Podcast appearances and mentions of kevin abosch

We're not done with this amazing Paris Photo week and still have many more guests to invite. Today, we had the opportunity to speak with Emilia Genuardi, founder of the Accroche Art Fair. For the first time, the fair is going digital, with the help of Dimitri Daniloff and Ikigai Labs. Starting on November 15th at 2pm Paris time, the fair's edition will feature 5 artists. You'll be able to view their work and chat with the artists in the metaverse from November 15th to 17th. Additionally, if you're in Paris, Amsterdam, or New York, you can take part in The 5ource treasure hunt to collect NFTs from the 5 featured artists. Elenora Brizi also returned to NFT Morning to discuss the “From Code to Imagery” exhibition, co-curated with Georg Bak, featuring artists Hein Gravenhorst, David Young, Ganbrood, and Kevin Abosch.Links to follow: Approche extended metaverse from Nov 15th to Nov 17thDownload the 5source app Approche Extended artists curationFrom Code to Imagery on MakersplaceDavid Young 1 by David Young This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

In today's NFT Morning episode, Emilia Guenardi introduced Approche Extended, a project blending physical and digital art through an innovative collaboration. She, along with Dimitri Daniloff from Ikigai Labs and Julien from The 5ource, explored the fusion of art and digital spaces, discussing Approche, a curated photography fair in Paris, now expanded with digital experiences. Ikigai Labs hosts the virtual gallery while The 5ource offers geolocated NFTs across Paris, New York, and Amsterdam, linking physical locations to digital art. The exhibition launches on November 15 and runs for three days. Notable guests included Eleonora Brizi, who shared insights on her exhibition, From Code to Imagery, co-curated with Georg Back (alias Snowcash) on MakersPlace. The collection showcases AI and photography intersections, highlighting artists like Kevin Abosch, David Young, and Hein Grevenhorst. These efforts collectively explore contemporary photography through innovative tools and digital platforms, merging traditional art with new media.Learn more about these projects:* Approche Extended: Approche Paris* The 5ource: The 5ource* From Code to Imagery: MakersPlace Exhibition* Discover here the video replay of the episode* This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

We had the chance to chat with Kevin Abosch, NFT Art pioneer, Eleonora Brizi and Benoit Couty about Kevin's soloshow named ‘1337' exhibition. Here is the programMore info on NFT Factory Twitter AccountKevin Abosch on Twitter Eleonora Brizi on Twitter This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

En octobre dernier nous avions déjà reçu des artistes appartenant au collectif TheVerseVerse à l'occasion de l'exposition POEME OBJKT (#363 | NFT & Poésie: L'exposition "Poème Objkt" à réécouter ici.) qui avait lieu à l'Avant-Galerie Vossen…6 mois plus tard c'est près d'une trentaine d'artistes parmi lesquels Kevin Abosch, Sasha Stiles, Ana Maria Caballero, Christian Bök, Ross Goodwin, qui se retrouvent pour le 2ème volet de ce projet intiitulé cette fois POEME SUBJKT qui mêle poésie, intelligence artificielle, NFT etc…Cette fois l'exposition a lieu à la librairie Métamorphoses 17 rue Jacob 75006 Paris du 25 mai au 15 juillet prochain, toujours à l'initiative de l'Avant-Galerie Vossen…De nombreux artistes étaient présents avec nous ce matin (merci à tous) pour nous parler de cette expo et des oeuvres qu'ils ont réalisées pour l'occasion…Dans la 2ème partie de la room, Tomomi et Mélanie Krystel de TheNoxGallery, la 1ère galerie NFT IRL qui a ouvert au Japon dans le quartier de Shibuya à Tokyo, étaient présentes avec nous pour nous introduire une exposition qui aura lieu pendant la NFC de Lisbonne et qui mettra à l'honneur 2 géants japonais de l'animation et dont on découvrira l'identité sur place…Pour aller plus loin:* Site web officiel de TheVerseVerse* Site web officiel de L'Avant-Galerie Vossen* Compte Twitter de TheVerseVerse* Site web officiel de The NoxGallery* Compte Twitter de Mélanie Krystel* Compte Twitter de Tomomi This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

Together with my friend Marko Ahtisaari we are doing a series of podcasts on Web3.  In this episode, we talk to Kevin Abosch, a conceptual artist who sold a photo of a potato for over a million euros, put himself on the blockchain, and is currently algorithmically designing wall-hangings for this year's Helsinki Festival. We spoke to Kevin about his journey as an artist, his experiments with blockchain and NFTs, and his take on Web3. “Right now we are at peak confusion,” he says. "Things can go very dark very quickly if people don't take the time to philosophically understand how this technology may or may not serve us in the immediate and long term future." We hope you enjoy our conversation as much as we did.

