Podcasts about Domenico Scarlatti

Dieter conversa con José Mª Marco sobre el periodo que arranca con Felipe V, sobre el Marqués de la Ensenada y sobre el músico Domenico Scarlatti.

durée : 01:29:52 - Une heure et plus avec Alessandro et Domenico Scarlatti, compositeurs - par : Aurélie Moreau - L'un a façonné l'opéra napolitain, l'autre a réinventé la sonate pour clavecin. Alessandro et Domenico Scarlatti, père et fils, ont marqué l'histoire de la musique baroque chacun à leur manière.

Carlos Iribarren | Las sinfonías que podemos encontrar en ese período repleto de música maravillosa llamado Barroco son obras sencillas, que servían casi siempre como introducción a óperas. Algunas sí tenían entidad propia, algo que se desarrolló con mucha más importancia a partir del Clasicismo y podremos comprobarlo a lo largo de diferentes programas que iremos escuchando en las próximas temporadas. Hoy comenzamos con 10 ejemplos ilustrativos y muy interesantes de sinfonías creadas durante el Barroco en Italia, por lo que podremos disfrutar de joyas breves creadas por maestros como Albinoni, los hermanos Sammartini, Pergolesi o Alessandro y Domenico Scarlatti. Son piezas de gran brillantez que nos sirven para viajar a los siglos XVII y XVIII y disfrutar de la mejor música del mundo: la que suena siempre en Hoy Toca, el programa de Clásica FM que te quiere sorprender.

In today's episode, we continue our series on the rise of specialty coffee in France and speak with Mihaela Iordache, Head Roaster at Paris' iconic Belleville Brûlerie.Founded in 2013, Belleville is a pioneering specialty roaster, known for its high-quality coffees and the staff's signature Bleu de Travail outfit – the classic French blue workwear jacket that's become a symbol of their craft.In this conversation, Mihaela shares how France's coffee community and consumer habits have evolved in recent years, and why it took a little longer for specialty coffee to make its mark in a country famed for its traditional café culture.Credits music: "Sonata K239" by Domenico Scarlatti played by Ana Maria Iordache, in association with The Coffee Music Project and SEB CollectiveSign up for our newsletter to receive the latest coffee news at worldcoffeeportal.comSubscribe to 5THWAVE on Instagram @5thWaveCoffee and tell us what topics you'd like to hear

Es ist wieder eine dieser Sendungen, in denen wir von einem Genre zum nächsten Hüpfen. Zunächst geht es mit dem Album 'Organised Delirium' von Tamara Stefanovich los, die Sonaten von Pierre Boulez, Béla Bartók, Hanns Eisler, Dmitri Schostakowitsch und Domenico Scarlatti interpretiert. Danach geht's dann weiter mit 'Balloonerism' vom viel zu früh verstorbenen Hip-Hop Künstler Mac Miller. Schließlich reden wir noch über die Wehrpflicht und verkosten ein Landsknechtbier vom Fürst Wallerstein Brauhaus.

