fly. "Getting there," he laughed. "We're all very excited to get back to Australia. It's one of our favourite places to play."Australian fans got to see Enter Shikari live earlier last year as part of Knotfest 2025, so we ask Rou what has changed with the band since that tour."Oh, blimey," he countered. "We finished up our record and released that. That was a long, arduous process (smiles). All sorts of life stuff has been going on… It's been all change really. But at the same time it doesn't feel like that long ago we were in Australia but that's an example of how quickly time seems to ebb away at the moment (laughs)."Talk turns to last months unconventional release of Enter Shikari's new album Lose Your Self, which was granted no advance publicity or convential single release schedule and was instead set forth on the world to little fanfare and much surprise. We ask Rou about the thought process behind such a potentially risky move."I think once we finished the album we really saw it as a body of work; as one entity," he replied, choosing his words carefully. "And that was kind of a shock really, because the album was recorded in such a disjointed way over a long period of time. There was a worry that it wouldn't come together as one solid body of work but it did, quite effortlessly. At that point we were trying to think how did we want to release this and we basically just thought it would be a credit to the art of it if we just released it. How do we want people to approach this album? How do we want them to absorb it? And I think the traditional way of releasing three or four singles before a reord just didn't excite us. I think just dropping a record in people's laps forces them to take it in as an album. The focus then becomes not about the hype or trying to make a really successful album. It actually becomes about how do people react to the album? How do people indulge in it and make it their own when they take one body of work and immerse themselves in it. That's really exciting to us."In the full interview Rou talks more about the tour and what we can expect, running us through an Enter Shikari live show and the synergy between the band and the crowd that creates a welcoming and comfortable experience.We spoke more about Lose Your Self and the surprise release, including the changes in approach and pressure the band experienced by not having to meet pre-album obligations and expectations. Rou talked about the darkness inherent in the album material and how it represents Enter Shikari moving forward and much more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Rewind to 23 April – 29 April 2006 — and Australia's glued to a rescue, metalheads are doing emotional homework, Coachella quietly changes music history and horror gets… deeply unsettling.⛏️ Trapped, televised, unforgettable An Anzac Day mine collapse in Beaconsfield traps three miners a kilometre underground — and suddenly the entire country is emotionally invested. One miner is tragically found dead, but two are discovered alive days later, surviving in a space the size of a coffee table, singing The Gambler and rationing a single muesli bar. Cue collective national meltdown and wall-to-wall TV coverage like it's the original binge-watch. 