Podcast: Floor Is Rising  Episode: Kevin Abosch Welcome to the podcast Floor Is Rising with host SabreTooth, a professional NFT collector and Kizu, a professional art critic. On this podcast, we talk deeply about the business of creating, collecting and analyzing NFTs. So, if you're a creator or collector of NFTs, jump in!  On today's episode, SabreTooth and Kizu interview Kevin Abosch, an OG crypto artist. Kevin began formal practice as an artist 33 years ago. Beginning with digital photography, he explains his art as always have been at the intersection of art and technology. After getting publicity from a project he built in which users of the portal could communicate anonymously, he was approached by a number of Bitcoin wallet companies who wanted to acquire the same technology. This sent him into a deepdive on all things blockchain. In January of 2018, Kevin made his first big statement by tokenizing himself in the form of 10 million ERC-20 tokens. This idea for I AM A COIN came to him after many years of feeling commodified as an artist.  When Kevin released his book Bank in 2013, few people seemed to show interest in the subject matter. In fact, he explains, the mainstream is only just now beginning to show interest in crypto, which has previously been seen as an alien. For decades, digital art was very marginalized from the professional art world. Many early practitioners of digital art were not prolific and spoke the language of technology, which most traditional artists did not have in common. Art institutions are only growing interest in digital art now because of the monetary potential seen in the medium's growing popularity. There is very little consensus on what crypto and NFT art means, though for Kevin it is simply a methodology of creation.  The traditional art world has been hesitant to accept pioneers of digital art, though they are slowly coming around. Kevin ultimately believes that if there is money to be made in this field, then those with money and in power positions will control the narrative, show, media and marketplace. They discuss trash art among other prominent “newer” art movements. Historically, we know that the art world loves a movement, as there is power in numbers. Among many NFT artists, it is clear that there is a lack of understanding regarding how their practice fits into the context of the tradition of making art for thousands of years. The “new” concepts, such as trash art and found art, have really been done for decades and are nothing new at all.  Kevin discusses his first major NFT project 1111. Though the amount of work it required nearly killed him, it was a satisfying and well received project overall. The most challenging thing, he recalls, was finding the ability to sit back and watch his work be commodified. He prefers to know that his work has made it into good hands and people are finding enjoyment in it. This is a space, he has learned, in which you have the ability to create your own reality. As the episode wraps up, he reveals his favorite artist.  Thanks for listening and don't forget to subscribe and leave us a review!  Timestamps:  0:57 - Introduction to this episode and today's guest, Kevin Abosch 1:53 - Kevin's background in art and cryptoart.  8:33 - The reception of Kevin's 2013 work, Bank, and what has changed since then.  11:04 - The tensions between digital vs. contemporary art worlds.   19:25 - The future of traditional art worlds.  22:30 - Reflecting on trash art and other “new” art movements against the background of art. 28:11 - Kevin's project 1111 and discussing the art collector dynamic.  35:30 - Kevin's favorite artist,  Tags: Crypto, cryptocurrency, cryptoart, crypto artist, NFT, digital toke, digital photography, photographer, artist, digital art, technology art, blockchain, cryptography, conceptual art, investors, startup, privacy,...

