cbs all access podcasts

Yum Yum Trek: Series Recap | Star Trek: Discovery | Review

Play Episode Listen Later Jun 5, 2025 103:02

Welcome aboard the Starship Yum Yum in which we your intrepid hosts Ryan and Rachel Sliwinski try to break down episodes of Star Trek: Discovery without having a breakdown ourselves. This week on Yum Yum Trek we discuss all of Star Trek: Discovery.Engage the Yum Yum!MUSIC BY:MbryoSUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.comFOLLOW US: Twitter: @YumYumPodcastFacebook: @YumYumPodcastInstagram: @yumyumpodReddit: r/YumYumPodcastLISTEN ON:Apple Podcasts: https://apple.co/2NbEuaHSpotify: https://spoti.fi/2CjDLSsGoogle Podcasts: https://bit.ly/37NheZPSimplecast: https://bit.ly/2ASPib8RadioPublic: https://bit.ly/30WxQ01iHeartRadio: https://ihr.fm/2VnKBgqStitcher: https://bit.ly/3hIryqFTuneIn: https://bit.ly/3dDzjuPYoutube: https://bit.ly/3dk7tDA SUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.comFOLLOW US:Twitter | Facebook | Instagram | Reddit | Bluesky | Tiktok | Tumblr | DiscordLISTEN ON:Apple Podcasts | YouTube | Spotify | Amazon Music / Audible | Simplecast | Goodpods | Podchaser | Podcast Addict | Castbox | iHeartRadio | TuneIn

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Yum Yum Trek: Season Five Recap | Star Trek: Discovery | Review

Yum Yum Podcast

Play Episode Listen Later May 29, 2025 62:52

Welcome aboard the Starship Yum Yum in which we your intrepid hosts Ryan and Rachel Sliwinski try to break down episodes of Star Trek: Discovery without having a breakdown ourselves. This week on Yum Yum Trek we discuss the fifth season of Star Trek: Discovery.Engage the Yum Yum!MUSIC BY:MbryoSUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.comFOLLOW US: Twitter: @YumYumPodcastFacebook: @YumYumPodcastInstagram: @yumyumpodReddit: r/YumYumPodcastLISTEN ON:Apple Podcasts: https://apple.co/2NbEuaHSpotify: https://spoti.fi/2CjDLSsGoogle Podcasts: https://bit.ly/37NheZPSimplecast: https://bit.ly/2ASPib8RadioPublic: https://bit.ly/30WxQ01iHeartRadio: https://ihr.fm/2VnKBgqStitcher: https://bit.ly/3hIryqFTuneIn: https://bit.ly/3dDzjuPYoutube: https://bit.ly/3dk7tDA SUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.comFOLLOW US:Twitter | Facebook | Instagram | Reddit | Bluesky | Tiktok | Tumblr | DiscordLISTEN ON:Apple Podcasts | YouTube | Spotify | Amazon Music / Audible | Simplecast | Goodpods | Podchaser | Podcast Addict | Castbox | iHeartRadio | TuneIn

comedy star trek engage commentary star trek discovery doug jones cbs all access tig notaro tv reviews yum yum anthony rapp alex kurtzman sonequa martin green wilson cruz star trek podcast mary wiseman television reviews michelle paradise star trek disco yum yum podcast

Our Thoughts On... Section 31

Yum Yum Podcast

Play Episode Listen Later May 22, 2025 65:15

Rachel and Ryan discuss something different, this time Star Trek: Section 3. We describe our histories with this film and are opinions on certain moments, the wide array of characters and the future of Star Trek.SUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.comFOLLOW US: Twitter: @YumYumPodcastFacebook: @YumYumPodcastInstagram: @yumyumpodReddit: r/YumYumPodcastLISTEN ON:Apple Podcasts: https://apple.co/2NbEuaHSpotify: https://spoti.fi/2CjDLSsGoogle Podcasts: https://bit.ly/37NheZPSimplecast: https://bit.ly/2ASPib8RadioPublic: https://bit.ly/30WxQ01iHeartRadio: https://ihr.fm/2VnKBgqStitcher: https://bit.ly/3hIryqFTuneIn: https://bit.ly/3dDzjuPYoutube: https://bit.ly/3dk7tDA SUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.comFOLLOW US:Twitter | Facebook | Instagram | Reddit | Bluesky | Tiktok | Tumblr | DiscordLISTEN ON:Apple Podcasts | YouTube | Spotify | Amazon Music / Audible | Simplecast | Goodpods | Podchaser | Podcast Addict | Castbox | iHeartRadio | TuneIn

comedy star trek commentary star trek discovery michelle yeoh cbs all access tv reviews omari hardwick alex kurtzman section31 sam richardson star trek section star trek podcast television reviews olatunde osunsanmi star trek disco erika lippoldt bo yeon kim yum yum podcast

Yum Yum Trek: Life, Itself | Star Trek: Discovery | Review

Yum Yum Podcast

Play Episode Listen Later May 15, 2025 81:55

Welcome aboard the Starship Yum Yum in which we your intrepid hosts Ryan and Rachel Sliwinski try to break down episodes of Star Trek: Discovery without having a breakdown ourselves. This week on Yum Yum Trek we discuss “Life, Itself“ Engage the Yum Yum!MUSIC BY:MbryoSUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.comFOLLOW US: Twitter: @YumYumPodcastFacebook: @YumYumPodcastInstagram: @yumyumpodReddit: r/YumYumPodcastLISTEN ON:Apple Podcasts: https://apple.co/2NbEuaHSpotify: https://spoti.fi/2CjDLSsGoogle Podcasts: https://bit.ly/37NheZPSimplecast: https://bit.ly/2ASPib8RadioPublic: https://bit.ly/30WxQ01iHeartRadio: https://ihr.fm/2VnKBgqStitcher: https://bit.ly/3hIryqFTuneIn: https://bit.ly/3dDzjuPYoutube: https://bit.ly/3dk7tDA SUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.comFOLLOW US:Twitter | Facebook | Instagram | Reddit | Bluesky | Tiktok | Tumblr | DiscordLISTEN ON:Apple Podcasts | YouTube | Spotify | Amazon Music / Audible | Simplecast | Goodpods | Podchaser | Podcast Addict | Castbox | iHeartRadio | TuneIn

comedy star trek commentary star trek discovery doug jones cbs all access tig notaro tv reviews yum yum anthony rapp alex kurtzman sonequa martin green wilson cruz star trek podcast mary wiseman television reviews michelle paradise star trek disco trek life yum yum podcast

The Dead Zone (1983)

Three Men and a Retrospective Podcast

Play Episode Listen Later May 9, 2025 85:30

1983 was quite the year for fans of author Stephen King. That was the year they didn't get one, or even two King adaptations for the screen. They got three. These consisted of The Dead Zone, Cujo, and Christine. The other two will get their just due on this podcast down the road. But today, we review The Dead Zone. A film touted as the teaming up of schlock director David Cronenberg (he wouldn't make The Fly until three years later) and horror writer Stephen King. To top it off, Cronenberg tapped recent Oscar winner Christopher Walken to be this story's lead Johnny Smith. Join the Three Men and a Retrospective Podcast as Garrett continues taking listeners, as well as Matt and Adam, along on his journey through all of King's cinematic adaptations with this review of The Dead Zone. Does Cronenberg's toned down style satisfy Matt, a long time fan of the director? Will Adam EVER come into a movie in this series after having actually seeing the film in question BEFORE having to watch and review it for this podcast? Listen below to find out! And come back next week, as the co-hosts once again get into plague territory with a long review of the CBS All Access 2020 adaptation of The Stand.

stand stephen king christopher walken david cronenberg cronenberg three men dead zone cbs all access cujo johnny smith

The Dead Zone (1983)

Percolated Media

Play Episode Listen Later May 9, 2025 85:30

1983 was quite the year for fans of author Stephen King. That was the year they didn't get one, or even two King adaptations for the screen. They got three. These consisted of The Dead Zone, Cujo, and Christine. The other two will get their just due on this podcast down the road. But today, we review The Dead Zone. A film touted as the teaming up of schlock director David Cronenberg (he wouldn't make The Fly until three years later) and horror writer Stephen King. To top it off, Cronenberg tapped recent Oscar winner Christopher Walken to be this story's lead Johnny Smith. Join the Three Men and a Retrospective Podcast as Garrett continues taking listeners, as well as Matt and Adam, along on his journey through all of King's cinematic adaptations with this review of The Dead Zone. Does Cronenberg's toned down style satisfy Matt, a long time fan of the director? Will Adam EVER come into a movie in this series after having actually seeing the film in question BEFORE having to watch and review it for this podcast? Listen below to find out! And come back next week, as the co-hosts once again get into plague territory with a long review of the CBS All Access 2020 adaptation of The Stand.

stand stephen king christopher walken david cronenberg cronenberg three men dead zone cbs all access cujo johnny smith

Yum Yum Trek: Lagrange Point | Star Trek: Discovery | Review

Yum Yum Podcast

Play Episode Listen Later May 8, 2025 57:46

Welcome aboard the Starship Yum Yum in which we your intrepid hosts Ryan and Rachel Sliwinski try to break down episodes of Star Trek: Discovery without having a breakdown ourselves. This week on Yum Yum Trek we discuss “Lagrange Point“ Engage the Yum Yum!MUSIC BY:MbryoSUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.comFOLLOW US: Twitter: @YumYumPodcastFacebook: @YumYumPodcastInstagram: @yumyumpodReddit: r/YumYumPodcastLISTEN ON:Apple Podcasts: https://apple.co/2NbEuaHSpotify: https://spoti.fi/2CjDLSsGoogle Podcasts: https://bit.ly/37NheZPSimplecast: https://bit.ly/2ASPib8RadioPublic: https://bit.ly/30WxQ01iHeartRadio: https://ihr.fm/2VnKBgqStitcher: https://bit.ly/3hIryqFTuneIn: https://bit.ly/3dDzjuPYoutube: https://bit.ly/3dk7tDA SUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.comFOLLOW US:Twitter | Facebook | Instagram | Reddit | Bluesky | Tiktok | Tumblr | DiscordLISTEN ON:Apple Podcasts | YouTube | Spotify | Amazon Music / Audible | Simplecast | Goodpods | Podchaser | Podcast Addict | Castbox | iHeartRadio | TuneIn

comedy star trek commentary star trek discovery doug jones cbs all access tig notaro tv reviews yum yum anthony rapp alex kurtzman sonequa martin green wilson cruz star trek podcast lagrange points mary wiseman television reviews michelle paradise star trek disco yum yum podcast

Yum Yum Trek: Labyrinths | Star Trek: Discovery | Review

Yum Yum Podcast

Play Episode Listen Later May 1, 2025 78:35

Welcome aboard the Starship Yum Yum in which we your intrepid hosts Ryan and Rachel Sliwinski try to break down episodes of Star Trek: Discovery without having a breakdown ourselves. This week on Yum Yum Trek we discuss “Labyrinths“ Engage the Yum Yum!MUSIC BY:MbryoSUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.comFOLLOW US: Twitter: @YumYumPodcastFacebook: @YumYumPodcastInstagram: @yumyumpodReddit: r/YumYumPodcastLISTEN ON:Apple Podcasts: https://apple.co/2NbEuaHSpotify: https://spoti.fi/2CjDLSsGoogle Podcasts: https://bit.ly/37NheZPSimplecast: https://bit.ly/2ASPib8RadioPublic: https://bit.ly/30WxQ01iHeartRadio: https://ihr.fm/2VnKBgqStitcher: https://bit.ly/3hIryqFTuneIn: https://bit.ly/3dDzjuPYoutube: https://bit.ly/3dk7tDA SUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.comFOLLOW US:Twitter | Facebook | Instagram | Reddit | Bluesky | Tiktok | Tumblr | DiscordLISTEN ON:Apple Podcasts | YouTube | Spotify | Amazon Music / Audible | Simplecast | Goodpods | Podchaser | Podcast Addict | Castbox | iHeartRadio | TuneIn

Yum Yum Trek: Under the Twin Moons - feat. Trek Profiles | Star Trek: Discovery | Review

Yum Yum Podcast

Play Episode Listen Later Mar 20, 2025 79:00

Yum Yum Trek: Red Directive - feat. Steve | Star Trek: Discovery | Review

Yum Yum Podcast

Play Episode Listen Later Mar 13, 2025 89:32

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Yum Yum Trek: The Chase - feat. Girafe | Star Trek: The Next Generation | Review

