Podcasts about masanobu

The incomparable MOJ joins Kieran and Mark once again, this time for the “fierce battle” of Mitsuharu Misawa, Kenta Kobashi & Toshiaki Kawada vs. Jumbo Tsuruta, Akira Taue & Masanobu Fuchi from AJPW Fan Appreciation Day on April 20, 1991. PLUS: an immediate tangent, Mark's trip to Japan, the history of Fan Appreciation Day, Taue's hair, cardigans, hatred, donuts, Fuchi the evil little prick, John Terry, the low dropkick, James Tighe, Caiman, jeet kune do, Dean Ayass, TV commentary training schools, and all the usual, barely broadcastable chaos that ensues when MOJ is on. Follow the project and podcast on Twitter/IG/Threads/BlueSky: @MustSeeMatches http://linktr.ee/mustseematches Follow MOJ: @threekidneysmoj Kieran: @kieranedits Mark: @monkey_buckles MUSIC: "Chuck Kick Ass" by Nicolas Jeudy. Used under license from Dark Fantasy Studio.

BEHIND THE LENS kicks off year nine with NORA KAYE talking THE COSMOS SISTERS and our exclusive interview with SCOTT COOPER talking THE PALE BLUE EYE! WOW! First up for 2023 and year nine of #BTLRadioShow is our exclusive interview with award-winning writer/director SCOTT COOPER talking about his mesmerizing new film, THE PALE BLUE EYE, now on Netflix. Adapted by Scott from the acclaimed novel of the same name by Louis Bayard, THE PALE BLUE EYE is, at its heart, an Edgar Allan Poe origin story set at West Point in the 1830s. Steeped in metaphor and ambiance thanks to the film's visual tonal bandwidth and exemplary visual grammar courtesy of Cooper's frequent collaborator, cinematographer Masanobu "Masa" Takayanagi, Scott and I dig deep into discussion covering the film's visual tonal progression and framing, use of color, and Stefania Cella's production design which is an integral part of the film's metaphoric style. Then joining us live for the second half of the show is writer/director/actor NORA KAYE talking about her new film THE COSMOS SISTERS. Written and directed by Nora Kaye and Whitney Uland, THE COSMOS SISTERS is a fun-filled lo budget/no budget/micro-budget indie romp about two high school BFF's and bandmates who drift apart only to come together again ten years later trying to reunite and reconnect. As you listen to Nora, you'll quickly discover that comedy, fun, and sticktoitiveness are in her nature, something that shines through within the film as Nora and Whitney star as "Nora" and "Whitney". http://eliasentertainmentnetwork.com