Interview by Kris PetersWaiting for something you truly desire can be pure agony and loyal fans of Norwegian extreme metal royalty Dimmu Borgir know that feeling better than most. Ever since guitarist Sven “Silenoz” Kopperud and vocalist Stian “Shagrath” Thoresen formed the band amid Norway's shadowed forestlands in 1993 - at the height of second-wave black metal's triumphant aeons - rushing the creative process has never been part of the equation. Especially since Abrahadabra (2010), Dimmu Borgir's latter-day opuses have arrived only when every last detail has been carved into place, never when trends, algorithms, or schedules demanded it. It has proven to be the right path for these northern devotees of the underworld: Dimmu Borgir's records have gone on to become all-time metal classics.Eight years after their previous studio release Eonian, Dimmu Borgir return with thirteen punishing yet remarkably diverse tracks under the banner Grand Serpent Rising on May 22, and even the sheer weight of the album title alone speaks volumes.HEAVY caught up with Silenoz to find out more, asking him to describe Grand Serpent Rising from a musical point of view and what Dimmu Borgir were going for with it."I think we've just approached it like we always approach a new album," he shrugged. "We don't really have a specific recipe in that sense. We get together with stuff that we have collected individually and basically throw it into the pot and stir around and see what brew comes out of it in the end. It's nothing more dramatical than that. But yeah, some songs needs a little bit more time than others. It all it all depends. You don't really have an off and on switch or creative button, so to speak. So you just have to try and go about it while the iron is hot, so to speak."In the full interview, Silenoz described Grand Serpent Rising's background and the band's plans around its release. He revealed the album gathers songs written over several years and that the band achieved its creative aims for this release; explaining Dimmu Borgir's process of assembling individual ideas without a fixed recipe, allowing songs to mature at different rates and intentionally showcasing the band's different eras and dynamics.The conversation covered artistic choices and practical changes. Silenoz explained the opening string-led intro for Tridentium and the decision to keep the album lengthy rather than shorten it for attention-span concerns, and noted that the title serves lyrical depth rather than denoting a title track. He also described a shift in songwriting responsibility toward himself and Shagrath after longtime guitarist Galder's departure, the selective use of Norwegian when English did not convey feelings on some songs, plans for shorter, more frequent touring runs following the May 22 release and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Angela CroudaceFrom Ashes to New are entering a new era with Reflections, a record shaped by honesty, pressure, and a refusal to settle. Speaking on the band's latest single Die For You, frontman Danny Case explained how the track grew from deeply personal experiences, capturing the exhaustion of giving everything in a relationship and finally drawing a line.That emotional weight drove every creative decision. Rather than overbuilding the song, the band chose to cut straight to the core, letting the vulnerability hit immediately. It's a mindset that carried across the album, with the band scrapping large portions of early demos when they realised the material simply “wasn't moving” them.The result is their most detailed and ambitious work yet, both musically and vocally. For Danny, that meant pushing beyond his comfort zone and embracing discomfort as a catalyst for growth.At its heart, Reflections is about perspective, learning to let go of bitterness, appreciate the present, and recognise that even the darkest moments can lead to something meaningful. Check out the full interview above.Pre-order/order Reflections: https://fatn.lnk.to/reflectionsBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersPhoenix Arizona legends BLESSTHEFALL are headed our way with Memphis May Fire later this month, for their first Australian shows in over a decade.Following a hiatus after their 2018 album Hard Feelings, BLESSTHEFALL returned, teasing new music in 2025 and embracing their "mallcore" roots. Formed in the early 2000s, they are considered veterans of the post-hardcore/metalcore scene, having gone through various lineup changes while keeping key members like vocalist Beau Bokan and bassist/vocalist Jared Warth and have hit the ground running since their return.The pairing of Memphis May Fire is a seismic team-up that promises to redefine metalcore, delivering unrelenting riffs, breakdowns, and anthemic screams to ravenous crowds. With over two decades of combined touring dominance, these two bands have shared stages worldwide, from Warped Tour to packed U.S. arenas, and now they're bringing their explosive synergy to Australia!HEAVY sat down for an entertaining chat with Bokan, starting by asking what has changed with Blessthefall since their last visit in 2014."We've gotten a little older," Bokan smiled. "We've gotten a little wiser - maybe not too much wiser (laughs). We took a hiatus for a little bit and came back in in 2023 and it's been so fun to be back and active and seeing metalcore thriving. So many people are rediscovering us or discovering us for the first time so it's really cool. We're just...  we do what we do. We like to have fun on stage, so we like to party. But I think a little bit of the stuff that's changed is trying to just sound better on stage, you know. Obviously, we like to jump and run around and be exciting, but at the same time we don't want to sacrifice our sound too much. I feel like now, more than ever... you play a show and it's on the internet in five minutes so the bar is set really high. So just focusing, and for me, personally, singing better and trying to make sure I'm hitting the notes but also putting on a show. We don't want to sacrifice too much of the excitement and the showmanship, stuff like that."In the full interview, Beau spoke more about the tour and what we can expect from Blessthefall. He told us why themselves and Memphis May Fire compliment each other beautifully in the live arena, highlighting past shows they have played together and their close friendship outside of touring.He spoke about their 'comeback album Gallows and how it was received, admitting there were a few nervous moments before it was released in relation to how much their time off would actually impact the band moving forward. We spoke about Blessthefall moving forward, including playing some of the worlds biggest festivals after they finish in Australia and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

We're back with a special two-hour hang with some of our favorite guests, Temple of Void! Will was on location with the full band in a secret metal dungeon to discuss their crushing new album, The Crawl. Mike, Alex, Jason and Justin talk about the process for writing songs that are redefining their music beyond death doom. Plus, unexpected love for the 90s riffs of Bush, why boxing is truly the sweet science, what D&D character classes best represent the band, the need for exceptional dexterity when shooting music videos and... the power of haiku? All this and more awaits you, brave adventurer, in Episode #166: Dungeon Masters featuring Temple of Void.

