Podcasts about christian b

http://www.five1.de/podcast/ai-data-security Alle reden über KI-Use-Cases. Über Agenten. Über Automatisierung. Kaum jemand redet ernsthaft über das, was im Hintergrund passiert: Datensicherheit. In dieser Folge spreche ich mit Christian Bühler und Joshua Zielinski darüber, warum Security im KI-Umfeld kein IT-Randthema ist – sondern strategische Pflicht. Denn KI ist nichts anderes als eine Datenpipeline: Was du reinsteckst, kommt verstärkt wieder raus. Und genau dort liegen die Risiken. Wir sprechen über: • Schatten-KI und unbewusste Datenleaks durch Mitarbeitende • Warum Agenten mit zu vielen Rechten gefährlicher sind als Hacker im Hoodie • Manipulierte Wissensdatenbanken und falsche KI-Outputs • Denial-of-Wallet-Attacken und versteckte Kostenrisiken • Warum der EU AI Act eher Leitplanke als Innovationsbremse ist • Und weshalb Governance im KI-Zeitalter neu gedacht werden muss Die zentrale Botschaft: Sicherheit bremst dich nicht aus. Sie macht dich handlungsfähig. Wenn du KI einführst, ohne dir über Privilegien, Datenquellen und Monitoring Gedanken zu machen, potenzierst du Fehler. Wenn du es sauber aufsetzt, wird KI zum Wettbewerbsvorteil. Und genau darum geht es in dieser Episode. ⸻ ⏱️ Timestamps 00:00 – Rückblick: Security-Assessment & Reaktionen 01:20 – Warum KI-Security plötzlich Chefsache wird 03:00 – Hype vs. Regulierung: Wo stehen Unternehmen? 04:30 – Imperfect User: Das größte Sicherheitsrisiko 06:00 – Schatten-KI und Datenleaks 08:00 – Enterprise-Lösungen vs. öffentliche KI 10:00 – Least Privilege: Warum Agenten Grenzen brauchen 12:00 – On-Prem vs. Cloud: Realität im Mittelstand 14:00 – EU AI Act: Bremse oder Leitplanke? 17:00 – Manipulation von KI-Daten als reales Risiko 20:00 – Governance im KI-Zeitalter 23:00 – Typische Sicherheitslücken bei KI-Use-Cases 26:00 – Predictive Maintenance & Praxisbeispiele 29:00 – Monitoring, Logging & Wissensdatenbanken 32:00 – KI-Workflows & vererbte Berechtigungen 34:00 – White Paper: Die 5 häufigsten KI-Security-Risiken 35:30 – Fazit: Sicherheit als Enabler

