Podcasts about guitar concerto

Antonio Vivaldi - Guitar Concerto: Largo Emanuele Segre, guitar I Pomeriggi Musicali Carlo Boccadoro, conductor More info about today's track: Delos DE3546 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Mauro Giuliani - Guitar Concerto No. 1: Alla polacca Dagoberto Linhares, guitar Camerata Cassovia Johannes Wildner, conductor More info about today's track: Naxos 8.550483 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Hosted by (ig and youtube) @guitar arrangers  @The Music Thief   @Donitalia  Guest  @Pepe Romero  Special thanks to Matt Denman and Bryan Hays for making this interview possible. https://www.romero-institute.com/ https://peperomero.com/ Pepe Romero Biography There are very few true living legends in the world of classical music, few who have sustained greatness and grown throughout their lives. Pepe Romero is such an artist. He has been honored by kings, heads of state, and major institutions-the encomiums continue to pour in. But to Romero, his most important contribution has been reaching the common man. He has communicated the richness and beauty of the classical guitar to millions of people throughout the world. He has, indeed, become an ambassador of classical music, and, correspondingly, of the classical guitar. But this gift did not just appear out of nowhere. Pepe is the second son of one of the greatest guitarists that ever lived—Celedonio Romero. And he is brother to two more musical phenoms—Celin and Angel Romero.  Pepe Romero has premiered works by some of the finest composers of the twentieth and twenty-first centuries. Joaquín Rodrigo, Federico Moreno Torroba, Lorenzo Palomo, Padre Francisco de Madina, Paul Chihara, Enrique Diemecke, Ernesto Cordero, and, most poignantly, Celedonio Romero, have written compositions for Pepe. Always a champion of music by composers in earlier periods of music history, he has also delved into rare archives to re-explore lost pieces by Fernando Sor, (world premiere and recording of Fantasie in d minor), Mauro Giuliani (world premiere recordings of Concerto no.2 in A major and Concerto no.3 in F major and Variations and Polonaise, Op.65), Francesco Molino (world premier recording of Guitar Concerto in E minor, Op.56), Ferdinando Carulli (world premiere recording of Guitar Concerto in E minor, Op.140), Johann Kaspar Mertz, Luigi Boccherini, (world premiere recording of all 8 guitar quintets) and others. Maestro Romero's many accomplishments include: world premieres of Rodrigo´s Concierto andaluz (with the Romero Guitar Quartet), Concierto madrigal (with Angel Romero), and Concierto para una fiesta (written for Pepe Romero); Federico Moreno Torroba's Diálogos entre guitarra y orquesta (Pepe was personally chosen by Torroba and Andrés Segovia for the world recording premiere of this work dedicated to Segovia with an extended guitar cadenza written especially for Pepe), Concierto Ibérico by Torroba (written for and performed by the Romeros), Concierto en flamenco by Torroba was premiered in Málaga (performed by Pepe with Angel Romero conducting); and Lorenzo Palomo's Concierto de Cienfuegos (with the Romero Quartet) and Nocturnos de Andalucía (both released on the Naxos label). Of the many guitar concertos by his father, Celedonio Romero, Pepe has performed the world premieres of Concierto de Málaga, Fiesta Andaluza and El Cortijo de Don Sancho. Other premieres include Troubadour Music for four guitars and orchestra by Morton Gould, Concierto vasco and Concierto flamenco by Francisco de Madina, Concierto festivo by Ernesto Cordero, Christmas Suite for four guitars and chamber orchestra by Massimo Paris, Concierto a Celedonio by Enrique Diemecke, Concierto Mariachi by Michael Zearott and the guitar concerto, Zareh, by Loris Tjeknavorian. He also revived the great orchestral work Metamorfosi de concert by Xavier Montsalvatge, with Gianandrea Noseda, and premiered as well as recorded the Concerto for Guitar and Orchestra with Trumpet Obbligato by Paul Chihara, with Neville Marriner and the London Symphony. In April 2014 Pepe Romero performed the German premiere in the Berlin Philharmonic of a new work by Lorenzo Palomo – Fulgores - for violin, guitar and orchestra. Pepe Romero has always felt, along with his father and brothers, that the sharing of one's art is a personal responsibility. Mr. Romero has served as Professor of Guitar at the University of Southern California, University of California at San Diego, Southern Methodist University, and the University of San Diego. Every summer at the Celedonio Romero Guitar Institute, currently held at Oklahoma City University, the Romeros conduct an intensive guitar workshop including master classes, private lessons, student concerts and a final concert featuring the students performing with the Romeros. Pepe has conducted master classes at the Salzburg Summer Academy, Córdoba Guitar Festival, and the Schleswig-Holstein Festival. In 2004 he was appointed Distinguished Artist in Residence at the University of Southern California's Thornton School of Music. His newly revised guitar method “La Guitarra” was published and released by Tuscany Publications in 2012. Currently he is finalizing a teaching video that discloses the principles of the Pepe Romero guitar technique.

