Podcast appearances and mentions of Ian Bostridge

We discuss desert island discs as a thought experiment, though we didn't agree on the ground rules. Help support The Next Track by making regular donations via Patreon (https://www.patreon.com/thenexttrack). We're ad-free and self-sustaining so your support is what keeps us going. Thanks! ‌Show notes: Episode #130 - Desert Island Discs, Part 1 (https://www.thenexttrack.com/133) Episode #133 - Desert Island Discs, Part 2 (https://www.thenexttrack.com/136) Schubert: Winterreise, Ian Bostridge & Thomas Adès (https://amzn.to/3Absge9) Bach: Goldberg Variations, Glenn Gould 1981 (https://amzn.to/4fbzvlh) Morton Feldman: Piano and String Quartet, Kronos Quartet and Aki Takahashi (https://amzn.to/4h8CX1T) Hume: Musicall Humours, Jordi Savall (https://amzn.to/4eUNgoE) Elastica: Elastica (https://amzn.to/4eSpZ6O) The Who: Quadrophenia (https://amzn.to/4f4whjs) Joe Strummer & The Mescaleros: Streetcore (https://amzn.to/3A98bFh) Gustaf: Package, Pt.2 (https://amzn.to/3NAXwGE) The Rolling Stones: Get Yer Ya-Yas Out (https://amzn.to/3NzLRYB) The Clash: London Calling (https://amzn.to/3Yy72Re) Brian Eno: Music for Airports (https://amzn.to/3YAhkAl) Bang on a Can: Music for Airports (https://amzn.to/3UgVeAd) Grateful Dead: American Beauty (https://amzn.to/3Yz61bi) Bill Evans: The Complete Village Vanguard Recordings, 1961 (https://amzn.to/3YxVRYE) Bob Dylan: Blonde on Blonde (https://amzn.to/4eP8bJN) King Crimson: Red (https://amzn.to/3A9taI2) Castaway (https://amzn.to/3NzMMZ3) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast.

Bis 1840 schreibt Robert Schumann fast nur fürs Klavier, dann aber schlägt er mit seinem Liederkreis op. 24 ein neues Kapitel auf. Mit Leidenschaft vertont er Heines Lyrik und schickt dem Dichter die Noten. Doch der antwortet nie... Von Timm Beckmann.

Dr. P and Sarah address this week's controversial Ian Bostridge performance where he stopped mid song cycle to ask the audience to put down their phones and turn off the flash functions. It was a varied and weaving conversation with two sort of opposite perspectives. In the end, the take home point was, be courteous, consider others, and let's get audience members in seats. Join us.

Knife is Salman Rushdie's memoir about surviving a near-fatal knife attack in August 2022 and the long, painful period of recovery that followed. Ben Power's adaption of the Dickens novel Our Mutual Friend – London Tide – which features songs that he co-wrote with PJ Harvey, has just opened at the National Theatre in London. Baby Reindeer is a new Netflix drama written by and starring Richard Gadd who drew directly on his own shocking experience of being stalked. All three are reviewed by Tahmima Anam and John Mullan.We also hear from tenor Ian Bostridge on mobile phone use in concert halls and why he stopped a performance of Britten's Les Illuminations with the CBSO last night.Presenter: Tom Sutcliffe Producer: Corinna Jones

Inside The Music continues its exploration of composer Franz Schubert through his late works. Artistic Director of Capital Region Classical Derek Delaney explores selections from Schubert's celebrated Death and the Maiden quartet, Winterreise, and A-major Piano Sonata through live CRC performances by the Belcea Quartet,  tenor Ian Bostridge, and pianist Jonathan Biss.Schubert: Quartet in D Minor, D. 810, Death and the Maiden – Andante con motoBelcea Quartet [10/16/2016 performance]Schubert: Selections from Winterreise, D. 911 Der Lindenbaum Wasserflut Die Post Die Nebensonnen Der Leiermann Ian Bostridge, tenor; WenWen Du, piano [4/19/2015 performance]Schubert: Piano Sonata in A Major, D. 959 – Rondo: Allegretto–PrestoJonathan Biss [3/12/2017 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

Het laatste uurtje van je weekend rijk gevuld, met Vrije Geluiden sessie-opnamen uit de Willem II Toonzaal in Den Bosch, waar Nuala McKenna onder meer Poulenc speelde, en Koen Boeijinga over de Nederlandse bergen improviseerde. De Doorgeef-CD is van Brad Mehldau en Ian Bostridge, op de Hollandse Nieuwe horen we pianist Camiel Boomsma, en we hebben ruim aandacht voor de nieuwe CD van (bas)klarinettiste Fie Schouten, cellist Vincent Courtois en toetsenist Guus Janssen, die zich lieten inspireren door het bekende boek van Judith Schalanski, De atlas van afgelegen eilanden.  23.04 CD The Folly of Desire (Pentatone PTC 5187 035) David Mann, Bob Hilliard: In the wee small hours of the morning Ian Bostridge; Brad Mehldau 3'09” 23.09 CD Heritage of fire (No Boundaries z.nr.) Richard Wagner, arr. Leopold Godowski: Elisabeth's Prayer Camiel Boomsma 5'01” 23.18 CD Vostok Remote Islands (Relative Pitch Records RPR 1179) Fie Schouten, Vincent Courtois, Guus Janssen: Tristan Da Cunha Fie Schouten, Vincent Courtois, Guus Janssen 3'59” CD Vostok Remote Islands (Relative Pitch Records RPR 1179) Fie Schouten, Vincent Courtois, Guus Janssen: Howland Fie Schouten, Vincent Courtois, Guus Janssen 1'49” CD Vostok Remote Islands (Relative Pitch Records RPR 1179) Fie Schouten, Vincent Courtois, Guus Janssen: Cocos Islands Fie Schouten, Vincent Courtois, Guus Janssen 3'10” CD Vostok Remote Islands (Relative Pitch Records RPR 1179) Fie Schouten, Vincent Courtois, Guus Janssen: Inaccessible Island Rail Fie Schouten, Vincent Courtois, Guus Janssen 2'09” 23.33 eigen opname VPRO VG sessies Francis Poulenc: Sonate vc pi - II Cavatine - III Ballabile Nuala McKenna; Robert Kulek 9'36” 23.44 eigen opname VPRO VG Sessies Koen Boeijinga - Songs from the Dutch Mountains (pt 1) Koen Boeijinga 6'00” 23.50 CD Eno Piano (Infiné iF1088) Brian Eno: Music for airports 1-2 Bruce Brubaker 8'31”

Der britische Tenor Ian Bostridge gilt weltweit als einer der faszinierendsten Sängerpersönlichkeiten unserer Zeit. „Er ist ein Geschichtenerzähler und Sänger-Schauspieler par excellence mit einer immensen Bandbreite emotionaler Ausdruckskraft“, so der britische Evening Standard. Geschichten erzählt er nicht nur als Sängerdarsteller, sondern auch als Autor. So hat er ein Buch über Schuberts „Winterreise“ geschrieben. Jetzt hat sich Ian Bostridge unter dem Titel „Das Lied & das Ich“ in drei Essays mit den „ewigen“ Fragen der Interpretationskunst und ihren Herausforderungen auseinandergesetzt. Dorothea Hußlein hat das Buch bereits gelesen.

Johannes Brahms (1833-1897)Sechs Lieder, opus 85- Sommerabend nr. 1- Mondenschein nr. 2 Vier Lieder, opus 96- Meerfahrt nr. 4- Der Tod das ist die kühle Nacht nr.1 Ian Bostridge, tenoreSaskia Giorgini, pianoforte------------------------------------Johannes Brahms (1833-1897)Concerto no.1 in re minore per pianoforte e orchestra op.15 Maestoso (re minore) Adagio (re maggiore) Rondò. Allegro non troppo (re minore) Staatskapelle DresdenMaurizio Pollini, pianoforteChristian Thielemann, direttore

Eine Stunde Klassik! Myrthe Jentgens: Ein Tag mit Ian Bostridge - Der Münchner Pianist und "Musikdurchdringer" Jürgen Plich stellt jeden Dienstag um 20 Uhr große klassische Musik vor. Er teilt seine Hör- und Spielerfahrung und seine persönliche Sicht auf die Meisterwerke. Er spielt selbst besondere, unbekannte Aufnahmen, erklärt, warum die Musik so und nicht anders klingt und hat eine Menge aus dem Leben der Komponisten zu erzählen. Sonntags um 10 Uhr in der Wiederholung.

Ein Album von Brad Mehldau und Ian Bostridge - vorgestellt auf NDR Kultur.

Der Tenor Ian Bostridge ist ein Eroberer: Neues, Unentdecktes, Uraltes, Oper, Lied, Song - Vieles verlockt ihn. Und für jedes Projekt tut er sich mit anderen Partnern zusammen. Auf dem jüngsten Album musiziert Bostridge zusammen mit dem Jazz-Pianisten Brad Mehldau. Bostridge auf einmal ein Jazzer? BR-KLASSIK-Autor Laszlo Molnar erzählt uns mehr.

