Podcasts about Stabat Mater

Oggi a Cult: Barbara Sorrentini dal Festival di Cannes; 24° edizione dell'Esposizione Internazionale di Triennale Milano intitolata "Inequalities"; Liv Ferracchiati in due debutti al Piccolo Teatro: "La morte a Venezia" e "Stabat Mater"; la rubrica ExtraCult a cura di Chawki Senouci...

A Genève, la Cathédrale Saint-Pierre, temple du calvinisme, accueille jusquʹau 18 mai lʹune des œuvres phares de la contre-réforme : le Stabat Mater de Pergolesi, mis en scène par lʹItalien Romeo Castellucci avec le duo chantant Barbara Hannigan et Jakub Józef Orliński. Un événement et un choc esthétique. Chronique de Thierry Sartoretti.

La soprano et cheffe dʹorchestre canadienne Barbara Hannigan a laissé sans voix le public des plus grandes salles de concert et opéras du globe avec ses interprétations dʹun engagement physique à la limite du possible. A lʹoccasion de sa présence à Genève pour le spectacle Stabat Mater, mis en scène par Romeo Castellucci, Francesco Biamonte rencontre une artiste hors-norme.

ReferencesPlant Physiology 1986. Oct;82(2):448–453.J Biol Chem. 2024 Oct 24;300(12):107920Guerra, DJ.2025 Unpublished Biochemistry LecturesJon Anderson, Steve Howe, r Bill Buford Rick Wakeman  1972. Close to the edge lp. YEShttps://music.youtube.com/playlist?list=OLAK5uy_lYv_TpuiFzrPaTq69e0eJdT1XLZT2wyTU&si=rffZoZ3bLr1fJLGxScarlotti, D. 1702. Harpisicord Sonatas incl.Stabat Mater, Salve Reginahttps://music.youtube.com/playlist?list=OLAK5uy_nsdCG62KAMzpZM3cC-Oxi-xPdNodPGVJI&si=WO8HvsB9RZYzU1bt

Antonio Vivaldi (1678 - 1741) - Stabat Mater per Alto solo, RV 6211. Stabat Mater2. Cuius animam3. O quam tristis4. Quis est homo5. Quis non posset6. Pro peccatis7. Eja Mater8. Fac ut ardeat9. Amen Sytse Buwalda, altoNetherlands Bach CollegiumPieter van Leusink, conductor

Orķestris "Rīga" Lielās piektdienas koncerta programmā 18. aprīlī izvēlējies pašmāju un ārvalstu komponistu mūziku, kas estētiski un tematiski atbilstoša Lielās piektdienas kristīgajai tradīcijai. Programmas centrā – Uģa Prauliņa Stabat Mater pirmatskaņojums pārlikumā korim un pūšaminstrumentu orķestrim – skaņdarbs, kas 2019. gadā pasaules pirmaskaņojumu piedzīvoja tieši Lielajā Piektdienā Vinspīras centrā Edmontonā, Kanādā, bet Latvijā vēl nekad nav skanējis. Līdzās pirmatskaņojumam koncertā arī Viļņa Šmīdbera "Elēģija", Jēkaba Mediņa "Golgātas krusts", Johana Sebastiāna Baha un Antonio Lotti opusi. Koncertā, kuru tiešraidē piedāvās "Klasika", piedalīsies ar Rīgas kamerkoris Ave Sol, un pie diriģenta pults stāsies tā mākslinieciskais vadītājs un šīgada jubilārs Andris Veismanis, ar kuru "Klasikā" tiekamies jau šobrīd. Diriģents atklāj, cik daudz viņam savā laikā nācies pievērsties Stabat Mater un atbild uz jautājumu, vai šī forma pieprasa kādas kanoniskas likumsakarības, kas jāievēro. Viņš arī tuvāk raksturo Uģa Prauliņa Stabat Mater, kurā jūtamas folkmūzikas ietekmes, atzīmējot, cik svarīgi atskaņojumā domāt par balansu starp kora, solistu balsu un orķestra skanējumu. "Uģa Prauliņa darbā var just arī folkmūzikas iespaidu – interesants pavērsiens!" uzsver Andris Veismanis. "Zinot, kā Uģis vispār raksta – viņš folkmūziku nekad nepamet! Atceros viņa sākotnējo sadarbību ar grupu "Iļģi", darbojoties kā producentam un skaņu operatoram – šie ieraksti man ir neaizmirstams piedzīvojums! Šīs tēmas Uģī joprojām ir dzīvas un darbojas. Nedaudz viņa mūzikā vienmēr jūtu arī popmūzikas ietekmi, bet ne šī vārda sliktākajā nozīmē, bet gan formas ziņā, kur ir gan džezs, gan rokmūzika. Jo Uģis savulaik darbojies ar rokmūziku, un tas ir jūtams. Šis veids ir aktuāls arī paņēmienā, kādā "Stabat Mater" uzrakstīts pūtēju orķestrim. Un tas mani uzrunā." Sarunas turpinājumā diriģents raksturo Jēkaba Mediņa darbu "Golgātas krusts" un Antonio Lotti Crucifixus, ko koris dziedās a cappella, kā arī runā par Viļņa Šmīdberga "Elēģijas" un Sabīnes Ķezberes/Baha korāļprelūdijas iekļāvumu šajā Lielās piektdienas programmā. 