Grammy Award-winning classical guitarist Jason Vieaux joins us to preview his new (world premiere!) recording of American composer Jonathan Leshnoff's Guitar Concerto. Leshnoff calls the work, “an exploration of worlds, from its mysterious beginnings to its fiery, dance-inspired finale.” Jason calls it a worthy addition to the repertoire and shares his own take on this virtuosic work, originally written for master guitarist Manuel Barrueco. .

Mozart, Symphony #41, 1st movt Ravel, Don Quichotte a Dulcinee, 2nd movt Castelnuovo-Tedesco, Guitar Concerto, 2nd movt Debussy, L'isle Joyeuse Verdi, Ah, piu non ragiono, from Rigoletto Satie, Gymnopedie #1 Schubert, Piano Sonata in C major, D 279, 1st movt Moreno-Torroba, Fandanguillo, from Suite Castellana This show was broadcast on OAR 105.4FM Dunedin - oar.org.nz

Episode Notes Season 2 Episode 2 interview with master classical guitarist John Marcel Williams. https://www.johnmarcelwilliams.com A lot of insight in this episode as we talk to one of the rising stars of the classical guitar world, and child prodigy. John talks about studying with some of the best in the business, as well as tips from the greatest players in the world and life as a classical guitarist. Plus we get into competitions and more. Opening piece performed by John Marcel Williams - Regondi Etude #4 John's Bio: Award winning artist, John Marcel Williams, is establishing a reputation as both a virtuoso concert artist, and devoted teacher. By age 16 he had garnered over 20 prizes at competitions, including the first prize at the Boston Guitar Festival youth competition, Rosario Guitar Festival, Classical Minds Guitar Festival, and the second prize at the international Guitar Foundation of America young artist competition. In addition he was awarded first prize at the James Stroud competition and won the Pittsburgh Concert Society Audition. John's unique musicality and refined technique can be seen in his performances. He is frequently invited to play and teach at venues across the United States as well as internationally. In 2018, John toured Panama as a guest artist for the Panama Guitar Festival where he not only performed but gave masterclasses and adjudicated for the Panama Guitar Competition. Other engagements include solo recitals at Oberlin College and Moravian College and he was a guest artist for the 2019/20 season of the Philadelphia Classical Guitar Society. John Marcel has made numerous media appearances on various radio and TV programs, most notably performing on NPR's program, “From the Top,” where he was also awarded the Jack Kent Cooke Young Artist Award. Most recently, in 2019 John debuted with the Wheeling Symphony Orchestra led by Maestro John Devlin, performing Elmer Bernstein's Guitar Concerto. John began to study the guitar at age 10 and his talents were quickly noticed by the late Aron Shearer, who encouraged him to continue his pursuit as a classical guitarist. John went on to study with Stephen Aron at the Oberlin Conservatory at age 13, under whose guidance he began to gain attention winning competitions across the United States. He also spent a summer studying at the Aspen Music Festival after an invitation from Sharon Isbin, professor of guitar at the Julliard School. Williams started his collegiate studies with Manuel Barrueco at the Peabody Conservatory of Music in 2011, and received both his undergraduate and masters degree in guitar performance. Since the fall of 2018, John has continued his studies at the prestigious Curtis Institute of Music in Philadelphia under the tutelage of Grammy award winning artist Jason Vieaux and David Starobin. Please Like, Subscribe, and Bell and all that to gt more of this kind of thing. So many great episodes to come. If you prefer audio only versions, you can find us on your favorite Podcast apps. https://pinecast.com/feed/woodairmetal https://pnc.st/s/woodairmetal Find out more at https://woodairmetal.pinecast.co