.... yessss, een uitzending vol maatschappelijk verantwoord ondernemen, ennn, hoe leuk .... buiten is het nog immer 29 graden .... binnen zaten we met Herma, Ariette, Roy, Leon, Henca, Peter, Roel, AJ en Lars ... pfff, wat is het warm he? Let wel .... volgende week zijn we live vanaf het terras vh Brinkhuis in Laren, kom je langs? Ondanks het feit dat de nwe Haring 10 dagen uitgesteld is? .... Vorig jaar was het Blaricum Music Festival weer een groot feest en dat smaakt uiteraard naar meer… aldus Peter Santa op de website van … om die reden presenteert hij u graag – met gepaste trots – het programma van het Blaricum Music Festival 2023!Want …. wat staat er dit jaar dan allemaal op het programma? Ten eerste net als in 2019 weer een symfonisch Blaricum Music Festival Orchestra, samengesteld in samenwerking met het Verbier Festival, olv dirigent Mathieu Herzog die zowel het openings- als het slotconcert zal dirigeren …. Daarnaast zal Mathieu een aantal strijkkwartetten de fijne kneepjes van het vak bijbrengen tijdens de zgn masterclasses, is er aandacht voor Jazz ennnnn brengen wij u graag het optreden van tenor Ian Bostridge onder de aandacht … Roy Hogendorp is oa de directeur eigenaar van People & GO!…… Een personele dienstverlener ….. met aandacht vanuit een menselijk perspectief en echte betrokkenheid … want zo stelt Roy …. Ook in de personeelsdienstverlening heb je dozenschuivers en echte dienstverleners. Het moge duidelijk zijn …… Roy rekent zich graag tot de laatste categorie ….. Immers de professionaliteit is in deze belangrijk …. Lees: serieuze bepaling en onderlinge afstemming van het zoekprofiel en professionele selectie. Je kunt het je nauwelijks voorstellen dat in Nederland armoede heerst! Maarrrrr......wij hebben meer dan 170 voedselbanken in ons land. Wisten jullie dat in 2006 Voedselbank Huizen werd opgericht? Wisten jullie dat er in onze eigen "Gooise "omgeving honderden gezinnen afhankelijk zijn van De Voedselbank? Kun jij je voorstellen dat je van De Voedselbank afhankelijk bent voor je dagelijkse boodschappen en behoeften?.......Henca Hasper is een dame met een missie..... samen met een grote groep vrijwilligers heeft ze min of meer de leiding over de voedselbank in Huizen, waar ze met tomeloze energie en passie probeert een gedeelte van onze samenleving de helpende hand toe te steken........ Wij van Gooische Business kijken vrijdag meein de keuken van de Voedselbank

With his new memoir ‘Formation - Building a Personal Canon, Part I' hitting bookshops, and a new collaborative album with the tenor Ian Bostridge released this week, the American Jazz pianist Brad Mehldau joins Kate Molleson to discuss his childhood in small town New England, his forays into the New York Jazz scene of the 1990s, his encounters with kind musical heroes and future collaborators, and what it means to be a musician. Telling the story the 18th-century “Irish giant” Charles Byrne, whose corpse was stolen to order and put on public display, Kate speaks to composer Sarah Angliss about the World Premiere of her new opera Giant at this year's Aldeburgh Festival. She explains how she's treating this surprisingly tender tale of grave robbing and dissection. As Gypsy, Roma and Traveller History Month gets under way, Music Matters learns about a new project to highlight the invaluable recorded collection of gypsy and traveller voices archived within the Vaughan Williams Memorial Library. We speak to the University of East Anglia's Dr. Hazel Marsh about the impetus to make collections, housed at the English Folk Dance and Song Society, more accessible to Gypsy and Traveller people seeking engagement with their cultural heritage, and hear from the Scottish Traveller Ian McGregor. Celebrating two decades of music making with Les Siècles, Kate hears from conductor François-Xavier Roth as he prepares to tour with the orchestra to the Barbican, Edinburgh International Festival and BBC Proms. With new albums of works by Ravel and Ligeti about to be released this month, too, he tells Kate about the energy of discovery which drives the ensemble's prolific recording activity, and why performance needs to be dangerous.

Som at svæve i en ballon henover Cappadocia eller Bagans templer og små landsbyer med et soundtrack af Dustin O'Halloran, Aphex Twin, Mendelssohn, Jónsi & Alex, Poppy Ackroyd, Ian Bostridge stemme og Izumi Tatenos snefnug. Vært: Minna Grooss.

- Śpiewanie w moim przypadku wiąże się z brakiem stałego zatrudnienia. To przyjemne, ale z drugiej strony dobrze byłoby mieć jakąś stałą bazę i o nic się nie martwić. Zamiast chodzić do szkoły muzycznej, śpiewałem w kościelnym chórze, mój głos wciąż brzmi dobrze i cały czas dowiaduję się o nim czegoś nowego - mówił w Dwójce Ian Bostridge, śpiewak, pisarz i historyk.

Finally the end is upon us! It's hard to believe that after 16 episodes we've finally reached the end of our winter wanderings. While you might shed a tear or two over our wanderer's perplexing conclusion, you won't be too sad when you hear about all the great stuff we have in store for season 3 of Follow the Lieder. Stay tuned at the end of the episode for a special interview with Samuel Martin, the artistic founding director of Cincinnati Song Initiative. A very special thank you goes out to Dr. Tyler Reece for his incredible vocal collaboration throughout season 2!With guest vocalist Dr. Tyler ReeceEmoji stories for each episode by @teodoro.pianoDer Leiermann

Manchmal kann es im Dezember zu viel werden mit Besinnlichkeit und Festlichkeit. Dagegen könnte Schuberts „Winterreise“ helfen. Sie gilt als bewährtes Abwehrmittel gegen klingelnde Glöckchen und allgegenwärtige Weihnachtsoratorien. Eine mögliche Alternative wäre auch ein neu erschienenes Album, das sich in mehrerer Hinsicht den letzten Dingen widmet: Schuberts „Schwanengesang“, aufgenommen vom Tenor Ian Bostridge und dem Pianisten Lars Vogt. Albrecht Selge hat sich das Album angehört.

We are nearing the end kids! In this, the penultimate episode of our Winterreise season we discuss Mut! and Die Nebensonnen. Be prepared to hear a battle hymn, a Shakespeare re-enactment, a brief science bit, and if you listen all the way to the end you might even hear our co-host shed a tear or two! With guest vocalist Dr. Tyler ReeceEmoji stories for each episode by @teodoro.pianoMut!

Thats right kids - this is NOT a drill - Susan Youens herself joins us for this episode of Follow the Lieder in which we discuss Das Wirtshaus from Schubert's Winterreise. Emoji stories for each episode by @teodoro.piano Das Wirtshaus ⚰️☠️

We are deeper into the Wanderer's journey than ever before! Prepare yourself for an existential contemplation and perhaps a little dancing as we discuss songs number 19 and 20 from Schubert's Winterreise! Emoji stories for each episode by @teodoro.piano Täuschung

If you're wondering how ketchup, mustard, Lord of the RIngs, and tooth doctors could possibly be connected to Schubert's Winterreise, then you better tune in to this week's installment of Follow the Lieder!  Emoji stories for each episode by @teodoro.piano Im Dorfe:

Ready to get weird? Dr. Tyler Reece joins us today to discuss this song of ultimate wierdness and discombobulation (perhaps the strangest of all of Schubert's compositions!). It's an episode you don't want to miss! Emoji stories for each episode by @teodoro.piano Letzte Hoffnung:

Noël Callebaut en Annelies Van Wittenberghe zijn uw beste schippers aan wal voor een podcast over zeevis ! Muziek: F. Shubert, Fischerweise, door Ian Bostridge en Julius Drake Bekijk het Visboec van Adriaen Coenen via https://www.kb.nl/ontdekken-bewonderen/topstukken/visboek-adriaen-coenen

Tricks, horror-vignettes, morbid thoughts, literary nights, stunt flying, and corvid creatures are all topics that await you in this, the 10th installment of Season 2 of Follow the Lieder! Listen carefully to learn the coolest zoological facts you never knew were connected to the wonderful world of Lieder

After a short summer break, Follow the Lieder is back with a vengeance to finish up Schubert's Winterreise Part 2. This episode contains all your favorite things: a hilarious (and brand new) co-host, a deep dive into Schubert's life, a detailed description and analysis of Die Post, and all the facts you could ever want to know (and some you didn't want to know) about syphilis! How could it not be a blast?!? Emoji stories for each episode by @teodoro.piano Die Post:

Let's play a game! I'm serious... we actually play a Lieder game in this week's episode of Follow the Lieder (betchya didn't know those existed