Episode 14: Visible/Invisible In this final episode of Season 2, we re-think art historian Linda Nochlin's famous question “why have there been no great women artists?” through an intersectional lens that addresses work by women artists of colour. This episode examines co-host Madeline Collin's research on visibility, invisibility and marginalization in the work of contemporary artists. We talk about the politics of looking and how we might think about the gaze in the work of Kara Walker, Teresa Margolles, Ana Mendieta, and Mari Katayama. We also consider the notion of the absent body and its trace in several works of art.          Sources + further reading: “All That's Left: The Art of Teresa Margolles.” The Critical Flame. http://criticalflame.org/all-thats-left-the-art-of-teresa-margolles/. “Ana Mendieta - MoMA.” The Museum of Modern Art. https://www.moma.org/artists/3924. Burton, Laini, and Jana Melkumova-Reynolds. “‘My Leg Is a Giant Stiletto Heel': Fashioning the Prosthetised Body.” Fashion Theory 23, no. 2 (2019): 195–218. Campion, Chris. “Punk Prosthetics: The Mesmerising Art of Living Sculpture Mari Katayama.” The Guardian, March 6, 2017, sec. Art and design. https://www.theguardian.com/artanddesign/2017/mar/06/mari-katayama-japanese-artist-disabilities-interview. “Covered in Time and History: The Films of Ana Mendieta.” NSU Art Museum Fort Lauderdale. https://nsuartmuseum.org/exhibition/covered-in-time-and-history-the-films-of-ana-mendieta/. “‘Each Bubble Is a Body.' Teresa Margolles.” Seismopolite. http://www.seismopolite.com/each-bubble-is-a-body-teresa-margolles. “Kara Walker. Gone: An Historical Romance of a Civil War as It Occurred b'tween the Dusky Thighs of One Young Negress and Her Heart. 1994.” The Museum of Modern Art. https://www.moma.org/collection/works/110565. Matsumoto, Masanobu. “Meet the Rising Japanese Artist Who Uses Her Amputated Legs to Question What Is a ‘Correct Body.'” ARTnews.Com. April 27, 2022. https://www.artnews.com/art-news/artists/meet-japanese-artist-mari-katayama-1234626715/. McKeon, Lucy. “The Controversies of Kara Walker.” Hyperallergic. March 19, 2013. http://hyperallergic.com/67125/the-controversies-of-kara-walker/. Nochlin, Linda. “From 1971: Why Have There Been No Great Women Artists?” ARTnews.Com. May 30, 2015. https://www.artnews.com/art-news/retrospective/why-have-there-been-no-great-women-artists-4201/. “Teresa Margolles.” Peter Kilchmann Gallery.  https://www.peterkilchmann.com/artists/teresa-margolles/overview/sonidos-de-la-muerte-sounds-of-death-2008. Wuertz, Christopher Alessandrini, Stephanie. “Remembering Ana Mendieta.” The Metropolitan Museum of Art. https://www.metmuseum.org/perspectives/articles/2021/10/from-the-vaults-remembering-ana-mendieta. Credits Season 2 of Unboxing the Canon is produced by Professor Linda Steer for her course “Introduction to the History of Western Art” in the Department of Visual Arts at Brock University. Our sound designer, co-host and contributing researcher is Madeline Collins.  Brock University is located on the traditional lands of the Haudenosaunee and Anishinaabe peoples, many of whom continue to live and work here today. This territory is covered by the Upper Canada Treaties and is within the land protected by the Dish with One Spoon Wampum Agreement. Today this gathering place is home to many First Nations, Métis and Inuit peoples and acknowledging reminds us that our great standard of living is directly related to the resources and friendship of Indigenous people. Our logo was created by Cherie Michels. The theme song has been adapted from “Night in Venice” Kevin MacLeod and is licensed under Creative Commons Attribution International 4.0. Grants from the Humanities Research Institute and from Match of Minds at Brock University support the production of this podcast, which is produced as an open educational resource. Unboxing the Canon is archived in the Brock Digital Repository. Find it at https://dr.library.brocku.ca/handle/10464/14929   You can also find Unboxing the Canon on any of the main podcast apps. Please subscribe and rate our podcast. You can also find us on Twitter @CanonUnboxing and Instagram @unboxingthecanon or you can write to unboxingthecanon@gmail.com 

Phil is joined by podcaster Bucky Barnett as we discusses the wild FMW Texas Street Fight from 4/1/90. We talk about the wild and weird careers of Kendo Nagasaki and Kurisu and head off onto some amusing digressions.

A summarized timeline of the Japanese Malayan Campaign, beginning from the Attack on Pearl Harbor to the Fall of Malaya. References 1. Ho, Stephanie. “Malayan Campaign.” National Library Board Singapore, 19 July 2013, eresources.nlb.gov.sg/infopedia/articles/SIP_2013-07-19_162143.html. 2. Wigmore, Lionel. The Japanese Thrust. Vol. 4. Australian War Memorial, 1957. 3. Tsuji, Masanobu. Japan's Greatest Victory/Britain's Greatest Defeat. Da Capo Press, 1997. 4. Tsuji, Masanobu, and H. V. Howe. Singapore, 1941-1942: the Japanese version of the Malayan campaign of World War II. Oxford University Press, 1988. 5. Chen, C. Peter. “Invasion of Malaya and Singapore.” WW2DB, World War II Database, ww2db.com/battle_spec.php?battle_id=47. --- Support this podcast: https://anchor.fm/pacific-atrocities-education/support

This week we return to Japan to learn about army officer and politician Masanobu Tsuji (1901 - 1961).  Tune in every week to hear Katy and Dan talk about people from history you may or may not have heard of.  You can follow them on Twitter here: https://twitter.com/HaveYouEverPod and on Instagram @haveyoueverpod. Please do subscribe, wherever you're listening to this. 