Yum Yum Podcast

Play Episode Listen Later Mar 6, 2025 62:14

Trekcast 421: A Status Report on the Health of Star Trek

Star Trek Podcast: Trekcast

Play Episode Listen Later Mar 2, 2025 73:20

The Future of Star Trek: What's Next for the Franchise?Star Trek has had its fair share of highs and lows, but the past year has been especially turbulent. In 2023, we saw the cancellation of Prodigy, Discovery, and Lower Decks, leaving fans wondering about the future of the franchise. While Starfleet Academy is on the horizon, many Trekkies are still campaigning for Star Trek: Legacy.Meanwhile, a new Star Trek movie remains stuck in development limbo, and to top it all off, Paramount is exploring a potential merger with Skydance.So, what does all of this mean for the Star Trek universe? How are fans reacting to these major shake-ups?To dive into this topic, we've enlisted the help of some fantastic Star Trek podcasters—The Pod-Wraiths and It's Got Star Trek Podcast.Together, we'll break down the state of the franchise, explore what the future might hold, and share insights from a fan survey on how the community is feeling.All that and more, right here on Trekcast!News:Roberto Orci passeshttps://deadline.com/2025/02/roberto-orci-dead-star-trek-transformers-writer-producer-1236301807/Khan you believe it, they cast a new Khanhttps://treknews.net/2025/02/28/star-trek-khan-coming-2025-naveen-andrews/Shatner talks about why the let them kill Kirkhttps://www.independent.co.uk/arts-entertainment/tv/news/star-trek-william-shatner-age-paramount-b2707174.htmlAdditional info:CBS All Access numbers before Paramount Plus - 3 years after Discovery, nearly 30 million subscribers in 2021https://www.theverge.com/2021/2/24/22299240/cbs-all-access-subscriber-numbers-paramount-plus-showtimeOne year after Paramount Plus - 36 million subscribers, 2021https://www.thewrap.com/paramount-plus-subscribers-showtime-viacomcbs-36-million-q1-2021/Walmart and Paramount partner 2022https://www.cnbc.com/2022/08/15/walmart-strikes-streaming-deal-with-paramount.htmlParamount Plus numbers source:https://www.statista.com/statistics/1211543/paramount-plus-subscribers-worldwide/Guest Links:https://podcasts.apple.com/us/podcast/the-pod-wraiths-a-star-trek-deep-space-nine-podcast/id1559635508https://podcasts.apple.com/us/podcast/its-got-star-trek/id1489620055Trekcast: The Galaxy's Most Unpredictable Star Trek Podcast!Welcome to Trekcast, the galaxy's most unpredictable Star Trek podcast! We're a fan-made show that dives into everything Star Trek, plus all things sci-fi, nerdy, and geeky—covering Star Wars, Marvel, DC Comics, Stargate, and more.But Trekcast isn't just about warp drives and superheroes. If you love dad jokes, rescuing dogs, and even saving bears, you'll fit right in! Expect fun, laughs, and passionate discussions as we explore the ever-expanding universe of fandom.Join us for a wild ride through the stars—subscribe to Trekcast today!Connect with us: trekcasttng@gmail.comLeave us a voicemail - (570) 661-0001‬Check out our merch store at Trekcast.comHelp support the show - ko-fi.com/trekcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/star-trek-podcast-trekcast--5651491/support.TV Drama Version 2 by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/

Star Trek: Discovery Final Season Preview

Yum Yum Podcast

Play Episode Listen Later Feb 27, 2025 3:46

comedy discovery star trek commentary season preview star trek discovery doug jones cbs all access tig notaro tv reviews anthony rapp alex kurtzman sonequa martin green wilson cruz star trek podcast mary wiseman television reviews michelle paradise star trek disco yum yum podcast

The 42cast Episode 220: Shades of Grey

The 42cast

Play Episode Listen Later Dec 25, 2024

Star Trek: Picard was the second series in the new Star Trek line initially created by CBS: All Access and later continued by Paramount Plus. The series provided a bridge for fans who didn’t connect with Star Trek: Discovery by providing recognizable characters from the height of Trek popularity in the 90’s. While many fans... The post The 42cast Episode 220: Shades of Grey appeared first on The 42cast.

The 42cast Episode 220: Shades of Grey

ESO Network – The ESO Network

Play Episode Listen Later Dec 25, 2024 150:21

Star Trek: Picard was the second series in the new Star Trek line initially created by CBS: All Access and later continued by Paramount Plus. The series provided a bridge for fans who didn’t connect with Star Trek: Discovery by providing recognizable characters from the height of Trek popularity in the 90’s. While many fans […] The post The 42cast Episode 220: Shades of Grey appeared first on The ESO Network.

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The Anniversary Brothers Podcast: The Twilight Zone 65th Anniversary

Pop Break TV

Play Episode Listen Later Oct 11, 2024 70:47

Aaron and Josh Sarnecky are here to celebrate the 65th anniversary of The Twilight Zone. Joining them is special guest Randy Allain, co-host of Pod of Doom and Media/Lit. The Twilight Zone is a science fiction anthology series created by Rod Serling. It premiered October 2, 1959 on CBS. It ran for five seasons and a total of 156 episodes. The final episode aired on June 19, 1964. Reruns traditionally play on Syfy on New Year's and the Fourth of July. Each episode is a self-contained sci-fi/fantasy story, often featuring notable guest stars like William Shatner, Carol Burnett, and Buster Keaton. Rod Serling serves as the narrator and host. Most episodes feature a twist ending and a moral. Rod Serling received two Primetime Emmys for writing for The Twilight Zone. The series is universally considered one of the greatest TV shows ever made. It has spawned a movie and three revivals, the most recent series hosted by Jordan Peele on CBS All Access. Representing the series at Walt Disney World is The Twilight Zone Tower of Terror, a thrill ride featuring a 130 ft drop. Aaron, Josh, and Randy talk about their familiarity with The Twilight Zone before going into the pilot episode. They then discuss other memorable episodes, the legacy of the series, and the possibility of yet another revival. For more classic television, you can listen to Josh and Aaron's podcast on the Adam West Batman. The Twilight Zone is streaming on Paramount+, Freevee, and Pluto TV

Mike Flanagan's REVIVAL [Stephen King Unseen Part IV]

Development Hell

Play Episode Listen Later Jul 2, 2024 50:00

DEVELOPMENT HELL presents STEPHEN KING UNSEEN, a 4-part limited audio series unearthing lost, canceled, and troubled adaptations from the Master of Horror.Part IV: REVIVALFor the series finale of STEPHEN KING UNSEEN, we take a shocking look at one of the darkest King stories yet to receive an adaptation. REVIVAL was published in 2014, and there have been two major attempts to bring this cruel and mean horror story to the screen. The book concerns two men whose lives have been interconnected over several decades, cultivating with a terrifying and maddening peek into a potentially unforgiving afterlife.First, Josh Boone (The Fault in Our Stars) attempted to craft a film version but produced the 2020 CBS All Access miniseries remake of The Stand instead. A few years later, King favorite Mike Flanagan (Gerald's Game, Doctor Sleep) was tapped to write and direct REVIVAL for the big screen. We uncover why neither adaptation has yet to see the light of day and then draw our own conclusions about whether or not this movie will ever get produced.Podcaster and Constant Reader Rachel Reeves (@thevinylgrrrl) joins us as a cohost for STEPHEN KING UNSEEN.References:Deadline, 2016Deadline, 2020The KingcastSubscribe to DEVELOPMENT HELL now anywhere you get your podcasts so you never miss an episode.Follow Rachel Reeves:https://linktr.ee/thevinylgrrrlFollow Development Hell:Twitter - @DevelHellPodInstagram - @DevelopmentHellPodFacebook - DevelopmentHellPodSubscribe to the Development Hell podcast! For every horror title to hit V.O.D, countless others end up D.O.A. Development Hell is the podcast dedicated to unearthing these cursed horror productions — to find out what went wrong — and decide if they still stand a shot at the green light. Make sure to check out past episodes, including Neill Blomkamp's Alien V, the canceled Hellraiser reboot, and Freddy vs. Jason vs. Ash!Development Hell is a proud member of the DREAD Podcast Network. Theme music by Drew PidgeonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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Episode 464 | Land of Bad | Composer: Brandon Roberts.

Monday Morning Critic Podcast

Play Episode Listen Later May 8, 2024 59:22

Episode 464"Land of Bad" | "Thanksgiving" | Composer: Brandon Roberts.Composer Brandon Roberts joins me to talk about his work, (Thanksgiving, Land of Bad) Thomas Newman, composing music, John Williams, Awards and so much more.Emmy Award winning composer Brandon Roberts' music can be heard all over the scoring world today. From the Academy Award winning documentary Free Solo, to the pulsing action of World War Z and Logan, to the surreal reimagining of Jordan Peele's Twilight Zone and the horror of Eli Roth's Thanksgiving.Upon graduating from the USC Scoring for Motion Pictures & Television program, Brandon began composing for films, television and albums in a wide range of styles. Projects include such large-scale feature films as A Quiet Place (I and II), Logan, Chaos Walking, and World War Z. In addition, he has composed for several independent features including: The Woman In Black (I and II), Warm Bodies, The Giver, and Unbroken: Path To Redemption. Brandon's music can be found in acclaimed television shows as well, including Battlestar Galactica, V, AMC's Revolutionary War spy drama, TURN: Washington's Spies, and Freeform's Motherland: Fort Salem. Brandon's recent co-scores with frequent collaborator Marco Beltrami include Jordan Peele's CBS All Access reboot of The Twilight Zone, the Fox horror feature Underwater starring Kristen Stewart, and the Focus Features political documentary The Way I See It which earned a People's Choice Award for best documentary score. The popular summer Netflix horror trilogy, Fear Street, featured a co-score with Beltrami (Fear Street: Part 2) as well as additional music in Pt1 and Pt3. Brandon's other recent scores include additional music on the Paramount feature Tom Clancy's: Without Remorse, starring Michael B. Jordan and New Line Cinema's, The Nun II.Brandon resides in Tarzana, CA and is a dual-citizen of United States and Canada.#moviemusic #composer #music #podcast #shorts #fyp #interview #landofbad #thanksgiving #horrorstories #movies #moviecomposer #moviesongs #cinema #johnwilliams #thomasnewman https://linktr.ee/mondaymorningcritic

Jeff Russo - Ripley

JV Club

Play Episode Listen Later Apr 24, 2024 23:18

On this episode, I spoke to Emmy Award-winning and Grammy-nominated composer Jeff Russo about his work on the limited series Ripley. Ripley stars Andrew Scott, Johnny Flynn and Dakota Fanning. Russo's upcoming projects include Nicholas Tomnay's What You Wish For; and FX's series Alien. His music can be heard on shows such as FX's Fargo, for which he received an Emmy in 2017 and three additional nominations; Peacock's Mrs. Davis; HBO Max's Love and Death; Amazon Prime's The Consultant; Showtime Networks' The Man Who Fell to Earth; CBS All Access's Star Trek: Discovery, and Clarice; Paramount +'s Star Trek: Picard and Star Trek: Strange New Worlds; Netflix's The Umbrella Academy; FX's Legion and Snowfall; and more. His film credits include Chiwetel Ejiofor's Rob Peace, which premiered at the 2024 Sundance Film Festival; Bartlett Sher's Oslo, which he co-scored with Zoë Keating and for which he received an Emmy nomination; Paul Dektor's American Dreamer; Sabrina Doyle's Lorelei; Noah Hawley's Lucy in the Sky; Peter Berg's action-thriller film, Mile 22; and Jon Avnet's Three Christs.