Fandango è un termine conosciuto nel mondo, che si riferisce a "qualcosa di spagnolo". Il dizionario di Real Academia Spagnola non ne dà una origine certe. Ci dice che forse viene dal Fado, la musica portoghese, e che forse originariamente si parlasse di "Fadango". Indica sicuramente un tipo di danza Andalusa in particolare ma spagnola in generale, ballata in coppia, forse molto diffusa nel 600, caratterizzata dal solito ritmo ternario di tutta la musica spagnola. Si tratta del genere musicale più diffuso in Spagna. Esiste dappertutto, forse solo in Catalogna non c'è. La musica classica se ne è occupata parecchio: nel 1984 è stato scoperto un brano, "Fandango in re minore" di Domenico Scarlatti, della quale ti faccio ascoltare una parte (è molto bella e la trovi facilmente completa on line). Non si sa di preciso se sia stato davvero Scarlatti a comporla, ma il suo colore è proprio spagnolo, e Scarlatti visse a Madrid alla ricerca della essenza della cultura popolare spagnola. E' molto vivace, focoso, passionale e bellissimo. Antonio Soler, allievo di Scarlatti ne compose uno, anch'esso per clavicembalo, del quale ti faccio ascoltare un assaggio, accompagnato dalle nacchere.Anche Boccherini ne compose uno.Torniamo al fandango come genere popolare spagnolo. E' diffuso ovunque, quiandi potrebbe essere un elemento unificatore, ma in reltà ne esistono tantissime varianti. Questo corrisponde alle grandissime varietà del territorio andaluso: i climi e la geografia tanto eterogenei che troviamo in Andalusia hanno generato molte differenze di stile di vita, di economia, ma anche di ricorrenze religiose, abitudini culturali e di vita. Il fandango, al di là delle sue specificità locali, è un elemento unificatore della cultura!Ricordiamo che la musica in Andalusia non è solo il flamenco, ma anche il flamenco stesso è nato in larga misura dal folklore.La ritmica ternaria del fandango 123 123 12 12 12 è quella della musica popolare, che è entrata nel flamenco molto profondamente. La musica popolare vive nella omologazione, nell'aderire ed appartenere ad una comunità culturale. Non si basa su artisti eccezionali, che hanno creato prodotti artistici speciali: si basa su qualcosa che possono fare tutti! Mentre il flamenco è una musica d'arte, fatta da personalità artistiche eccezionali, e che ha risentito tanto delle difficoltà della vita (ecco che ci ritroviamo alla perfezione l'elemento gitano del flamenco!). Un po' come nel blues, la miseria e le difficoltà di vita possono dare una spinta alla creatività artistica. Trasferirsi nelle città o comunque nei paesi, ha reso possiblie il confronto fra melodie tradizionali di diversa provenienza geografica. E il flamenco di questa varietà si è tanto arricchito. Il flamenco poteva quindi aiutare a far mantenere le tradizioni della propria zona di origine. Il mantenimento quindi della propria individualità ed unicità, che rende la musica sempre con una vena di tristezza o malinconia, anche quando è motlo allegro. Un po' come nel jazz, il flamenco parla di emozioni dell'animo umano e non di un piccolo gruppo, e quiandi diventa assolutamente universale. Questo senso di appartenenza e individualità che si è approfondito nel confronto con altre culture provienienti da latre zone, cosa che è iniziata dal 1492, con l'espulisone dei mori e degli ebrei e il ripopolamento, l'arrivo di cultura proveniente dalle Americhe... In una parola, la musica popolare andalusa è proprio il fandango. Il fandango nasce da un fenomeno arabo, lo zejel, una forma poetica ancora oggi esistente, che prevede la creazione momentanea di strofe rimate, nata per giocare con le parole. Lo zejel arabo prevede un ritornello, che ne definisce la dimensione sociale, e si fa in dialetto arabo (se fosse in arabo classico si chiamerebbe Muashshahat, e farebbe parte della tradizione della musica colta, ma questa è un'altra storia).Nel Sud della Spagna, soprattutto a Murcia e nei paesini dell'Alpujarra, sulla Sierra Nevada, ma anche altrove, Malaga, Almeria, persino delle Canarie esiste un fenomeno musical/poetico che si chiama "Trovo". Si crea una sorta di competizione poetica, una piccola diatriba che prevede ironia cantata o anche solo recitata, per rispondere a ciò che l'altro cantore sta dicendo, giocando con le parole, improvvisando in particolare su una musica che è fandango. A volte i troveros sono due, un poeta che crea i versi poetici e li suggerisce all'orecchio del suo compagno, che magari non è poeta ma ha una bella voce e quindi può cantare i versi, a tono e a ritmo con la musica. Lo schema ritmico è sempre di versi ottosillabi, e le strofe sono composte da 5 o 6 versi (se sono 5, uno viene ripetuto, come si fa nel flamenco).Il trovo è una tradizione agricola, magari dopo una dura giornata nei campi ci si riuniva per far festa, giocando con le parole e l'ironia. Era un genere poetico diffuso nella Andalusia araba. Tutti questi momenti sono legati al mondo del fandango. I fandangos sono talmente diversi ed eterogenei che anche nel flamenco ne ritroviamo tantissimi. La loro struttura poetica ha un crescendo che arriva ad un climax che si esprime, e poi termina con grande emotività. Alcuni, come malaguena, granaina e i fandangos di Levante, non hanno neanche un ritmo. Altri sono invece ritmici, come tutti i fandangos abandolaos della sona campestre e di altopiani fra le province centrali dell'Andalusia, Malaga, Granada e Cordova, e c'è poi la famiglia dei fandangos di Huelva, regione caratterizzata da una grande varietà territoriale e quindi di differenze di modi di vivere, dalla vivace città portuale, Huelva appunto, a zone di maremma, a zone minerarie, a zone agricole e montagnose, a fiumi... In ogni paesino della provincia di Huelva si sono create e sviluppate una grande quantità di melodie. Un'altra parte interessante dei fandangos sono quelli definiti "de coro y danzas". Molti sembrano antichi ma magari non lo sono: la sezione femminile della falange spagnola, aveva il compito di portare avanti delle tradizioni che rappresentassero l'identità tradizionale spagnola. Questo fece nascere competizione e creò rappresentazioni un po' false, imbellettate, non più popolari ma formali , magari suonate da professionisti. E metterlo su un palcoscenico. D'altra parte non è che tutto ciò che è tradizionale potrebbe essere messo su un palcoscenico! Per alcuni versi quindiquesto fenomeno ha deviato il corso della musica e della danza dell'ambito fandango, ma lo scotto da pagare poteva essere la perdita totale di una parte della tradizione. Cosa che è succesa comunque in parecchie culture tradizionali nel mondo!Il fandango è un fenomeno molto ampio che corrisponde all'identità musicale spagnola e la sua caratteristica è che la quasi totalità dei fandangos lavora sulla modalità musicale flamenca (anche se ci sono tante escursioni in modalità minore o maggiore, come nei fandangos di Huelva), che forse rappresenta l'identità musicale spagnola.Sono Sabina Todaro mi occupo di flamenco e danze e musiche del mondo arabo dal 1985. Dal 1990 insegno baile flamenco  a Milano al Mosaico Danza e un lavoro di ricerca usll'espressione delle emozioni attraverso danze e musiche arabe che ho chiamato Lyrical Arab Dance. Sono appassionatissima di flamenco e di tutta la cultura che gli sta intorno, e credo che capire il flamenco non possa prescindere dalla conoscenza di tutti i suoi legami culturali. Suddivideremo i fandangos in varie parti per conoscerli un po' meglio. Trovo molto interessante che tutti i fandangos abbiano elementi in comune e ricercarli ce ne fa capire meglio le ragioni umane, ma anche storiche

durée : 01:28:41 - En pistes ! du mercredi 25 septembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - C'est mercredi, le moment d'écouter du Bach, du Mendelssohn, du Fauré, du Haendel, du Domenico Scarlatti, du Schubert et du Elgar. En pistes !

durée : 01:28:41 - En pistes ! du mercredi 25 septembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - C'est mercredi, le moment d'écouter du Bach, du Mendelssohn, du Fauré, du Haendel, du Domenico Scarlatti, du Schubert et du Elgar. En pistes !

