Podcasts about metal music

Every now and then, a band bursts out of the local circuit with the kind of sonic swagger that leaves your ears ringing and your jaw firmly pinned to the floor. If you haven't crossed paths with Melbourne's own theatrical rock powerhouse NECKO yet, you're about to get a rude, blues-drenched awakening. Dubbed by some as the next torchbearers of massive arena rock, this formidable three-piece—featuring Alek Necko on vocals and guitar, Reno Torrisi on drums, and Alex Damon ripping up the bass and keys—has been quietly plotting a rock revolution. And let me tell you, their latest offering is an absolute monster.The trio is gearing up to unleash a brand-new EP that takes everything you think you know about classic, blues-infused hard rock and turns it entirely on its head. We are talking about a record packed with immersive, medieval themes, navigating the jagged edges of newfound desire and gut-wrenching heartbreak. It is a rare blend of delicate whispers that draw you in, right before hitting you square in the chest with a powerful, stadium-sized roar. To make sure the sonic devastation hit exactly the right notes, the boys teamed up with GRAMMY winners Adrian Bushby and Al Sutton for production and mixing, capturing a raw, unapologetic performance that feels like a classic vinyl master brought to life in the modern age.To celebrate this monumental release, NECKO is hitting the highway for their massive Come As One Tour, bringing their legendary high-energy live show to the masses. Known for their face-melting extended solos and a stadium-rock presence that commands the entire room, these guys don't just play a gig—they put on a theatrical showcase. HEAVY caught up with Alek and Alex to dissect the inner workings of this incredible new EP. We dive deep into each of the songs and find out how they represent Necko moving forward, what it was like working alongside heavy-hitting industry legends behind the soundboard, what fans can expect when they bring this raw wall of sound to life on stages across the country and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Every now and then, a release comes across my desk that doesn't just demand a loud, unapologetic spin—it violently grabs you by the throat and forces you to confront the world outside your window. If you fancy yourself a follower of the Australian heavy music scene, you already know we are living through a massive golden era of home-grown talent. But right now, it's Vault Hill, a devastating four-piece out of Melbourne, who are ready to completely flip the script with their savage new seven-track EP.These guys first caught our attention back in 2022 with their debut offering, Amber Falls. It was a cracking introduction that perfectly fused teeth-rattling thrash intensity with the punishing, syncopated weight of modern metalcore. But what they've put together on this new record is an entirely different beast altogether. Spearheaded by the O'Brien brothers, Morgan (vocals) and Adrian (guitar), alongside a lethal rhythm section featuring Kyle Dean (bass) and Frankie Demaru (drums), Vault Hill have weaponised their songwriting and expanded their sonic palate in the process.Vault Hill recently dropped their first new single in two years, The Pain We Keep Alive, which we were absolutely stoked to premiere exclusively here at HEAVY. Not only does the track showcase the band's musical growth, carrying the massive groove and sheer sonic hostility of heavyweights like Lamb of God and other major players,.but it also serves as the lead single from Vault Hill's upcoming 7 song EP Modern Way which be unleashed on September 25. But what makes this EP a truly vital piece of Australian art owes as much to its lyrical heart as it does the devestation of its music.Inspired heavily by vocalist Morgan's time spent living and working in the Northern Territory, the new material dives headfirst into the uncomfortable, often ignored truths of systemic inequality and the ongoing oppression of First Nations communities. It is a blistering critique wrapped in crushing breakdowns and torrential screams. It pulls no punches, reminding us that beneath the pristine, global-facing tourism ads, real people are hurting, and ignoring the problem only feeds the cycle.This isn't just music to throw down to in the pit—though God knows the breakdowns will cause some serious neck damage—this is socially conscious heavy music of the highest order. I was lucky enough to track down Morgan and Adrian to chat all about the creative process behind the new material, the heavy message driving their lyrics, how they managed to capture such pure, concentrated lightning on this record and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

There is nothing quite like the raw, unfiltered power of a band that breathes their entire soul into the music. It's that exact, devastatingly beautiful energy that rising Texan metalcore heavyweights I Promised The World are bringing Down Under this month. For the very first time, the five-piece is packing their bags and hitting our shores for a massive nationwide tour alongside August Burns Red.If you haven't been paying attention to what these guys have been doing over the last year, quite frankly, where the hell have you been? After signing a massive global deal with Rise Records, the band dropped their phenomenal self-titled EP at the start of the year. It completely set the heavy music scene on fire, bursting at the seams with massive, early-2000s metalcore and screamo vibes that hit you straight in the chest. Tracks like Bliss in 7 Languages and A Pure Expression aren't just heavy—they are deeply emotional, riding a wave of raw catharsis born from pure tragedy.Born out of frontman and guitarist Caleb Molina's profound personal grief after the tragic loss of his father to COVID-19 in 2020, this band is the living definition of triumph in the face of adversity. They've already conquered massive festival stages across Europe and the US this year, absolutely crushing sets at Hellfest, Outbreak, and FYA Fest. Now, they are locked, loaded, and ready to unleash that live intensity on Australian crowds from Brisbane down to Melbourne.HEAVY caught up with the man himself, Caleb Molina, to chat all about the upcoming tour, how the band channels such heavy emotion into their live performance, what it's like sharing the stage with a powerhouse like August Burns Red, why Aussie fans need to get to the venue early to witness the sheer chaos of their debut sets and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Backstage during their recent tour of Australia, Sam and Max sat down with Lucas Woodland, lead singer of Holding Absence. They cover how the new album came together by throwing out everything they knew about making an album, which song was meant to score a cheeky Loathe cameo, and why they went full anime for this release.Connect with Holding Absence on Instagram and TikTok, and listen to the latest singles from their upcoming album "Modern Life is Lonely" on Spotify and Apple Music.Discover more new music and hear your favourite artists with 78 Amped on Instagram and TikTok.Watch episodes on our YouTube channel and don't forget to like and subscribe.

Another metal music study.