Nicola Campogrande"MiTo Settembre Musica"https://www.mitosettembremusica.it/itUn cartellone comune tra Torino e Milano che esplora le relazioni tra la musica e la luce attraverso grandi capolavori e creazioni inedite. 116 concerti per la sedicesima edizione, con ospiti internazionali, eccellenze nazionali e programmi appositamente impaginati per un Festival sempre più inclusivo. Seguendo il filo conduttore del tema “Luci”, tutti i programmi dei concerti sono impaginati appositamente per proporre al pubblico una nuova esperienza d'ascolto, indagando le relazioni tra la musica e la luce: si tratta di sinestesie tra suoni e immagini che a volte emergono esplicitamente dalle indicazioni scritte dal compositore in partitura, come chiaro, scuro o luminoso, e altre volte sono il frutto di riflessioni suggerite dall'ascolto della musica.«L'idea, il gioco della luce è applicato a un cartellone che, volutamente, propone molti capolavori, pagine fondamentali, capisaldi della musica classica – spiega il direttore artistico Nicola Campogrande. Perché, soprattutto in un periodo complicato e drammatico come quello che stiamo attraversando, ci sembra bello e importante fare una sorta di appello ai brani che hanno segnato la storia, invitandoli metaforicamente ad essere con noi, a manifestarsi in sala da concerto come punti fermi, appigli culturali».Questa edizione intende, quindi, “illuminare” le grandi pagine della storia della musica attraverso accostamenti inediti, interpretazioni originali e nuove chiavi di lettura, anche con brani in prima esecuzione.Alcuni dei pilastri su cui si fonda l'edizione 2022 – ovvero internazionalità, capisaldi della musica classica e novità – sono già evidenti nella serata d'apertura del Festival intitolata “Luci immaginarie”, in programma lunedì 5 settembre all'Auditorium “Giovanni Agnelli” del Lingotto di Torino e martedì 6 settembre al Teatro alla Scala di Milano. Protagonista una grande compagine rinomata nel mondo come la londinese Philharmonia Orchestra diretta per l'occasione da John Axelrod, che propone capolavori come Peer Gynt di Grieg e Shéhérazade di Rimskij-Korsakov, abbinate alla prima esecuzione italiana di The imagined forest della giovanissima e pluri-premiata compositrice inglese Grace-Evangeline Mason. O ancora nel concerto conclusivo tutto mozartiano dal titolo “Cristalli”, sabato 24 settembre al Conservatorio di Torino e domenica 25 settembre al Conservatorio di Milano, dove la Mahler Chamber Orchestra, formazione europea nata nel 1997 sotto l'egida di Claudio Abbado, presenta senza direttore un programma inusuale con Leif Ove Andsnes in veste di solista.Tra gli ulteriori appuntamenti sinfonici da non perdere si segnalano il graditissimo ritorno al Festival, nella doppia veste di direttrice d'orchestra e soprano, della canadese Barbara Hannigan, che sul podio dell'Orchestra dell'Accademia Nazionale di Santa Cecilia propone la Sinfonia Il miracolo di Haydn e la Quarta Sinfonia di Mahler cantando nel Lied finale Das himmlische Leben (La vita celeste), il 16 al Teatro Dal Verme di Milano e il 17 all'Auditorium del Lingotto di Torino. Immancabile l'Orchestra Sinfonica Nazionale della Rai, guidata dal suo Direttore ospite principale, lo statunitense di origini messicane Robert Trevino, che affianca la Symphonie Fantastique di Berlioz alla prima italiana di The wonder of life di Régis Campo, il 9 all'Auditorium Rai di Torino e il 10 al Conservatorio di Milano. Concerto festoso, poi, per celebrare i duecento anni di indipendenza del Brasile con i giovani dell'effervescente Neojiba Orchestra - Orchestra Giovanile dello Stato di Bahia, diretta da Ricardo Castro, insieme a un'istituzione del pianoforte come la portoghese Maria João Pires che suona il Terzo Concerto op. 37 di Beethoven. Ritmi, colori e strumenti sudamericani sono parte della serata grazie alle pagine di Antônio Carlos Gomez, Heitor Villa Lobos e Jamberê Cerqueira, il 13 al Conservatorio di Milano e il 14 all'Auditorium del Lingotto di Torino.Altri attesi ritorni al Festival sono la leggenda del pianoforte Ivo Pogorelich, impegnato nel recital “Luci erranti” con fantasie di Mozart, Chopin e Schumann e con il Prélude di Ravel, il raffinato tenore inglese Ian Bostridge, che canta Les illuminations op. 18 di Britten, e ancora il violista Nils Mönkemeyer, che suona con il Bach Consort Wien in un concerto che esplora il barocco e il Novecento tra Sudamerica ed Europa.Scorrendo il programma di MITO gli amanti della musica barocca, e in particolare di Johann Sebastian Bach, trovano una ricca offerta declinata in concerti con musicisti di prestigio e proposte nelle quali i brani sono accostati in modo inusuale o vengono ripensate alcune pietre miliari del repertorio. Quattro pagine tra le più celebri del grande compositore tedesco sono interpretate dall'Amsterdam Baroque Orchestra diretta da Ton Koopman, mentre è curioso il concerto intitolato “La doppia arte della fuga”, nel quale il compositore Reinhard Febel, col suo Diciotto studi sull'Arte della fuga di Bach, rilegge il capolavoro, di cui si ascoltano tutte le note, in una sorta di remix – che suona molto attuale nell'epoca del digitale – affidato al Duo Tal & Groethuysen. Ed è ancora l'ascolto di un Bach insolito quello delle Variazioni Goldberg eseguite dal fisarmonicista Samuele Telari, così come è un concerto davvero singolare quello con due clavicembali accordati in due modi diversi e suonati da Luca Guglielmi.Tanta è l'attenzione che quest'anno MITO SettembreMusica dedica al pubblico dei più piccoli, ampliando e arricchendo la proposta artistica con novità assolute e grandi interpreti. E lo dimostrano anche i tre melologhi per adulti e bambini che contengono ben due commissioni del Festival 2022 in prima esecuzione assoluta: quella a Carlo Boccadoro, che ha creato Animalia – su testi di Martino Gozzi – per “Luci bestiali” (il 10 a Torino e l'11 a Milano), e quella a Federico Gon, che ha composto Il piccolo Franz e il pifferaio magico per “Monelli” (il 24 a Torino e il 25 a Milano). Sul palco del primo concerto Laura Curino come voce recitante e l'Ensemble Cameristico dell'Orchestra Filarmonica di Torino diretto dallo stesso Boccadoro, e del secondo Elio come voce recitante (al suo ritorno dopo l'edizione dello scorso anno) e l'Orchestra degli allievi dei Conservatori di Torino e Milano diretti da Andreas Gies. Infine, i giovani de LaFil guidati da Marco Seco, con la voce recitante di Licia Maglietta, sono protagonisti dell'appuntamento dal titolo “Elefanti”, che propone un doppio Babar: quello celebre dell' Histoire de Babar le petit éléphant di Poulenc e quello del compositore François Narboni intitolato Le voyage de Babar, creato sfruttando un testo originale di Brunhoff non utilizzato da Poulenc (17 a Torino e 18 a Milano).È in prima esecuzione assoluta, inoltre, la nuova versione da camera del melologo Enoch Arden op. 38 di Richard Strauss realizzata da Ruggero Laganà, impegnato anche al pianoforte, che vede protagonista l'attrice Lella Costa come voce recitante (il 19 a Torino, il 20 Milano). Luce accesa, poi, sulle prime esecuzioni italiane, tra cui spiccano One di James MacMillan e I still dance di John Adams interpretate rispettivamente dall'Orchestra I Pomeriggi Musicali diretta da James Feddeck (l'8 a Torino e il 9 a Milano) e da quella del Teatro Regio di Torino guidata da Stanislav Kochanovsky (il 23 a Torino e il 24 a Milano), impegnate in due programmi tra Inghilterra e Scozia e tra Stati Uniti e Francia.L'edizione 2022 di MITO SettembreMusica introduce altre due importanti novità. La prima è la presenza di un festival nel festival con quattordici pianisti italiani che offrono in luoghi decentrati delle due città altrettanti concerti monografici dedicati a grandi compositori, per approfondirne la cifra stilistica, la poetica e la tecnica pianistica. Dal Beethoven di Andrea Lucchesini al Rachmaninov di Alessandro Taverna, dallo Schubert di Filippo Gorini allo Skrjabin di Mariangela Vacatello, passando per lo Chopin di Gloria Campaner, il Liszt di Maurizio Baglini e il Čajkovskij di Benedetto Lupo, solo per citarne alcuni. L'altra vede – per la prima volta – la nascita di una residenza artistica al Festival. Si tratta del finlandese Meta4 Quartet, già applaudito nella scorsa edizione, che tiene tre concerti in entrambi i capoluoghi: suona in Absolute Jest di John Adams insieme all'Orchestra Sinfonica di Milano (sul podio Patrick Fournillier), pagina che rimanda a Beethoven e alla sua Nona, in programma grazie alla partecipazione del Coro del Teatro Regio di Torino, dopo aver ripercorso l'intera storia del quartetto d'archi, da Boccherini ad Adams, in due diversi appuntamenti. Uno degli aspetti distintivi del Festival è offrire appuntamenti in orari diversi nell'arco dell'intera giornata, da quelli serali in sedi prestigiose, come l'Auditorium "Giovanni Agnelli" del Lingotto, il Teatro alla Scala, l'Auditorium Rai "Arturo Toscanini", il Teatro dal Verme e i rispettivi conservatori delle due città, a quelli diurni, per arrivare a estendersi nei luoghi decentrati. Sono confermate le introduzioni all'ascolto dei concerti, quest'anno curate da Alberto Brunero e Stefano Catucci a Torino e da Gaia Varon, Oreste Bossini e Nicola Pedone a Milano.I prezzi sono ancora una volta molto contenuti: quelli per i concerti serali vanno dai 10 ai 25 euro (ma chi è nato dal 2008 in poi paga solo 5 euro); quelli serali in luoghi decentrati con i 14 pianisti italiani, gli appuntamenti pomeridiani e per i bambini sono invece proposti a 5 euro; non mancano, poi, i concerti gratuiti.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

