REVOLUTIONS PER MOVIE

A Very Opinionated Look At URGH! A MUSIC WAR--CHAPTER THIRTY-THREE: An interview with Lesley Woods of Au PairsHello everyone! This week, I'm releasing this extra-special episode from the Revolutions Per Movie Patreon for everyone to hear!It's an incredible conversation with a complete legend—Lesley Woods of Au Pairs, who has also been an immigration lawyer in the UK for over thirty years.  Anyone who has been listening to the URGH! A MUSIC WAR PODCAST knows that Lesley's performance blew open my and Chaki's head with her slashing music and sexual politics lyrics…something that was new and necessary for young kids witnessing this film. So getting to talk to Lesley was an honor.We talk about the origin of Au Pairs at a bus stop, Lesley's political awakening in college, being banned by the BBC, how the podcast helped Lesley watch the film for the first time, the ever-present blood on her guitar, the band's first 7” Kerb Crawler, the way the band moved around on stage, what the band wanted to do differently on their 2nd LP, why the band gravitated towards music to dance to that was still protest music, the difference for Lesley writing music then and now, the incredible Urgh lineup they played with Gang of Four, Mekons & Steel Pulse, the trouble with music journalism and its attitudes towards women in the industry, how Lesley turned her back on music for a spell, why she turned to immigration and refugee law in the UK, freedom of expression and the right to hold your opinion, Thatcher's Section 28 law banning queer literature and references in schools, Gavin Friday of The Virgin Prunes, how Lesley found her way back to music and performing with members of Thurston Moore's band & Big Joanie, plus Lesley Woods explains why it really was an actual MUSIC WAR!!!If you enjoy the show, please consider joining at patreon.com/revolutionspermovie to support this completely independent endeavor (plus get access to over 170 episodes of Revolutions Per Movie, a 7" flexidisc with Ann Magnuson, Vanessa Briscoe Hay & Peter Buck, stickers, and more). Thanks!LESLEY WOODS: lesleywoods.bandcamp.comAU PAIRS IN URGH: https://vimeo.com/445459902CENSORED AU PAIRS PERFORMANCE ON OLD GREY WHISTLE TEST: https://odysee.com/@kentisheddie:8/OGWT-Au-Pairs:9?fbclid=IwY2xjawJyC6lleHRuA2FlbQIxMQABHgza-0yavgkB6fQpcuF0DFP95pjYYmtDpHdN1NHJaSBVV2ylmUdVookjvVpZ_aem_hbcX22AAHWx4tiYgHoMLVA Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week I am joined by musician, author, and songwriter Ezra Furman, who picked the Kathleen Hanna documentary THE PUNK SINGER to discuss.  We talk about Ezra's process of writing her lyrics, the headspace of making a record, the directness of Kathleen Hanna's lyrics, and how her lyrical approach changed from Bikini Kill to Le Tigre, the notion of audiences and bands protecting each other, Kathleen urging 'girls to the front' and how Ezra still is working on that at her own shows, being misunderstood as an artist, how the film shows self-documentation coming into full bloom during this era, how even the greatest bands have to break up, myths in rock, how the film reveals Kathleen's illness that led to the break up of Le Tigre, gender bias in the medical system and the exhaustion of psychological burnout in music, Ezra's experience having to stand up for and stand up to her fans and more!EZRA FURMAN: https://ezrafurman.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week's episode was recorded in front of a live audience on Feb. 7th, 2025, at Cinema 21 in Portland, Oregon. Beloved composer, musician, and iconic actor PAUL WILLIAMS joined us to discuss the film we screened that night, PHANTOM OF THE PARADISE, as well as his impressive and long career in film and music. Paul talks about his experiences working with director Brian De Palma, juggling acting and composing songs for fellow actors William Finley, Gerrit Graham, and Jessica Harper, his stylistic influences for writing the soundtrack, the joy in playing a bastard like Swan and even how Phantom eventually found an audience with the help of some dedicated Winnipeggers. He also shares fascinating stories about his prolific work output, including composing for Jim Henson, how Burt Reynolds got the idea to put him in Smokey & The Bandit, writing songs for the Carpenters, Barbara Streisand & Ishtar, meeting songwriting deadlines while touring with Liza Minelli, how it felt when Phantom superfans Daft Punk reached out to him to collaborate on their music, and so much more.And as if that wasn't enough, there's also a live performance from Paul's latest collaborators, PORTUGAL. THE MAN, which includes a lovely Phantom Of The Paradise tip of the hat.Thanks again to all who donated their time and energy to make this beautiful event happen! Enjoy!PAUL WILLIAMS:https://www.paulwilliamsofficial.com/PORTUGAL. THE MAN:https://portugaltheman.com/FRANCES CHANGED MY LIFE:https://www.franceschangedmylife.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com  Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

For today's episode of Revolutions Per Movie's Pavement Week (Episode #6 out #5…right?), I am joined by actor Michael Esper who played the lead role (Essem) in the musical Slanted! Enchanted! A Pavement Musical that is featured in the new documentary Pavements. We discuss how Michael first got involved in the project and whether or not he felt the musical was earnest or a put-on, the mixed bag that often is a jukebox musical, whether or not his fellow actors knew about Pavement and their music before becoming part of the musical, jamming over 40 Pavement songs into 80 minutes of stage time, Michael feeling like he was losing your mind on stage, the plot and musical theater tropes used in the Slanted musical, could this format have worked for any other band besides Pavement, Michael working with David Bowie on one of his last creative stage projects before his death, how much freedom does a stage performer have from night to night, Michael getting to share an emotional moment from the stage of the musical with his sister (who was also a huge Pavement fan), the absurd leap that an audience has to take with the performers in a musical, how the Slanted musical was an actual love letter to the band and more!So bring on the major leagues with this soon-to-be Tony-nominated podcast episode of Revolutions Per Movie & its subsidiary Pavement Week.MICHAEL ESPER:@airstreamrallyREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

For the finale of Revolutions Per Movie's Pavement Week, we are joined by Pavement's Spiral Stairs (aka Scott Kannberg) & Robert Greene, editor/producer of the new documentary Pavements.We discuss its kaleidoscopic storytelling, which weaves together a star-studded biopic, a traditional band documentary, a Pavement museum, and the Pavement jukebox musical all into a feature-length film.We also talk about Robert's long-term push-pull artistic relationship with the film's director Alex Ross Perry, Spiral's involvement with Louder Than You Think (a documentary about early Pavement drummer Gary Young), the process of recording the Pavement EP Watery, Domestic, the sadness surrounding Pavement's initial breakup, how the film helped Spiral appreciate what the band accomplished, the epic saga of Spiral vs. Lollapalooza, how the "biopic" in Pavements cut close to the bone while still being completely false, the elevated mystery surrounding Pavement, why their three-sided record Wowee Zowee influenced the final edit of the film, the forthcoming soundtrack LP, the future of Pavement and much more!There's no culture!!! There's no spies!!!So let's end Pavement Week with this heartfelt, inspiring, and hilarious episode of Revolutions Per Movie.PAVEMENT: pavementband.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week we continue Pavement Week on Revolutions Per Movie with episodes celebrating Pavement to the max.  For today's episode (#4 of 5) we talk to filmmaker Alex Ross Perry who directed the new kaleidoscopic documentary Pavements.  We discussed Alex's formative years working at the legendary Kim's Video in NYC, how Alex broke away from traditional music documentaries to make Pavements, the truth hidden within the fiction of the biopic segments of the film, the earnest nature of musical theater and creating the Pavement jukebox musical, seeking music video bootlegs in the 90s, how the surprise viral hit of Pavement's 'Harness Your Hope' changed the trajectory of the film, creating the myths of a band like Pavement, the band's restrictions for the making of the film, how Joe Keery of Stranger Things was always the first choice to play Stephen Malkmus in the film, how Alex purposely wrote the worst possible Pavement biopic using real dialogue from Pavement, the Lollapalooza mud slinging show, how to know when a potentially endless documentary is done, Malkmus' reaction to the Pavement Museum that was built for the film and more.So, as they say in the film, let's give 100% of the 50% that we know is possible from Pavement on episode 4 of Pavement Week on Revolutions Per Movie.PAVEMENTS:https://pavements.official.film/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we will be celebrating Pavement Week on Revolutions Per Movie with episodes that are Pavement to the max!!!  For today's episode (#3 of 5) we talk to multi-instrumentalist of Pavement, The Minders, Pedro The Lion & Wild Flag, Rebecca Clay Cole!!!  We discuss her time in Pavement and her varied musical life, and she also brought us an amazing music film pick to discuss: the Luther Vandross documentary Luther: Never Too Much.  