Brahms, Symphony #4, 3rd movt Clara Schumann, Die gute nacht, die ich dir sage Sculthorpe, Port Arthur: In Memoriam Weber, Piano Sonata #4, 1st movt Orr, Farewell to barn and stack and tree Debussy, Danses Sacree et Profane Castelnuovo-Tedesco, Guitar Concerto, 3rd movt This show was broadcast on OAR 105.4FM Dunedin - oar.org.nz

From the Summer of Love to British Blues to a special guitar concerto to an unlikely arrangement to Isaac Albeniz....

From Brazilian guitarist and composer, Dilermando Reis to Domenico Scarlatti to a 'Toccata' from a guitar concerto to a piece for piano & orchestra dedicated to Vincent Van Gogh..

I had a chance to speak with grammy award winning guitarist, Jason Vieaux a couple of weeks ago in light of his upcoming release with the Escher String Quartet. Our interview was not quite as long as some of the others, but we were able to cover several really interest topics. Grammy winner Jason Vieaux, “among the elite of today's classical guitarists” (Gramophone), is the guitarist that goes beyond the classical. His most recent solo album, Play, won the 2015 Grammy Award for Best Classical Instrumental Solo.Jason Vieaux has performed as soloist with over 100 orchestras in the U.S. and abroad. Additional recent and future highlights include performances at Caramoor Festival as Artist in Residence, Chamber Music Society of Lincoln Center, Philadelphia Chamber Music Society the National Gallery of Art, San Francisco’s Herbst Theatre, Buenos Aires’ Teatro Colon, Amsterdam’s Concertgebouw, New York's 92Y, Ravinia Festival, and many other distinguished series. A first rate chamber musician and programmer, he frequently collaborates with artists such as the Escher Quartet, harpist Yolanda Kondonassis,accordion/bandoneon virtuoso Julien Labro, and violinist Anne Akiko Meyers. His passion for new music has fostered premieres by Jonathan Leshnoff, Avner Dorman, Jeff Beal, Dan Visconti, David Ludwig, Vivian Fung, José Luis Merlin, and more.Vieaux’s latest CD release is a performance of Jonathan Leshnoff’s Guitar Concerto with the Nashville Symphony Orchestra (Naxos). He has two upcoming releases on Azica Records: a new album, Dance, with the Escher String Quartet (July 19, 2019), featuring works byBoccherini, Castelnuovo-Tedesco, and Aaron Jay Kernis; as well as a new solo Bach album. Recent recordings include Jeff Beal’s “Six Sixteen” Guitar Concerto with the Norrköping Symphony Orchestra (BIS); Infusion (Azica) with accordionist/bandoneonist Julien Labro; Ginastera’s Guitar Sonata, which is featured on Ginastera: One Hundred (Oberlin Music) produced by harpist Yolanda Kondonassis; and Together (Azica), a duo album with Kondonassis. In 2012, the Jason Vieaux School of Classical Guitar was launched with ArtistWorks Inc., an interface that provides one on one online study with Vieaux for guitar students around the world. In 2011, he cofounded the guitar department at the Curtis Institute of Music, and in 2015 was invited to inaugurate the guitar program at the Eastern Music Festival. Vieaux has taught at the Cleveland Institute of Music since1997, heading the guitar department since 2001. He has received a Naumburg Foundation top prize, a Cleveland Institute of Music Distinguished Alumni Award, GFA International Guitar Competition FirstPrize, and a Salon di Virtuosi Career Grant. His primary teachers were Jeremy Sparks and John Holmquist. Vieaux was also the first classical musician to be featured on NPR’s “Tiny Desk” series.You can find out more about his upcoming performances, appearances and recordings at jasonvieaux.comI caught up with Jason in between his busy family schedule. He was gracious with his time and we were able to chat about his upcoming releases, and some other really good things like how his approach to recording has changed over the years, his teaching career, balancing family life with performing, and much more.