Episode 192: Winter 2024 Movie Roundup

The Pulp Writer Show

Play Episode Listen Later Mar 18, 2024 27:19

In this week's episode, I rate the movies and TV shows I shaw in Winter 2024. This week's coupon is for the audiobook of GHOST IN THE PACT as excellently narrated by Hollis McCarthy. You can get the audiobook of GHOST IN THE PACT for 50% off at my Payhip store with this coupon code: MARCHEXILE The coupon code is valid through April 5th, 2024, so if you find yourself needing an audiobook to leap into spring, we've got one ready for you! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 192 of The Pulp Writer Show. My name is Jonathan Moeller. Today is March 15th, 2024, The Ides of March, which we're traditionally told to beware, and today we are looking at my Movie and TV Review Roundup for Winter 2024. Before we do that, we will do Coupon of the Week, an update on my current writing projects, and our Question of the Week. So first up, Coupon of the Week. This week's coupon is for the audiobook of Ghost in the Pact, as excellently narrated by Hollis McCarthy. You can get the audiobook for Ghost in the Pact for 50% off at my Payhip store with this coupon: MARCHEXILE and that is spelled MARCHEXILE. As always, the coupon code will be in the show notes. This coupon code is valid through April the 5th 2024. So if you find yourself needing an audiobook on this Ides of March, we've got one ready for you. So an update on my current writing projects. I am about 56% of the way through the first edit of Ghost in the Veils. That means the book should be on track to come out before Easter (which is at the end of March this year), if all goes well. I'm also 40,000 words into Wizard Thief, so hopefully that will come out before too much longer after Ghost in the Veils. I'm 11,000 words into Cloak of Titans. So that is where we're at with my current writing projects. 00:01:19 Question of the Week Now on to our new feature: Question of the Week. This week's question is inspired by the fact that I've spent a lot of the last few weeks setting up my new computer and getting it configured properly. So the question is: what is the first computer you ever used? No wrong answers, obviously. Joachim says his first personal computer was an Atari 1040 ST with 1 MB of RAM. I participated in the “religious war” with the Amiga 500 users, which was better and looked down at the MS-DOS PCs, which only has 640 kilobytes of RAM. Justin says: my first computer was a Timex Sinclair. It had two kilobytes of RAM and I forked out $50 for the 16 KB RAM extender module. The manual that comes with it says you will never need this much memory. I use a cassette tape recorder/player to record more programs and it ran a 300 baud. Todd says his first computer was in 1994. I purchased a 486 DX 2 8 megabytes of RAM for use in school. I believe the hard drive was about 250 MB. The monitor weighed a ton. I wrote a bunch of machine code and played Wolfenstein 3D like crazy. Tarun says in 1993 it was a 386 with four megawatts of RAM with Windows 3.1. I played a lot of Prince of Persia and got bad grades in school. Then the computer was locked up. In my educational defense, I did do some Pascal programming. AM says: my first computer was an Apple IIe at school. Getting to play Number Munchers or Oregon Trail on it was some kind of behavioral reward (and a very effective one at that). William says his first computer was a Macintosh SE in my parent's home office, though “using” is an overstatement since all I did was play a few simple preinstalled games. I also have fond memories of playing the original King's Quest with said parents and something like a Compaq Portable. Rich says Commodore 64 with cassette drive. Didn't have cassette the first day. Spent the whole day punching in code for a blackjack game. My sister walks into the room to turn the computer off, erasing everything. That is a bummer. Juana says: a Gateway. My whole family came to gawk at it, and me setting it up! It had 120 megabytes of RAM. Twice what was the ones that used in the college computer lab! I thought I was set for life. Venus says Commodore Vic20. We played Radar Rat Race and Mom gave us a stack of computer magazines and tape recorder, so we played every game that was in the magazines at the time after we typed in the programs and saved them to the tapes. You are the first person outside my family that ever heard also had one. More on that later. Cheryl says: we got our first computer in the early ‘90s: an Amstrad with an AWA printer. I was doing courses for work, so I needed something to print the assignments, but we also played games on it: Wolfenstein, Lemmings, and Stock Markets. They're the only ones I can remember. Craig says: Apple IIe. I'm oldish. With dot matrix printer and handheld modem, dial-up Internet access, the one you had the dial phone into the holding cradle after you called it in. Tracy says: at college we used the TRS80s. I think she may win the award for oldest computer mentioned in this topic. And Perry says: IBM PC clone at school, a friend's family had a Commodore 64. Our first family computer was a Commodore 128. For myself, I had the same first computer as Venus earlier in the thread. That would be a Commodore Vic20. It had 20 kilobytes of RAM and the Word file for the rough draft of Ghosts in the Veils, which I'm editing right now, is 355 kilobytes in size. So to load the Microsoft Word document of Ghosts in the Veils in Microsoft Word format, I would need about 18 different Commodore Vic 20 computers. That's like 1 computer per chapter and a half. So it is amusing to see how computer technology has changed quite a bit over time. 00:04:56 Winter 2024 Movie/TV Review Roundup Now to our main topic. We are inching closer to spring, so I think it's time for my Winter 2024 Movie Review Roundup. I got a Paramount Plus subscription to watch the Frasier reboot and since Paramount owns Star Trek and the Frasier reboot was only 10 episodes long, I ended up watching a chunk of modern Star Trek this winter. This was a new-ish experience because the last new Star Trek I watched was Star Trek Beyond way back in 2016. That was only eight years ago, but it's been a very eventful eight years, you know? I did watch a lot of Star Trek back in the 1990s. If you had held a gun to my head and demanded, you know, if I consider myself a Trekkie, I would say no, because I think Gene Roddenberry's socialist/utopian vision for the Federation that he put into Star Trek is fundamentally kind of goofy. The shows and movies were at their best when they stayed away from it or subverted it, like how the Federation can only be a utopia because Starfleet seems to have a Black Ops section that does all the unsanctioned dirty work and regularly runs amuck. Or like how Starfleet seems to have an actual mad science division that cooks up all kinds of nasty stuff. So anyway, these are the movies and shows I watched in Winter 2024, and as always, my ratings are wholly subjective and based on nothing more rigorous than my own opinions. We will go through these in order from least favorite to most favorite. So the first movie I watched was Now You See Me, which came out in 2013. Last year, I compared Adam Sandler's Murder Mystery movie to a C- student, but a fun C- student who everyone likes for his great parties and goes on to have a successful career as a regional sales manager. By contrast, Now You See Me is the sort of moody art student who always wears a black porkpie hat and thinks of himself or herself as deep and complicated, but in fact, they're just confusing. This is an apt comparison for this movie. Anyway, the plot centers around four sketchy magicians who are recruited by a mysterious organization called The Eye to carry out a series of high-profile heists using stage magic. I have to admit, that concept sounds even more ridiculous as I said the previous sentence. Anyway, after the first heist, the magicians become fugitives from the FBI but keep carrying on shows, sometimes staying ahead of law enforcement. The trouble is that nothing they do makes very much sense, and it all falls apart if you think about it for more than two seconds. Additionally, the movie overall feels very choppy since they rushed from scene to scene very quickly. The actors all gave very good performances that were entertaining to watch, but honestly, that was about the only thing the movie had going for it. Overall grade: D- Next up is The Marvels, which came out in 2023. This movie was logically incoherent, but actually rather charming and funny. It kind of reminds me of those ‘70s or ‘80s style science fiction movies that don't make much sense, though The Marvels was much lighter in tone than anything that came out in the science fiction space in the ‘60s or ‘70s. The movie got a bad rap because it didn't make back its budget, and apparently Disney rather shamefully threw the director under the bus. But to be fair, the budget for The Marvels was an enormous $274,000,000. To put this into context, the top three movies of 2023 (Barbie, Super Mario Brothers, and Oppenheimer) combined had a total budget across these three movies of $350 million, and together they grossed something like 15 times more than The Marvels did. Anyway, the plot picks up from the end of Ms. Marvel when Kamala Khan, Captain Marvel, and Monica Rambeau discover that their superpowers have become entangled. This means that if two of them use their powers at the same time, all three of them switch places randomly. This makes for a rather excellent fight scene earlier in the movie when the three characters don't know what's going on and are randomly teleporting between three different battles, much to the frequently amusing confusion of all participants. Once things settle down, Captain Marvel and her new friends realize that an old enemy of Captain Marvel is harvesting resources from worlds she cares about. So it's up to them to save Earth from this old enemy's vengeance. I have to admit, the plot of the movie didn't actually make much sense, but it was overall much funnier than Ant-Man 3 and Secret Invasion. The best thing about the movie was Kamala Khan and her family. Kamala, Monica, and Captain Marvel also had an entertaining dynamic together and the planet of space musicals was also pretty funny. I think the movie's biggest, unconquerable weakness was that it was the 33rd Marvel movie. There are all sorts of theories of why the movie didn't perform at the box office: superhero genre fatigue, everyone knew it would be on Disney Plus eventually, the lasting effects of COVID on movie theaters and the movie business, Disney throwing the director under the bus, Disney inserting itself into the US Cultural Wars, etcetera. All those reasons are subjective and subject to personal interpretation. What I think is objectively quantifiable is that The Marvels is the sequel to a lot of different Marvel stuff: The Avengers movie, Wandavision, Captain Marvel, the Guardians of the Galaxy movies, Secret Invasion, and Thor: Love and Thunder. That's like 50 to 60 plus hours of stuff to watch to fully understand the emotional significance of all the various characters in The Marvels. 50 to 60 hours of watching sounds like almost an entire entire semester's worth of homework assignments at this point. As someone who has written a lot of long series, I know that you lose some of the audience from book to book. I think that's ultimately why The Marvels didn't make back its budget. The Marvel movies as a series have just gone on too long and are just too interconnected. Ultimately, I am grateful to The Marvels. Realizing and understanding the concept of Marvel Continuity Lockout Syndrome helped me decide to write something new that wasn't a sequel or even connected to anything else I had written, which eventually led to Rivah Half-Elven and Half-Elven Thief. Overall grade: B- Our next movie is My Man Godfrey, which came out all the way back in 1936. This movie is considered the progenitor or one of the progenitors of the screwball comedy genre. A homeless man named Godfrey is living in a trash dump in New York, though despite his circumstances, Godfrey remained sharp and quick on his feet. One night, a wealthy woman named Cornelia approaches him and offers $5 if he'll come with her. Godfrey is naturally suspicious, but Cornelia assures him that she only needs to take him to a hotel to win a scavenger hunt by finding a forgotten man, which was a term President Roosevelt used to describe people who have been ruined by the Great Depression and then forgotten by the government. I have to admit, Cornelia immediately reminded me of the way the more obnoxious YouTubers and TikTokers will sometimes pay homeless people to participate in dance challenges and suchlike. King Solomon was indeed right when he said that there is nothing new under the sun and what has been done before will be done again. Anyway, Godfrey is offended by Cornell's imperious manner but after he sees Cornelia bullying her kindly but none too bright younger sister Irene, Godfrey decides he'll go with Irene so she can win. A grateful Irene offers him a job as the family's butler. At his first day at work, Godfrey very soon realizes the reason the family has gone through so many butlers: they are all certified certifiably and comedically insane. In addition to these other problems, Cornelia is harboring a massive grudge against Godfrey for losing the scavenger hunt and wants payback. Wacky hijinks ensue. Fortunately, Godfrey has some hidden depths that he will need, which include being much smarter than his employers. Admittedly, this is not hard. 1936 was towards the second half of the Great Depression in the United States, so obviously the movie has more than a bit of social commentary. The characters joked that prosperity is just around the corner and wonder where they can find that corner. The rich characters are uniformly portrayed as some combination of frivolous, clueless, or malicious. I think the movie was pretty funny, if sharply so, but the big weakness was that the male and female leads were so clearly unsuited for each other but got together at the end of the movie simply because it was the end of the movie. Still, it was definitely worth watching because you can see how this movie influenced many other movies after it. I definitely recommend watching it with captions if possible, because while human nature has not changed in the last 90 years, sound technology has in fact improved quite a bit. Overall grade: B. Next up is Charade, which came out in 1963. This is a sort of romantic comedy, sort of thriller that has Audrey Hepburn playing Regina, an American living in Paris who is in the process of getting divorced from her husband. When she returns to Paris, she learns that her husband was murdered in her absence and it turns out that he was in possession of $250,000 he stole from the US government during World War II. Regina had no idea about any of this, but the US government thinks that she has the money stashed away somewhere. It turns out that her late husband also betrayed the men he worked with to steal the money and they're convinced that she has the money as well, and they're going to get it from Regina regardless of what they have to do. Regina's only ally in this mess is a mysterious man calling himself Peter Joshua (played by Cary Grant), who may or may not be one of the other thieves operating under an assumed identity. I liked this movie, but I think it had two structural problems. First, Regina wasn't all that bright, though she did get smarter as the movie went on, probably out of sheer necessity. Second, it had some severe mood whiplash. The movie couldn't decide if he was a lighthearted romantic comedy or gritty thriller, though finally snapped into focus as a pretty good thriller in the last third of the movie. Amusing tidbit: Cary Grant only agreed to do the movie if Audrey Hepburn's character would be the one chasing his character in their romance, since he thought their age gap would be inappropriate otherwise, because he was so much older than Hepburn at the time of filming. Overall grade: B+ Next up is the new Frasier series from 2023. I admit I had very, very low expectations for this, but it was considerably better than I thought it would be. My low expectations came partly because the original show was so good. Some seasons were stronger than others, of course, but the show had some absolute masterpieces of sitcom comedy throughout its entire run. Some of this was because I think the 2020s are a much more humorless and dour age than the 1990s, so I had my doubts whether the new show could be funny at all. Fortunately, my doubts were misplaced. The new Frasier is actually pretty good. It's interesting that the show's generational dynamic has been flipped on its head. In the original show, the pretentious Frasier lived with his working-class father. 20 years later, it's now Frasier who lives with his son Freddie, who dropped out of Harvard to become a firefighter and consciously rejected his father's love of intellectualism and cultural elitism. The inversion of the original dynamic works quite well. It has some moments of genuine comedy because, like his father before him, Freddie is more like his father than he realizes. The show also avoided the pitfall of bringing back legacy characters that Disney and Lucasfilm stumbled into with Star Wars and Indiana Jones and the Dial of Destiny. Disney brought back legacy characters like Luke Skywalker and Indiana Jones but made them into sad, old losers. Frasier, by contrast, while frequently an unsympathetic comedy protagonist who brings his own misfortunes onto his own head, is most definitely not a sad old loser. He's famous, respected, and wealthy enough that he can afford to buy an apartment building in Boston at the drop of a hat. If you know anything about the United States, you know that the East Coast is the most expensive area of the of the country. Despite that, he remains the same well-meaning buffoon that he always was, the sort of man who, as a colleague aptly says, always goes that extra, ill-advised mile. There's a story that when Ricky Gervais was advising the creators of the American version of The Office, one of his chief pieces of advice was that Michael Scott could not be as incompetent as David Brent was in the original UK version of the show. American culture, Mr. Gervais said, was generally much less forgiving of incompetence than British culture. I thought of this as I watched Frasier because all the characters were in fact extremely competent at their jobs. Even Frasier himself, when he finally gets out of his own way, is a very good psychiatrist and teacher. Anyway, the show was funny and I think it deserves a second season. We'll see if that happens or not. Overall grade: A- Next up is Star Trek: Lower Decks Seasons One through Four, which came out from between 2020 and 2023. As I mentioned earlier, I ended up subscribing to Paramount Plus for a month after I watched Frasier, so I decided to watch Star Trek Lower Decks, since I'm forever seeing clips of that show turning up on social media. Lower Decks is a pitch perfect, affectionate parody of Star Trek from the point of view of four relatively hapless ensigns on the Cerritos, one of Starfleet's somewhat less prestigious ships. We have the self-sabotaging rebel Mariner, the insecure and ambitious Boimler, the enthusiastic science girl Tendi, and cheerful engineer Rutherford, who nonetheless has a dark and mysterious past that he can't remember. Season Four also adds T'Lyn, a Vulcan whose mild expressions of carefully measured annoyance make her a dangerous loose cannon by Vulcan standards. The show is hilarious because it makes fun of Star Trek tropes while wholeheartedly embracing them. The ensigns run into a lot of insane computers, random space anomalies, rubber forehead aliens, and other Star Trek tropes, including the grand and venerable Star Trek tradition of the Insane Admiral. Starfleet officers always seem to go off the deep end when they get promoted to Starfleet Command. The senior officers are also varying degrees of insane and drama generators. Starfleet, from the point of view of the Cerritos crew, is a vast bureaucratic organization that veers between ineffective idealism, blatant careerism, and whatever crazy project the Insane Admiral of the Week is pursuing. Yet since American sitcom characters have to be competent (like we just talked about above with Frasier), when the crisis really kicks into high gear, the Cerritos crew can pull itself together and save the galaxy with the best of them. I did like how the show grows from an affectionate parody to its own thing, with all the characters experiencing struggles and personal growth in their arcs. I liked it enough that when the 5th season of Lower Decks comes out, I'll subscribe to another month of Paramount Plus (assuming Paramount Plus still exists and hasn't been brought up by Warner Brothers or Skydance or something). Overall grade: A- Next up is Predator, which came out in 1987. When Carl Weathers died in early February of 2024, I realized I had never actually got around to seeing Predator. So I did and I'm glad that I watched it. Predator was an excellent blending of thriller, science fiction, and horror. Arnold Schwarzenegger plays Dutch, who commands a team of operators who do Black Ops work for the CIA. Since it's 1987, the CIA is up to its traditional shenanigans in Central America and Dutch is dispatched to help out his old friend Dillon (played by Carl Weathers), who has been ostensibly assigned to rescue a Pro-American cabinet minister from rebel guerrillas in the jungle. Since this is the CIA, naturally there is more than the mission than is apparent on the surface. However, the mission quickly becomes irrelevant when Dutch and his team realize they are being hunted by an unknown creature with capabilities unlike anything they have ever seen before. It turns out the creature is the Predator, an alien hunter who comes to Earth and takes human skulls as trophies. Soon the movie turns into a death match duel between Dutch and the Predator. The movie did a very good job of showing the Predator's capabilities such as stealth, heat vision, and his shoulder laser without explicitly spelling them out for the audience. It was a very well put together piece of storytelling and it is of course the source of the famous Internet meme of a muscular white arm gripping a muscular black arm and also Schwarzenegger's famous line of “Get to the choppa!” Also to quote a famous Internet meme, if you had a nickel for every future governor of a US state who is in this movie, you would have two nickels, which is not a lot, but even two is pretty weird, right? Overall grade: A. Now for the favorite thing I saw in winter 2024. That honor goes to Star Trek: Picard Season Three, which came out in 2023. Honestly, this was so much better than I thought it was going to be. I thought I would watch one or two episodes and then give up. Instead I watched the whole thing in like two days over the New Year's holiday. I watched the first episode of Picard Season One way back in 2020 was free on YouTube, but I didn't like it enough to subscribe to CBS All Access (or whatever the heck it was back then). The first episode also seemed more ponderous and dour in the sort of 21st century realistic prestige television snooze fest than I really wanted to watch. But Season Three of the show got high reviews from people whose opinions I generally respect when it came out in early 2023. Since I had Paramount Plus for a month because of Frasier, I decided to give it a go. I'm glad I did. How to describe the plot? You may remember that back in summer 2023, I watched the Battleship movie. Battleship is objectively a bad movie, but it does have one interesting subplot that would make a good movie all on its own. When space aliens imprison most of the US Navy, a bunch of retired veterans take a decommissioned battleship out to war to save the day. This basically is the plot of Picard Season 3. The plot kicks off when Doctor Crusher contacts Admiral Picard after they have not spoken for twenty years. Apparently, Picard had a son named Jack with Crusher that she never told him about and mysterious assailants are trying to kidnap Jack. On the original show, Picard and Crusher definitely gave off the vibe that they probably got romantic whenever they were alone in the elevator together. The fact that Doctor Crusher got pregnant with Picard's son is not all that surprising. Picard had always been adamant about his desire not to start a family and given that any son of the legendary Captain Picard would be a target for his equally legendary enemies, Crusher decided to keep the boy a secret. Picard, understandably, is shocked by the news, but teams up with his former first officer, Captain Riker, to rescue his son. Jack has an extensive Robin Hood-esque criminal history, so it seems that his misdeeds might have caught up to him. It turns out that deadly weapon is locked in Jack's DNA and the people pursuing him aren't merely criminals but powerful enemies intent on destroying Starfleet and the Federation. Jack Crusher's DNA will give them a weapon to do it, which means it's up to the crew of The Enterprise to save the galaxy one last time. This was ten episodes, but it was very, very tightly plotted, with not many wasted moments. Sometimes you see movies that seem like they should have been streaming shows, and sometimes streaming shows seem like they really should have been cut down to movie length. But Picard's Season Three does a good job of telling a tense story that we've been impossible either in a movie or the old days of network television. The show very quickly plunges into the crisis and keeps moving from new tension to new tension. The gradual reveal where Picard at first feels guilty that he has to ask his friends to help rescue his estranged son and ex-girlfriend like he's living his own personal version of some trashy daytime TV show, only to slowly realize that something much more dangerous and much, much bigger than his personal problems is happening, was put together well. The show was also another good example of how to bring back legacy characters right. All the characters from Star Trek: The Next Generation are older and have been knocked around by life or suffered personal tragedies, but none of them are sad old losers like in a Disney or Lucasfilm project. The new and supporting characters were also great. Seven of Nine returns as the first officer to Captain Shaw, a by the book officer who thinks Picard and Riker are dangerous mavericks. He has a point. Shaw turns out to be extremely competent in a crisis. Amanda Plummer was great as Vadic, a scenery chewing villain who has very good reasons to hate Starfleet and the Federation. Vadic's love of spinning directly in her command chair was a great homage to Amanda Plummer's late father, Christopher Plummer, who played a villain with a similar tic way back in Star Trek VI in the ‘90s. It is also great how the show wrapped up some of the dangling plot threads from the ‘90s, like Picard's strained relationship with his former mentee Commander Ro Laren or the brief return of Elizabeth Shelby, Riker's former First Officer. A few people have complained that Worf is now a pacifist, but he's a Klingon pacifist, which basically means he'll attempt negotiation before cutting off your head, but he is still probably going to cut off your head. Less Conan the Barbarian, more serene Warrior Monk. I think Data had an excellent ending to his character arc, which started with his character's very first appearance way back in the ‘80s and Brent Spiner did a good job of portraying Data's fractured personalities and then how they achieved unity. I'd say the weakest point of the show was how consistently dumb Starfleet command is. The plot hinged around Starfleet gathering its entire fleet together for a celebration and then putting all those ships under a remote control system, which seems both exceptionally stupid and very convenient for the bad guys. But to be fair, this is Starfleet, an organization whose high command regularly spits out insane Admirals and also has an unsanctioned Black Ops/Mad Science division that it can't control, so it definitely fits within the overall context of Star Trek. I mean, that's like half the premise of Lower Decks. And if you've ever worked for a large governmental, military, healthcare, or educational institution, you understand. We all know that working in a large institution under leaders who are either insane or dumb isn't exactly an anomaly in the human experience. I mean, the Roman Empire circa 190 A.D. was the most powerful institution on the planet and the Empire's maximum leader liked to spend his time LARPing as a gladiator in the Coliseum. Anyway, the emotional payoff at the end of Picard Season Three was very satisfying, and how the show wrapped up a lot of threads from Next Generation, Deep Space Nine, and Voyager was pretty great. It's like the people who were in charge of Season Three of Picard watched the Star Wars sequel trilogy and thought, you know, we can do better and then they did. Overall grade: A So those are the movies and TV shows I watched in Winter 2024. If you're looking for something to watch, hopefully one of them sounds like it will catch your interest. That's it for this week. Thanks for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform or choice. Stay safe and stay healthy and see you all next week.