If you've ever found yourself wandering into the the worlds tiefsten Felsengründe, then this is the episode for you! Ghostly lights, a worm, charcoal burning knowledge, a watery grave and more await you (and our traveller) in this diverse episode! Who knew discussing Irrlicht and Rast from Schuebrt's Winterreise could be such fun?! Emoji stories for each episode by @teodoro.piano Irrlicht

We took our very own "Rückblick" and invited back one of ye olde time co-host GREATS to discuss the eighth song from Schubert's Winterreise! Tune in and turn up to find out who! Emoji stories for each episode by @teodoro.piano Rückblick:

Today we discuss not just one, but TWO songs from Winterreise (and one of them is an absolute HEADBANGER). The water is flowing (or not.... or is it?) in both Wasserflut and Auf dem Flusse, along with our traveller's emotions! Stay tuned to the bitter end for a very special guest performance by the floofiest singer you've ever heard.  Emoji stories for each episode by @teodoro.piano Wasserflut:

In today's installment of Follow the Lieder: Schubert's Winterreise, we discuss the iconic song Der Lindenbaum. A tree has a message, but is it what our traveller wants to hear? And will he go back for his hat? Find out all this and more by tuning in and turning up! Emoji stories for each episode by @teodoro.piano Der Lindenbaum:

In Episode 3 of our Winterreise series, we cover Erstarrung and a surprise second song often said to be its predecessor. You'll have to tune in to find out all about the predecessor's crazy (literally) backstory! With guest co-host Brian Sikich and guest vocalist Dr. Tyler Reece. Emoji stories for each episode by @teodoro.piano Erstarrung:

In the second episode of our trek through Schubert's Winterreise, we cover Die Wetterfahne and Gefrorne Tränen. The nobility of the journeyman dwindles as he feels himself overcome by feelings of victimization and horror at his own grief. It's a party you're not gonna want to miss! With guest co-host Brian Sikich and guest vocalist Dr. Tyler Reece.  Emoji stories for each episode by @teodoro.piano  Die Wetterfahne:

Ein Jahr vor seinem Tod vertont Schubert die Gedichte eines jungen Dichters. Es entsteht ein hochemotionaler Liederzyklus, der bis heute Interpreten wie Hörer gleichermaßen fesselt. (Autor: Martin Zingsheim) Von Martin Zingsheim.

Ian Bostridge kommt jetzt nach Hamburg, um in der Elbphilharmonie die Titelpartie in Monteverdis „L'Orfeo“ zu singen. Ein Gespräch mit dem britischen Tenor über Nerds und Temperament, schöne und hässliche Stimmen.

Behold! The second season of Follow the Lieder is upon us! Season 2 will be all about Schubert's Winterreise, beginning today with an overview of Wilhelm Müller and the genesis of his poems, as well as a hefty discussion about Gute Nacht, the first song of this epic cycle. With guest host Brian Sikich. My supreme gratitude goes out to Dr. Tyler Reece as I would not be able to produce this podcast without his incredible vocal collaborations.  Gute Nacht:

Dit keer is schrijver Joep Schrijvers te gast in Outcast. Je kunt dan geen betere achternaam hebben. Joep verwierf een kleine 20 jaar geleden faam met zijn boek ‘Hoe word ik een rat?'. Het werd indertijd het eerste managementboek van het jaar. Zijn drive in zijn werk is om ‘rattengedrag' aan de kaak te stellen en vorsten een spiegel voor te houden. Ontspoorde en ondeugelijke leiders te ontmaskeren. We zijn in gesprek over waarom hem dit zo fascineert en drijft. Want hij is zelf eigenlijk heel braaf en deugelijk. En net als de titels van een van zijn laatste boeken is zijn missie vooral om hoop te bieden in bange dagen. En ondanks alle dubbelzinnigheid in menselijk (ratten)gedrag wat van het leven te maken. Met bijzondere muziek van Franz Schubert en Ian Bostridge, Ralph Vaughan Williams, Bosse en Anna Loos, en Birgitte Kaandorp. Deze podcast is geproduceerd door Simon van der Veer: www.simonvanderveer.nl Outcast is onderdeel van The Daily Cast: www.thedailycast.nl

Seine farbenprächtigen Tondichtungen über römische Brunnen, Pinien und Feste machten Ottorino Respighi weltberühmt. Dass er zudem ein Meister des Liedes war, beweisen der Tenor Ian Bostridge und die Pianistin Saskia Giorgini auf ihrem neuen Album. Alexandra Maria Dielitz hat es gehört.

Carlos Iribarren | Hoy Toca recibe a la musicóloga y periodista musical Lorena Jiménez para charlar con ella sobre 6 grandes artistas líricos que han dedicado buena parte de sus carreras a la canción alemana romántica, el lied. Así, desfilan ante Carlos, Lorena y Mario las voces de 2 hombres (Ian Bostridge y Klaus Florian Vogt) y 4 mujeres (Violeta Urmana, Lisa Davidsen, Renée Fleming y Sarah Connolly) que recorren los escenarios del planeta gracias a su talento y exquisita sensibilidad. Los lieder escogidos son de autores tan importantes como Mahler, Wagner o Richard Strauss y nos permitirán escoger si preferimos escucharlos con piano acompañante o con la orquesta entera. Esperamos que disfrutes de esta nueva entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.

Pauline Lambert et Christophe Rousset vous emmènent vous promener dans les siècles passés avec un air qui passe dans l'air, des applaudissements qui résonnent et une architecture baroque florissante à Aix-en-Provence, où peuvent naître les premières émotions musicales…     Générique : ·  Nyman, Meurtre dans un jardin anglais (BO du film), Michael Nyman Band Références musicales : · Bach, 3e suite pour orchestre BWV 1068, Aria, Akademie für Alte Musik Berlin  · Lully, Armide, “Venez, haine implacable”, Véronique Gens, Les Talens Lyriques, Christophe Rousset (dir.)  · Lully, Armide, “Ah ! Si la liberté me doit être ravie”, Marie-Adeline Henry, Les Talens Lyriques, Christophe Rousset (dir.)  · Monteverdi, Orfeo, “Dunque al tempio”, Christopher Maltman, Le Concert d'Astrée, Emmanuelle Haïm (dir.)  · Monteverdi, Orfeo, “Ecco pur ch'à voi ritorno”, Ian Bostridge, Le Concert d'Astrée, Emmanuelle Haïm (dir.)  · Haendel, Jules César, “L'angue offeso mai riposa”, Joyce di Donato, Les Talens Lyriques, Christophe Rousset (dir.)  · Haendel, Alcina, “Sta nell'Ircana”, Ann Hallenberg, Les Talens Lyriques, Christophe Rousset (dir.)  · Haendel, Alcina, “Ombre pallide”, Sandrine Piau, Les Talens Lyriques, Christophe Rousset (dir.)  Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Nicola Campogrande"MiTo Settembre Musica 2021"http://www.mitosettembremusica.it/itMiTo Settembre Musica 2021: "Futuri"Diversità e continuità in un programma ambizioso: a Milano e a Torino di nuovo musicisti da tutta Europa, e musiche dal passato al presente guardando al futuro #soloamito: 126 concerti pensati appositamente sul tema della quindicesima edizione, “futuri”, in un cartellone comune per le due città.Si apre con l'Orchestra Sinfonica Nazionale della Rai diretta da Fabio Luisi, insieme al pianista Francesco Piemontesi, e si chiude a Milano con l'Orchestra del Teatro Regio di Torino diretta da Pablo Heras-Casado e a Torino con la Filarmonica della Scala diretta da Riccardo Chailly Tra gli altri ospiti, i pianisti Ivo Pogorelich, Brad Mehldau, Gabriela Montero, Michail Lifits; il violinista Sergej Krylov; il tenore Ian Bostridge; la fisarmonicista Ksenija Sidorova7 prime esecuzioni assolute, tra cui una commissione del Festival, 12 prime italiane e più di 60 compositori viventi coinvolti. Nel giorno dei cori, tredici concerti a ingresso gratuitoContinua la collaborazione con Rai Radio3, che trasmette molti concerti in diretta o differita,e Rai Cultura, che realizza un documentario sul festival«Dopo l'edizione dello scorso anno - dicono i Sindaci di Torino e Milano Chiara Appendino e Giuseppe Sala - tutta volta a valorizzare e impiegare i talenti del nostro Paese per troppo tempo rimasti fermi a causa della pandemia, quest'anno MITO SettembreMusica riguadagna quella dimensione e quella vocazione autenticamente internazionali che lo hanno sempre caratterizzato. Il coinvolgimento di talenti da tutta Europa diventa quindi simbolo di quell'apertura alla dimensione globale della cultura a cui siamo stati costretti a rinunciare nell'ultimo anno, ma della quale oggi sentiamo più che mai forte la necessità».Si intitola “futuri” ed è dedicata a Fiorenzo Alfieri, Assessore alla Cultura di Torino recentemente scomparso, la quindicesima edizione del Festival MITO SettembreMusica, che si svolgerà a Milano e a Torino dall'8 al 26 settembre 2021, con 126 concerti nelle due città.Un hashtag eloquente, #soloamito, per identificare un cartellone articolato e vario ma al tempo stesso compatto e coerente, che fonde e mette in comunicazione fra loro proposte diverse per ascoltatori diversi, nomi illustri e realtà spontanee, capolavori consacrati e proposte inedite, per i grandi e per i piccoli, per il pubblico più preparato e per quello meno abituato alla musica. Tutti programmi ideati apposta ed esclusivamente per un festival unico, declinando il tema che li riunisce in uno sforzo creativo eccezionale, realizzato grazie alla stretta collaborazione con gli artisti coinvolti, pur nel costante rispetto dei protocolli sanitari. Anche quest'anno non mancano le introduzioni ai concerti, curate da Stefano Catucci, Enrico Correggia, Luigi Marzola, Carlo Pavese e Gaia Varon.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Autor: Ellmenreich, Maja Sendung: Kultur heute Hören bis: 19.01.2038 04:14