Aussie metalheads, strap yourselves in because the tour of the century is officially locked, loaded, and headed down under this November! If you haven't already heard the earth-shattering news, the absolute icons of heavy metal, Iron Maiden, are bringing their monumental Run For Your Lives 50th Anniversary World Tour to Australian shores. And because the metal gods clearly smile upon us, they aren't coming alone. They are bringing none other than thrash metal royalty Megadeth along for the ride.Let's be honest for a second: this isn't just another standard gig line-up. This is a massive, history-making double bill that we quite frankly didn't see coming. We've got Maiden hitting outdoor stadiums in Melbourne and Sydney for the first time in their legendary 50-year history, alongside massive arena stops in Adelaide and Brisbane. They're promising a killer, once-in-a-lifetime setlist pulled entirely from their groundbreaking first nine studio albums. That means everything from the raw power of the self-titled debut right through to the epic majesty of Fear of the Dark.But a massive stadium show needs a special guest capable of burning the stage to the ground first, and who better than Dave Mustaine and his crew of thrash pioneers? Megadeth recently celebrated a massive milestone with their latest studio release hitting the number one spot right here in Australia. Fresh off the back of their blistering run at Knotfest a few years ago, the band is proving they still have plenty left in the tank. With rumors swirling that this epic global run might be a final world tour epilogue for the thrash titans, the anticipation is hitting an absolute fever pitch.Here at HEAVY, we live and breathe this stuff. So, when the opportunity came up to have a sit-down chat with the mastermind himself, Dave Mustaine, to talk about this impending Australian takeover, you better believe I jumped at the chance. Dave is a man who never pulls his punches, and he was in fine form talking about what it means to share a stage with Maiden, how much he loves the relentless energy of Aussie crowds, and what fans can expect when Megadeth unleashes absolute chaos on these massive stadium stages.So, before you scramble to secure those last-minute tickets, grab a cold beer, turn the volume up to eleven, and check out our exclusive chat with the one and only Dave Mustaine. Australia, get ready to run to the hills, because the countdown is officially on!Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Western Sydney deathcore titans To The Grave have never been a band to play nice or bite their tongues.Over the last few years, they've systematically carved out a reputation as one of the most brutally uncompromising, intense acts on the global heavy music circuit. But if you thought their previous material was the peak of their hostility, you aren't prepared for what's next. To The Grave's sonic monstrosity Liberation Front is a terrifyingly heavy masterclass in musical warfare that takes their signature blend of suffocating breakdowns and socio-political fury to a dangerous new level.Liberation Front isn't just an album; it's a violent wake-up call. A call to arms if you will. Packed with the kind of volatile energy that makes you want to put your head through a drywall, the record finds To The Grave sharpening their technical knives while doubling down on their fierce animal rights advocacy and anti-establishment worldview. Vocalist Dane Evans sounds absolutely possessed, delivering a vocal performance so harrowing it defies human anatomy, backed by a rhythmic assault that feels like a multi-car pileup. It is heavy; it is uncomfortable; and it is utterly essential listening for anyone who likes their music with teeth. To celebrate this release, To The Grave are doing what they do best - hitting the tarmac for an eight date Australian headlining tour that promises to leave venues in absolute ruins across the country. Known for their chaotic, high-octane live environments, To The Grave live shows are legendary for their lawless mosh pits and sweat-soaked intensity. This time around, backed by the sheer weight of Liberation Front, the band is bringing an entirely new level of production and savagery to the stage. They are out to prove exactly why they hold the crown for Australia's heaviest export, and God help anyone standing in the front row when the first breakdown drops.In a first for HEAVY, we spoke with Evans while busy in his tattoo studio laying down some ink to dissect the chaotic birth of Liberation Front, the madness of preparing for a nationwide trek, and why To The Grave refuse to compromise on their message.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Is metal just classical music in a leather jacket?  Danny and Mike have been asking a simple question: does genre actually describe the music, or just everything wrapped around it? Strip a metal riff back to its bones and could it just as easily sit next to a Baroque string passage? Swap a rock breakdown's distortion for an orchestra and does pop still sound all that different from classical rock, or modern rock, or anything else? If the notes underneath are often interchangeable, is genre measuring anything real? On this episode, Danny and Mike pull the idea apart, and ask whether it's ever been more than a costume.whatdoweknow.co.nzhttps://buymeacoffee.com/whatdoweknowshowFaceBook Page: https://www.facebook.com/whatdoweknowshow/FaceBook Group: https://www.facebook.com/groups/996177092759495Instagram: https://www.instagram.com/whatdoweknowshow/TAGSmusic podcast, genre, metal music, classical music, rock music, pop music, music theory, music production, music history, music debateSend us Fan MailSupport the show

We've passed the halfway mark for 2026, so we had to start this episode with a discussion on the year in metal so far. We give our overall thoughts on heavy music at the midpoint, then share a few albums that have moved us, surprised us or staked a claim on our lists. We also break down new albums by Dead Kosmonaut, Einherjer and Warning, drop some gems in What We're Listening To and dig up some rusty metal trinkets for Picks From the Crypt. Plus, Matt leads the Wheel of Pain segment, Battle Vest Builder. We talk about our processes for building vests, improving existing ones and sharing how we might bedazzle our drip in the future.

Send us Fan MailSend us Fan MailIn this dynamic episode of Living the Dream with Curveball, we sit down with Sean Martin, the visionary behind the modern rock project The Quarantine. With a unique blend of grunge and metal, Sean has taken the music world by storm, performing in 13 countries and amassing over 40 million views on TikTok. As a veteran, Sean brings a profound perspective to his artistry, merging his military experiences with his creative journey.Sean shares his story, from his upbringing in Fort Bragg, California, to his military service and subsequent music education at the Musicians Institute. He discusses the challenges he faced in the industry, including navigating the complexities of record contracts and the importance of DIY tactics in promoting music today. Listeners will gain insight into Sean's songwriting process, particularly how he manages to convey aggression with meaning through his powerful lyrics and diverse vocal styles.Throughout the episode, Sean delves into the themes of his latest album, *Aversion to Normalcy*, discussing its inspiration and the emotional journey behind its creation. He emphasizes the need for critical thinking and personal responsibility in a society that often strays from its founding principles.Listeners will learn about:- The evolution of Sean's music and the significance of storytelling in songwriting- The impact of military experiences on his life and music- The role of collaboration with high-profile musicians and producers in shaping his sound- The importance of addressing mental health and societal issues through art- Upcoming projects, including a mini-documentary and new singlesJoin us for an engaging conversation that encourages reflection, resilience, and the pursuit of authenticity in both life and music. For more information on Sean and The Quarantine, visit thequarantined.comSupport the show

In episode 281 of Heavy Metal Philosophy, Jon Barbas analyzes the retirement of several legendary metal bands to see why they all keep coming back. From Ozzy, Slayer, Megadeth, Ministry, Mötley Crüe, and Sepultura they always come back. But what are the factors? Let's discuss it!Get 10% off Hear's Earplugs here:https://www.hears.com/HEAVYMETALPHILOSOPHYGet Heavy Metal Philosophy Merch!https://jonbarbas-shop.fourthwall.com/Heavy Metal Philosophy Contact;https://heavymetalphilosophy.com/YouTube: https://youtube.com/@heavymetalphilosophyhttps://www.spreaker.com/show/heavy-metal-philosophyJonBarbas@heavymetalphilosophy.comhttps://mobile.twitter.com/heaviestdoyenhttps://www.facebook.com/HeaviestDoyenhttps://www.instagram.com/heavy_metal_philosophy/https://www.threads.net/@heavy_metal_philosophyhttps://bsky.app/profile/jonbarbas.bsky.social Substack Articleshttps://substack.com/@jonbarbas#metal #retirement #comeback

George and Markisan escape the Wheel of Pain to chat with Trevor Portz and Karl Chamberlain of Ashen Horde! Trevor and Karl discuss how they connected with a little help from the Podfather, what went into creating the band's new album, The Harvest, why they decided to start playing live for the first time and how their mutual love for Swamp Thing inspired them creatively. Plus, can Karl record vocals any place, any time? Yes. Yes, he can.