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S6 Ep260: Summer Series! Alison Bell

The First Time

Play Episode Listen Later Feb 18, 2024 75:18

Welcome to our Summer Series -- a chance to catch up on some episodes you may have missed out on the first time around. If you listened to the season 6 finale, you'll know that The First Time is taking a break in it's current format in 2024 BUT! Don't delete the feed just yet, Katherine will be back (solo) in March with something new. It'll feature interviews with writers but also creatives, comedians and entrepreneurs. Finally, to celebrate six years of the pod and to kick off the coach-sulting (coaching/consulting) work she'll be doing this year (see here), check out Katherine's tips on interviewing and being interviewed (via Instagram). This is a conversation Kate has been dying to have for awhile now - keen for the lowdown on The Letdown and generally a massive fan of Alison Bell's work. Alison is the co-creator/co-writer/producer/director and star of the award winning ABC and Netflix co-production The Letdown. Together with her co-writer, Sarah Scheller, Alison won the 2016 AACTA Award for Best Television Screenplay.The Letdown also won the AACTA Award for Best Comedy Program for both seasons 1 + 2 (20017 + 2019). Alison's performance was recognised with the AACTA for Best Comedy Performer for her work in the second season of The Letdown, her fourth performance nomination. Other nominations include the 2019 AACTA Award for Best Direction in a Television Comedy or Drama for her TV directorial debut, (The Letdown). In 2021, Alison developed and led the writing team on the critically acclaimed Binge series, LOVE ME.. The show picked up 7 Logie nominations. She wrote and starred in an episode of Summer Love, an ABC anthology series, which aired in August 2022, and in the ABC drama, Significant Others, airing October 2022. She has worked as an assessor for Playwriting Australia, a script consultant on theatre productions and short films and has contributed pieces to Marie Claire and Vogue Australia. She's worked with production companies both here and in the US, including Sharon Horgan's Merman, the FX Network, Kapital Entertainment, EKO, Giant Dwarf, Wooden Horse, Endemol Shine and the ABC. Prior to making The Letdown Alison was best known for her dramatic work on the stage, for which she won multiple Helpmann and Greenroom Awards, as well as her starring role in the AACTA Award winning comedy Laid. She has guest starred in many Australian series and her US credits include the HBO's The Leftovers, No Activity for CBS All Access and the reboot of Steven Spielberg's Amazing Stories on AppleTV+. Alison is currently appearing in the MTC production of What If If Only this August and September in a double bill. The conversation covers: Alison's early love of stories and when she found drama having the mindset for an artistic career - (and a healthy acknowledgement for 'luck') the impact of having kids on an artistic career Alison's interview with Jemma Birrell on the excellent The Secret Life of Writers podcast where she talks about unfinished manuscripts and 'learning by doing' the 'mini bible' used to pitch for screen How and why The Letdown was such a success How Alison and co-writer Sarah Scheller mined their own and their friends' experiences of motherhood for The Letdown Becoming an 'accidental' show runner Writing for screen Adapting books for screen and the disappointment when you 'miss the moment' On guilt - (as discussed with Ash Devenport in The Design Files) Not pushing yourself until 'you're broken' - 'it's okay to be a little bit rubbish at things' Working with Back to Back theatre Alison's advice: Truth. Truth is the most interesting thing. The human experience in its truest form. Alison's debut recommendation: Room for a Stranger - Melanie Cheng Get in touch via Instagram - Katherine @katherinecollettewriter, Kate @kmildenhall or The First Time Podcast @thefirsttimepod.