Grammy Award-winning classical guitarist Jason Vieaux joins us to preview his new (world premiere!) recording of American composer Jonathan Leshnoff's Guitar Concerto. Leshnoff calls the work, “an exploration of worlds, from its mysterious beginnings to its fiery, dance-inspired finale.” Jason calls it a worthy addition to the repertoire and shares his own take on this virtuosic work, originally written for master guitarist Manuel Barrueco. .

Grammy Award-winning classical guitarist Jason Vieaux joins us to preview his new (world premiere!) recording of American composer Jonathan Leshnoff's Guitar Concerto. Leshnoff calls the work, “an exploration of worlds, from its mysterious beginnings to its fiery, dance-inspired finale.” Jason calls it a worthy addition to the repertoire and shares his own take on this virtuosic work, originally written for master guitarist Manuel Barrueco. .

Complementing the artist line-up of Giancarlo Guerrero and the Nashville Symphony on this recording are the Violins of Hope, a poignant collection of restored instruments that survived the Holocaust. Jonathan Leshnoff wrote his Symphony No. 4 with this unique set of orchestral voices in mind; Raymond Bisha introduces the performance and the background to its conception. Leshnoff is one of America’s most frequently performed living composers and the programme on this new recording also includes Starburst, his most frequently performed work, and his Guitar Concerto, which Guerrero considers “one of the greatest additions to guitar and orchestra repertoire in recent years.” The soloist is Jason Vieaux.

The Tactical Guitarist podcast brings you interviews with guitarist, composers, teachers, and anyone else who can share their wisdom, advice and stories on surviving a career in music.My guest for this episode is renowned composer Stephen Goss.Stephen Goss’s music receives hundreds of performances worldwide each year. It has been recorded on over 80 CDs by more than a dozen record labels, including EMI, Decca, Telarc, Virgin Classics, Naxos, and Deutsche Grammophon. His output embraces multiple genres: orchestral and choral works, chamber music, and solo pieces.Goss’s work is marked by a fascination with time and place – both immediate and remote – and the musical styles that evoke them. In many of his compositions, contrasting styles are juxtaposed through abrupt changes of gear. His compositional voice is shaped by his parallel career as a guitarist – that is to say, as a performer, transcriber, arranger, improviser and collaborator with other composers and performers. Not surprisingly, his music often tests the boundaries between all these activities and original composition.Several of Goss’s recent projects have involved the legendary guitarist John Williams, including his Guitar Concerto, which Williams recorded and played on tour with the Royal Philharmonic Orchestra. Some of the world’s leading orchestras to have performed his works include The Russian National Orchestra, The China National Symphony Orchestra, The Royal Liverpool Philharmonic Orchestra, The State Symphony Orchestra ‘New Russia’, The RTÉ National Symphony Orchestra, The Boulder Philharmonic Orchestra, The Scottish Chamber Orchestra, and The Barcelona Symphony Orchestra.Commissions have come from guitarists David Russell and Xuefei Yang (including chamber works with cellist Natalie Clein and tenor Ian Bostridge). Goss has also collaborated with Andrew Lloyd Webber, Alt-J, and Avi Avital. As a guitarist, he has worked with Takemitsu, Henze, Peter Maxwell Davies and Elliott Carter, and toured and recorded extensively with the Tetra Guitar Quartet, various other ensembles, and as a soloist.Stephen Goss is Chair of Composition at the University of Surrey (UK), Director of the International Guitar Research Centre, and a Professor of Guitar at the Royal Academy of Music in London. He was born in Wales on 2nd February 1964.Stephen was in Portland for a three day performance of his Albeniz Concerto by renowned guitarist Pablo Villegas and the Oregon Symphony. I was given a unique opportunity to chat briefly with him, so we sat down at Bryan Johanson’s home this past week to talk a little about his accomplishments, some of his history and some great words of wisdom to musicians.