In this lively episode, Pipe Man interviews members of the band Killstreak—Sam, Ryan, and Mike—during their appearance at the Inkcarceration Festival inside the iconic (and reportedly haunted) Shawshank Prison. The group dives into everything from their musical inspirations and upcoming projects to favorite lyrics, the culture of metal versus country music, and the power of music as therapy. Expect insights into the band's writing process, shoutouts to gaming and tattoo culture, and plenty of laughs and camaraderie.Main Topics CoveredIntroduction to Killstreak, Band Members, and Setting (00:19)Humor around "Incarceration" and Writing About GTA 6 (00:31)Experiences at Shawshank Prison and Blood Prison Tour (01:25)Video Game Talk: Halo vs. Call of Duty, and Musical Inspirations (02:10)Killstreak's Thematic Albums—Horror, Sci-fi, and More (04:32)Playing a Prison Venue, Johnny Cash Vibes, and Tattoo Culture (05:08)The Metal Community vs. Country Music Culture (07:03)Favorite Lyrics and Songwriting Stories (12:06)Metal Music as Therapy and the Role of Aggression in Art and Audience Experience (16:10)Band's Social Media and Upcoming Music Announcements (17:54)Key Discussions & StoriesKillstreak's Origins and HumorThe band jokes about being "incarcerated" for writing songs about GTA 6 and felonies (00:31).Mike and Sam recount fun stories of festival experiences inside the prison (01:02).Haunts, Tattoos & HalloweenPipeman describes the creepiness of Shawshank and recounts the Blood Prison Tour (01:25).Sam, a tattoo artist, explains his love for the festival's blend of metal, tattoos, and Halloween spirit (05:20).Metal vs. Country CultureDiscusses the positive, family-like vibe in metal versus the fighting at country festivals (07:03, 08:20).Stories of fans and friends becoming closer through mosh pits and metal shows (06:54).Songwriting and Thematic AlbumsUpcoming horror-themed record inspired by games like Resident Evil and Silent Hill, channeling early Slipknot vibes (04:00).Killstreak's approach to treating each album as a unique entity—previous themes included first-person shooters and fantasy games, with sci-fi planned in the future (04:47).Favorite Lyrics & InspirationsMike: Loves Skyrim and the 'Fus Ro Dah' chant (12:26).Sam: “All I can taste is blood and victory” sums up the band's drive and essence (12:58).Ryan: Lyrics from "Deathtouch" channel the frustration of losing in Magic: The Gathering (13:34).Discussion on how listeners assign their own meanings to songs (10:09), referencing Mitch Lucker (Suicide Silence).On Music as TherapyThe group agrees that metal provides an outlet for both artists and fans to release pent-up emotions and find community (16:10).Mosh pits are described as cathartic and a safe space for emotional expression (10:00, 16:33).Fun Moments & ShoutoutsMike wears a Cheap Hate shirt, gives a shoutout to cousin Eric's band (14:57).Anecdote about Pipe Man interviewing Rick Nielsen from Cheap Trick and hearing an unreleased song backstage (15:09).Notable Quotes“We wrote a song about GTA 6 and a bunch of felonies. Maybe that was what did it.” (00:47)“We're gonna try to do that [make metal scary again] but with a Killstreak twist.” (04:13)“People see me right off the rip and they're like, oh, that guy's... not a good person. But then people get to know me and ... I give them a big old hug.” (06:20)“Music gives you a place to channel your anger already. So when you're at these shows it's like therapy.” (08:54)“I can't drown my demons, they know how to swim.” (11:36) — referencing Bring Me the Horizon“All I can taste is blood and victory.” (13:07)Resources & Links MentionedKillstreak Socials:Find the band on TikTok, Facebook, Instagram: @KillstreakUS (18:27)Upcoming Music:New single, “Resident Evil,” with a music video — Fall 2024 release anticipated (18:03)Full horror-themed album targeted for late 2027 (04:32, 18:07)Band Merchandise:Encouraged to support by buying merch via their website and socials (17:47)Connect & FollowKillstreak:Instagram, TikTok, Facebook: @KillstreakUSStay tuned for new releases and merch dropsShow Host:PipemanThe Adventures of Pipeman, W4CY RadioFinal NotesThe episode celebrates the intersection of gaming, tattoos, and metal culture.Killstreak's approach enables fans of both games and heavy music to find common ground.The band values authenticity, catharsis, and community—the cornerstones of their ongoing success and fan connection.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/support.Click Here to Subscribe for PERKS, BONUS Content & FREE GIVEWAYS!Follow @pipemanradio on all socials & Pipeman Radio Requests & Info at www.linktr.ee/pipemanradioStream The Adventures of Pipeman daily & live Mondays, Tuesdays, Wednesdays at 1PM ET on W4CY Radio & Talk 4 TV. Download, Rate & Review the Podcast at The Adventures of Pipeman, Pipeman Radio, Talk 4 Media, iHeartRadio, Apple Podcasts, YouTube & All Podcast Apps.

In this lively episode, Pipe Man interviews members of the band Killstreak—Sam, Ryan, and Mike—during their appearance at the Inkcarceration Festival inside the iconic (and reportedly haunted) Shawshank Prison. The group dives into everything from their musical inspirations and upcoming projects to favorite lyrics, the culture of metal versus country music, and the power of music as therapy. Expect insights into the band's writing process, shoutouts to gaming and tattoo culture, and plenty of laughs and camaraderie.Main Topics CoveredIntroduction to Killstreak, Band Members, and Setting (00:19)Humor around "Incarceration" and Writing About GTA 6 (00:31)Experiences at Shawshank Prison and Blood Prison Tour (01:25)Video Game Talk: Halo vs. Call of Duty, and Musical Inspirations (02:10)Killstreak's Thematic Albums—Horror, Sci-fi, and More (04:32)Playing a Prison Venue, Johnny Cash Vibes, and Tattoo Culture (05:08)The Metal Community vs. Country Music Culture (07:03)Favorite Lyrics and Songwriting Stories (12:06)Metal Music as Therapy and the Role of Aggression in Art and Audience Experience (16:10)Band's Social Media and Upcoming Music Announcements (17:54)Key Discussions & StoriesKillstreak's Origins and HumorThe band jokes about being "incarcerated" for writing songs about GTA 6 and felonies (00:31).Mike and Sam recount fun stories of festival experiences inside the prison (01:02).Haunts, Tattoos & HalloweenPipeman describes the creepiness of Shawshank and recounts the Blood Prison Tour (01:25).Sam, a tattoo artist, explains his love for the festival's blend of metal, tattoos, and Halloween spirit (05:20).Metal vs. Country CultureDiscusses the positive, family-like vibe in metal versus the fighting at country festivals (07:03, 08:20).Stories of fans and friends becoming closer through mosh pits and metal shows (06:54).Songwriting and Thematic AlbumsUpcoming horror-themed record inspired by games like Resident Evil and Silent Hill, channeling early Slipknot vibes (04:00).Killstreak's approach to treating each album as a unique entity—previous themes included first-person shooters and fantasy games, with sci-fi planned in the future (04:47).Favorite Lyrics & InspirationsMike: Loves Skyrim and the 'Fus Ro Dah' chant (12:26).Sam: “All I can taste is blood and victory” sums up the band's drive and essence (12:58).Ryan: Lyrics from "Deathtouch" channel the frustration of losing in Magic: The Gathering (13:34).Discussion on how listeners assign their own meanings to songs (10:09), referencing Mitch Lucker (Suicide Silence).On Music as TherapyThe group agrees that metal provides an outlet for both artists and fans to release pent-up emotions and find community (16:10).Mosh pits are described as cathartic and a safe space for emotional expression (10:00, 16:33).Fun Moments & ShoutoutsMike wears a Cheap Hate shirt, gives a shoutout to cousin Eric's band (14:57).Anecdote about Pipe Man interviewing Rick Nielsen from Cheap Trick and hearing an unreleased song backstage (15:09).Notable Quotes“We wrote a song about GTA 6 and a bunch of felonies. Maybe that was what did it.” (00:47)“We're gonna try to do that [make metal scary again] but with a Killstreak twist.” (04:13)“People see me right off the rip and they're like, oh, that guy's... not a good person. But then people get to know me and ... I give them a big old hug.” (06:20)“Music gives you a place to channel your anger already. So when you're at these shows it's like therapy.” (08:54)“I can't drown my demons, they know how to swim.” (11:36) — referencing Bring Me the Horizon“All I can taste is blood and victory.” (13:07)Resources & Links MentionedKillstreak Socials:Find the band on TikTok, Facebook, Instagram: @KillstreakUS (18:27)Upcoming Music:New single, “Resident Evil,” with a music video — Fall 2024 release anticipated (18:03)Full horror-themed album targeted for late 2027 (04:32, 18:07)Band Merchandise:Encouraged to support by buying merch via their website and socials (17:47)Connect & FollowKillstreak:Instagram, TikTok, Facebook: @KillstreakUSStay tuned for new releases and merch dropsShow Host:PipemanThe Adventures of Pipeman, W4CY RadioFinal NotesThe episode celebrates the intersection of gaming, tattoos, and metal culture.Killstreak's approach enables fans of both games and heavy music to find common ground.The band values authenticity, catharsis, and community—the cornerstones of their ongoing success and fan connection.Pipeman in the Pit is a music, festival, and interview segment of The Adventures of Pipeman Radio Show (#pipemanradio) and from The King of All Festivals while on The Pipeman Radio Tour. Become a supporter of this podcast: https://www.spreaker.com/podcast/pipeman-in-the-pit--2287932/support.Click Here to Subscribe for PERKS, BONUS Content & FREE GIVEWAYS!Follow @pipemanradio on all socials &  Pipeman Radio Requests & Info at www.linktr.ee/pipemanradioStream The Adventures of Pipeman daily & live Mondays, Tuesdays, Wednesdays at 1PM ET on W4CY Radio & Talk 4 TV. Download, Rate & Review the Podcast at The Adventures of Pipeman, Pipeman Radio, Talk 4 Media, iHeartRadio, Apple Podcasts, YouTube & All Podcast Apps.

