Podcasts about ralph carney

Happy holidays, everyone! I wanted to thank everyone who has supported and listened to the show, all of you incredible folks who have gone the distance & subscribed to the show's Patreon (again, thank you thank you thank you!), written kind reviews, turned other people onto the show, and generally just cheered this show along as I work on the show. I also want to give much love and thanks to my co-host Chaki The Funk Wizard, all my incredible guests who bring such goodness to the show, and the incredible Jeff T. Owens for all his graphic work.So, for this holiday week, I wanted to share an episode that initially came out on the Revolutions Per Movie Patreon. Tom Waits seems like a good holiday or end-of-year choice, and my guest Galen Howard is fantastic with his love of Waits' lore and the making of this very, very strange 'concert' film.To all who already support the Patreon, I hope you are enjoying the Flexidisc, and heads up that another special physical music gift is coming your way next month just for you! You keep the show going so thank you...I do not take your support lightly.And for any of you who have not joined the Patreon, I hope you'll consider it. The show is completely independent, and this is the best way to support the show (plus get all the killer bonus extras!!!) patreon.com/revolutionspermovie or gift it over at patreon.com/revolutionspermovie/giftLooking forward to bringing you even more in 2025 and again thank you for enjoying the show.Chris SlusarenkoThis week, we talk to actor GALEN HOWARD (THE BOOK OF BOBA FETT,  BROOKLYN 9-9 and the star of music videos by Weezer and Disclosure) about the TOM WAITS “concert” film BIG TIME. We discuss what it's like being part of the Star Wars cinematic universe, why Tom Waits is Galen's all-time favorite artist, the long-ago arthouse vibe of the film, what works and doesn't in the film, how Waits slowed down his voice in the film to create unease for the audience, Waits' original stage play, the jarring interstitial moments in the film, musicians Marc Ribot and Ralph Carney, the acting of Tom Waits, the early traditional albums of Waits, why it's so hard to find the film, Film Noir fixation, how Waits has influenced Galen's creative process, Rust Never Sleeps, the staging and lighting decisions for the film, what songs were sadly excluded from the film, dancing in movie aisles, the growth and journey of Waits' Frank character, Robert Wilson, the lack of documentation of Waits' visual work and stage performances, and even Tom Waits' lawsuit against Doritos.So get your tickets early, before the usher waltzes you away, on this week's episode of Revolutions Per Movie!!!GALEN HOWARD:https://www.galenhoward.com/https://www.instagram.com/galenhoward/?hl=en Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

You can't pigeonhole or stereotype Karina Denike. Don't even try. Perhaps best known as the dynamic and talented vocalist of the renowned ska-punk band, Dance Hall Crashers, she's had a career that has seen her genre hop like Dr. Who time travels.  The Dance Hall Crashers quickly gained recognition in the ska and punk scenes with their infectious melodies and powerful live performances. Karina's captivating vocals and charismatic stage presence played a crucial role in defining the band's sound. Over the years, Dance Hall Crashers released a string of successful albums, including Lockjaw and Honey, I'm Homely! Their music, a fusion of punk, ska, and pop, resonated with audiences and left an indelible mark on the California ska-punk scene. Karina's contribution to the band extended beyond her vocal prowess. She was a driving force in crafting the band's lyrics, often delving into themes of love, empowerment, and self-discovery. Her solo career is full of original tunes that are a haunting combo of 30's seaside shanties, 60's girl group harmony, and noir soundtracks. Karina also lends sher skills to bands like The Cottontails, Mr. Lonesome & The Bluebelles, Ralph Carney's serious jass Project, and is currently on tour with NOFX. Karina stopped by to talk with Geoff and Keith about those days as a Dance Hall Crasher and everything she's done since. LINKS Karina's Web Site Karina on Bandcamp Karin on IG Karina on Spotify Dance Hall Crashers on Spotify  

Daved Hild - The Girls, The Wooden Birds & The Pale Orchestra - in conversation with David Eastaugh  Hild formed the experimental punk band The Girls with Robin Amos, George Condo and Mark Dagley. Their first and only studio release was the seven-inch single "Jeffrey I Hear You"/"The Elephant Man", produced by David Thomas of Pere Ubu fame. Eventually Hild joined Thomas in his band The Wooden Birds and played on Monster Walks the Winter Lake, released in 1986. He released several albums on Shimmy Disc with Ralph Carney and Kramer, serving as the primary lyricist, vocalist and drummer for the compositions.[2]

FYTA present a series of 26 thematic shows, one for every letter of the english alphabet. Each show introduces concepts, philosophers, poets and music projects whose name starts from each specific letter. This week's letter is R; FYTA talk about: reformism vs revolution,  religion, recycling, real, relativism, referendum, role-playing, regret - remorse - repentance Music by: Research Library, red asphalt, riefenstahl, renaldo and the loaf, reverse, rip rig and panic, royal family and the poor, r. stevie moore, roter rot, Residents, Ralph Carney, Rex Ilussivi, Philosophy by Wilhem Reich Poetry by Adrienne Rich Photo by: Mihalis Gkatzogias

This week the TV Boys sit down to discuss Aaron Paul. He's a one of a kind actor who became a household name as Jesse Pinkman in Breaking Bad and has been captivating audiences ever since.