Carlos Iribarren | La imagen de la Virgen María sosteniendo el cuerpo de su hijo tras la crucifixión ha inspirado a artistas de todas las épocas y disciplinas. Aunque quizá nos vengan primero a la cabeza los cuadros y las esculturas más célebres, aquí nos dedicamos a la música y queremos compartir con vosotros varias obras tituladas Stabat Mater, en las que se ha destacado ese momento tan emotivo a través de una música conmovedora. Son piezas compuestas por Joseph Haydn, Zoltán Kodaly, Nicola Bonifacio Logroscino, Giovanni Battista Pergolesi y 3 maestros checos: Ryba, Tucapsky y el genio Antonín Dvorak. Carlos y Mario comparten micrófonos con el musicólogo y entusiasta David González Nuño, quien tiene la habilidad de contarnos muchos detalles con precisión de cirujano. Todo con la finalidad de que disfrutes al máximo de la nueva y sacra entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender

Franz Schubert (1797-1828) - Stabat Mater, D.3831.       Chor: "'Jesus Christus schwebt am Kreuzel". Largo [00:00]2.       Arie: "Bei des Mittlers Kreuze standen bang". Andantino [03:31]3.       Chor: "Liebend neiget er sein Antlitz" Andante [06:45]4.       Duett: "Engel freuten sich der Wonne". Allegretto [08:49]5.       Chor: "Wer wird Zähren sanften Mitleids". Larghetto [12:18]6.       Arie: "Ach, was hätten wir empfunden". Adagio [18:40]7.       Chor: "Erben sollen sie am Throne". Allegro maestoso [21:32]8.       Arie: "Sohn des Vaters, aber leiden". Andantino [24:58]9.       Chor: "O du herrlicher, du herrlicher Vollender". Maestoso [29:16]10.   Terzett: "Erdenfreuden und ihr Elend". Allegro moderato [32:26]11.   Terzett mit Chor: "Dass dereinst wir, wenn im Tode". Andante sostenuto [36:00]12.   Chor: "Amen, amen, amen". Allegro maestoso [39:28] Magdaléna Hajóssyová, sopranoRundfunk-Sinfonieorchester LeipzigRundfunkchor LeipzigHerbert Kegel, conductor

Arvo Pärt (1935) - Stabat Mater per coro ed orchestra Chor des Bayerischen RundfunksMünchner RundfunkorchesterHenry Raudales, coductor

Karol Szymanowski (1882-1937) - Stabat Mater, Op. 531.       Stała Matka bolejąca (Stabat mater dolorosa): 0:002.       I któż widział tak cierpiącą (Quis est homo qui non fleret) [7:49]3.       Matko Źródło Wszechmiłości (O, Eia, Mater, fons amoris) [10:54]4.       Spraw niech płaczę z Tobą razem (Fac me tecum pie flere) [15:49]5.       Panno słodka racz mozołem (Virgo virginum praeclara) [19:38]6.       Chrystus niech mi będzie grodem (Christe, cum sit hinc exire) [22:53] The Polish National Radio Symphony OrchestraThe Polish National Philharmonic ChorusKarol Stryja, conductor

SNG Opera in balet Ljubljana vabi na scenski oratorij Stabat Mater italijanskega skladatelja Pergolesija. Bolečino Marije pod križem bodo uprizorili v sredo in na veliki petek ob uri Jezusove smrti na križu, ob 15h.

Want to reach out to us? Want to leave a comment or review? Want to give us a suggestion or berate Anthony? Send us a text by clicking this link!The sorrowful mother stood weeping. As Good Friday approaches, we pause to contemplate a profound yet often overlooked dimension of Christ's Passion—the compassion of His mother, Mary, who didn't merely witness the Crucifixion but actively participated in the redemptive sacrifice.Mary's journey of suffering began when Simeon prophesied that a sword would pierce her soul, but reached its crescendo at Calvary. There, as St. Ambrose beautifully notes, when she gazed upon her Son's wounds, "what filled her mind was not the death of this beloved son but the salvation of the world." This remarkable insight reveals how Mary transcended personal grief to embrace a mother's ultimate sacrifice—willingly offering her Son for mankind's redemption. Her tears mingled with Christ's blood in a mystical cooperation that extends salvation to all generations.The spiritual practices suggested during this meditation provide practical ways to honor Our Lady of Compassion: praying the Stabat Mater, attending Stations of the Cross, contemplating Mary's sorrows, and returning to the daily rosary if we've abandoned it. As we enter this final week of Lent, Mary's example calls us to deepen our commitment to prayer, fasting, and almsgiving. Her sorrowful yet immaculate heart offers refuge to sinners and a model of perfect conformity to God's will even in the face of unimaginable suffering.Join us in this meditation on Mary's compassion, and let her tears of love wash over your soul as we prepare for the sacred mysteries of Holy Week. Has your devotion to Our Lady grown cold? This Passion Week offers the perfect opportunity to stand with her at the foot of the Cross and rediscover the transformative power of a mother's love.Support the showSponsored by Recusant Cellars, an unapologetically Catholic and pro-life winery from Washington state. Use code BASED25 at checkout for 10% off! https://recusantcellars.com/Also sponsored by Quest Pipe Co. Get your St Isaac Jogues pipe here: https://questpipeco.com/discount/Amish?redirect=%2Fproducts%2Fst-isaac-jogues-limited-edition********************************************************Please subscribe! https://www.youtube.com/channel/UCKsxnv80ByFV4OGvt_kImjQ?sub_confirmation=1https://www.avoidingbabylon.comMerchandise: https://shop.avoidingbabylon.comLocals Community: https://avoidingbabylon.locals.comRSS Feed for Podcast Apps: https://feeds.buzzsprout.com/1987412.rssSpiritusTV: https://spiritustv.com/@avoidingbabylonRumble: https://rumble.com/c/AvoidingBabylon