Fresh out of the studio, Yat Siu, co-founder of Animoca Brands joined us in a conversation about the story of the company and offered his perspectives on true digital ownership, blockchain gaming, NFTs and the open metaverse. Yat Siu started the conversation with his backstory and how he eventually spun off the company Animoca Brands from the parent company to focus on blockchain gaming. Last but not least, he share his thoughts on the open metaverse and what it means for true digital ownership and play to earn in the crypto gaming space. "The open Metaverse, from our perspective, is the real Metaverse, because you can then have ownership. Once you have ownership, you care to keep it because it's precious and meaningful to you, but if you don't own anything, then you actually don't care to protect it because you're just simply a guest. And I think this is part of why we are so excited about non fungible tokens as digital property rights." - Yat Siu Podcast Information: The show is hosted and produced by Bernard Leong (@bernardleong, Linkedin) and Carol Yin (@CarolYujiaYin, LinkedIn). Sound credits for the intro and end music: "Run it" by DJ Snake, Rick Ross and Rich Brian and the episode is edited by Geoffrey Thomas Craig. Additional note: Yat Siu's profile photo is credited to Kevin Abosch.

Aujourd'hui nous avons eu le plaisir de recevoir Michael Bouhanna, le "Monsieur NFT" de chez Sotheby's qui est venu nous présenter la vente en cours "Natively digital 1.2: The Collectors".Il y a quelques mois, au début du mois de juin nous recevions Michael Bouhanna de chez Sotheby’s ( réécoutez l’'épisode #61 ici ) en tant responsable de la vente Natively Digital, la première vente d’une grande maison d’enchères, mettant à l’honneur des cryptoartistes pour vendre leurs oeuvres en tant que NFT.Il revient quelques mois plus tard pour nous présenter cette fois la vente Natively Digital 1.2 : The Collectors.Cette fois comme le nom l’indique, les plus grands collectionneurs d’art NFT sont mis à l’honneur : Pranksy, 888, WhaleShark, Pablo, Mondoir etc… Ce sont eux qui ont procuré des oeuvres de leurs collections pour cette vente exceptionnelle.De cette curation il en ressort tout l’éventail de ce que peut être l’art sous forme de NFT depuis leur apparition. On y retrouve des Mooncats, des RarePepe, CryptoPunks, Bored APes pour les collections, mais aussi l’art génératif avec Art Blocks et puis les plus grands artistes tels que: Pak, Hackatao, XCopy ou Kevin Abosch.Michael est également revenu sur la création de Sotheby’s Metaverse, une plateforme créée par Sotheby’s, entièrement consacrée à la vente d’oeuvres NFT.Une room passionnante à (ré)écouter ici!Pour aller plus loin:Site officiel de la vente Natively Digital 1.2Compte Twitter de Michael BouhannaLa room #61 du NFT Morning, sur la vente Natively Digital 1Punk #8527 (The Bandit Queen), Lot 11Josie, This is America, Lot 48MoonCats #10 Get on the email list at www.nftmorning.com

暗号資産（仮想通貨）・ブロックチェーンに特化した幻冬舎のメディア「あたらしい経済 https://www.neweconomy.jp/ 」がおくる、ラジオ番組です。毎日最新ニュース解説とコラムをお届けします。 ・WeWork、暗号資産の保有と決済手段としての利用開始を発表（対応通貨はBTC、ETH、USDC、PAXなど） ・PayPal、モバイル決済アプリVenmoにて暗号資産売買を開始 ・フェイスブックのDiem、21年後半に試験運用開始か ・プラダとカルティエ、LVMHのブロックチェーンコンソーシアム「Aura」に参加 ・知的財産をNFT化、IBMとIPweが計画発表 ・ニューヨーク市会計監査役候補、市政の透明性と経済合理性のため暗号資産投資とブロックチェーン活用を提案 ・元コインベース重役で元米通貨監督庁重役、バイナンスUSのCEOへ ・BlockFi取締役に元CFTC委員長が就任 ・テゾス財団元CFO、Dev Protoclのガバナンス・リードに就任 ・仏ゲーム大手ユービーアイソフト、テゾスのステーキングに参加 ・クリプトアートのパイオニアKevin Abosch氏参加、グラコネのkizuna NFTチャリティープロジェクト第2弾発表 ・スヌープ・ドッグのNFT、350万円で落札 ・ビットコイン解析ツール無料公開、暗号資産データ分析のBasset ニュースの詳細や、アーカイブやその他の記事はこちらから https://www.neweconomy.jp/