I have an uncle who used to sing the craziest (and often off-color songs). He was a WWII vet and looked like the Canadian actor Lorne Greene. He would rip out the kinds of songs that sailors sang and I would rush to write down the lyrics so I could learn them. And learn them I did. The hard way. It was irritating and frustrating. Even though they say the hand builds the mind and it wasn’t the end of the world that I spent so much time writing them down and rewriting them, I was still relying on rote learning. If only I knew then what I know today about memory techniques! You see, I now memorize and regularly demonstrate poems I’ve committed to memory almost every month during my live memory training bootcamps. I’ve memorized everything from ancient Sanskrit poems to some of the most inventive contemporary poetry. And today I’m going to share a few case studies and key tips I know you’re going to love. How to Memorize Poetry Fast The fastest way I know to memorize poetry involves a combination of ancient memory techniques. These are: The Memory Palace Technique Alphabetical association Numerical association (where relevant) Spaced repetition based on solid active recall principles Now, I know that weaving together so many memory techniques to memorize poetry or even song lyrics, sounds like a lot. But if you want to memorize poems fast, stick with me. Bringing all of these strategies together is much easier than it might seem at first glance. But first, let me demonstrate that I can actually memorize poetry. I believe proof is important because there are a lot of people out there who talk about skills they cannot do. In the case of mnemonics, there are even entire forums filled with people giving advice about memory techniques when they clearly haven’t lifted a finger to memorize a poem. That, or they’ve used rote memorization and are only pretending they used mnemonics. So with those issues in mind, here are a few examples. Please be sure to watch each example because I will refer back to these recitations to help you rapidly memorize poems of your own. Example One: A Univocalic Poem In this video, you’ll see me at the Memory Palace Bookshop I’m developing practicing the recitation of a univocalic poem by Christian Bök: https://youtube.com/shorts/b6oFIOnAwng?feature=share That’s from a fantastic book of poetry called Eunoia. Example Two: Shakespeare This video not only shows me reciting lines from Titus Andronicus. It includes a very important teaching point. That’s because I also demonstrate reciting the lines forward and backward to help teach you how to more easily commit even the most difficult poem to memory using a process I call Recall Rehearsal: https://youtu.be/nhjIkGu32CA?si=s6gIJz6Poq9Zpo6C&t=1380 Now, I regularly memorize Shakespeare. But in the case of the example shared in the video above, I had a special purpose in mind. I was doing it to reproduce the memory technique Anthony Hopkins describes in his autobiography. Here’s the full case study. Example Three: Song Lyrics In this video, you’ll see and hear me singing a famous song called The Moon Represents My Heart in Chinese: https://youtu.be/dCyPV6qfKkI The entire song took just over forty minutes to commit to long-term memory. Even though it’s been a few years since I sang the whole song, I still remember most of the lyrics to this day. Every once and awhile, I whip it out and it always brings a smile to my wife’s face. The reason this Chinese poem set to music took a bit longer to memorize other poems I’ve memorized is because it’s in a foreign language that I was only just beginning to study at the time. Example Four: Poetry Quoted in a Speech When I wrote my TEDx Talk, I incorporated lines from a Sanskrit piece called the Ribhu Gita. This was an interesting challenge because it called me to recall the speech and the poetry that had already been memorized. https://www.youtube.com/watch?v=kvtYjdriSpM This particular performance was a lot of fun, but also challenging due to the combination of a live audience, cameras and the fact that the world was starting to go into lockdown at the beginning of Covid. I had a lot on my mind, but thanks to the memory techniques you’re about to discover, I still think the talk came off fairly well. It’s been seen over four million times now, so I must have done something right. Example Five: Real-Time Poetry Memorization If you want to see me memorize in real time, check out this discussion with Guru Viking. Steve, the host, throws Shakespeare at me and I memorize a few lines and discuss how I did it in real time: https://www.youtube.com/watch?v=J62IN_ngYH0 Now let’s get into the steps, many of which come directly from my premium course on memorizing poetry. Step one: Use the Memory Palace Technique A Memory Palace is essential for memorizing poetry, or anything verbatim. What is this technique? A Memory Palace is a mental recreation of a familiar location. For example, in the first video example above from the poem Eunoia, I used my mom’s home from where she lived years ago. I moved from the master bedroom to the kitchen and living room, to a few other bedrooms and finally out the door and down the driveway in front of the house. How to Memorize a Poem in an Hour (or Less) Using This Technique Using the method of loci, you place mnemonic images along a mental journey. As I just mentioned, I started in one room, then moved to the kitchen, the living room, and so forth. On each corner and wall, I placed an association. For example, for the line, “Awkward grammar appals a craftsman,” I placed an image of Apollinaire in a state of awe changing into being appalled. Now, what exactly it means to “place” an association along a journey in an imaginary version of a building can feel a bit abstract in the beginning. But basically, you’re taking a corner, a wall or a piece of furniture and elaborating it with strange, exaggerated ideas and feelings that remind you of each word of the poem or song lyric. You can do it in any language and if you look at the Guru Viking video above, you’ll see me demonstrate exactly how and why it works in any language. In that particular example, I use the wall behind me for Shakespeare in the same way I memorize Sanskrit phrases when memorizing ancient mantras. To Speed Up The Process When You’re Just Starting Out, Do This Learning to use the Memory Palace technique can feel challenging in the beginning. To reduce the cognitive load, I suggest making a quick sketch of a familiar location that you will turn into a Memory Palace. You don’t have to be artistic. I don’t try to make fine art of it at all. To wit, here’s a quick sketch of a bookstore in the Zamalek area of Cairo I have used many times to memorize poetry and other types of information: A Memory Palace drawn on an index card to maximize its value as a mnemonic device. This one is based on a bookstore in Zamalek, a part of Cairo. The reason for drawing out the journey is to get it clear in your mind. That way, you can spend more time on the next step. But failing to simply draw a Memory Palace in advance can lead to a lot of unnecessary frustration. That’s because you will ultimately wind up trying to encode the poem while developing the Memory Palace at the same time. To memorize any poem as quickly as possible, you need to separate the two activities. Step Two: Lay Down Your Associations One Word At A Time (Most Of The Time) Shakespeare opens King Henry the Fifth like this: O for a Muse of fire, that would ascend The brightest heaven of invention, A kingdom for a stage, princes to act And monarchs to behold our swelling scene! When I memorized these lines, I started at station one with an image of the constellation Orion over the Statue of Liberty. Using the pegword method, I associated Orion with O. Then, using the general concept of a woman that inspires people, I placed the Statue of Liberty in the Memory Palace. In this case, the Memory Palace was a workplace where I was writing curriculum in Vancouver, B.C., Canada. You might choose a completely different image for the words “muse of fire.” But the technical point is that you want to find a direct sound and spelling correspondence that is: Based on ideas and images already in your memory Makes sense to you Making sure that the associations you choose are personal is part of what scientists call active recall. For me personally, Lady Liberty is an especially apt choice not only because she represents inspiration, as the muses. She’s also holding a torch, which helps me encode the word “fire.” But I also lived in both Manhattan and Brooklyn for awhile and often crossed the Manhattan Bridge. This makes the memory of the Statue of Liberty even stronger for me, and another reason why you need to think about the images that make most sense for you. How to Associate “Little Words” for Rapid Memorization What about a word like “that”? Tricky and abstract, right? Not really. You just need to pick an association that makes sense to you while sounding or seeming as close as possible to the target information as you can get it. In the case of the Henry the Fifth line, I just took “th” and linked it with Thor and then used rhyming to have him put on a hat in a dramatic way. Thor + hat = that. When it comes to the Bök poem, there’s a part of the sequence (full poem here) where I used Thor with his hat again: Awkward grammar appals a craftsman. A Dada bard as daft as Tzara damns stagnant art and scrawls an alpha (a slapdash arc and a backward zag) that mars all stanzas and jams all ballads (what a scandal). For a small word like “all,” I used the Punk Rock band All, but only in part. Drawing upon the mnemonic teaching of people like Peter of Ravenna, Jacobus Publicius and Giordano Bruno, I used the principle of reduction. Rather than imagine the entire band, or even an entire mascot, I just imagined the eyes of the mascot. To memorize at speed, I suggest you practice this principle of reduction. Also develop what I call the Magnetic SRS in my full poetry course in the Magnetic Memory Method Masterclass. By taking an hour or so to assign association to all the pronouns and other “operator” words like “that,” you won’t have to stop and come up with associations ever again. The Magnetic SRS training in my full program goes into further detail. It will help you develop dozens of images for words that seem like they’ll be tricky or repetitive. Done well, they can be used repeatedly, but never cause confusion. Step Three: Memorize Multiple Words When You Can Memorizing more than one word in a poem at a time is called mnemonic compression. This term can mean more than one thing. But in this case, I’ve technically just given you a description of how compression works with the Statue of Liberty example. After Orion for O, she represents five words: “for a Muse of fire.” In this case, it works because I’m familiar with the workings of English grammar. But you can’t always get away with this kind of compression, especially when memorizing poetry in another language. It’s just best to keep an eye out for compression opportunities as much you can. When I memorized my TEDx talk using these techniques for speech memorization, thanks to compression, I loaded one station in my Memory Palace with up to 17 words using just 3-5 images (depending on how you count them). Keep in mind that you don’t have to start with poems with long passages like the ones I included in my TEDx Talk. A lot of people like to start with short Bible verses. I’ve put together a list of Bible verses to memorize that address the theme of memory if you’d like to select a few for practice. Step Four: Use Intelligent, Creative Repetition As I mentioned above, rote learning is a real problem. What you want instead is something called spaced repetition. It provides a simple means of reviewing memorized material on a schedule that keeps it in memory. Different poems and lyrics will require different amounts of repetition, and it’s not easy to predict in advance how much content will require how much repetition. However, there’s something called context-dependent memory. Basically, it gives you a boost when you use a lot of content frequently. Or read continually within particular categories of information. So if you read literature and quote it often, you’ll probably need less repetition than someone who doesn’t. And if you memorize the sonnet form more than free verse, you’ll likely develop a stronger and faster reliability because you’ve internalized its rules. Creative Repetition for Long-Term Maintenance For most of us, poems will fade over time no matter what we do. Fortunately, there are creative repetition strategies that can help make sure you maintain them. One is to follow in the footsteps of geniuses. For example, Anthony Hopkins keep common place books where they store and regularly revisit favorite poems. People like Thomas Jefferson used this strategy too. Another strategy is to use reflective thinking to compare various poems you’ve memorized. You can do this from poem to poem or between poems and your favorite philosophy books, historical events, etc. Finally, look for opportunities to recite the poems. Even if you just quote isolated lines, this smaller recitation will help keep the full poem within your mental reach. 3 Alternative Ways To Memorize Poetry You might be wondering if it’s possible to memorize poetry without using the Memory Palace technique. Indeed, there are. Here are some options. Rote Repetition Although I personally don’t like how rote learning feels, it is an option you can explore. It’s a slower option for most of us. But one simple way to get more mileage out of sheer repetition is to choose the time of day and location where you practice it strategically. You’ll need a lot of focus and concentration on top of sheer will power to keep repeating the same lines without the fun of mnemonics, so make sure you aren’t interrupted. I’d also suggest focusing on shorter poems for use with rote. That way you can memorize more poems in their entirety and enjoy substantial accomplishments more often. Cloze Methods A cloze test involves showing yourself parts of a poem. As you read through the poem, you try and fill in the blanks. This activity can trigger some of the positive benefits of active recall. Here’s an example of how you would apply the cloze test methodology to help yourself remember The Tyger by William Blake: Tyger Tyger, burning _____,  In the _____ of the night;  What immortal ____ or ____,  Could _____ thy ______ ______? Visual Flashcards Finally, if you’re willing to make simple drawings, you can draw on flashcards. This approach is kind of like a visual cloze test. Instead of hiding the word “bright” in the phrase “burning bright,” you would sketch an image that helps trigger the phrase. I’ve done this a fair amount with memorizing the books of the Bible. It’s a fast and easy way to help the mind make connections without having to use a Memory Palace. That said, drawing can take a lot of time. I would save this approach for when you feel like an experimental learning experience. How to Practice Reciting Poetry from Memory There are three key ways that I practice reciting poetry, not only to ensure that they’re locked in long-term memory. The point is also to get the lines as fluid as possible and bring out various parts you want to emphasize. After all, it’s not fun to sound robotic. The point of poetry is to convey meaning and beauty, humor or to stimulate some kind of emotion. One: Write the Poetry from Memory Another aspect of proper active recall practice is to call the information to mind by revisiting your associations in your Memory Palace, then write the words down. When writing out what you’ve committed to memory, don’t worry about mistakes. If you catch yourself making a mistake, just scratch it out. Then, once you’ve written as many lines as you can recall, test them against where the verse is written in a book or online. Here’s an example of a test from another part of Eunoia I recently memorized:   At this point, I hadn’t memorized the entire poem and had to start a new journal. But the important point is to test in this exact manner so that you don’t fall into rote repetition. Two: Recite Verbally As demonstrated in several of the video examples above, I practice recalling the poetry verses from memory out loud. This step is important because it gets the poetry into the muscle memory of the mouth. And this is the best way to practice adding gravitas to your performance. I suggest that you also recite the poetry out of order as you see in the Anthony Hopkins video above. This will give each line primacy and recency using the serial positioning effect, as was codified by Hermann Ebbinghaus. During the learning process, it can also be helpful to make up a little tune to go with the poetry. Even if you don’t sing it later, there’s something to chanting and singsonging that aids memory. This is something Bruno notes in his memory guide, Cantus Circaeus (Song of Circe), available in this English translation. Three: Recite Mentally It’s also valuable to practice reciting what you’ve memorized purely in your mind. You can do this solely by reciting the lines while moving through your Memory Palaces. Or you can do it without thinking of the Memory Palace journey, which is a point you should practice as soon as possible. If you are going to perform the poem live, it’s also helpful to imagine yourself delivering it live on camera or in front of an audience. I’ve done all of these things and it has really helped make sure my performance is fluid. But it also creates that priceless feeling of preparation. Your audience will appreciate your delivery much more as well. Make Poetry Memorization Part of Your Daily Life Finally, I’d like to discuss how to make poetry memorization a daily activity. We’re all different, but I personally prefer to encode new poems during the morning. This is simply because my energy is highest. Then I practice reciting in the evening. You might find that you prefer the opposite pattern. The key is to experiment, all based on having developed your mnemonic tools. Plus, it only makes sense to have a lot of poetry that you like within reach. Along with having the right memory techniques for this kind of verbatim learning task. That’s ultimately the most important tip of all. To get fast with memorizing poetry, you need to have your mnemonics prepped in advance. If you’d like more help on how the Memory Palace technique and related mnemonic strategies will help you memorize poems of any length, please consider signing up for my FREE Memory Improvement Course: It will take you through developing Memory Palaces for memorizing any poem at speed. Those poems can be as short as a simple song or as long as the Bible (which as I discuss in this tutorial, is possible to memorize). Or you can memorize songs from your weird uncle like I often did… even if I can’t always repeat them in polite company. Frankly, I wish I’d known these techniques back when I was young. Not only because I’d remember more of the words to the songs he sang. I’d remember more about him too. And that’s ultimately the greatest thing about memorizing poetry. We’re memorizing the ideas, feelings and images that impacted others, literally integrating ourselves with the stuff of life through memory.