This short episode introduces my new book, The Manager. A thriller that continues the story from my book Death Mail. The book brings you Johnathan Roche as the Manager, Ralph Carney as a Secret Service trained driver and planner, Mike Maddox former Army Ranger Master Sargent Sniper and his buddy Clicks. Together they can take care of any problem you have with people trying to hurt you in any way. Amazon https://www.amazon.com/dp/B08NY8411P

a cura di Alessandro Achilli. Musiche di Richard Thompson, David Thomas, Todd Rundgren, Gary Windo, Musica Elettronica Viva, Carl Stalling, Allen Ginsberg, Richard Teitelbaum & Anthony Braxton, John Zorn, Alvin Curran & Jon Rose, Brecht-Weill (seconda parte)

a cura di Alessandro Achilli. Musiche di Richard Thompson, David Thomas, Todd Rundgren, Gary Windo, Musica Elettronica Viva, Carl Stalling, Allen Ginsberg, Richard Teitelbaum & Anthony Braxton, John Zorn, Alvin Curran & Jon Rose, Brecht-Weill (seconda parte)

En este episodio Andy Cukier habla con Gus Casals, psicólogo de profesión y comentarista de cultura pop sobre temas de género y sexualidad por elección. Nos sumergimos en la mente y el corazón de Princess Carolyn, una strong independent woman (o gata persa de color rosa) que protagoniza la serie animada de Netflix, Bojack Horseman. Princess Carolyn va por todo y muchas veces se ve forzada a elegir entre priorizar su carrera o sus relaciones personales. Analizamos su infancia, su vida amorosa y nos atrevemos a imaginarnos cómo serían sus sesiones de terapia. ¡Dale play! Seguinos en las redes // Instagram: [@gatocracia](http://instagram.com/gatocracia) Twitter: [@gatocraciapod](http://twitter.com/gatocraciapod) - Host, producción general y edición: [Andy Cukier](http://www.instagram.com/andycukier) Producción ejecutiva y guión: [Alejandra Torres](http://www.instagram.com/lachicatowers) El tema de apertura de Bojack Horseman fue compuesto por Patrick and Ralph Carney.

In this episode, Luke Annand and guest George H. Sirois go through ten selections of their favorite bits of TV music.Music sampled in this episode"Ballad of Bilbo Baggins" by Leonard Nimoy"End Title" by Bernard Hermann from The Twilight Zone (1959)"Main Title" by Stu Phillips from Battlestar Galactica (1978)"Twin Peaks Theme (Instrumental)" by Angelo Badalamenti from Twin Peaks"Where Everybody Knows Your Name" by Gary Portnoy from Cheers"Ain't She Beautiful" by W.G. Snuffy Walden from The Stand"BoJack's Theme (feat. Ralph Carney)" by Patrick Carney from BoJack Horseman"Friday the 13th: The Series (Main Theme)" by Fred Mollin from Friday the 13th: The Series"White Lines" by unknown from 1st and 10"Karl Arrives" by Jeff Russo from Fargo Season 2"Bolero Remix" by Jeff Russo from Legion Season 1

Last week, Netflix released the fifth season of BoJack Horseman. I wanted to revisit this episode about the show’s Main Title Theme, which was written by Patrick Carney of The Black Keys, and his uncle, Ralph Carney, who passed away unexpectedly in December 2017. BoJack Horseman is a Netflix original series, an animated comedy about a washed up 90s sitcom star who's trying to figure out his life and career without drowning in self-loathing and existential despair. It won the 2016 Critics Choice award for best animated series. The theme song for the show was created by Patrick Carney, who is one half of The Black Keys, and his uncle, Ralph Carney, a multi-instrumentalist who has worked artists like Tom Waits, St Vincent, The B-52s, Galaxie 500, and a lot more. But the track wasn't written for the show, originally; it was just something that Patrick and Ralph made without knowing what it was for. In this episode, the two break down how the song was created, and how it went from their long-distance collaboration to become a TV theme song. songexploder.com/bojack-horseman

a cura di Alessandro Achilli. Musiche di Louis Philippe & Danny Manners, Sun Ra, John Zorn, Francis Poulenc, Creedence Clearwater Revival, Tone Dogs, Rattlemouth, Frank Chickens, Misterioso, Tin Huey (seconda parte)

a cura di Alessandro Achilli. Musiche di Louis Philippe & Danny Manners, Sun Ra, John Zorn, Francis Poulenc, Creedence Clearwater Revival, Tone Dogs, Rattlemouth, Frank Chickens, Misterioso, Tin Huey (seconda parte)

Song by Song is back for one more episode with Jeremy Warmsley, as he, Sam and Martin take a look at one of Waits's classic songs from this album, the way his storytelling style relates to truth and lies/dreams, as well as some more esoteric music from Ralph Carney & co. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Innocent When You Dream (Barroom), Franks Wild Years, Tom Waits (1987) New York's Finest Dining Experience, Contents Dislodged During Shipment, Tin Huey (1979) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

a cura di Alessandro Achilli. Musiche di Pere Ubu, Carney & Thomas, David Thomas & The Trees, Tin Huey, The Waitresses, Fausto Razzi (prima parte)

a cura di Alessandro Achilli. Musiche di Pere Ubu, Carney & Thomas, David Thomas & The Trees, Tin Huey, The Waitresses, Fausto Razzi (prima parte)

On this week's episode we talk about a beloved Oakland pianoman, a double suicide, one of the last pop vocalists from the 50s and Tom Waits' saxophone player.

BoJack Horseman is a Netflix original series, an animated comedy about a washed up 90s sitcom star who's trying to figure out his life and career without drowning in self-loathing and existential despair. It won the 2016 Critics Choice award for best animated series. The theme song for the show was created by Patrick Carney, who is one half of The Black Keys, and his uncle, Ralph Carney, a multi-instrumentalist who has worked artists like Tom Waits, St Vincent, The B-52s, Galaxie 500, and a lot more. But the track wasn't written for the show, originally; it was just something that Patrick and Ralph made without knowing what it was for. In this episode, the two break down how the song was created, and how it went from their long-distance collaboration to become a TV theme song.