In this episode of Americana Podcast: The 51st State, Robert Earl Keen sits down with Billy Strings to talk about learning to play, the craft of songwriting, and the evolving world of Americana music. Born William Apostol and raised in rural Michigan, Billy Strings grew up surrounded by bluegrass. By the time he was a teenager, his blistering flatpicking had already earned him a reputation as a prodigy among pickers and players. Years of relentless practice and countless small gigs eventually carried him from Midwestern bars and festivals to some of the biggest stages in roots music. For years, bluegrass lived mostly in whispers. You might hear it referenced in liner notes, spot it in a citation, or see it pop up in the occasional New Yorker cartoon. But something has changed. The conversation has gotten louder, and the reality is harder to ignore. Bluegrass music is considered cool now. It should not come as much of a surprise. Bluegrass has always carried a rich and vibrant history stretching back to the early twentieth century. It is a genre that holds tight to regional identity, creative freedom, and remarkable musicianship. At the same time, it has always fostered a deeply communal culture of learning, where songs, skills, and stories move naturally from one player to another. What the music needed was a new voice. New chapters. New songs added to the bluegrass canon. That is where Billy Strings comes in. Over the past several years, Billy has emerged as one of the most influential figures in modern bluegrass. His albums Home and Renewal helped push the genre into new territory while earning widespread acclaim, including multiple Grammy Awards, with Home winning Best Bluegrass Album. His live shows have developed a devoted following, blending traditional bluegrass musicianship with the improvisational spirit of jam bands and the storytelling roots of Americana. Billy Strings makes music that is rooted in bluegrass but stretches well beyond it. His songwriting reflects a deep understanding of the power of a well-crafted song. His lyrics move easily between personal reflection, observations about economic and ecological change, and the everyday questions that shape a life. All of it is supported by remarkable musicianship and production, where intricate playing and layered sonic details often create moments that feel almost like soundscapes. Trying to describe how good he is can be difficult. Some things are simply easier to hear than to explain. Listen to the full episode on all streaming platforms or at Americanapodcast.com. Like, share, and subscribe to Americana Podcast. Episodes and Bonus content available on YOUTUBE!https://www.youtube.com/@robertearlkeenofficial Donate to the show!https://tiptopjar.com/americanapodcastInstagram@robertearlkeen1Have questions or suggestions? Emailcreatedirector@robertearlkeen.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week, Jodie and Red are joined by Nick from Record Rippers and Beelzebuds, to go through some Metal Music!! Red had some technical difficulties about halfway through (You won't know that because Red is a master editor!) so Jodie brings it on home!!Can a sad, slow, whiney ass song about some stupid novel beat Cookie Monsters suicide note set to music? YOU be the JUDGE!!!The Devil Wears Prada - Please Say NoVSSix Feet Under - The NooseFollow Nick on Twitter. Vote via ⁠⁠⁠⁠Twitter⁠⁠⁠⁠, ⁠⁠⁠⁠Discord OR under the episode description on Spotify.Join the ⁠⁠⁠⁠Patreon⁠⁠⁠⁠Join the ⁠Discord⁠

On todays episode we get back into the reviewing of newer albums and start with Cradle of Filth: The Screaming of the Valkyries, The Protomen: Act 3 - This City Made Us, and Paradise Lost: AscensionFind all things Metalhead Journeys here:https://linktr.ee/metalheadjourneys   Support the show

The 2026 seal shatters with an aerodynamic new episode of the Metalheads Podcast! We start with a discussion about New Releases, highlighted by some long and lively takes on the new Kreator and Megadeth albums, then we share What We're Listening To and Picks from the Crypt. After the sarcophagus closes, John reveals the top 2025 honors based on stats from our big year-end show. Find out who took home the Frenemies Award, the Get a Room Award, the Clairvoyant Award, The America Fuck Yeah Award, the World Traveler Award, the Jay Award and the coveted Wilson Award. Plus, George makes a promise of podcast changes to come...

