Podcasts about tanenbaum

In this explosive episode, Best Selling Author, Former NYC prosecutor, and JFK assassination insider Robert K. Tanenbaum joins Tom Zenner and Kato Kaelin to drop bombshells about what really happened in Dallas. Was Lee Harvey Oswald a CIA operative? Why was the Warren Commission a cover-up? Tanenbaum was on the inside—and he's naming names.

In this episode, JoDee and Susan talk about using artificial intelligence in human resources with Josh Tanenbaum, Managing Parter at Rebalance Capital. Topics include: How organizations are leveraging AI effectively in traditional HR functions What AI can replace in HR (and what it will never replace) Organizations leading the way in adapting to and integrating AI in HR Advice for advocating for higher usage of AI in HR at your organization Risk mitigation tactics In this episode's listener question, we're asked how to respectfully cut an interview short when you learn early on that it's not a good fit. In the news, the average workday in the United States is now 8 hours and 44 minutes, 36 minutes shorter than it was prior to 2022. Full show notes and links are available here: https://getjoypowered.com/show-notes-episode-220-how-hr-leaders-should-be-thinking-about-ai/ A transcript of the episode can be found here: https://getjoypowered.com/transcript-episode-220-how-hr-leaders-should-be-thinking-about-ai/ To get 0.5 hour of SHRM recertification credit, fill out the evaluation here: https://getjoypowered.com/shrm/ (the SHRM credit code for this episode will expire on May 5, 2026) Become a member to get early and ad-free access to episodes, video versions, and more perks! Learn more at patreon.com/joypowered Connect with us: @JoyPowered on Instagram: https://instagram.com/joypowered @JoyPowered on Facebook: https://facebook.com/joypowered @JoyPowered on LinkedIn: https://linkedin.com/company/joypowered Sign up for our email newsletter: https://getjoypowered.com/newsletter/  

Send us a textSummaryIn this episode of Clarity from Chaos, host David Campbell interviews Robert K. Tanenbaum, a former deputy general counsel involved in the congressional investigation of the JFK assassination. Tanenbaum discusses the implications of a recent executive order to release JFK assassination documents, the role of the CIA, and the discrepancies in the official narrative surrounding the assassination. He emphasizes the importance of transparency and the need for the American public to understand the truth behind the events of that day.TakeawaysThe CIA has manipulated evidence and testimonies regarding the JFK assassination.Robert K. Tannenbaum's extensive legal background informs his insights on the case.Witness testimonies and scientific evidence contradict the official narrative of the assassination.The single bullet theory is fundamentally flawed and lacks scientific support.There is significant evidence suggesting multiple shooters were involved in the assassination.The government's investigation was predetermined to support a specific narrative.The role of organized crime in the assassination lacks sufficient evidence.JFK's desire to reform intelligence operations led to his assassination.The American public has a right to access all documents related to the assassination.Transparency is crucial for restoring trust in government institutions.Support the show"Wherever you find yourself is exactly and precisely where God wills you to be" Support our show at the following: https://www.buzzsprout.com/2063276/support Follow us on X: @CFC30290 Follow us on Rumble: https://rumble.com/c/c-3123766 Website: https://clarityfromchaospodcast.buzzsprout.com/ Thanks for listening to Clarity from Chaos

FOLLOW RICHARD Website: https://www.strangeplanet.ca YouTube: @strangeplanetradio Instagram: @richardsyrettstrangeplanet TikTok: @syrettstrangeplanet   SUPPORT OUR SPONSORS!!! HIMS - Making Healthy and Happy Easy to Achieve Sexual Health, Hair Loss, Mental Health, Weight Management START YOUR FREE ONLINE VISIT TODAY - HIMS dotcom slash STRANGE https://www.HIMS.com/strange      BECOME APREMIUM SUBSCRIBER!!! https://strangeplanet.supportingcast.fm  Three monthly subscriptions to choose from.  Commercial Free Listening, Bonus  Episodes and a Subscription to my monthly newsletter, InnerSanctum.     Visit https://strangeplanet.supportingcast.fm Use the discount code "Planet" to receive one month off the first subscription.  We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. By using our website and services, you agree to our use of cookies as described in our Cookie Policy. Learn more about your ad choices. Visit megaphone.fm/adchoices   1189 Oswald Didn't Shoot: The JFK Conspiracy Exposed   November 22, 1963: Dealey Plaza erupts in chaos as President John F. Kennedy is assassinated. For six decades, the official story—lone gunman, three shots, Lee Harvey Oswald—has been spoon-fed to a skeptical world. But what if it's a lie? In this electrifying episode, legal titan Robert K. Tanenbaum, who probed JFK's murder for the House Select Committee, unveils a jaw-dropping truth: Oswald didn't fire the fatal shot. Five bullets. Multiple shooters. A conspiracy so vast it implicates the darkest corners of power—CIA, mob, even government insiders. From the grassy knoll to buried files, Tanenbaum rips apart the Warren Commission's fairy tale with forensic precision and courtroom grit.   GUEST: Robert K. Tanenbaum is a renowned former prosecutor and bestselling author. With an undefeated record in felony cases as a New York homicide prosecutor, he later served as Deputy Chief Counsel for the House Select Committee on Assassinations (1976-1978), investigating JFK's murder. His findings exposed inconsistencies in the official narrative, fueling his decades-long pursuit of the truth. Tanenbaum has written over 30 books, including the bestselling Butch Karp series and That Day in Dallas: Lee Harvey Oswald Did Not Kill JFK, blending legal expertise with gripping storytelling. A sought-after speaker, he continues to challenge conventional accounts of one of history's most infamous crimes.   WEBSITE: https://robertktanenbaumbooks.com   BOOK: That Day in Dallas: Lee Harvey Oswald Did Not Kill JFK   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://strangeplanet.supportingcast.fm/

Zach, Ken and Josh talk about the upcoming three day conference in Myrtle Beach focusing on AI, Cybersecurity and Data Governance. Attendees will have opportunities to interact with cutting-edge AI companies and products.The event features specific presentations, including those by startup community members, covering practical AI applications in fields like legal finance, pricing, collections, and timekeeping. Register - https://www.iltanet.org/live-events/evolve#speak   Follow Along: Josh Smith https://www.linkedin.com/in/joshuadsmithcissp/ Ken Jones https://www.linkedin.com/in/kennethejones/ Zach - linkedin.com/in/zachabramowitz   Learn More: https://www.legallydisrupted.com/  

On February 6, Robert debated Judge Adam Tanenbaum (First DCA) about whether the prior-panel rule applies in the DCAs. The rule requires 3-judge appellate panels to follow prior-panel precedent unless the court overrules the prior precedent en banc or the precedent has been overruled by the Florida Supreme Court. Robert is a proponent of the rule, which he argues flows from Florida Rule of Appellate Procedure 9.331 (the en banc rule) and is supported by Florida Supreme Court precedent. Judge Tanenbaum is an opponent of the rule, which he argues has no basis in law and is contrary to article V, section 4(a) of Florida's Constitution. Robert co-authored an article in The Florida Bar Journal explaining his position. Judge Tanenbaum's position is best articulated in his concurring opinions in Normandy Ins. Co. v. Bouayad, 372 So. 3d 671 (Fla. 1st DCA 2023) (en banc), review granted, No. SC2023-1576, 2024 WL 4449458 (Fla. Oct. 9, 2024) and BAM Trading Servs. Inc. v. Off. of Fin. Regul., 395 So. 3d 687 (Fla. 1st DCA 2024) (en banc).Thanks to the Hillsborough County Bar Association for hosting the event and to David Costello of the Florida Office of the Attorney General and Dimitri Peteves of Creed and Gowdy P.A. for an amazing job organizing and moderating the debate.  Please send your questions, comments, and feedback to summarilypod@gmail.com.Disclaimer: This podcast is for informational purposes only and is not an advertisement for legal services.  The information provided on this podcast is not intended to be legal advice.  You should not rely on what you hear on this podcast as legal advice. If you have a legal issue, please contact a lawyer.  The views and opinion expressed by the hosts and guests are solely those of the individuals and do not represent the views or opinions of the firms or organizations with which they are affiliated or the views or opinions of this podcast's advertisers.  This podcast is available for private, non-commercial use only.  Any editing, reproduction, or redistribution of this podcast for commercial use or monetary gain without the expressed, written consent of the podcast's creator is prohibited.