Want to reach out to us? Want to leave a comment or review? Want to give us a suggestion or berate Anthony? Send us a text by clicking this link!The transformative power of forgiveness takes center stage as we journey through the Thursday of Passion Week, with just nine days remaining until Easter. Through the moving Gospel story of Mary Magdalene washing Jesus' feet with her tears, we discover the perfect counterpart to the parable of the Prodigal Son—a firsthand account of divine mercy from the recipient's perspective.Mary Magdalene's encounter with Christ reveals how true conversion happens: having sought happiness in worldly pleasures and finding only emptiness, she sees in Jesus something authentic and beautiful that awakens her soul. Her silent tears and humble gestures speak volumes, and Christ's response teaches us everything about genuine forgiveness. Unlike Simon, Jesus—though perfectly pure—accepts her touch, her repentance, and simply tells her, "Go in peace." No lecture, no conditions—just complete restoration.This meditation arrives at the perfect moment as we prepare for Holy Week. St. John Vianney reminds us that "it is not the sinner who comes to God to ask forgiveness, but God himself who runs after the sinner." His warning that claiming our sins are too great for God's mercy is "a great blasphemy" challenges us to trust in limitless divine forgiveness. Whether you've maintained regular confession or haven't been in years, what better time than Passion Week to experience the mercy Christ offers? Our twofold resolution emerges clearly: prepare carefully for Easter confession with genuine contrition, and extend that same forgiveness to others who have wronged us. Share your thoughts on forgiveness and join us tomorrow as we contemplate Our Lady of Compassion through the beautiful Stabat Mater.Support the showSponsored by Recusant Cellars, an unapologetically Catholic and pro-life winery from Washington state. Use code BASED25 at checkout for 10% off! https://recusantcellars.com/Also sponsored by Quest Pipe Co. Get your St Isaac Jogues pipe here: https://questpipeco.com/discount/Amish?redirect=%2Fproducts%2Fst-isaac-jogues-limited-edition********************************************************Please subscribe! https://www.youtube.com/channel/UCKsxnv80ByFV4OGvt_kImjQ?sub_confirmation=1https://www.avoidingbabylon.comMerchandise: https://shop.avoidingbabylon.comLocals Community: https://avoidingbabylon.locals.comRSS Feed for Podcast Apps: https://feeds.buzzsprout.com/1987412.rssSpiritusTV: https://spiritustv.com/@avoidingbabylonRumble: https://rumble.com/c/AvoidingBabylon

P. Juan Manuel (Argentina)“De la mano de María, tú y yo queremos también consolar a Jesús, aceptando siempre y en todo la Voluntad de su Padre, de nuestro Padre”. San Josemaría nos enseña a acompañar a María en el camino de dolor que fue el Camino de la Cruz.[Ver Meditación Escrita] https://www.hablarconjesus.com/meditaciones-escritas/

Music and conversation around an upcoming concert in Sandpoint, ID

Antonín Dvořák - Stabat Mater: Tui Nati VulneratiWestminster Choir New Jersey Symphony Orchestra Zdenek Macal, conductorMore info about today's track: Delos DE3227Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Want to reach out to us? Want to leave a comment or review? Want to give us a suggestion or berate Anthony? Send us a text by clicking this link!Death has become something our modern world sanitizes with euphemisms and "celebrations of life." We avoid speaking directly about mortality, even among Christians. But what if our understanding of death is fundamentally flawed?The Gospel presents us with a profound truth about death – it's not the end of life, but merely a passage to something greater. When Jesus says Lazarus is merely sleeping before raising him from the dead, He's revealing something essential about our human condition. What we habitually call "life" in the natural sense isn't true life at all. True life is supernatural life, our participation in divine life.This understanding transforms everything about how we approach death. For those who die in a state of grace, "life is changed, not taken away," as the beautiful preface of the Mass for the Dead tells us. Gone is the need to fear or avoid the subject of mortality. Instead, we can speak openly with our children about death, pray for those in their final agony, and remember that a "happy death" has nothing to do with physical comfort and everything to do with spiritual readiness.During these final weeks of Lent, let's reclaim these powerful spiritual truths. Make time for devotions like the Stations of the Cross, especially on Fridays. Listen to the haunting beauty of the Stabat Mater. Most importantly, cultivate those daily practices that keep us mindful of our mortality without succumbing to fear: make an act of acceptance regarding your own death, foster the virtue of hope, pray for those approaching death, and remember the faithful departed through prayer, Masses, and indulgences.What state do you hope to be in when your final moment comes? How might embracing rather than avoiding the reality of death transform your daily life? Join us as we continue our Lenten journey toward the mystery of Christ's death and resurrection.Support the showSponsored by Recusant Cellars, an unapologetically Catholic and pro-life winery from Washington state. Use code BASED25 at checkout for 10% off! https://recusantcellars.com/Also sponsored by Quest Pipe Co. Get your St Isaac Jogues pipe here: https://questpipeco.com/discount/Amish?redirect=%2Fproducts%2Fst-isaac-jogues-limited-edition********************************************************Please subscribe! https://www.youtube.com/channel/UCKsxnv80ByFV4OGvt_kImjQ?sub_confirmation=1https://www.avoidingbabylon.comMerchandise: https://shop.avoidingbabylon.comLocals Community: https://avoidingbabylon.locals.comRSS Feed for Podcast Apps: https://feeds.buzzsprout.com/1987412.rssSpiritusTV: https://spiritustv.com/@avoidingbabylonRumble: https://rumble.com/c/AvoidingBabylon

durée : 00:15:13 - Disques de légende du jeudi 27 mars 2025 - En 1995 paraissait chez Deutsche Harmonia Mundi un disque consacré au "Requiem à 15" de Biber et au "Stabat Mater" de Steffani, dirigés par Gustav Leonhardt : c'est le dernier enregistrement du musicien sur son label historique.

durée : 00:15:13 - Disques de légende du jeudi 27 mars 2025 - En 1995 paraissait chez Deutsche Harmonia Mundi un disque consacré au "Requiem à 15" de Biber et au "Stabat Mater" de Steffani, dirigés par Gustav Leonhardt : c'est le dernier enregistrement du musicien sur son label historique.