Ukrainian-British pianist Dinara Klinton and Scottish operatic tenor Nicky Spence join Anna Phoebe and Jeffrey Boakye, taking us from a cheeky 1980s boy band from Birmingham via Domenico Scarlatti to the famous French duo behind the mask as they add the next five tracks.Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Pass the Dutchie by Musical Youth Sonata in G Major by Domenico Scarlatti Maybe This Time by Liza Minnelli Phantom of the Opera by Sarah Brightman & Michael Crawford Harder, Better, Faster, Stronger by Daft Punk Other music in this episode:Wipeout by Duke University College Band My Bonnie Lies Over the Ocean by Ella Fitzgerald Rule the Nation by U-Roy Gimme the Music by U Brown Pass the Kouchie by The Mighty Diamonds Cola Bottle Baby by Edwin Birdsong

In deze aflevering van Kalm met Klassiek hoor je héél verstilde, pure muziek. De ogenschijnlijk simpele, kleinere sonates van de Italiaanse componist Domenico Scarlatti zijn wereldberoemd geworden. Geniet van de subtiliteit van zijn muziek, en kom aan in dit moment. Een ademhalingsoefening helpt je daarbij. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7). 

Il restera dans l'histoire de la musique comme le créateur prolifique de quelque 555 « sonates » - mais qui se cache derrière le nom mystérieux de Domenico Scarlatti ?Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 01:13:47 - Cap sur la Sicile - par : Hippolyte Pérès - Notre voyage en bateau se termine, nous posons l'ancre sur les côtes siciliennes, terre de contrastes où l'histoire millénaire se mêle à la nature sauvage. Aujourd'hui : Bellini, Verdi ou encore Alessandro et Domenico Scarlatti !

Sobre su trabajo, Félix Romeo había escrito: «Cuando leo los libros de Julián Rodríguez siento que tienen una potencia aérea: ese misterio de que el acero pueda moverse rápidamente entre las nubes». Además de escritor, codirector de la editorial Periférica; director de la galería de arte «Casa sin fin»; de la revista de arte y estética «Sub rosa» o Premio Ojo Crítico de Narrativa de RNE en 2016, entre muchas otras cosas. Hace cinco años que falleció Julián Rodríguez Marcos, siempre en nuestro recuerdo. Cello Suite No. 2 in D Minor, BWV 1008 - Transcr. for Viola: 1. Prélude                de Johann Sebastian Bach, Kim Kashkashian            J.S. Bach: Six Suites for Viola SoloRothko Chapel 5                    Morton Feldman        Rothko ChapelTristan und Isolde, WWV 90 / Act I: Prelude to Act I de Richard Wagner, Gewandhausorchester, Kurt Masur   The Unreleased MastersSonata in D Minor, K. 32                   Domenico Scarlatti, Khatia Buniatishvili       LabyrinthClouds            Adam Baldych, Vincent Courtois, Rogier Telderman           CloudsRêverie, L. 68 de Claude Debussy    Werner Haas  Classical Piano: ImpressionsMon'ami                    Tiganá Santana          Tempo & MagmaCaring            Mathias Eick   CaringFlamenco sketches Miles Davis Kind of Blue LegacyEscuchar audio

durée : 01:28:42 - En pistes ! du vendredi 21 juin 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Emilie et Rodolphe ont sélectionné pour vous les œuvres Jean-Sébastien Bach, Ludwig van Beethoven, Wolfgang Amadeus Mozart, Jean Sibelius, Camille Saint-Saëns, Jüri Reinvere, Domenico Scarlatti et Fazıl Say. En pistes ! - réalisé par : Philippe Petit

La Storia della Musica S02E19 Domenico Scarlatti (tipeee.com) --- Send in a voice message: https://podcasters.spotify.com/pod/show/corgiov/message

durée : 01:28:26 - En pistes ! du mardi 09 avril 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - En ce mardi matin, nous parcourons les époques et les styles avec les œuvres de Gustav Mahler, Claude Debussy, Domenico Scarlatti, Joseph Haydn, Nikolai Kapustin, mais également Franz Schubert, Maurice Ravel et Richard Strauss. En pistes !

555 Sonaten für Cembalo komponierte Domenico Scarlatti. Eine magische Bedeutung hat diese Schnapszahl nicht. Auf den Pianisten Ivo Pogorelich üben diese Stücke jedoch eine geradezu magische Wirkung aus. BR-KLASSIK stellt die Starken Stücke mit ihm zusammen vor.

Cerramos de momento el repaso a nuestras mejores voces de los últimos 25 años, siempre al lado del compañero y amigo Ricardo de Cala, presentador en esta misma emisora de Maestros cantores. Escuchamos a los barítonos Gerardo Bullón como Masetto en Don Giovanni junto a la soprano Rocío Pérez; Damián del Castillo (El caserío) y Ángel Ódena (Tosca, Te Deum). Luego a las sopranos Carmen Solís (La seduzione de Verdi), Rut Rosique (aria de L’Ottavia restituta al trono de Domenico Scarlatti), Rut Iniesta (Son vergin vezzosa de I puritani) y Sofía Esparza (El contrabandista de Barbieri). Punto final con Un aura amorosa de Così fan tutte de Mozart en la voz del tenor Xavier Anduaga.Escuchar audio

Élete és munkái egy órában.