Interview by Kris PetersIf you like your heavy music served with a side of absolute, unadulterated chaos, then grab a cold beer and brace yourself, because Swiss deathcore juggernauts Paleface Swiss are heading back Down Under. After completely decimating venues across the country on their sold-out 2025 run, the Zurich four-piece have just announced a massive seven-date Australian headline tour for January and February 2027. Trust me when I say this is shaping up to be one of the absolute heaviest and most anticipated tours of the year.Ever since they detonated onto the global metal scene, Paleface Swiss have earned a formidable reputation for unleashing some of the most volatile and relentlessly aggressive live shows on the planet. Led by the maniacal vocal delivery of frontman Marc "Zelli" Zellweger, the band has been steadily conquering the heavy music world, a fact proven by their latest record, Cursed, smashing its way into the top ten of the Spotify Global Charts. Now, armed with a brand new EP, The Wilted, and a hunger to tear our rooms apart, they are ready to level up the aggression for Aussie crowds.But they aren't coming alone. To ensure maximum sonic devastation, they are bringing Canadian metalcore powerhouses Counterparts - fronted by the unfiltered Brendan Murphy - and Colorado's crushing hardcore-groove outfit Fox Lake along for the ride. The tour kicks off at the Astor Theatre in Perth on Wednesday, 27 January, before hitting Adelaide's ferocious Froth & Fury Festival, Melbourne's iconic Forum, Canberra, Sydney, Brisbane, and wrapping up in Townsville. It is a massive, comprehensive lap of honour that proves just how much these Swiss heavyweights love the insane energy of the Australian metal community.I had the absolute pleasure of pulling up a virtual barstool with the main man himself, Marc "Zelli" Zellweger, to find out exactly what the band has in store for us. We chatted all about the chaotic memories from their last Australian visit, the intense sonic evolution behind their latest brutal material, and what it feels like to lead one of the fastest-growing forces in modern extreme music. Zelli is always one of the most passionate, down-to-earth guys to speak to in the business, and his excitement for this upcoming run is completely infectious. So, turn the volume up to eleven, check out our full chat below, and make sure you secure your tickets before they inevitably vanish!Tickets www.thephoenix.auBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

The meteoric rise of New Jersey deathcore titans Lorna Shore stands as one of the most remarkable modern success stories in heavy music. At the centre of this sonic storm is lead guitarist and primary songwriter Adam De Micco. Since co-founding the band in 2009, De Micco has steered the group through seismic lineup changes, genre-defining stylistic evolutions, and the viral explosion that followed their landmark 2021 EP, …And I Return to Nothingness. Today, the band's signature blend of symphonic black metal grandeur and technical deathcore brutality has propelled them from sweaty basement gigs into massive international arenas.This October, Lorna Shore is set to achieve another historic milestone: their largest headlining tour of Australia to date. Teaming up with heavy heavyweights Whitechapel and The Acacia Strain, the band is trading the packed club rooms of their previous visits for iconic, large-scale venues like Sydney's Hordern Pavilion and Melbourne's John Cain Arena. The upcoming run marks a triumphant victory lap for a group that has completely redefined what extreme music can achieve on the global stage.Ahead of the highly anticipated tour, we sat down with Adam De Micco to discuss the logistical and creative realities of bringing their massive orchestral production across the globe. In this insightful conversation, De Micco opens up about the pressure of headlining Australian arenas, his evolving approach to guitar craftsmanship, and how the band maintains their tight-knit chemistry on the road. He also reflects on the enduring loyalty of the Australian heavy music community and teases what fans can expect from their most ambitious live visual production yet.One of the first questions we asked Adam was why he thinks Australian audiences connect so well with Lorna Shore, considering this will be their third tour here in under two years."It seems like we owe them a debt, is what I would say," he laughed. "We probably owe someone some money, which is why we keep returning so much. But honestly, it's been awesome. Every time we have been there, the shows have gotten better, so that's kind of the plan for this tour, to do it bigger than we did the last time. The first time we were here was… for a place that we'd never been to, to go on sale and all the shows sell out… none of us were expecting that. Somewhere we had never been to. It took us a while to sell out those kinds of rooms in Europe in our own backyard. So for that to exist in our first go around, it was like, maybe we should return. People seem to be interested in hearing us. And then we came back for the festivals, and that went over amazingly. Minus the heat (laughs). It's more returning to where people seem to want you, and it seems to be on this long 16-hour flight to Australia is where people want us to return (laughs)."Check out the full interview for much more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

In this episode, I chat with Dr. Olivia Lucas (Louisiana State University) all about her musical upbringing as a vocalist, her time studying music theory at Harvard, and what she's teaching at LSU. We also chat about how her early interest in metal music led to her current research on Lingua Ignota, who blends references to art music and classical vocal training with noise and extended techniques.TW: domestic violence, religious traumaOlivia's SMT-Pod EpisodeOlivia's 2018 Meshuggah articleOlivia's 2021 Meshuggah articleOlivia's 2014 article on experience of extreme loudness at a Sunn O))) concert2024 Teaching Difficult Topics book Olivia's forthcoming chapter on Lingua Ignota and Eminem“That He May Not Rise Again” by Lingua IgnotaJonathan Pieslak's article on MeshuggahAssimilate by S. Alexander Reed

On the 142nd Episode of Dorm Damage With Tom & Zeus the guys list their Mount Rushmore of "Hair Metal" Music Videos. Tom & Zeus continue their "The Mount Rushmore" series, where Tom and Zeus will pick a category and then they will list their top 4 in the category each. In this episode the guys will list their top 4 hair metal music videos. They each will have their own criteria and then choose their 4 videos on their Mount Rushmore! Yeah Bango Tango! To Purchase Shout It Out Loudcast's KISS Book “Raise Your Glasses: A Celebration Of 50 Years of KISS Songs By Celebrities, Musicians & Fans Please Click Below:   ⁠⁠Raise Your Glasses Book⁠⁠   For all things Shout It Out Loudcast the #1 KISS Podcast check out our amazing website by clicking below:   ⁠⁠www.ShoutItOutLoudcast.com⁠⁠   Interested in more Shout It Out Loudcast content?  Care to help us out?  Come join us on Patreon by clicking below:   ⁠⁠SIOL Patreon⁠⁠   Get all your Shout It Out Loudcast Merchandise by clicking below:   ⁠⁠Shout It Out Loudcast Merch At Printify⁠⁠   Shop At Our Amazon Store by clicking below: ⁠⁠Shout It Out Loudcast Amazon Store⁠⁠   Please Email us comments or suggestions by clicking below: ⁠⁠ShoutItOutLoudcast@Gmail.com⁠⁠   Please subscribe to us and give us a 5 Star (Child) review on the following places below: ⁠⁠iTunes⁠⁠ ⁠⁠Podchaser⁠⁠ ⁠⁠Stitcher⁠⁠ ⁠⁠iHeart Radio⁠⁠ ⁠⁠Spotify ⁠⁠   Please follow us and like our social media pages clicking below: ⁠⁠Twitter⁠⁠ ⁠⁠Facebook Page⁠⁠ ⁠⁠Facebook Group Page Shout It Out Loudcasters⁠⁠ ⁠⁠Instagram⁠⁠ ⁠⁠YouTube⁠⁠   Proud Member of the Pantheon Podcast click below to see the website: ⁠⁠Pantheon Podcast Network⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode begins with a lively discussion about brand new albums from Khemmis, Fires in the Distance and Godthrymm. We also share What We're Listening To and creak open the catacombs to reveal our Picks From the Crypt. Plus, Markisan is in the hot seat for the Wheel of Pain segment, Would You Rather. Find out what imaginative hypotheticals the gang throws at him, then cringe in horror at the terrible choices he's forced to make! 