In this episode of the Scandalous Podcast, Liz Selfish, the lead singer of the band Brat, discusses the formation of her band, their unique sound, and the impact they are making in the metal scene. Liz shares her journey from Dallas to New Orleans, her musical influences, and the experiences that shaped her as an artist. The conversation also touches on the challenges and joys of touring, the importance of female representation in music, and the fun dynamics within the band. As they look towards the future, Liz hints at new music and upcoming tour dates and getting married in a few months! Follow @ScandalousOfficial

In episode 253 of Heavy Metal Philosophy, Jon Barbas reacts to "10 Modern Metal Trends That Need To Stop In 2026" by MetalBIRB. We made a lot of these same criticisms about modern metal and metalcore a little over year ago. It looks like the core kids are starting to agree with me. Let me know what you think!MetalBIRB's video;https://youtu.be/7cmEcXP8XSg?si=6z0hQQ1xFByy7CN1Get Heavy Metal Philosophy Merch!https://jonbarbas-shop.fourthwall.com/Heavy Metal Philosophy Contact;https://heavymetalphilosophy.com/YouTube: https://youtube.com/@heavymetalphilosophyhttps://www.spreaker.com/show/heavy-metal-philosophyJonBarbas@heavymetalphilosophy.comhttps://mobile.twitter.com/heaviestdoyenhttps://www.facebook.com/HeaviestDoyenhttps://www.instagram.com/heavy_metal_philosophy/https://www.threads.net/@heavy_metal_philosophyhttps://bsky.app/profile/jonbarbas.bsky.social Substack Articleshttps://substack.com/@jonbarbas#modernmetal #metal #metalcore

Metalhead Journeys returns with a recap of 2025. What we listened to; the good, the bad, and some upcoming. 

Join Rayo2 for the first ever installment of Metal Music Mondays (on a Tuesday) on the P.A.Z.NIA Radio Network: a video journey through the heaviest, melodic, freedom-focused metal, plus monologues from Rayo2. Also consider joining us for our weekly Self-Liberation Saturday transmission — starting at 4pm EST/3pm CDT with Thane… The post P.A.Z.NIA Radio Network: Metal Music Mondays with Coordinator Rayo (+ A New Year's Review) appeared first on The Vonu Podcast.

Here come Metalheads, here come Metalheads, right down Metalheads LaneWe got a bag that's filled with toys for boys and girls againHear those slay bells jingle jangle, oh what a beautiful sightSo jump in bed and cover your head, cause Metalheads come tonight!

In episode 246 of Heavy Metal Philosophy, Jon Barbas breaks down Rick Beato's latest rant about Heavy Metal's declining popularity. What did Rick Beato get right? What did he get woefully wrong? Is metal really on the decline or are times just different? Let me know what you think!Get Heavy Metal Philosophy Merch!https://jonbarbas-shop.fourthwall.com/Heavy Metal Philosophy Contact;https://heavymetalphilosophy.com/YouTube: https://youtube.com/@heavymetalphilosophyhttps://www.spreaker.com/show/heavy-metal-philosophyJonBarbas@heavymetalphilosophy.comhttps://mobile.twitter.com/heaviestdoyenhttps://www.facebook.com/HeaviestDoyenhttps://www.instagram.com/heavy_metal_philosophy/https://www.threads.net/@heavy_metal_philosophyhttps://bsky.app/profile/jonbarbas.bsky.social Metal Digest articles link;https://metal-digest.com/author/jon-barbas/#metal #rickbeato #metalhead

In the penultimate 2025 episode, our friend Justin Riley joins us to discuss metal news and evaluate a mighty list of new releases, including albums from Coroner, Evoken, An Abstract Illusion, Hooded Menace, Tombs, Wode, Testament and more. Plus, What We're Listening To, Picks From the Crypt, epic homework failures and an elemental monster battle of final albums, as Celtic Frost "Monotheist" locks horns with Bolt Thrower "Those Once Loyal" in a Thunderdome clash for the ages.