TV Party Tonight: Star Trek - Lower Decks (Season 3)

W2M Network

Play Episode Listen Later Jan 17, 2024 51:27

David Wright and Mark Radulich present their Star Trek Lower Decks Season 3 TV Show Review! Star Trek: Lower Decks is an American adult animated science fiction television series created by Mike McMahan for the streaming service CBS All Access (later rebranded as Paramount+). It is the ninth Star Trek series and debuted in 2020 as part of executive producer Alex Kurtzman's expanded Star Trek Universe. The franchise's first animated series since Star Trek: The Animated Series concluded in 1974, and also its first comedy, Lower Decks follows the low-ranking support crew of the starship Cerritos in the 24th century.The third season of the American adult animated television series Star Trek: Lower Decks is set in the 24th century and follows the adventures of the "lower deckers" (low-ranking officers with menial jobs) on the starship Cerritos, one of Starfleet's least important starships. The season was produced by CBS Eye Animation Productions in association with Secret Hideout, Important Science, Roddenberry Entertainment, and animation studio Titmouse, with Mike McMahan serving as showrunner and Barry J. Kelly as supervising director.The season premiered on the streaming service Paramount+ on August 25, 2022, and ran for 10 episodes until October 27.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsoFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76

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Kurt Yaeger - Amputee Actor (Extended Version)

It's A Hawaii Thing

Play Episode Listen Later Dec 13, 2023 38:42

Kurt Yaeger is an actor who ripped his leg off becoming an amputee, broke his pelvis in half, bladder torn in half, broke seven vertebrae, and a number of other injuries in a motorcycle accident. After two years of recovery he shot multiple films and tv shows then landed Greg the Peg on the hit series Sons of Anarchy (2008) which helped solidify his return as an actor, who just happens to be missing a leg. He's currently filming the feature The Beanie Bubble, with Zach Galifianakis and Elizabeth Banks. Kurt recently shot a hyper-athletic portrayal of Dylan Conner, the Ship's Engineer on Netflix's Another Life (2019) 2021, followed by roles in SEAL Team (2017) , The Good Doctor (2017), & an Apple show yet to be listed.. CBS All Access brought Kurt into the new series Tell Me a Story (2018) right after he starred in the UK hit comedy film The Festival (2018). He's also known for roles in [link= Quarry (2016), Pure Genius (2016), NCIS: Los Angeles (2009), Shooter (2016), and Shameless (2011). It's A Hawaii Thing Productions. Quality content for the Hawaii Enthusiast and traveler. Celebrities, artists & community leaders vomming together to showcase the spirit of the islands. New weekly program dedicated to anything and everything unique to life in Hawaii. To Learn more about It's A Hawaii Thing visit: https://www.itsahawaiithing.com/ It's A Hawaii Thing is a https://www.wikiocast.com/ production.

Too Opinionated Interview: Shawn Ahmed

Too Opinionated

Play Episode Listen Later Sep 14, 2023 53:33

Today on Too Opinionated, we sit down with actor Shawn Ahmed! Shawn has amassed a lengthy list of credits in film, TV, and theatre. He is called upon to deliver dramatic monologues in shows like SYFY's ‘The Expanse', or provide comedic breaks in his recurring role on the hit CBC/The CW series, ‘Coroner'. He has also appeared in CBS' ‘So Help Me Todd', Paramount Plus' ‘Star Trek: Strange New Worlds', Lifetime's ‘Fallen Angels Murder Club' series and ‘Under the Christmas Tree', The CW's ‘DC's Legends of Tomorrow', ChillerTV's ‘Slasher', CBS All Access' ‘Twilight Zone', CityTV's ‘Hudson and Rex', and Freeform's ‘Siren'. Back in 2012, Shawn also co-founded Crazy Shirt Productions, as a place for him and his creative peers to write, direct and produce. His projects have toured festivals worldwide, garnered awards and accolades, and sold for national and international distribution. He just wrapped on the feature, Sanctuary, a Get Out- esque thriller, which he produced. Next, Shawn will be reprising his role as Yudhishthrain Mahabharata, premiering internationally in October at the Barbican Theatre in London, England. Want to watch: YouTube Meisterkhan Pod. (Please Subscribe)

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CEO Yahoo, Jim Lanzone: Brand Rejuvenation

Go To Market Grit

Play Episode Listen Later Sep 11, 2023 67:21

Guest: Jim Lanzone, CEO of YahooJim Lanzone doesn't waste time thinking about what other people think of him ... or the companies he has run. After helping to rejuvenate Ask.com in the early 2000s, he has more recently served as CEO of Tinder, and now Yahoo. As an expert in brand turnarounds, he says, “don't worry about what the world thinks ... worry about your growth versus yourself.” With a focus on people and product, Jim believes, “not only can you accomplish a lot, you're going to make a lot of money at doing it.”In this episode, Jim and Joubin discuss being bicoastal, downtown San Francisco, supportive partners, Garret Camp and StumbleUpon, “co-opetition,” Walt Mossberg, Redpoint Ventures, Dave Goldberg, Clicker, taking punches, Apollo Global Management, loyalty to the cause, high-EQ people, and user goals vs. company goals.In this episode, we cover: Growing up in Silicon Valley (00:53) Long-lasting marriages (07:26) Jim's first company, eTour (13:18) The Web 1.0 boom (17:33) Joining Ask.com & partnering with Google (20:40) Rejuvenating a brand (24:11) Back in the mud with Clicker (28:05) CBS All Access (34:02) 14 months at Tinder (37:25) What people get wrong about Jim (39:05) Becoming the CEO of Yahoo (42:45) How Jim hires great teams (49:54) Top priorities and Yahoo's verticals (55:10) First principles & making decisions (01:02:26) Hiring & what “grit” means to Jim (01:05:02) Links: Connect with JimLinkedIn Connect with Joubin Twitter LinkedIn Email: grit@kleinerperkins.com Learn more about Kleiner Perkins This episode was edited by Eric Johnson from LightningPod.fm

Episode 42: Chasing the Dangling Carrot: Sherri Chung's Path to Creative Fulfillment

Successful Musicians

Play Episode Listen Later Aug 8, 2023 40:59

For the entire transcript of the interview, please click here. Sherri Chung is a composer for film and television and currently composes the scores for Riverdale (CW) and Blindspot (NBC). Her most recent show, The Red Line, produced by Greg Berlanti and Ava DuVernay, is a limited series that premiered on CBS and currently airs on CBS All Access. Not only a composer, Sherri is also a pianist, vocalist, and songwriter. She has recorded and produced 2 original albums and performs with her band in Los Angeles. She is also the first female governor of the music branch of the Television Academy2. What You'll Learn In this episode, we delve into the captivating journey of composer Sherri Chung, as she shares her evolution from traditional composition methods to embracing technology, and how this transformation shaped her role as a composer for film and television. Sherri emphasized the importance of realistic self-assessment, strategic growth, and a proactive approach to professional development. Things We Discussed Exceeding Expectations: Going above and beyond your designated responsibilities can lead to enhanced learning experiences and professional growth. Demonstrating your willingness to contribute beyond what's explicitly required showcases your dedication and reliability. Strategic Growth: Focus on developing your skills and expertise where you currently are. While pushing boundaries is important, it's crucial to do so in a way that aligns with your current abilities and level of experience. Punching Above Your Weight: While staying within your capabilities, don't shy away from pursuing challenges that are slightly above your comfort zone. Connect with Sherri Chung Website LinkedIn Facebook Instagram Spotify Soundcloud IMDB Connect with Jason Tonioli Website Facebook YouTube Instagram Spotify Pandora Amazon Music Apple Music

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REPLAY | Josh Bitton: Finding the Spotlight Through Gratitude and Saying YES

That One Audition with Alyshia Ochse

Play Episode Listen Later Aug 1, 2023 85:18

In this episode, we explore the journey of acclaimed stage, film, and television actor Joshua Bitton, known for his roles in HBO's "The Night Of" and Steven Spielberg's "The Pacific." Over the last 20 years, Bitton has developed his craft by saying yes to opportunities, hustling, and continuously working on his art in various forms - be it coaching fellow actors or expressing his craft around a campfire. He believes in the power of gratitude and holding space for others, and this has played a significant role in his success. Besides his numerous television appearances and film roles, he is also an active acting coach in Los Angeles, using his experience to guide upcoming talent. Recently starring in CBS All Access' mystery drama series "One Dollar," Bitton continues to shine, demonstrating his range from drama to comedy in award-winning projects. His journey underscores the importance of perseverance, gratitude, and continual learning in the path to success. THAT ONE AUDITION'S LINKS: THE BRIDGE: The Bridge for Actors TNTT ACTING MEMBERSHIP: The New Triple Threat Membership PATREON: @thatoneaudition CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher CREDITS: Host/Producer: Alyshia Ochse WRITER: Erin McCluskey OUTREACH: Elle Powell WEBSITE & GRAPHICS: Chase Jennings SOCIAL: Imani Love

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Too Opinionated Interview: Janet Kidder

Too Opinionated

Play Episode Listen Later Jun 28, 2023 46:48

Today on Too Opinionated, actress Janet Kidder comes to visit! Janet is thrilled with the numerous TV and film credits she has to her name which include Netflix's recent Christmas film 'Operation Christmas Drop', The CW's 'Two Sentence Horror Stories', CBS All Access' 'Star Trek: Discovery', Amazon's 'The Man in the High Castle', and Facebook Watch's 'Limetown', where she starred alongside Jessica Biel and Stanley Tucci. Other noteworthy credits include ABC's 'Somewhere Between' and 'Rookie Blue', Syfy's 'Aftermath', The CW's 'Arrow' and 'Supernatural, Fox's 'The X-Files', Showcase's ' Continuum', CBC's 'Tom Stone', CTV/USA Network's 'La Femme Nikita', and feature films 'The Big Heist', and 'Bride of Chucky'. Janet Kidder, a native of Canada, is the niece of Margot Kidder. They both appeared in the episode, Walk on By, of the TV series La Femme Nikita, as the younger and older versions of Nikita's mom, Roberta. Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Marc DeBevoise

RM 15

Play Episode Play 31 sec Highlight Listen Later Mar 20, 2023 37:35

Accomplished leader in the direct-to-consumer, media, and technology industries...and an excellent secret-keeper, Mark DeBevoise brings his big brain into the bunker and drops a few juicy tidbits.Like - before there was Disney+ and Peacock...he was behind the creation of a secret streaming service - known only by it's cool code name, "Project Subway." That highly classified project eventually became known as CBS ALL ACCESS...which is now PARAMOUNT+. Also - We'll get his thoughts on the current business of streaming...will it ever become profitable? Will viewers have to navigate dozens and dozens of apps, endure increasing monthly subscription fees AND sit through commercials? Is linear tv dead or does it still have a pulse?Lastly, Marc downloads us on his exciting NEW venture called BRIGHTCOVE, takes a listener question and plays "Finish That Sentence."We felt much smarter after his visit...bet you will too!Call us!https://www.speakpipe.com/RM15Follow us!Twitter @rm15creativeInstagram @rm15creativeEmail us!Email rm15creative@rm15creative.com

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212 - Jessica Wolfson & Kelli Horan

WIFT Austin

Play Episode Listen Later Dec 12, 2022 62:03

Join us as we chat with two Austin-based filmmakers about their success stories in financing short film projects. Jessica Wolfson is an award-winning documentary filmmaker. She began her career working as an executive at IFCtv Originals where she produced films by many renowned filmmakers including Kirby Dick, Steve James, John Landis, and Jon Favreau. Jessica has directed several films including HOT GREASE (Discovery Channel) and RADIO UNNAMEABLE (Kino Lorber). And produced many feature and short documentaries including LIFE & LIFE, SACRED, REVENGE OF THE MEKONS and A GIRL AND A GUN. She has created content for PBS, Discovery, History Channel, ESPN, CBS All Access, MTV, & Wall Street Journal. Her most recent projects include KINDERLAND and THE PAINT WIZZARD (New Yorker). Jessica was named “20 Under 40” by DOC NYC in 2010. She has acted as consultant for many documentary projects, a mentor for the Gotham and Tribeca Film Institute and teaches documentary production at New York Film Academy. Kelli Horan is an independent filmmaker and artist in Austin, TX. Since moving from Tucson, AZ, she has written, directed, and produced feature and short films that have been featured in festivals such as Boston SciFi Film Festival, SXSW, Other Worlds Film Festival, Arizona International Film Festival, and more. Active in the filmmaking community, Kelli was previously the Screenwriting Co-Director and Programmer at Other Worlds Film Festival (2020), a member of Women Communicators of Austin, and the current development Chair for Women in Film & Television Austin. Movie Review: Hellion Showrunner: Chantelle James Hosts & Producers: Ai Vuong, Chantelle James & Samantha Rae Lopez Editors: Shannon Stefan, Valerie Torres, and Karla Rivera Movie Reviews: Summer Heart Marketing: Karla Rivera & Tori Rose Follow us: @wift_austin https://www.wiftaustin.com podcast@wiftaustin.org

Am I Moving Back to LA?