In plaats van paaseieren zoeken, of wéér een podcastvolpraten over de Matthäus, dompelen de Klassieke kletsers zich onder in de geschiedenis van een van de beroemdste teksten uit de middeleeuwen: het StabatMater. Het toont hoe Maria rouwt aan de voeten van haar gekruisigde zoon. Alleen God weet hoeveel componisten door de eeuwen heen het gedicht hebben getoonzet. Guido en Joris behandelen alvast zes échte Maters en één nepperd.Speellijst* Johann Sebastian Bach, Tilge, Höchster, meine Sünden (BWV1083), Carolyn Sampson (sopraan), Robin Blaze (countertenor), Bach CollegiumJapan o.l.v. Masaaki Suzuki * Giovanni Battista Pergolesi, Les Pages & Les Chantres duCentre de Musique Baroque de Versailles, Le Poème Harmonique o.l.v. VincentDumestre * gregoriaans, benedictijner monniken van Clervaux  * Arvo Pärt, Lynn Dawson (sopraan) e.a., Staatsorchester Stuttgarto.l.v. Dennis Russell Davies * Alessandro Scarlatti, Sandrine Piau (sopraan), Il SeminarioMusicale o.lv. Gérard Lesne * Domenico Scarlatti, The Sixteen o.l.v. Harry Christophers * Gioacchino Rossini, Coro e Orchestra Del Maggio MusicaleFiorentino o.l.v. Riccardo Muti * Tyler Futrell, Terjungensemble o.l.v. Lars-Erik ter Jung * Giovanni Battista Pergolesi, Nieuwe Philharmonie Utrecht o.l.v.Johannes Leertouwer  * Antonín Dvorák, Dresdner Philharmonie o.l.v. Marek Janowski Meer podcasts van TivoliVredenburg ontdekken? Ga naar tivolivredenburg.nl/podcast

Miguel Ángel Santolaria tiene de invitado al eminente director de orquesta y pianista, Ricardo Solans, que nos hablará de los grandes conciertos que tiene programados en la próxima Semana Santa, destacando el Stabat Mater de Rossini, entre otras ensoñadoras piezas de la gran música.

Mešani pevski zbor Forte Vojnik pripravlja cikel šestih postnih koncertov Stabat Mater, kjer bodo poslušalcem predstavili glasbeni pregled vélikega tedna. Koncertni program in turnejo nam je predstavil dirigent Lovro Frelih.

Avui escoltarem: "Stabat Mater" op. 58 (selecci

Full Text of ReadingsFourth Sunday of Advent Lectionary: 12The Saint of the day is Blessed Jacopone da TodiJacopone da Todi's Story Jacomo or James, was born a noble member of the Benedetti family in the northern Italian city of Todi. He became a successful lawyer and married a pious, generous lady named Vanna. His young wife took it upon herself to do penance for the worldly excesses of her husband. One day Vanna, at the insistence of Jacomo, attended a public tournament. She was sitting in the stands with the other noble ladies when the stands collapsed. Vanna was killed. Her shaken husband was even more disturbed when he realized that the penitential girdle she wore was for his sinfulness. On the spot, he vowed to radically change his life. Jacomo divided his possessions among the poor and entered the Secular Franciscan Order. Often dressed in penitential rags, he was mocked as a fool and called Jacopone, or “Crazy Jim,” by his former associates. The name became dear to him. After 10 years of such humiliation, Jacopone asked to be received into the Order of Friars Minor. Because of his reputation, his request was initially refused. He composed a beautiful poem on the vanities of the world, an act that eventually led to his admission into the Order in 1278. He continued to lead a life of strict penance, declining to be ordained a priest. Meanwhile, he was writing popular hymns in the vernacular. Jacopone suddenly found himself a leader in a disturbing religious movement among the Franciscans. The Spirituals, as they were called, wanted a return to the strict poverty of Francis. They had on their side two cardinals of the Church and Pope Celestine V. These two cardinals though, opposed Celestine's successor, Boniface VIII. At the age of 68, Jacopone was excommunicated and imprisoned. Although he acknowledged his mistake, Jacopone was not absolved and released until Benedict XI became pope five years later. He had accepted his imprisonment as penance. He spent the final three years of his life more spiritual than ever, weeping “because Love is not loved.” During this time he wrote the famous Latin hymn, Stabat Mater. On Christmas Eve in 1306, Jacopone felt that his end was near. He was in a convent of the Poor Clares with his friend, Blessed John of La Verna. Like Francis, Jacopone welcomed “Sister Death” with one of his favorite songs. It is said that he finished the song and died as the priest intoned the “Gloria” from the midnight Mass at Christmas. From the time of his death Brother Jacopone has been venerated as a saint. Reflection His contemporaries called Jacopone, “Crazy Jim.” We might well echo their taunt, for what else can you say about a man who broke into song in the midst of all his troubles? We still sing Jacopone's saddest song, the Stabat Mater, but we Christians claim another song as our own, even when the daily headlines resound with discordant notes. Jacopone's whole life rang out our song: “Alleluia!” May he inspire us to keep singing. Click here for more on Blessed Jacopone! Saint of the Day, Copyright Franciscan Media

Jeremy Sams selects his favourite version of Poulenc's Stabat Mater.

Gepresenteerd door: Leonard Evers PRJCT Amsterdam Maarten Engeltjes, countertenor / leiding Carolyn Sampson, sopraan Ivan Iliev, viool Antonio Vivaldi - Nulla in mundo pax sincera RV 630 Antonio Vivaldi - Vioolconcert in g RV361a uit 'La Stravaganza' Antonio Vivaldi - Nisi Dominus Giovanni Battista Pergolesi - Stabat Mater

‘Prelude' is de opmaat naar het AVROTROS Vrijdagconcert! Gastspreker: countertenor en oprichter van PRJCT Amsterdam Maarten Engeltjes PRJCT Amsterdam Maarten Engeltjes, countertenor/leiding Carolyn Sampson, sopraan Ivan Iliev, concertmeester Vivaldi Nulla in mundo pax sincera Vivaldi Vioolconcert in g RV361a uit ‘La stravaganza' Vivaldi Nisi Dominus Pergolesi Stabat Mater Meer info & kaarten (https://www.npoklassiek.nl/concerten/c17747c4-de24-4b03-a4dd-f01e9a4acba5/stabat-mater-van-pergolesi) In deze podcast vertelt presentator Leonard Evers je iedere week meer over de bijzondere stukken die gaan klinken in TivoliVredenburg én op NPO Klassiek. Dat doet hij samen met verschillende gasten die in de studio aanschuiven. Aan de hand van muziekfragmenten word je warm gemaakt voor de mooie composities die je te wachten staan. Abonneer je nu! Alles over het AVROTROS Vrijdagconcert (https://www.nporadio4.nl/programmas/avrotros-vrijdagconcert) Prelude-Spotifylijst 'Leonards luistertips' (https://open.spotify.com/playlist/0HnaH8gzitGVB6zboIzgbu)