Pour cet épisode de Sous Écoute, Mike reçoit Isabelle Richer et Christian Bégin pour parler de dating, de théâtre et de meurtre !---------Pour vous procurer la Ward Vodka - http://wardvodka.ca/ et la Ward Diet Cola  - http://wardcola.ca/Pour vous procurer des billets du spectacle Modeste - https://mikeward.ca/fr--------Patreon - http://Patreon.com/sousecouteTwitter - http://twitter.com/sousecouteFacebook - https://www.facebook.com/sousecoute/instagram - https://www.instagram.com/sousecouteTwitch - https://www.twitch.tv/sousecouteDiscord - https://discord.gg/6yE63Uk ★ Support this podcast on Patreon ★

Viele KI-Initiativen scheitern nicht an Algorithmen, Modellen oder mangelndem Willen – sondern an der Basis. In dieser Folge von AI or DIE sprechen Andreas Wiener und Christian Bühler darüber, warum KI ohne eine sauber aufgebaute Daten- und Cloud-Plattform kaum eine Chance hat. Es geht um überzogene Erwartungen, Quick-and-Dirty-Leuchtturmprojekte und den fatalen Irrglauben, man könne KI einfach „on top“ auf bestehende Strukturen setzen. Christian erklärt, warum Begriffe wie Security, Resilienz, Performance, Operational Excellence und Kosten keine Buzzwords sind, sondern harte Voraussetzungen für produktive KI-Use-Cases. Die Folge zeigt klar: Ohne belastbares Fundament wird aus jeder KI-Idee eine teure Krücke. Wer jetzt nicht aufräumt, skaliert später nur Probleme. Eine ehrliche Episode für Entscheider:innen, die KI nicht nur ausprobieren, sondern nachhaltig nutzen wollen.  ⸻ Timestamps 00:00 – Einstieg: Warum KI-Initiativen scheitern 00:33 – Überzogene Erwartungen und falsche Annahmen 01:30 – Warum alte Cloud-Plattformen KI ausbremsen 01:50 – Was „well-architected“ wirklich bedeutet 02:34 – Die fünf Säulen einer belastbaren Plattform 02:59 – Für wen diese Leitplanken relevant sind 03:28 – Cloud-Zoo, Komplexität und Realität im Konzern 04:26 – Sicherheit & Cloud-Souveränität 05:06 – Datenplattform als Fundament für KI 05:15 – Resilienz, Verfügbarkeit & Governance 06:14 – Performance als Akzeptanzfaktor 07:24 – Always-on-Architekturen und Orchestrierung 08:19 – Wer ist verantwortlich: IT oder Fachbereich? 09:14 – Warum Fachbereichs-KI oft scheitert 10:15 – Budgets, ROI und Wirtschaftlichkeit von KI 11:20 – KI als Wette auf die Zukunft 12:29 – Was Resilienz technisch wirklich heißt 13:41 – Klassische Fehler bei KI-Plattformen 14:31 – Leuchtturmprojekte und „Quick & Dirty“ 15:11 – Die berühmte Krücke aus BI-Projekten 16:18 – Proof of Concept vs. produktiver Betrieb 17:20 – Welcher Tool-Stack ist „vernünftig“? 18:21 – SAP, Databricks & offene Architekturen 19:52 – Best-of-Breed statt Tool-Dogma 21:13 – Plattform vs. Mensch: Was ist wichtiger? 22:02 – Data Culture & echte Nutzung 23:04 – Online-Assessment: Standortbestimmung 24:35 – Klare Worte: Was Unternehmen jetzt tun müssen 26:07 – Ausblick: Sicherheit & nächste Folge 29:15 – Abschluss & Call to Action 29:40 – Ende der Folge

Danmark har en aftale med USA. Aftalen giver USA mulighed for at udstationere amerikanske soldater og militært udstyr - herunder køretøjer, skibe og luftfartøjer - på dansk jord. Mere specifikt på flyvestationerne i Aalborg, Karup og Skrydstrup. Aftalen er uopsigelig i de første ti år. Spørgsmålet er, om det nu også er en god idé, at USA frit kan parkere sine tanks og sine soldater i Danmark, når selvsamme USA har truet Kongeriget Danmark med militær magt. Spørger man Dansk Folkeparti, så er svaret nej. Og derfor vil partiet nu sætte Forsvarsaftalen på pause. Den skal genforhandles og kan IKKE bestå i sin nuværende form. Det er dagens P1 Debat. Du kan blande dig i debatten ved at ringe ind fra 12:15-13:30 på 7021 1919 eller send en sms til 1212. Gæster: David Trads, journalist, forfatter og USA-kender Trine P Mach, forsvarsordfører (Ø) Christian Bülow, FT-kandidat (DF) Torben Ørting, formand for Folk og Sikkerhed, fhv. kontreadmiral Henrik Frandsen, gruppeformand (M) Lasse Olsen, Enhedslisten i Aalborg Vært: Cecilie Lange Tilrettelægger/producer: Sebastian Johan Lund

Danmark har en aftale med USA. Aftalen giver USA mulighed for at udstationere amerikanske soldater og militært udstyr - herunder køretøjer, skibe og luftfartøjer - på dansk jord. Mere specifikt på flyvestationerne i Aalborg, Karup og Skrydstrup. Aftalen er uopsigelig i de første ti år. Spørgsmålet er, om det nu også er en god idé, at USA frit kan parkere sine tanks og sine soldater i Danmark, når selvsamme USA har truet Kongeriget Danmark med militær magt. Spørger man Dansk Folkeparti, så er svaret nej. Og derfor vil partiet nu sætte Forsvarsaftalen på pause. Den skal genforhandles og kan IKKE bestå i sin nuværende form. Det er dagens P1 Debat. Du kan blande dig i debatten ved at ringe ind fra 12:15-13:30 på 7021 1919 eller send en sms til 1212. Gæster: David Trads, journalist, forfatter og USA-kender Trine P Mach, forsvarsordfører (Ø) Christian Bülow, FT-kandidat (DF) Torben Ørting, formand for Folk og Sikkerhed, fhv. kontreadmiral Henrik Frandsen, gruppeformand (M) Lasse Olsen, Enhedslisten i Aalborg Vært: Cecilie Lange Tilrettelægger/producer: Sebastian Johan Lund

Danmark har en aftale med USA. Aftalen giver USA mulighed for at udstationere amerikanske soldater og militært udstyr - herunder køretøjer, skibe og luftfartøjer - på dansk jord. Mere specifikt på flyvestationerne i Aalborg, Karup og Skrydstrup. Aftalen er uopsigelig i de første ti år. Spørgsmålet er, om det nu også er en god idé, at USA frit kan parkere sine tanks og sine soldater i Danmark, når selvsamme USA har truet Kongeriget Danmark med militær magt. Spørger man Dansk Folkeparti, så er svaret nej. Og derfor vil partiet nu sætte Forsvarsaftalen på pause. Den skal genforhandles og kan IKKE bestå i sin nuværende form. Det er dagens P1 Debat. Du kan blande dig i debatten ved at ringe ind fra 12:15-13:30 på 7021 1919 eller send en sms til 1212. Gæster: David Trads, journalist, forfatter og USA-kender Trine P Mach, forsvarsordfører (Ø) Christian Bülow, FT-kandidat (DF) Torben Ørting, formand for Folk og Sikkerhed, fhv. kontreadmiral Henrik Frandsen, gruppeformand (M) Lasse Olsen, Enhedslisten i Aalborg Vært: Cecilie Lange Tilrettelægger/producer: Sebastian Johan Lund

Diese Episode ist vom Anfang bis zum Ende mit der zukünftigen Machtübernahme in Peiting durchzogen. Hierzu besucht Christian (Bürgermeisterkandidat UP) sogar die Pinakothek der Moderne in München und ändert die Brandschutzvorschriften in Weilheim mit dem BMI. Patrick (Marktgemeinderatskandidat UP) kritisiert die kommunikationsaggression der Parteijünger von CSU, während er allgäuhüttentestend die 12 Punkte vom ECP und SCR feiert. Peitinger Bahnhofs- und Juzepläne werden kurz vor der Wahl noch auf geduldiges Papier gedruckt (Artikel der an die Haltung der anderen Peitinger Gruppierungen erinnert) und die pelztragenden Damenrotten werden vom Jäger gestoppt, indes die Amerikaner den Bernrieder Polizeikontrollenentziehversucher sicherlich nicht nicht erschossen hätten. Christian wählt Christian und Patrick Ozzy. Oberammergau sucht den Würstlverkäufer, Littler die Diät und Bayern einen Gegner. Genießt dieses Bernsteinzimmer des guten Podcasts und freut euch auf die Podiumsdiskussionen. Rot oder Rosé ist der erste, größte und einflussreichste Podcast mit Christian Lory und Patrick Grothmann im Oberland, Lechrain, Pfaffenwinkel und im Allgäu. Ungeschnittenen und unabhängig! [Hier geht's zur Homepage](https://podcaste87451.podigee.io/)

2026 wird wieder über Trends geredet. Wir drehen den Spieß um. In dieser Folge von AI or DIE sprechen Andreas Wiener und Christian Bühler (Five1) über Anti-Trends: Was Unternehmen nicht brauchenund welche Hausaufgaben jetzt wirklich entscheidend sind, um KI sinnvoll einzusetzen. Klartext statt Buzzwords: Data Governance, saubere Daten, echte Business-Cases und warum Tools allein noch nie ein Problem gelöst haben. Pflichtprogramm für Entscheider, Berater:innen und den gehobenen Mittelstand.