Send us a textJoining the show is lead vocalist Gwyn Strang of the band Frayle. Hailed as one of the fastest rising doom metal bands, Frayle recently released it's sophomore album, Heretics and Lullabies, which sees the band expanding on the melancholic and haunting sound. Join us as we explore the origin of Frayle, the band's unique style and sound, as well as Gwyn's love for horror.Follow us on Social Media: @pvdhorror Instagram, X, TikTok, FacebookWatch us on YouTube: www.youtube.com/@pvdhorrorSpecial thanks to John Brennan for the intro and outro music. Be sure to find his music on social media at @badtechno or the following:https://johnbrennan.bandcamp.com

Brian Slagel, founder and CEO of Metal Blade Records joins this week to talk some hockey, some metal, some of his history, NAPSTER, branding, his Edward Van Halen story, KISS and did the Pantera Stanley Cup story really happen?Also Dating TIps With Porn Stars with Alena Croft @alenacroftxxxhttps://www.metalblade.com100 Songs That Define Heavy Metal Podcast:https://www.youtube.com/@100MetalSongsPATREON - https://www.patreron.com/realizzypres...WEBSITE - https://www.izzypresley.comIzzy's linkshttps://www.lasvegasguitartradeshow.comhttps://www.sotastick.comhttps://vintageguitarsrus.comhttps://www.beeteramplification.comhttps://www.thesmokinkills.comhttps://www.7thavenuepizza.comhttps://www.lockecustomguitars.com https://valkenburgusa.com https://www.monstersofrockcruise.comMERCH https://official-izzy-presley-store.creator-spring.comhttps://www.teepublic.com/user/official-izzy-presleyCAMEOhttps://www.cameo.com/realizzypresley RAISE YOUR GLASSEShttps://www.amazon.com/RAISE-YOUR-GLA...

Author Daniel Bukszpan dissects the clash between Iron Maiden's 'Somewhere In Time' and Judas Priest's 'Turbo.' Which album reigned supreme among metal fans?Listen to Episode 323 - Iron Maiden at 50: An Ironclad Legacy15% OFF Any Purchase At Old Glory For Booked On Rock Listeners! — Over 300,000 officially licensed items. Featuring legendary music artists like Bob Marley, The Beatles,Grateful Dead, and more. Use the code "BOOKEDONROCK" or hit this link:https://oldglory.com/discount/BOOKEDONROCK---------- BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:BLUESKYFACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

The dreaded clashfinder, followed by the tsunami of complaints. A bleak annual onslaught every festival promoter dreads.But what actually goes into putting that particular puzzle together?Well there's the contractual obligations, and then the obvious genre concerns, followed by logistics you do know about and then those you don't know about.And where in that tangled web of restrictions do you place bands on the same record label?Gav and James attempt to explain why it's not as simple as doing as they please, no matter how much they'd like to.www.seetickets.com/tour/2-promoters-1-podWe go again, every Thursday morning.

INTO THE VOID is an intimate, unflinching journey behind the curtain of heavy metal, revealing the resilience, creativity, and catharsis that defined a misunderstood genre and misunderstood community that rallied behind it. Beneath the high-octane performances and screaming guitars lie raw undercurrents of trauma, loss, and personal transformation and defiance.Told through first-hand accounts and beyond-the-headline stories, the series explores what it costs to live outside the lines by spotlighting both celebrated legends like Randy Rhoads and Dimebag Darrell, overlooked trailblazers like Wendy O. Williams and Ann Boleyn (Ann Hull), and newer powerful figures like the Iranian duo Confess. In doing so, INTO THE VOID humanizes icons often seen only in myth, delving into both the vulnerability behind their larger-than-life personas and cultural battles that shaped and were shaped by them.By threading these stories together, INTO THE VOID shows how heavy metal's stories of identity, repression, and survival remain as urgent today as when they first shook culture. Told through the voices of those who knew these artists – bandmates, family members, and insiders (including Sharon Osbourne) – the series blends music documentary with true crime, emotional biography, and cultural history to break clichés of the genre and deliver rare authenticity, intimacy, and revelation to each episode. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

So where have we been? Find out in this update episode. Find all things Metalhead Journeys here:https://linktr.ee/metalheadjourneys