Send me a DM here (it doesn't let me respond), OR email me: imagineabetterworld2020@gmail.comToday I'm honored to introduce you all to: Sexual assault survivor, whistleblower and overcomer, Frontwoman, singer and songwriter for the band Wisher, loving fiancee to Noah, black belt badass, belly dancing goddess, workout fanatic, creative writer, artist and poet, Pirates of the Caribbean devottee, animal lover, Pokemon card collector, special effect and set building aficionado, former Jane from Tarzan, recovering alcoholic and sobriety champion, and an incredible young woman breaking her silence for the first time today: Kayleigh KAnnA little bit about Kayleigh and what we will be discussing today: Born with dreams that refused to stay small, young Kayleigh scribbled “singer” on those childhood “what I want to be” papers. Music was never a hobby - it was destiny written in her bones. Today, as the ethereal yet thunderous voice of Wisher, Kayleigh channels that calling into symphonic metal that blends the grandeur of Nightwish, the cinematic sweep of Hans Zimmer, and the heavy fire of Avenged Sevenfold. Their music is raw, evolving, and deeply human: shorter, sharper tracks like “Aqua Devita” that feel like emotional release, harmony-laden guitars that soar like choirs, and live shows where Kayleigh performs as if every modest venue is Live Aid. She closes her eyes, sees thousands, spins, jumps, and pours out her soul - because the stage is her haven, her zone, and her way of sharing joy no matter if two people or two thousand adoring fans stand before her.Wisher itself tells a story of growth and chosen family. After years of lineup changes and compromise, the current steadfast crew of Wisher jams from the heart - meshing whimsical wonder with crushing riffs, and prioritizing real connection over perfection. The band's journey mirrors Kayleigh's own: honest, theatrical, a little intense, and utterly authentic. They've turned bar stages and club nights into sacred spaces of celebration, even when life throws emergencies, health struggles, or industry hurdles their way. Kayleigh leads with love, canceling shows if a bandmate needs care - always choosing mental health and family over deadlines, because she knows what truly matters.Yet Kayleigh's light shines brightest against the shadows. She has looked unflinchingly at the entertainment industry's underbelly - its documented ties to exploitation and human trafficking - and refused to dim her own path. A survivor herself who carries the weight of knowing too much, she re-evaluated her dreams rather than selling her soul for fame. She speaks openly about the darkness: artists lost, survivors silenced, monopolies like Live Nation squeezing out local voices, and the ethical cost of “success.” Her response? Double down on integrity, support real artists who build with heart and entrepreneurship, treat music as ministry, prioritize purpose over profit, and fiercely protect what is sacred.And on today's show, Kayleigh will be breaking the silence on her own story of survival - a life-altering, traumatic event and aftermath that changed her life forever. A testimony of ultimate betrayal by people she loved, trusted, and cared deeply about. And together, we will be taking off the heavy layers of guilt and shame that have weighted heavy on her heart and soul for many years, and shedding them - handing them back to those who caused the betrayal that was never supposed to happen. Kayleigh has spent years advocating for others - she has loudly been cheering on the survivor community - learning, educating others, and being an incredible ally - all while silently harboring a testimony of her own. And today that silence breaks. Today, a bright light gets shined on the darkness. And today, Kayleigh's voice expands from singing on stages and her online advocacy, and into the eyes and ears of those ready to bear witness to her own story of overcoming. Today, she passes the torch she has received from other survivors in her own healing journey to all of you here with us today. Kayleigh is proof that survivors don't just endure - they rise, they sing, they uplift. In her music and her message, she hands us back our own light: the reminder that we all have a soul, a purpose, and the power to create beauty anyway. She is living testimony that no matter what you've survived, your voice can still shake the world with love. 

Get ready to snap your necks, Australia, because New Zealand black-thrash titans Bulletbelt are crossing the ditch this June to tear you all a new one.The Wellington metal veterans are locked and loaded for the highly anticipated resurrection of Dead of Winter Festival. Taking place on Saturday, June 27, 2026, at its brand-new stomping ground the Mansfield Tavern, this iconic alternative counter-culture gathering is officially back after a multi-year hiatus. While Aussie heavyweights like DZ Deathrays and Mammal are ready to hold down the home front, Bulletbelt represents the absolute pinnacle of relentless, sonic savagery coming from across the Tasman.If you have ever witnessed Bulletbelt live, you know they do not just play music; they deliver a sonic assault that leaves your ears ringing and your feet bruised. Their signature blend of old-school thrash velocity and cold, uncompromising black metal atmospheric filth creates a hellish wall of sound. It is the kind of measured aggression that instantly gets your head snapping. For years, these guys have carved out a reputation as one of the hardest-working, most road-hardened extreme metal forces in the Southern Hemisphere.Dead of Winter has always been a sanctuary for the outsiders, the riff-lords, and the beautiful weirdos of the heavy music community. Moving the madness to the legendary Mansfield Tavern means 34 acts will split your skull across multiple stages. It offers the perfect, high-intensity indoor environment for Bulletbelt to do what they do best: decimate crowds. Expect sweat-soaked leather, full-throttle blast beats, and a wave of pure, unadulterated energy that hits with the subtle force of a flying brick.HEAVY caught up with drummer Steve Francis to find out more. With Dead Of Winter returning after a number of years, we ask Steve just how important festivals that nurture homegrown talent are to the continued growth of Australian and New Zealand music."They're huge," he replied instantly. "And look at Australia. Look at how many amazing heavy bands there are at the moment, and a little bit of a parallel to back here in Wellington. I think the local scene at the moment here in Wellington and the bigger New Zealand is probably better than it's ever been. There's so many bands that are getting overseas and getting signed to international labels and coming over to play Brisbane with such a really cool, diverse lineup as well.We came two years ago and played Necrosonic Festival, and that was catered a little bit more to the heavier side of the rock genre. But this one is really exciting because we're going to be presenting ourselves in front of a bunch of people who aren't just into heavy music, they're into all sorts of rock-oriented music. So, yeah, really excited."In the full interview, Steve reported that Bulletbelt has been off the road since a November 2024 15th‑anniversary show while recording a new album, which is finished and produced by U.S. producer Damien Reynard to achieve a “world‑class” sound. The record emphasizes more melody, higher tempos (including songs near 200 BPM) and power‑metal influences, and is planned for release around October; release timing is partly delayed by the postponed film Deathgasm 2, for which Bulletbelt wrote the theme.Steve characterized the band's festival approach as high‑energy, crowd‑engaging “party band” sets and said festivals are crucial for reaching broader rock audiences beyond heavy‑music niches. He confirmed the band will perform two new songs during the Australian shows and named local bands he's anticipating at Dead of Winter and more.Dead Of Winter will be held at the Mansfield Tavern in Brisbane on June 27, featuring Mammal, DZ Deathrays, Jay and Lindsay, Beanflipper, Toe to Toe, Slim Krusty and many more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersLet's be honest for a second. When you hear that Karnivool is touring, your ears instantly prick up. They are the undisputed kings of Australian progressive rock, a band that makes complexity sound like second nature. But when the tour announcement dropped, the words Car Bomb and TesseracT were slapped on the bill alongside them, things suddenly took an even bigger turn for the better. This isn't just a concert line-up; it's an absolute musical assault on the senses.HEAVY has always loved music that challenges you—the kind of tracks that don't just sit in the background but grab you by the throat and force you to pay attention. That is exactly what this tour is going to do. If Karnivool is the masterclass in sonic atmosphere, deep groove, and sweeping, emotional melodies, then Car Bomb is the chaotic entity sent to tear the room to pieces before the headliners even touch the stage.For the uninitiated, Car Bomb doesn't just play metal; they weaponise time signatures. Their style is a dizzying, frantic, and claustrophobic mathcore that feels like a glitching supercomputer trying to punch its way out of your speakers. Pairing their jagged, laser-guided ferocity with Karnivool's lush, towering soundscapes and the wizardry of TesseracT is a stroke of absolute genius. It's a beautiful contrast between absolute, calculated chaos and pristine, progressive beauty.HEAVY sat down with Car Bomb's guitarist Greg Kubacki to find out more. One of the topics of discussion is how Car Bomb find the balance between styles and genres in the creative process."I do the majority of the writing these days," Greg replied. "Back in the day, it was all of us working together in a room, but now we all have responsibilities, so I do the majority of the stuff. When the song starts, I start with an idea and put it on the shelf for a month or two and come back to it and see if I like it. And if I like something - whether it's technical or it's knuckle-dragging, really simple stuff - I'll just start working on a song from there.When I run out of ideas, that's when I usually know a song's done. Or if I put the song again on the shelf for another month and listen to it, and I don't find anything wrong with it, then I'm like, okay, it's good. But usually we have so many ideas that we're always working on. It's not like the movie Amadeus, where we're just writing it out, and it's written in five minutes (laughs)."In the full interview, Greg explains why it has taken Car Bomb so long to make it to Australia, how he prepares to tour a country for the first time and what they are expecting. He talked about the live show and what to expect, including what three songs people going to the show should listen to in order to get to know the band and music more.Greg ran us through difficulties in transforming the musical complexities into the live arena, as well as finding the balance between styles in the creative process. We spoke about the early days of Car bomb and the musical climate that gave birth to the band, the first time he heard one of his own songs on the radio and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