We also talk about her involvement with the Elephant 6 scene, how her first band was the incredible The Minders, learning to sing harmonies on the fly, working with The Jicks before being asked to join Pavement, what the Denver music scene was like in the late 90s, collecting 7” records, the mysteries of a sound check, how Luther's childhood friends (Fonzi Thorton, Robin Clark & David Bowie/Iggy Pop collaborator Carlos Alamor) remained in each other's musical lives until his death, Luther running the Patti LaBelle fan club, his first band performing on Sesame Street, a young Luther getting his bandmates' parents to buy their jade colored shoes for their live shows, Luther embracing the Philly sound, David Bowie making Luther his vocal arranger for the Young Americans album and Luther re-writing one of Bowie's songs, plus songs for The Wiz, touring with Bette Midler, chance encounters in creative situations, Luther being on every recording of Chic, his new wave album Busy Body, the racism in the record industry and how the media obsessed about his weight, how Luther controlled his band on stage tempo wise with such gentle ease and how Luther's vocal style came about from singing in a pizza commercial!So it's siizzzzllliiinnnggg hot on episode #3 of Pavement week only here on Revolutions Per Movie!!! REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovie Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we will be celebrating Revolutions Per Movie's Pavement Week with episodes that are Pavement to the max. For today's episode (#2 of 5), we present an encore airing of our discussion with the director & producers of the amazing Gary Young/Pavement documentary ‘LOUDER THAN YOU THINK,' which is one of the best music documentaries I have seen in recent years and also one of the most enlightening about Pavement.We discuss how surprisingly open the members of Pavement were to discussing Gary, Gary's legendary home studio where he played drums and recorded Pavement's early records, the incredible marionettes that were built specifically for the film, what it was like for Brian to be in bands with Gary in the early 80s, the surprise explosion of Pavement's success, Gary's love of Prog rock and superstardom, the night Gary served mashed potatoes out of wheelbarrows to audience members, Malkmus's PTSD from working with Gary, the age differences in the band, the battle between lo-fi and professional goals, Gary's origin story from NY to CA, guitarist Spiral Stairs finding a box of unknown VHS tapes from their first Pavement tour, Rollerball, the blam-o-meter, Gary's wife Geri, the trauma of him leaving the band after overstepping his role, Gary's band Hospital, Beavis and Butthead, Gary's serious advice column in a Japanese magazine, Gary's struggle with addiction, the Watery, Domestic EP, Gary's reaction to the film & the time he disrupted his own film premiere by heckling the documentary.So let's do collective handstands while the band plays onwards as we celebrate PAVEMENT WEEK on Revolutions Per Movie!STREAM LOUDER THAN YOU THINK HERE:https://www.factorytwentyfive.com/louder-than-you-thinkREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

'SLOW CENTURY' & ‘PAVEMENTS' w/ LANCE BANGS(PART 1 of PAVEMENT WEEK)This week, we will be celebrating Pavement Week on Revolutions Per Movie with episodes that are Pavement to the max!!!  For today's episode (#1 of 5) we start off with a bang with director/producer LANCE BANGS (Slint: Breadcrumb Trail, Jackass, Pavement: Slow Century, Pavements). We discuss how Lance first connected with Pavement and started documenting their early shows, what a young Lance was watching and listening to before the underground, how he put together the first Pavement docuementary SLOW CENTURY, what it's like directing Pavement music videos & why there were two versions of the 'Major Leagues' video, Night Flight, shooting Super 8mm, the legendary City Gardens venue and the dangers surrounding it, The Replacements, SST Records, Jem Cohen, how Lance started working with R.E.M., the mystery of initial Pavement drummer Gary Young, Elephant 6, Nirvana, capturing the (first) last concerts of Pavement, how Lance got involved in the new Pavement doc PAVEMENTS and its genesis to the big screen, how COVID affected the making of the film, the addition of Rebecca Clay Cole, the original ending of the script that didn't get made, the editing style of Robert Green, the incredibly uncomfortable footage of Pavement at the TIbetian Freedom concert, Wowee Zowee and how the film's end is structured like side 3 of the LP, the illusion that Pavement were huge and more.So much style that's it's wasted...right(?) on episode #1 of Pavement week only here on Revolutions Per Movie!!!LANCE BANGS: lancebangs.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

On this week's episode, I am joined by Grammy-nominated singer/songwriter and collaborator with LEONARD COHEN, PERLA BATALLA, who discusses her good friend/creative muse and her thoughts on the film 'LEONARD COHEN: I'M YOUR MAN.'We discuss Perla's childhood and escape from her family into a life in music, her Mom's record store, working for T.V. legend Norman Lear documenting The Jeffersons & One Day At A Time, her surprisingly frantic introduction to Leonard Cohen's music and the man himself, musician Julie Christensen, working with Nick Cave, Rufus Wainwright & Beth Orton, being fired from the rock n' roll world, how Leonard's lyrics cracked Perla open emotionally, the pressures of being Leonard Cohen and what audiences expected from him, being a superstar in Europe, his album The Future, Cohen's work discipline, the flexibilty of Cohen's work leading artistic interruptations by others, how the concerts for Leonard Cohen came about through legendary producer Hal Wilner, why Leonard did not want to be in the film, the emotions of touring, how Perla worked her magic to get certain songs in the concert, why U2 is so prominent in the film even thought they were not in the concert itself, the problems we both have with this film, how the hell did Mel Gibson become a produer on the film, Laurie Anderson being involved in the prerfomrances originally, Leonard writing songs critizing his record company and more...So join us for a very insightful look into the depths of Cohen's life and music on this week's Revolutions Per Movie!PERLA BATALLA: https://perla.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

On this week's episode, I'm joined by filmmaker Jim Hickcox (Slow Creep, Soft Matter), who brings us the greatest zombie/rock film of all time, WILD ZERO, starring Guitar Wolf!!!  We discuss the Japanese garage rock scene and Guitar Wolf's stature within it, what is Jet Rock N' Roll, how Guitar Wolf made the loudest record ever recorded, Bass Wolf & Drum Wolf's non-stop hair combing in this movie, Guitar Wolf's pro-Trans stance in the film, going to video stores rather than record stores while on tour, how the film's visual style predates Shaun Of The Dead, fast vs. slow zombies, how the concert footage of Guitar Wolf in the movie is incredible, the choice of killing the best characters early in a film, how the film has a surprisingly enormous heart, squibs & head explosions, the Aerosmith arcade game, filmmaker Aki Kaurismäki, Jim's dance sequence at the end of his film, the difficulties of recommending horror films to others, the unfilled plot to Wild Zero 2 and I go through an utter transformation during the recording of this episode.So come scream “Love Is Love” into a flaming microphone while lightning strikes the stage on this week's episode of Revolutions Per Movie!JIM HICKCOX:www.jimhickcox.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, I'm joined by Jenny Don't & Kelly Halliburton (Jenny Don't & The Spurs & Pierced Arrows), who discuss their bandmates/dear friends Fred & Toody Cole and the documentary UNKNOWN PASSAGE: THE DEAD MOON STORY.We also discuss how my very first Country/Western show was seeing Fred & Toody's band Western Front, Jenny and Kelly's wildly different entry points into Punk and Country, Jenny learning to sing using an answering machine, The Cole's approach to get the job done with limited resources, how Kelly first met Fred Cole at the age of 8 because his Dad was already in a band with Fred, The Wipers, Poison Idea, the love for Dead Moon in Europe, the kindness of Andrew Loomis and the monster drummer he was, the origin of post-Dead Moon band Pierced Arrows and Kelly's time as drummer with Fred & Toody, what is was like touring with The Coles & their late night casino adventures, how the doc captures the dampness of Portland, The Lollipop Shoppe and motorcycle exploitation films, the difficulties with crossing country borders with the Coles, how Pierced Arrows wrote their songs, a walkthrough of The Coles' one-of-a-kind house, Chris being to afraid to play the guitar he was going to buy in front of Fred Cole, The Cole's early bands The Rats & King Bee, how Fred Cole discovered punk rock at a Ramones show, ageism in early punk rock, The Dead Moon huddle and the Pierced Arrows 'ring power' ritual, how supportive the band was of the opening bands they played with, Mike Watt, Toody Cole continuing to rock, being a lifer in music while being in a couple band and so much more...So let's huddle over that melted candle shoved into a Jack Daniel's bottle on this week's episode of Revolutions Per Movie!REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

On this week's episode, we are joined by Johnny Echols, who was part of one of the greatest bands of all time, the 60's band Love. We are also joined by Mike Randle, co-founder of the band Baby Lemonade and Love w/ Johhny Echols, who, alongside Love singer/songwriter Arthur Lee & Echols, helped find new audiences for Love's music before Arthur died in 2006. We discuss how for a long time the music documentary Love Story was the only way to glean information about the mysterious band, how Johnny and Arthur originally met, Arthur's (and Love's) ability to create larger-than-life myths within their legacy, their disappointment with Elektra Records, the pros and cons of being a band in L.A., how playing in cavernous rooms on the Sunset Strip helped inform the sound of their first LP, how Arthur described the music in his head to the band, how Echols transformed Love's classic ‘7 and 7 Is' from an acoustic ballad to a punk classic, Arthur being backed by The Knack, the creation of their seminal classic album Forever Changes and how Mike got Arthur to revisit the album long after he had written it off, how Forever Changes was intended to be a double album with Neil Young producing, why the original members left the band, how Johnny was only 19 when the band was breaking up, recording their last single, the fight between Courtney Love and Slyvetster Stallone at a Love show and much more.So Oop-ip-ip oop-ip-ip yeah on this week's episode of Revolutions Per Movie!!! LOVE WITH JOHNNY ECHOLS: https://lovewithjohnnyechols.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