Compositor y director de orquesta polaco, debuta con 26años mostrando tres composiciones que resultan premiadas a la vez. Trabaja con arriesgadas e innovadoras mezclas instrumentales y modificaciones a la formación orquestal, que evolucionan a lo largo de una carrera prolífica y comprometida._____Has escuchadoThrenody to the Victims of Hiroshima (1960). ORF Radio-Symphonieorchester Wien; Michael Gielen, director. ORFEO (2022)St. Luke Passion: No. 24. Stabat Mater (1963-1966). Warsaw Philharmonic Choir; K. Penderecki, director. WARNER (2017)Partita: For Harpsichord and Orchestra (1971). E. Stefanska, clave; Warsaw Philharmonic Orchestra; Antoni Wit, director. NAXOS (2012)_____Selección bibliográficaBERGÉ, Pieter, et al. “Krzysztof Penderecki: Pools Requiem”. En: Dies Irae: Kroniek van Het Requiem. Leuven University Press, 2021DICKINSON, Peter, “Polish Music Today”. The Musical Times, vol. 108, n.º 1493 (1967), pp. 596-598*KOZAK, Mariusz, “Experiencing Structure in Penderecki's Threnody: Analysis, Ear-Training, and Musical Understanding”. Music Theory Spectrum, vol. 38, n.º 2 (2016), pp. 200-217*MALECKA-CONTAMIN, Barbara, Krzysztof Penderecki. Style et matériaux. Kimé, 1997 MIRKA, Danuta, “To Cut the Gordian Knot: The Timbre System of Krzysztof Penderecki”. Journal of Music Theory, vol. 45, n.º 2 (2001), pp. 435-456*MURPHY, Scott, “A Model of Melodic Expectation for Some Neo-Romantic Music of Penderecki”. Perspectives of New Music, vol. 45, n.º 1 (2007), pp. 184-222*PENDERECKI, Krzysztof, Le labyrinthe du temps: cinq leçons pour une fin de siècle. Les Editions Noir sur Blanc, 1999SCHWINGER, Wolfram, Krzysztof Penderecki. His life and work. Schott, 1979 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

One of the great roles of Holy Mother Church is to teach us how to speak to God, to create in our hearts the proper dispositions of religion. She does this especially through her liturgy, where we have a ceremony prepared for us such that all we have to do is enter into it and make ourselves one with it, as far as possible, in order to become holy.One of the most powerful ways in which the Church teaches us the sentiments we should have in our souls, and creates those sentiments in us is through her hymns. There are hundreds upon hundreds of hymns that have been created throughout the centuries, providing the Church with a vast musical repertoire.Among them all, there are two, however, that seem to stand out above the rest, two hymns of sorrow, two hymns concerned with the most lamentable topic possible: death.One is the Dies Irae, about the Last Judgment; the other is the Stabat Mater, about Our Lady witnessing the death of Our Lord.Both were composed in the 1200s; both were used as sequences at Mass and were among the five sequences that were kept by Pope Pius V when he canonized the Tridentine Mass.Both of them were set to music by great composers on their deathbed. Mozart was composing music for the Dies Irae when he died at the age of 35; Pergolesi was composing music for the Stabat Mater when he died at the age of 26.Both of them were lost to the liturgy of the Church when the Novus Ordo Mass got rid of Latin and Gregorian Chant. We are blessed to be able to hold on to them and profit from them by holding on to the traditional Mass.We are more familiar with the Stabat Mater than the Dies Irae because we sing the Stabat Mater whenever we pray the Stations of the Cross during Lent.The Franciscans have a great devotion to the Passion of Our Lord and you know that St. Francis of Assisi received the very wounds of Our Lord in his body. Less than a century after the death of St. Francis, the Franciscan Jacopone da Todi composed the Stabat Mater. His composition is so beautiful and inspiring that over 300 composers have set the words of the hymn to music.The hymns has twenty stanzas. The first four stanzas set the scene by telling the story of what is happening; the next four stanzas make an appeal to the one listening to the hymn to have sympathy for this mother who is standing at the foot of the cross of her dying Son. Then there are ten stanzas addressed directly to Our Lady, making beautiful requests of her. Finally, the hymn ends with two stanzas addressed to Our Lord, asking Him that we may go to Heaven when we die.I would like for us to focus upon those ten stanzas in the middle of the hymn where we make our appeal to Our Lady.

I met Daniel Meyer while performing with the Stewart Copeland Orchestra in Erie, PA. From the very first song, his energy gave me chills. To watch a conductor use every morsel of his body into a new body of work, is quite jaw-dropping. As soon as I asked Daniel to be a guest on my podcast, he immediately said yes. And what's crazy? I've always wanted to know how a conductor secures such a niché profession.   As Music Director of the Erie Philharmonic, Artistic Director of the Westmoreland Symphony and Cleveland's BlueWater Chamber Orchestra, Daniel Meyer has reinvigorated orchestras with his innovative programs, engaging presence and keen musical intellect.  Named Music Director of the Lakeside Symphony Orchestra, Meyer took the helm of the historic summer music festival in July 2019.    A native of Cleveland, Meyer studied conducting at the Hochschule für Musik in Vienna as a Rotary Ambassadorial Scholar, and is a graduate of Denison University and the University of Cincinnati College-Conservatory of Music. He composed and conducted works for ensembles at both schools, including a Stabat Mater for soprano, chorus and orchestra. At Boston University, Meyer received the Orchestral Conducting Honors Award and was awarded the prestigious Aspen Conducting Prize from David Zinman. --- Support this podcast: https://podcasters.spotify.com/pod/show/tamartalks/support

Rubrique:religions Auteur: jacques-de-benedictis Lecture: LéaDurée: 05min Fichier: 5 Mo Résumé du livre audio: Le Stabat Mater est une hymne religieuse ainsi qu'une séquence du Moyen Âge, traditionnellement attribuée au poète franciscain Jacopone da Todi. Texte réservé à la liturgie des Heures, cette œuvre est associée à la fête de Notre-Dame des sept Douleurs par l'Église catholique dans le rite romain, d'où son nom de Sequentia de Septem Doloribus Beatæ Virginis. Le Stabat Mater fut souvent mis en musique. Cet enregistrement est mis à disposition sous la Licence art libre. Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Gundula Janowitz Maureen Forrester Berlin Philharmonic Conductor: Claudio Abbado Salzburg Festival 6 August 1968 Broadcast

durée : 00:20:29 - Disques de légende du mercredi 15 mai 2024 - Une version longtemps tenue pour indépassable, et pourtant, une version arrivée 4e, à une écoute à l'aveugle dans une Tribune des critiques de disques en 2018.