If you want to understand the future of learning and equip yourself with the best possible tools for operating at the top of your game, I believe becoming polymathic is your best bet. And to succeed in mastering multiple skills and tying together multiple domains of knowledge, it’s helpful to have contemporary examples. Especially from people operating way out on the margins of the possible. That’s why today we’re looking at what happens when a poet decides to stop writing on easily destroyed paper. Ebooks and the computers that store information have a shelf life too. No, we’re talking about what happens when a poet starts “writing” into the potentially infinite cellular matter of a seemingly unkillable bacterium. This is the story of The Xenotext. How it came to be, how it relates to memory and the lessons you can learn from the years Christian Bök spent teaching himself the skills needed to potentially save humanity's most important art from the death of our sun. Poetry. But more importantly, this post is a blueprint for you. The story of The Xenotext is a masterclass in why the era of the specialist is over, and why the future belongs to the polymaths who dare to learn the “impossible” by bringing together multiple fields. What on earth could be impossible, you ask? And what does any of this have to do with memory? Simple: Writing in a way that is highly likely to survive the death of the sun changes the definition of what memory is right now. And it should change what we predict memory will be like in both the near and distant future. https://www.youtube.com/watch?v=HwQiW1XDAvI Encoding Literature Into Life: The Xenotext Christian Bök, often described as a conceptual poet, has run experiments with words for decades. For example, Eunoia is a univocal lipogram. That means, in each chapter, Bök used only words containing one of the vowels. This is a constraint, and it leads to lines like, “Awkward grammar appals a craftsman.” And “Writing is inhibiting.” There are other “programs” or constraints Bök used to construct the poem. As a result, you hear and feel the textures of your own mother tongue in a completely new way as you read the poem. But for The Xenotext project, Bök wondered if it would be possible to discover the rules and constraints that would enable himself, and conceivably other poets and writers, to encode poetry into a living organism. That leads to a fascinating question about memory that many mnemonists have tackled, even if they’re not fully aware of it. Can a poem outlive the civilization that produced it? If so, and humans are no longer around, how would that work? The Science of How Biology Becomes Poetry As far as I can understand, one of the first steps involved imagining the project itself, followed by learning how it could be possible for a poem to live inside of a cell. And which kind of cell would do the job of protecting the poetry? It turns out that there’s an “extremophile” called Deinococcus radiodurans. It was listed in the Guinness Book of World Records as the most radiation resistant bacterium on planet Earth. As a life form, its DNA was sequenced and published in 1999. According to the Wikipedia page on The Xenotext, Bök started conceiving of encoding poetry into DNA and then inserting it into the bacterium circa 2002. But the project is about more than having poetry persist within a cell so it can transmit the work without errors later. It’s a kind of combinatory puzzle in which the bacterium acts as a kind of co-author. In order to pull this project off, Bök needed to enlist the help of scientists while mastering multiple skills many people would not normally consider “writing.” But as we head into the future, we definitely should. Radical Autodidacticism: Reaching New Heights Through Deep Discipline To this day, many educators talk about the importance of being a specialist. But The Xenotext project and the work Bök put into it forces us to redefine what it means to be a self-directed learner in the 21st century. When Bök decided to encode a poem into the DNA of an extremophile bacterium, he didn’t just “dabble” in science or explore various interests as a multipotentialite. Nor did he read a few pop-sci books and expect an organism to write a poem in return. No, he spent many years studying genomic and proteomic engineering. He coded his own computer program to help him “unearth” the poetry, all while writing grants and collaborating with multiple experts. The Skill Stack If you’re a lifelong learner with big dreams, it’s useful to examine how people with autodidactic and polymathic personality traits operate. One of the first skills is to allow yourself to dream big. Giving oneself permission like this might not seem like a skill. But since we can model any polymath or other person who inspires us, you probably won’t be surprised that many of the most inspiring polymaths regularly daydream. Picking a dream and pursuing it despite any obstacles is also a skill. And once you’ve got a project, the next step is to take a cue from a polymath like Elon Musk and break your goal down into the most basic principles. No matter how unusual or unlikely your dream, it’s a useful exercise. When it comes to analytical thinking and breaking a goal down so you can start pursuing it, it’s often useful to look at your existing competence. In Bök’s case, I believe he wrote Eunoia by culling words manually from dictionaries over many years. But he couldn’t brute force The Xenotext in that way due to all the biological chemistry involved, so he had to become what you might think of as a computational linguist. My point is not to diminish the originality of this project in any way. But I think it’s helpful to recognize that The Xenotext is not wildly divorced from the skills Bök already had. It’s an evolution that draws from them. There’s also the skill of what Waqas Ahmed calls synesthetic thinking in his book, The Polymath. Not to be mistaken with synesthesia, synesthetic thinking involves imagining an outcome through at least one other sense. In Bök’s case, The Xenotext involves imagining the use of living beings other than human as being part of art. And he has described the possibility that his work could reach “a sufficiently intelligent civilization that has fast computers and smart cryptographers.” This is the skill of sensing beyond our own species and taking the risk of trying to reach them. Even if we’re long gone. We Need Deathless Memory Now, I have a confession to make. One of the many reasons I’m so fascinated by The Xenotext is that my memory is incredibly weak. That’s why I use mnemonics with such passion, including for memorizing poetry. Recently, I had the chance to interview Christian Bök, who you can probably tell by now, I consider to be one of the most rigorous intellects alive. And right in the middle of the interview, I started reciting one of his books from Book I of The Xenotext. For all the mnemonics in the world, I choked. Now, sometimes, this happens just because I have mouth problems and things get a bit sticky. Other times, it’s exhaustion and yet other times, I manage to recite poems with no problem at all. I’m mentioning this human moment in my career as a mnemonist not because I have a deep need to confess. No, this fragile, ephemeral human moment while talking about encoding and retrieving information perfectly from its placement within a living cell suggests the possibility that life really can be the most durable storage device in the universe. And to see this project come to fruition after all the years Bök pushed through multiple struggles inspires me in countless ways. For one thing, Bök’s project strikes me as the ultimate memory strategy. Was Poetry the Original Hard Drive? As Bök reminded me during our discussion, poetry was a memory technology long before writing existed. Rhythm, rhyme, and meter were engineering tools used to ensure information survived the “game of telephone” across generations. In Bök’s words: “We certainly owe every great epic story of the sort like the Epic of Gilgamesh or the Iliad… stories that were intended, of course, to transmit important cultural information over long periods of time. We need poets to be able to create that work and make it memorable enough… to persist over time.” And it is in this context that Christian Bök realized something terrifying: “There’s nothing that we’ve built so far on the planet Earth that would probably last more than a few tens of billions of years at most.” Until his work on The Xenotext succeeded, we have had nothing to rely on apart from our brains assisted by techniques like the Memory Palace, or silicon prostheses. But the computers and servers we now use to store our collective memory are just as subject to rot as paper. Even our homes would be ground into “an almost undetectable layer of geological dust” in just a few million years. So Bök’s selection of a deathless bacterium isn’t just a petri dish stunt. By choosing a specific bacterium that is “widely regarded as one of the most unkillable things ever to have evolved on the planet Earth,” Bök has created a memory inside a “message in a bottle thrown into an enormous ocean” that might actually survive the death of our sun. How to Develop Your Own Polymathic Persistence  Reading this, you might be thinking, “I’m just a student,” or “I’m just a writer.” Bök could have thought that too. As he told me: “My assumption was that I’ve got training in English literature… Obviously, in order to embark upon such a project, I had to acquire a whole set of new skills, familiarize myself with a lot of very difficult discourses.” And so he made the decision to step outside of his lane, joining other innovators who have done the same. But how do you engage in a project that takes decades without burning out? Bök gave me three specific clues you can apply to your own learning journey. One: Embrace the Unknown Bök told me that if he had known how hard the project would be, he might not have started. He called this his “saving grace,” yet how many times do we turn away from our dreams because we don’t know the size of the mountain. Nelson Dellis told me something similar once about memory training. He’s a memory champion, but also a climber who has summited Everest. He said you don’t have to worry about whether the top of the mountain is there or not. Just focus on where you’re going to place your hands next. Two: Focus on Incremental Achievement Even as Bök’s project threw new obstacles at him, he told me: “I gave myself accomplishments or achievements that were incremental, that I knew I could probably fulfill, and would embark upon those doable tasks in an effort to acquire the required skill set in order to accomplish the remainder of these tasks.” In other words, he stacked small, doable wins on top of each other. And kept stacking until he had built a ladder to the impossible. Three: Tunnel Through the Noise Bök was candid about some of the loneliness on the path of the polymath. Sadly, he noted: This project, especially, has been beleaguered with all kinds of obstruction and difficulty that were added to the already difficult task at hand and the improbable kinds of risks that I had to adopt in order to be able to accomplish it. His advice having pushed through and made it to the other side? “If you’re going through hell, keep going. Don’t stop, because otherwise, you’re in hell… Just keep going, try to tunnel through.” Bök's work definitely makes a big statement when it comes to 21st century poetry. But for me, it's also a statement about memory and human potential. The Xenotext challenges us to stop thinking of computers as something that has eclipsed the human brain as the ultimate storage and retrieval device. It places our attention squarely back on the relationship between poetry and life, and the aspects of language that were in so many ways already a technology “infecting” our cells. If you want to become a polymath and enjoy a legacy that lasts, you must be willing to endure what Bök described as “36 different side quests” of complex projects, you must be willing to look at subjects and skills that seem “impossible” and learn them anyway. Ready to start your own “impossible” learning project? I have a guide that will help you develop your own curriculum: This Self-Education Blueprint will help you transform scattered curiosity into tightly interwoven levels of expertise. That way, the knowledge you accumulate gets put to use, and above all, helps others too.