Poet Wendy Cope joins our editorial assistant Freya Parr over Zoom from her home in Cambridgeshire to discuss how her enduring relationship with classical music has changed throughout the course of her life, with various careers as a primary school teacher, journalist and now poet. Introduced to the piano at the age of five, music has been a constant in Wendy’s life, with many of her poems having now been set by the UK’s leading composers. She tells us all about this fascinating process, and how it feels to hear your words set to music. Website: classical-music.com/podcastsRecordings featured:Mozart: Serenade No. 13 ‘Eine Kleine Nachtmusik’: I. Allegretto (Vienna Philharmonic/Herbert von Karajan Warner Classics 4768762)Bach: ‘Wachet auf, ruft uns die Stimme’ Cantata BWV 140 (English Baroque Soloists, Monteverdi Choir/John Eliot Gardiner Deutsche Grammophon 4807512)Bach: Concerto for Two Violins and Strings in D minor (2nd movement): Isabelle Faust, Bernhard Forck (violins), Akademie für Alte Musik Berlin Harmonia Mundi HMM90233536)Schubert: Im Frühling (Ian Bostridge (tenor), Julius Drake (piano) Warner Classics 5563472)Peter Maxwell Davies: Farewell to Stromness (Peter Maxwell Davies (piano) Naxos 950161)Tibetan Singing Bowls and Ocean Waves Sounds for Relaxation See acast.com/privacy for privacy and opt-out information.

The holiday season is always about children and the child that lives within us. We will hear lullabies by Kathleen Battle, Boris Christoff, Marilyn Horne, and Ian Bostridge. The prayer from Hänsel und Gretel is sung by Elisabeth Schwarzkopf and Elisabeth Grümmer. The Vienna Boys Choir sing a chorus from Bizet’s Carmen as well. The post For the Children appeared first on WFMT.

A survey of songs by Vaughan Williams, Delius, and Purcell among others; sung by Bryn Terfel, Kathleen Ferrier, Ian Bostridge, Alice Coote, Felicity Lott, Simon Keenlyside, Anne Murray, and more. The post The English Songbook appeared first on WFMT.

Tom Waterhouse in conversation with internationally renowned lieder and opera singer, writer, academic and expert on the history of witchcraft, Ian Bostridge.

Les deux musiciens enregistrent un disque Brahms / Martucci pour le label Arcana. "Même un chef d'orchestre star comme Antonio Pappano peut se consacrer avec passion à la musique de chambre : il accompagne de plus en plus souvent au pianoforte des artistes renommés tels que Dmitry Sitkovetsky, Diana Damrau, Ian Bostridge ou encore Joyce DiDonato... Fruit d'une amitié longue de 15 ans et d'une intense collaboration musicale entre Pappano et Luigi Piovano, ce disque fascinant propose une nouvelle lecture des deux Sonates pour violoncelle et pianoforte de Brahms, développée au fil des années par des dizaines d'exécutions publiques à Rome, Milan, Florence ou encore Bruxelles. Le programme du disque est complété par un petit bijou de la musique instrumentale italienne de la fin du XIXe siècle : les Deux Romances op. 72 de Giuseppe Martucci. Deux autres éléments rendent cette production particulièrement fascinante : les instruments joués (un somptueux violoncelle Alessandro Gagliano de 1710 et un splendide piano Steinway & Sons construit à New York en 1878) et l'environnement plein d'atmosphère dans lequel l'enregistrement a été réalisé - non pas un studio aseptisé, mais la magnifique villa, au coeur de la paisible campagne toscane, d'un grand ami des deux musiciens, Nicola Bulgari"

We revisit an interview from 2013 during the centenary year of composer Benjamin Britten. In November 2013, director Netia Jones staged a unique, beautiful and sold out performance of Curlew River at St Giles, Cripplegate, with musical director William Lacey and singer, Ian Bostridge.From the Archive sees us dig into our extensive contemporary and classical music and cinema podcast archive as we rediscover interviews and discussions with artists, with our long-standing producer and presenter, Ben Eshmade.Subscribe to Nothing Concrete on Acast, Spotify, iTunes or wherever you find your podcasts. See acast.com/privacy for privacy and opt-out information.

El primer tuit del día, columna de opinión sonora en el matinal Hoy por Hoy Navarra, con Hedoi Etxarte, violinista, y su recomendación de esta semana, “Viaje de invierno” de Schubert. Anatomía de una obsesión, de Ian Bostridge

durée : 00:09:30 - Le Disque classique du jour du lundi 08 juin 2020 - Le ténor Ian Bostridge et le pianiste Antonio Pappano célèbrent ensemble l'année Beethoven. Sur ce disque, ils invitent la violoniste Vilde Frang et le violoncelliste Nicolas Altstaedt pour donner ensemble une belle version de toutes ces chansons populaires qui faisaient le bonheur de Beethoven.

durée : 01:59:20 - Relax ! du mardi 19 mai 2020 - par : Lionel Esparza - Au programme : des suggestions d'auditeurs et des nouveautés, notamment des sonates de Schubert par Philippe Cassard, et des mélodies de Beethoven par Ian Bostridge. On parle aussi d'un livre consacré au chef d'orchestre Charles Lamoureux paru chez Actes Sud. Sans oublier notre disque de légende ! - réalisé par : Max James

We talk with Ian Bostridge, Kirk's second-favorite lieder singer, about life in lockdown, and about Schubert's Winterreise, the song cycle that Bostridge is best known for, through his many performances, recordings, films, and a book he wrote about it. Help support The Next Track by making regular donations via Patreon. We're ad-free and self-sustaining so your support is what keeps us going. Thanks! Support The Next Track (https://www.patreon.com/thenexttrack). Guest: Ian Bostridge (https://www.askonasholt.com/artists/ian-bostridge/) Show notes: Lieder (Wikipedia) (https://en.wikipedia.org/wiki/Lied) Ian Bostridge – a life in music (Guardian) (https://www.theguardian.com/culture/2011/sep/09/ian-bostridge-opera-life-music) Ravel: Chansons madécasses (https://en.wikipedia.org/wiki/Chansons_madécasses) Schubert's Winter Journey: Anatomy of an Obsession (https://amzn.to/2wKT1p2) Michel Pastoreau: Blue: The History of a Color (https://amzn.to/2VdwWZH) Ian Bostridge: Why Winterreise? Schubert's song cycle, then and now (video, 2014) (https://www.youtube.com/watch?v=YuEapI4dEBQ) Ian Bostridge and Jeremy Denk on Winterreise: Anatomy of an Obsession (video, 2015) (https://www.youtube.com/watch?v=O9r7pW_PBT4) Witchcraft and its Transformations, c.1650-c.1750 (https://amzn.to/2Ve5j2M) Our next tracks: Ian Bostridge: Winterreise (video, 2016) (https://www.youtube.com/watch?v=tnuvs2w7ges) Dietrich Fischer-Dieskau: Alfred Brendel (video, 1979) (https://www.youtube.com/watch?v=5PQtpc_5QHI)- Herbie Hancock: Head Hunters (https://amzn.to/3evzr1h) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast. Special Guest: Ian Bostridge.