Com'è cambiata la nostra sensibilità ambientale dopo la quarantena? In questo primo episodio di Clorofilla parliamo di:✅ Overshoot day 2020https://www.overshootday.org/newsroom/press-release-june-2020-italian/✅ "Ricominciamo bene" - Internazionale 1355https://www.internazionale.it/sommario/1355✅ "Cambiamo le città" - Internazionale 1359https://www.internazionale.it/sommario/1359✅ "La rivoluzione del filo di paglia" - Masanobu Fukuokahttps://it.wikipedia.org/wiki/Masanobu_Fukuoka✅ "The green lie" Se volete iscrivervi ad Amazon Germaniahttps://www.amazon.de/Die-Gr%C3%BCne-L%C3%BCge-Werner-Boote/dp/B07JL8WXQF

LINKS World Organic News email: redocean112@gmail.com Transcript HERE World Organic News Facebook page

LINKS   The RegenEarth 2019 Online Conference ~ Living Soil   email: regen@regenearth.net   Facebook Page:  World Organic News Facebook page. WORLD ORGANIC NEWS No Dig Gardening Book: Click here Permaculture Plus   Topical Talks   Key soil carbon messages https://www.dpi.nsw.gov.au/__data/assets/pdf_file/0010/428851/key-soil-carbon-messages.pdf   Ten Acres Enough The One Straw Revolution Journey to Forever has a really great compost page  

The Online Conference:  Learn how to compost, grow earthworms and soooo much more at the Regen Earth Backyard Regen Conference regen@regenearth.net   http://library.uniteddiversity.coop/Food/The-One-Straw-Revolution.pdf  

The Online Conference:  Learn how to compost, grow earthworms and soooo much more at the Regen Earth Backyard Regen Conference regen@regenearth.net   http://library.uniteddiversity.coop/Food/The-One-Straw-Revolution.pdf  

LINKS   The RegenEarth 2019 Online Conference ~ Living Soil   email: regen@regenearth.net   Facebook Page:  World Organic News Facebook page. WORLD ORGANIC NEWS No Dig Gardening Book: Click here Permaculture Plus   Topical Talks  

LINKS email: redocean112@gmail.com RegenEarth.net RegenEarth Trailer Transcript HERE PODCASTING CHECKLISTS CLICK HERE Facebook Page:  World Organic News Facebook page. WORLD ORGANIC NEWS No Dig Gardening Book: Click here Permaculture Plus http://permacultureplus.com.au/ Topical Talks

LINKS email: redocean112@gmail.com PODCASTING CHECKLISTS CLICK HERE Transcript HERE Facebook Page:  World Organic News Facebook page. WORLD ORGANIC NEWS No Dig Gardening Book: Click here Permaculture Plus http://permacultureplus.com.au/ Topical Talks

Lorcan (@lorcanmullan) and Simon (@simoncross3) loved the previous match where Kenta Kobashi and his lil' buddy Tsuyoshi Kikuchi challenged for the All-Asia tag titles. Now they are the defenders and encounter a previous enemy (for both Kobashi and Lorcan & Simon!) as Masanobu "The S**thouse" Fuchi brings up his own protege Ogawa. Will they hold up to the quality of the previous classic? Listen in and find out! lmtyspod@gmail.com