Welcome back to Sound Pollution, we are happy you are here. In this episode we got to interview two very talented members of Eyes of the Oak. We will be discussing their upcoming release, how the group got together, what their songwriting process is, what their live shows are like, and the stories behind two songs. Also, find out who the crazy one was that came up with the idea to cover a rock classic. Click those links below to show these guys some love and affection. Make Some NOISE. FACEBOOK: https://www.facebook.com/eyesoftheoak/ INSTAGRAM: https://www.instagram.com/eyesoftheoak YOUTUBE: @EyesoftheOak BANDCAMP: https://eyesoftheoak.bandcamp.com/ SPOTIFY: https://open.spotify.com/artist/3d5 SOUNDCLOUD: https://soundcloud.com/eyesoftheoak Use these links to like, friend, follow, subscribe, and share Sound Pollution * STORE* https://sound-pollution-store.printify.me/products SPOTIFY: https://open.spotify.com/show/4ZXY YOUTUBE: https://www.youtube.com/channel/UCA APPLE:  https://podcasts.apple.com/us/podcast/sound-pollution INSTAGRAM: https://www.instagram.com/soundpollutionpodcast/ TIKTOK: https://www.tiktok.com/@soundpollutionp FACEBOOK: https://www.facebook.com/SoundPollutionPodcast

Welcome back to Season Six of the NAS Podcast! In Episode Twenty One, Origin Crxss sits down with Swedish metal artist Idorhan ShagaraaIdorhan Shagaraa is a rising artist whose evocative songwriting and atmospheric soundscapes are showcased in his four-track release Cherophobia, featuring songs like “Cherophobia,” “The Empty Man,” “Mold,” and “One of Us.” Released on August 22, 2025, the EP spans emotionally varied terrain—from the introspective and slow-paced “Cherophobia” to the more upbeat, bright energy of “One of Us”. Available across platforms like DistroKid and Amazon Music, Idorhan Shagaraa continues to carve a path in the indie music scene with his compelling sonic narrative and emotional depth.New Artist Spotlight is a community of indie musicians from around the globe. We believe in the power of numbers so we work together to promote each other's music. Our goal is to create a safe and supportive space where indie musicians can get their music heard and find their first fans.Join the community - https://www.newartistspotlight.org/00:00 Intro00:57 Who is Idorhan Shagaraa and what are his goals?03:45 Idorhan's influences and inspiration05:43 Society's treatment of mental health12:10 "Cherophobia"20:42 Quickfire Five23:51 Idorhan and NAS26:02 Final thoughts & the importance of metal music==========MEET THE CREWWilko Wilkes:https://wilkowilkes.com/https://www.instagram.com/wilkowilkesmusicOrigin Crxss:https://linktr.ee/origin100https://www.instagram.com/origin_crxssLisa Haden:https://linktr.ee/lisahadenhttps://www.instagram.com/lisamariehadenPlummy:https://www.plummymusic.com/https://www.instagram.com/plummymusic Blue Scarrhttps://linktr.ee/bluescarrmusichttps://www.instagram.com/bluescarrmusic/Andres Guazzelli (Editor):https://www.andresguazzelli.com/https://www.instagram.com/andresguazzelliNAS Podcast Theme by Charles Connollyhttps://www.charlesconnollymusic.com/https://www.instagram.com/connollytunes

Join us as we get down and dirty with one of the heaviest records ever made: Alice in Chains' Dirt. Frizz has a cold, hard seltzer, Bob's sipping an Iron City Light, and we're diving into the story of two Seattle misfits who scribbled the same twisted joke in their Dr. Seuss books and went on to write one of the darkest, most honest records of the '90s. Addiction, decay, and despair are all laid bare. So, pause Beavis and Butt-Head, grab a seat in your angriest chair, and settle in. We're heading down a hole with Alice in Chains.  