Élete és munkái egy órában.

C'est une enquête sur la disparition d'une partition du compositeur italien Domenico Scarlatti : le Grand Prix RTL Lire 2022, "555", de Hélène Gestern sort en poche. Invités prestigieux, coups de cœur, critiques, reportages, interviews : "Laissez-Vous Tenter" dresse un panorama de l'actualité cinéma, musique, littérature, médias, people... Ecoutez Laissez-vous tenter - Première du 20 février 2024 avec Bernard Lehut.

La música del compositor napolitano Domenico Scarlatti ha sido siempre un gran ejemplo de maestría en sus diferentes manifestaciones. Sus 555 sonatas para teclado han pasado a la historia pero hoy nosotros nos detenemos en 4 de sus cantatas, que tienen en común la aparición del amor en diversos estados anímicos. Los autores de esta recopilación han sido Daniel Pinteño y su grupo Concerto 1700, quienes las han interpretado de manera magistral en su disco Amorosi Accenti, acompañados de la soprano portuguesa Ana Vieira Leite. Carlos y Mario reciben la visita de Daniel para comentar, escuchar y disfrutar momentos preciosos de esas cantatas compuestas en Madrid hace ya casi 300 años pero que mantienen intacta su frescura y delicadeza. Así de apasionada es la nueva entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.

Today, a piano recital from Samuel Lam presenting works by Domenico Scarlatti, Ludwig van Beethoven, Johannes Brahms, Béla Bartók, and Tan Dun. The post Encore broadcast | Samuel Lam, 18, piano appeared first on WFMT.

 Intro: One More Night – Can 1. Come Down (Baby) – The Beginning of the End (3:05)                                                                                     2.  Fugata – Astor Piazzolla, y su Quinteto (2:49)                                                        3.  Sonata in A Major K 429 – Domenico Scarlatti, Tilney (3:30)                                                                            4.  An Tonn Reatha – Seán Ó Riada, & Ceoltóirí Cualann (3:45)                                                                                                                                                                          5.  Howlin' for my Darlin' – Howlin' Wolf (2:30)                                                    6.  Cler Achel – Tinariwen (4:23)                                                                                                                                       7.  Η Γυναίκα Μου Ζηλεύει (I Gynaíka Mou Zilévei - My Wife Is Jealous) – Markos Vamvakaris (3:17)                           8.  Sidi Sma Ya Boulandi – Maalem Mahmoud Gania (8:06)                                                                                             9.  Stray – Calexico (2:54)                                                                                                                                               10.  Ahlane Ouassahlane – Ahl Nana (9:22)                               11.  Reuben's Train – Doc Watson & Family (2:43)                                                                                                                                                                     12.  Golden Brown – Laurence Mason (2:16)                                                                             13.  Prelude No.12 in F Minor BWV 881 from Book 2 of ‘Das Wohltemperierte Klavier' – J.S. Bach, Gould (1:45)         14.  Ugetsu – Art Blakey's Jazz Messengers (11:12)                                     15.  Wine (The Infidel) – Dorothy Ashby (4:01)                                                                                                                 16. Hoppavalssi – JPP (2:40)                                                                                                                       17.  At Last I Am Free – Fire! Orchestra (6:39)                                                                                                       18.  Orden Du Aldrig Säger – Enhet För Fri Musik (3:35)                                                                 19.  Iceland – The Fall (6:42)                                               20.  Seydis – Astrid Øster Mortensen (1:48)                                                      21.  Verner Ravn – Spælimenninir (2:52) 22. Allah Ho, Allah Ho (Live at WOMAD 1985) – Nusrat Fateh Ali Khan & Party                                                                                                                                                                                            Outro: Pogles Walk – Vernon Elliott Ensemble

durée : 01:27:39 - En pistes ! du jeudi 26 octobre 2023 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Nous poursuivons la semaine aux côtés d'Emilie et Rodolphe avec, ce matin, une programmation éclectique mêlant la musique de Domenico Scarlatti, Reynaldo Hahn, Jean-Baptiste Lully, Arcangelo Corelli, sans oublier Francis Poulenc et André Caplet. En pistes !

Domenico Scarlatti - Sonata, K 24Mie Miki, accordionMore info about today's track: Brilliant BC94613Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Domenico Scarlatti - Sonata, K 380Matei Varga, pianoMore info about today's track: Dorian Sono Luminus DSL-92258Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Domenico Scarlatti - Sonata, K 87Vladimir Feltsman, pianoMore info about today's track: Nimbus NI6317Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Domenico Scarlatti - Sonata, K 209David Martinez, guitarMore info about today's track: Naxos 8.557808Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Domenico Scarlatti - Sonata, K 511Godelieve Schrama, harpMore info about today's track: Brilliant BC94613Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Maria Josenhans is a landscape artist working both outdoors and in her studio. An artist for nearly four decades, Maria's work plays back and forth between representational and abstract as she allows each painting to find its own unique path. Maria was born in New Jersey, one of two daughters to parents James and Janet. Her mother was a librarian, and her father an engineer and keen photographer. Maria had an early introduction to the art of photography in her father's dark room and developed an interest that shaped the early part of her career. As a child her mother introduced her to Scottish Highland dancing, which still today is a passion that she shares through teaching and adjudicating. Her talent for painting was discovered in High School where her teacher Mrs Erich would prove influential in guiding Maria into a career as an artist. From 1982-86 she studied at the Philadelphia College of Art (now University of the Arts), in Philadelphia, PA and graduated with a BFA in Illustration with Honors. In 1994, Maria studied Large Format Black & White Photography with Paul Caponigro. Her early career in photography and illustration was spent in New York before she moved to New England. Once she met her Canadian husband her path changed course and she turned exclusively to painting. In 2000, they moved to the west coast of Canada where Maria has enjoyed a climate that allows for year round plein air painting. She has always been a nature lover, and she is also a student of Zen Buddism. Maria currently lives in Burnaby near Vancouver with her husband Marcel and new dog Basil. Host: Chris Stafford@theaartpodcast on InstagramEmail: hollowellstudios@gmail.com Maria's website: http://www.mariajosenhans.com/about/Instagram: @mariajosenhansart Women artists whose work Maria admires:Pat SteirLois DoddJoan EardleyJoan MitchellHelen FrankenthalerAnd many many many more! Maria's Playlist:Philip Glass (particularly solo piano)Domenico Scarlatti, sonatasMoby Beck (mutations) Jeff BeckBob DylanPatti SmithNeko CaseKD LangPasty ClineThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4769409/advertisement