Quarter Life Crisis

Play Episode Listen Later Nov 29, 2022 17:45

Happy belated Thanksgiving everyone! This week will be a mini episode as we geer up for the new year and some exciting new guests! As always, be sure to follow @kaitcoachingthepod and @kaitlyn_herman on IG. XO

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DSC: "The Vulcan Hello" & "Battle at the Binary Stars" (s1e1-2)

Trek, Marry, Kill

Play Episode Listen Later Nov 29, 2022 66:19

WEIRDEST TREK EVER. That's the only way to describe Star Trek's return to television after a thirteen-year hiatus since the end of Enterprise. Bryan and Kristen tackle the first two hours of the show that helped launch Paramount+ (née CBS All Access) and try to figure out just what the adventures of Michael Burnham are supposed to be about. We don't even get to the USS Discovery by the end of these first two hours. Bold choice or shaky planning?This is the five-year anniversary of Discovery's debut, making it the perfect time to revisit it and see if the show has been unfairly maligned during its run. Do the first two hours combine into something Star Trek fans would want to Trek, Marry, or Kill?If you like this episode, consider rating us five stars and/or liking us wherever you listen. Our theme music is "70's Synth Funk Jam" by Phill_Dillow on Pixabay. Find us on Instagram and Twitter @trekmarrykpod

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Televisionation Friday Fireside: Marc DeBevoise, CEO of Brightcove

Radio ITVT

Play Episode Listen Later Nov 17, 2022 22:35

Televisionation: Friday Fireside, the #1 television industry Webcast, features Rick Howe, The iTV Doctor, in conversation with prominent figures from the advanced-TV/video industry.The Friday Fireside is pleased to welcome Marc DeBevoise, CEO and Board Director for Brightcove. In a broad-reaching conversation, Marc talks about starting one of the industry's earliest streaming services—CBS All Access—and the pure enjoyment of working with the team that brought “Star Trek” back to television with “Star Trek Discovery.” Marc also gives his forecast on the future (and need for) bundling of the wide spectrum of streaming services. A great Friday Fireside with one of the pioneers of the streaming industry!

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Programmatic Advertising Could Make Podcasting a $6 Billion Industry by 2026 & 7 Other Stories

Sounds Profitable: Adtech Applied

Play Episode Listen Later Sep 15, 2022 10:06

This week: Analyst predicts programmatic will get podcasting to six billion in ad spend, the new iOS update takes care of AppleCoreMedia, Apple announces virtual neighborhood for Latine Heritage Month, brand-lift studies are catching up with the times, and kids content is booming for Paramount+. Programmatic advertising could make podcasting a $6 billion industry by 2026 Manuela: In last Friday's Hot Pod Insider, Ariel Shapiro covers B. Riley analyst Daniel Day's newest publication about the industry. His most attention-grabbing prediction, as the headline spoils, expects podcast ad spending to be up to six billion dollars within four years. It'll be an uphill battle to get there. Shapiro points out the potential downsides of programmatic without the right data and infrastructure by recalling the infamous Wild Turkey incident. Back in May Spotify accidentally ran an ad for budget whiskey on every podcast on the app simultaneously, leading to a social media firestorm as users posted screenshots of the most inappropriate examples of podcasts to pair with Wild Turkey. Day is of the opinion more detailed location data will be a game-changer that avoids such issues in future. “Small and mid-sized businesses really have almost entirely sat out podcast advertising to date,” Day told Hot Pod. “These advances in geo-targeting and programmatic allow mom and pops and local, regional businesses to access this medium in a way that they couldn't before, absent reaching out to like some local sports or news podcast. Now, they can target audiences listening to some big national podcast.” Day points to iHeartMedia putting significant investments into podcasting, as well as podcasting making up a larger portion of the company's revenue each year, as examples of the growth he projects in action. iOS 16: What's new for Apple Podcasts Shreya: Last Wednesday Apple published an update blog detailing some of the new features coming with their iOS 16 update. The update comes with some creature comforts for the user, such as more prominent placement of the sleep timer button and better Apple Watch integration for podcasts. There's also a bit of housekeeping noted, in case you missed the multiple emails over the past few weeks: “Show and provider titles will continue to be displayed alongside show artwork on the Library and Search tabs, so make sure your show's metadata is up to date and that your artwork includes your show's title for the best experience.” The most important feature of this update for the business side of podcasting isn't mentioned in the update blog, though. This update brings the change to AppleCoreMedia user agent that'll shift how we view Apple's footprint in podcasting. As covered in our June 10th episode, this will lead to far less confusion as to what traffic is actually coming from Apple Podcasts. Those who didn't report ACM will no longer underestimate traffic from Apple, and those who labeled all traffic from ACM as Apple will get a more balanced look at just how much traffic is coming out of Apple. For those that are code-savvy, we'll include a link in the show notes to the official Apple developer page for the updated user agent key. Apple Podcast launches "El Vecindario" collections. Manuela: On the subject of Apple: This Monday an email sent by Apple announced their plans for Latine Heritage Month, which runs from today through October 15th. “Later this month, Apple will showcase the abundance of Latine created content across genres, formats, and languages – and spotlight many great creators. Apple Podcasts has created a special destination, titled El Vecindario, that honors the spaces where Latine communities come together and conversations originate.” El Vecindario, the neighborhood in Spanish, will showcase Latine-created content covering multiple genres, formats, and languages. Influencer marketing brand-lift studies are improving Shreya: Last Friday Marketing Brew's Phoebe Bain used the release of the Association of National Advertisers' organic measurement guidelines for influencers as an excuse to discuss how brand-lift studies have matured. “Out of more than 1,000 Marketing Brew readers surveyed last month, about one-third said they think measurement for influencer marketing has “evolved significantly” over the past two years.” A useful tool to track that rapid evolution is the brand-lift study. Bain spends a good portion of the article explaining the basics: two groups are asked questions about something, with only one having experience with that thing. Any differing answers or familiarity expressed by the second group is quantified as - you guessed it - brand lift. Old-school brand-lift studies would ask simple questions regarding information retention, or whether the audience wanted to buy the product in an ad. Modernized studies take into account the changing media landscape, especially with the popularity of influencers.VP of marketing at creator management platform Grin Ali Fazal explains to Marketing Brew: “With an influencer marketing brand-lift study, questions go a level deeper. Those questions might focus more on brand affinity, or how consumers feel. For example, “is the brand cool? Is it viral? Is it modern?” These questions focus less on what consumers remember, and more on a brand's overall or social appeal. In an influencer marketing brand-lift study, he said, the questions focus on the full picture rather than just the ad itself. “This measures the true depth of impact that creator marketing has,” he said. Why should the business side of podcasting care? Podcasting is influencer marketing. In a world of pixel-based brand attribution and walled garden ad solutions, people are finding their options are missing the mark for influencer and podcaster alike. Brand lift studies by companies like Edison Research, Signal Hill Insights, Veritonic, or Nielsen can help fill that gap. How kids shows are boosting Paramount+ Manuela: Last Thursday Kelsey Sutton published a look at how kids' content is performing well at Paramount+. While Paramount+ is separate from Paramount's podcasting ventures, The Download has been covering the boom in kid-friendly podcasting since our March 18th episode. Paramount's experiences reaffirm that family and kid-oriented content drive engagement. “When it comes to streaming, parents will go without eating before disconnecting something that entertains their kids,” Brian Robbins, president and CEO of Paramount Pictures and Nickelodeon, said Tuesday at the Bank of America Securities 2022 Media, Communications, and Entertainment Conference. “Kids content is an amazing, amazing retention tool for us.” The streaming platform has done well for itself since the CBS All-Access rebrand. Currently Paramount+ reports 3 million paid subscribers. “Kids' programming on streaming can also help fill the audience void as linear viewing continues to drop off. “If you take our linear share and the audience for kids that we've picked up on Paramount+, we actually have more audience and share of kids 2–11 than we've had in years when you combine them both,” Robbins said.? As reported back in March, studies show the Kids & Family categories have grown 20% since last year and there's reason to believe poor categorization of content is causing a lower number than the industry is actually experiencing. Kids content is doing quite well, as any parent will tell you. Quick Hits: Recommended Weekend Reading Shreya: Finally, it's time for our semi-regular roundup of articles we're calling Quick Hits. These are articles that didn't quite make the cut for today's episode, but are still worth including in your weekend reading. This week: Class Photos by Skye Pillsbury, for The Squeeze. Pillsbury holds a mirror up to diversity on the business side of podcasting by compiling yearbook-style collages of the big podcasting company's leaders and known executives with deal-making power. A must-read. Introducing The Mullet Career Strategy™ — Creativity & Business by Steve Pratt. Pacific Content co-founder Steve Pratt announces his upcoming venture titled The Creativity Business, a strategy firm aimed at helping creatives learn better business and businesses learn better creativity. 17 Stats That Reveal the Power of Podcast Advertising and Host-Read Ads by Connie Chen. In addition to quoting our After These Messages study, senior manager of content management at Gumball Connie Chen brings a bundle of research to back up the efficacy of host-read ads. The Download is a production of Sounds Profitable. Today's episode was hosted by Shreya Sharma and Manuela Bedoya, and the script was written by Gavin Gaddis. Bryan Barletta and Tom Webster are the executive producers of The Download from Sounds Profitable.See omnystudio.com/listener for privacy information.

Brightcove CEO braces for the next big shift in streaming

Light Reading Podcasts

Play Episode Listen Later Sep 15, 2022 35:07

Marc DeBevoise has had a front seat during the video market's streaming revolution. He was a top exec at CBS when the broadcaster surprised the media world in 2014 with the launch of CBS All Access, a service that has since evolved to become Paramount+ following the merger with Viacom and the eventual formation of what's known as Paramount Global today. "In 2013, we started to pitch internally that we needed to go over-the-top and disrupt ourselves," he recalls. He's also been front and center to witness the shift to streaming on mobile devices, the surge of direct-to-consumer streaming services and, more recently, the rise in streaming deals for live sporting events. DeBevoise joins the Light Reading Podcast about five month after becoming CEO of Brightcove to discuss his vision for the streaming tech specialist and to dig into some key trends that are impacting the broader industry. In addition to setting a goal to become "most trusted streaming technology company in the world," DeBevoise is focused on accelerating growth at Brightcove and creating more scale for a business that's evenly split in serving customers in the enterprise and media/entertainment sectors. DeBevoise, an exec also late of Starz and NBCUniversal, believes there's scale to pursue amid a "shift" in the market whereby some of largest media companies around the world are looking to save money on streaming technology and the resources required to support it by hooking up with specialized streaming companies such as Brightcove. DeBevoise also weighed in on several big picture streaming trends, including the rise in sports rights deals and whether the underlying streaming infrastructure is prepared to handle major live events such as Amazon's big deal to live-stream Thursday night NFL games starting the night of September 15. "I think the technology is there to support it," he said. "I think this week, you'll see the audience come in light versus what the TV audience was, just because it's harder to find and there is a section of the population that just doesn't yet embrace this part of the ecosystem, but it'll get there. I have full faith." You can download a lightly edited transcript of the podcast here. If you want to skip around and listen, here are a few topics discussed during this podcast:A rundown of DeBevoise's priorities at Brightcove and his vision for the streaming specialist (00:22) How DeBevoise intends to scale Brightcove's business (5:00) How DeBevoise has identified a shift in the marketplace in which large media companies around the world are seeking to save money on streaming tech, opening a possible door for Brightcove to step in (7:00) What's surprised DeBevoise about the way the streaming market has evolved (17:45)Whether today's streaming infrastructure is up to the task to take on massive, live sporting events amid Amazon's exclusive to stream Thursday night NFL games (24:00) Looking beyond video, an exploration of other apps and services will start to cut into the streaming pie (29:00) Thoughts on why the volume levels for 4K streaming remain relatively small (30:30) —Jeff Baumgartner, Senior Editor, Light Reading Hosted on Acast. See acast.com/privacy for more information.