In this episode of Bridges to Excellence, host Desmond Nicholson interviews Damian Tanenbaum, a seasoned leader in the payments and fintech industry. Damian shares his incredible journey being of humble beginning from Brooklyn, New York to becoming the Chief Customer Officer at One Inc. He recounts his career milestones at giants like First Data, Heartland Payments, TSYS, and Ingenico, along with his entrepreneurial ventures and his passion for martial arts. The conversation dives deep into his leadership philosophy, the role of data analytics and AI in customer experience, and the importance of balancing professional and personal life. Damian also discusses his foray into acting and the lessons he's learned along the way, offering actionable takeaways for anyone aspiring to excel in their career.00:00 Introduction to Bridges to Excellence00:35 Meet Damian Tannenbaum04:20 Damian's Early Life and Career Beginnings08:43 Climbing the Corporate Ladder11:45 Venturing into the Philippines14:08 Heartland Payment Systems and Beyond15:15 Joining Fifth Third and Pivotal Payments16:48 Cayenne and the TSYS Acquisition20:11 Navigating Global Payments and BJJ Link21:32 Engenico and the COVID Challenge23:29 Consulting and Joining One Inc.29:50 The Role of Data Analytics and AI30:38 Leveraging AI in Customer Experience32:01 The Role of AI in Call Centers33:00 Transition to Personal Passions36:25 From Martial Arts to Acting38:06 The Journey of a Martial Artist43:13 Leadership and Mentorship Insights45:36 Balancing Work and Life49:41 Advice for Beginners and Companies58:14 Future Endeavors and Final Thoughts

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It has returned!  More than just a legal event, the General Counsel Conference East empowers today's legal leaders for growth, innovation, and excellence. Designed specifically for general counsel, legal executives, and industry professionals, the GCC East is the premier gathering that offers unique opportunities for learning, networking, and professional development.  With a description like that, how could Legal Speak not be there doing live episodes … especially when it's right up the street from the home office at the luxurious Mariott Marquis in Times Square, New York.  In this episode, host Patrick Smith sat down with Bill Tanenbaum, Chair of AI & Data Law Practice at Moses & Singer LLP.

Para los Rumberos, es un programa dedicado a difundir la cultura de la música afrolatina, particularmente identificada en el mundo como “Salsa”, haciendo un recorrido por su historia, representantes y nuevos artistas. Bajo la programación y conducción de William Pinzón todos los sábados a partir de las 6:00 p.m. Editorial y Locución: WILLIAM PINZÓN Dirección y Producción: JUAN RUBIO Copyright © 2024 Todos los derechos reservados – Universidad La Gran Colombia. Se prohíbe de reproducción total o parcial, así como su traducción a cualquier idioma sin la autorización escrita del titular.

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Jenna Tanenbaum was Head of Growth at DTC toilet paper success story Who Gives a Crap for nearly 4 years. And she now runs performance creative and UGC marketing agency Ostrich. Hit PLAY to hear: How Jenna got her start in eCommerce What she learned as Head of Growth at WGAC Lots of advice about how to build your business for growthTips for handling content creation challenges today Key timestamps to dive straight in: [04:24] Career journey from banking to digital marketing. [08:30] Who Gives a Crap: Sustainable toilet paper, global impact. [11:44] Profits can be used in various ways. [14:50] Strong brand, culture, risk, hiring, empowerment, evolving. [17:56] Digital marketing dynamics have rapidly evolved. [21:25] Listen to Jenna's Top Tips! Full episode notes here: https://ecmp.info/509Doofinder - Start Your Free Trial >>> https://ecmp.info/doofinder Download our ebook >> https://ecmp.info/ebook "500 Top Tips to Make Your eCommerce Business More Profitable" Download our new ebook... https://ecmp.info/ebook 500 Tips to Increase Your ProfitsGet all the links and resources we mention & join our email list at https://ecmp.infoLove the show? Chloe would love your feedback - leave a review here: https://ecmp.info/review or reply to the episode Q&A on Spotify.Interested in being a Sponsor? go here: https://ecmp.info/sponsor This podcast uses the following third-party services for analysis: Spotify Ad Analytics - https://www.spotify.com/us/legal/ad-analytics-privacy-policy/

Jaw pain, headaches, and facial pain are all common and can have a profound effect on our quality of life. Lucky for us, we have an esteemed guest speaker on the show today to break these topics down and help us understand how we can overcome this pain.Donald R. Tanenbaum, DDS, MPH, graduated from the University of Pennsylvania in 1978 and then received his DDS degree from Columbia University School of Dental Medicine, and his MPH degree from Columbia University School of Public Health in 1982. He has been practicing for over 40 years, providing guidance and care to patients with temporomandibular problems, facial pain, headaches and sleep related breathing disorders. Today he reviews some of the causes and treatments for these issues and explains their biopsychosocial nature. He also discusses the importance of identifying habits that can perpetuate pain and stop or modify them. He touches on bite plates, injections, PT, posture and ergonomics as all ways to alleviate pain.Dr. Tanenbaum has co-authored a book for the public entitled, ‘Dr, Why Does My Face Still Ache?” and continues to give lectures to dental students and residents, medical grand rounds and to numerous dental societies and study clubs. Dr. Tanenbaum currently holds several positions, including: Clinical Assistant Professor at the School of Dental Medicine at the State University of New York in Stony Brook where he is the Director of the Orofacial Pain Course given to the third year dental students.  He is also the Section Head of the Division of OrofacialPain/TMD/Sleep Medicine in the Northwell Health Department of Dental Medicine at the Long Island Jewish Medical Center; and Clinical Assistant Professor, Hofstra Northwell School of Medicine. Dr. Tanenbaum is a Diplomate of the American Board of Orofacial Pain, a Fellow of the American Academy of Orofacial Pain, and a past President of the American Academy of Orofacial Pain  Dr Tanenbaum currently maintains private practices in New York City and Long Island limited to the diagnosis and management of orofacial pain, temporomandibular problems and sleep related breathing disorders.Connect with him:www.nytmj.com

Dans l'épisode d'aujourd'hui, notre duo mère-fille plonge dans le fascinant monde des différences entre les femmes et les hommes dans leur façon de communiquer. Elles abordent également les étapes clés pour résoudre nos chicanes de couple ! Avec beaucoup de transparence, Laurie-Raphaëlle nous partage un exemple concret dans lequel elle a utilisé les techniques de communication pour résoudre un conflit qui s'annonçait destructeur pour une de ses relations.Allons voir pourquoi le verbe "communiquer" se conjugue différemment selon qu'on soit un homme ou une femme !Ready to shine ?Let's go !Références :1. Podcast: Kwik Brain with Jim Kwik, « The art of arguing: using disagreements to deepen your relationships with Dr. Julie and John Gottman. https://podcasts.apple.com/ca/podcast/kwik-brain-with-jim-kwik/id1208024744?i=1000648795872 2. Dr. Julie and John Gottman, Fight Right: How Successful Couples Turn Conflict into Connection.3. Dallaire, Yvon, S'aimer longtemps ? L'homme et la femme peuvent-ils vivre ensemble ? Éd. Option Santé, Québec, 1996, 192 p.4. Dallaire, Yvon, Chéri, Parle-Moi… Dix règles pour faire parler un homme ? Éd. Option Santé, Québec, 1998, 144 p.5. Gray, John, L'homme vient de Mars, la femme vient de Vénus, Éd. Logiques, Montréal, 1994, 327 p.6. Tanenbaum, Joe, Découvrir nos différences entre l'homme et la femme, Éd. Québécor, Outremont, 1992, 234 p.7. Tannen, Déborah Décidément, tu ne me comprends pas, ou Comment surmonter les malentendus entre hommes et femmes, Éd. Robert Laffont, Paris, 1993, 350 p. NB :Nous tenons à souligner que nous ne sommes pas des professionnels de la santé. Notre objectif est d'informer et de vulgariser des informations pour le grand public. Bien que nous nous efforcions de fournir des contenus précis et fiables, il est important de consulter des experts qualifiés pour des conseils médicaux ou psychologiques personnalisés. Notre intention est de partager des connaissances dans le but de sensibiliser et d'éduquer, mais nous encourageons toujours nos auditeurs à rechercher des sources spécialisées et à prendre des décisions éclairées en matière de santé. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

A look at how the NCAA and Power 5 will pay athletes directly; MLB's attendance and ratings numbers up; Tanenbaum's vision for Toronto's WNBA franchise and WBD Sports to air some CFP games in sublicense agreement.