This week, Adrian looks at whether buying digital art through NFTs (‘non-fungible tokens') is for suckers or savvy collectors. He's joined by Lory Kehoe, adjunct associate professor at Trinity Business School and director of digital assets at BNY Mellon. The discussion looks at the recent $69m auction sale at Christie's for an NFT-linked digital canvas, as well as the $2.9m sale of Jack Dorsey's first tweet via NFT and the growing prominence of Ireland's own Kevin Abosch, who has sold over €1m in NFT digital art in the last month. What exactly do you own when you buy a piece of art via NFT? What's to stop someone simply copying it at the click of a button? And where does it all fit in to the growth of crypto-currencies and blockchain? The two also look at the IPO of Coinbase and ask whether it's worth the extraordinary valuation.

An American son of German Jewish father and Irish mother, Kevin Abosch (born 1969) is an Irish conceptual artist known for his works in photography, sculpture, installation, AI, blockchain and film. Kevin's father escaped to safety in UK on the last train of the British-sponsored Kinder Transport program while the paternal grandparents were subsequently sent to Auschwitz where they were murdered along with 1 million Nazi victims, mainly Jewish. Because of his father's intimate connection to the Holocaust Kevin has developed a strong sense of obligation to other oppressed communities such as Uyghurs and Rohingyas. His work addresses the questions about identity and value, and he considers himself an artist-activist. Kevin talks to Dr. Maung Zarni on the FRC Genocide Podcast Series about: - His attempt to regain control over the process of commoditized art-artist; - On human identity & human values; - His collaboration with Ai Wei Wei ; - Recurring theme of genocides against various victims groups with different identities - #Jews #Rohingyas #Uyghurs; - His sense of obligation to other oppressed communities such as Uyghurs and Rohingyas; and - The unravelling of Truth in the age of Fake News

Earlier this year, Fast Company Magazine held their first ever European Innovation Festival in Milan, powered and hosted by Gucci. The Festival—titled The Dawn of Superintelligence—brought together talented and high-profile global thought leaders from the worlds of design, business, science and culture to discuss and share their insights on the relationship between man and machine. A handful of these influential visionaries were asked to share some of their thoughts with Gucci Podcast in short interviews recorded live from the Festival. For this episode, Editor in Chief of Fast Company Magazine, Stephanie Mehta, is joined by two world renowned artists and creators, Kevin Abosch and Martine Jarlgaard. Together they examine the evolving notion of identity in the technological era and the progressive and regressive outcomes of being able to create multiple digital selves at any one time.

Earlier this year, Fast Company Magazine held their first ever European Innovation Festival in Milan, powered and hosted by Gucci. The Festival—titled The Dawn of Superintelligence—brought together talented and high-profile global thought leaders from the worlds of design, business, science and culture to discuss and share their insights on the relationship between man and machine. A handful of these influential visionaries were asked to share some of their thoughts with Gucci Podcast in short interviews recorded live from the Festival. For this episode, Editor in Chief of Fast Company Magazine, Stephanie Mehta, is joined by two world renowned artists and creators, Kevin Abosch and Martine Jarlgaard. Together they examine the evolving notion of identity in the technological era and the progressive and regressive outcomes of being able to create multiple digital selves at any one time.

Ten autumns ago came two watershed moments in the history of money. In September 2008, the bankruptcy of Lehman Brothers triggered a financial meltdown from which the world has yet to fully recover. The following month, someone using the name Satoshi Nakamoto introduced BitCoin, the first cryptocurrency. Before our eyes, the very architecture of money was evolving — potentially changing the world in the process. In this hour, On the Media looks at the story of money, from its uncertain origins to its digital reinvention in the form of cryptocurrency. 1. The life and work of JSG Boggs, the artist who created hand-drawn replicas of currency that he used to buy goods and services. With Lawrence Weschler and MIT's Neha Narula [@neha]. Listen. 2. A brief history of money with UC Irvine's Bill Maurer and Mark Blyth [@MkBlyth] from Brown University. Listen.  3. How cryptocurrency could shape the future of money, with MIT's Neha Narula [@neha], New York Times' Nathaniel Popper [@nathanielpopper], Vinay Gupta [@leashless] of Mattereum, Brown University's Mark Blyth [@MkBlyth] and artist Kevin Abosch [@kevinabosch]. Listen.