On this week's episode, we look at the ultimate song and dance man, Andy Kaufman, and the new documentary about him, Thank You Very Much, directed by this week's guest, Alex Braverman. We discussed Alex's parents working on the filming of Andy Kaufman's Carnegie Hall stage show and how Alex discovered Andy through that VHS sitting on his parent's shelf, how most of Andy's comedy was infused with music, Tony Clifton, Andy's skill at wasting valuable network TV time, the incredible footage of Andy with the Maharishi and asking him about comedy, how Andy was happiest when the audience was against him, his congo playing skills, what shaped Andy's humor, his comedy partner Bob Zmuda, his appearance on The Midnight Special and Fridays, the has-been corner, Andy busing tables at Jerry's Deli at the height of his career, Andy taking everyone out for milk and cookies after the Carnegie Hall show, the scoring of the documentary by Chris Bear of Grizzly Bear & Alessandro Cortini of Nine Inch Nails, his turn as a wrestling villain, Andy's devotion to Transcendental Meditation, Laurie Anderson's friendship & stage partnership with Andy, our favorite Andy Kaufman moments, how Andy was a great fake crier and more!So, in honor of Andy, let's beat on the congas two more times on this week's episode of Revolutions Per Movie.ALEX BRAVERMAN:www.instagram.com/alexbravermanWHERE TO WATCH THANK YOU VERY MUCH:https://drafthousefilms.com/thankyouverymuchREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

On this week's episode, we are joined by the legend Kevin McDonald of The Kids In The Hall, who talks about his upcoming rock opera, Superstar (A Rock Opera), and the films and music that influenced it.  We also discuss Kevin's love of musicals, why comedians want to be musicians and vice versa, Kevin discovering Jesus Christ Superstar and the effect it had on him, the musicality of Kevin's voice in his comedy, writing the Kids In The Hall sketches ‘The Suburbs', ‘Daddy Drank, and ‘The Bass Player,' why rock operas are always so dire and full of trauma, how hard it is to write an ending for a sketch, Monty Python, Phantom Of The Paradise, Hedwig & The Angry Inch, why Kevin chooses to turn truly painful moments in his life into his comedy, Chris' Colonel Jeffrey Pumpernickel concept LP with Stephen Malkmus & Ann Magnuson, how Kevin wrote his rock opera lyrics and melodies, the magic of Dave Hill, upsetting Flo and Eddie references in Kevin's rock opera, Paul Williams, The Mountain Goats, why "rock music" in a rock opera often rings false, who should direct the film the version of Kevin's rock opera and more!So, let's do our vocal exercises before hitting the stage on this week's episode of Revolutions Per Movie!KEVIN McDONALD:See Superstar (A Rock Opera) Live At Soho Playhouse March 19-23, 2025Tickets: www.sohoplayhouse.com/upcoming-events/kevin-mcdonald-superstarREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we are joined by PULP's MARK WEBBER to discuss what was to be the most influential documentary of his life, THE SOUTH BANK EPISODE ABOUT THE VELVET UNDERGROUND.  We discuss Mark's path from making fanzines (including interviewing Mo Tucker), & running the Pulp fanclub to eventually joining PULP as they embarked on their classsic records (DIFFERENT CLASS, THIS IS HARDCORE & WE LOVE LIFE), how Pulp composes music, being too young to get the Velvet Underground on first listen, the sweet spot of interviewing the Velvet Underground at the time of this documentary, Warhol's Factory, Mark's first time in NYC paying homage to his NYC heroes, Jonas Mekas, record store clerk suggestions, Spaceman 3, Pulp in 1978, the highs and lows of being in your favorite band, Mark's decades-long curation and research of experimental film, David Bowie as a direct line to the Velvet Underground, I Shot Andy Warhol, Bridget Berlin, Cat Power, Mark trying to do his own version of Warhol's Exploding Plastic Inevitable for Pulp called The Day That Never Happened, John Cale and Lou Reed's solo work, Mark getting to witness the Velvet Undeground reunion shows in person, The Pulp People Accommodation Register, Nico and more!!!So let's wrap some trees in tin foil and start the lights strobing on this week's episode of Revolutions Per Movie!MARK WEBBER:hatandbeard.com/products/im-with-pulp-are-you-by-mark-webberhttps://markwebber.org.uk/archive/about/https://welovepulp.info/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we are joined by musician, producer, composer, and filmmaker Brendan Canty (Fugazi, Rites Of Spring, The Messethics), who chose the wildly unexpected outlaw country documentary HEARTWORN HIGHWAYS to discuss. We also get to discuss the importance of his bands Rites Of Spring & Fugazi, Chris seeing Fugazi in a hippie cafeteria on their first tour, playing videogames with Elliott Smith, Brendan's Burn to Shine series that featured bands playing songs in a condemned house that was going to be burned down, Jem Cohen's film with Elliott Smith, the making of the Rites Of Spring LP, the gang mentality of bands, how his latest score is as if Greg Sage of The Wipers had used an orchestra, how growing up in the 80s country music was seen as the enemy, 70s Country's anti-establishment vibe, Townes Van Zandt, Guy Clarke, David Allen Coe, Brendan's youth on CB radio, Willie Nelson being turned away from being in this film, talented nerds, what it was like recording the Fugazi records at the Inner Ear Studio, Les Blank, big box VHS tapes, Key & Peele parodying Brendans' music and so much more!So put on that bejeweled belt buckle and let's tip our hat on this week's episode of Revolutions Per Movie!!!BRENDAN CANTY:@Brendancantythemessthetics.bandcamp.com/album/the-messthetics-and-james-brandon-lewisREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we are joined by MARTIN WONG (co-creator and editor of GIANT ROBOT magazine and self-proclaimed ‘shitworker' for THE LINDA LINDAS) to discuss the music narrative punk film LINDA LINDA LINDA. We discuss Martin's past writing for FLIPSIDE magazine and his initial exposure to punk music, how Giant Robot was started, our favorite obscure Asian cinema and music, how James Iha of Smashing Pumpkins did the soundtrack for this film, the L.A. Chinatown punk scene, the Linda Lindas opening for The Rolling Stones, The Blue Hearts, The Clash, Buzzcocks, Die Kreuzen, the power of hearing an amazing song for the first time, the current Japanese punk scene, Guitar Wolf, The Ramones dream sequence stand-ins in this film, punk rock video stores and what happens when you finally write your first good song.So let's dive off the stage arm-in-arm on this week's episode of Revolutions Per Movie!!!MARTIN WONG:@martinkendallwongbymartinwong.wordpress.com/giantrobot.com/collections/giant-robot-magazineWHERE TO WATCH THE MOVIE LINDA LINDA LINDA:https://www.dailymotion.com/video/x96udx0REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week we are joined by the director and producers of the amazing Gary Young/Pavement documentary ‘LOUDER THAN YOU THINK,' one of the best music documentaries I have seen in recent years and also one of the most enlightening about Pavement. We discuss how surprisingly open the members of Pavement were to discussing Gary, Gary's legendary home studio where he played drums and recorded Pavement's early records, the incredible marionettes that were built specifically for the film, what it was like for Brian to be in bands with Gary in the early 80s, the surprise explosion of Pavement's success, Gary's love of Prog rock and superstardom, the night Gary served mashed potatoes out of wheelbarrows to audience members, Malkmus's PTSD from working with Gary, the age differences in the band, the battle between lo-fi and professional goals, Gary's origin story from NY to CA, guitarist Spiral Stairs finding a box of unknown VHS tapes from their first Pavement tour, Rollerball, the blam-o-meter, Gary's wife Geri, the trauma of him leaving the band after overstepping his role, Gary's band Hospital, Beavis and Butthead, Gary's serious advice column in a Japanese magazine, Gary's struggle with addiction, the Watery, Domestic EP, Gary's reaction to the film & the time he disrupted his own film premiere by heckling the documentary.So let's do collective handstands while the band plays onwards...on this week's episode of Revolutions Per Movie!STREAM LOUDER THAN YOU THINK HERE:https://www.factorytwentyfive.com/louder-than-you-thinkREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we are joined by actor, writer & comedian CLARE O'KANE (whose latest comedy album, Everything I Know How To Do, was released on Eugene Mirman's record label) about the classic 1968-directed film MONTEREY POP! We discuss Clare's Bay Area upbringing and being too uptight to be a hippie, our history with comedy records and what its like for Clare to make one, we share our weirdo pre-flight rituals, why the Grateful Dead didn't want to be in the finished film and other performances that were cut out of it, the shocking lack of beards in the film, the optimism in the audience compared to two years later with Gimme Shelter, watching the audience experience Jimi Hendrix, The Who and Janis Joplin for the first time, who was the only artist to get paid at this charity event, how the film came together and how Paul Simon saved the concert from going under, the time Clare opened for Jawbreaker, the weirdo factor of San Francisco bands, David Crosby's talking bout the Kennedy assisination, how can we Boogie and Choogle, how the song White Rabbit ruined the Jefferson Airplane for us and our acting turns that involved using this song, Godard's seeing Jefferson Airplane in this movie and then filming them rocking out on a rooftop for his film 1am One American Movie, crying at live shows, Otis Redding's incredible performance captured here, what would be the best band from this festival to have sex too, Chris spills the beans on an unreleased episode of RPM and much more!So let's laugh directly into the sun on this week's episode of Revolutions Per Movie!!!Clare O'Kane:https://www.clareokane.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods sent directly to you.