Y’a beaucoup de fétichistes des pieds parmi les toastés… Quel auditeur a le lutin coquin le plus trash à la maison? Tu choisis qui entre Guy Nadon et Christian Bégin pour lire une histoire à ton enfant le soir? La pleine lune risque d’avoir un impact sur la rockstar ce matin… On demande à l’A.I. de nous générer un voyage pour les vacances… On va où? C’est tu encore vrai que les animateurs de radio font full de drogue en studio? Le Mashup à Coggins : Quand Finger eleven rencontre Kevin Parent, Bleu jeans bleu, Michel Pagliaro et Usher… Le spécial K : Combien va-t-on amasser pour la guignolée des médias avec les photos de pieds de Kim? Rémipédia : L’histoire de l’ancien lanceur des Pirates de Pittsburgh Dock Ellis, qui a réalisé un exploit hors du commun… sur un buzz de LSD…

Kurz vorm Fest hat die Bahn im Wortsinne viele Baustellen und wer mit dem Zug zur Bescherung reisen will, fragt sich: "Komme ich überhaupt pünktlich an?" Die neue Bahnchefin Evelyn Palla hat zwar vor zu hohen Erwartungen an schnelle Verbesserungen gewarnt, aber dennoch tut sich etwas. Und so hat sich zum ersten Mal die von Verkehrsminister Schnieder eingesetzte Task Force Bahn getroffen. Bis März soll sie konkrete Maßnahmen vorstellen, wie die Bahn zuverlässiger und pünktlicher werden kann. Christian Böttger ist Professor für Verkehrswesen und Eisenbahn an der HTW, der Hochschule für Technik und Wirtschaft in Berlin. Er schlägt in SWR Aktuell Sofortmaßnahmen vor: "Kurzfristig würde es wirken, wenn man die Belastung in einigen großen Knoten angeht. In den letzten Jahren hat man immer mehr Züge in die überlasteten Knoten reingelassen. Dabei wurde das System überspannt. Wenn man da Züge rausnimmt oder am Stadtrand enden lässt, würde das einiges an Wirkung bringen." Natürlich erst nach dem Weihnachtsverkehr, fügt er hinzu. Das gehe außerdem nicht über Nacht. "Es würde aber schon im nächsten Jahr Erleichterung bringen – im Gegensatz zu baulichen Maßnahmen, die viel länger brauchen." Wie er die Arbeit der neuen Bahnchefin bewertet, hat SWR Aktuell-Moderator Gerhard Leitner den Verkehrsexperten Böttger gefragt.

Dans cet épisode spécial enregistré en direct sur TikTok, PPC a réuni quelques-uns des mates pour célébrer les trois ans de ChatGPT et tirer les leçons de ce bouleversement.Autour du micro :• Charles Nastorg, communicant B2B et assembleur de bulles & de business• Alice Desjardins, consultante, prof de com et geek écolo en dissonance cognitive• Christian Bélala, chef d'orchestre de la protection des données• Jean-Emmanuel Séré, designer qui remet de l'humain dans les choses de la vie• Hubert Kratiroff, professeur d'économie numérique• Atti, touche-à-tout du digital et experte en rienPPC et les Mates revisitent leurs premières impressions sur ChatGPT, leur évolution dans l'usage, les impacts sur leur quotidien professionnel… et même les dérives.Au menu : souvenirs absurdes, tensions éthiques, transformations des métiers, obsession de la vitesse et perte d'intuition. Une conversation à la fois drôle, piquante, lucide et profondément humaine.Pour suivre les actualités de ce podcast, abonnez-vous gratuitement à la newsletter écrite avec amour et garantie sans spam https://bonjourppc.substack.com Et pour découvrir l'ouvrage de PPC Réinventez votre entreprise à l'ère de l'IA, préfacé par Serge Papin, rdv ici https://amzn.to/4gTLwxSHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Predigt von Christian Bürge 16.11.2025

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Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Hubo una época donde la música que existía dejó de ser suficiente. Hubo un época donde la música que existía empezó a reinventarse para buscar nuevas formas de expresarse. Una época donde surgieron nuevos sonidos y nuevas posibilidades de crear universos completamente nuevos e inexplorados. Hubo una época donde surgió una música para una nueva era. Hampus Naeselius, Keith Merrill, Abilene, Jakob Ahlbom, Christoffer Moe Ditlevsen, RØRE, Thomas Farnon, Suzanne Doucet, Christian Bühner, Akhil Garg, Rachel Portman, TSODE, Celestra, Ô Lake, Kevin Rousseau, Yann Tiersen. 🎧 El playlist detallado: lostfrontier.org/t30.html#1064Escucha este episodio completo y accede a todo el contenido exclusivo de lostfrontier.org. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/26825

La naturaleza siempre ha sido fuente de inspiración para los creadores de música (simplemente recordad el Disco que Marcó una Época del episodio anterior) y no puedo dejar de mencionar al gran Vivaldi que nos ha dejado una obra maestra atemporal con sus Cuatro Estaciones. Uno de vosotros me ha sugerido que dedicase un episodio al otoño y he recordado que ya había seleccionado el Autumn de George Winston como Disco que Marcó una Época del episodio #1.005, así que hoy os traigo otro que no tiene nada que ver con este. Sin embargo, he recopilado una serie de composiciones dedicadas al otoño, en su mayoría basadas en el piano, pero no exclusivamente, y he decidido juntarlas en una suerte de sinfonía para crear una Suite de Otoño. Kevin Rousseau, Ambient Skies, Morunas, Harry Bloom, David Tolk, Jolyne, Rolig, Sergey Grischuk, Lavinia Meijer, Melodrama, David Gramberg, River Camille, Højsgaard, Art Music, Auriel, Ulugbek Erkinov, Drics, Violin Sky, Wylder, Christian Bühner & Helge Schröder, Keith Richie, TSODE, Vonn Vanier. 🎧 El playlist detallado: lostfrontier.org/t30.html#1063

Krigen er slut, sagde den amerikanske præsident, Donald Trump, inden han steg om bord på Air Force One med kurs mod Israel. Første led i fredsplanen mellem Israel og Hamas er i gang. De 20 overlevende israelske gidsler skal udleveres til gengæld for 2000 palæstinensiske fanger. I dagens P1 Debat spørger vi dagens panel, om der er grund til at tro på varig fred mellem Israelerne og palæstinenserne? Kan Trump skabe fred i Mellemøsten? Ring tlf. 7021 1919 eller send en sms 1212 til P1 med dit spørgsmål eller din kommentar. Medvirkende: Anne Sofie Allarp, podcastredaktør på Berlingske. Christian Büllow, Folketingskandidat for (DF) Jens Kristian Lütken, Integrations og beskæftigelses og integrationsborgmester og formand for Europabevægelsen (V) Marcus Rubin, kronikredaktør Politiken Fathi El-Abed, Formand, dansk-palæstinensisk venskabsforening, David Trads, forfatter og journalist. Vært: Mathias Pedersen Tilrettelægger & producer: Oliver Breum

Krigen er slut, sagde den amerikanske præsident, Donald Trump, inden han steg om bord på Air Force One med kurs mod Israel. Første led i fredsplanen mellem Israel og Hamas er i gang. De 20 overlevende israelske gidsler skal udleveres til gengæld for 2000 palæstinensiske fanger. I dagens P1 Debat spørger vi dagens panel, om der er grund til at tro på varig fred mellem Israelerne og palæstinenserne? Kan Trump skabe fred i Mellemøsten? Ring tlf. 7021 1919 eller send en sms 1212 til P1 med dit spørgsmål eller din kommentar. Medvirkende: Anne Sofie Allarp, podcastredaktør på Berlingske. Christian Büllow, Folketingskandidat for (DF) Jens Kristian Lütken, Integrations og beskæftigelses og integrationsborgmester og formand for Europabevægelsen (V) Marcus Rubin, kronikredaktør Politiken Fathi El-Abed, Formand, dansk-palæstinensisk venskabsforening, David Trads, forfatter og journalist. Vært: Mathias Pedersen Tilrettelægger & producer: Oliver Breum

Krigen er slut, sagde den amerikanske præsident, Donald Trump, inden han steg om bord på Air Force One med kurs mod Israel. Første led i fredsplanen mellem Israel og Hamas er i gang. De 20 overlevende israelske gidsler skal udleveres til gengæld for 2000 palæstinensiske fanger. I dagens P1 Debat spørger vi dagens panel, om der er grund til at tro på varig fred mellem Israelerne og palæstinenserne? Kan Trump skabe fred i Mellemøsten? Ring tlf. 7021 1919 eller send en sms 1212 til P1 med dit spørgsmål eller din kommentar. Medvirkende: Anne Sofie Allarp, podcastredaktør på Berlingske. Christian Büllow, Folketingskandidat for (DF) Jens Kristian Lütken, Integrations og beskæftigelses og integrationsborgmester og formand for Europabevægelsen (V) Marcus Rubin, kronikredaktør Politiken Fathi El-Abed, Formand, dansk-palæstinensisk venskabsforening, David Trads, forfatter og journalist. Vært: Mathias Pedersen Tilrettelægger & producer: Oliver Breum

Weitere Themen: Erneut pro-palästinensischer Farbanschlag auf SPD-Büro in Göttingen

Baustart für die Sanierung der Gedenkstätte Bergen-Belsen // Baustopp in der Prinzenstraße nach Rissen in Gebäuden // Hannover Premiere "Ganzer, halber Bruder" //

Verdächtiger im Fall "Maddie": Christian B. soll morgen freikommen

Christian Böhm ist Coach und hat jahrelange Erfahrung mit Pferden. Pferde haben die Möglichkeit durch ihr Verhalten den Charakter und die Persönlichkeit eines Menschen zu spiegeln. Genau das baut Christian in sein Coaching ein. Er coacht gemeinsam mit Pferden. Wie das ganze aussieht und funktioniert und vor allem was du davon haben könntest, das erzählt er uns in der neue Folge.  Instagram: https://www.instagram.com/christianboehm_training/LinkedIn: https://www.linkedin.com/in/christian-b%C3%B6hm-501436280/Sein Kalender: https://calendly.com/christianboehm/strategiegesprach-mit-christian

Her disappearance remains unsolved, but several theories about what happened to Madeleine McCann still need to be explained. Now, Sky News has tracked down the woman at the centre of investigation into a potential hit-and-run.This was just before Christian B emerged as the prime suspect over the three-year-old British girl's disappearance in 2007.Crime correspondent Martin Brunt joins Niall to explain the current state of the McCann case, the unexplored threads in the investigation, and why suspect Christian B is going to be released from prison.Producer: Soila Apparicio Editor: Mike Bovill       