Deadlands band members Kasey Karlsen and CJ Arey join Ralph Sutton and Aaron Berg and discuss CJ Arey wearing platform shoes, the best way to discover new music, Kasey Karlsen's time playing lacrosse, CJ Arey dancing in a variety show at 14 years old, the origin of Deadlands, Kasey Karlsen performing with Nita Strauss, CJ Arey's Avoidant Restrictive Food Intake Disorder (ARFID), the creation of the song Villain, a live performance of Limbo, the different types of screams, upcoming plans for Deadlands, Kasey Karlsen and CJ Arey's first concert, first drug and first sexual experience and so much more!(Air Date: July 23rd, 2025)Support our sponsors!YoKratom.com - Check out Yo Kratom (the home of the $60 kilo) for all your kratom needs!To advertise your product or service on GaS Digital podcasts please go to TheADSide.com and click on "Advertisers" for more information!You can watch The SDR Show LIVE for FREE every Wednesday and Saturday at 9pm ET at GaSDigitalNetwork.com/LIVEOnce you're there you can sign up at GaSDigitalNetwork.com with promo code: SDR for discount on your subscription which will give you access to every SDR show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!DeadlandsBand Instagram: https://instagram.com/DeadlandsBandKasey Karlsen Instagram: https://instagram.com/KaseyKarlsenCJ Arey Instagram: https://instagram.com/AreyWasHereRalph SuttonTwitter: https://twitter.com/iamralphsuttonInstagram: https://www.instagram.com/iamralphsutton/Aaron BergTwitter: https://twitter.com/aaronbergcomedyInstagram: https://instagram.com/aaronbergcomedyShannon LeeTwitter: https://twitter.com/IMShannonLeeInstagram: https://instagram.com/ShannonLee6982The SDR ShowTwitter: https://twitter.com/theSDRshowInstagram: https://www.instagram.com/thesdrshow/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this, the day of our deity of reciprocity, we gather to give special thanks to our treasured Midyear Sun. As an offering for our Podfather, we will today surrender 20 heavy metal albums. As Metalheads take, so Metalheads also give.

Author DX Ferris breaks down the epic journey of thrash metal legends, Slayer. Learn about the band's rise to fame, how they overcame tragedy, and continue to leave their mark on the music world.Purchase a copy of Slayer 66 2/3: A Metal Band Biography (Post-Reunion Update: REBORN AND RE-REMASTERED 4th Edition)Contact DX Ferris through PatreonListen to the Talkin' Slayer podcast ---------- BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:BLUESKYFACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

Check out BeerBiceps SkillHouse's YouTube 1O1 Course - https://youtube.beerbicepsskillhouse.in/youtube-101Share your guest suggestions hereMail - connect@beerbiceps.comLink - https://forms.gle/aoMHY9EE3Cg3Tqdx9BeerBiceps SkillHouse को Social Media पर Follow करे :-YouTube : https://www.youtube.com/channel/UC2-Y36TqZ5MH6N1cWpmsBRQ Instagram : https://www.instagram.com/beerbiceps_skillhouseWebsite : https://beerbicepsskillhouse.inFor any other queries EMAIL: support@beerbicepsskillhouse.comIn case of any payment-related issues, kindly write to support@tagmango.comLevel Supermind - Mind Performance App को Download करिए यहाँ से

On the penultimate episode of our "Masks of the Evil Ones" series, Cardinal Copia is anointed to Papa Emeritus IV status and his Nameless Ghouls get a massive overhaul. These are the (now iconic) masks and wardrobe of Ghost's Impera Era (2020-2023). GonstFM LINKS linktr.ee/gonstFM Follow Papa X Papa X on IG Follow Uncle Ghoul Uncle Ghoul on IG Uncle Ghoul on TikTok GHOST COSPLAY on Facebook

On this week's episode, writer and comedian, Amy Silverberg, is back to chat about her new book (First Time, Long Time), shrimp emojis, airplane confessions, kooky aunts, and so much more.Pre-order Amy's new book, First Time, Long Time!Los Angeles! Go to Amy's book release event in Los Angeles at Skylight Books: Thursday, July 24, 2025!~ NEW JJGo MERCH ~Jordan's new Spider-Man's comic is out now!Order Jordan's new Godzilla comic! Be sure to get our new ‘Ack Tuah' shirt in the Max Fun store.Or, grab an ‘Ack Tuah' mug!The Maximum Fun Bookshop!Follow the podcast on Instagram and send us your dank memes!Check out Jesse's thrifted clothing store, Put This On.Follow brand new producer, Steven Ray Morris, on Instagram.Listen to See Jurassic Right!