Maria Josenhans is a landscape artist working both outdoors and in her studio. An artist for nearly four decades, Maria's work plays back and forth between representational and abstract as she allows each painting to find its own unique path. Maria was born in New Jersey, one of two daughters to parents James and Janet. Her mother was a librarian, and her father an engineer and keen photographer. Maria had an early introduction to the art of photography in her father's dark room and developed an interest that shaped the early part of her career. As a child her mother introduced her to Scottish Highland dancing, which still today is a passion that she shares through teaching and adjudicating. Her talent for painting was discovered in High School where her teacher Mrs Erich would prove influential in guiding Maria into a career as an artist. From 1982-86 she studied at the Philadelphia College of Art (now University of the Arts), in Philadelphia, PA and graduated with a BFA in Illustration with Honors. In 1994, Maria studied Large Format Black & White Photography with Paul Caponigro. Her early career in photography and illustration was spent in New York before she moved to New England. Once she met her Canadian husband her path changed course and she turned exclusively to painting. In 2000, they moved to the west coast of Canada where Maria has enjoyed a climate that allows for year round plein air painting. She has always been a nature lover, and she is also a student of Zen Buddism. Maria currently lives in Burnaby near Vancouver with her husband Marcel and their new dog Basil. Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramEmail: hollowellstudios@gmail.com Maria's website: http://www.mariajosenhans.com/about/Instagram: @mariajosenhansart Women artists whose work Maria admires:Pat SteirLois DoddJoan EardleyJoan MitchellHelen Frankenthaler... and many many many more. Maria's Playlist:Philip Glass (particularly solo piano)Domenico Scarlatti, sonatasMoby Beck (mutations)Jeff BeckBob DylanPatti SmithNeko CaseKD LangPasty Cline

Domenico Scarlatti schrieb schon als 17-Jähriger seine erste Oper. Seine eigentliche Leistung aber sind seine Sonaten für Cembalo: Luftige, tänzerische Juwelen des Barock wie die Sonate K 380, in der Scarlatti spanische Volksmusik verarbeitet und mit kühnen Harmonien experimentiert. Von Murat Kayi.

SynopsisOn today's date in 1757, the Italian composer Domenico Scarlatti died in Madrid. He was 71 years old, and for the last 38 years of his life was employed at the court of Princess Maria Barbara, first in her native Portugal, and then, when the Princess married the heir to the Spanish throne, in Madrid.Although Domenico could very well have stayed in Italy and become a famous opera composer like his father, Alessandro Scarlatti, Domenico spent the better part of his life composing over 600 virtuoso sonatas for Maria Barbara. Only a handful of these were published during his lifetime. In the 19th century, Liszt and Brahms took the trouble to hunt down additional Scarlatti sonatas in manuscript, but the bulk of them remained unpublished and unknown until a complete edition was published in the 20th century.While not coming anywhere close to matching Scarlatti's output, one 20th century American composer, the Philadelphia-born Vincent Persichetti, composed ten harpsichord sonatas of his own. The growing number of modern-day harpsichordists has meant that in addition to the wealth of OLD music for the instrument, many contemporary composers have followed Persichetti's example, and are writing NEW works for this old instrument.Music Played in Today's ProgramDomenico Scarlatti (1685 - 1757) Sonata in c, K. 363 Elaine Comparone, harpsichord Laurel 838Vincent Pershichetti (1915 - 1987) Sonata No. 4 Elaine Comparone, harpsichord Laurel 838

"Leistung" ist ein Begriff, der tief im Wertesystem unserer Kultur verwurzelt ist. Mit Leistung überflügeln wir den Konkurrenten, mit Leistung schaffen wir einzigartige Dinge. Aber gibt es sie wirklich, die "objektive, absolute Leistung"? Unterscheiden wir nicht vielmehr zwischen einer Leistung, die wir bewundern, und einer, die uns höchstens ein spöttisches Lächeln entlockt? Unser heutiges ZOOM geht einer der ungewöhnlichsten Leistungen der Musikgeschichte auf die Spur.

Today, a piano recital from Samuel Lam presenting works by Domenico Scarlatti, Ludwig van Beethoven, Johannes Brahms, Béla Bartók, and Tan Dun. The post Samuel Lam, 18, piano appeared first on WFMT.