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we are joined by musician STEVE MICHENER (Big Dipper, Volcano Suns, Dumptruck, Barbara Manning) to discuss a documentary featuring one of Steve's old bandmates, THIS IS NOT A PHOTOGRAPH: THE MISSION OF BURMA STORY!!!! We discuss the makeup of the Boston music scene of the 80s, Steve's time in post-Burma band VOLCANO SUNS with Peter Prescott, the genesis of BIG DIPPER, how it was like Beatlemania for Burma in Boston, Burma playing 3 times a week in the early days, how Burma changed the music scene into an artier space, Propellor Records, The Girls and Moving Parts, what brought Clint Conley and Roger Miller together, the chaotic playing outside of their own song structures that Burma did, ultimate chemistry bands, Martin Swope's magical live tape manipulation and what it felt like hearing it in the audience early on, the criticism regarding their records vs. their live shows, Peter Prescott's scream, the band Sorry, the Moby hatred displayed within this doc, The Go-Betweens, discovering what tinnitus was through Burma and Roger Miller's subsequent hearing loss, working at the copy shop with Prescott, the sadness of Burma breaking up and living under Burma's shadow, Steve's stints in Yo La Tengo and Dumptruck, the challenges of being in a band with multiple song writers, why and how Burma reformed, This Band Could Be Your Life, Bob Weston taking over for Martin Swope, how the band continued to grow after they reforemd, how loud was Burma really and a day in the life of a Mission Of Burma fan!So come sing out loud "dada dada dada dada dada dada dada dada dada" on this week's episode of Revolutions Per Movie!!!STEVE MICHENER:@steve.michenerREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we are joined by RONNIE BARNETT of THE MUFFS, who chose the classic music documentary ANVIL! THE STORY OF ANVIL to discuss! We also discuss the sides of Double Nickles On A Dime, Ronnie's high-school metal & new wave band roots, Creem magazine, Ian McKaye's love of Ted Nugent, trying to understand Van Halen, turning your back on metal during the punk wars, how most bands suck after their 4th record, how the director of Hitchcock (who was once an Anvil roadie) made this film, the lyrics to "Metal On Metal", how many people didn't think that Anvil was a real band after they watched this documentary, Anvil's incredible run of album covers and titles, how the director set the film up like This Is Spinal Tap, Slash & Lemmy, how the film is a truthful look at the stuggles of being in a band in any genre, the day jobs of musicians, Cactus, the first song Anvil ever wrote: Thumb Hang, Ronnie making a band demo in a motel room, The Pandoras and The Lazy Cowgirls, forming The Muffs, the strange realitites of playing music in Europe, Stiff Little Fingers seeing Anvil trying to get home during the pandemic, how emotional the film is on viewers, the DIY spirit of the band, Anvil vs. Sebadoh and more!So, let's grab the promoter who is trying to rip us off by the collar of his leather jacket on this week's episode of Revolutions Per Movie!!!RONNIE BARNETT:@ronniebarnett.themuffsREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we're joined by musician & arranger Kyleen King. As a backing performer for such acts as Brandi Carlile, The Decemberists & Drive-By Truckers, Kyleen picked a film that strikes close to home, 20 Feet From Stardom. We discuss what it feels like to serve other musician's visions even if they can't articulate what they want, zoning out on stage, pre-show rituals and superstitions, the performative elements of being a backing musician, how the film helped Kyleen want to go into mental health and social work for musicians, Darleen Love, the devaluation of music, Lisa Fisher, hearing Gimme Shelter for the first time in Adventures In Babysitting, the dismissiveness of being a backing singer by Mick Jagger in the film, making bonehead mistakes on stage, how to sing harmony parts, The Blossoms, Ray Charles, the difficulties of forming words while being on tour and more.So take another bow at the edge of the stage on this week's episode of Revolutions Per Movie!!!KYLEEN KING:https://maestramusic.org/profile/kyleen-king/  REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we are joined by one of the legends of the American Underground, STEVE WYNN (The Dream Syndicate), who picked the jaw-dropping THE TAMI SHOW from 1964 to discuss. We also talk about the excitement of being young in the studio for the first time, the four elements that make a great record and how The Fall inhabited all of them, working with Peter Buck, being a snobby music snob, Chris seeing The Dream Syndicate open for R.E.M. on their Reckoning/Medicine Show Tour, how they evolved from Days to Medicine Show, watching The TAMI Show with the Pasiley Underground members in the theater, how the film and its sequel, the TNT SHOW, were split up into yet a different third film, Van Halen opening for Sparks, the feeling of the music industry hanging in the air in L.A., how the director also made the Elvis Comeback Special and the Star Wars Holiday Special, the narc energy of Jan & Dean, Smokey Robinson's voice going out during his perfomrance int he film, Mick Jagger finding out how to be Mick Jagger in this performance, The Stones vs. James Brown mythology, Marvin Gaye & The Blossoms, how the Velvet Underground lifted a song from Marvin Gaye, the incredible power of Leslie Gore's perfomrance, Dennis Wilson (almost) stealing the film with his drum performance, Keith Moon, Steve seeing The Beach Boys on the Surf's Up tour, Billy Kramers' high creep factor even though Lennon/McCartney kept writing songs for him, the Americana trend over in Europe 84, X, The Supremes, Diana Ross' voice slaying and her eye makeup killing, The Barabrians transcending time, Tony and The Tigers and more!So throw your cape off your back and struggle back to the microphone with us on this week's Revolutions Per MovieSTEVE WYNN:https://www.stevewynn.net REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

On this week's bonus episode of Revolutions Per Movie (released for fun on Chris' birthday), we are joined by director Jeff Feuerzeig (The Devil And Daniel Johnston, AUTHOR: The JT LeRoy Story, Half Japanese: The Band That Would Be King) to discuss a very mysterious, litigious, and glorious documentary KISS IN CADILLAC, MICHIGAN 1975! We get to discuss Jeff's origin story with Kiss, his childhood insights into their albums, how a high school assistant football coach got Kiss, at the height of their KISS ALIVE exploding fame, to come to his town to celebrate Kiss and play a show in their gymnasium, being kids in 1975 trying to recreate their dangerous stage show, the complicated legal battles surrounding the rights to this incredible film, the mystery of who actually made the documentary, the power and mythology of Kiss on pre-teens in the 70s, Creem and Circus magazine, Jeff gives his deep cut must-see documentary list, our love for Paul Stanley stage banter, how Jeff accidentally discovered this documentary, Ace Frehley's laugh being the greatest thing ever recorded in human history (and how the other members of Kiss hated it), Jeff's rabbit hole search to find the film after it had been stripped off the internet, the controversial figure The Gooch and the Kiss Army's thoughts on him, the loophole in the Digital Millenium Copyright act, Kiss making their own version of the documentary with ESPN and how it pales in comparison, bootleg records, Springsteen Vs. The Grateful Dead, KISS=Keep It Simple Stupid, the Sex Pistols reunion tour, WFMU, a Ramones hologram tour, and more!So shout it out loud with us on this bonus episode of Revolutions Per Movie!!!And remember you can always celebrate my age by supporting the show over at Patreon.com/revolutionspermovie (you can even gift the show now!). Thanks again everyone...JEFF FEUERZEIG: https://www.jefffeuerzeig.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we are joined by Paisley Underground legend MATT PIUCCI (Rain Parade, Crazy Horse) to discuss the TODD HAYNES' documentary, THE VELVET UNDERGROUND. We also talk about Haynes' body of work including Velvet Goldmine & Safe, the perfect run of Velvet Underground records, Chris' emotional breakdown after seeing the film in the theater, Roky Music & The Doors, does a biopic need to be truthful, how being on stage is similar to Matt's forensic courtroom work (and would any member of The Velvets been good forensic scientists), the multiple screen and sound work within the film, how so much of art is because of chance encounters, how Andy Warhol's prescence allowed the Velvets to get through the gatekeepers of a label, honoring Warhol's visual identiy in the the film, the NYC underground filmmaking scene, how they edited this film, Lou Reed scrambling the narrative of his life, drones in music, Miles Davis, the mid 60s L.A. rock scene vs the NYC rock scene, seeing John Cale live, Chris hearing the first Velvet's record as a 7 year old & Matt seeing The Byrds live as a child, Mick Ronson & Transformer, Jeff Beck playing with Ziggy Stardust, how without Mo Tucker the Velvets were never the same, the Grateful Dead comparisons that confuses us, Can, Jonathan Richman's presence in the film, The Velvet's love of Neil Young, Matt talks about recording with Billy Talbot of Crazy Horse and smoking bowls with Neil Young, how Haynes' struggled making the film because of lack of archival footage of the band, John Cale's departure from the band and the pain of band lineup changes, Songs For Drella and the vilification of Doug Yule.So let's have The Velvet Underground hypnotize us once again on this episode of Revolutions Per Movie!!!MATT PIUCCI:@mattpiuccihttps://rainparade.bandcamp.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovie Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week we are joined by superforce musician, actor, writer & podcaster SEAN NELSON (Harvey Danger, The Wonder Of It All) to discuss one of the most divisive music biopics of all time, Oliver Stone's THE DOORS. We delve into seeing the film in the theater when it first came out in 1991 and how it was wiped off the culutral map shortly after its release, the divisiveness of The Doors' music, how this was the peak of Oliver Stone's power after just winning an oscar, DePalma's proposed version of the film, the strange casting choices for Jim Morrison before landing on Val Kilmer, how the surviving members of The Doors were split on their support of the film, outgrowing certain types of music, the great 90s indie film boom, how in Stone's eyes Morrison could do no wrong, how the film is intellectualy lazy but visually majestic, Crispin Glover as Andy Warhol, Val Kilmer going method on the set of the film, Joan Didion in the studio with The Doors, being superstars at the age of 21, Val Kilmer's butt double, Ed Sullivan impersonators, Stone's disrespect for Warhol's Factory, Kevin Dillon's narc energy in the film and who should have played drummer John Densmore instead, the story behind who played ‘Death' in the film, Hammer Of The Gods & No One Gets Out Alive being essential teenager reads, how the last line of the film is one of the greatest throw away lines of all time & so much more…So let's swim to the moon (or not) on this week's episode of Revolutions Per Movie!!!SEAN NELSON:The Wonder Of It All: https://www.youtube.com/playlist?list=PLu_AhsJQirp3LaDyH2J0JO_BboEpmaP0Q@actualseannelson REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Happy holidays, everyone! I wanted to thank everyone who has supported and listened to the show, all of you incredible folks who have gone the distance & subscribed to the show's Patreon (again, thank you thank you thank you!), written kind reviews, turned other people onto the show, and generally just cheered this show along as I work on the show. I also want to give much love and thanks to my co-host Chaki The Funk