One of the more important publications in recent years is The Tyranny of Talent by Prof. Joe Baker. Baker is a professor of kinesiology and physical education at the University of Toronto and inaugural holder of the endowed Tanenbaum chair in sport science, data modelling and sport analytics at U of T's Tanenbaum Institute for Science in Sport (TISS). In this episode, he discusses some of the key points of this seminal work and how they relate to hockey and talent identification.The Tyranny of Talent  is available through Amazon.Contact: richard(at)grassrootsminorhockey.comTwitter:Richard - @berky544

Join the conversation as we unpack Damian Tanenbaum's extraordinary rise from the streets of Brooklyn to the executive suite at One Inc. In a candid narrative, Damian lays bare the hustle that took him from grueling hours in a call center to becoming a global force in customer experience. His tales of strategic growth opportunities across continents showcase a relentless pursuit for improvement and the professional wisdom he's picked up along the way.This episode isn't just about career growth; it's a deep dive into the technological advancements shaping our world. We reminisce about the dawn of online shopping and its progression to the digital transaction phenomenon we see today. Damian's insights on the integration of AI and data analysis within industries like insurance expose the fascinating link between tech innovation and entrepreneurial ventures. From a Jiu-Jitsu studio owner to real estate investor, he illustrates how embracing tech goes hand-in-hand with personal development.Wrapping up, we pivot to the symbiosis of digital progress and the timeless value of community. We highlight the business acumen needed to run a successful gym and the unique camaraderie built on the mat, as experienced during a seminar with the legendary Carlson Gracie Jr. Damian's journey is a compelling reminder of how our professional lives, technology, and passion projects like martial arts intertwine, driving evolution on all fronts. Tune in for a rich blend of tactical business advice, the philosophical underpinnings of martial arts, and tales of side hustles that could just change your life.As you're inspired to embark on your side hustle journey after listening to this episode, you might wonder where to start or how to make your vision a reality. That's where our trusted partner, Reversed Out Creative comes in.With a team of experienced professionals and a track record of helping clients achieve their dreams, they are ready to assist you in reaching your goals. To find out more, visit www.reversedout.com. We also recently launched our YouTube Channel, Marketing Pro Trends.Buzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showSubscribe to Side Hustle City and join our Community on Facebook

The proverbial saying around the holidays is that "it's the most wonderful time of the year!"  But for HR professionals, it can be a time of stress in the workplace.  Every December, HR is faced with the difficult task of adequately acknowledging the various religious and secular holiday traditions within an organization. In this episode, we'll talk with Nina Boe, Senior Workplace Program Associate at Tanenbaum*.  We'll discuss the dilemmas organizations face when trying to accommodate different beliefs during the holiday season as well as all year round.Leading the discussion is Producer and Co-host of HR Fresh Take, Kaela Blanks.  Also joining in is Executive Producer, Dr. Jo Vazquez. More about Tanenbaum...Tanenbaum is a secular and non-sectarian non-profit that promotes justice and builds respect for religious difference by transforming individuals and institutions to reduce prejudice, hatred, and violence.More about Nina Boe...Nina Boe (she/her/hers) is a Senior Workplace Program Associate at the Tanenbaum Center for Interreligious Understanding. Prior to this role, she served as a Peace Corps volunteer in North Macedonia working with Romani non-profit organizations. Nina earned her Master of Public Administration and BAs in Political Science and East European Studies from the University of Washington. Her academic, professional, and personal areas of interest have long included linguistic, cultural, and religious diversity across the world. In her spare time, Nina enjoys learning new languages and exploring New York City.Business, Engagement, Human Resources, Management, Thought Leadership, Return to work, Inclusion, Hybrid work, phillyshrm.org

In this episode of the Marketing Mindset podcast, we are joined by Jenna Tanenbaum, a seasoned professional with over 12 years of experience in the direct-to-consumer (DTC) industry. Jenna's journey from her role as Head of Growth at Who Gives a Crap to founding her own UGC agency has been nothing short of inspiring.One of the central themes of our conversation is the art of matching brands with the right creators and content types in the world of UGC. Jenna walks us through her approach to this process and how it can set the stage for successful collaborations.Jenna's expertise extends to targeting through creative, a concept that involves not just working the algorithm but also connecting with prospective customers on a deeper level. We explore the intricacies of this strategy and its profound impact on marketing effectiveness.Listen in to gain a deeper understanding of the power of UGC, discover Jenna's invaluable tips, and find out where you can connect with her for more insights and inspiration.Connect with Jenna on LinkedIn: https://www.linkedin.com/in/jennatanenbaum/Connect with Colby on LinkedIn: https://www.linkedin.com/in/colby-flood/Sign up for our newsletter: https://www.marketingmindset.io/join-our-newsletterLearn about our marketing agency: https://www.brighterclick.com/

Our guest for this episode is Silvestre Tanenbaum; Silvestre began their professional career in the US Army. We'll learn about growing up in Puerto Rico, what it's like to to go through basic training, and how filling in for a coworker could change the course of your career.

Damian Tanenbaum is a Carlson Gracie Black Belt, the COO of BJJ Link, and the founder of Triple Crown Athletics. Damian is also a real estate investor, actor, producer, and stuntman. On this episode, Damian shares his vision for BJJ Link, balancing life as an executive, BJJ athlete, actor, and stuntman, rolling with George St. Pierre, and much more! BJJ Link was founded in 2018 as a software company that provides a software solution for the BJJ community. Their goal is to streamline the management of classes, students, and curriculum for academies, instructors, and students. You can follow Damian on IG: @damiantanenbaum | @triplecrownathletic | @bjjlink or online: www.triplecrownathletic.com | www.bjjlink.com The BizJitsu Podcast is sponsored by Union Staffing Group, a full-service boutique recruitment firm that unites great companies with high-performing sales, marketing, and operational talent.  Follow us on Instagram: @BizJitsu_Podcast | @vincepacleb | @archie_dane

Comentando qué son las redes de computadoras y resumo brevemente el libro Redes de Ordenadores de Tanenbaum. Libros recomendados: ⁠⁠⁠https://infogonzalez.com/libros --- Send in a voice message: https://podcasters.spotify.com/pod/show/infogonzalez/message

Two interviews for the price of one!   It's Richard Deitsch filling in for Bob in today's show as we spend the first half with Brian Cooper. We talk to our unofficial business editor about the incoming sale of Larry Tanenbaum's shares of MLSE and what that means for the organization and the professional sports teams it owns.   With Brian gone, we bring in one of the most recent inductees into the Hockey Hall of Fame. We talk to Ken Hitchcock about the honour, his path, not only to the Hall of Fame but to the NHL and more in this condensed interview with a Hall of Famer.

How do we go about analyzing video games? Well, close playing is one of the most prominent methods to do so. Together with Prof. Dr. Theresa Jean Tanenbaum, we discuss what close playing means and how to pragmatically go about it.ShownotesWell read: Applying close reading techniques to gameplay experiences (Jim Bizzocchi and Theresa Tanenbaum)Hermeneutic Inquiry for Digital Games Research (Theresa Tanenbaum)https://transformativeplay.ics.uci.edu/Visit studyingpixels.com Hosted on Acast. See acast.com/privacy for more information.

Time Stamps(0:40) - Introduction to Stephen and Rainbook(4:16) - How Stephen first got into collecting and alternative assets(11:01) - How Rainbook works and the investors they are targeting(16:05) - What modern investors today demand from their advisors(23:15) - Organizations like CAIA and how to educate people on alts(31:30) - Stephen's experience collecting baseball cards, sneakers, and art(36:16) - Understanding market cycles around collectibles and art(44:30) - Closing thoughts from Stephen and where to find RainbookFind Stephen and Rainbook:On Twitter = https://twitter.com/sltbaumOn Twitter = https://twitter.com/rainbookwealth Find Neustreet:On our website = https://neustreet.com/On Twitter = https://twitter.com/realneustreetOn Instagram = https://www.instagram.com/realneustreetOn TikTok = https://www.tiktok.com/@neustreet 