Donald Macleod explores the life and music of Charles Villiers Stanford. With Jeremy DibbleMarking the centenary of his death, Composer of the Week explores the remarkable life and music of Sir Charles Villiers Stanford. Stanford was one of the leading musicians of his generation and, along with Parry and Mackenzie, he was one of the main protagonists in Britain's musical renaissance at the end of the 19th century. Born in Dublin, Stanford rose to the very top of the British music scene, as both a conductor and composer. He also maintained strong links to Germany, following his studies in Leipzig and Berlin. Stanford's works were popular in Europe, as well as Britain, with conductors such as Hans Richter promoting his music. Today, Stanford is largely remembered for his sacred works, however his prolific output covers most genres and he had a particular passion for opera. He was an influential teacher at the Royal College of Music and Cambridge University; many future musical luminaries passed through his classes, including Gustav Holst, Ralph Vaughan Williams, Rebecca Clarke and Samuel Coleridge-Taylor. Stanford was a tremendous force for good in British music, and in honour of his contribution to British culture, his ashes are interred in Westminster Abbey close to the remains of Henry Purcell. This week, Donald Macleod is joined by Stanford biographer, Jeremy Dibble to explore Stanford life and music.Music Featured:The Bluebird, Op 119 No 3 (excerpt) Three Intermezzi, Op 13 No 1 (Allegretto scherzando) The Resurrection, Op 5 Symphony No 1 (Scherzo) The Veiled Prophet (Act 2 Love Duet) Service in B flat major, Op 10 (Magnificat) Symphony No 2 ‘Elegiac' (Lento espressivo) To the Rose, Op 19 No 3 Piano Trio No 1, Op 35 (Allegretto con moto) Elegiac Ode, Op 21 (The night, in silence, under many a star) The Lord is my Shepherd Symphony No 3, Op 28 “Irish” (Allegro molto Vivace) Piano Quintet in D minor, Op 25 (Allegro risoluto) A Child's Garland of Songs, Op 30 No 9 (My ship and me) The Clown's Song from Twelfth Night', Op 65 No 3 Six Irish Fantasies, Op 54 No 3 (Jig) Symphony No 5, Op 56 ‘L'Allegro ed il Pensieroso' (Andante molto tranquillo) Shamus O'Brien, Op 61 (Act 2 Captain Trevor's Song) Requiem, Op 63 (Agnus Dei et Lux aeterna) Te Deum, Op 66 (Judex crederis) Ten Dances, Old and New, Op 58 No 1 (Valse) Songs of the Sea, Op 91 No 3 (Devon, O Devon, in wind and rain) Magnificat in G, Op 81 String Quartet No 4 in G minor, Op 99 (Allegro molto vivace) Stabat Mater, Op 96 (Virgo virginum praeclara) String Quintet No 2 in C minor, Op 86 (Andante) A Song of Hope, Op 113 No 3 Six Songs from ‘The Glens of Antrim', Op 174 No 2 (The sailor man) String Quartet No 7 in C minor, Op 166 (Allegro molto) Irish Rhapsody No 4, Op 141 (The Fisherman of Loch Neagh and What he Saw) An Irish Idyll in Six Miniatures, Op 77 No 2 (The Fairy Lough) Mass Via Victrix, Op 173 (Agnus Dei) How beauteous are their feetPresented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Charles Villiers Stanford (1852-1924) https://www.bbc.co.uk/programmes/m001xdr0And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

durée : 01:27:35 - En pistes ! du vendredi 15 mars 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme de ce vendredi matin, le Dixit Dominus de Haendel, la Symphonie n°9 de Chostakovitch, les Fantasiestücke de Schumann, mais également l'Impromptu n°2 de Schubert, la Symphonie n° 13 de Philip Glass et le Stabat Mater de Scarlatti. En pistes !

Kaum fünf Jahre blieben Giovanni Battista Pergolesi für sein Gesamtwerk: 1736 raffte ihn in Neapel die Tuberkulose dahin, da war er gerade 26. Kurz vor seinem Tod vollendete er aber noch das Werk, mit dem er Unsterblichkeit errang: sein "Stabat mater". Von Volker Sellmann.

durée : 00:41:05 - Fictions / Théâtre et Cie - "Stabat Mater Furiosa" ou cri solitaire d'une femme qui se révolte contre la guerre et la violence, par le poète et dramaturge Jean-Pierre Siméon.

durée : 00:41:05 - Fictions / Théâtre et Cie - "Stabat Mater Furiosa" ou cri solitaire d'une femme qui se révolte contre la guerre et la violence, par le poète et dramaturge Jean-Pierre Siméon.