Wizard, all my incredible guests who bring such goodness to the show, and the incredible Jeff T. Owens for all his graphic work.So, for this holiday week, I wanted to share an episode that initially came out on the Revolutions Per Movie Patreon. Tom Waits seems like a good holiday or end-of-year choice, and my guest Galen Howard is fantastic with his love of Waits' lore and the making of this very, very strange 'concert' film.To all who already support the Patreon, I hope you are enjoying the Flexidisc, and heads up that another special physical music gift is coming your way next month just for you! You keep the show going so thank you...I do not take your support lightly.And for any of you who have not joined the Patreon, I hope you'll consider it. The show is completely independent, and this is the best way to support the show (plus get all the killer bonus extras!!!) patreon.com/revolutionspermovie or gift it over at patreon.com/revolutionspermovie/giftLooking forward to bringing you even more in 2025 and again thank you for enjoying the show.Chris SlusarenkoThis week, we talk to actor GALEN HOWARD (THE BOOK OF BOBA FETT,  BROOKLYN 9-9 and the star of music videos by Weezer and Disclosure) about the TOM WAITS “concert” film BIG TIME. We discuss what it's like being part of the Star Wars cinematic universe, why Tom Waits is Galen's all-time favorite artist, the long-ago arthouse vibe of the film, what works and doesn't in the film, how Waits slowed down his voice in the film to create unease for the audience, Waits' original stage play, the jarring interstitial moments in the film, musicians Marc Ribot and Ralph Carney, the acting of Tom Waits, the early traditional albums of Waits, why it's so hard to find the film, Film Noir fixation, how Waits has influenced Galen's creative process, Rust Never Sleeps, the staging and lighting decisions for the film, what songs were sadly excluded from the film, dancing in movie aisles, the growth and journey of Waits' Frank character, Robert Wilson, the lack of documentation of Waits' visual work and stage performances, and even Tom Waits' lawsuit against Doritos.So get your tickets early, before the usher waltzes you away, on this week's episode of Revolutions Per Movie!!!GALEN HOWARD:https://www.galenhoward.com/https://www.instagram.com/galenhoward/?hl=en Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we are joined by documentary filmmaker SCOTT CRAWFORD to discuss the director's cut of his D.C. hardcore punk documentary, SALAD DAYS!!! We discussed Scott's punk fanzine that he published in 7th grade, unlocking the mystery of VOID, the sadness of MINOR THREAT's final EP Salad Days, Trouser Press Magazine, devouring punk rock scene reports, seeing FUGAZI play in a hippie cafeteria, witnessing RITES OF SPRING's legendary live shows, being able to name all members of BEEFEATER, the divisiveness within its own scene, MARGINAL MAN, Rock against Reagan, do our first punk shows really count as punk shows, renting out VFA halls to put on punk shows, self-policing all ages show in D.C., 9:30 Club, what made Scott revisit the film to make a director's cut (the answer might surprise you!), growing up in a band, the violence that came into the scene, Revolution Summer, Brian Baker's interview style, Faith Vs. Void, punk shifting towards metal, getting hit in the face by a guitar headstock, how Scott got access to footage of SOA & BAD BRAINS, Positive Force, and learning never to have your band follow Fugazi live!!!So we'll see you in the pit (and pick your friend if they fall down) in this week's episode of Revolutions Per Movie!!!SCOTT CRAWFORD:https://www.saladdaysdc.com REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we are joined by legends Jeff & Steven McDonald of REDD KROSS and Andrew Reich, the director of the new Redd Kross documentary ‘BORN INNOCENT: THE REDD KROSS STORY.' A band very close to my heart and record collection, we discussed so much in this episode, including the Elks Lodge Punk Rock riot and the story of their parents rescuing them from it, Andrew's gateway into hearing the band for the first time, Jeff's early hair regiment and the moment the band decided they would cut their hair no more, their shows with Black Flag and The Go-Go's, the brother dynamic and what it's like starting your band at age 11 and 15, convincing their parents to drop them off at punk rock shows and how hard was it to get their parents to agree to be in the movie, how the film took almost 10 years to complete and what made Andrew want to be the one to direct it, the brother dynamic, the magic in how Redd Kross write songs, razzamataz, the cover art of Born Innocent, reclaiming the fun after the traumas of their youth, garbage culture, Beyond The Valley Of The Dolls and discovering Pink Flamingos, how video stores saved our young minds, what it was like acting in the Lovedoll films, Anarchy 6 (The Rutles of hardcore punk), their massive influence on the American underground and what later became grunge, Sub-Pop, working with Geza X and being out of their minds on drugs while recording theTeen Babes from Monsanto LP, the multitude of band members that have gone through the ranks of the band over the years, Bowie being at their first nightclub show, could Redd Kross ever existed anywhere else but L.A., breaking down their tragic show at the legendary CITY GARDENS venue, the night Jeff taunted the Suicidal Tendencies crew, the power and safety of wearing a guitar on stage, who would play Redd Kross in the big screen biopic version of their story and so much more!So blow a kiss in the wind and let your hair grow long on this week's episode of Revolutions Per Movie!!!REDD KROSS: https://www.reddkrossfilm.com/https://reddkross.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to director, comedian, visual artist, writer, and conjurer of groovy worlds, RACHEL LICHTMAN (Programme 4, Easy AM 66), about one of the most surreal episodes of the fabulous variety series The Hollywood Palace!  Our deep dive leads us into one of the strangest and funniest episodes ever of Revolutions Per Movie, where we take apart (and at times destroy ‘with love') the show—complete with the mind-twisting commercials of the day. We discuss how the host, quadruple artistic threat Sammy Davis Jr., is likely the greatest TV host of all time, Rachel's deep knowledge of 60's and 70's pop culture and how she channels it seamlessly into her own art, the sadness of going to fancy restaurant as a kid with your parents, what a bummer Peter Lawford is in this episode and his vomit inducing version of Aquarius, Sammy Davis Jr. and Mama Cass Elliott killing it while performing together, the various 'mouthwash for lovers' that were being sold at the time of this episode, The Groove Tube, family bands, The 5th Dimension cop show that Rachel dreamed up, The Rolling Stones' first U.S. TV appearance on The Hollywood Palace where they got roasted by host Dean Martin, The Lawrence Welk Show, the incredible Emmy-winning production design of the show and how they were originally going to put a swimming pool floor into the theater, a very influential jazz musician-themed Kool cigarette commerical, getting a cigar sent to you in the mail, dicking around and the smells of old recording studios, working with Ted Leo & Juliana Hatfield, the Free Love movement, Redd Kross, soul legends The Dells, the Alka Seltzer politcal ad, Mad Men, the end of the variety show era, what the fuck is GrapeBerry Juice, Rosey Greer and his soul song, The John Cassevettes' styled commercial for Tylenol PM, The Electric Company & Rhoda, & the electrifying conclusion to this whirlwind show full of jaw-dropping strangeness.Be sure to watch the episode along with us in the show notes below so you can also scream in terror at Peter Lawford's counterculture attempt at being The Now Thing!!!RACHEL LICHTMAN:https://www.programme4.tv/WATCH THIS EPISODE OF THE HOLLYWOOD PALACE:https://www.youtube.com/watch?v=ePGjB13X1I0REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we are joined by New Zealand musician & composer LUKASZ PAWEL BUDA (Hunt For The Wilderpeople; The Phoenix Foundation), who picked the Dave Markey music documentary 1991: THE YEAR PUNK BROKE to discuss. We talk about discovering Nirvana & Sonic Youth, what it's like for Luke to compose music for director Taika Waititi's films, 1991's director Dave Markey's history with SST records, Luke taking the teenage trek to see grunge bands live and does Pearl Jam count as a grunge band, how this movement captured in the film eventually became a world wide sensation, the Sonic Youth Goo VHS tape, Thurston's stream of conciousness rants in the movie, the start of documenting everything with film & video, how Sonic Youth did not come off as goofballs on their albums but did in their videos, Meat Puppets Up On The Sun, the Sub-Pop situation, selling out, Jawbreaker, what was selling out in New Zealand like, Flying Nun Records, Bad Moon Rising, the ceiling of the underground, Nirvana's Bleach, hearing Smells Like Teen Spirit for the first time, Chris's Sub-Pop band playing with Mudhoney and Nirvana the day their album went gold, seeing Sonic Youth wearing shorts, The Crucifucks, Steve Shelley's drumming, Markey's knack of knowing where to film at any given moment, the incredible coolness of Kim Gordon, how the film gloriously shows how Sonic Youth actually made these songs come to life, how impressive it is that Sonic Youth could still hold onto what made them singualr while moving into a more accessable world, Miles Davis' Bitches Brew, how Nirvana ecplised Sonic Youth's popularity by the time this film came out, Courtney Love, the overwhelming Redding Festival lineup that year, how the Super 8mm format enhanced the film, blind spots in musical cultutre, The Pixies and the melancholy that happens as your tour ends.So grab the tiny mic and scream straight into the camera on this week's episode of Revolutions Per Movie!!!LUKASZ PAWEL BUDA:https://thephoenixfoundation.bandcamp.comhttps://www.monikermusic.nethttps://lukebuda1.bandcamp.