C'est un des artistes le plus innovants et prolifiques, les plus fantasques aussi et excentriques, de l'Entre-deux-guerres : Christian Bérard est bien plus qu'un décorateur de théâtre.Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Autonomous weapons exist in a strange territory between Pentagon procurement contracts and Hollywood blockbusters, between actual military systems and speculative futures. For this week's Liminal Library, I spoke with Jascha Bareis, co-editor of The Realities of Autonomous Weapons (Bristol UP, 2025), about how these dual existences shape international relations and cultural imagination. The collection examines autonomous weapons not just as military hardware but as psychological tools that reshape power dynamics through their mere possibility. These systems epitomize what the editors call "the fluidity of violence"—warfare that dissolves traditional boundaries between human decision and machine action, between targeted strikes and algorithmic inevitability. Bareis and his contributors trace fascinating connections between fictional representations and military doctrine—how Terminator narratives influence Pentagon planning while actual weapons development feeds back into artistic imagination. The book wrestles with maintaining "meaningful human control" over systems designed to operate faster than human thought, a challenge that grows more urgent as militaries worldwide race toward greater autonomy. Each chapter reveals how thoroughly we need to rethink human-machine relationships in warfare, from the gendered coding of robot soldiers in film to the way AI imaginaries differ between Silicon Valley and New Delhi. Autonomous weapons force us to confront uncomfortable realities about agency, violence, and the increasingly blurred line between human judgment and algorithmic certainty. Links: A Clean Kill? the role of Patriot in the Gulf War Statement delivered by Germany on Working Definition of LAWS / “Definition of Systems under Consideration” The Silicon Valley venture capitalists who want to ‘move fast and break things' in the defence industry Hype Studies 'The Gatekeepers' documentary Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Autonomous weapons exist in a strange territory between Pentagon procurement contracts and Hollywood blockbusters, between actual military systems and speculative futures. For this week's Liminal Library, I spoke with Jascha Bareis, co-editor of The Realities of Autonomous Weapons (Bristol UP, 2025), about how these dual existences shape international relations and cultural imagination. The collection examines autonomous weapons not just as military hardware but as psychological tools that reshape power dynamics through their mere possibility. These systems epitomize what the editors call "the fluidity of violence"—warfare that dissolves traditional boundaries between human decision and machine action, between targeted strikes and algorithmic inevitability. Bareis and his contributors trace fascinating connections between fictional representations and military doctrine—how Terminator narratives influence Pentagon planning while actual weapons development feeds back into artistic imagination. The book wrestles with maintaining "meaningful human control" over systems designed to operate faster than human thought, a challenge that grows more urgent as militaries worldwide race toward greater autonomy. Each chapter reveals how thoroughly we need to rethink human-machine relationships in warfare, from the gendered coding of robot soldiers in film to the way AI imaginaries differ between Silicon Valley and New Delhi. Autonomous weapons force us to confront uncomfortable realities about agency, violence, and the increasingly blurred line between human judgment and algorithmic certainty. Links: A Clean Kill? the role of Patriot in the Gulf War Statement delivered by Germany on Working Definition of LAWS / “Definition of Systems under Consideration” The Silicon Valley venture capitalists who want to ‘move fast and break things' in the defence industry Hype Studies 'The Gatekeepers' documentary Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Autonomous weapons exist in a strange territory between Pentagon procurement contracts and Hollywood blockbusters, between actual military systems and speculative futures. For this week's Liminal Library, I spoke with Jascha Bareis, co-editor of The Realities of Autonomous Weapons (Bristol UP, 2025), about how these dual existences shape international relations and cultural imagination. The collection examines autonomous weapons not just as military hardware but as psychological tools that reshape power dynamics through their mere possibility. These systems epitomize what the editors call "the fluidity of violence"—warfare that dissolves traditional boundaries between human decision and machine action, between targeted strikes and algorithmic inevitability. Bareis and his contributors trace fascinating connections between fictional representations and military doctrine—how Terminator narratives influence Pentagon planning while actual weapons development feeds back into artistic imagination. The book wrestles with maintaining "meaningful human control" over systems designed to operate faster than human thought, a challenge that grows more urgent as militaries worldwide race toward greater autonomy. Each chapter reveals how thoroughly we need to rethink human-machine relationships in warfare, from the gendered coding of robot soldiers in film to the way AI imaginaries differ between Silicon Valley and New Delhi. Autonomous weapons force us to confront uncomfortable realities about agency, violence, and the increasingly blurred line between human judgment and algorithmic certainty. Links: A Clean Kill? the role of Patriot in the Gulf War Statement delivered by Germany on Working Definition of LAWS / “Definition of Systems under Consideration” The Silicon Valley venture capitalists who want to ‘move fast and break things' in the defence industry Hype Studies 'The Gatekeepers' documentary Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Autonomous weapons exist in a strange territory between Pentagon procurement contracts and Hollywood blockbusters, between actual military systems and speculative futures. For this week's Liminal Library, I spoke with Jascha Bareis, co-editor of The Realities of Autonomous Weapons (Bristol UP, 2025), about how these dual existences shape international relations and cultural imagination. The collection examines autonomous weapons not just as military hardware but as psychological tools that reshape power dynamics through their mere possibility. These systems epitomize what the editors call "the fluidity of violence"—warfare that dissolves traditional boundaries between human decision and machine action, between targeted strikes and algorithmic inevitability. Bareis and his contributors trace fascinating connections between fictional representations and military doctrine—how Terminator narratives influence Pentagon planning while actual weapons development feeds back into artistic imagination. The book wrestles with maintaining "meaningful human control" over systems designed to operate faster than human thought, a challenge that grows more urgent as militaries worldwide race toward greater autonomy. Each chapter reveals how thoroughly we need to rethink human-machine relationships in warfare, from the gendered coding of robot soldiers in film to the way AI imaginaries differ between Silicon Valley and New Delhi. Autonomous weapons force us to confront uncomfortable realities about agency, violence, and the increasingly blurred line between human judgment and algorithmic certainty. Links: A Clean Kill? the role of Patriot in the Gulf War Statement delivered by Germany on Working Definition of LAWS / “Definition of Systems under Consideration” The Silicon Valley venture capitalists who want to ‘move fast and break things' in the defence industry Hype Studies 'The Gatekeepers' documentary Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/national-security

Autonomous weapons exist in a strange territory between Pentagon procurement contracts and Hollywood blockbusters, between actual military systems and speculative futures. For this week's Liminal Library, I spoke with Jascha Bareis, co-editor of The Realities of Autonomous Weapons (Bristol UP, 2025), about how these dual existences shape international relations and cultural imagination. The collection examines autonomous weapons not just as military hardware but as psychological tools that reshape power dynamics through their mere possibility. These systems epitomize what the editors call "the fluidity of violence"—warfare that dissolves traditional boundaries between human decision and machine action, between targeted strikes and algorithmic inevitability. Bareis and his contributors trace fascinating connections between fictional representations and military doctrine—how Terminator narratives influence Pentagon planning while actual weapons development feeds back into artistic imagination. The book wrestles with maintaining "meaningful human control" over systems designed to operate faster than human thought, a challenge that grows more urgent as militaries worldwide race toward greater autonomy. Each chapter reveals how thoroughly we need to rethink human-machine relationships in warfare, from the gendered coding of robot soldiers in film to the way AI imaginaries differ between Silicon Valley and New Delhi. Autonomous weapons force us to confront uncomfortable realities about agency, violence, and the increasingly blurred line between human judgment and algorithmic certainty. Links: A Clean Kill? the role of Patriot in the Gulf War Statement delivered by Germany on Working Definition of LAWS / “Definition of Systems under Consideration” The Silicon Valley venture capitalists who want to ‘move fast and break things' in the defence industry Hype Studies 'The Gatekeepers' documentary Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Autonomous weapons exist in a strange territory between Pentagon procurement contracts and Hollywood blockbusters, between actual military systems and speculative futures. For this week's Liminal Library, I spoke with Jascha Bareis, co-editor of The Realities of Autonomous Weapons (Bristol UP, 2025), about how these dual existences shape international relations and cultural imagination. The collection examines autonomous weapons not just as military hardware but as psychological tools that reshape power dynamics through their mere possibility. These systems epitomize what the editors call "the fluidity of violence"—warfare that dissolves traditional boundaries between human decision and machine action, between targeted strikes and algorithmic inevitability. Bareis and his contributors trace fascinating connections between fictional representations and military doctrine—how Terminator narratives influence Pentagon planning while actual weapons development feeds back into artistic imagination. The book wrestles with maintaining "meaningful human control" over systems designed to operate faster than human thought, a challenge that grows more urgent as militaries worldwide race toward greater autonomy. Each chapter reveals how thoroughly we need to rethink human-machine relationships in warfare, from the gendered coding of robot soldiers in film to the way AI imaginaries differ between Silicon Valley and New Delhi. Autonomous weapons force us to confront uncomfortable realities about agency, violence, and the increasingly blurred line between human judgment and algorithmic certainty. Links: A Clean Kill? the role of Patriot in the Gulf War Statement delivered by Germany on Working Definition of LAWS / “Definition of Systems under Consideration” The Silicon Valley venture capitalists who want to ‘move fast and break things' in the defence industry Hype Studies 'The Gatekeepers' documentary Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Autonomous weapons exist in a strange territory between Pentagon procurement contracts and Hollywood blockbusters, between actual military systems and speculative futures. For this week's Liminal Library, I spoke with Jascha Bareis, co-editor of The Realities of Autonomous Weapons (Bristol UP, 2025), about how these dual existences shape international relations and cultural imagination. The collection examines autonomous weapons not just as military hardware but as psychological tools that reshape power dynamics through their mere possibility. These systems epitomize what the editors call "the fluidity of violence"—warfare that dissolves traditional boundaries between human decision and machine action, between targeted strikes and algorithmic inevitability. Bareis and his contributors trace fascinating connections between fictional representations and military doctrine—how Terminator narratives influence Pentagon planning while actual weapons development feeds back into artistic imagination. The book wrestles with maintaining "meaningful human control" over systems designed to operate faster than human thought, a challenge that grows more urgent as militaries worldwide race toward greater autonomy. Each chapter reveals how thoroughly we need to rethink human-machine relationships in warfare, from the gendered coding of robot soldiers in film to the way AI imaginaries differ between Silicon Valley and New Delhi. Autonomous weapons force us to confront uncomfortable realities about agency, violence, and the increasingly blurred line between human judgment and algorithmic certainty. Links: A Clean Kill? the role of Patriot in the Gulf War Statement delivered by Germany on Working Definition of LAWS / “Definition of Systems under Consideration” The Silicon Valley venture capitalists who want to ‘move fast and break things' in the defence industry Hype Studies 'The Gatekeepers' documentary Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Stories in this episode: - A Subtle Strangeness at Home, by Christian B. - Strange Experience Yesterday During a Nap, by AccomplishedIsopod9 - My Grandmother Came to Visit Us, by scaredy-amelie - Something Outside of My Belief System, by Shadowmoth - The Shadow on the Stairs, by Tammy Submissions: stories@oddtrails.com Hate ads? Sign up for our Patreon for only $5 a month! You'll also hear episodes at even better audio quality. Your support is very much appreciated. Connect with us on Instagram and the Odd Trails Discord. Listen to Odd Trails on Spotify, Apple Podcasts, or wherever you get your podcasts! Find more Cryptic County shows at CrypticCountyPodcasts.com.  