In this episode, we hear from one of today’s most avid commissioners of new guitar works and current chair of the guitar department at San Francisco Conservatory, David Tanenbaum. The conversation dives deep into David’s experiences working with legendary composers of the last decade including Toru Takemitsu, Steve Reich, and Hans Werner Henze. One fascinating story David shares is how Henze asked him to construct many of the chords in his Guitar Concerto by initially providing him with 10 notes and saying, "I kind of like all these notes, you make the chords!" David also talks about the importance of actively commissioning new works for the classical guitar and ways to get modern composers excited about doing so. Intro Music: Brandenburg Concerto 6 (J.S. Bach) - LAGQ Electric Counterpoint (Steve Reich) - David Tanenbaum

¿Quién fue Antonio Vivaldi? ¿Dónde nació? ¿Qué obras compuso? En este episodio los pequeños conocerán a Vivaldi y escucharán algunas de sus obras más conocidas. Conocerán también qué es un “concierto” y cuál es el concierto más famoso de este magnífico compositor.  Las notas del episodio en www.allegromagico.com/24. En este episodio vas a escuchar: [00:33] L'estro armonico No. 12 in E Major, Op. 3, RV 265_ I. Allegro [04:07] Gloria in D Major, RV 589_ Gloria in excelsis [05:38] Concerto in F Major for 2 Oboes, Bassoon, 2 Horns, Violin & Strings RV571_ I. Allegro [07:09] Stabat Mater, RV 621_ I. Stabat mater dolorosa (Largo) [09:14] Flute Concerto No. 4 in G Major, RV 435_ II. Largo [10:19] L'estro armonico No. 7 in F Major, Op. 3 (RV 567)_ III. Allegro [11:52] Flute Concerto No. 5 in F Major, RV 434_ III. Presto [12:08] Oboe Concerto in C Major, RV 452_ I. Allegro [12:19] Cello Concerto in D Major_ IV. Allegro vivace [12:33] Guitar Concerto in D Major_ I. Allegro [12:57] Mandolin Concerto in C Major, RV 425_ III. Allegro [14:00] Concerto for 2 Trumpets and String Orchestra in C Major, RV 537_ I. Allegro [15:31] Concerto for 2 Violins and Strings in A Major _Per Eco__ I. Allegro [17:59] Concerto for 2 Oboes and 2 Clarinets in C Major, RV 560_ I. Larghetto-Allegro [19:26] The four Seasons, Summer, Op. 8_2_ III. Presto. Tempo impettuoso d’Estate [19:51] The four seasons, Autumn, Op. 8_3_ III.Allegro (La caccia) [20:21] The four Seasons, Winter, Op. 8_4_ I. Allegro non molto [21:10] The four seasons, Spring, Op. 8_1_ I. Allegro   Si te gusta el episodio, califícalo en tu app favorita (Podcasts iTunes, iVoox) o puedes dejar tu review. :)    No te pierdas ningún episodio. Súscríbete al newsletter en allegromagico.com/suscribirme.    Síguenos en: Facebook, Twitter, Instagram y Pinterest.  Únete a la comunidad de padres y profesores de Allegro Mágico en allegromagico.com/comunidad.

Stoa Okumaları Serisi 29. Bölüm : Kötü Günlere Altolma, İyi Günlere Güvenme Ahlaki Mektuplar, Seneca Seslendiren : Kemal Karadayı Müzik : Guitar Concerto in D - Largo - Antonio Vivaldi