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we are joined by comedian, musician, and the proud creator of 31 Videos In One Day, JOE KWACZALA, who picked the Lonely Island music comedy biopic POPSTAR: NEVER STOP NEVER STOPPING to discuss. We also talk about what leads the charge for Joe—comedy or music, Joe's obsessions with classic rock radio, getting your rock shirts at JcPenneys, Joe cracking classic rock station trivia contests and winning beer as 14 year old from them, the shield of comedy lyrics, how difficult it is to recommend comedy films to others, why the film bombed at the box office, looking at the cameo stuffed film from Ringo Starr to Mariah Carey, the original script of the movie, the steady hand of comedy genius Tim Meadows, Bill Hader as Zippy the Guitar tech, the fake songs in the film that hold up as actual songs, U2's music appearing on appliances and how the film parodies that, what would be our dream product to sell out too, sticking with one artist's career, the myth of backstage pre-show ritutals, what's missing from comedy club stages and what is the load in times for a comedian, Man Man, Gruff Rhys and his paper shredder, big and small rock spectuals on stage,Ted Nugent stupid stage antics, Chris Redd, the comedy chops of Seal in this film and more.So please put on the laser beam helmet, and let's hit the stage for this week's REVOLUTIONS PER MOVIE!!!JOE KWACAZLA:https://joekwaczala.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to Nick Brine (who, as a teenager, worked on The Stone Roses' 2nd LP & Oasis' What's The Story Morning Glory and has worked with everyone from Nick Cave to Bruce Springsteen) about the legendary Welsh recording studio that Nick got his start in the doc Rockfield: The Studio On The Farm. We discuss all the legends that have recorded there from Hawkwind to Queen from The Beta Band to Shane MacGowan, how The Ward Brothers who created Rockfield transformed their family farm into the first residential recording studio in the world, using pig stalls for reverb chambers, Joe Meek, the birthplace of Britpop, dealing with the paparazzi, Kingsley's ability to spin yarns, Iggy Pop & David Bowie recording with a piece of cheese, the magic of the Welsh countryside, driving Robert Plant around, Roy Thomas Baker's gold toilet seat, the posh side of town vs the farmer side of town, Andy Wallace, Nick's very strange initial job interview, Nick's first two sessions with Sepultura and The Stone Roses, getting used to seeing rock bands walking around your small town, working with Oasis and Nick witnessing the legendary fight that broke them up, if the Stone Roses ever get any work done in the 14 months they were there, the Wonderwall wall, using bathroom hallways as vocal booths, building studios with members of the Darkness,Teenage Fanclub and so much more!If you want amazing stories about one of the most magical places that somehow created much of the greatest music ever made…you've got it on this week's episode of Revolutions Per Movie!!!REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly exclusive bonus episodes and physical goods just by joining!SOCIALS:@revolutionspermovieBlueSky: @revpermovie.bsky.socialTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to journalist and author KATHERINE YESKE TAYLOR (She's A Badass: Women In Rock Shaping Feminism) about the much-requested film PURPLE RAIN!!! We get to discuss Katherine's start at interviewing bands at age 16 and fighting against her highschool newspaper to do so, how she put her book together (interviewing Suzie Quatro to Lydia Lunch to Death Valley Girls), seeing Purple Rain in a movie theater vs. seeing it at home on VHS, how the First Avenue (the lengendary music club in Minneapolis) is such a strong character in the film, the cultural saturation of Prince at this time, the genesis of the film getting made, Prince's complete artistic control & how he did not talk to the press for over 2 years after the film came out, Prince's un-finished first film The Second Coming with director Chuck Statler (director of Devo, Elvis Costello and The Time videos), jamming a movie into a 3 1/3 minute music video during the early 80s, Morris Day's film stealing performance and his post-Purple Rain career, the acting stylings of Prince and his band, the confusing plot point of the bands playing only one song at a time at the club in this movie, the competitive nature of bands, the managment of the club telling Prince not bring his personal shit up onto the stage (when that's all he does!), seeing performers have a meltdown on stage, how much of the movie's storyline doesn't work for modern audiences, the difference between the sexuality of this film vs. his albums, how Prince was also a champion for women in music when men weren't, Wendy & Lisa, When Doves Cry, the final freeze frame of the film & the guitar climax that leading up to it, Whitesnake, how Prince followed up Purple Rain with some of his most esoteric work to date & how at the age of twenty-six Prince already knew that he did not want to do Purple Rain 2!So let's whip our heads quickly towards the camera, and then let's go crazy on this week's episode of Revolutions Per Movie!!KATHERINE YESKE TAYLOR:https://bookshop.org/p/books/she-s-a-badass-women-in-rock-shaping-modern-feminism-katherine-yeske-taylor/19792657?ean=9781493072545@kyt_in_nycREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovie ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to author and music critic MARC MASTERS (High Bias: The Distorted History Of The Cassette Tape, Pitchfork, The Wire) about the film THE DEVIL AND DANIEL JOHNSTON and the cassette tape culture surrounding Daniel. We also discuss our elaborate tape trading stories and sequencing your perfect mixtape, Bananafish magazine, Sebadoh, Homestead Records, ordering Daniel Johnston cassettes directly, Daniel's religious upbringing, agruging with his Mom and how he put it directly into his music, Sun City Girls, why Daniel's music benefited from being on cassette vs vinyl/cd, how home recording allowed you to hear the physical space of the aritst's bedroom or garage, how the film initially was going to be a Grey Gardens vérité sytled film, Daniel's muse Laurie, director Jeff Feurezeig's stunning recreations in this film and Daniel's help in art directing them, Chris' real time experience on seeing Daniel on both airings of The Cutting Edge and how different those two performances were, Daniel and his childhood friend David's relationship, rock n' roll's weird fascination with people's mental struggles from Syd Barrett to Roky Erickson, how a Jeff Feurezeig documentary is unilke any other documentaries, the myth of Daniel recording his tapes over and over again each time he gave one away, Kurt Cobain changing Daniel's life forever with a t-shirt, Daniel's major label bidding war, why Metallica gave the movie a chance to use their own music within it, Sonic Youth driving around looking and finding a missing Daniel Johnston in NYC, cataloging all of Daniel's tapes, Chris going through all of Robert Pollard's cassette archives, Danny & The Nightmares and more!So reach into your McDonald's bag and pull out a Daniel Johnston cassette as we discuss one of the greatest documentaries of our lifetime on this week's episode of Revolutions Per Movie.Marc Masters: https://uncpress.org/book/9781469675985/high-bias/@marcissistREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we talked to documentary filmmaker Katherine Linton about her Sundance Channel documentary Follow My Voice: The Music of Hedwig, which follows the students of the Harvey Milk School in NYC and John Cameron Mitchell & Stephen Trask of Hedwig & The Angry Inch (and Revolutions Per Movie host Chris Slusarenko) putting the charity album together. We discuss the stress of not letting Kim Deal of The Breeders know that Frank Black was also appearing on the record, the unknown magic and chance in picking subjects for documentaries, the experience of having Jonathan Richman singing only to you, and Yoko Ono being asked to be slapped on the back while recording her tracks.So come put on some makeup and turn on the 8-track on this week's episode of Revolutions Per Movie.REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to actor, writer, and comedian DC PIERSON (Community, Derrick Comedy & author of The Boy Who Couldn't Sleep and Never Had To) about the legendary THIS IS SPINAL TAP'! We discuss the genesis of the project and the trials of making the movie, the original 4 1/2-hour cut of the film and the significant changes throughout the film, the similarities/differences between the comedy & music world, why musicians want to be comedians and vice-versa, what makes a subject ripe for parody, what are the other great mock-rock comedies, losing your way to the stage IN REAL LIFE & the time Sub-Pop Records asked Chris to CUT HIS HAIR!So become lukewarm water with us on this week's Revolutions Per Movie!DC PIERSON:https://dcpierson.wpcomstaging.com/https://www.penguinrandomhouse.com/authors/102446/dc-pierson/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to BRETT BOHAM (producer of Double Threat & The Best Show w/ Tom Scharpling + co-host of Movies Babyyyyy) about the UK film 24 HOUR PARTY PEOPLE. We discuss Steve Coogan's incredible performance as Tony Wilson (who put out records by Joy Division, New Order, Happy Mondays) and Paddy Considine as Rob Gretton, unearthing fake Stone Roses footage that was not used in the film, pivotal video store moments, working with Julie Klausner & Tom Scharpling, Brett being able to relate to Tony Wilson's handling of artists, discovering Joy Division, Shawn Rider, visiting the Hacienda, Goodfellas coke scenes, The Fall and the Manchester music scene, Tony Wilson being a prick in real life, Hollywood Vs. Blockbuster video stores, the B52s and the Athens music scene, Fassbinder films, getting your videos from your local bike shop, 1999 movies, the UK music press, Outkast, how the film uses actual news footage of Tony Wilson, backing up being a pretentious person, Todd Haynes, the Factory Records artwork, not having a contract with an artist, Martin Hannett, legendary under attended rock shows, early White Stripes and Dinosaur shows, how the Sex Pistols playing Manchester changed the course of music forever, Touch & Go records & Butthole Surfers, filmmaker Michael Winterbottom, Coffee & Cigarettes, Alan Partridge, A Certain Ratio, passing the car stereo test, skinheads infiltrating the UK music scene, Pulp and various Factory releases such as #61 Lawsuit featuring Martin Hannett & #501 Tony Wilson's Coffin. So, let's go ahead and sign a contract in blood as we delve into this week's Revolutions Per Movie.BRETT BOHAM:https://foreverdogpodcasts.