On the 142nd Episode of Dorm Damage With Tom & Zeus the guys list their Mount Rushmore of "Hair Metal" Music Videos. Tom & Zeus continue their "The Mount Rushmore" series, where Tom and Zeus will pick a category and then they will list their top 4 in the category each. In this episode the guys will list their top 4 hair metal music videos. They each will have their own criteria and then choose their 4 videos on their Mount Rushmore! Yeah Bango Tango! To Purchase Shout It Out Loudcast's KISS Book “Raise Your Glasses: A Celebration Of 50 Years of KISS Songs By Celebrities, Musicians & Fans Please Click Below:   ⁠Raise Your Glasses Book⁠   For all things Shout It Out Loudcast the #1 KISS Podcast check out our amazing website by clicking below:   ⁠www.ShoutItOutLoudcast.com⁠   Interested in more Shout It Out Loudcast content?  Care to help us out?  Come join us on Patreon by clicking below:   ⁠SIOL Patreon⁠   Get all your Shout It Out Loudcast Merchandise by clicking below:   ⁠Shout It Out Loudcast Merch At Printify⁠   Shop At Our Amazon Store by clicking below: ⁠Shout It Out Loudcast Amazon Store⁠   Please Email us comments or suggestions by clicking below: ⁠ShoutItOutLoudcast@Gmail.com⁠   Please subscribe to us and give us a 5 Star (Child) review on the following places below: ⁠iTunes⁠ ⁠Podchaser⁠ ⁠Stitcher⁠ ⁠iHeart Radio⁠ ⁠Spotify ⁠   Please follow us and like our social media pages clicking below: ⁠Twitter⁠ ⁠Facebook Page⁠ ⁠Facebook Group Page Shout It Out Loudcasters⁠ ⁠Instagram⁠ ⁠YouTube⁠   Proud Member of the Pantheon Podcast click below to see the website: ⁠Pantheon Podcast Network⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

A new era of the Metalheads Podcast begins! We introduce an exciting structure for the show that includes streamlined discussions of New Releases, What We're Listening To and Pick From the Crypt. After tackling those familiar segments we unveil THE WHEEL OF PAIN! At the end of each show we'll take turns spinning a virtual wheel with 30 unique discussion topics. The spinner will then lead the segment selected in the next show! For this inaugural Wheel of Pain, we pre-selected the segment, Behind the Curtain. Led by Jay, we discussed the legacy and impact of legendary producer Martin Birch. Plus, George and Will recap their time at Maryland Death Fest and we spin the wheel live for the first time. Find out WHAT our next segment will be and WHO will run it!

Rewind to 23 April – 29 April 2006 — and Australia's glued to a rescue, metalheads are doing emotional homework, Coachella quietly changes music history and horror gets… deeply unsettling.⛏️ Trapped, televised, unforgettable An Anzac Day mine collapse in Beaconsfield traps three miners a kilometre underground — and suddenly the entire country is emotionally invested. One miner is tragically found dead, but two are discovered alive days later, surviving in a space the size of a coffee table, singing The Gambler and rationing a single muesli bar. Cue collective national meltdown and wall-to-wall TV coverage like it's the original binge-watch. 

We're back with a special two-hour hang with some of our favorite guests, Temple of Void! Will was on location with the full band in a secret metal dungeon to discuss their crushing new album, The Crawl. Mike, Alex, Jason and Justin talk about the process for writing songs that are redefining their music beyond death doom. Plus, unexpected love for the 90s riffs of Bush, why boxing is truly the sweet science, what D&D character classes best represent the band, the need for exceptional dexterity when shooting music videos and... the power of haiku? All this and more awaits you, brave adventurer, in Episode #166: Dungeon Masters featuring Temple of Void.

In this episode of Americana Podcast: The 51st State, Robert Earl Keen sits down with Billy Strings to talk about learning to play, the craft of songwriting, and the evolving world of Americana music. Born William Apostol and raised in rural Michigan, Billy Strings grew up surrounded by bluegrass. By the time he was a teenager, his blistering flatpicking had already earned him a reputation as a prodigy among pickers and players. Years of relentless practice and countless small gigs eventually carried him from Midwestern bars and festivals to some of the biggest stages in roots music. For years, bluegrass lived mostly in whispers. You might hear it referenced in liner notes, spot it in a citation, or see it pop up in the occasional New Yorker cartoon. But something has changed. The conversation has gotten louder, and the reality is harder to ignore. Bluegrass music is considered cool now. It should not come as much of a surprise. Bluegrass has always carried a rich and vibrant history stretching back to the early twentieth century. It is a genre that holds tight to regional identity, creative freedom, and remarkable musicianship. At the same time, it has always fostered a deeply communal culture of learning, where songs, skills, and stories move naturally from one player to another. What the music needed was a new voice. New chapters. New songs added to the bluegrass canon. That is where Billy Strings comes in. Over the past several years, Billy has emerged as one of the most influential figures in modern bluegrass. His albums Home and Renewal helped push the genre into new territory while earning widespread acclaim, including multiple Grammy Awards, with Home winning Best Bluegrass Album. His live shows have developed a devoted following, blending traditional bluegrass musicianship with the improvisational spirit of jam bands and the storytelling roots of Americana. Billy Strings makes music that is rooted in bluegrass but stretches well beyond it. His songwriting reflects a deep understanding of the power of a well-crafted song. His lyrics move easily between personal reflection, observations about economic and ecological change, and the everyday questions that shape a life. All of it is supported by remarkable musicianship and production, where intricate playing and layered sonic details often create moments that feel almost like soundscapes. Trying to describe how good he is can be difficult. Some things are simply easier to hear than to explain. Listen to the full episode on all streaming platforms or at Americanapodcast.com. Like, share, and subscribe to Americana Podcast. Episodes and Bonus content available on YOUTUBE!https://www.youtube.com/@robertearlkeenofficial Donate to the show!https://tiptopjar.com/americanapodcastInstagram@robertearlkeen1Have questions or suggestions? Emailcreatedirector@robertearlkeen.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week, Jodie and Red are joined by Nick from Record Rippers and Beelzebuds, to go through some Metal Music!! Red had some technical difficulties about halfway through (You won't know that because Red is a master editor!) so Jodie brings it on home!!Can a sad, slow, whiney ass song about some stupid novel beat Cookie Monsters suicide note set to music? YOU be the JUDGE!!!The Devil Wears Prada - Please Say NoVSSix Feet Under - The NooseFollow Nick on Twitter. Vote via ⁠⁠⁠⁠Twitter⁠⁠⁠⁠, ⁠⁠⁠⁠Discord OR under the episode description on Spotify.Join the ⁠⁠⁠⁠Patreon⁠⁠⁠⁠Join the ⁠Discord⁠