Open Codes | Artist Talk [23.02.2019] Kevin Abosch is an Irish conceptual artist known for his work in photography, sculpture, installation, film and blockchain technology. On »ZKM Day« he reported on his artistic work in the exhibition »Open Codes«. In addition to his photographic works, he plays especially with the blockchain [digital data chain] as a stylistic means. The aim of his works is to critically illuminate the social value of art and the individual and to question why we attach value to things. /// Kevin Abosch ist ein irischer Konzeptkünstler, der für seine Arbeiten in den Bereichen Fotografie, Skulptur, Installation, Film und Blockchain-Technologie bekannt ist. Am »ZKM Tag« berichtete er in der Ausstellung »Open Codes« über seine künstlerische Arbeit. Neben seinen fotografischen Werken spielt er insbesondere mit der Blockchain als stilistischem Mittel. Ziel seiner Arbeiten ist es, die gesellschaftliche Wertbestimmung von Kunst und Individuum kritisch zu beleuchten und zu hinterfragen, warum wir Dingen einen Wert zumessen.

In this week's episode of the ArtTactic Podcast, Jessica Klein, freelance journalist, joins us to discuss her recent article in The Outline on the art world, cryptocurrency and blockchain. First, Jessica identifies a few notable artists currently incorporating blockchain technology and cryptocurrency in their art in different ways, such as Kevin Abosch, Cryptograffiti and Sarah Meyohas. Then, she tells us if there is any crossover between the collectors of this blockchain and cryptocurrency art and more traditional contemporary art. After, Jessica explains how select galleries and auction houses are targeting the newly crypto wealthy. Lastly, she identifies some of the art world startups that are leveraging blockchain technology to try to address provenance issues.

In this episode we tackle the Codex Platform with the wonderful Jessica Houlgrave - A London to DC adventure you surely dont wanna miss! AOTB Top 5 - Knowledge 4/19/18 Fresh from Atlanta! Thanks to Mimi from Shear Love on The Goat Farm artist community. 1. April 8, 2018, 5 Ways Blockchain Technology is Changing How Art is Made by Steven Buchko, on CoinCentral.com https://coincentral.com/5-ways-blockchain-technology-is-changing-how-art-is-made/ Projects mentioned: Anime Coin (anime-related digital items), CryptoKitties; Plantoids; IAMA Coin created by Kevin Abosch (secured in blood); The Scarab Project where 1,000 artists collaborate to create one AI art piece and if you contribute to the piece, you are entitled to a Scarab token tradeable on Counterparty; Curio Cards; Slothicorn Steemit account (if you submit, will receive a small amount of steem). https://projects.invisionapp.com/share/R6F7UY5CQ#/screens/269818683_Art_Project 2. April 5, 2018, Pineapple Arcade: Play Crypto Games for Free by Samara Malkin, created by the Pineapple Fund using their developers, Neon District. Prizes include: The prizes include: 250 ETH (provided by Pineapple Fund) $100 thousand for charity (provided by Pineapple Fund) 10 BTC (provided by Pineapple Fund) 1 BTC (provided by Pineapple Fund) 15 ETH (provided by Neon District) 75 Neon District Trophies (provided by Neon District) – the trophies will grant winners exclusive alpha access to the upcoming Neon District game 1 million COIIN (provided by COIIN/Atari Movie) 100,000 RUSTBITS (provided by Age of Rust/SpacePirate.io) – this puzzle has just been solved https://cryptocurrencynews.com/crypto-games/pineapple-arcade-play-crypto-games-free/ https://pineapplefund.org/ http://www.pineapplearcade.net/about 3. Feb. 2, 2018, Can Blockchain Technology Solve Copyright Attribution Challenges of Digital Work? by Dr. Hadar Mazor, on IPWatchdog.com Practical blockchain purposes to solve copyright attribution problems: Efforts are being invested in leveraging blockchain technology to resolve challenges associated with copyright attribution to provide acknowledgment of copyright of a digital work of art to its holder or author. Problem: A digital work of art primarily exists in the form of intangible artifact and the digital work of art may not fit the form of the high-stakes international art market, which continues to rely on unique, original, tangible objects. Since a digital work of art does not yield artifacts that can be easily owned and traded in a conventional sense, their value may not be appropriately estimated. Copyright and other intellectual property tools are frequently employed to countervail this problem but with little success. Difficulty with this model: "Nonetheless, decentralized blockchain data storing technology relies on the trust of the group." She looks at a product called "NKOR" which "aims at utilizing a decentralized, cryptographically secure database blockchain-based technology, to document the recordation, reproduction, distribution and trade of digital works of art." http://www.ipwatchdog.com/2018/02/02/blockchain-technology-solve-copyright-attribution-digital-work/id=93161/ http://nkor.io 4. AOTB and James Waugh - Intro to Crypto/Art, Crypto/Music and Blockchain with special guest, James Waugh, who will be presenting "Bidio: Driving Progress Through Creativity." James Waugh is the CEO of Bidio, which recently introduced ERC888 and the multidimensional viewToken protocol. https://www.meetup.com/Art-on-the-Blockchain-Meetup/events/249651870/ 5. Creative Tech Week - New York May 3-12, 2018. This is a crowd-funded event with installation locations across NYC. May 10 - AOTB will be there! http://creativetechweek.nyc/ J-Scrilla releases new video #CANTSMOKEBTC https://www.youtube.com/watch?v=hPimmS0TyPs www.rarescrilla.com All music tracks & editing by DJ J Scrilla Tips vis Bitcoin and XCP (or XCP assets)Welcome : 1D3DYP4nBC5DqTm1g5GeKf1uWeemLipwpY