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to musician LARRY SCHEMEL (Roky Erickson, Death Valley Girls, The Flesheaters, Kill Sybil) about the Roky Erickson documentary You're Going To Miss Me. We get to find out Larry's path to working with Roky Erickson & what it was like touring with Roky, Roky's family situation, does the film show a fair look into Roky's life at the time, how hard the film is currently to find to view, where we first discovered the 13th Floor Eleveators and what the band meant to us, Velvet Underground, The Nuggets Complation & oldies stations, The Sonics, Forced Exposure Magazine and zine culture, the Elevator's discography, how the band avoided the hippie-trippie music that was being made at the time, the mythology of Roky & his band The Aliens, Roky's mother Eveyln, the mysterious jug members of the Elevators, acid, Cold Sun, electric distorted Autoharp, Roky's Horror Rock, Stu Cook from CCR producing Roky, 415 records, Roky being pulled onstage to sing at a Butthole Surfers show against his will, the chapters that happened after this film ends, how Roky's songs were structured and what it was like to play them & how Roky knew the songs by the first couple notes.So don't fall down on this week's emotional episode of Revolutions Per Movie.LARRY SCHEMEL:Instagram: @larryschemelREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we are joined by documentary filmmaker RYAN WORLSEY to discuss her film STAND BY FOR FAILURE: A DOCUMENTARY ABOUT NEGATIVLAND. We discuss how Ryan was introduced to the world of Negativland and what she thought of it, how she decided the best way to tell their complicated but surpringly emotional story, the fair use doctrine and copyright law, are Negativland really a band, David Wills (aka The Weatherman) and his astonishing talents & laughter through it all, Negativland's origin story, how Negativland's current live show We Can Really Feel LIke We're Here might be their most powerful work to date, the band signing and then getting sued by SST Records, their long-running radio show Over The Edge, what Negativland did with band member Don Joyce's ashes after his passing, can you still culture jam today, plunderphonics, how Negativland's perceptions of the world are formed through their music and then mirrored back to us, Richard Lyons' and his alter egos, the U2 lawsuit against the band, the majesty of Casey Casem swearing, the resilience of the band through all their hardships, seeing the inside of The Residents' recording studio in the film, the Christianity Is Stupid murder myth, how artist's are still getting ripped off, what it's like being the subject of a documentary, where Ryan & Negativland stand on AI, and the cultural desert that is the suburbs.Is there any escape from noise? Find out on this week's episode of Revolutions Per Movie!!!RYAN WORSLEY:http://pool-food.com/failure/NEGATIVLAND:https://negativland.com/https://negativland.com/negativland-documentaryREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we welcome the most rock person to ever appear on the show—the legendary comedian, actor, musician, and shredder DAVE HILL, who picked THE ROLLING STONES ROCK AND ROLL CIRCUS to discuss. We also discuss how Exile On Main Street should be the only album played in restaurants, Dave's inner fifteen year old, Crab Bucket Syndrome and the “Law Of Jante”, which is more taxing: touring as a musician or as a comedian, what commericals would have played on this British TV show, do the Stones pull off their bad boy/satanic imagery, missing the Jethro Tull boat, the origins of the film and why it remained in the vault for almost 30 years, who else should have been in the show, Led Zeppelin, tattoo nightmares, The Action, the original tour concept with The Small Faces & The Who, the first recorded instance of Ian Anderson standing on one leg, Richard Meltzer, getting scared by album artwork, Gary Panter and Songs For Swinging Larvae, Tommy Iommi subbing in here for Jethro Tull, why Dave Hill thinks Marianne Faithfull steals the film, hanging out with Yoko Ono, Robert De Niro and a toolbox, Charlie Is My Darling and the Irish Rolling Stones riots, and Dave has a last minute regret on this very special episode of Revolutions Per Movie.Yer blues, John, Yer blues…on this week's episode of Revolutions Per Movie!!!DAVE HILL: https://www.davehillonline.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to actor, writer, and improviser DAVID PASQUESI (Strangers With Candy, Lodge 49, At Home With Amy Sedaris, Veep, TJ & Dave) about Martin Scorsese's concert film about THE BAND, THE LAST WALTZ !!!We discuss David's connection with The Band and the the sadness inherent in the film, how every member of The Band can be the coolest depending on which way you're watching, how the film can be tainted by their history, how David discovered and watched the entire evening of music and what's missing from the film, marveling in how long the night actually lasted and imagining what the turkey dinner tasted like, Scorsese's secretive approach to intially making the film, how they got all these masters of cinematography to participate, The Staple Singers &Van Morrison, how the first song seen in the film is the last song they performed that night, The Basement Tapes, Chris's family's 3 generation admiration of David's work & how David uses silence in his work, how The Band seemed small town-ish while being one of the biggest rock bands in the world, the debate on who wrote the actual lyrics, how heavily Scorsese storyboarded and prepared for this film, how they had to transform the Filmore to film the concert, the song Stage Fright and if David ever gets that when performing, Joni Mitchell stealing the show, gettting Neil Young's rare ability to smile and his cocaine nose booger removal techinolgoy, the accidents that happen in this film and why they are magical, the band/gang mentality vs. being a loner, the fear of public humilation, Dylan's decision at the last minute that he didn't want to be filmed for the movie and how they got him to change his mind, the endless end of night jams with Ringo and Ron Wood, Scorsese's flawed Rolling Stones film and more!So let's fill up on a turkey, waltz, and dance to The Band on this week's episode of Revolutions Per Movie!!!DAVE PASQUESI:https://www.davidpasquesi.com/https://www.tjanddave.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we celebrate Revolutions Per Movie's 1 year anniversary with filmmaker and actor OWEN KLINE (A24's Funny Pages), who chose one of the most anticipated music films to discuss on the podcast, THE WHO'S TOMMY. We discuss the chicken/egg of the movie vs. the lp, the baked bean mythology, Ken Russell's pre-filmmaking history from being a ballet dancer to dodging the war, Russell's early BBC Composer films, Richard Lester and Lindsay Anderson, Robert Crumb and Fantagraphics Books, being a cultural dinosaur, the concept of selling out, the precision of the film that betrays its midnight movie status, Who's Next, how the Tommy LP kept The Who from breaking up, the ARP synth, the use of repetition in both the LP and the movie, transgressive music, how and why Townshend kept changing the shape of the story of Tommy, the aborted projects LIFEHOUSE & THE ANGELS that used elements to make the film Tommy, could we pick up the concept album plot before seeing the movie (and even after seeing it!), Ann-Margret's Oscar-nominated performance, the amount of sweat that appears on actors in the film, the surprising debut acting turn of Roger Daltrey, the UK white boy blues movement, Russell's choice of having the actor sing, including Jack Nicholson's strange turn, Keith Moon's approach to Uncle Ernie, Chris's concept double album Colonel Jeffrey Pumpernickel, Tina Turner's incredible performance as the acid queen and how Mick Jagger was in talks to do the role instead, does Elton John and Tina turner steal the film, the strange final 1/3 of the film, Dauhgltrey's perfect cartwheels, acting through song and so much more!We are also joined by special guest Barry Winch, who starred in TOMMY as ‘Young Tommy'!!! He illuminates us both about being a child on the set of the strange film, what it was like working with Ken Russell, Ann-Margret & Oliver Reed, how they got honest performances out of him as a child actor, how The Who protested going to the premiere unless he was invited (since he was underage), how Ken Russell himself accidentally cast him, his family's acting history, playing hide and seek with Oliver Reed, what it felt like being on the set of that movie, what the Tommy props from the film have been auctioned at, why he wasn't allowed to wander around the set, his favorite memories and some moments of being afraid as well.All this and more as we celebrate the one year anniversary of REVOLUTIONS PER MOVIE!!!OWEN KLINE:https://a24films.com/films/funny-pagesREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovie Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to CRAIG FINN of THE HOLD STEADY & 'That's How I Remember It' podcast about the legendary cult classic ROCK 'N' ROLL HIGH SCHOOL! We discuss how discovering THE RAMONES is a young person's game, reading THRASHER magazine in the school library, not knowing what bands sounded like, KTEL record complitaions and ROCK 80 LP, the Summer of 1980 AM Rock Radio, Craig seeing STYX's KILROY WAS HERE tour, vomiting at a DEVO show, $1.92 new wave shows, fantasing about where bands are getting coffee in your hometown when they come through on tour, the VHS release of the film, ROAD TO RUIN LP, Craig getting guitar lessons from punk legend Chris Osgood of The Suicide Commandoes, the singleminded yet 4 headed songwriting beast that was THE RAMONES & the cultish nature of the band, Joe Dante's script, how producer ROGER CORMAN wanted to cut out the middle of The Ramones songs, DISCO HIGH, teaching the Ramones to walk in the film, staying overnight to get concert tickets, getting punished by your parents by them forcing you to go see a LAURIE ANDERSON concert, our big Ramones regrets, the trouble with filmming the Ramones' live footage and how it almost started a riot, learning about Chicken Vindaloo through the band's song lyrics, getting the courage to go to a punk rock show, Violent Femmes, our first punk/new wave show we went too, clove cigarettes, The Replacements, ticket prices vs. record prices, under attended hardcore matinee shows, Clint Howard, PJ Soles & Vince Van Patton, does the movie hold up as a cult film, High School permanent records, how the soundtrack turned us on to the MC5 and ENO and the search for those records, Mudhoney & Tad, how the film smartly adds more and more Ramones to the film as it goes on, the Americana side of the Ramones, what Ramones lyric would Craig wished he had written and what lyric of his is the most Ramones, what would a Roger Corman produced Hold Steady movie consist of and what role Clint Howard would play in it and so much more!!!So, let's tear up our permanent records on this episode of Revolutions Per Movie!!!CRAIG FINN:https://craigfinn.net/https://theholdsteady.net/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