What you'll learn in this episode: What to look for when selecting a vintage piece, and why the most important factor is how much you like it Why Schreiner jewelry has increased in value, and how to tell if something is a genuine, high-quality piece of Schreiner Why online auctions are a great way for new collectors to grow their collection of vintage jewelry How Carole started her 40,000-piece collection, and how she allows clients to explore it Which emerging and under-appreciated vintage designers you should keep your eye on About Carole Tanenbaum Carole Tanenbaum has been collecting costume jewelry for over twenty-five years resulting in an unparalleled collection of over 30,000 pieces dating from the Victorian period to today's collectibles. Carole Tanenbaum Vintage Collection is one of North America's premiere collection of vintage costume jewelry. Every piece in the collection has been hand-selected with an eye for design, creativity and exceptional workmanship. The collection integrates vintage costume jewelry as wearable works of art into the fashion world. As a world-renowned collector, Carole has given a number of lectures on vintage costume jewelry at museums, universities, and social clubs. The collection continues to be featured in a multitude of fashion publications, and film and television productions. Additional Resources: Website Facebook Instagram Photos available on TheJewelryJourney.com Transcript: When it comes to vintage costume jewelry, few people can match Carole Tanenbaum's passion. Her 40,000-piece collection covers the history of costume jewelry from the Victorian era to the 90s, along with some emerging contemporary designers thrown in for good measure. She joined the Jewelry Journey Podcast to talk about her interest in Schreiner jewelry; how she wrote her two books on costume jewelry; and what she looks for when adding to her collection. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. If you haven't heard part one, please head to TheJewelryJourney.com. Today, my guest is Carole Tanenbaum speaking to us from Toronto. She and her husband have been collectors of everything, including vintage costume jewelry, for years. She herself has written two books on the subject of vintage costume jewelry. “Fabulous Fakes: A Passion for Vintage Costume Jewelry” is the first one, and the newest one is a book on Schreiner jewelry, “Schreiner: Masters of Twentieth-Century Costume Jewelry.” Each week, she holds an auction of vintage costume jewelry, and she'll tell us all about that. Welcome back. That's really interesting. It sounds like you've looked at a million and one pieces. I was under the impression that your auctions were weekly. When I say get rid of it—if you have 40,000 pieces— Carole: No, but what I do occasionally is deaccession my earlier pieces through a couple of the national and international auctions I trust. I do that because if they're sitting in my drawers and not doing anything, it's not that I lost respect for them, it's that I want other people to enjoy them. So, I would say twice a year, I have an auction at Ripley's Auction, I have an auction here at Waddington's Auction. When we were selling our toys, because we're at an age now where you have to start thinking about where these things are going, I did it at Miller and Miller in Canada, a wonderful auction house. Those are the types of auctions and that's the reason why I do them, but they're only occasional. I always post them on my different sites so the public is aware of them. Sharon: Where do you find the pieces you do buy? Just looking around and going to these places on the outskirts? Carole: First of all, we are very fortunate because people know my name. They know about me, so they have offered pieces on many occasions. I'm even buying back pieces from people who don't wear them anymore and want them passed back to me, but I would say that's just by happenstance. We love antiquing, so it doesn't matter whether we find or we don't find. It's getting much harder, as I told you, because there are fewer outlets. A lot of the small antique dealers went under and don't have places where they can show their pieces other than the net. I do think the net now is the best place to look outside of shopping for them, but if you're shopping for them, don't have high hopes, because the very high end is being bought out by savvy collectors. Sharon: I guess that's something that crossed my mind. Sometimes, like you say, the pieces can go for thousands of dollars. Have you ever overpaid, do you think? Do you just love something so much that you paid more than you thought you could at some point? Carole: I wouldn't use the word “overpaid.” I would use the word “I paid more than I expected to,” because if I want a piece, I get it. I haven't been wrong so far, but if I'm wrong, so be it. I feel it's the right way to think about it. If you can afford it and you purchased it at a higher price and you got it, that's fine, because who knows what it's going to be in the future? That was also a good lesson for me. A couple of pieces I really overdid in my purchase are worth four times the amount today than when I originally bought them. Sharon: Tell us the story about the books, then. Carole: What really started my business career was at the very beginning of the 80s, I was showing my pieces in trunk shows in hotels and for charities. I wasn't really a business, but in about 1990, I pitched my collection to Holt Renfrew in Toronto, the equivalent of Neiman Marcus. There was a wonderful director there at the time who I pitched to. He was quiet and he was thinking about it. I wanted to do a trunk show because I wanted to expose people to costume jewelry, and this gentleman said, “Carole, I'm sorry. I won't do a trunk show, but I'm going to give you a department.” They gave me a department at Holt Renfrew, and they branded me Carole Tanenbaum Vintage Collection. In 2006, when I really had a large following, I figured they deserved to see what I feel is the best of my collection. That's how I started “Fabulous Fakes” through Madison Press, which is no longer around. In four months' time, the book was sold out. In a year's time, the book was sold out internationally. People were starving for visuals, and it was kind of a tabletop book. It was my selection from my personal collection. I loved doing that, but I wasn't interested in doing it again. Then, I saw that I really have to educate the audience about Schreiner because nothing has ever been written about Schreiner other than a paragraph or two. Him being my favorite designer, I wanted to do a book on him, but I couldn't find anybody to do the research because he was kind of illusive. He was a very small manufacturer. But a person who was working for me as part of our outfit said to me one day, “Why don't you do a book on Schreiner?” and I said, “I've been thinking about it for years, but I don't want to do another picture book. I want to do a book where people can learn, because I want to show them what to look for with many examples.” At this point, I had about 400 pieces of Schreiner. She said, “I'll do the research. I love to do research,” and I gave her the commission. She went off to New York. She went to the public library there, and she saw a Schreiner address in the outskirts of New York. She knocked on the door of this person, and it turned out to be the grandson of Henry Schreiner and they invited her in. She's a charming woman, Eve Townsend. She's the one who did all the research for the book. She's a terrific gal. They loved her. She had repeated visits to them, the only person who was really permitted to spend time with them. She's the one that gave all the knowledge to the book “Schreiner.” Now we're completely sold out, but I just reprinted. The reprints are coming out in February. I was selling it for $125 because I was selling my personal stash, but the Chinese community, who are very active in the vintage world, were purchasing the book in China for $400. Now people will be able to buy it again for $65. I'm very proud of that because it was a small quantity that I did last time and it's another small quantity this time. Sharon: There was a large gap between the two books. Did you have it with the picture books and say, “That's it. I'm not doing another book”? Carole: I wasn't interested in doing the picture book, but I felt it was my duty to my clients whom I was educating along the way to show them what great pieces are. I had a wonderful publisher. They were terrific to work with, and they laid it out in a way that people could understand the design and comparison to others. I was very happy I did it, but I had no desire to do another one until Eve came around and said, “Carole, we're going to do the book.” That's how the Schreiner came into being. Sharon: How do you define vintage costume jewelry? Carole: The actual definition for vintage is 40 to 100 years old. Antique is from 100 to 300 years old, but in my operation, we sell from the Victorian era to the 80s and 90s. That's our cutoff. Now we're starting to show contemporary designers who I think are valid for future collecting, but that's Carole Tanenbaum Vintage's decision, to focus on that area of time. Sharon: What do you say if somebody says it's not real? I have people say to me, “It's not real. It's fake.” Carole: It's a great question. I say to them, “Yes, it is