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Programmatic Advertising Could Make Podcasting a $6 Billion Industry by 2026 & 7 Other Stories

I Hear Things

Play Episode Listen Later Sep 15, 2022 10:06

This week: Analyst predicts programmatic will get podcasting to six billion in ad spend, the new iOS update takes care of AppleCoreMedia, Apple announces virtual neighborhood for Latine Heritage Month, brand-lift studies are catching up with the times, and kids content is booming for Paramount+. Programmatic advertising could make podcasting a $6 billion industry by 2026 Manuela: In last Friday's Hot Pod Insider, Ariel Shapiro covers B. Riley analyst Daniel Day's newest publication about the industry. His most attention-grabbing prediction, as the headline spoils, expects podcast ad spending to be up to six billion dollars within four years. It'll be an uphill battle to get there. Shapiro points out the potential downsides of programmatic without the right data and infrastructure by recalling the infamous Wild Turkey incident. Back in May Spotify accidentally ran an ad for budget whiskey on every podcast on the app simultaneously, leading to a social media firestorm as users posted screenshots of the most inappropriate examples of podcasts to pair with Wild Turkey. Day is of the opinion more detailed location data will be a game-changer that avoids such issues in future. “Small and mid-sized businesses really have almost entirely sat out podcast advertising to date,” Day told Hot Pod. “These advances in geo-targeting and programmatic allow mom and pops and local, regional businesses to access this medium in a way that they couldn't before, absent reaching out to like some local sports or news podcast. Now, they can target audiences listening to some big national podcast.” Day points to iHeartMedia putting significant investments into podcasting, as well as podcasting making up a larger portion of the company's revenue each year, as examples of the growth he projects in action. iOS 16: What's new for Apple Podcasts Shreya: Last Wednesday Apple published an update blog detailing some of the new features coming with their iOS 16 update. The update comes with some creature comforts for the user, such as more prominent placement of the sleep timer button and better Apple Watch integration for podcasts. There's also a bit of housekeeping noted, in case you missed the multiple emails over the past few weeks: “Show and provider titles will continue to be displayed alongside show artwork on the Library and Search tabs, so make sure your show's metadata is up to date and that your artwork includes your show's title for the best experience.” The most important feature of this update for the business side of podcasting isn't mentioned in the update blog, though. This update brings the change to AppleCoreMedia user agent that'll shift how we view Apple's footprint in podcasting. As covered in our June 10th episode, this will lead to far less confusion as to what traffic is actually coming from Apple Podcasts. Those who didn't report ACM will no longer underestimate traffic from Apple, and those who labeled all traffic from ACM as Apple will get a more balanced look at just how much traffic is coming out of Apple. For those that are code-savvy, we'll include a link in the show notes to the official Apple developer page for the updated user agent key. Apple Podcast launches "El Vecindario" collections. Manuela: On the subject of Apple: This Monday an email sent by Apple announced their plans for Latine Heritage Month, which runs from today through October 15th. “Later this month, Apple will showcase the abundance of Latine created content across genres, formats, and languages – and spotlight many great creators. Apple Podcasts has created a special destination, titled El Vecindario, that honors the spaces where Latine communities come together and conversations originate.” El Vecindario, the neighborhood in Spanish, will showcase Latine-created content covering multiple genres, formats, and languages. Influencer marketing brand-lift studies are improving Shreya: Last Friday Marketing Brew's Phoebe Bain used the release of the Association of National Advertisers' organic measurement guidelines for influencers as an excuse to discuss how brand-lift studies have matured. “Out of more than 1,000 Marketing Brew readers surveyed last month, about one-third said they think measurement for influencer marketing has “evolved significantly” over the past two years.” A useful tool to track that rapid evolution is the brand-lift study. Bain spends a good portion of the article explaining the basics: two groups are asked questions about something, with only one having experience with that thing. Any differing answers or familiarity expressed by the second group is quantified as - you guessed it - brand lift. Old-school brand-lift studies would ask simple questions regarding information retention, or whether the audience wanted to buy the product in an ad. Modernized studies take into account the changing media landscape, especially with the popularity of influencers.VP of marketing at creator management platform Grin Ali Fazal explains to Marketing Brew: “With an influencer marketing brand-lift study, questions go a level deeper. Those questions might focus more on brand affinity, or how consumers feel. For example, “is the brand cool? Is it viral? Is it modern?” These questions focus less on what consumers remember, and more on a brand's overall or social appeal. In an influencer marketing brand-lift study, he said, the questions focus on the full picture rather than just the ad itself. “This measures the true depth of impact that creator marketing has,” he said. Why should the business side of podcasting care? Podcasting is influencer marketing. In a world of pixel-based brand attribution and walled garden ad solutions, people are finding their options are missing the mark for influencer and podcaster alike. Brand lift studies by companies like Edison Research, Signal Hill Insights, Veritonic, or Nielsen can help fill that gap. How kids shows are boosting Paramount+ Manuela: Last Thursday Kelsey Sutton published a look at how kids' content is performing well at Paramount+. While Paramount+ is separate from Paramount's podcasting ventures, The Download has been covering the boom in kid-friendly podcasting since our March 18th episode. Paramount's experiences reaffirm that family and kid-oriented content drive engagement. “When it comes to streaming, parents will go without eating before disconnecting something that entertains their kids,” Brian Robbins, president and CEO of Paramount Pictures and Nickelodeon, said Tuesday at the Bank of America Securities 2022 Media, Communications, and Entertainment Conference. “Kids content is an amazing, amazing retention tool for us.” The streaming platform has done well for itself since the CBS All-Access rebrand. Currently Paramount+ reports 3 million paid subscribers. “Kids' programming on streaming can also help fill the audience void as linear viewing continues to drop off. “If you take our linear share and the audience for kids that we've picked up on Paramount+, we actually have more audience and share of kids 2–11 than we've had in years when you combine them both,” Robbins said.? As reported back in March, studies show the Kids & Family categories have grown 20% since last year and there's reason to believe poor categorization of content is causing a lower number than the industry is actually experiencing. Kids content is doing quite well, as any parent will tell you. Quick Hits: Recommended Weekend Reading Shreya: Finally, it's time for our semi-regular roundup of articles we're calling Quick Hits. These are articles that didn't quite make the cut for today's episode, but are still worth including in your weekend reading. This week: Class Photos by Skye Pillsbury, for The Squeeze. Pillsbury holds a mirror up to diversity on the business side of podcasting by compiling yearbook-style collages of the big podcasting company's leaders and known executives with deal-making power. A must-read. Introducing The Mullet Career Strategy™ — Creativity & Business by Steve Pratt. Pacific Content co-founder Steve Pratt announces his upcoming venture titled The Creativity Business, a strategy firm aimed at helping creatives learn better business and businesses learn better creativity. 17 Stats That Reveal the Power of Podcast Advertising and Host-Read Ads by Connie Chen. In addition to quoting our After These Messages study, senior manager of content management at Gumball Connie Chen brings a bundle of research to back up the efficacy of host-read ads. The Download is a production of Sounds Profitable. Today's episode was hosted by Shreya Sharma and Manuela Bedoya, and the script was written by Gavin Gaddis. Bryan Barletta and Tom Webster are the executive producers of The Download from Sounds Profitable.See omnystudio.com/listener for privacy information.

PickMe! Presents "Who's Picking Up Stream?" - Part 5: Paramount+

Pick Me!

Play Episode Listen Later Aug 14, 2022 65:00

It used to be CBSAllAccess. And then it became Paramount+. But is it more than just a fancy way to make us pay more for Star Trek content, or is there more value to Paramount+ than just the stories of starships that go where no one has gone before? Listen as host TJW and his guest find out with the 5th installment of our groundbreaking series! Logo credit: TJW Theme credit: Garageband loops and my lack of creativity Intro music credit: "Joyride" by Scandinavianz

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20VC: Yahoo CEO Jim Lanzone on The Yahoo Turnaround Plan; What Needs To Happen | Leadership 101: The 4 Things To Look For When Hiring | Surviving a Crash; Biggest Advice on Cuts, Layoffs, Investor Communications

The Twenty Minute VC: Venture Capital | Startup Funding | The Pitch

Play Episode Listen Later Jul 29, 2022 46:27

Jim Lanzone is the CEO @ Yahoo, a company that today reaches nearly 900 million people around the world and is the third largest property on the Internet. Prior to Yahoo, Tim was the CEO of Tinder, the world's most popular app for meeting new people, downloaded by more than 400 million people. Before Tinder, Jim spent a decade as President and CEO of CBS Interactive, a top 10 global Internet company with brands ranging from CBS All Access to CNET. He joined CBS Interactive in 2011 when CBS Corporation purchased Clicker Media, where he was founder and CEO. Before founding Clicker, Jim served as CEO of Ask.com (formerly Ask Jeeves). In Today's Episode with Jim Lanzone 1.) Jim's Entry into the World of Startups: How did Jim go from law school to founding his first tech startup in the dot com boom? How did seeing the crash and the first company going bust, shape Jim's perspectives on great leadership? What does Jim know now that he wishes he had known when he started way back in 1999? 2.) Leadership 101: How does Jim define "high performance" in business today? What are the 4 things Jim always looks for when hiring new people? Why does Jim believe the standard interview process and questions are broken? How does he do it differently? What are his biggest lessons on how to hire effectively? How does Jim know when to let someone go? How long do you give under-performers? 3.) Crashes and Turnarounds: Jim has seen three crashes as a CEO, what are Jim's biggest lessons from 3 prior crashes? How does Jim advise founders to be acting today? What should they focus on? How can leaders maintain morale and optimism in the face of tough macro times? How does Jim advise founders to communicate both with their investors and board when it comes to reduced performance in harder times? 4.) The Yahoo Turnaround: What does Jim believe the 1-2 core things Yahoo needs to fix is? Why are they priorities? How does Jim approach turning round the Yahoo brand? How does he plan to make it attractive? What is the biggest misnomer that people have about Yahoo today? How does Jim think about running a portfolio approach with Yahoo moving forward? How has Jim changed the org structure and management of Yahoo most significantly? Items Mentioned in Today's Episode: Jim's Favourite Book: Team of Rivals: The Political Genius of Abraham Lincoln

S3E22 : The Groundbreaking Actorvist : Wilson Cruz, Award-winning Actor, Activist and Humanitarian