In dieser Folge von „Da ist Gold drin“ spreche ich, Dana Schwandt, mit Christian Büttner alias TheFatRat über die Kunst, unabhängig erfolgreich zu werden – und was es wirklich bedeutet, mit einer klaren Haltung und Vision seinen eigenen Weg zu gehen. Wir beleuchten, wie ein Millionen Business entsteht, warum echte Positionierung immer auch den Mut zur eigenen Geschichte braucht und wie man als Künstler – oder Unternehmer – sichtbar bleibt, ohne sich zu verbiegen.

Skal biskopper blande sig i Israel-Palæstina-konflikten? Skal folkekirken politisere om Gaza? Eller være neutral? Skal kirken være et helle for alle, uanset holdninger midt i en krigstid? Det diskuterer vi i dagens P1 Debat. Du kan blande dig med din mening, ring fra 12:15-13:30 på 7021 1919 eller send en sms til 1212. Medvirkende: Martin Grunz, historiker, forfatter, tidligere rådgiver S. Lars Kaaber, chefredaktør, netmediet Kontrast. Uffe Elbæk, tidl kulturminister, Alternativet. Peter Birch, biskop Helsingør, medunderskriver på brev til regeringen. Sofie Mosgaard, V-kandidat til kommunalvalget. Christian Bülow, folketings- og kommunalvalgskandidat DF. Elof Westergaard, biskop Ribe. Tilrettelæggere: Vilhelm Juhler Kjær, Sebastian Johan Lund. Vært: Gitte Hansen.

durée : 00:29:56 - Les Nuits de France Culture - par : Albane Penaranda - En février 1949, quelques jours après sa mort, un hommage est rendu au grand costumier Christian Bérard par les voix de Jean Cocteau, Colette, Louis Jouvet, Yvonne de Bray, Madeleine Renaud et Jean-Louis Barrault. - réalisation : Virginie Mourthé - invités : Jean Cocteau Poète, écrivain, peintre, cinéaste, dramaturge; Louis Jouvet Acteur français; Madeleine Renaud Comédienne; Jean-Louis Barrault Comédien; Colette Femme de lettres, actrice et journaliste française

Israel er rykket massivt ind med soldater og kampvogne i Gaza, for at udslette terror-organisationen Hamas, for at få israelske gidsler frigivet. Samtidig udspiller der sig en humanitær katastrofe i Gaza, hvor børn og voksne sulter, hvor der falder bomber, hvor der mangler mad og medicin. Skal Danmark stoppe våbenleverancer til Israel? Skal vi indføre økonomiske sanktioner mod Netanyahu-regeringen? Skal vi tage flere sårede og udhungrede palæstinensere til Danmark? Hvem sikrer nødhjælp og våbenhvile i Gaza? Du kan blande dig i debatten ved at ringe ind fra 12:15-13:30 på 7021 1919 eller send en sms til 1212. Medvirkende: Kristoffer Storm (DD) MEP, Christian Bülow, folketingskandidat, DF, Pelle Dragsted, politisk ordfører, Enhedslisten, Muhanad Al Hasan, Juridisk konsulent, debattør og Jonas Vejsager Nøddekær, generalsekretær i Folkekirkens Nødhjælp. Tilrettelægger: Nina Lorenz Grimstrup. Producer: Mathias Pedersen. Vært: Gitte Hansen.

Watch all of our McCann videos here: https://www.youtube.com/playlist?list... Hazel Behan's Links: Hazel on Insta:  https://www.instagram.com/hazelbehan2... Petition: https://www.change.org/p/ban-counsell... Ireland R*** Crisis Centres: Dublin https://www.drcc.ie/ Midlands https://www.amrcc.ie/ Northern Ireland https://rapecrisisni.org.uk/ Womens Aid Ireland https://www.womensaid.ie/get-help/sup... UK R*** Crisis Centres: England & Wales https://rapecrisis.org.uk/ Scotland https://www.rapecrisisscotland.org.uk/ Womens Aid UK https://www.womensaid.org.uk/ #podcast #truecrime #mccann #portugal #police #uk #news

Jon Clarke's book: https://www.amazon.co.uk/MY-SEARCH-MA... Jon's webpage: https://www.theolivepress.es/spain-ne... Watch all of our McCann videos here:    • Madeleine McCann  #podcast #truecrime #mccann #portugal #police #uk #news

Pfarrer Christian Böck ist Leiter des Deutschsprachigen Pilgerzentrums in Rom. Sein Büro ist nur rund 1,5 Kilometer Luftlinie von der Sixtinischen Kapelle entfernt. Wie er Rom erlebt, seit Beginn des Konklaves, erfahren Sie im Interview.

Poet Christian Bök joins Samuel Andreyev for a discussion about his recently completed, death-defying, 25-year project, The Xenotext. Filmed February 6th, 2025.==PRIVATE LESSONS IN COMPOSITION AND ANALYSISContact me via samuel.andreyev (at) gmail (dot) comSUPPORT THIS PODCASTPatreonDonorboxSAMUEL ANDREYEV'S NEW ALBUMhttps://divineartrecords.com/recording/samuel-andreyev-in-glow-of-like-seclusion/LINKSYouTube channelOfficial WebsiteTwitterInstagramEdition Impronta, publisher of Samuel Andreyev's scoresEPISODE CREDITSPost production: Arkadiusz BuchalaPodcast artwork photograph © 2019 Philippe StirnweissSupport the show

Nina Meinke muss als Profiboxerin viel Schmerz aushalten. Für sie hat das auch viel mit Psyche zu tun. Neurowissenschaftler Christian Büchel erklärt, wie unterschiedlich Schmerzempfinden ist und ob wir lernen können, Schmerz zu reduzieren. (Wiederholung vom 11.12.2024)**********Ihr hört: Gesprächspartnerin: Nina Meinke, deutsche Profiboxerin, Weltmeisterin im Federgewicht Gesprächspartnerin: Christian Büchel, Neurowissenschaftler und Schmerzforscher, Direktor des Instituts für Systemische Neurowissenschaften am UKE Hamburg Gesprächspartnerin: Christiane Hermann, Abteilung Klinische Psychologie & Psychotherapie an der Justus-Liebig-Universität Gießen, Präsidentin der Deutschen Gesellschaft für Psychologische Schmerztherapie und -forschung  Autorin und Host: Shalin Rogall  Redaktion: Friederike Seeger, Clara Hoheisel, Stefan Krombach, Caro Nieder Produktion: Gunda Herke**********Mehr zum Thema bei Deutschlandfunk Nova:Chronische Krankheiten: Achtsam mit Schmerzen lebenChronisch kranker Partner: Wie setzen wir fair Grenzen?**********Ihr könnt uns auch auf diesen Kanälen folgen: TikTok und Instagram .**********Meldet euch!Ihr könnt das Team von Facts & Feelings über Whatsapp erreichen.Uns interessiert: Was beschäftigt euch? Habt ihr ein Thema, über das wir unbedingt in der Sendung und im Podcast sprechen sollen?Schickt uns eine Sprachnachricht oder schreibt uns per 0160-91360852 oder an factsundfeelings@deutschlandradio.de.Wichtig: Wenn ihr diese Nummer speichert und uns eine Nachricht schickt, akzeptiert ihr unsere Regeln zum Datenschutz und bei Whatsapp die Datenschutzrichtlinien von Whatsapp.