Är John Wilson en kött och potatis-dirigent som bara matar ut skiva efter skiva? Och kan man verkligen tröttna på Schuberts Winterreise?! Det råder delade meningar hos veckans panel. Följande skivor recenseras i veckans avsnitt av Musikrevyn: Escales - French orchestral works Musik av Duruflé, Saint-Saëns, Debussy m fl Sinfonia of London Dirigent: John Wilson Chandos (CHSA5252) Betyg: 3 Víkingur Ólafsson Musik av Debussy och Rameau Deutsche Grammophon Betyg: 4 Zelenka - Psalmi Varii Separatim Scripti Ensemble Inégal Prags barocksolister Adam Viktora Nibiru Betyg: 3 Schuberts Winterreise Ian Bostridge och Thomas Adès Pentanone (PTC 5186764) Betyg: 4 Dessutom har vår reporter Jack Lantz besökt en av väldigt få konserter som genomförs så här efter coronapandemin, en orgelkonsert i Adolf Fredriks kyrka. (Under fredagseftermiddagen beslutade Adolf Fredriks församling att ställa in alla kommande konserter, efter nya råd från Folkhälsomydigheten.)

Writer and 'punter' Adrian Ainsworth (@Adrian_Specs on Twitter) brings his musical selection to the Thoroughly Good Emergency Classical Music Podcast including Carolyn Sampson (https://open.spotify.com/track/29eQbWV9cqM2LNPWtc0Yzc?si=XMV7FmNgTjSusMncFlaJKA) 's latest release, Schubert's Ausflosung from Ian Bostridge (https://open.spotify.com/track/6pZfS92yujhkS8dl5FAfxN?si=StmTBMXzQnaxVpW9QjnOzA) , Kate Arnold (https://t.co/XtJdLF9kPe?amp=1) 's 'For Barely One In A Thousand' and Jo Quail (https://open.spotify.com/track/6qSRxWsAIpo2RU9h3LbuL2?si=Tnl7P1JNQyeGtnLpvq8bKw) 's 'Mandrel Cantus'. Adrian has a new blog set up to supporting artists impacted by the Coronavirus Crisis - Support Action (https://supportaction.blogspot.com/) . 

durée : 01:29:03 - Happy birthday Antonio Pappano ! (5/5) - par : François-Xavier Szymczak - Suite et fin de notre série consacrée à Antonio Pappano avec la violoniste Janine Jansen, le ténor Ian Bostridge, la mezzo-soprano Joyce Di Donato. - réalisé par : Romain Masson

durée : 01:11:56 - Happy birthday Antonio Pappano ! (3/5) - par : François-Xavier Szymczak - En ce premier janvier, c'est sur une valse de Tchaïkovski que nous ouvrons cette émission. Nous entendrons aussi la voix de Nina Stemme, de Ian Bostridge ou encore le piano de Leif Ove Andsnes. - réalisé par : Romain Masson

All the highlights from Supreme Court President Baroness Hale's guest edited programme, including Baroness Hale in conversation with US Supreme Court Judge Ruth Bader Ginsburg, Clive Coleman going on a tour of the Supreme Court, a report on coercive control, a discussion about justice in opera with Sir Simon Keenlyside and Ian Bostridge and a Vogue editor on what your jewellery says about you. Presented by Nick Robinson and Justin Webb. (Image: Baroness Hale. Credit: BBC)

Lucasta Miller is a writer fascinated by the Romantic, and the dark excesses of the Gothic. Her latest subject is a poet, Letitia Landon, whose life was scandalous and whose sudden death is like a scene from a detective novel. In her day, Landon was an icon, hailed as a “female Byron” – and a favourite of the Brontë sisters, who were the subject of Lucasta Miller’s previous book. Both biographies were years in the making, partly because they involved such meticulous research, partly because Lucasta Miller was at the same time writing journalism, editing books, teaching English to refugees, bringing up children and generally holding together a household, the other half of which is the singer Ian Bostridge. In Private Passions, Lucasta Miller talks to Michael Berkeley about her lasting obsession with the gothic, and about the dark secrets concealed in Letitia Landon’s life. The theme of dark secrets takes her to the first German Romantic opera, Weber’s Der Freischütz, and the terrifying Wolf’s Glen. She discusses too what biographers can bring to our understanding of music and chooses a song by Clara Schumann, written just as she was on the point of marriage to Robert. And in relation to her own husband, Lucasta talks honestly about how difficult the life of a professional musician is, both for them and for their family at home. Does husband Ian Bostridge make it onto the playlist? As she says, she felt she was damned if she chose him, damned if she didn’t. So she does include him in the end, singing a lyrical song by Hans-Werner Henze which was written for Bostridge. Other musical choices include Maria Callas singing from Bellini’s Norma, and the Bach cello suites played by Stephen Isserlis. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

El protagonista d'avui es va doctorar amb una tesi sobre bruixeria, per

The Tactical Guitarist podcast brings you interviews with guitarist, composers, teachers, and anyone else who can share their wisdom, advice and stories on surviving a career in music.My guest for this episode is renowned composer Stephen Goss.Stephen Goss’s music receives hundreds of performances worldwide each year. It has been recorded on over 80 CDs by more than a dozen record labels, including EMI, Decca, Telarc, Virgin Classics, Naxos, and Deutsche Grammophon. His output embraces multiple genres: orchestral and choral works, chamber music, and solo pieces.Goss’s work is marked by a fascination with time and place – both immediate and remote – and the musical styles that evoke them. In many of his compositions, contrasting styles are juxtaposed through abrupt changes of gear. His compositional voice is shaped by his parallel career as a guitarist – that is to say, as a performer, transcriber, arranger, improviser and collaborator with other composers and performers. Not surprisingly, his music often tests the boundaries between all these activities and original composition.Several of Goss’s recent projects have involved the legendary guitarist John Williams, including his Guitar Concerto, which Williams recorded and played on tour with the Royal Philharmonic Orchestra. Some of the world’s leading orchestras to have performed his works include The Russian National Orchestra, The China National Symphony Orchestra, The Royal Liverpool Philharmonic Orchestra, The State Symphony Orchestra ‘New Russia’, The RTÉ National Symphony Orchestra, The Boulder Philharmonic Orchestra, The Scottish Chamber Orchestra, and The Barcelona Symphony Orchestra.Commissions have come from guitarists David Russell and Xuefei Yang (including chamber works with cellist Natalie Clein and tenor Ian Bostridge). Goss has also collaborated with Andrew Lloyd Webber, Alt-J, and Avi Avital. As a guitarist, he has worked with Takemitsu, Henze, Peter Maxwell Davies and Elliott Carter, and toured and recorded extensively with the Tetra Guitar Quartet, various other ensembles, and as a soloist.Stephen Goss is Chair of Composition at the University of Surrey (UK), Director of the International Guitar Research Centre, and a Professor of Guitar at the Royal Academy of Music in London. He was born in Wales on 2nd February 1964.Stephen was in Portland for a three day performance of his Albeniz Concerto by renowned guitarist Pablo Villegas and the Oregon Symphony. I was given a unique opportunity to chat briefly with him, so we sat down at Bryan Johanson’s home this past week to talk a little about his accomplishments, some of his history and some great words of wisdom to musicians.

Panelen tjusas av den engelska symfonikern Ruth Gipps välklingande musik och sågar idén att spela Prokofjevs orkestermusik på två pianon. Och så lär vi känna underbarnet Maria Theresia von Paradis. Veckans skivor: RUTH GIPPS SYMPHONIES NO:S 2 AND 4, ETC. Orkestermusik av Ruth Gipps BBC National Orchestra i Wales Rumon Gamba, dirigent Lesley Hatfield, orkesterledare Chandos CHAN 20078 Betyg: 5. Veckans toppnotering och en totalfemma. PROKOFIEV FOR TWO Musik ur bl.a. Romeo och Julia, Eugene Onegin och Hamlet Martha Argerich, piano Sergej Babayan, piano Deutsche Grammophon 479 9854 Betyg: 3 OBRECHT MISSA GRECORUM & MOTETS Vokalmusik av Jacob Obrecht Brabantensemblen Stephen Rice, dirigent Hyperion CDA68216 Betyg: 3 ALBAN BERG WOZZECK (DVD) Sångare: Matthias Goerne, Asmik Grigorian m.fl. William Kentridge, regissör Wienfilharmonikerna Vladimir Jurowski, dirigent HMD 9809053.54 Betyg: 5 Veckans val: Underbarnet Maria Theresia von Paradis Musik möter film i veckans val när Lars Erik Andrenius berättar om pianisten och tonsättaren Maria Theresia von Paradis. Hon var samtida med Mozart och ett musikaliskt underbarn som förlorade synen vid tre års ålder. I höst har en film om hennes liv med titeln "Mademoiselle Paradis" visats på bio och detta kostymdrama av regissören Barbara Albert har väckt ett nytt intresse för Maria Theresia von Paradis musik. Johans bästa: Sånger om krigets erfarenhet Musikrevyns programledare Johan Korssell väljer sina favoriter i den aktuella skivutgivningen. Den här veckan rekommenderar han albumet "Requiem the pity of war" (Warner), där pianisten Antonio Pappano och tenoren Ian Bostridge framför sånger av bland andra Kurt Weill, Mahler, Rudi Stephan och George Butterworth. Skivans titel markerar att det gått hundra år sedan första världskrigets slut och albumet är uppbyggt kring sånger som speglar krigets erfarenhet.    