LINKS CONTACT:  podcast@worldorganicnews.com Podcast Essentials: mrjonmoore.com PODCASTING LIKE A PRO: https://www.facebook.com/ProPodcasting/   Blog: www.worldorganicnews.com Facebook Page:  World Organic News Facebook page. WORLD ORGANIC NEWS No Dig Gardening Book: Click here Free Downloadable PDF Farming Books Click Here PodThoughts Click Here   Red Hot Planet – World News Forum https://wp.me/p5Cqpo-mGx Impact of global warming on food, worldwide | A Floresta Nova – A Tropical Food Forest – Brazil – Bahia – Permaculture Training https://wp.me/p5Cqpo-mFQ How the global wine industry is adapting fast to climate change – Ideal Wine Company https://wp.me/p5Cqpo-mGo Could the Neolithic Revolution offer evidence of best ways to adapt to climate change? – Novo Scriptorium https://wp.me/p5Cqpo-mGu Nendo Dango – TRAIL AND TRACES https://wp.me/p5Cqpo-mGb

LINKS CONTACT:  podcast@worldorganicnews.com   Podcast Like a Pro: mrjonmoore.com   FREE .PDF One Square Metre Garden: square@worldorganicnews.com   Blog: www.worldorganicnews.com   Facebook Page:  World Organic News Facebook page.   WORLD ORGANIC NEWS No Dig Gardening Book: Click here   Masanobu Fukuoka And The Four Principles of Natural Farming https://vinyessonalegre.com/2018/03/07/masanobu-fukuoka-and-the-four-principles-of-natural-farming/   The One Straw Revolution https://www.goodreads.com/topic/show/19120282-d0wnload-the-one-straw-revolution-pdf-audiobook-by-masanobu-fukuoka   The Natural Way of Farming by M. Fukuoka http://www.rivendellvillage.org/Natural-Way-Of-Farming-Masanobu-Fukuoka-Green-Philosophy.pdf