The Crypto Art Business is booming! Here are the top five news items since Ep. 9. 1. On Valentine's Day, 2018, 10 investors put up $100k each totalling $1 million, for the "Forever Rose" as part of a charitable event sponsored by Gifto, which worked with artist/photographer Kevin Abosch. https://www.crowdfundinsider.com/2018/02/128411-valentines-day-crypto-art-sells-1-million-gifto/ http://money.cnn.com/2018/02/14/technology/crypto-art-valentines-day/index.html 2. Lixar I.T. Inc. launched Megaphono Music App on February 5 in advance of music showcase festival in Ottowa Canada, which ran from Feb. 8 - 10 this year, where users could download the Megaphono app, listen to music, and reward musicians with LiteCoin for each song played. http://www.ottawafestivals.ca/first-music-festival-crypto-payment-platform-w-megaphono-app/ http://www.megaphono.tv/download-app/ 3. Blockchain, Cryptocurrency Revolution and Art #2 will be held in NYC, March 15 from 6-10 at BuroHQ. http://blockchaincryptoartnyc.splashthat.com 4. Artists exhibiting at Satoshi Roundtable – including today's guest cryptograffiti. We'll post links to some of the art featured at the Satoshi Roundtable which was held in Cancun, Mexico from Feb. 5-8, 2018. https://bitify.com/auctions/collectable-art/terrible-store-of-value-1026570/ https://cryptocoin.news/events/terrible-store-of-value-repurposing-dimons-words-through-blockchain-art-7031/ https://twitter.com/cryptograffiti/status/961244861465812993 https://cryptoart.com/cryptoart-will-be-at-the-satoshi-roundtable-feb-5-8/ 5. Puzzle solved! Cryptoartist Marguerite DeCourcelle created a puzzle with fellow artist, Rob Myers, to conclude a series of Bitcoin puzzles called "The Legend of Satoshi Nakamoto." http://www.cbc.ca/radio/asithappens/as-it-happens-friday-edition-1.4528357/this-painting-is-actually-a-bitcoin-puzzle-worth-more-than-40k-and-someone-finally-solved-it-1.4529176 Twitter handles in the News @coin_artist @Grandenchilada @MeetMeural @rareartlabs @gifto_io @cryptograffiti @LixarIT @kevinabosch @AlixBranwyn @julian0liver Bitcoin tips: 1D3DYP4nBC5DqTm1g5GeKf1uWeemLipwpY