This week, our "Masks of the Evil Ones" series goes full Diva as we dive into the masks/wardrobe of Papa Emeritus III and his Nameless Ghouls. Try not to lose your head in the process...this is Ghost's Meliora Era (2015-2017). GonstFM LINKS linktr.ee/gonstFM Follow Papa X Papa X on IG Follow Uncle Ghoul Uncle Ghoul on IG Uncle Ghoul on TikTok GHOST COSPLAY on Facebook

Formed in Los Angeles' lengendary Sunset Strip in 1985, Guns N' Roses quickly rose from the gritty club scene to become one of the biggest acts in rock music - achieving massive commercial success and becoming a top live draw in under three years. Along the way, their meteoric rise was matched by no shortage of controversy, internal conflict, and headline-making moments.  In the book "Guns N' Roses at 40", acclaimed rock historian and author Martin Popoff explores 40 priotal moments that shaped the band's legacy - from their formation and  breakout success to major tours, iconic releases, creative partnerships, internal struggles, and everthing in between.  We were thrilled to be speaking with Martin Popoff about his new book. With over 100 titles to his name on topics ragning from hard rock and heavy metal to classic rock and vinyl collection, Martin's work includes Rush" The Illustrated History, Led Zeppelin: Song By Song, Pink Floyd: Album by Album, Bowie at 75, AC/DC at 50, KISS at 50 and more. He also contributed to the award-winning docuemtaries Rush: Beyond the LIghted Stage and ZZ Top: That Little Ol' Band From Texas.   

The"Masks of the Evil Ones" series continues as we talk about the iconic (and sometimes stolen) masks/wardrobe of Papa Emeritus II and the Nameless Ghouls of Ghost's Infestissumam Era (2013-2015). GonstFM LINKS linktr.ee/gonstFM Follow Papa X Papa X on IG Follow Uncle Ghoul Uncle Ghoul on IG Uncle Ghoul on TikTok GHOST COSPLAY on Facebook

This episode we welcome back Dennis Mikula of Ghost Bath! We talk about the creation of his band's new album, Rose Thorn Necklace, how he started his vaporwave label, Geometric Lullaby, why sad depressing music soothes him, and how his obsession for writing songs can sometimes be a health risk.  Dennis also helps us break down Metal News, New Releases, What We're Listening to and Picks from the Crypt. Plus, for the first time on the podcast, two live albums get locked in the Metal Thunderdome, courtesy of Jay.

We've got Nick and Mike from Wounded Touch on the show, and let me tell you—these dudes go deep. They’re not just making heavy music, they're living it. Their new album, A Vivid Depiction of Collapse, is this raw, unfiltered punch to the soul about life, fatherhood, growing up, and yeah—things falling apart. We talk […]

Whats up you punks?!? It's time to get MetaL in the Living Room. We're talking Metallica and quizzing the HELL outta Jeremy. But before all that we talk a little Rick & Morty and Christopher Meloni. OF course we go super hard in the emails. Metal Up YOur Ears!

In this episode, we sit down with the dynamic minds behind Bellwether Ritual, a rising force in the Lehigh Valley stoner/doom rock scene. We talk everything from the band's gritty origins during the pandemic to their evolving sound that blends grunge roots, Black Sabbath fuzz, and haunting vocal harmonies.

This episode our friend Nick Pingel joins us to chat about how he first discovered the Metalheads Podcast, the power of underwear hugs and what the metal scene is like in Iowa. We also reminisce about our time at the recent Decibel Metal and Beer Fest in Philly and break down Metal News, New Releases, What We're Listening to and Picks from the Crypt. Plus, in one of the most personal segments ever recorded on the podcast, we reveal the real life stories behind our Top 5 Albums That Make Us Feel Nostalgic

04-18-25 - EASTER KEG 2025 - Entertainment Drill - FRI - Kirk Hammet Says Black Sabbath Song Symptom Of The Universe Caused Shift In Metal MusicSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Of course it is!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.