real. It's real vintage. If you handed me a $10,000 piece of gemstone and showed me a wonderful piece of vintage for $10,000, I would probably purchase the vintage because the vintage pieces have historical value to me as well.” I have always been asked that question, Sharon. It's always been sort of a bone of contention because I really had to educate people that vintage costume jewelry is one category, like apples and oranges. Gemstone is another. They both happen to be jewelry, but they're both valid in their categories. Sharon: Are there people who collect the Schreiner and another who collect the Monet? Carole: Yeah. Sharon: So, you know who. Carole: Yeah. I don't know who, but they come to me and say, “Do you have any Monets?” I love Monet. Actually, he's one of the best kept secrets on the market now because his prices haven't risen in the same way that others have. I would say, “I'll show you a tray of them,” and then my staff would photograph a tray and they would go, “Oh.” At least it introduces them to more than one. That's how we operate our business. People do come to us with very specific requests. Most of the time, we can show them examples of that. Other times, I'm not interested in the designer, and I have very few of them. We refer them to somebody else I know in the field who might have them. Sharon: I'm learning a lot here. Schreiner is a person and a company. Monet is not a person; it's a company. It's interesting that they were originally people. Carole: They were people, exactly. People with very good eyes. Sharon: That's very interesting. How did you come to be in business? Like you said, you didn't have to go into business. How did you start a business? Carole: Through Holt, that's how I started my business. I had no idea they would add me as a counter, as real estate, or that they would have me for three weeks because I said I wanted to expose people. I thought they would have me for three weeks and then be gone, but he said to me—and it's a very important thing I pride myself on—he said, “The way you are different from other people who have approached me is that you have a singular eye, and your collection is curated by that eye. I like your eye and I know your family were collectors. That's why I am taking you on.” That's a good point, because I happen to have the benefit of coming from a family of great collectors, people who have a specific eye and all the pieces they collect are from that eye, and the pieces they collect happen to be very good pieces. That's a real attribute to their inventory and their collection. Other people buy a lot of 50 pieces and go through it to see which ones are sellable. Every piece in my collection I pick personally. I have a wonderful staff and they know the collection, but I feel that my collection is known for my eye. I feel a responsibility in that sense. Sharon: That's interesting because different definitions of a good eye come to mind. I have a friend who's not a dealer, but dealers have told her she has a dealer's eye. She can spot the thing in the back of a cabinet. My father-in-law was a great collector of art. I didn't like any of it until I saw it framed, and then it was like, “Oh my God, that's wonderful!” I don't think I have an eye. That's the thing. Carole: You don't know. Are you a collector? Sharon: I'm one of those who has a lot. I wouldn't say I collect anything. Yes, I don't collect anything. Carole: You have an eye for everything you collect. If you put it together, somebody in a field that understands it would say, “There's a certain rhythm there. There's a certain continuity with what you collect.” Your clothing is of a certain area. You're either conservative or out there, and then you choose things that go with your aesthetic, whatever it is. You might not think you have an eye, but you have a very specific eye. We don't know what it is, but you might look at it that way and find out what it is. Sharon: Somebody who does collect said to me exactly what you said. If they put it all together, they can see what I liked or what I collected. You collect the Schreiner, let's say, but I don't. I don't have something like that. What happens when somebody comes to you and says, “I have a fabulous outfit. I have a great dress, but it needs something. I've looked at all the contemporary stuff and there's nothing that pleases me. What do you have?” Carole: Actually, that's a good part of my business. We do bridal. We do the bride's parents. We do women who are having an event in their family. We do movies. We do television. We're set up in our operation to meet the needs of almost anybody who asks for it. If a stylist comes in here and they're working for a 20s movie, we know exactly what to bring out to her. We do a prep for it. She comes in and goes through areas we know we have. Don't forget we have about 40,000 pieces, but we organize it in such a way that it's very easy for them to see. It's very easy for us to accommodate almost every request of ours. We love dealing personally, by the way, because it brings out the child in many people who are a little constricted. You get a sense of their personality, and you pick accordingly. It's very easy for us. We love to do that. Sharon: Do people come to you and say, “I have a fabulous “real” pin, but it's not enough. It doesn't have the wow factor”? Do you bring them something else? Carole: We show them what we feel they could like. Don't forget, Sharon, if somebody comes to us, they'll see about 20 pieces. There's always a piece they love. Nobody has ever left us without buying something because we're trained in that. My staff is trained to understand the person when they're telling them what they need. Sharon: How do people find out about your operation? I stumbled on it. I didn't realize it was so large. Carole: We've been in business for about 40 years now, but my name is out there because I've been in the field. I'm very generous to other dealers; they're very generous to me. The public knows me through the various clubs I belong to. I belong to the Sherman Club, who's a Canadian designer. I belong to the Schreiner Club and various clubs. You show pictures of what you have, so they see what I have and love it. I don't let a lot of people into the house because I don't feel safe with everything I have here, but we do a lot of business on the iPad. My staff will get a tray together, put together a professional photograph and show the person who's looking, and they'll always be able to pick something from it. Also, don't forget I've been in a lot of magazines and newspaper articles. Those public stands are very important for me. A lot of the stylists use my pieces and my story to inspire. Sharon: I think the big leap that a lot of dealers or people who sold jewelry had to make—I've heard people say, “I have to hold it. I have to see it. I have to feel the piece of jewelry to know it, to see if I want it.” Have you had that? Have you faced that? Carole: Locally people have asked if they could come down after we showed them the pieces. Generally, if we know where they're coming from, we permit them to come up and have fun, but internationally, no. I have a very large Asian clientele and they buy strictly from photos. I have a very large Russian population in Paris and Italy. I think they're savvier than the average collector, so they know exactly what they want. It's very easy to satisfy them. With the Asian community, which actually have been voracious collectors over the last five years, they're very specific with what they want. There's only a handful of designers they love, but when we get new pieces in, we know who they are. Sharon: There's a handful of pieces from designers that Asians or Russians know they want. You mentioned you also have some emerging designers. Who do you think the emerging designers are? Are they costume or are they real? Carole: Never real. I'm really not in the gemstone business. But there are emerging designers or contemporary designers that people don't know about, such as Rafael of Montreal, Vidal of Montreal, Thomas Mann, who has a charming eye and does really playful but sophisticated jewelry. Colette Harmon is another emerging artist. There are other old-timers that still have not made the money mark yet, such as Avon and Art and Fluenza and Napier, whom there's a wonderful telephone book-size book on, yet people haven't really discovered him yet. The prices are very reasonable. He was a wonderful designer of the 50s, and he's somebody who isn't really there yet. He's dead, but he deserves to be recognized. Then there are areas of collecting, like copper. Some of the great studio pieces in copper, whenever I see them, I grab them. I grab wood pieces that were designed at the same time as Bakelite. The wood pieces are really like folk art; they're wonderful. Rarely are they more than $125. I bought them for like $40. Each one of them I wouldn't trade for my three $1,000 pieces because they're really charming. So, there are areas you can start buying without worrying about. Sharon: Carole, thank you so much for being with us today. We've learned so much. I know I have learned a lot. I'm ready to go, “Oh my God, they're overlooked so much.” Carole: Thank you so much for having me. I really appreciate it, Sharon. Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out. Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.