Kate Molleson explores the life and music of Domenico Scarlatti Domenico Scarlatti was well placed to build himself a glittering career in the music business. He was prestigiously talented and born into a family with powerful connections in the music business. His home city of Naples was a major centre for the fashionable new art form of opera. But there were challenges, too. Competition was fierce and musicians often found their fates helplessly tied to the fickle fortunes of their aristocratic patrons. On top of all that, Domenico faced another, distinctly personal, test to his career aspirations; he was working in the shadow of a much more celebrated Scarlatti – his own father! It would take several decades, and more than a few changes of direction, before Domenico finally found his right path, becoming one of the baroque period's most significant composers. Today, he's rightly revered for the extraordinary catalogue of over 550 keyboard sonatas he left to posterity. This week, Kate Molleson traces Scarlatti's story and looks at what else there is to discover in his legacy alongside his celebrated keyboard works. Music Featured: Sonata in D, K 96 Sonata in Dm, K 9 Sonata in E, K 20 Antra, valles, divo plaudeant Sinfonia in C Sinfonia in G Sonata in Am, K 109 Sonata in A, K 279 Sonata in G, K 425 Amor d'un Ombra e Gelosia d'un'aura (excerpts) O qual meco: Sinfonia & Aria, ‘Per che non dirmial meno' Sonata in Dm, K 32 Sonata in C, K 308 Sonata in Gm, K196 Sonata in G, K 284 Messa breve 'La Stella': Kyrie La Dirindina (extract from Scene 1) Sonata in D, K 443 Sonata in F, K 17 Stabat Mater Contesa della stagione: VIII. ‘Giorno felice'…‘Sia dolce e caro e grato' Sonata in A, K 39 Sonata in A, K 208 Sonata in Am, K 175 Laetatus sum Sonata in Eb, K 434 Sonata in Eb, K 475 Missa quatuor vocum, Gloria, Sanctus & Benedictus, Agnus Dei Pur nel sonno almen tal'ora: (extracts) Avison: Concerto grosso after Scarlatti, No. 5 in Dm (extracts) Salve Regina in A Sonata in Cm, K11 Sonata in G, K547 Presented by Kate Molleson Produced by Johannah Smith For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Domenico Scarlatti (1685-1757) https://www.bbc.co.uk/programmes/m001m56g And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

从教授与古典乐的关系切入，重新进入教授的音乐人生。包含曲目：0:45 - Piano Concerto No. 23, K. 488 - II. Adagio / Vladimir Horowitz6:42 - Merry Christmas Mr. Lawrence / 坂本龙一 14:06 - Koko / 坂本龙一 18:38 - String Quartet in G minor, Op.10 - III. Andantino, doucement expressif / Quatuor Hermès31:44 - The Last Emperor (Main Title Theme) / David Byrne38:05 - The Sheltering Sky Theme / 坂本龙一45:58 - andata / 坂本龙一 55:14- Harmonies poétiques et religieuses, S. 173: V. Pater noster / Herbert Schuch另附——坂本龙一的葬礼歌单：1. Piano Concerto No. 23 in A Major, K. 488: Il. AdagioWolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini2. Adagio in B Minor for Piano, K. 540Wolfgang Amadeus Mozart, Ingrid Haebler3. Sonata in F Minor, K. 466 (L. 118)Domenico Scarlatti, Vladimir Horowitz4. Sonata in F minor, K 481 (L 187)Domenico Scarlatti, Vladimir Horowitz5. Sonata in B Minor, K.87Domenico Scarlatti, Vladimir Horowitz6. Nun komm, der Heiden Heiland, BWV. 659 (Transcr. by Ferruccio Busoni for Piano)Johann Sebastian Bach, Vladimir Horowitz7. Choral "Ich ruf zu Dir, Herr Jesu Christ"', BWV 639Johann Sebastian Bach, Simone Dinnerstein8. Gaspard de la nuit, M. 55: II. Le gibet Maurice Ravel, Herbert Schuch9. Sonata 1.X.1905, JW VIII/19: II. Smrt (Death)Leos Janácek, Herbert Schuch10. Harmonies poétiques et religieuses, S. 173: V. Pater nosterFranz Liszt, Herbert Schuch11. Harmonies poétiques et religieuses, S. 173: III. Bénédiction de Dieu dans la solitudeFranz Liszt, Herbert Schuch12. Adagio in B Minor, K. 540Wolfgang Amadeus Mozart, Vladimir Horowitz

Pop trifft auf Klassik. Was Depeche Mode und Domenico Scarlatti miteinander verbindet. Hör mal rein! Diese Musikstücke hast Du in der Folge gehört: Domenico Scarlatti - "Sonate 8" // Domenico Scarlatti - "Sonate 32" // Domenico Scarlatti - "Sonate 126" // Depeche Mode - "Everything Counts" // Depeche Mode - "Everything Counts" // Wenn Du eine Idee oder einen Wunsch hast, zu welchem Thema Philipp unbedingt eine Playlist zusammenzimmern muss, dann schreib ihm ebenso eine Mail: playlist@ndr.de.