Full Text of ReadingsFriday of the Third Week of Advent Lectionary: 198The Saint of the day is Blessed Jacopone da TodiJacopone da Todi's Story Jacomo or James, was born a noble member of the Benedetti family in the northern Italian city of Todi. He became a successful lawyer and married a pious, generous lady named Vanna. His young wife took it upon herself to do penance for the worldly excesses of her husband. One day Vanna, at the insistence of Jacomo, attended a public tournament. She was sitting in the stands with the other noble ladies when the stands collapsed. Vanna was killed. Her shaken husband was even more disturbed when he realized that the penitential girdle she wore was for his sinfulness. On the spot, he vowed to radically change his life. Jacomo divided his possessions among the poor and entered the Secular Franciscan Order. Often dressed in penitential rags, he was mocked as a fool and called Jacopone, or “Crazy Jim,” by his former associates. The name became dear to him. After 10 years of such humiliation, Jacopone asked to be received into the Order of Friars Minor. Because of his reputation, his request was initially refused. He composed a beautiful poem on the vanities of the world, an act that eventually led to his admission into the Order in 1278. He continued to lead a life of strict penance, declining to be ordained a priest. Meanwhile, he was writing popular hymns in the vernacular. Jacopone suddenly found himself a leader in a disturbing religious movement among the Franciscans. The Spirituals, as they were called, wanted a return to the strict poverty of Francis. They had on their side two cardinals of the Church and Pope Celestine V. These two cardinals though, opposed Celestine's successor, Boniface VIII. At the age of 68, Jacopone was excommunicated and imprisoned. Although he acknowledged his mistake, Jacopone was not absolved and released until Benedict XI became pope five years later. He had accepted his imprisonment as penance. He spent the final three years of his life more spiritual than ever, weeping “because Love is not loved.” During this time he wrote the famous Latin hymn, Stabat Mater. On Christmas Eve in 1306, Jacopone felt that his end was near. He was in a convent of the Poor Clares with his friend, Blessed John of La Verna. Like Francis, Jacopone welcomed “Sister Death” with one of his favorite songs. It is said that he finished the song and died as the priest intoned the “Gloria” from the midnight Mass at Christmas. From the time of his death Brother Jacopone has been venerated as a saint. Reflection His contemporaries called Jacopone, “Crazy Jim.” We might well echo their taunt, for what else can you say about a man who broke into song in the midst of all his troubles? We still sing Jacopone's saddest song, the Stabat Mater, but we Christians claim another song as our own, even when the daily headlines resound with discordant notes. Jacopone's whole life rang out our song: “Alleluia!” May he inspire us to keep singing. Click here for more on Blessed Jacopone! Saint of the Day, Copyright Franciscan Media

Jess Gillam meets jazz singer Cécile McLorin Salvant to swap some of their favourite music. Cécile is a 3 time Grammy Award-winning jazz singer and her music shows off her passion for storytelling and finding the connections between vaudeville, blues, jazz, baroque and folkloric music. She spoke to Jess ahead of her show at London Jazz Festival 2023 and picked some of her favourite voices from Maria Callas singing Puccini to flamenco star Camarón de la Isla and an air de cour by Gabriel Bataille.Jess brought along a string quartet by Caroline Shaw, a Hollywood inflected Concerto by Korngold and the most beautiful of songs by Aretha FranklinPLAYLIST:GABRIEL BATAILLE: Sortés soupirs témoins de mon mártire [Les Musiciens de Saint-Julien, Annie Dufresne (soprano)] CAROLINE SHAW: Plan & Elevation – v. The Beech Tree [Attacca Quartet] WANDA JACKSON: Funnel of Love KORNGOLD: Violin Concerto, op.35 – 1st mvt [James Ehnes (violin), Vancouver Symphony Orchestra, Bramwell Tovey (cond)] ARETHA FRANKLIN: Ain't No Way PUCCINI: La bohème, Act 4 “Sono andati” [Maria Callas (soprano), Giuseppe di Stefano (tenor), La Scala Milan Chorus & Orchestra, Antonino Votto (cond)] POULENC: Stabat Mater – i. Stabat Mater dolorosa [Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National SO, Daniel Reuss (cond)] CAMARON DE LA ISLA: Yo vivo enamorao (Tangos) [Camaron De La Isla (singer), Paco De Lucía (guitar)]

Travel with Moveable Do to Norway today to visit with Kim André Arnesen. We talk about growing up in Norway, his love of MTV, and his composing process. Pieces featured on this episode, "Magnificat anima mea" from Magnificat, "Eja Mater" from Stabat Mater, "Call No One Stranger" from The Stranger, and "Lovely is the Dark Blue Sky." For more information about Kim and his music, visit https://kimarnesen.com/. For more information about this podcast and a full archive of episodes, visit https://sdcompose.com/moveabledo. Connect with us! Email: moveabledo@gmail.com Website: https://sdcompose.com/moveabledo Instagram: @Moveable_do_podcast Twitter: @MoveableDo ⁠⁠Moveable Do Merch⁠⁠ ⁠⁠https://www.teepublic.com/user/sdcompose⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/moveabledo/message Support this podcast: https://podcasters.spotify.com/pod/show/moveabledo/support

Prayers begin at 15:08. Chaplet begins at 23:28 Latin Prayers used here: Sign of the Cross In Nomine Patris, et Filii, et Spiritus Sancti Pater Noster, Ave Maria, and Symbolum Apostolorum/Our Father, Hail Mary and Apostles' Creed, and usual prayers of the Divine Mercy Chaplet, find in link https://www.preces-latinae.org/thesaurus/Filius/DivinaMiser.html Here, the Latin is prayed in third person plural, as we pray here for all the faithful departed and those approaching their final judgment V. Pater aeterne, offero Tibi Corpus et Sanguinem, animam et divinitatem dilectissimi Filii Tui, Domini nostri, Iesu Christi R. In propitiatione pro peccatis *EIS* et totius mundi V. Pro dolorosa Eius Passione R. Miserere *EIS,* et totius mundi Fatima Prayer: V. Domine Jesu R. Dimitte nobis debita nostra, salva nos ab igne inferiori, perduc in caelum omnes animas, praesertim eas quae Tuæ misericordiae maximae indigent. V. Requiem æternam dona eis, Domine R. Et lux perpétua lúceat eis. V. Requiescant in pace. R. Amen Prayers of the Chaplet: https://www.usccb.org/prayers/chaplet-divine-mercy Prayers for the Faithful Departed from the traditional Tridentine Latin Mass, November 2, All Souls' Day. Opening Collect and Post Communion, Masses 1, 2 and 3. https://www.divinumofficium.com/cgi-bin/missa/missa.pl Music Credit Music Performed by Benedictines of Mary, Queen of Apostles From Album: Lent at Ephesus Christus Factus Est. Jesu Dulcis Amor Meus. Jesu Salvator Mundi. Pueri Hebraeorum. Adoramus Te Christe (Ravanello). Stabat Mater. Vere Languores Nostros. Tenebrae. Vexilla Regis. Adoramus Te Christe (DuBois). Crux Fidelis. --- Support this podcast: https://podcasters.spotify.com/pod/show/Johnathan-St.Dominic/support