Trump gentager: Han vil overtage Grønland! Trump står fast: USA skal eje Gaza! Trump vil gøre Canada til en stat i USA! Reagerer vi på forudsigelige meldinger fra præsidenten i USA? Er der for meget Trump hysteri? Har manden politiske pointer, der giver mening? Skal vi frygte alt, der kommer fra Donald i Det Hvide Hus? Du kan blande dig i debatten ved at ringe ind fra 12:15-13:30 på 7021 1919 eller send en sms til 1212. Medvirkende: David Trads, politisk kommentator og forfatter, Lars Trier Mogensen, politisk kommentator Information og forfatter til bogen: Den store Joker, Eva Svavars, Partner i Lead Agency, Thomas Johannes Erichsen, lektor i retorik, forfatter og klummeskribent Jyllands-Posten, Christian Bülow, rådgiver, Dansk Folkeparti, Kasper Støvring, forfatter og skribent Berlingske og Liselotte Odgaard, seniorforsker, Tænketanken Hudson Institute, Washington DC. Tilrettelægger: Nina Lorenz Grimstrup. Vært: Gitte Hansen.

Ce sera une bonne année pour Chantal Lamarre qui fera partie de la cinquième édition de “La nuit de la déprime” animée par Christian Bégin et qui lancera son premier spectacle solo “Steppettes et cornemuse” présenté dès août 2025. Entrevue avec Chantal Lamarre, comédienne, animatrice, metteure en scène Entrevue avec Pascale Montpetit, comédiennePour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Er Elon Musk farlig for demokratiet, eller bruger han bare sin ytringsfrihed? Tesla-direktøren er verdens rigeste mand, han ejer det sociale medie X, og så er han tæt på USA´s næste præsident Donald Trump. Elon Musk blander han sig i britisk og tysk politik på X. Han er optaget af indvandrerpolitik og har anbefalet tyskerne at stemme på partiet AFD, Alternative für Deutschland. Samtidig retter han en voldsom kritik mod den engelske premierminister, Keir Starmer. Er det et problem, at verdens rigeste mand politiserer i Europa? Du kan blande dig i debatten ved at ringe ind fra 12:15-13:30 på 7021 1919 eller send en sms til 1212. Medvirkende: Stine Bosse, MEP, Moderaterne, Gry Inger Reiter, Debat -og kronikredaktør Information, Lars Boje, partistifter og formand, Borgernes Parti, Mikkel Andersson, journalist, historiker og chefrådgiver, Liberal Alliance, Maia Kahlke Lorentzen, cyberheks og rådgiver i internetkultur og Christian Bülow, rådgiver, Dansk Folkeparti. Tilrettelægger: Nina Lorenz Grimstrup. Producer: Gitte Hansen. Vært: Mathias Pedersen.

C'est un des artistes le plus innovants et prolifiques, les plus fantasques aussi et excentriques, de l'Entre-deux-guerres : Christian Bérard est bien plus qu'un décorateur de théâtre. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

NordVPN: Get 4 months extra on a 2 year plan here: https://nordvpn.com/attwood. It's risk free with Nord's 30 day money-back guarantee! SHOPIFY: Sign up for a £1-per-month trial period at https://www.shopify.co.uk/shaun

Chegou o momento do já tradicional episódio duplo sobre o IgNobel, que tem como missão "honrar estudos e experiências que primeiro fazem as pessoas rir e depois pensar", com as descobertas científicas mais estranhas do ano.Esta é a primeira de duas partes sobre a edição 2024 do prêmio, que teve como tema a "Lei de Murphy", com as categorias Biologia, Botânica, Anatomia, Medicina e Física.Confira no papo entre o leigo curioso, Ken Fujioka, e o cientista PhD, Altay de Souza.> OUÇA (38min 13s)*Naruhodo! é o podcast pra quem tem fome de aprender. Ciência, senso comum, curiosidades, desafios e muito mais. Com o leigo curioso, Ken Fujioka, e o cientista PhD, Altay de Souza.Edição: Reginaldo Cursino.http://naruhodo.b9.com.br*REFERÊNCIASPRÊMIO DE BIOLOGIA [EUA]Fordyce Ely e William E. Petersen, por explodir um saco de papel ao lado de um gato que está em cima de uma vaca, para explorar como e quando as vacas expeliam seu leite.REFERÊNCIA: “Factors Involved in the Ejection of Milk,” Fordyce Ely e W.E. Petersen, Journal of Dairy Science, vol. 3, 1941.QUEM FOI À CERIMÔNIA: A filha de Fordyce Ely, Jane Ely Wells, e o neto Matt Wells.https://www.sciencedirect.com/science/article/pii/S0022030241954061/pdf?md5=abe9056326262861c49e6b9da0575ebd&pid=1-s2.0-S0022030241954061-main.pdfPRÊMIO DE BOTÂNICA [ALEMANHA, BRASIL, EUA]Jacob White e Felipe Yamashita, por encontrarem evidências de que algumas plantas reais imitam as formas de plantas artificiais de plástico próximas.REFERÊNCIA: “Boquila trifoliolata Mimics Leaves of an Artificial Plastic Host Plant,” Jacob White e Felipe Yamashita, Plant Signaling and Behavior, vol. 17, nº 1, 2022.QUEM FOI À CERIMÔNIA: Felipe Yamashita.https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8903786/Artigo extra: Vision in Plants via Plant-Specific Ocelli?https://www.sciencedirect.com/science/article/abs/pii/S1360138516300930PRÊMIO DE ANATOMIA [FRANÇA, CHILE]Marjolaine Willems, Quentin Hennocq, Sara Tunon de Lara, Nicolas Kogane, Vincent Fleury, Romy Rayssiguier, Juan José Cortés Santander, Roberto Requena, Julien Stirnemann e Roman Hossein Khonsari, por estudar se o cabelo na cabeça da maioria das pessoas no hemisfério norte gira na mesma direção (horário ou anti-horário?) que o cabelo na cabeça da maioria das pessoas no hemisfério sul.REFERÊNCIA: “Genetic Determinism and Hemispheric Influence in Hair Whorl Formation,” Marjolaine Willems et al., Journal of Stomatology, Oral and Maxillofacial Surgery, vol. 125, nº 2, abril de 2024.QUEM FOI À CERIMÔNIA: Marjolaine Willems e Roman Khonsari.https://www.sciencedirect.com/science/article/abs/pii/S2468785523002859Naruhodo #231 - Gêmeos têm a mesma impressão digital?https://www.youtube.com/watch?v=AH5LQPW4lbINaruhodo #113 - Por que as pessoas são destras ou canhotas?https://www.youtube.com/watch?v=spZjtr9FOmkPRÊMIO DE MEDICINA [SUÍÇA, ALEMANHA, BÉLGICA]Lieven A. Schenk, Tahmine Fadai e Christian Büchel, por demonstrar que medicamentos falsos que causam efeitos colaterais dolorosos podem ser mais eficazes do que medicamentos falsos que não causam efeitos colaterais dolorosos.REFERÊNCIA: “How Side Effects Can Improve Treatment Efficacy: A Randomized Trial,” Lieven A. Schenk et al., Brain, vol. 147, nº 8, agosto de 2024.QUEM FOI À CERIMÔNIA: Lieven Schenk.https://academic.oup.com/brain/article-abstract/147/8/2643/7664309?redirectedFrom=fulltextNaruhodo #309 - Por que sentimos medo? - Parte 1 de 2https://www.youtube.com/watch?v=xNwl26ZbVD8Naruhodo #310 - Por que sentimos medo? - Parte 2 de 2https://www.youtube.com/watch?v=cqkh5IdfQQMPRÊMIO DE FÍSICA [EUA]James C. Liao, por demonstrar e explicar as habilidades de natação de uma truta morta.REFERÊNCIAS: “Neuromuscular Control of Trout Swimming in a Vortex Street,” James C. Liao, The Journal of Experimental Biology, vol. 207, 2004;https://journals.biologists.com/jeb/article/207/20/3495/14915/Neuromuscular-control-of-trout-swimming-in-a“Passive Propulsion in Vortex Wakes,” David N. Beal et al., Journal of Fluid Mechanics, vol. 549, 2006.https://liaolab.com/wp-content/uploads/2020/10/2006Beal_etal.pdfQUEM FOI À CERIMÔNIA: James C. (“Jimmy”) Liao.Naruhodo #297 - Balançar de um lado para o outro ajuda a dormir melhor?https://www.youtube.com/watch?v=LvuqqtayK60*APOIE O NARUHODO PELA PLATAFORMA ORELO!Um aviso importantíssimo: o podcast Naruhodo agora está no Orelo: https://bit.ly/naruhodo-no-oreloE é por meio dessa plataforma de apoio aos criadores de conteúdo que você ajuda o Naruhodo a se manter no ar.Você escolhe um valor de contribuição mensal e tem acesso a conteúdos exclusivos, conteúdos antecipados e vantagens especiais.Além disso, você pode ter acesso ao nosso grupo fechado no Telegram, e conversar comigo, com o Altay e com outros apoiadores.E não é só isso: toda vez que você ouvir ou fizer download de um episódio pelo Orelo, vai também estar pingando uns trocadinhos para o nosso projeto.Então, baixe agora mesmo o app Orelo no endereço Orelo.CC ou na sua loja de aplicativos e ajude a fortalecer o conhecimento científico.https://bit.ly/naruhodo-no-orelo

Series 3 Episode 6 of The Penteract Podcast, hosted by Anthony Etherin and Clara Etherin.In the final ever episode of The Penteract Podcast, Anthony and Clara eat the hottest chili in the world, as they again take on First We Feast's hot wings challenge. Featuring special guest appearances from Tom Jenks, Christian Bök, Rachel Smith, Marian Christie, Moira Walsh, Richard Capener, and Franco Cortese. Check out First We Feast on YouTube and purchase the Hot Ones sauces here.Follow this podcast on Twitter and discover more about Penteract Press by visiting its website and its Twitter.And, if you like what you hear, please support this series via Anthony's Patreon page!Support the Show.