In 1984, an American harpsichord player called Scott Ross quit a teaching job in Canada and returned to France, the country that since he was a teenager had been his adopted home. It was the year that Frankie Goes to Hollywood had a Europe-wide hit with Two Tribes and Steve Jobs launched the Macintosh personal computer. But Ross had an idea with more of a baroque feel. In Paris, he met a producer at Radio France, Nicolas Bomsel, and suggested a project that most musicians would consider absurd: recording all 555 keyboard sonatas by Domenico Scarlatti. By 1989, Ross was dead, aged just 38. Did he know he was ill when he pitched the project? Was it a test of human endurance against the odds? Did he succeed? And who was Scott Ross, a man who has been called ‘early music's bad boy' and ‘the John McEnroe of the harpsichord'? Also, how is it that a musician who's widely considered to be the best harpsichord player of his generation remains little known in the UK? These are questions posed by music journalist Phil Hebblethwaite in this Sunday Feature. To find answers, Hebblethwaite travels to France (Montpellier, Assas and Paris), speaking to those who knew and loved Ross, and tracks down two former students of Ross's from his decade in Canada. A portrait of a complex, contradictory musician emerges – a man with a tragic early life who, Hebblethwaite finds, seems to slip further away the better he gets to know him. With contributions from Nicolas Bomsel, Michel Proulx, Marie-Claire Demangel, Henri Prunières, Jocelyne Chaptal, Catherine Perrin, Mario Raskin, and Didier Lestrade. Written and presented by Phil Hebblethwaite Produced by Tom Woolfenden A Loftus Media production

durée : 01:30:12 - En pistes ! du jeudi 05 janvier 2023 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ce jeudi, Emilie et Rodolphe nous font écouter l'orchestre symphonique de la BBC qui interprète les symphonies 6 et 8 du compositeur anglais Vaughan Williams. Nous écouterons également les sonates de Domenico Scarlatti par Olivier Baumont.

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durée : 01:58:08 - Le Bach de l'été du 14 août 2022 - par : Corinne Schneider - Un hommage à l'organiste britannique Simon Preston (décédé le 13 mai 2022), le Stabat Mater de Domenico Scarlatti, le Stabat Mater de Pergolèse dans la version allemande de Bach (« Tilge Höchster meine Sünden » BWV 1083) et « Vivaldi versus Bach » (émission n° 207, première diffusion le 8 mai 2022) - réalisé par : Emmanuel Benito

Heute geht es um den Komponisten Domenico Scarlatti. Der war spezialisiert auf Tasteninstrumente. Dafür hat der Italiener unglaubliches geleistet und sehr viele Stücke geschrieben. Und warum so viele? Scarlatti war süchtig - wonach, das verrät unser heutiges ZOOM.

A curtain rises. The stage lights burst to life, cutting through the darkness to find their mark. Three stories from different times all come together. You've been waiting to hear these for a long time, haven't you? Featuring a little credit to those deserving, meals that are better at restaurants, and a legitimate audio technique you can visualize at home. Trigger warnings: Yelling, loud sounds, discussion of abandonment, being held against will, discussion of serious injuries, dehumanization, car crash, police presence, shooting, fire, diaspora, electric shocks, reference to solitary confinement. Find us on our website at undertheelectricstars.com! Transcripts are available on our website. Support us on Patreon ➠ patreon.com/mxeliramos Follow us on social media! Twitter ➠ twitter.com/utes_podcast Tumblr ➠ undertheelectricstarspodcast.tumblr.com Team Katriel Charoite as Nell Palomo Bridget Guzowicz as Ronan Moreno John Patneaude as Sebastian Reyes Serena El-Hajali as Ava Jafari Rue Dickey as Ganymede Moreno Matheus Nogueira as Kaleo Hale Stephanie Arata as Elizabeth Haven Rhea Anne as Caine Reyes Philomena Sherwood as Tari de Whitte Robin Guzman as Jet Reyes Christine Kim as Su-jin Yi. Additional voices were provided by yours truly, Jenny Pan, Calliope Monroe, Q Avraham, Inigo Sherwani, Kief, Devin Nissan, CCMegaCheetah, Mya Worrell, and Audrey Pham. Thanks to Lucas, Christine, Ferris, Ezra Lee Buck, Chris Magilton, Audrey Pham, Yan, Joshua Hazeghazam, Eliseo Ramos, Cole Gordon, Seth Timple, Calliope Monroe, Inigo Sherwani, Kyla Worrell, Tyler Jay, and Ma Cristina, our patrons for Aster Podcasting Network. (patreon.com/mxeliramos) Attributions for sound effects and music Music Fantasy Music by LiteSaturation The White Lion by GuillhermeBernardes Always With Me, Always With You (Main) by ZakharValaha Sad Piano Calm by Ashot-Danielyan-Composer Adrift Among Infinite Stars by Scott Buckley Mysterious Depressed Ambient by Ashot-Danielyan-Composer Affirmations by Scott Buckley Music Box Music by Domenico Scarlatti (1685 - 1757)3 by Nesrality From freesound.org "Footsteps, Concrete A.wav" by InspectorJ of Freesound.org (freesound.org/people/InspectorJ/sounds/336598/) “Ripping a receipt” by pfranzen (https://freesound.org/people/pfranzen/sounds/382940/)) “Keyboard Typing Loop” by imagery2 (https://freesound.org/people/imagery2/sounds/456906/)) “Car Crash” by AUDACITIER (https://freesound.org/people/AUDACITIER/sounds/628263/)) “Timer” by original_sound (https://freesound.org/people/original_sound/sounds/493570/)) “Ambiences » Drone ambience, C” by Moulaythami (https://freesound.org/people/Moulaythami/sounds/547468/)) “A lot of circuit breakers.With reverb of a large room(mltprcssng).wav” by (https://freesound.org/people/newlocknew/sounds/555769/)) “Unrolling And Rolling Map.wav” by Benboncan (https://freesound.org/people/Benboncan/sounds/77319/)) “Foley_Sounds_SFX » Scrolling in book – actions” vby julius_galla (https://freesound.org/people/julius_galla/sounds/421640/)) “Sci-Fi SFX » Sci-Fi Weapons Deploy” by Hybrid_V (https://freesound.org/people/Hybrid_V/sounds/321215/)) “lock:unlock.wav” by cemagar (https://freesound.org/people/cemagar/sounds/120337/)) From Zapsplat.com Single footstep, gentle, high heel on concrete, pavement Knock on Metal Bathtub Knife slice, slash skin, fleshy wound, squelch of blood and guts 4 Dragon breathing fire with growl 2 Hard impact of mostly glass and metal, could be car or truck crash Car crash, impact, head on smash, metal and glass breaking Game Tone Toggle Scroll Fist Punch No Vocal 02 Fire Burning Fire Small Wood Roar Space door slide internal 001 Drone, Loud Slightly Industrial Rumbling Hiss Designed drone, subtle, airy and dark, abandoned and desolate Chair sofa person sit down soft cushioned Drone Cavernlike, Subtle, Airy Horror Atmos Drone Tense Sinister Slowly Descending 01