What you'll learn in this episode: What to look for when selecting a vintage piece, and why the most important factor is how much you like it Why Schreiner jewelry has increased in value, and how to tell if something is a genuine, high-quality piece of Schreiner Why online auctions are a great way for new collectors to grow their collection of vintage jewelry How Carole started her 40,000-piece collection, and how she allows clients to explore it Which emerging and under-appreciated vintage designers you should keep your eye on About Carole Tanenbaum Carole Tanenbaum has been collecting costume jewelry for over twenty-five years resulting in an unparalleled collection of over 30,000 pieces dating from the Victorian period to today's collectibles. Carole Tanenbaum Vintage Collection is one of North America's premiere collection of vintage costume jewelry. Every piece in the collection has been hand-selected with an eye for design, creativity and exceptional workmanship. The collection integrates vintage costume jewelry as wearable works of art into the fashion world. As a world-renowned collector, Carole has given a number of lectures on vintage costume jewelry at museums, universities, and social clubs. The collection continues to be featured in a multitude of fashion publications, and film and television productions. Additional Resources: Website Facebook Instagram Photos available on TheJewelryJourney.com Transcript: When it comes to vintage costume jewelry, few people can match Carole Tanenbaum's passion. Her 40,000-piece collection covers the history of costume jewelry from the Victorian era to the 90s, along with some emerging contemporary designers thrown in for good measure. She joined the Jewelry Journey Podcast to talk about her interest in Schreiner jewelry; how she wrote her two books on costume jewelry; and what she looks for when adding to her collection. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week. Today, my guest is Carole Tanenbaum speaking to us from Toronto. She and her husband have been collectors of everything, including vintage costume jewelry, for years. She herself has written two books on the subject of vintage costume jewelry. “Fabulous Fakes: A Passion for Vintage Costume Jewelry” is the first one, and the newest one is a book on Schreiner jewelry, “Schreiner: Masters of Twentieth-Century Costume Jewelry.” She must think highly of that. Each week, she holds an auction of vintage costume jewelry, and she'll tell us all about that. Besides that, we'll also learn why she focused on vintage costume jewelry and everything they collect, what she looks for in terms of evaluating a piece of vintage jewelry, whether it's for her own collection or to sell, and how you too can get involved. Carole, welcome to the program. Carole: Thank you for inviting me. It's good to be here. Sharon: So glad to have you. Tell us about your jewelry journey. You collect everything. Carole: We are collectors of many things. We collect photos. We collect vintage toys, African sculpture. But how you know I loved to antique; we still do. When we were in London in the 70s, I came upon a collection of fantasy jewelry, jewelry that wasn't gemstone, but it had the most beautiful vision to me aesthetically. I was hooked, and I bought about 20 pieces at that time. I always know when it will go forward, so it wasn't just a one-shot deal that started me in collecting. Sharon: Had you been attracted to glittery things or colorful things before that? Carole: I love fashion, and I've always loved the wow factor in fashion. The collection I saw was large pieces, so immediately I responded to it as things I could wear and love and feel really shi-shi in them. I bought the pieces I loved. There were about 50 pieces, and I was very discerning. I always know what I want to have. That was my first experience of hundreds. I have about 40,000 pieces. Sharon: Did you buy the first 20 or 50 from the same person, or was this from several people? Carole: No, it was from the same person. In the 70s, vintage costume jewelry wasn't really a collectable. It was a throwaway, so there weren't many dealers to choose from. This one person who had them really had the only great pieces of jewelry in the whole show, other than gemstone jewelry. I was lucky that I was able to focus on this one person. I still have a couple of those pieces in my private collection. Sharon: Wow! Did you recognize right away that it was being ignored and that it was going to be collectable? Carole: No, I didn't care. For me, they were objects d'art. I never am influenced by what's in and what's out. I trust my eye. When I did see this collection, I knew I had to have them, that they were beautiful and highly collectable despite what was happening universally. Sharon: Did you own, I'll say, “regular” gems? Was this a way to wear something and if you list it, it was not a big deal? Carole: It was always a big deal for me. Everything we collect, whether it was $2 or $20,000, has the same weight aesthetically to us. My husband has bought me some wonderful, real Deco jewelry, big, chokey necklaces, but gemstone. I always loved those because it was still my aesthetic. But when I started this collection, it showed that these pieces have the same wow and the same effect on me as gemstone, and I started looking and researching. Very few books were written on the subject in the 70s, but I started looking at the pieces that were being offered by the theater, by movies, by starlets, etc. I realized it's a field I wanted to start collecting. I realized that very early on after I bought these pieces. Sharon: Did you have the support of your husband that this is art? Carole: I always have the support of my husband. I'm a very lucky woman. Actually, we share our loves of whatever we collect. He's a great collector of Daguerreotypes. Whenever we're at the antique shows, I hunt for those as well as for what I love. We always share our collections as one collection. In fact, Howie will run around the show, or used to run around the shows, and he would come over to me, “Carole, come here. I have to show you something at this other dealer's showcase.” I would go there and I would love what he picked. Sharon: So, you don't go to as many shows as you used to, it sounds like. Carole: Since Covid, I have to tell you it's very small pickings. I go to whatever is available, but now the market has changed completely. Whenever I can, I go to shows. I go to shows in the outskirts of New York, sometimes to the New York Metropolitan Show and some of the local shows here. Oftentimes I get lucky, but I don't get the breadth of pieces I had earlier on. Sharon: Since Covid, I found I've been really hungry for shows. I go to whatever there is. Do you find that a lot of people have moved online? Carole: That's a very good question, Sharon, because now, the way to buy vintage costume jewelry is on Facebook. There are about 40 different people who have weekly shows. I don't have weekly shows of that auction. I don't have the patience for it. It's not a part of my business, but I go to the shows that are online. There are people who went to a country show to show their fare and don't have an outlet, so they're doing it at their home. Oftentimes you can get very lucky with that. They sometimes don't know what they have, and since it's an auction, you might be lucky. For people who are starting now, it's a great way to develop a collection, Sharon, because you have the world at your shoulders. Sharon: Let me back up. You said there weren't many books on the subject. Is that what brought you to write a book about it? Carole: No, that's a different story. When you start asking me about how I became a businesswoman, that's one of the ways I started. I'll tell you about that journey. Sharon: Do you find that the jewelry in Canada and Toronto is different than what you find elsewhere in New York or when you're at smaller shows? Carole: It's on a lower scale, number one. You're less able to find something in Canada—although the search is always as important to me as the sale—than you would be in New York or Boston or any of the big cities. Oftentimes, I will go to a major city, rent a car and go to the peripheral areas. There you can find antique stores and go in, and you know you're going to find that masterpiece. The search is a lot of fun. When you find something, of course it's glorious. Sharon: I bet it would be. That's interesting. I never thought of Boston. I always think of the east coast as New York and the south. They say there's nothing out in Los Angeles or on the west coast, but on the east coast, Boston just doesn't occur to me. Carole: Boston is a very interesting city because it's a university city. It's a city where the university kids go looking for bargains. They have one major store on their street. I don't remember the street that has floor-to-ceiling vintage. That's a place that people go. When I go, I go there, then I go to Cambridge, and then I go to the outskirts of it, Quincy or some of the other places. You never know what you're going to find. Sometimes it's a bust, but other times, I've found some wonderful pieces. Sharon: Does your husband come with you? Carole: Yeah, because he's also looking, don't forget. He's a collector, and he's looking for other things we collect. He's also looking for my welfare, what would I like. He knows my style; he knows my eye. Oftentimes when he says, “You have to look here,” he's right on. Sharon: Wow! I'm surprised to hear you say it. It sounds like it's not too late to start. Carole: It's not too late to start. It's more expensive to start if you're looking for the high-end pieces. For example, when I started collecting Schreiner, my average price of Schreiner was between $150 and $300. Now, these pieces go for $10,000. Sharon: Wow! We'll have a picture when we post this. It's gorgeous. Carole Those are called ruffle pins. They started at maybe $250, and I only bought them because I loved them. I wear three together, but when I saw that they're now going at auction for $10,000—they're the most coveted piece of Schreiner. They're called ruffle pins. Sharon: Is Schreiner marked? Carole: Many of them are marked and many of them aren't marked. There's a wonderful group on the internet. By the way, Sharon, I learn so much every day on the internet. A young collector will learn a lot by going through different sites on the internet. I'd be happy to share some of them with you. But the signature of Schreiner. When Schreiner started going into the stores, he would not use the signature on many pieces because the stores wanted to use their signatures on the pieces. When he worked for the couturiers in the 40s, they wanted their names on the pieces. So, there's 50% that are signed and 50% that are not signed. The pieces that are not signed are now verified by the Schreiner Group, which is a group on the internet of experts in the field, people who, like myself, have been collecting Schreiner for 30 and 40 years. They're verified by a group of three collectors. So, each piece that is shown to them is on their database when it is a Schreiner. You're not fishing; you're not looking in the dark for a signature. You actually know it by the actual designer. Sharon: Would you know it by the way it's made? Are they made better? Are they made differently? Carole: They're made as fine gemstone jewelry is made. There's never any discoloration. The metalwork is marvelous. He was really fanatic with that. The constructions are so intricate that they can't be copied, so you're safe when you look at it. If you look at the back of the Schreiner, oftentimes it's as beautiful as the front. You get to know what to look for in the setting. Are the prongs the right prongs for Schreiner? You can do that with other designers like Kramer or Weiss. They have specific prongs, so you learn how to recognize what is or what isn't by a designer if you've seen enough of it. Sharon: It seems like every time I go to a show, there are things that say Schreiner or Weiss, the big names, and no marks. Is there anything left to find? Carole: Yes, there's a lot left to find. Most of it is unsigned, but again, you're very confident once you ask the group if it's a valid Schreiner. Most of the time, they'll answer you almost immediately. If they have any doubts, they'll discuss it and look at it in detail and decide whether or not it is a Schreiner. You have to buy what you love. I bought Schreiner because to me, as we are collectors of art, we think Schreiner is a work of art. Everybody has different tastes. There are collectors of Weiss who know exactly what stones Weiss uses so those are easy for them to know, but sometimes if the Weiss is not signed, other people just have to enjoy the aesthetics. My message is that I always look at the aesthetics first. If the piece pleases me, if I love the design, if the quality is great and it's not repurposed, it's a piece I would buy. Sharon: When you say repurposed, what do you mean? Carole: In jewelry now, people are taking the liberty of adding to pieces to enhance them. Of course, it destroys the value of them because no matter how great the finished project is, it's not a Schreiner; it's not a Schiaparelli; it's not Chanel. We call it repurposed because some collectors today love those pieces and they collect only repurposed, but I won't touch these pieces. Sharon: I'm laughing because somebody please explain to me why Chanel is so expensive. I don't get it. You mentioned three qualities you look for, whether it's for your costume jewelry, your collection or other people. You say it's originality. Carole: First and foremost, it has to please you. Whether you're buying a $10 piece or you're buying a $10,000 piece, it has to appeal to you. You have to know you love it; that's first of all. Then, second of all, the workmanship. If it's fine workmanship, meaning if the gold tone is clear and not murky, that's a good sign. I try to buy pieces that are clean. I call them clean because there's no imperfection on the metalwork. Then the things I look for are that they're not soldered, because the soldered pieces have a tendency to be weak in that area. Even the greatest soldered pieces, in my opinion, could come apart, and I would rather pass on those pieces and look for something that is in fine condition. Then the peeling of pearls. If you're finding pearls and you're a pearl collector, you have to look carefully because a lot of the vintage pearls peel. I wouldn't buy a necklace unless I knew a great restorer who has those colors in pearl. Then, the original stones are very important to me. There are a lot of great repair people out there that have a breadth of stones. They can restore many pieces that are missing stones, but they have to be perfect. If they're not perfect, an expert can always tell. If I'm selling a piece, I would like it to be perfect in that sense, or I would like the repair person I use to have it perfectly set. That's another thing. Then there are no missing parts. That's another thing. This is an interesting story, and maybe a lesson to beginners. About 30 years ago, I found a wonderful piece of what I considered Reja. I was an Indian piece, a figaro with dangelis. I felt so lucky. It was the most beautiful Reja I ever saw. I learned that if something looks too good to be true, it generally is. I found out afterwards that the dangelis were added. So, it was a very good lesson to me. Sometimes when you look at piece, there's something about it that doesn't sit right to you. Ask questions to the dealers. They're honest generally. If they don't know, they'll say, “I don't know,” and then it's up to you to research. Sharon: That's really interesting. It sounds like you've looked at a million and one pieces. I was under the impression that your auctions were weekly. When I say get rid of it—if you have 40,000 pieces— Carole: No, but what I do occasionally is deaccession my earlier pieces through a couple of the national and international auctions I trust. I do that because if they're sitting in my drawers and not doing anything, it's not that I lost respect for them, it's that I want other people to enjoy them. So, I would say twice a year, I have an auction at Ripley's Auction, I have an auction here at Waddington's Auction. When we were selling our toys, because we're at an age now where you have to start thinking about where these things are going, I did it at Miller and Miller in Canada, a wonderful auction house. Those are the types of auctions and that's the reason why I do them, but they're only occasional. I always post them on my different sites so the public is aware of them. Sharon: Where do you find the pieces you do buy? Just looking around and going to these places on the outskirts? Carole: First of all, we are very fortunate because people know my name. They know about me, so they have offered pieces on many occasions. I'm even buying back pieces from people who don't wear them anymore and want them passed back to me, but I would say that's just by happenstance. We love antiquing, so it doesn't matter whether we find or we don't find. It's getting much harder, as I told you, because there are fewer outlets. A lot of the small antique dealers went under and don't have places where they can show their pieces other than the net. I do think the net now is the best place to look outside of shopping for them, but if you're shopping for them, don't have high hopes, because the very high end is being bought out by savvy collectors. Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.