Links   Why do we work? – Hawthorn Rising http://www.worldorganicnews.com/50921/why-do-we-work-hawthorn-rising/ Organic egg industry pits factory farms against family farms | Agweek http://www.worldorganicnews.com/50885/organic-egg-industry-pits-factory-farms-against-family-farms-agweek/ A Paradigm Project for the future – Location: Morocco : Augusta Free Press http://www.worldorganicnews.com/50878/a-paradigm-project-for-the-future-location-morocco-augusta-free-press/ **** This is the World Organic News Podcast for the week ending 7th of November 2016. Jon Moore reporting! The blog Hawthorn Rising brings a post: Why do we work? It begins with a quote from Masanobu Fukuoka author of The One Straw Revolution. Quote: “I do not particularly like the word ‘work’. Human beings are the only animals who have to work, and I think that is the most ridiculous thing in the world. Other animals make their livings by living, but people work like crazy, thinking that they have to in order to stay alive.” End Quote. The post goes on to suggest we currently need to work to cover bills, debts etc. and then end with the sentence: Quote: It wasn’t always this way, and needn’t be in the future either, however we would have to change our expectations drastically! End quote. This needs some unpacking. Let’s begin. We work because we live in a system which has created a value for work. The protestant work ethic springs to mind. From this follows, amongst other things,  the need for efficiency, rational use of resources, the abhorrence of idleness and so on. Fukuoka refers to the days of his childhood when the local farmers grew sufficient food for themselves and had a surplus by farming between Spring and Autumn, that would be Fall for the North Americans out there. During winter they and their soils rested. The farmers hunted rabbits, repaired tools, met and recuperated. This meant they had time for reflection, for poetry, for being fully human. Whilst Fukuoka spoke against the idea of work, he was not opposed to labour. He happily put the hours in when they were needed. He was just opposed to the battery hen world of factories and offices. If we take a further step back we can see the concept of work, of the protestant work ethic and economics in general are based upon the principle of shortage. My economics textbook began with the statement: “Economics is process where unlimited wants negotiate finite resources.” For most of human existence this has been the case. Fisher-gatherer-hunters solved this riddle by matching the carrying capacity of their domain to their population. As the species travelled out of Africa across five of the other six continents this wasn’t so great a problem. There was always more land, more resources and so on. Then in the years between the various points of domestication, The Fertile Crescent, Mesoamerica, East Asia and sub saharan Africa, the shortage of available resources was negotiated through power structures and work. Those in elite positions needed not to work and the great masses had to work or they starved. There were times when starvation came despite any amount of work but the general principle holds true. Since the beginning of the industrial revolution this notion was solidified into reality. The need to work to justify an existence, to define masculinity, to not be a welcher on society became ingrained. This was reinforced through religion with statements like: “Idle hands do the devil’s work” and so on. This is the system which forced the notion of efficiency and productivity on the farmers of Masanobu Fukuoka’s part of Japan. They changed from farming for three seasons and contemplating for one to continuous production based upon oil derived fertilisers, pesticides and herbicides. The system of Natural Farming developed by Fukuoka returns to a condition of continuously available food, minimal labour and community creation. On a technological level we are approaching a point where not just the drudgery of work but the highly paid work of solicitors, accountants and so on are about to be “roboticized”. That is the routine, the repeatable parts of all jobs are about to be replaced by machines who do not take holidays, become ill, strike or even demand wages. Budweiser ran a proof of concept delivery across Colorado last month with a self driving truck. Think of how many people are employed in transport, think of the routine jobs in the admin in the transport sector which will also be replaced with artificial intelligence as the truck, cab and hire car drivers are removed from the roads by self driven vehicles. We are moving from a world where scarcity defined our context. From this followed the “dignity” of work, the despising of the lazy and a questioning of the value of the creative. Once 90% of us don’t have a job, how do we eat? How do we define ourselves? We are entering a new era. Fukuoka has shown us one way we can feed ourselves, be fully alive and labour with purpose and creativity. We are all heading into a world where the meaning of “work” is changing. We can and must ask ourselves how this world will function and what will be our purpose in this new environment. We can all make preparation for the transition period coming. The transition from post industrial revolution to the Web 3.0 Revolution. Change is upon us. The blog Agweek describes the struggle between organic egg production and factory farms. It’s particular focus is upon the factory like animal welfare status so many “organic”, in inverted commas, farms. A cage free organic egg farm still has low square footage per bird and access to sunlight and fresh air is designed for the birds to avoid. These conditions are not acceptable in an organic farm yet animal welfare, at least in the US, is not part of the organic certification process from what I can work out. This holds true for dairy farms as well. In these so called organic units cows are stall tied and conveyor fed as per industrial farms. The difference is the feed is from certified organic suppliers. This sort of misses the point. It is not dissimilar to providing an open plan office for humans as opposed to cubicles. The humans are still tied to their desks even if the cage is now gilded. But change, as I say is upon us. The blog Augusta Free Press posted a piece entitled: A Paradigm Project for the future – Location: Morocco. The post discusses the correct use of resources in a development project to achieve sustainability and longevity. It discusses a particular development project in Morocco. The point I draw from this is we have time to change our food production systems. The social changes coming will be seismic but we will still have to eat. We can prepare for the change. The late Bill Mollison in a quote from my tribute episode summed up what we can and must do: Quote: “The greatest change we need to make is from consumption to production, even if on a small scale, in our own gardens. If only 10% of us do this, there is enough for everyone. Hence the futility of revolutionaries who have no gardens, who depend on the very system they attack, and who produce words and bullets, not food and shelter.” ― Bill Mollison End Quote Maybe this time, as a species, we can transition through change peacefully. It is indeed my hope. And that brings us to the end of this week’s podcast. If you’ve liked what you heard, please tell everyone you know any way you can! I’d also really appreciate a review on iTunes. This helps others to find us. Thanks in advance! Any suggestions, feedback or criticisms of the podcast or blog are most welcome. email me at podcast@worldorganicnews.com. Thank you for listening and I'll be back in a week.