On todays episode we get back into the reviewing of newer albums and start with Cradle of Filth: The Screaming of the Valkyries, The Protomen: Act 3 - This City Made Us, and Paradise Lost: AscensionFind all things Metalhead Journeys here:https://linktr.ee/metalheadjourneys   Support the show

The 2026 seal shatters with an aerodynamic new episode of the Metalheads Podcast! We start with a discussion about New Releases, highlighted by some long and lively takes on the new Kreator and Megadeth albums, then we share What We're Listening To and Picks from the Crypt. After the sarcophagus closes, John reveals the top 2025 honors based on stats from our big year-end show. Find out who took home the Frenemies Award, the Get a Room Award, the Clairvoyant Award, The America Fuck Yeah Award, the World Traveler Award, the Jay Award and the coveted Wilson Award. Plus, George makes a promise of podcast changes to come...

In this episode of the Scandalous Podcast, Liz Selfish, the lead singer of the band Brat, discusses the formation of her band, their unique sound, and the impact they are making in the metal scene. Liz shares her journey from Dallas to New Orleans, her musical influences, and the experiences that shaped her as an artist. The conversation also touches on the challenges and joys of touring, the importance of female representation in music, and the fun dynamics within the band. As they look towards the future, Liz hints at new music and upcoming tour dates and getting married in a few months! Follow @ScandalousOfficial

In episode 253 of Heavy Metal Philosophy, Jon Barbas reacts to "10 Modern Metal Trends That Need To Stop In 2026" by MetalBIRB. We made a lot of these same criticisms about modern metal and metalcore a little over year ago. It looks like the core kids are starting to agree with me. Let me know what you think!MetalBIRB's video;https://youtu.be/7cmEcXP8XSg?si=6z0hQQ1xFByy7CN1Get Heavy Metal Philosophy Merch!https://jonbarbas-shop.fourthwall.com/Heavy Metal Philosophy Contact;https://heavymetalphilosophy.com/YouTube: https://youtube.com/@heavymetalphilosophyhttps://www.spreaker.com/show/heavy-metal-philosophyJonBarbas@heavymetalphilosophy.comhttps://mobile.twitter.com/heaviestdoyenhttps://www.facebook.com/HeaviestDoyenhttps://www.instagram.com/heavy_metal_philosophy/https://www.threads.net/@heavy_metal_philosophyhttps://bsky.app/profile/jonbarbas.bsky.social Substack Articleshttps://substack.com/@jonbarbas#modernmetal #metal #metalcore

Metalhead Journeys returns with a recap of 2025. What we listened to; the good, the bad, and some upcoming. 

Join Rayo2 for the first ever installment of Metal Music Mondays (on a Tuesday) on the P.A.Z.NIA Radio Network: a video journey through the heaviest, melodic, freedom-focused metal, plus monologues from Rayo2. Also consider joining us for our weekly Self-Liberation Saturday transmission — starting at 4pm EST/3pm CDT with Thane… The post P.A.Z.NIA Radio Network: Metal Music Mondays with Coordinator Rayo (+ A New Year's Review) appeared first on The Vonu Podcast.

Here come Metalheads, here come Metalheads, right down Metalheads LaneWe got a bag that's filled with toys for boys and girls againHear those slay bells jingle jangle, oh what a beautiful sightSo jump in bed and cover your head, cause Metalheads come tonight!

In the penultimate 2025 episode, our friend Justin Riley joins us to discuss metal news and evaluate a mighty list of new releases, including albums from Coroner, Evoken, An Abstract Illusion, Hooded Menace, Tombs, Wode, Testament and more. Plus, What We're Listening To, Picks From the Crypt, epic homework failures and an elemental monster battle of final albums, as Celtic Frost "Monotheist" locks horns with Bolt Thrower "Those Once Loyal" in a Thunderdome clash for the ages.

Send us a textJoining the show is lead vocalist Gwyn Strang of the band Frayle. Hailed as one of the fastest rising doom metal bands, Frayle recently released it's sophomore album, Heretics and Lullabies, which sees the band expanding on the melancholic and haunting sound. Join us as we explore the origin of Frayle, the band's unique style and sound, as well as Gwyn's love for horror.Follow us on Social Media: @pvdhorror Instagram, X, TikTok, FacebookWatch us on YouTube: www.youtube.com/@pvdhorrorSpecial thanks to John Brennan for the intro and outro music. Be sure to find his music on social media at @badtechno or the following:https://johnbrennan.bandcamp.com

Brian Slagel, founder and CEO of Metal Blade Records joins this week to talk some hockey, some metal, some of his history, NAPSTER, branding, his Edward Van Halen story, KISS and did the Pantera Stanley Cup story really happen?Also Dating TIps With Porn Stars with Alena Croft @alenacroftxxxhttps://www.metalblade.com100 Songs That Define Heavy Metal Podcast:https://www.youtube.com/@100MetalSongsPATREON - https://www.patreron.com/realizzypres...WEBSITE - https://www.izzypresley.comIzzy's linkshttps://www.lasvegasguitartradeshow.comhttps://www.sotastick.comhttps://vintageguitarsrus.comhttps://www.beeteramplification.comhttps://www.thesmokinkills.comhttps://www.7thavenuepizza.comhttps://www.lockecustomguitars.com https://valkenburgusa.com https://www.monstersofrockcruise.comMERCH https://official-izzy-presley-store.creator-spring.comhttps://www.teepublic.com/user/official-izzy-presleyCAMEOhttps://www.cameo.com/realizzypresley RAISE YOUR GLASSEShttps://www.amazon.com/RAISE-YOUR-GLA...

Author Daniel Bukszpan dissects the clash between Iron Maiden's 'Somewhere In Time' and Judas Priest's 'Turbo.' Which album reigned supreme among metal fans?Listen to Episode 323 - Iron Maiden at 50: An Ironclad Legacy15% OFF Any Purchase At Old Glory For Booked On Rock Listeners! — Over 300,000 officially licensed items. Featuring legendary music artists like Bob Marley, The Beatles,Grateful Dead, and more. Use the code "BOOKEDONROCK" or hit this link:https://oldglory.com/discount/BOOKEDONROCK---------- BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:BLUESKYFACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

The dreaded clashfinder, followed by the tsunami of complaints. A bleak annual onslaught every festival promoter dreads.But what actually goes into putting that particular puzzle together?Well there's the contractual obligations, and then the obvious genre concerns, followed by logistics you do know about and then those you don't know about.And where in that tangled web of restrictions do you place bands on the same record label?Gav and James attempt to explain why it's not as simple as doing as they please, no matter how much they'd like to.www.seetickets.com/tour/2-promoters-1-podWe go again, every Thursday morning.