Lead With Your Brand!™

Play Episode Listen Later May 31, 2022 48:57

Happy LGBTQ+ Pride Month! Jayzen is thrilled to be launching Pride Month with the incredible Wilson Cruz! Wilson currently stars as Dr. Hugh Culber on Star Trek: Discovery. As the first openly gay actor to an openly gay character on series television, Wilson first came into our homes as Ricky Vasquez on My So Called Life in 1994. His career has spanned television, film and Broadway - and he continues to be an amazing activist for his community. In celebration of Pride Month, the Lead With Your Brand!™ Podcast has partnered with Out & Equal Workplace Advocates, the premier organization working exclusively on LGBTQ+ workplace equality. Each week in June, we'll be featuring an out leader each with an amazing career story to share. In addition, we've assembled an entire collection of shows with LGBTQ+ guests from the past three seasons, including two special roundtable episodes where we explore issues around the trans experience and intersectionality of race and LGBTQ+ in the workplace. The team at Out & Equal has created free downloadable discussion guides, so we encourage you to use the podcast as a virtual “book club” with your ERG or group of friends. Listen to the episodes, download the discussion guides and schedule your group discussion! Check out www.leadwithyourbrand.com/pride for more information. Happy Pride! Guest Bio Wilson Cruz Award-winning Actor, Activist and Humanitarian Award-winning Actor, Activist, “Actorvist,” and Humanitarian Wilson Cruz currently stars as Dr. Hugh Culber on the Award-winning CBS All Access series STAR TREK: DISCOVERY, which premieres its 4th Season on November 18th. He appeared on the Netflix series THIRTEEN REASONS WHY and in Hulu's 2020 GLAAD Award-Winning original animated kids' series THE BRAVEST KNIGHT. He is also the Executive Producer of the critically acclaimed docuseries called VISIBLE:OUT ON TELEVISION airing on Apple TV+ that investigates the importance of TV as an intimate medium that has shaped the American conscience, and how the LGBTQ movement has shaped television. Receiving the Emery S. Hetrick Award from the Hetrick- Martin Institute for Outstanding Contributions to LGBTQ Youth, for his role as Rickie Vasquez on the ABC series MY SO CALLED LIFE, Wilson became the first openly Gay actor playing an openly Gay role on series television. Cruz also starred as Angel in the West Coast premiere of the Pulitzer Prize and Tony Award winning musical RENT which earned him both The Ovation and Drama Logue awards before his reprisal of the role on Broadway. Cruz recently accepted GLAAD's Vito Russo Award and the Make A Difference Award from the Matthew Shepard Foundation. He has also received the Rand Schrader Distinguished Achievement Award from the Los Angeles LGBTQ Center, the Liberty Award from Lambda Legal, the Visibilidad Award from GLAAD, the Fusion Achievement Award from Outfest, the Latino Spirit Award for Achievement in Entertainment and Advocacy from the California Latino Legislative Caucus, the Harvey Milk Equality Award, the Lincoln Aston Public Service Award, Aston-Brooks Award, and the Advocate Award from AdColor. He served as the Director of Entertainment Industry Partnerships and National Spokesperson for GLAAD, currently serves on the board of GLSEN and devotes considerable time supporting other LBGTQ organizations as well. Wilson is a first generation American of Puerto Rican descent. Links To learn more about Lead With Your Brand system, please visit: LeadWithyYourBrand.com To book Jayzen for a speaking engagement or workshop at your company, visit: JayzenPatria.com

279: Sean Callery/Film & TV Composer/24, Homeland, Halo, Jessica Jones, Bull

Roadie Free Radio

Play Episode Listen Later May 2, 2022 78:47

iTunes Spotify Youtube Patreon Emmy-winning composer Sean Callery has received 17 Emmy nominations and 4 wins, making him one of the most nominated composers of all time. Callery scores Fox's upcoming series Next, starring John Slattery, which is set to premiere on October 6, 2020; Robert Lorenz's action/thriller feature The Marksman, starring Liam Neeson, which will come out in early 2021; and CBS All Access' Bull, starring Michael Weatherly. Callery recently completed the eighth and final season of Showtime's Emmy and Golden Globe Award-winning drama Homeland, starring Claire Danes and Mandy Patinkin, as well as the third and final season of Netflix's Peabody Award-winning series Jessica Jones, starring Krysten Ritter. His music for Season 2 of the show was nominated for Outstanding Music Composition for a Series, earning Callery his 17th Emmy nomination. Callery won the Emmy Award for Outstanding Original Main Title Theme Music for Jessica Jones. He also received a nomination for his score on Fox's Steven Spielberg-produced TV series, Minority Report. With 10 Emmy nominations for Fox's 24, Callery is the only composer nominated every year for a series that ran more than three seasons. Callery won 3 Emmys for Outstanding Music Composition for his work on 24. He was also nominated for Outstanding Original Main Title Theme Music for CBS's Sherlock Holmes-inspired drama series, Elementary, starring Johnny Lee Miller and Lucy Liu, and was recognized in the same category for both Homeland and Reelz miniseries The Kennedys. Callery's music has also been heard on National Geographic's mini-series The Hot Zone, starring Julianna Margulies, ABC's Designated Survivor, starring Kiefer Sutherland, CBS's paranormal drama Medium, starring Patricia Arquette, Fox's longest running drama Bones, ABC's Marvel's Inhumans, and the feature film Small Time, starring Christopher Meloni and Dean Norris. Callery conducted his own works at the MOSMA Festival in Malaga, the Fimucite International Film Music Festival in the Canary Islands, Spain and the Krakow Film Music Festival. He also has three soundtrack albums featuring music from the 24 series, and two soundtrack albums featuring his score for Marvel's Jessica Jones. Sean resides in Los Angeles with his wife, Debbie. Special Mentions: RFR 021: Mark Snow, RC Garthe BOA GoFund Me, Becky Pell - Yoga Journey: A Contemporary Guide to a Timeless Tradition, Steve Walsh Gofund Me, Roadie Free Radio Merch, RFR Podcast Bundle, Follow Your Drishti Yoga Podcast, roadiecare.com, musicares.org, Roswell Pro Audio Mini K87

ALI SCHOUTEN

The Creative Process Podcast

Play Episode Listen Later Mar 24, 2022

Ali Schouten is a showrunner, executive producer, and writer who is quickly establishing herself as a creative on the rise as her formidable talent and artistic versatility continue to make waves.Schouten currently serves as the showrunner and executive producer of the wildly successful iCarly revival for Paramount+, which set 10 years later, features Miranda Cosgrove reprising her iconic role. The series was renewed for a second season and will return on April 8th after swiftly becoming one of the streaming service's top acquisition drivers, ranking among their most streamed titles since the series' debut. The series, which holds an impressive rating of 100% on Rotten Tomatoes, continues to receive praise for its modernized and inclusive approach from audiences and critics alike, with Variety applauding its ability to “straddl[e] the line between childhood nostalgia and newfound maturity”. This follows her role as co-executive producer on the Latinx-led family series from Disney+, Diary of a Future President, created by Ilana Peña and executive produced by Gina Rodriguez. Schouten also served as a supervising producer on the Netflix holiday miniseries, MERRY HAPPY WHATEVER, starring Dennis Quaid, Bridgit Mendler, Brent Morin, and Ashley Tisdale.Additional credits include serving as consulting producer and writer on the CBS All Access series NO ACTIVITY, supervising producer and writer on the Hulu series ALL NIGHT, and co-producer and writer on the NBC series CHAMPIONS from Mindy Kaling and Charlie Grandy. Schouten also served as an executive story editor and writer on the hit ABC Family series, YOUNG AND HUNGRY, in addition to the Verizon go90's series, RELATIONSHIP STATUS, for which she received a Daytime Emmy Award nomination for ‘Outstanding Writing in a Digital Drama Series'.· www.paramountplus.com/shows/icarly-2021· www.creativeprocess.info

(Highlights) ALI SCHOUTEN

The Creative Process Podcast

Play Episode Listen Later Mar 24, 2022

“What we deal more in the second season with how your online persona and your real-life persona sometimes can't help but be at odds with one another. In the first episode back we get into how women are treated, how women in relationships are treated online. In a later episode, we deal with how women are or are not allowed to express their anger online as content creators. So it's something we talked a lot about in the room. That fracturing of self, that even in a goofy show that's very lighthearted and entertaining, it's something that we do discuss and try to sneak little tidbits in there.”Ali Schouten is a showrunner, executive producer, and writer who is quickly establishing herself as a creative on the rise as her formidable talent and artistic versatility continue to make waves. Schouten currently serves as the showrunner and executive producer of the wildly successful iCarly revival for Paramount+, which set 10 years later, features Miranda Cosgrove reprising her iconic role. The series was renewed for a second season and will return on April 8th after swiftly becoming one of the streaming service's top acquisition drivers, ranking among their most streamed titles since the series' debut. The series, which holds an impressive rating of 100% on Rotten Tomatoes, continues to receive praise for its modernized and inclusive approach from audiences and critics alike, with Variety applauding its ability to “straddl[e] the line between childhood nostalgia and newfound maturity”. This follows her role as co-executive producer on the Latinx-led family series from Disney+, Diary of a Future President, created by Ilana Peña and executive produced by Gina Rodriguez. Schouten also served as a supervising producer on the Netflix holiday miniseries, MERRY HAPPY WHATEVER, starring Dennis Quaid, Bridgit Mendler, Brent Morin, and Ashley Tisdale. Additional credits include serving as consulting producer and writer on the CBS All Access series NO ACTIVITY, supervising producer and writer on the Hulu series ALL NIGHT, and co-producer and writer on the NBC series CHAMPIONS from Mindy Kaling and Charlie Grandy. Schouten also served as an executive story editor and writer on the hit ABC Family series, YOUNG AND HUNGRY, in addition to the Verizon go90's series, RELATIONSHIP STATUS, for which she received a Daytime Emmy Award nomination for ‘Outstanding Writing in a Digital Drama Series'.· www.paramountplus.com/shows/icarly-2021· www.creativeprocess.info

ALI SCHOUTEN

Books & Writers · The Creative Process

Play Episode Listen Later Mar 24, 2022

Ali Schouten is a showrunner, executive producer, and writer who is quickly establishing herself as a creative on the rise as her formidable talent and artistic versatility continue to make waves.Schouten currently serves as the showrunner and executive producer of the wildly successful iCarly revival for Paramount+, which set 10 years later, features Miranda Cosgrove reprising her iconic role. The series was renewed for a second season and will return on April 8th after swiftly becoming one of the streaming service's top acquisition drivers, ranking among their most streamed titles since the series' debut. The series, which holds an impressive rating of 100% on Rotten Tomatoes, continues to receive praise for its modernized and inclusive approach from audiences and critics alike, with Variety applauding its ability to “straddl[e] the line between childhood nostalgia and newfound maturity”. This follows her role as co-executive producer on the Latinx-led family series from Disney+, Diary of a Future President, created by Ilana Peña and executive produced by Gina Rodriguez. Schouten also served as a supervising producer on the Netflix holiday miniseries, MERRY HAPPY WHATEVER, starring Dennis Quaid, Bridgit Mendler, Brent Morin, and Ashley Tisdale.Additional credits include serving as consulting producer and writer on the CBS All Access series NO ACTIVITY, supervising producer and writer on the Hulu series ALL NIGHT, and co-producer and writer on the NBC series CHAMPIONS from Mindy Kaling and Charlie Grandy. Schouten also served as an executive story editor and writer on the hit ABC Family series, YOUNG AND HUNGRY, in addition to the Verizon go90's series, RELATIONSHIP STATUS, for which she received a Daytime Emmy Award nomination for ‘Outstanding Writing in a Digital Drama Series'.· www.paramountplus.com/shows/icarly-2021· www.creativeprocess.info

Patrick Stewart On 'Star Trek: Picard'

Fresh Air

Play Episode Listen Later Mar 11, 2022 45:50 Very Popular

Patrick Stewart is back as Jean-Luc Picard in season 2 of the CBS All Access series Star Trek: Picard. "I am not averse to risk-taking and I don't judge myself," he says. Stewart spoke with Sam Briger in 2020. Also, Justin Chang reviews the new Pixar film Turning Red.

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Eion Bailey on his role as Jim Matthews in EPIX's 'FROM'

The Man Cave Chronicles

Play Episode Listen Later Mar 10, 2022 16:06

Eion Bailey recently joined host Elias in the cave! You can see Eion as Jim Matthews on EPIX's 'FROM' Created and executive produced by John Griffin (Crater), directed and executive produced by Jack Bender (Lost, Game of Thrones, Mr. Mercedes), and executive produced by Showrunner Jeff Pinkner (Fringe, Alias, Lost), FROM features a stellar ensemble cast led by Harold Perrineau (Lost). The series unravels the mystery of a nightmarish town that traps all those who enter. As the unwilling residents fight to keep a sense of normalcy and search for a way out, they must also survive the threats of the surrounding forest – including the terrifying creatures that come out when the sun goes down. Eion Bailey is best known for his breakout performance in the critically acclaimed HBO miniseries Band of Brothers from executive producers Steven Spielberg and Tom Hanks. Bailey recently co-starred opposite Liev Schreiber in the Showtime series Ray Donovan and for years was a fan favorite on ABC's Once Upon a Time. Currently Eion can be seen in the Stephen King limited series The Stand, streaming on CBS All Access and Amazon Prime. You can watch this interview on YouTube https://youtu.be/7YzfFCu1f_k Have a question? Email us themccpodcast@gmail.com Follow us on Social Media for the latest show updates www.twitter.com/themccpodcast www.instagram.com/themccpodcast www.facebook.com/themancavechroniclespodcast www.themccpodcast.com

EP10: The Little Fartlettes Ft. Rachel Swindler

Quarter Life Crisis

Play Episode Listen Later Jan 17, 2022 53:42

Kait welcomes her Big Brother bestie and close friend, Rachel Swindler. Rachel opens up about how she processes struggling, where she is in her life, her goals, as well as recapping a lot of experiences from their season together. More podcasts at WAVE: https://podcasts.apple.com/us/artist/wave-podcast-network/1437831426

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