Durée : 2:25 - Lucienne Chapé vous conseille ce week-end la lecture de l'ouvrage de Ian Bostridge, Le voyage d'hiver de Schubert, aux éditions Actes Sud.

J.S Bach wrote his cantata Ich Habe Genug for the Feast of the Purification of Mary to be performed in Leipzig on 2nd February 1727. The work is a retelling of the story of the old man Simeon who, waiting in the temple, was presented with the baby Jesus. As he held the baby in his arms, in Bach's version he says: It is enough. I have held the Saviour, the hope of all peoples, In the warm embrace of my arms. It is enough. In this edition of Soul Music, oboist George Caird recalls playing Ich Habe Genug at his father's funeral. Theologian Paula Gooder recalls the effect of putting her new born baby into the arms of an elderly relative. Danish music therapist Lars Ole Bonde tells how this music provided vital solace for him as a teenager growing up with a father suffering from depression. American Susan Dray remembers how the Cantata helped her when she was grieving for her baby. And tenor Ian Bostridge wonders why we never feel that we have "enough". Producer: Rosie Boulton.

Maurice Riordan is a poet much preoccupied with time - how time suddenly stands still, or speeds up, or loops you back in dreams to childhood - in his case, to the countryside of County Cork where he grew up. It's a theme he's explored in four prize-winning collections of verse, alongside translations and a series of anthologies - including an anthology of very early Irish poetry, scribbled by Irish monks in the margins of Latin texts. In his day job, he's professor of poetry at Sheffield Hallam University and was until recently editor of Poetry Review. In Private Passions, Maurice Riordan talks to Michael Berkeley about his childhood in the "horse-drawn, candle-lit" Irish countryside and the music which inspires him, beginning with the Gregorian Chant he heard as a young altar boy. We hear the haunting unaccompanied voice of the traditional Irish singer Darach Ó Cathain, and of the Traveller and banjo player Margaret Barry. Other choices include Debussy, Piazzola and Samuel Barber. Ian Bostridge sings an aria from Monteverdi's Orfeo, begging the boatman Charon to carry him to the underworld: a metaphor, Riordan believes, for what poets do. They take you, he claims, deep down into the underworld of the unconscious. To illustrate this, he reads "The January Birds", a poem about hearing birds singing in a local cemetery: The birds in Nunhead Cemetery begin Before I've flicked a switch, turned on the gas. There must be some advantage to the light I tell myself, viewing my slackened chin Mirrored in the rain-dark window glass, While from the graveyard's trees, the birds begin... Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

The Listening Service - an odyssey through the musical universe with Tom Service. Join him on a journey of imagination and insight, exploring how music works. With Valentines Day just around the corner, Tom explores the enduring power of love songs. He talks to Ted Gioia, author of Love Songs: The Hidden History who explains that the very first traces of writing in human history are hymns to love. The tenor Ian Bostridge reflects on the inward-looking art of Lieder and what they tell us about true love in the Romantic era. And Tom turns to the operatic stage for some of the ultimate expressions of love as a subversive and even revolutionary force, showing how Verdi and Strauss used thwarted lovers in their operas to shine a light on the hypocrisy and gender politics of their times. Tune in and rethink music with The Listening Service.

Tenor Ian Bostridge describes his relationship with Franz Schubert'sWinterreise, BSO Choral Director James Burton talks about that newly created position, and violinist Isabelle Faust and pianist Alexander Melnikov talk about Beethoven's Sonatas for Violin and Piano.

Today we speak to Dr Matthew Symonds of UCL an historian specialising in early modern Europe about the importance of the 1648 and rise of the nation state. Drum and bass was the fusion of Jamaican sensibilities with urban black urban Britain, this track was the genre’s standard bearer, Inner City Life by Goldie. Benjamin Britten, “Les Illuminations (2: Villes)”. The 2005 recording with Ian Bostridge singing with the Berlin Philharmonic. Nicholas "Nick" James Murphy better known by his former stage name Chet Faker, is an Australian singer and songwriter. He was one of the breakthrough artists of 2012, "Gold" is the third single from his debut studio album, Built on Glass (2014) Ending this weeks show we drop back into the world of UK underground with the seminal Mark Ruff Ryder’s Joy, a UK dance classic with a monumental sample, some might even call it Tainted Garage! See acast.com/privacy for privacy and opt-out information.

In episode #3 of The Next Track, Doug Adams and Kirk McElhearn examine the various audio file formats that you may encounter when you listen to music. You’re familiar with MP3, AAC, and, perhaps, Apple Lossless, but do you know your FLAC from your AIFF, or your WAV from your Ogg Vorbis? Show notes: Audio file formats: Here’s a selection of links about audio file formats, working with lossless audio, etc. An Overview of Audio File Formats Supported By iTunes Everything you need to know about digital audio files The ABCs of Lossless Music Files Wikipedia article about lossless compression The complete guide to using iTunes with lossless audio Why You Shouldn't Use WAV Files with iTunes How to Play FLAC or Other Lossless Audio Files in iTunes, with links to free apps for Mac and Windows to convert audio files to different formats Rip To Lossless – and Never Rip Again Our next tracks: Doug: Tomita, Greatest Hits Kirk: Schubert: Die Schone Mullerin, Winterreise & Schwanengesang, by Ian Bostridge If you like the show, please subscribe in iTunes or your favorite podcast app, and please rate the podcast.

I programmet diskuterar panelen bl.a. Argerich och Barenboims pianosamarbete samt James Rutherfords tolkning av Schwanengesang. Johan Korssell botaniserar i och väljer ur Ferruccio Busonis diskografi. I panelen Bodil Asketorp, Niklas Lindblad och Tony Lundman som tillsammans med programledaren Johan Korssell betygsätter följande skivor: LIVE FROM BUENOS AIRES Musik av Schumann, Debussy och Bartók Martha Argerich och Daniel Barenboim, pianon DGG 479 5563 WITOLD LUTOSLAWSKI Konsert för orkester, Liten svit, Symfoni nr 4 Nordtyska radions symfoniorkester Krzysztof Urbanski, dirigent Alpha Classics ALPHA 232FRANZ SCHUBERT Schwanengesang James Rutherford, baryton Eugene Asti, piano Bis SACD 2180JOHANN BAPTIST VANHAL IGNAZ PLEYEL Symfoni G-dur Symfoni F-dur, Violinkonsert D-dur Sebastian Bohren, violin Orchestra di Padova e del Veneto Luca Bizzozero, dirigent Sony 88843040932 Johans val Johan Korssell väljer ut godbitar ur 150-års-jubilaren Ferruccio Busonis produktion och tipsar om rekommenderade inspelningar. Andra i programmet nämnda eller rekommenderade inspelningar Schuberts Schwanengesang med tenoren Ian Bostridge och Antonio Pappano vid flygeln, inspelad på EMI. Lutoslawskis Konsert för orkester med Chicagos symfoniorkester under Seiji Ozawa inspelad på Warner Classics samt med Cleveland-orkestern dirigerad av Christoph von Dohnanyi på Decca. Lutoslawskis symfonier med Los Angeles symfoniorkester ledd av Esa-Pekka Salonen på Sony; BBC:s symfoniorkester under Edward Gardner på Chandos samt med Polska radions symfoniorkester dirigerad av Antoni Wit på Naxos.  Svepet Johan sveper över en utgåva på Winter & Winter, Socrate, där sopranen Barbara Hannigan  sjunger sånger av Erik Satie med ackompanjemang av Reinbert de Leeuw. I år är det 150 år sedan Erik Satie föddes.    