For our 50th episode, we talk to the legend PEACHES CHRIST about one of her favorite music documentaries, D.A. Pennebaker & Chris Hegedus' DEPECHE MODE 101. We discuss why this film became Pennebaker's favorite film (over his films about Dylan & Bowie) and why the film director wasn't a fan when he first started the project, Peaches discovery and obsession with the VHS tape of this doc, how even though Depeche Mode were straight they loved their queer fans, how the band grew into a global sensation, the choices of editing in the film, how the filim was the precusor to MTV's The Real World & Road Rules, the time Peaches set the stage of her celebration of the film CARRIE on fire, John Waters & Mink Stole, youthful indescretions, the legendary film series MIDNIGHT MASS which includes drag queen rollerderbies and free lap dances with each tub of popcorn purchased, early Halloween productions in the woods, dealing with Russ Meyer, The Cockettes, the boredom and nerves of waiting to go onstage, how different the era was for the the kids in the film and how different it would be made today, the pressure of Depeche Mode playing the rose bowl, nerds as rock icon, Wax Trax Records, trying to upset your parents through your music tastes, when people who are mean to you start loving your favorite bands, Dave Gahan's stage presence, Freddie Mercury, Peaches' regrets with Depeche Mode and the band's crossover into the masses, waiting in line to get concert tickets in a mall, Robert Smith Vs. Ticketmaster, what the fans felt as Alan left Depeche Mode, the grind of band interviews, and Chris discusses the early days of his video store and the search for cult film obscurities.So let's watch the curtain drop to reveal the band on this week's Revolutions Per Movie!!!https://peacheschrist.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to DANIEL RACHEL, the author of TOO MUCH TOO YOUNG, THE 2 TONE RECORDS STORY,  about the 1981 2 Tone concert film DANCE CRAZE. We discuss the film's volatile production, how the film's genesis started at a swimming pool in L.A., Jerry Dammers unwavering work ethic, seeing people skanking in the aisles at the movie screening, the short life span of The Selecter and The Body Snatchers, how the film sneaks in concert footage shot in New Jersey vs. the UK, the moment Daniel noticed that 2 Tone had swept the playground, the dimantleing of the scene by the British music press, the skinhead movement and the violence within the scene, the genius of Terry Hall and Pauline Black, the non-Ska bands that continued on the 2 tone label, how the ska bands had the best band logos, the fashion of the scene, seeing a multi-racial band on TV, tribal musical groups moving across the British musical landscape, The Mods, the short time span of pop music movements, stealing lyric sheets from a Virgin Megastore, how original director Joe Massot was kicked off the film and also screwed up his intitial shoot of Led Zeppelin's The Song Remains The Same movie, Garvick Losey's involvment with the film, how Jerry Dammers and Madness were initially wary of making the film, how the soundtrack contains recordings that were not from the movie (or even the same band lineup), the punk vs. ska astecthic,The Specials' tour with The Clash and how the band found their idenity on it, how the inventor of the Steadycam was one of the cmaera opperators for this film, how the bands would fake violence on stage to stop the violence in the audience, Rock Against Racism, The Stranglers, then negative response from the bands when the film was initially releaesd, what it was like figuring out the More Specials LP, Funboy Three & Special AKA, and Chris breaks Daniel by asking his final question.So lip up fatty and get into this week's episode of Revolutions Per Movie!DANIEL RACHEL:https://danielrachel.com/Book tour w/ Daniel Rachel:https://danielrachel.com/events/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to legendary actor, musician, performance artist, and writer ANN MAGNUSON (Bongwater, The Hunger, Making Mr. Right, Cabin Boy, Pyramid Club, Club 57) about the influential cinema jazz documentary Jazz On A Summer's Day.  We discuss the performances in the film (including Thelonious Monk, Anita O' Day, Chico Hamilton, Eric Dolphy to name a few performers), what it was like for Ann to inhabit Anita O'Day for the audio book of her autobiography, first impressions of Lou Reed's Metal Machine Music, Ann's programing at the legendary NYC Club 57, Ann's new song 'Ghost Cat' with producer Don Dixon, her early life in West Virginia, D.I.Y. & Ann's SurRURALism techniques, success in the underground being a dirty word, the return of Vulcan Death Grip, being a professional walk-a-thoner, photographer & filmmaker Bert Stern, how the film brings a visceral sense of childhood for Ann, how Stern made the whole project happen with his own equipment and financing, Ann's parents and the dry Jazz club scene in West Virginia, filming Making Mr. Right and the new wave sensibility of the 80s, how Monk's performance is presented in the film, Chris scats the Anita O' Day finale of ‘Tea For Two' from his memory of repeated listening of the film at his video store, the white privilege throughout in the film, midnight Mahalia Jackson performances, how protest music is needed now more than ever and Ann reads from Anita O'day's memoir about the performance that was filmed for this movie and how it changed O'Days life. So let's never sing the same song the same way twice on this week's episode of Revolutions Per Movie!ANN MAGNUSON:https://annmagnuson.com/https://annmagnuson.bandcamp.com/album/ghost-catVULCAN DEATH GRIP:https://www.youtube.com/watch?v=f2_dWSpDXJEREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to Australian musician, actor, and podcaster BEN LEE about the classic THE DECLINE OF WESTERN CIVILIZATION 2: THE METAL YEARS!!! We discuss how the film compares to the original punk rock film, Ben's genuinie love of heavy metal and the shot by shot tribute he made to this film for his latest music video, seeing the Mötley Crüe Dr. Feelgood tour, Ben's transtion from metal into punk, Ben's thoughts on why Australia might not have the perfomative distance needed to have more glammy metal bands, the sadness that often permiates both films, the divisiveness within the 80s metal scene, the hightened sense of making it in L.A., Gene Simmons & Paul Stanley's scenes in the movie, Weezer, the Rainbow and the Sunset Strip, selling the rock n roll fantasy to teenagers, the 80s metal MTV video output, Lemmy, the brilliance of Penelope Spheeris's approach to connecting to these kids in all the L.A. music scenes, the sexism in the film, Lizzy Borden, how some bands prefered asthetic over songs, seprateing the fake album titles from the actual album titles, the Grunge movement, how the idea of careerism came into the underground, taco bell and tour scheudling, Faster Pussycat, hiding the pain through comedy, the pay to play scam, the L.A. police crackdown on the punk, hiphop and metal scenes, satanic panic, not understanind the cultures that come after your time, the Chris Holmes swimming pool scene, the dissappearnce of tribalism in the scene, Redd Kross, losing friends to other music scenes, is music better than sex like they mention in the film, Prince, creativity and sexuality, Megadeth and more!So get ready to tease your hair and scream for Odin in this week's episode of REVOLUTIONS PER MOVIE!!!BEN LEE:https://www.ben-lee.com/Ben's music video tribute to THE DECLINE PT. 2 https://www.youtube.com/watch?v=Ojoi9iqXGHYREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we talked to punk legend Jerry A Lang of Poison Idea, who discussed The Decline Of Western Civilization and the punk rock scene of that time. We talk about power of power of The Germs, Black Flag, Circle Jerks, the professionalism of X and Fear, how The Weirdos were supposed to have been in the film, how the audience in the movie theater started stage diving & smashing up the theater, the soundtrack LP, seeing Italy's Raw Power play in your basement, The Desperate Bicycles, Slash & Search And Destroy magazine, booking punk shows, rock star attitudes in early punk rock, Poison Idea being the opening band for the movie and the fight that happened when the crowd showed up, being scared by The Fall and the No Wave LP, the death of Darby Crash, Chris' time working at a pizza parlor with four members of Poison Idea, the economics of punk rock living, crossing the street from heavy metal dudes, dressing like James Chance, the impact the film has as a younger viewer vs. as an older viewer, seeing The Wipers' first show, kids putting on Pere Ubu Shows, soup kitchen rock stars, punk rockers scaring your home town residents, having being a treasurer in the early punk rock scene, why Social Distortion & Youth Brigade from the punk doc Another State Of Mind were not allowed to play in Portland, the short life span of 80s punk rock venues, is the film a Slash Records commercial, what bands would be in our dream version of Decline and so much more.So, let's innocently stage dive off the movie theater's stage for this week's Revolutions Per Movie!JERRY A LANG:https://americanleatherrecords.bigcartel.com/https://rarebirdlit.com/black-heart-fades-blue-signed-by-jerry-a-lang/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we talked to Homer Flynn of The Cryptic Corporation, who represents the mysterious, unknown collective, THE RESIDENTS, and discussed their legacy in film and video. Topics included the band's Theory Of Obscurity, which Resident is the easiest to negotiate with, how the band couldn't even give their initial records away and the moment that changed, creating the Ralph Records logo, what the Residents think of A.I., how they created their album artwork and music videos, collaborating with Night Flight, being The Residents during the pandemic, why The the collective gravitated to and stayed in S.F., working with John Sanborn & Graeme Whifler, The Residents' filmmaking heroes, making music videos in an era where there was no place to show them, how the Cryptic Corp deals with the band's larger than life concepts, the folly of trying to accomplish everything in one's lifetime, the story behind their Ugly Grey Theater not being allowed to exist, their early 70s feature length epic Vileness Fats and how it lead to the false start film Double Trouble which then led to their first feature length film 50 years later, Triple Trouble, and their discussion on their next large scale projects including a one song concert in Geneva and Paris.So come all you sinister exaggerators and let's talk the visuals of The Residents.THE RESIDENTS:https://www.residents.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.