Mike Tannenbaum has more than 2 decades of experience in NFL team front offices. He was an executive vice president of football operations for the Miami Dolphins (2015-18), and executive vice president and general manager for the New York Jets (2006-12). Under Mike's leadership, the Jets advanced to the playoffs in three seasons, won four […]

Mike Tannenbaum has more than 2 decades of experience in NFL team front offices. He was an executive vice president of football operations for the Miami Dolphins (2015-18), and executive vice president and general manager for the New York Jets (2006-12). Under Mike's leadership, the Jets advanced to the playoffs in three seasons, won four […]

Mike Tannenbaum has more than 2 decades of experience in NFL team front offices. He was an executive vice president of football operations for the Miami Dolphins (2015-18), and executive vice president and general manager for the New York Jets (2006-12). Under Mike's leadership, the Jets advanced to the playoffs in three seasons, won four playoff games and made two AFC Championship game appearances. Mike's tenure as general manager of the Jets marked the most successful seven-year period in franchise history.He's also worked with legendary NFL coaches, from Bill Parcells to Bill Belichick. Today Mike is an ESPN analyst – ESPN's NFL Front Office Insider. In addition to his ESPN role, Tannenbaum is the founder of football think tank and news and commentary platform, The 33rd Team, and he teaches Football Business Management: The Inner Workings of the NFL at Columbia University. Mike began his NFL career as an intern for the New Orleans Saints in 1994. Discussed on the show: The33rdteam.com

Jawad Yatim Founder, Co-owner, President and General Manager of the Massachusetts Pirates talking XFL/IFL Partnership, XFL & Indoor Football League (IFL) Announce Player Personnel Partnership, XFL-Co Owner The Rock Meets With MLSE's Larry Tanenbaum In Toronto During Black Adam Tour & More. Mark talks about Listener Fantasy Football league. Plus, your emails, phone calls & social. We are live Mondays on YouTube, Facebook, Twitter & Twitch @ 8 pm ET. XFL Podcast Show notes - https://xflnewshub.com/xfl-podcast/ Join Our Discord - https://discord.com/invite/hHjQVyvK5K

My guest is Brad Tanenbaum, a wonderful director/producer and film teacher who has a great story to tell. We've know each other for years, and I can safely say, he is one of the good ones. I hope you enjoy hearing him share his journey with us.

In Episode 221, I converse with Brad Tanenbaum, MBA, Bilingual Copywriter and Branding Strategist, who I have known since we were both in high school. Since graduating from York Prep School, he earned a Bachelors degree in Communications with a specialization in Spanish from University at Albany, SUNY, moved to Buenos Aires, Argentina, and followed his passion to become a bilingual copywriter.  He got his MBA in Marketing and Finance from the University of Salvador. His specialies include: ➤ Conversion Copywriting➤ B2B/B2C Marketing➤ Content Creation➤ Campaign Strategy➤ Social Media Optimization➤ Media BuyingWe speak about the value of a good teacher, bilingual marketing, language immersion, global Judaism, resiliency against pushback, fundamentals of email marketing, storytelling, strategy in chess and business, masterminds and more.

Damian Tanenbaum, Blankfactor TRANSCRIPT Intro: [00:00:08] Broadcasting live from the Georgia World Congress Center for Fintech South 2022, it’s time for Atlanta Business Radio. Brought to you by Atlanta Blockchain Center. Now, here’s your host. Lee Kantor: [00:00:27] Lee Kantor here broadcasting live from Fintech South 2022. I’m so excited to be talking to Damian […]

Damian Tanenbaum, Blankfactor TRANSCRIPT Intro: [00:00:08] Broadcasting live from the Georgia World Congress Center for Fintech South 2022, it’s time for Atlanta Business Radio. Brought to you by Atlanta Blockchain Center. Now, here’s your host. Lee Kantor: [00:00:27] Lee Kantor here broadcasting live from Fintech South 2022. I’m so excited to be talking to Damian […] The post Fintech South 2022: Damian Tanenbaum with Blankfactor appeared first on Business RadioX ®.

Rikki is a seasoned marketing and operations leader with a proven track record of leading resorts & casinos in numerous markets. Over 20 years she has worked for MGM, Caesars, Golden Nugget, San Manuel Casino, among many others. In this episode, Rikki speaks to the importance of adaptability, strategic thinking, self-awareness, lessons as a CMO, mentors and so much more! Rikki is also a role model with her numerous philanthropy efforts and love for animals. We hope you enjoy this episode!

No, we're not talking about Christmas (although our Christmas episodes ARE epic). Today Reverend Mark Fowler, CEO of Tanenbaum, joins us to speak about the organization's goal of combating religious prejudice by promoting inclusivity and understanding. Tanenbaum seeks to build a safer, more inclusive world for people of all religions by combating prejudice in all forms. Yass, Jesus! is hosted by Danny Franzese and Azariah Southworth. Our producers are Ross Murray and Meredith Paulley. Sound, music, and post-production by Chris Heckman. Special thanks to Sophie Serrano and Sam Isfan. Yass, Jesus! is brought to you by Audity. Audity execs are Ryann Lauckner, Steve Michaels, and Jessica Bustillos. Get to know us better, or Buy Us a Coffee: Daniel Franzese https://whatsupdanny.com/ Twitter Instagram Facebook Azariah Southworth https://azariahspeaks.com/ Instagram Facebook Ross Murray The Naming Project GLAAD Twitter --- Send in a voice message: https://anchor.fm/yassjesus/message Support this podcast: https://anchor.fm/yassjesus/support

Voters who switched from Trump to Biden in 2020 are headed to the polls again, and former GOP strategist Sarah Longwell wants to know what they're thinking. Longwell is executive director of the Republican Accountability Project and publisher of The Bulwark, where she hosts The Focus Group podcast. She's convening an ongoing series of focus groups with voters, including “flippers” who ditched Trump in 2020. What are they thinking as they head into primary elections for this year's midterms? Then, Dr. Theresa Jean Tanenbaum responds to one of our listener voicemails about choosing a name as a transgender woman. Dr. Tanenbaum shares her own story with producer Kousha Navidar, as well as her work at the intersection of technology, media, and identity.    Companion listening for this episode: A Conservative View of the Vigilante Right (1/24/2022) Mona Charen discusses the true meaning of conservative and the radical shift in the GOP. Plus, she helps take your calls. Then, a listener mailbag begs us to explore how "normal people" became part of the Jan 6. attack. “The United States of Anxiety” airs live on Sunday evenings at 6pm ET. The podcast episodes are lightly edited from our live broadcasts. To catch all the action, tune into the show on Sunday nights via the stream on WNYC.org/anxiety or tell your smart speakers to play WNYC.  We want to hear from you! Connect with us on Twitter @WNYC using the hashtag #USofAnxiety or email us at anxiety@wnyc.org.