Today it is a huge pleasure to have someone back on air who already featured an earlier episode in 2019. Chris Guidice is a well-known scholar - but by no means an ‘armchair magician' - having earned an MA in Western Esoteric Tradition at the University of Exeter and a PhD at the University of Gothenburg, Sweden. Chris has Italian and English ancestry and grew up in Italy until age 18 when he decided to study classics at the University of Oxford developing a special interest in Greek literature. After finishing his studies, however instead of pursuing a purely academic carreer, he embarked on a 10-year-journey working for MTV in Italy as a video editor and a scriptwriter. As a practitioner he spent 20 years with the OTO and the A.:A.: During a visit in London in 2009/2010 Chris stumbled across a small ad for an MA in Western Esoteric Tradition at the University of Exeter where soon no one else than renowned historian and professor Nicholas Goodrick-Clarke became his teacher. Chris' succeeded and followed up with his PhD at the University of Gothenburg where ultimately it was his graduation thesis that would turn into the soon to be published book that is the focus of this week's episode, ‘Occult Imperium: Arturo Reghini, Roman Traditionalism, and the Anti-Modern Reaction in Fascist Italy' (Oxford University Press). In our conversation, we'll explore the life of main protagonist, Arturo Reghini, who was born in Florence in 1878 and was not only a genius mathematician but also a pagan in a Pythagorean tradition. In this context we'll try to shed some light on the practices of the Pythagoreans in South Italy back then and how their ideas ran parallel with certain political aspirations of the time culminating into the prospect of (re)-establishing a ‘Sacred Imperium of Italy' in the tradition of ‘True Roman' Imperial concepts. Of course, the question of the relationship between Italian occultism and Italian Fascism can't be neglected and so we will have a honest and open discussion about the role and rise of Mussolini, how the occult imperialist ideas came into pretty handy serving a purpose for a limited amount of time and how the relationship finally played out especially for Reghini himself. We'll close our episode with a glimpse at Chris' upcoming projects which include publishing rare occult classics of the fin de siècle period such as Florence Farr's plays and a special project right in time for the Magickal Women Conference in October 2022. Oxford University Press - Page for Chris' book Oxford University Press' highly interesting series on Western Esotericsm Kamuret Press - Chris Giudice's own publishing company Music played in this episode Italian baroque music will accompany us this week! You know I like classical music. And from what I often hear from you listeners, there are quite a few who like especially classical music from the baroque time, 16th and especially 17th century. Well, this is for you then! Music from Italy, the country our subject is about in the interview today, from the 17th century! Alessandro Scarlatti's (1660-1725) music forms an important link between the early Baroque Italian vocal styles of the 17th century, with their centers in Florence, Venice and Rome, and the classical school of the 18th century. Scarlatti's style, however, is more than a transitional element in Western music; like most of his Naples colleagues he shows an almost modern understanding of the psychology of modulation and also frequently makes use of the ever-changing phrase lengths so typical of the Napoli school. His son, Domenico Scarlatti (1685-1757), is classified primarily as a Baroque composer chronologically,

Finally, here is part four of our deep dive into Heinrich Cornelius Agrippa's Three Books of Occult Philosophy! If you feel lost and would like to catch up with the first two episodes, you can find them on the page for this series. In this episode, we will be taking a look at some pretty big topics: divine light and the senses. These form a pretty important core for the vision of magic outlined in this book, and I did as best I could trying to cover these topics and make sense of them. However, they are tricky, so I encourage feedback and questions if you feel like the topic hasn't been covered in enough depth. To understand how Agrippa believed that the senses work, we have to begin by examining his ideas on light. For this, we take a trip through the Ptolemaic worldview, explore the imagination, and look at some really bizarre and outdated scientific concepts. But all is not lost! Come with me on a strange trip—no need to bring your own flashlight! If you want to get a jump start on these topics, I would advise reading book one, chapters 49, 60, and 61. Links The Six Enneads by Plotinus Eros and Magic in the Renaissance by Ioan P. Culianu The Practical Art of Divine Magic: Contemporary & Ancient Techniques of Theurgy by Patrick Dunn My classes and lectures on the Art of Memory Art of Memory articles and episodes on this website My review of the modern translations of Occult Philosophy J.F.'s translation, online for free! Credits Victor Frankenstein was played by Charlie Claire Burgess, the infamous Word Witch! The background piano music is Sonata Number 48 in D minor by Domenico Scarlatti, performed by Andrew Fort. Go check out HOCUS! The artwork for this episode is a detail from the Aurora Borealis from the Trouvelot astronomical drawings (1881-1882) by E. L. Trouvelot. Support me on Patreon: https://www.patreon.com/arnemancy Listen on Podcrypt