Feb. 7, 2015. Tenor Ian Bostridge and pianist Julius Drake bring a masterly command of vocal nuance and style to Schubert's late masterpiece, a bleak, powerfully cathartic song cycle written in the last months of the composer's life. A young man, rejected by his beloved, wanders into the darkness of a wintry countryside, wracked by searing emotions-- grief, anger, loneliness and alienation, touched with brief moments of reconciliation. Speaker Biography: Ian Bostridge is an artist of major prominence in the realms of opera, recitals and orchestra engagements. He has been acclaimed as one of the greatest Lieder interpreters onstage today. Speaker Biography: British pianist Julius Drake is one of the foremost collaborative pianists on the international concert scene. He is a longtime recital partner of Ian Bostridge. For more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6729

Feb. 7, 2015. Musicologist and author Susan Youens discusses Franz Schubert's song cycle "Winterreise," in conjunction with a performance by Ian Bostridge and Julius Drake. Speaker Biography: Susan Youens is a Ph.D. and J.W. Van Gorkom Professor of Music at the University of Notre Dame. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6753

Feb. 7, 2015. Ian Bostridge discusses Schubert's song cycle Winterreise, D. 911, following his performance of the work in the Library's Coolidge Auditorium. Speaker Biography: Ian Bostridge's international recital career takes him to the foremost concert halls of Europe, Japan and North America, with regular appearances at the Schubertiade in Schwarzenberg and the Edinburgh, Munich and Aldeburgh festivals. Opera engagements have included Don Giovanni and Ades's The Tempest for the Royal Opera, Covent Garden; The Rake's Progress in Munich; Semele for English National Opera; Don Giovanni for the Vienna State Opera; and Aschenbach (Death in Venice) for both English National Opera and at the Monnaie, Brussels. The recent Barbican production of Curlew River will toured the U.S. in 2014. He is the Humanitas Professor of Classical Music at the University of Oxford for academic year 2014-2015. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6700

Andrew Marr discusses why we react so strongly to some places, look for meaning in them and build up stories about them over time. Joining him in the studio are author and travel writer Philip Marsden who has been exploring Cornwall with Sense of Place in mind; Scottish artist Victoria Crowe who's been returning to paint the Pentland Hills for thirty years; singer Ian Bostridge who's performing and analysing Schubert's Winterreise; and lecturer Joanne Parker on the maps we make in our minds, as we draw together places that have the most meaning to us. Producer: Simon Tillotson.

A guide to Benjamin Britten's The Rape of Lucretia, featuring opera historians Philip Reed, Paul Kildea and Lucy Walker, and tenor Ian Bostridge.

Följ med till Brittenland, Aldeburgh i Suffolk, orten invid den stormande Nordsjön som Britten älskade och som betydde så mycket för hans verk.  I Johan Korssells dokumentär möter vi en rad röster om Britten, däribland sångare som Dame Janet Baker och Ian Bostridge, tonsättaren Colin Matthews, Brittens brorson Alan och många fler. ”När man hör Benjamin Brittens musik – om man verkligen lyssnar på den så blir man medveten om något väldigt mörkt, det är som kugghjul som nöter mot varandra utan att riktigt gripa tag i varandra och det skapar stor smärta” så uttryckte sig Leonard Bernstein (som gav den amerikanska premiären av Peter Grimes) om Brittens musik. Och Britten var ett komplicerat geni, långt ifrån självskriven i rollen som brittisk nationaltonsättare, ändå var det faktiskt som en sådan som han framstod när han gick bort vid 63 års ålder. Men på det sätt som hans talanger samverkade var han, trots allt, den totale musikern, lika begåvad som pianist och dirigent som tonsättare. Idag är Britten den tredje mest spelade av 1900-talets operakonstnärerer, efter Puccini och Richard Strauss. Han ligger på första plats om man räknar med operor skrivna av kompositörer födda under 1900-talet. Många av de mest framträdande rollerna i operorna och därtill en rad fenomenala sång-cykler skrev Britten direkt för sin livspartner, tenoren Peter Pears. Brittens kärleksbrev till Pears är för övrigt bland de vackraste som skrivits, vilket också får sägas om verk som Les illuminations, Serenaden och Nocturnen. I första delen möter vi världens idag ledande Britten-röst, Ian Bostridge som håller Britten för att vara 1900-talets främste vokale tonsättaren inom den klassiska musiken.    Psst, det var Brittens stolta mor som förutspådde honom att bli det fjärde B:et i tonsättarkanon efter giganterna Bach, Beethoven och Brahms. Han var dessutom det fjärde barnet i en syskonskara efter, Barbara, Bobby och Beth. (Repris från nov-13) En P2 Dokumentär i två delar av Johan Korssell.

A guide to Britten's opera Death in Venice featuring the voices of musicologist Christopher Wintle, the tenor Ian Bostridge, and Britten expert Paul Kildea.

Author Pat Barker chooses Benjamin Britten's song cycle Who Are These Children? Plus archive interviews with Britten and Gladys Parr, a masterclass in performing the piece by Peter Pears - and a recent Front Row discussion with the singer Ian Bostridge and the Guardian columnist Martin Kettle on dealing with the composer’s dramatisation of and fascination with children in a culture of heightened sensitivities about the young. Go to Front Row’s Cultural Exchange website for full details.

It comes as no surprise that international tenor Ian Bostridge plays a significant part in EMI and Virgin Classics‘ contribution to Britten 100. In this exclusive audio podcast talks to Edward Seckerson about the man, the music, the insecurities, the contradictions, the isolation that came with being a pacifist in time of war and a … [Read More]

Throughout our cultural history, tears have been intimately connected with the arts, whether as inspiration or response. Thomas Dixon is director of the UK's first Centre for the History of the Emotions at Queen Mary University London. In this programme he explores the history of weeping as an aesthetic response to works of art: paintings, writing, music, theatre and film. What it is about works of art and religious symbols that induce weeping and why do we shed tears over performances by actors and singers, fictional characters, abstract symbols, poems, music, metaphysical ideas - in other words things that are not real? Margery Kempe, Gluck, Mark Rothko and Sophocles' Electra may provide some of the answers. Thomas Dixon talks to Fiona Shaw, Miri Rubin, Pete de Bolla, Virginia Eatough, Giles Fraser, Ian Bostridge, Matthew Sweet and Simon Goldhill

Hoogtepunten uit seizoen 2011 - 2012 (deel 2) Met zangeres Fatoumata Diawara (Ivoorkust/Mali/Parijs); de Russische pianist Alexander Melnikov en de Duitse violiste Isabelle Faust; singer-songwriter Blaudzun, (echte naam Johannes Sigmond); pianist Javier Perianes; jazztrompettist Cuong Vu; de Engelse tenor Ian Bostridge met pianist Julius Drake; Pokey La Farge en The South City Three met rootsmuziek [...]

De Engelse tenor Ian Bostridge met pianist Julius Drake en het Doelenkwartet, de in Nederland woonachtige Roemeense cymbalonspeler Marius Preda. De Engelse tenor Ian Bostridge maakte zijn debuut op 30-jarige leeftijd. Sindsdien is hij uitgegroeid tot een muzikale alleskunner die het volledige repertoire bestrijkt. Hij koos eerst voor een wetenschappelijke carrière als filosoof en [...]

Mark Lawson talks to three tenors and a counter-tenor: Joseph Calleja (pictured), Ian Bostridge, Mark Padmore and Iestyn Davies reflect on repertoire, singing teachers and the perils of phlegm. Producer Georgia Mann.

Kirsty Young's castaway this week is the tenor Ian Bostridge. He is regarded as one of the great Lieder singers of our time and has delighted audiences in opera houses and concert halls the world over. But for him, music wasn't a straightforward career choice. He started out as a historian, and for years led two parallel lives, spending term times at Oxford, writing about witchcraft and magic, while in the holidays he'd throw himself into an operatic production. Eventually, his book on witchcraft was finished just before his debut with the English National Opera. Magic appeals to people in a way that is both mysterious and irrational and so it is, he says, not so different to music.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Last movement of the Piano Sonata No.31 in A flat by Ludwig van Beethoven Book: War and Peace by Leo Tolstoy Luxury: A solar computer loaded with pictures of my family and friends.

Kirsty Young's castaway this week is the tenor Ian Bostridge. He is regarded as one of the great Lieder singers of our time and has delighted audiences in opera houses and concert halls the world over. But for him, music wasn't a straightforward career choice. He started out as a historian, and for years led two parallel lives, spending term times at Oxford, writing about witchcraft and magic, while in the holidays he'd throw himself into an operatic production. Eventually, his book on witchcraft was finished just before his debut with the English National Opera. Magic appeals to people in a way that is both mysterious and irrational and so it is, he says, not so different to music. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Last movement of the Piano Sonata No.31 in A flat by Ludwig van Beethoven Book: War and Peace by Leo Tolstoy Luxury: A solar computer loaded with pictures of my family and friends.

In this edition of the Classic Newsnight podcast, we meet the American thriller writer, David Baldacci, whose fifteenth novel is doing very brisk. Classic FM’s resident GP, Rob Hicks, tells us why a person’s body mass index is now reckoned to be a less reliable indicator of future health problems than previously thought. And we hear from the tenor, Ian Bostridge, about his critically-acclaimed album of Handel arias.