Ben and Stephen start off by taking a closer look at the Jays' latest loss to the Yankees ahead of Berrios' start tonight, before recapping the Leafs' misery against the Sabres and question if their performance against bad teams has cost them a potential President's Trophy and home ice in the playoffs (02:01)? Later on, we speak with Scott Trotter, who covers Chelsea F.C. in London (26:28)! This week it was revealed that Larry Tanenbaum was joining a bid to purchase the team, and Scott details why the fans are so very vocal about their ownership and how this all stems from sanctions on their current owner, Roman Abramovich, after the Russian invasion of Ukraine. The views and opinions expressed in this podcast are those of the hosts and guests and do not necessarily reflect the position of Rogers Sports & Media or any affiliates.

Today's guest is Michael Tanenbaum, CEO and co-founder of Mycelial, an edge data platform for distributed local first applications that is built with developers in mind. Myceclial takes the accomplishments of the cloud native movement to bring data that exists outside the data center into the hands of the developers themselves. With a focus on data from the “edge”, which Michael defines as anything from a smart thermostat, to a 5g tower, applications, and more.In this episode Michael lays out how he and his partners captilized on the oppurtunity of recent innovations in cloud native, and in turn commercialize the need to “get applications out of the data center to work harmoniously with applications in the data center.” He and his co-founders are striving to build complex edge native applications and local native data. Michael breaks down the “three pillars” of edge native to provide some crucial definitions, how he identified the needs Mycelial addresses, the diverse range of obstacles they've already surmounted, and more! Highlights: An introduction to Michael and Mycelial (00:00) When Michael recognized the need for a product like Mycelial (02:32) The “Three Pillars” of edge native (05:11) Disovering an “unsexy” problem and deciding to solve it (09:00) The unforseen difficulties of Mycelial (15:15) The unforseen easy parts of Mycelial (20:32) Some important takaways from the founding experience (26:45) Links:Michael Twitter Mycelial

Two more MLB teams go over the luxury tax; Tanenbaum among those added to Chelsea mix; Amazon lands Michaels and Lazarus returns to sports at NBC.

Michael Grange leads off the hour alongside Ben & Stephen to update the Raptors' growing injury concerns and highlights that the team has virtually no margin for error, before taking a closer look at Larry Tanenbaum's career and his bid for Chelsea F.C. (00:50). Next up, Chris Creamer of Sportslogos.net shares his thoughts on Toronto's Next Gen jerseys (23:11). Finally, we check in with Sportsnet soccer analyst Peter Galindo, who zeroes in on Canada's Men's National Soccer Team and their newest addition, Ismaël Koné (31:18). The views and opinions expressed in this podcast are those of the hosts and guests and do not necessarily reflect the position of Rogers Sports & Media or any affiliates.

Check out the full writeup here.Topics discussed in this episode:Utilizing Social ProofSearch your company name, a hashtag, or other key phrases on twitter to see what folks are saying about you. Automation and outsourcing is your friend here if the operation becomes too time intensive. Otherwise set up a time periodically to review any social proof that is out there.Implementing exit surveys to figure out reasons for churnThere are all sorts of reasons folks will stop using your product. Adding a little bit of friction to the cancellation process can have a big impact on unlocking retention solutions. In the case of Jenna and Who Gives a Crap, some folks may just be re-engaging in a non-subscription manner.Communicate early and oftenThe team at Who Gives a Crap makes sure to stay on top of their delinquent churn with dunning emails. When they noticed a high churn rate in Australia, they did some digging and found out that the hyperlink to update payment systems wasn't working. Fortunately they caught it early due to consistent tracking and checking in with their metrics.This is a ProfitWell Recur production—the first media network dedicated entirely to the SaaS and subscription space.

Debbie Tannenbaum works as an Elementary School Technology Specialist in Fairfax County, VA. An educator with over twenty years of experience, Debbie Tannenbaum supports both staff and students to integrate technology tools into instruction through both co-teaching sessions and weekly technology classes. Debbie emphasizes working collaboratively with other educators to use technology tools that amplify student learning and empower student voice. She also blogs and shares her thoughts and reflections regularly on her website: https://www.tannenbaumtech.com. In spring 2021, her book, TRANSFORM: Techy Notes to Make Learning Sticky will be published by Road to Awesome LLC. --- Send in a voice message: https://anchor.fm/bigedidea/message

In this episode, I sit down with Tatiana Rubio Tanenbaum, a women's health advocate and intuitive healer who has been supporting women with acupuncture and traditional Chinese medicine for over twenty years. She is also a birth doula, placenta encapsulation specialist, and mother of two. We discuss due dates, inducing naturally, how allopathic and alternative medicine can work together, and everything you need to know about placenta encapsulation.For full show notes, visit www.themomfeed.comLike this episode? There are a few ways to show your love! First, please subscribe to The Mom Feed so you never miss an episode. Second, screenshot this episode, tag me on Instagram (@Themomfeedpodcast), and third, leave a review! Also subscribe to our newsletter and receive a FREE copy of Seed Cycling for Balanced Hormones: 6 Chef Crafted Gluten Free Treats.If you want to get more involved and dive deeper into these and other topics about becoming a mother, be sure to join our private Facebook Group, The Mom Feed Podcast. There is where our community really comes to life, and the support system you need awaits.Enjoy!

Watch this Episode on YouTube: https://youtu.be/6_a7t5K_wQw * Get the Data Leadership Book – https://dataleadershipbook.com * Data Leadership Lessons on YouTube – https://www.youtube.com/c/DataLeadershipLessons* Save 20% on your first order at the DATAVERSITY Training Center with promo code “AlgminDL” – https://training.dataversity.net/?utm_source=algmindl_res * Guest and Sponsorship Inquiries – podcast@algmin.com William A. Tanenbaum is a data, technology and IP lawyer, and a partner in the 100-year old New York law firm of Moses & Singer. Who's Who Legal says Bill is a “go-to expert” on “the management of and protection of data across a variety of sectors.” It named him as “one of the leading names” in AI and data and with Global Data Review recognized him as one of the international “Thought Leaders in Data 2020.” Chambers: America's Leading Lawyers for Business says Bill has “notable expertise in cybersecurity, data law and IP,” has a “solid national reputation,” and “brings extremely high integrity, a deep intellect, fearlessness and a practical, real-world mindset to every problem.” Bill is a member of the DAMA Speakers Bureau and the Past President of the International Technology Law Association. He is a graduate of Brown University (Phi Beta Kappa), Cornell Law School, and the Bob Bondurant School of High-Performance Driving. For more information:– Bio: https://www.mosessinger.com/attorneys/william-a-tanenbaum– LinkedIn: https://linkedin.com/in/williamtanenbaum/– Law Firm Website: https://www.mosessinger.com

So no one told you life was gonna be this way... well yeah. If we told people how much life sucks, then we wouldn't get to enjoy watching people discover it on their own. Schadenfreude, BABY! Anyway, Miriam Tanenbaum is on the show this week to talk about sitcoms, especially her favorite sitcom of all time, Animal Practice. You may hear otherwise, but know that this is true, Miriam Tanenbaum thinks Animal Practice is the best TV show ever made. Thanks to MOOBLY KREW for sponsoring this episode! Miriam's Tiktok / Instagram / YouTube Follow Michael HERE Support Michael's Patreon

You should recognize Dan Tanenbaum's unique creations from his @watchpartsmotorcycles Instagram feed, but his son Graeme is also an up-and-coming artist whose custom sneaker work can be found at @soleprodigy23. They have some great stories and passion for their work.

Eitan Chitayat leads Natie, a creative branding agency based in Tel Aviv.  I originally met Eitan at the founding of the Entrepreneurs Organization chapter in Tel Aviv. When it comes to branding, he's a creative genius. He's also the author of the extraordinary "I'm that Jew" viral youtube video that got more than 10 million hits on various social channelsI'm that JewEitan on twitterNatieBlog PostEpisode TranscriptKey momentsLeveraging technology to connect with clients (8:25)About that friend in Paris…during those three days of terror (10:25)Behind the scenes of the video production (12:53)Releasing the awe-inspiring video (16:33)Jewish advocacy (21:24)Eitan's brand strategy (24:53)Articulating the story everyone wants to hear (31:42)Why is there so much noise in the world? (42:37)How the Golden Rule can motivate people to act like a human being (46:33)Benefits of avoiding negativity on social media (51:41)Teaching the children well (52:52)Eitan's heroes: Tanenbaum and Collins (56:26)Spotlighting individuals who he admires (58:47)The impact Dana Satterwhite had on Eitan (1:02:32)The marvelus sound of silence (1:04:14)The magic touch of a sister (1:05:29)Keats and Tolkien as great writers (1:09)