So where have we been? Find out in this update episode. Find all things Metalhead Journeys here:https://linktr.ee/metalheadjourneys

Welcome back to Sound Pollution, we are happy you are here. In this episode we got to interview two very talented members of Eyes of the Oak. We will be discussing their upcoming release, how the group got together, what their songwriting process is, what their live shows are like, and the stories behind two songs. Also, find out who the crazy one was that came up with the idea to cover a rock classic. Click those links below to show these guys some love and affection. Make Some NOISE. FACEBOOK: https://www.facebook.com/eyesoftheoak/ INSTAGRAM: https://www.instagram.com/eyesoftheoak YOUTUBE: @EyesoftheOak BANDCAMP: https://eyesoftheoak.bandcamp.com/ SPOTIFY: https://open.spotify.com/artist/3d5 SOUNDCLOUD: https://soundcloud.com/eyesoftheoak Use these links to like, friend, follow, subscribe, and share Sound Pollution * STORE* https://sound-pollution-store.printify.me/products SPOTIFY: https://open.spotify.com/show/4ZXY YOUTUBE: https://www.youtube.com/channel/UCA APPLE:  https://podcasts.apple.com/us/podcast/sound-pollution INSTAGRAM: https://www.instagram.com/soundpollutionpodcast/ TIKTOK: https://www.tiktok.com/@soundpollutionp FACEBOOK: https://www.facebook.com/SoundPollutionPodcast

Welcome back to Season Six of the NAS Podcast! In Episode Twenty One, Origin Crxss sits down with Swedish metal artist Idorhan ShagaraaIdorhan Shagaraa is a rising artist whose evocative songwriting and atmospheric soundscapes are showcased in his four-track release Cherophobia, featuring songs like “Cherophobia,” “The Empty Man,” “Mold,” and “One of Us.” Released on August 22, 2025, the EP spans emotionally varied terrain—from the introspective and slow-paced “Cherophobia” to the more upbeat, bright energy of “One of Us”. Available across platforms like DistroKid and Amazon Music, Idorhan Shagaraa continues to carve a path in the indie music scene with his compelling sonic narrative and emotional depth.New Artist Spotlight is a community of indie musicians from around the globe. We believe in the power of numbers so we work together to promote each other's music. Our goal is to create a safe and supportive space where indie musicians can get their music heard and find their first fans.Join the community - https://www.newartistspotlight.org/00:00 Intro00:57 Who is Idorhan Shagaraa and what are his goals?03:45 Idorhan's influences and inspiration05:43 Society's treatment of mental health12:10 "Cherophobia"20:42 Quickfire Five23:51 Idorhan and NAS26:02 Final thoughts & the importance of metal music==========MEET THE CREWWilko Wilkes:https://wilkowilkes.com/https://www.instagram.com/wilkowilkesmusicOrigin Crxss:https://linktr.ee/origin100https://www.instagram.com/origin_crxssLisa Haden:https://linktr.ee/lisahadenhttps://www.instagram.com/lisamariehadenPlummy:https://www.plummymusic.com/https://www.instagram.com/plummymusic Blue Scarrhttps://linktr.ee/bluescarrmusichttps://www.instagram.com/bluescarrmusic/Andres Guazzelli (Editor):https://www.andresguazzelli.com/https://www.instagram.com/andresguazzelliNAS Podcast Theme by Charles Connollyhttps://www.charlesconnollymusic.com/https://www.instagram.com/connollytunes

Join us as we get down and dirty with one of the heaviest records ever made: Alice in Chains' Dirt. Frizz has a cold, hard seltzer, Bob's sipping an Iron City Light, and we're diving into the story of two Seattle misfits who scribbled the same twisted joke in their Dr. Seuss books and went on to write one of the darkest, most honest records of the '90s. Addiction, decay, and despair are all laid bare. So, pause Beavis and Butt-Head, grab a seat in your angriest chair, and settle in. We're heading down a hole with Alice in Chains.  

Deadlands band members Kasey Karlsen and CJ Arey join Ralph Sutton and Aaron Berg and discuss CJ Arey wearing platform shoes, the best way to discover new music, Kasey Karlsen's time playing lacrosse, CJ Arey dancing in a variety show at 14 years old, the origin of Deadlands, Kasey Karlsen performing with Nita Strauss, CJ Arey's Avoidant Restrictive Food Intake Disorder (ARFID), the creation of the song Villain, a live performance of Limbo, the different types of screams, upcoming plans for Deadlands, Kasey Karlsen and CJ Arey's first concert, first drug and first sexual experience and so much more!(Air Date: July 23rd, 2025)Support our sponsors!YoKratom.com - Check out Yo Kratom (the home of the $60 kilo) for all your kratom needs!To advertise your product or service on GaS Digital podcasts please go to TheADSide.com and click on "Advertisers" for more information!You can watch The SDR Show LIVE for FREE every Wednesday and Saturday at 9pm ET at GaSDigitalNetwork.com/LIVEOnce you're there you can sign up at GaSDigitalNetwork.com with promo code: SDR for discount on your subscription which will give you access to every SDR show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!DeadlandsBand Instagram: https://instagram.com/DeadlandsBandKasey Karlsen Instagram: https://instagram.com/KaseyKarlsenCJ Arey Instagram: https://instagram.com/AreyWasHereRalph SuttonTwitter: https://twitter.com/iamralphsuttonInstagram: https://www.instagram.com/iamralphsutton/Aaron BergTwitter: https://twitter.com/aaronbergcomedyInstagram: https://instagram.com/aaronbergcomedyShannon LeeTwitter: https://twitter.com/IMShannonLeeInstagram: https://instagram.com/ShannonLee6982The SDR ShowTwitter: https://twitter.com/theSDRshowInstagram: https://www.instagram.com/thesdrshow/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this, the day of our deity of reciprocity, we gather to give special thanks to our treasured Midyear Sun. As an offering for our Podfather, we will today surrender 20 heavy metal albums. As Metalheads take, so Metalheads also give.

On this week's episode, writer and comedian, Amy Silverberg, is back to chat about her new book (First Time, Long Time), shrimp emojis, airplane confessions, kooky aunts, and so much more.Pre-order Amy's new book, First Time, Long Time!Los Angeles! Go to Amy's book release event in Los Angeles at Skylight Books: Thursday, July 24, 2025!~ NEW JJGo MERCH ~Jordan's new Spider-Man's comic is out now!Order Jordan's new Godzilla comic! Be sure to get our new ‘Ack Tuah' shirt in the Max Fun store.Or, grab an ‘Ack Tuah' mug!The Maximum Fun Bookshop!Follow the podcast on Instagram and send us your dank memes!Check out Jesse's thrifted clothing store, Put This On.Follow brand new producer, Steven Ray Morris, on Instagram.Listen to See Jurassic Right!

Formed in Los Angeles' lengendary Sunset Strip in 1985, Guns N' Roses quickly rose from the gritty club scene to become one of the biggest acts in rock music - achieving massive commercial success and becoming a top live draw in under three years. Along the way, their meteoric rise was matched by no shortage of controversy, internal conflict, and headline-making moments.  In the book "Guns N' Roses at 40", acclaimed rock historian and author Martin Popoff explores 40 priotal moments that shaped the band's legacy - from their formation and  breakout success to major tours, iconic releases, creative partnerships, internal struggles, and everthing in between.  We were thrilled to be speaking with Martin Popoff about his new book. With over 100 titles to his name on topics ragning from hard rock and heavy metal to classic rock and vinyl collection, Martin's work includes Rush" The Illustrated History, Led Zeppelin: Song By Song, Pink Floyd: Album by Album, Bowie at 75, AC/DC at 50, KISS at 50 and more. He also contributed to the award-winning docuemtaries Rush: Beyond the LIghted Stage and ZZ Top: That Little Ol' Band From Texas.   

04-18-25 - EASTER KEG 2025 - Entertainment Drill - FRI - Kirk Hammet Says Black Sabbath Song Symptom Of The Universe Caused Shift In Metal MusicSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Of course it is!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.