Prayers begin at 14:40. Chaplet begins at 21:50 Prayers of the Chaplet https://www.usccb.org/prayers/chaplet-divine-mercy Prayers for the Faithful Departed from the traditional Tridentine Latin Mass, November 2, All Souls' Day. Opening Collect and Post Communion, Masses 1, 2 and 3. https://www.divinumofficium.com/cgi-bin/missa/missa.pl Music Credit Music Performed by Benedictines of Mary, Queen of Apostles From Album: Lent at Ephesus Christus Factus Est. Jesu Dulcis Amor Meus. Jesu Salvator Mundi. Pueri Hebraeorum. Adoramus Te Christe (Ravanello). Stabat Mater. Vere Languores Nostros. Tenebrae. Vexilla Regis --- Support this podcast: https://podcasters.spotify.com/pod/show/Johnathan-St.Dominic/support

“¡Oh dulce fuente de amor, hazme sentir tu dolor, para que llore contigo!” (Stabat Mater). María, junto a la Cruz, nos da una gran lección: saber compadecer. Se trata de asumir el sufrimiento de otro, no porque nosotros tengamos una especial capacidad para hacerlo, sino por nuestras constantes uniones con los Corazones de Jesús y de María.

«Haced lo que Él os diga».

** Ponte en presencia de Dios. Trata de hablar con Él. ** 10 minutos son 10 minutos aunque te puedas distraer. Llega hasta el final. ** Sé constante. El Espíritu Santo actúa “a fuego lento” y requiere constancia. Audios de 10 minutos que te ayudan a rezar. Un pasaje del Evangelio, una idea, una anécdota y un sacerdote que te habla y habla al Señor invitándote a compartir tu intimidad con Dios. Busca tu momento, piensa que estás con Él y dale al play. Toda la info en nuestra web: www.10minutosconjesus.org diezminutosconjesus@gmail.com Para recibir cada día tu meditación por Whatsapp pulsa aquí: http://dozz.es/nu36t

Jn 19:25-27 Standing by the cross of Jesus were his mother   and his mother's sister, Mary the wife of Clopas,   and Mary Magdalene.

Meditación sobre el Evangelio de la fiesta de hoy: Nuestra Señora de los Dolores, y del himno Stabat Mater. Se nos dice que junto a la Cruz de Jesús estaban su Madre y otras santas mujeres. Y desde la Cruz, Jesús le entrega los hombres como hijos. Detrás de la Cruz siempre encontramos el amor de María como Madre. Ilusión por acompañar a la Virgen en su dolor.

Friends of the Rosary:September is the month of Our Lady of Sorrows, Nuestra Señora de los Dolores, in Spanish. The sorrow of the Blessed Mother was immeasurable. It was surpassed only by her love. Her love was even stronger than death. It made her able to support the cruel death of Jesus Christ. The Stabat Mater — a 13th-century Latin hymn written by Franciscan friar and poet Jacopone da Todi — focused on the sorrow of the Virgin Mary during the crucifixion of Jesus Christ. It proclaimed: "O Mother... make me feel the depth of your sorrow, so that I may weep with you. May I bear in my heart the wounds of Christ; make me share in His Passion and become inebriated by the Cross and Blood of your Son."Let's contemplate Mary's sorrows and ask her for the grace of sharing with her in the Passion of Jesus. This participation should lead us to real compassion, that is, to suffering with Jesus and Mary.  The Fathers of the Church said that the sight of Mary at the foot of the Cross makes the lesson of the Cross less hard and less bitter. Her maternal example encourages us to suffer and makes the road to Calvary easier. Ave Maria!Jesus, I Trust In You! To Jesus through Mary! + Mikel A. | RosaryNetwork.com, New York • ⁠September 6, 2023, Today's Rosary on YouTube | Daily broadcast at 7:30 pm ET

"The repertoire will always have some sort of example of something that you're talking about in music theory, and it helps really build that connection between the studying of music and the doing of music. The more and more I teach theory, the more little leaves I uncover, and I'm able to help students make that connection more and more every year."John Guarente is Professor of Choral Ensembles and Music Theory at South Puget Sound Community College. He leads the SPSCC Choirs and teaches courses in music theory, popular music, and music appreciation.Dr. Guarente previously served on the faculty at Lakeland University in Wisconsin and the College of Central Florida. He has held teaching and conducting positions with schools and organizations including the University of Miami, Miami Choral Academy, Marion Civic Chorale, the Civic Chorale of Greater Miami, and Highland Park Community Chorus.An active composer and arranger, John has fulfilled commissions for colleges and universities including Florida International University and Hawai'i Pacific University. In 2020, he wrote the music and lyrics for SPSCC's Alma Mater, "The Waves of South Puget Sound." John has prepared and conducted choirs for groundbreaking recording artists such as Passion Pit and Juanes. In working with adult and collegiate choirs, Dr. Guarente has conducted numerous major works including Handel's Judas Maccabaeus, Saint-Saëns's Oratorio de Noël, Mozart's "Coronation" Mass, Faure's Requiem, and Vivaldi's Gloria. As a baritone soloist, his singing engagements have included such choral-orchestral literature as Orff's Carmina Burana, Handel's Messiah, Dvorak's Te Deum, and Szymanowski's Stabat Mater.John received his doctor of musical arts degree from the University of Miami, and holds a master of music in choral conducting and a bachelor of arts degree in music from Rutgers University. He is an inductee of Pi Kappa Lambda: The National Music Honor Society, and is an active member of the American Choral Directors Association, the National Collegiate Choral Organization, the College Music Society, and the National Association for Music Education.To get in touch with John, you can find him on Facebook (@johnguarente), Twitter ( @johnguarente), or Instagram (@johnguarente). You can also email him at jguarente@spscc.edu.Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us. Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson