Podcasts about BoJack Horseman

We're joined again today by Sequoia Simone (@sequoiasimone) to discuss this...movie? Topics discussed include: what is ART?, which Austen hero Pedro Pascal is playing, peegate, what if the other guy is an okay option, friendzoning, Regency-era bathing suits, rich Americans, Gaydy Russell and her lesbian European tours, and indoor plumbing. Today's episode covers the film through Anne's arrival in Bath. Cast and Crew of Persuasion (2022)Glossary of People, Places, and Things: Claude Debussy, Materialists, Past Lives, Pedro Pascal at Cannes, BoJack Horseman, Shadow and Bone, My Lady Jane, Crazy Rich Asians, Drake and Josh, Downton Abbey, Pod and Prejudice Live at the Ripped Bodice.For more from Sequoia, you can listen to her other podcasts, But Make It Scary and Fanatical Fics and Where to Find Them, plus her NEW podcasts, Professional Talkers and You Pod It, Dude! For updates on her work, follow her on Instagram at @sequoiasimone.Next Episode: Persuasion (2022) Part 3Teepublic is now Dashery! Check out our new merch store at https://podandprejudice.dashery.com.Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon!Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/

Woah Leck waren Kane, Korbi und Mike im Mai fleißig! Wir sprechen über Mafia, Altötting, geheimnisvolle Seen und Allergien.

Creator Raphael Bob-Waksberg, music supervisor Andy Gowan and composer Jesse Novak

Writer Kate Purdy, director Amy Winfrey and supervising director Mike Hollingsworth

Creator Raphael Bob-Waksberg, Paul F. Tompkins, and casting director Linda Lamontagne

Creator Raphael Bob-Waksberg and writer Peter A. Knight

Creator Raphael Bob-Waksberg and actor Amy Sedaris

Writer Kate Purdy, writer Mehar Sethi, and director Amy Winfrey

Creator Raphael Bob-Waksberg, actor Paul F. Tompkins and casting director Linda Lamontagne

Supervising director Mike Hollingsworth, production designer Lisa Hanawalt and art director Sarah Harkey

Creator Raphael Bob-Waksberg, writer Rachel Kaplan and script coordinator/writer Alison Flierl

Creator Raphael Bob-Waksberg and writer Peter A. Knight

Episode 173: Letters to Beyoncé written by Austin Earl (Up All Night, The Millers, Happy Together) In this episode of Dead Pilots Society, we bring you a heartfelt and hilarious pilot from Austen Earl (Up All Night, The Millers, Happy Together, About My Father). The script, Letters to Beyoncé, tells the story of a middle-aged schoolteacher in rural New England who decides to reclaim her life—with a little inspiration from an unlikely source: Beyoncé. Inspired by Earl's own mother (who was in attendance for the table read on Zoom!), the pilot balances sweetness with big laughs. The cast this month is, Stephnie Weir ( Happy Together, A Million Little Things), Jamila Velazquez (Law and Order: SVU, Empire), John Gemberling (The Great North), Steve Agee (Peacemaker), Will Choi (Central Park, BoJack Horseman), Kira Kosarin (The Thundermans), Karan Menon (comedian), Clare Gillies (Sprung), Nancy Lenehan (Veep, People of Earth), and Andrew Reich with stage directions. To watch a video of the table read, become a Maximum Fun member at maximumfun.org/join for as little as $5 a month.And don't forget to check out Andrew Reich's music documentary Born Innocent: The Redd Kross Story at reddkrossfilm.com/rent.

Lisa Green, first timer on the show(!) and Masters Degree recipient(!woohoo!)recommended this book of wonderful short stories in all different formats and it was such a great read at this moment when my mind was drifting towards way too serious. If you love the humor and weird of BoJack Horseman, you will devour these stories.

Creator Raphael Bob-Waksberg and actor Will Arnett

Creator Raphael Bob-Waksberg, production designer Lisa Hanawalt and supervising director Mike Hollingsworth

Num ano de séries medianas, faz bem parar e relembrar o tanto de coisa boa que já foi feita e tem por aí nos streamings. Baseados num post do nosso amigo @oqueassistirhj, listamos dezenas de séries incríveis da década passada, entre elas The Americans, The Leftovers, Fleabag, Homeland, Veep, Unbreakable Kimmy Schmidt, Search Party, Rectify, Oliver Kitteridge, Olhos que condenam, Bojack Horseman, Broadchurch, The Deuce, Legion, Atlanta, Objetos Cortantes, Big Little Lies, Girls, Better Things, Hannibal, Game of Thrones e várias outras. Também comentamos séries do momento, como Etoile, Careme, As Quatro Estações do Ano, The Last of Us, O Eternauta, Andor, Seus Amigos e Vizinhos e Hacks.

What do Bridgerton, Billie Eilish and Bojack Horseman have in common?They're not just entertainment—they're powerful tools to boost your language learning.

Puntata a cura di Untimoteo.Raphael Bob Waksberg e Kate Purdy, produttori del pluripremiato cartone Netflix Bojack Horseman, nel 2019 realizzano per Prime Video una serie animata di due stagioni in 16 episodi della durata di 25 minuti ciascuno: Undone.La storia ruota attorno al disagio di Alma, che soffre la perdita del padre avvenuta in tenera età, e che sfoga la propria frustrazione sulla madre, sulla sorella e sul fidanzato Sam. La misura si colma per tutti quando la protagonista si ritrova coinvolta in un incidente automobilistico e, una volta risvegliata dal coma, inizia a soffrire di visioni. Inclusa quella del padre morto. “Animazione” è il format del podcast di Mondoserie dedicato alle diverse scuole ed espressioni del genere, dall'Oriente alla scena europea e americana. Ascolta il podcast su Bojack Horseman: https://www.mondoserie.it/bojack-horseman-podcast/Parte del progetto: https://www.mondoserie.it/  Iscriviti al podcast sulla tua piattaforma preferita o su: https://www.spreaker.com/show/mondoserie-podcast  Collegati a MONDOSERIE sui social:https://www.facebook.com/mondoserie https://www.instagram.com/mondoserie.it/   https://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQ  https://www.linkedin.com/in/mondoserie/ 

This month, we have a fantastic dead pilot, Camp Friends, written by Lauren Herstik. You may know Lauren as a writer on American Vandal and Pearson. Camp Friends is about best friends who spend every summer at Camp Wigeon. This is their CIT (counselor-in-training) year, the last before becoming counselors, and the last chance to have the best summer ever. So when a new, hot, mystery girl shows up at camp and threatens to derail those plans it's a big problem.Our cast this month features Zosia Mamet (Girls), Sasheer Zamata (Agatha All Along), Aparna Nancherla (The Great North), Jasmine Elist (Mr. Corman), Comedian Mary Shalaby, John Gemberling (The Great North), Will Choi (Central Park, BoJack Horseman), and Andrew Reich with stage directions. 

These show notes were generated by Headliner AI. If you enjoy them please tell other podcasters by giving a shoutout to https://headliner.app in your episode ✨---

I studion sitter Martin, Panos och C.A. Även denna vecka gästas vi av den mystiske C.A. som pratar om konsertupplevelser och Opeths senaste album The Last Will and Testament. Martin har spelat spel till Nintendo 3DS och äntligen orkat se den tunga Netflix-serien Bojack Horseman. Slutligen har Panos lyssnat på dokumentärpodden Pappa, sekten och jag. Det blir ett avsnitt man sent glömmer, så det vill ni verkligen inte missa. 09:36 - Intro 14:33 - Professor Layton VS Phoenix Wright: Ace Attorney 28:06 - Opeth - The Last Will and Testament 47:54 - Bojack Horseman 1:08:26 - Pappa, sekten och jag Har DU något att säga till oss? Tips på något att prata om, åsikter om något vi sagt eller vill kanske bara säga hej? Skriv till oss på Facebook, följ oss på Instagram @medisradio och mejla till oss på medisradio@gmail.com. Vill ni se oss spela spel på Twitch så följ oss på @MedisRadioTV. Musik: Pontus Ljung

ONE OF THE BEST EPISODES EVER?! Invincible Season 3 Full Reaction Watch Along: https://www.patreon.com/thereelrejects Visit https://huel.com/rejects to get 15% off your order Download the PrizePicks today at https://prizepicks.onelink.me/LME0/RE... & use code REJECTS to get $50 instantly when you play $5! Invincible Season 3 Episode 6 Reaction, Recap, Commentary, Analysis, & Spoiler Review! Greg Alba and Aaron Alexander delve into the intense developments of Invincible Season 3, Episode 6. In this episode, Mark Grayson, aka Invincible (Steven Yeun, The Walking Dead, Minari), faces a formidable new adversary: Powerplex, portrayed by Aaron Paul (Breaking Bad, BoJack Horseman). Powerplex, driven by a personal vendetta, possesses the ability to absorb and redirect energy, leading to a high-stakes confrontation with Invincible that tests both their limits. Meanwhile, Oliver Grayson, also known as Kid Omni-Man (Christian Convery, Sweet Tooth), struggles with feelings of abandonment as he yearns for the guidance of his father, Nolan Grayson/Omni-Man (J.K. Simmons, Whiplash, Spider-Man). This emotional turmoil adds depth to the episode, highlighting the complexities of familial bonds amidst superhero responsibilities. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Let's take an otherworldly trip to Jupiter's Claim! This week, Leigh bravely walks us through the complex plot of Jordan Peele's 2022 sci-fi/horror film Nope, while Lor finds inspiration from horses and their magical mythology.FACT CHECK: No, Aaron Paul did not voice the horse in BoJack Horseman - it was Will Arnett. JOIN US IN LILY DALE:Our 2025 Lily Dale, NY retreat passes are live (and almost sold out)!Tap here to grab your tickets!NEWS & RESOURCES:https://www.npr.orghttps://www.bbc.comhttps://www.them.ushttps://www.thetrevorproject.orghttps://www.history.com/topics/black-history/black-history-monthhttps://www.carnegielibrary.org/staff-picks/horror-films-books-for-black-history-month/https://www.dreadcentral.com/editorials/424378/the-ultimate-black-history-month-viewing-guide/?amp

Ellen is back with her 3rd interview of The Next Chapter series.  Today's interview is with the amazing Vera Santamaria. Vera  is an Emmy-nominated television and feature writer whose career spans multiple genres and two countries. She is Executive Producer and Co-Showrunner of How to Die Alone, a series for ABC Signature / Hulu / Onyx Collective starring Co-Showrunner and EP Natasha Rothwell (The White Lotus, Insecure). She was Executive Producer and Co-Showrunner on Hulu's much-lauded second season of PEN15, garnering a 2021 Emmy nomination for Outstanding Comedy and WGA Award nomination for Best Comedy.  Her other television credits include the critically acclaimed Ms. Marvel, Orange is the New Black, Schitts Creek, Bojack Horseman, Playing House and Community. Vera signed an overall deal with ABC Signature in 2022. How To be Alone is her first project under her new banner, Welcome Stranger. Born and raised in Toronto, Vera began her career writing for landmark Canadian shows such as Degrassi: The Next Generation, Little Mosque on the Prairie in addition to Co-Creating and Executive Producing the first North American television series to be centered on a South Asian family, How To Be Indie.   Our interview talks about the many next chapters she has courageously steppin into from changing countries to being in male-dominated writer's rooms. I know you will be as inspired by her as I am. For more about Vera, visit: verasantamaria.com  

This episode originally broadcast on January 23, 2025. The original podcast post is here: https://pixelatedgeek.com/2025/01/binary-system-podcast-442-star-trek-lower-decks-beastars-and-bojack-horseman/ Second verse, same as the first: we're back this week to talk about Star Trek: Lower Decks (the Star Trek future is the best future: good hearted and occasionally sexy!) and Beastars (okay but WHY did Louis say he was a virgin, does having sex with Haru not count? Did they actually HAVE sex?), and fangirling about the 1980s cartoon Mighty Orbots (yes it's often silly but we love it and despite the shortcuts the animation is surprisingly good) We finish up with Elizabeth's rewatch of Bojack Horseman, and the downright scary similarity between his public “apology” and Neil Gaiman's response to the allegations against him. I mean, the episode is five years old and it's like Neil was taking notes… Keep an eye out here for Kathryn's upcoming crossover with the Mid-Life Crisis Task Force! This week's outro is an oldie but a goodie, a clip from Calm the Fuck Down by Broke For Free. Looking for a present for that hard-to-shop-for person? Want to buy them (or yourself) a square foot of a castle in Scotland? Look no further! You can support the restoration of Dunan's castle, legally call yourself Lady or Laird, AND if you use this link to get there, you can support this podcast too! ScottishLaird.co.uk. For updates, fan art, and other randomness, come follow us on Facebook, Tumblr, Twitter, and Instagram!

This episode originally broadcast on January 30, 2025. The original podcast post is here: https://pixelatedgeek.com/2025/01/binary-system-podcast-443-arcane-star-trek-lower-decks-and-bojack-horseman/ Wow, we've got a real rhythm going with these posts! We're back again this week to discuss the second-to-last episode (ever!) of Arcane. What can we say about this show that we haven't said before? It's beautiful, it's terrifying, it's powerful, it's violent. We finally get the backstory on what's been happening with Mel, but we still don't have a handle on exactly what she is now, or how her mother's been lying this entire time. (SPOILERS!) Oh, and Vi and Caitlyn have sex. Finally! We're also still talking about Bojack Horseman, this time about the nature of apologies and how they don't, by themselves, actually fix anything. But first we have to get to Star Trek: Lower Decks, specifically Season 2 episode 9, which has instantly become Kathryn's favorite episode. We get to see the lower decks crew of not one, not even three, but five different spaceships, in an episode that isn't afraid to ask "What does the awkward, eager-beaver, go-getter ensign look like when they're in a crew of Vulcans? Or Klingons?" This week's outro is a clip from Battle Glitch Bot by TeknoAXE.  We didn't get the pronunciation right, but the Japanese artform that involves fixing pottery with gold is called Kintsugi. Looking for a present for that hard-to-shop-for person? Want to buy them (or yourself) a square foot of a castle in Scotland? Look no further! You can support the restoration of Dunan's castle, legally call yourself Lady or Laird, AND if you use this link to get there, you can support this podcast too! ScottishLaird.co.uk. For updates, fan art, and other randomness, come follow us on Facebook, Tumblr, Twitter, and Instagram!

Wow, we’ve got a real rhythm going with these posts! We’re back again this week to discuss the second-to-last episode (ever!) of Arcane. What can we say about this show that we haven’t said before? It’s beautiful, it’s terrifying, it’s powerful, it’s violent. We finally get the backstory on what’s been happening with Mel, but... The post Binary System Podcast #443 – Arcane, Star Trek: Lower Decks, and Bojack Horseman first appeared on Pixelated Geek.

Second verse, same as the first: we’re back this week to talk about Star Trek: Lower Decks (the Star Trek future is the best future: good hearted and occasionally sexy!) and Beastars (okay but WHY did Louis say he was a virgin, does having sex with Haru not count? Did they actually HAVE sex?), and... The post Binary System Podcast #442 – Star Trek: Lower Decks, Beastars, and Bojack Horseman first appeared on Pixelated Geek.

Meet Paul F. Tompkins, comedian, actor, and writer. Those who love comedy know him well - from the podcast Comedy Bang! Bang!, Bojack Horseman, Mr. Show, or Best Week Ever to name a few of many. I had a fantastic time chatting with Paul and I hope you EnJOY!See omnystudio.com/listener for privacy information.

Charles Harte (writer, video editor at MinnMax, podcaster, formerly Game Informer) and I steal the D from the Hollywood sign, but find a ninety-nine question interview where it once stood. Join Charles and I as we discuss his career aspirations, the massive popularity of D&D right now, the music in children's TV shows, Gang Beasts lore, Bojack Horseman, trombones, Skyline Chili, two shirts, cronuts, & cheese-based lunch songs. ⁠⁠⁠⁠⁠99 Questions on Instagram!⁠⁠⁠⁠⁠ --ASK ME A QUESTION! The 99 Question Hotline!-- 732-592-9838 (aka REAL-WAX-VET) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠99questionspod@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠99Q on Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠99Q Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/99questions/support

Featuring Mal from the Demigod Debut Podcast, we dive into the octopus magic vision of Gale's transformation at the hands of Hecate, and figure out what exactly went down in that rich, rich dialogue. Featuring also, Owl-abeth, Octo-percy, and terrifying Man Grover. Supplemental suggested media this week include Mrs. America on Hulu and BoJack Horseman. SUBSCRIBE TO OUR PATREON for exclusive Discord access, monthly special episodes, and On-Demand Watch-Alongs of PJOTV! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/seaweedbrain⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (Anyone can still stream) Our Episodes 1&2 Watch Party on Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/live/RoNsTTI2whQ?si=tsJGQVlK_clrcyqL⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow our show on Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SeaweedBrainPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SeaweedBrainPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and on TikTok ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@EricaSeaweedBrain⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Check out our merch shop! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/stores/seaweed-brain-podcast?ref_id=21682⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

This episode is a deep dive into character acting with the esteemed Anna Garduño, a voiceover artist and coach. The BOSSES share their invaluable insights on mastering the art of engagement in voice acting. Anne and Anna emphasize the importance of enthusiasm and authenticity, and use examples from industry legends to discuss how to breathe life into every line by using script analysis and character creation. The BOSSES also dispel the myth that success in animation voice acting is about being a celebrity, emphasizing that unique and authentic acting choices are what leads to booking success. 00:02 - Jen Keefe (Ad) Hi Anne, this is Jen Keefe from Real Women's Work Podcast. I just wanted to come on and say thank you, thank you, thank you for the series you're doing on AI and voice. I've listened to VO Boss Podcast for a few years now and it's always been informative and helpful, and not only is this series not an exception to that, but it is just the cherry on top. It has been so comforting and helpful to learn about this industry and I just thank you for taking all of the time you must have taken to research and understand, to know what questions to ask so that we're all better informed. It is just awesome, awesome, awesome. I feel excited and confident going forward into the future in the VO industry, all because of this series that you're doing. So, thank you, into the future in the VO industry, all because of this series that you're doing.  00:46 - Anne Ganguzza (Host) So thank you, hey, how's it going? Bosses Anne Ganguzza here. Elevate your voiceover game with our VIPeeps membership. With VIP membership, you can access our extensive library of over 350 hours of pre-recorded workshops. Whether you're interested in commercials, promos, character animation, audioos, character animation audiobooks, video games, corporate narration, audio description or dubbing, our workshops cover it all. Plus, as a VIPeeps member, you'll enjoy a 15% discount on current workshops and complimentary free monthly workshops to further develop your skills. Join VIPeeps today at vopeepscom and take your voiceover career to new heights.  01:31 - Intro (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a VO Boss. Now let's welcome your host, Anne Ganguzza.  01:50 - Anne Ganguzza (Host) Hey everyone, welcome to the VO Boss podcast. I'm your host, Anne Ganguzza, and I am here today with very special guest. I'm so excited, Anna Garduno. Anna, thank you so much for joining me today. Thank you.  02:04 - Anna Garduno (Guest) I was completely thrilled when you asked me because the truth is it's been a bit of a goal, a little career goal. To please get me on with the boss.  02:12 - Anne Ganguzza (Host) Oh, I love it, oh my gosh. Well, bosses out there. For those of you that are not familiar with Anna, Anna is a boss. I was just saying this before you came out of the womb.  02:20 A boss, Hilarious you came out of the womb a boss, but recorded her first radio spot when you were 15 years old, shot your first TV job at 17, and currently teaches classes for VO, commercials, animation, promos, narrations and games, and has been nominated Best Voice Over Teacher two years in a row by the readers of Backstagecom. And I wore my Teach, love and Inspire shirt just for you today, Anna. I love it Again. I love the cougar aspect it's a little bit of that sexy?  02:52 - Anna Garduno (Guest) come on, make it happen.  02:54 - Anne Ganguzza (Host) fabulous, you got to add that little bit of flair to it. But, gosh, anybody that knows me knows how much I love teaching. It's so important. It is who I think. I was born to be a teacher and I love talking to other teachers, such as yourself and bosses. So the combination teacher boss love it, absolutely love it. So thanks, first of all, for being here. I know you've got a busy schedule and you know what's interesting. Another fact that you wrote in your bio is that your students have booked over a million dollars in jobs and continue to thrive, which is such a great. I love that you have a number.  03:29 - Anna Garduno (Guest) Well, I imagine that yours have too, and absolutely because I'm sure your students every week say hey, I booked this. Hey, I booked this.  03:38 - Anne Ganguzza (Host) Hey, I booked this. They do, thankfully. Yes, I'm grateful for that. And when?  03:40 - Anna Garduno (Guest) you really think about it when you've been teaching for years, as you and I both have, because I started keeping track, really, and I was actually like, oh well, this is exciting and encouraging. I know you're such an encouraging teacher and there's so many cynics out there and I like to be encouraging. Come from joy, Come from possibility.  03:58 I believe in that too, you know it's so important and I think when people see that they go. Oh, because once in a while I hear people say does anyone really make money in voiceover? And I try not to laugh. Yeah, there's a reason, it's a global industry. So, yes, get that negative interject out of your head Absolutely and go forward.  04:18 - Anne Ganguzza (Host) You know what's so very interesting. Now I'm going to tell you. I was in Pilates this morning and there was a substitute that came in and she was teaching. I'm all about teaching, she was teaching, but she was teaching with a very like kind of monotone sort of and this, and then next we'll put our left toe over our right ear while simultaneously rotating our hip. The whole class, I mean, we're talking 45 minutes of no emotion, and I understand that she was trying to maybe put us in a Zen mode, right, but it was.  04:46 - Anna Garduno (Guest) Pilates Maybe sleepy, not meditation.  04:49 - Anne Ganguzza (Host) And she was really good. Like technically she was really good. But she was shouting out all these instructions and I was listening so hard because her voice was so like even keel, with no like real I would call it elevating the teaching moments. So I was listening so hard, I was exhausted, mentally, okay, and physically. But at the very end, right after this, I had decided, like literally 10 minutes into it, I don't like this class, I don't like this teacher. She's not like. I don't feel an emotion, I don't feel encouragement, I don't feel anything. And when she was done she said oh my God, you guys did so good. And then I immediately loved her and I thought why. You know what I mean. So it really made me reflect on being a teacher for my students and also for the whole e-learning genre. And anybody knows I'm like a broken record, like you have to be everyone's favorite teacher.  05:36 You do, you just do Not just if you teach, but if you're doing e-learning, and so you've got to bring that emotion and that point of view, which I consider and let's have a discussion on this I consider that to be the frosting on the cake, that's the top element when you are there as an actor, right, that is what you're bringing to the copy, no matter what genre you're in.  05:55 - Anna Garduno (Guest) Oh, absolutely. And you bring up such an important point because this I know exactly what you mean. I've had teachers exercise teachers like that also, and I think one of the most challenging things in our industry right now, in whatever genre and I'm sure you've come across this, but correct me if I'm wrong where people say we want it natural, we want it real, yeah, yeah. And actors unfortunately misinterpret that and think, oh, passive, yes, oh, my god, that's casual, so it sounds like you have this passive teacher right now, nobody's passive in life.  06:24 We speak for a reason. We have a lot of musicality in our voice. Even if we're calm and relaxing, there's an intention behind it, even if it's the poppy reed.  06:32 - Anne Ganguzza (Host) I'm just saying I'm just saying the poppy reed has dynamics to it. Oh my God, so much If you were to score that reed and really try to copy it.  06:40 - Anna Garduno (Guest) She goes up, she goes down, she takes pauses. There's all of this musicality. It's not a sleep, and so you bring up a really good point. You have to be engaged with who you're talking to and then it's engaging and it brings people along. Voice work is communication, obviously, but I find too that people get so quiet Sometimes they're disconnected from their breath and not to be too focused about it. But your breath is literally like your life force. So I'm not saying yell, but be connected, and that's why my little company is called Voice Forward, like send your voice forward. You want to connect through the microphone, through whatever, to that other person. You don't want your energy to go here and hi.  07:19 - Anne Ganguzza (Host) I'm halfway to you.  07:20 - Anna Garduno (Guest) And then you stop. You don't want that.  07:21 - Anne Ganguzza (Host) And it's so interesting. I think about it as an older, more mature woman, about communication, right. I mean today everybody's texting right, and it's the communication is changing. But I also feel that for us as voice actors right, our voice is so, so important, and especially in this world of technology and digital everything and synthetic voices right, technology and digital everything and synthetic voices right I think it's more important than ever that our voices really keep that engagement, keep that human aspect of emotion and point of view, because that's what makes us interesting.  07:54 And, honestly, when I choose what I'm going to listen to on a day-to-day basis, honestly it has to be interesting to me and, I think, right for your listener. When you're being engaging and you're behind the mic reading a commercial whatever you're doing a commercial, e-learning corporate you have to connect with that listener to get their attention. Otherwise, I mean, it's always self-serving. Because why do I listen to somebody? Well, I listen to somebody because they've got something that I need right. Either they're educating me or they're entertaining me, right, and hopefully both at the same time. Those are the best teachers and that would be great. So I need to have a reason to listen. And so if you're coming at it from behind the mic where you're like, no, listen to my beautiful voice, you're not connecting.  08:38 And I think that today more than ever, we need to connect and we need to be the actor, and I know that you put in your notes that this is something that you wanted to discuss today about. How can we, as voice actors, get there? I have my methods. I stand on my soapbox all the time and say it's so important, more important than ever, to really bring that connection. Let's talk about how you have your students. How do you elevate your students to be able to do that?  09:03 - Anna Garduno (Guest) Okay, sure, well, I have. There's a couple of things you know. We all come to this as actors. My training, my background, everything is an actor, particularly a theater actor.  09:11 I've been blessed to work with incredible teachers through the years, primarily with Larry Moss and Patsy Rodenberg, who's you know, the premier voice Shakespeare teacher in the world and Stella Adler, who's all about script analysis right For teaching or plays and theater and film, and that's what we do, right, we get a script and then how do we communicate best? And there's two basic things that she talks about that are very rudimentary, that I like to give my students a place to start, which is when you look at text, what is your point of view about people, places, objects and events that you're talking about? Right? So that's how you start, because so often people can do sort of like hi, I'm a generic, happy read sort of like this or I'm a very generic seductive read you know whatever it is.  09:53 So you don't want to be generic, right? So the easiest example is something like about the people I'm talking about. Let's say you have a thing where you say and it's the best ice cream from Ben and Jerry's. So many people do. And I say, well, pretend that Jerry's your absolute best friend and he's a bit of a goofball. So from Ben and Jerry, you know what?  10:09 - Anne Ganguzza (Host) I mean, you know Jerry.  10:11 - Anna Garduno (Guest) Just that. Or say you have a thing where you say so my husband came home with a new computer. Now, if the ad is about the right computer, right, then you're going to say husband, he did a great thing. Now say but the wrong, the anti-commercial, so my husband came home with a new computer.  10:28 - Anne Ganguzza (Host) What is your point of view?  10:29 - Anna Garduno (Guest) about the husband and about the new computer. I mean, it's so basic. And then also, where you are is who you are is a big way to connect to a script too. And are you a CEO talking to another CEO about finance? Or are you that reassuring financial advisor for someone who's really nervous making their first investment?  10:48 Because you can have the exact same text but depending on who you're talking to and I'd like to think like what are you wearing? Really helps me personally. There's a million ways in, but I know if I'm playing a character on TV or something or movie that's like in a full-on business suit, I'm going to stand differently, I'm going to present differently.  11:06 My tone of voice is going to be different, whereas if I'm playing, like you know, the hippie chick from Laurel Canyon which I mentioned, who I am, it's going to be a whole different vibe, a whole different thing. So these are two very simple things that you can look at text right away and circle oh wait, here's the event, here's the object. Or in an animation example, I have a piece of copy I like to work on where someone's putting together a potion you know like to get revenge on somebody, and one of the lines is my potion will be ready and one of the lines is one more lizard leg and my potion will be ready. And so often people will go one more lizard leg and my potion will be ready, right? So I would say, you know, the people who wrote this copy, whatever it is, are often the people hiring you, right? Which wasn't always the case so often, right? So if you can make their text pop out just a little bit, because they could have said anything, they could have said one more batling, one more toad head, they could have said anything, but they said lizard leg.  11:57 And I always joke with my students. They got that approved. You know, disney approved lizard leg. They think they're going to get a bonus at the end of the year for coming up with lizard leg and plus, it's funny, with the two L's, you know lizard leg and the G. So instead of just saying one more lizard leg and my thing is ready, how about you take the number one and it's like you're thinking about it, right, and you go one more and you're looking at your stuff in your mind.  12:22 - Anne Ganguzza (Host) Lizard leg. Lizard leg.  12:23 - Anna Garduno (Guest) Exactly so. It's specifically a lizard leg. So it's really simple and it's what we do in life when we talk about you know, I got these new glasses that I love. I got these new glasses. You know what is your point of view, and so that's the basic thing that I do with people all the time how do you feel about what you're talking about? Not moody, how do you feel, but literally.  12:44 - Anne Ganguzza (Host) I love that. How do you feel it's so important? And how you feel changes and can evolve from the start of your sentence to the end of your sentence can absolutely evolve and it can evolve throughout the script. So I feel like what you're really talking about is, first of all, we need to assess the script, right. We need to assess what's the purpose. The script, right, we need to assess what's the purpose. Why are we saying these words? Right? Who are we saying them to? And again, changing who we're saying them to can make all the difference in the world.  13:11 And what I like to also say is that, like, especially in corporate like, no, you're not talking to your best friend. I need you to be engaging, but Sally could give a crap about SAP. Sally doesn't even know what SAP does or who they are or what they make, right, right? So don't talk to Sally because it's not relevant to Sally, right? And so that whole conversational talk to your best friend. Yes, they may put that in specs, but in reality, you need to talk to the person that's going to benefit from listening to the context of the script, right? So what's the purpose? Are you trying to sell a product? Are you trying to explain how it works, you know, and who is it that needs to listen to that?  13:47 And I had a discussion with La the other day, la Lapidez and we were talking about there's always stakes, right, there's always stakes in the script, and so you've got to know what those stakes are as an actor, right, I mean, we are actors. It is not enough to just read that. And I love how you did the melody in the head about the lizard One more lizard. And it's funny because in our head that's the melody we all hear and I swear we're all on the same wavelength, right. One more. Where does that come from? I don't know, because we read the words and we feel like, oh, initially this is where the emphasis has to go Right, but in the real world we're thinking about things. Well, every sentence is a new idea.  14:25 - Anna Garduno (Guest) Exactly Every sentence is a new idea, and when you're reading or anything like that, and so that's another thing I say is it's a new idea and also a good example of you bring up such a good point about talking to a friend Like what does that mean? Or conversational, what does that mean? And I always say to people going back to you have different kinds of conversations.  14:38 - Anne Ganguzza (Host) Every day.  14:38 - Anna Garduno (Guest) We have conversations every day Exactly, and I tell my students, like, say, you get an audition for Lexus and Subaru the same day and the specs are going to be pretty similar, conversational, real, talking to a friend blah, blah, blah. But Lexus, as we know are usually kind of seductive and a little bit like this and all that. And so I'll say to one student what do you call that? Like, I always have my students come up with titles or names for different types of reads.  15:01 - Anne Ganguzza (Host) Right, what's that?  15:02 - Anna Garduno (Guest) read yeah, and one of my students had the best thing ever. He said I call that my I've earned it guy. Is that great?  15:08 - Anne Ganguzza (Host) Oh, I like it.  15:09 - Anna Garduno (Guest) Yeah, Now the I've earned it guy is right next door to what I like to call the. I know you want it, so it's the same volume, the same note of your voice right the same sound, but there's a slightly different intention. And then the Subaru, which is getting a little more rugged now, but Subaru, as you know, they always end with that love. It's what makes a Subaru.  15:30 - Anne Ganguzza (Host) Yeah, yeah, yeah, it's the family. Family You've got like dogs and kids, exactly, you know, on a picnic Soccer equipment.  15:37 - Anna Garduno (Guest) Yeah, sauger equipment, exactly so I always call that one like the kind of the save the planet mom, yeah, yeah. And what I tell students is those styles cross different brands. So the person who does the Subaru, the save the planet, mom is going to do Kashi, seven whole grains on a mission, and Patagonia and all that. You see they're both having conversations. So I know you know this, but I find to be able to come up with names for the different types is helpful.  16:03 - Anne Ganguzza (Host) Well, and characters You've given a character to it, which is great, rather than I want this sexy read or this seductive read. You've given it a character which I think gives it more definition.  16:13 And I think when you're analyzing, too many of us run into our studios and like, oh, I got it and they play to that melody in their head. Right, they play the melody in the head that probably 90% of everybody that is going in their studios doing the same darn thing. And we've all talked about what do casting directors want? They want to be able to hear something different than 200 of the same kind of melodies right, and so if you're coming up with a different melody or a different story, that's immediately oh cause for, yeah, I'm shortlisting.  16:44 I can tell you me as a casting director, every time I hear somebody that enters into a script and I can tell they've got a story, I'm like shortlist Because there's an actor, there's an actor, there's an actor.  16:53 - Anna Garduno (Guest) And it's about having that point where you bring up a really good point, too, about how do you make your reads stand out, and At that point you bring up a really good point too, about how do you make your reads stand out. And I'm very big on playing with pace, particularly in the first sentence.  17:02 Yeah, yeah, yeah, Almost any first sentence you can play with pace, because often a sentence as you were saying, looking at the text has two ideas in it. So like to use an animation example. I have a piece of copy I love to work with. The first sentence is hey, you know what's the best thing, about being a jellyfish, so that's it right.  17:18 So everyone kind of usually does it that way, like enthusiastic surfer jellyfish. Now, if you just play with pace and you go, you know what's the best thing about being a jellyfish yeah, yeah, yeah, like all of a sudden he's mischievous, or the other way you do it fast.  17:34 You know what's the best thing about being a jellyfish. So already that first sentence is engaging yes, so little things like that. No, I wanted to ask you, anne, I found and you probably come across this too a couple months ago I started working with students on animation who were getting this spec which I thought was hilarious where they would say we want it like you're in a movie, but louder. And my poor students would be like what does that mean? We want in a movie? And I like, when casting people not you, of course, but some people you know don't act, just do it like you're in a movie.  18:06 - Jen Keefe (Ad) Okay.  18:06 - Anna Garduno (Guest) You're. You're acting in a movie, just so you know. So I was sitting there, I go. What do they mean? And I it was what we talked about earlier it means to not be passive, you're told do less, so they've been getting reads. Yeah, yeah, yeah, you're told do less. So they've been getting reads, obviously, from people being very quiet, very hello. I have a mic right here.  18:21 - Anne Ganguzza (Host) Yes hi, yes hi.  18:22 - Anna Garduno (Guest) I'm going to read like this yeah, exactly, and it's like I'm in a movie and I don't have to do anything.  18:27 - Anne Ganguzza (Host) And it's so boring, or you're in a movie theater where you have to be quiet.  18:32 - Anna Garduno (Guest) Yes, exactly. So what they mean is Point of view, don't be passive. Yeah, so they were getting all these under, these de-energized voices, and of course, it's not engaging at all.  18:44 - Anne Ganguzza (Host) And you can be quiet and have a ton of energy. I mean, it's so much about the energy, but it really has nothing to do with volume, right? The energy of the Well, I use a term.  18:52 - Anna Garduno (Guest) I say to people you need more vocal vitality. I don't mean louder, I mean vocal vitality, and it's exactly what we're talking about. You need to have presence in that you're engaged with whoever you're talking to on the other side of that copy, because you're never just talking to yourself, ever Exactly.  19:07 - Anne Ganguzza (Host) I mean, let's talk storytelling. I mean, how important is storytelling? I mean I say it all the time, like I think exhaustively, yeah, but there's storytelling in every like, everything, everything everything right?  19:20 - Anna Garduno (Guest) Yes, absolutely. And also, you're always in the middle of a conversation, too, even if it's e-learning. You've already been talking to somebody about something and now we just happen to pick up the conversation in the middle.  19:29 - Anne Ganguzza (Host) Oh, I love that. I'm always telling people you don't start a script with once upon a time because, right, like cause, that means you just, oh, I thought of it and I'm going to go into a monologue, right, Right. And that means you're not going to engage.  19:41 If you're going to go in you're like that friend that doesn't shut up. You're like, hi, it's all about me, me, me, me, me, me, and I'm just going to talk and I'm not going to allow you to interact at all with me. And I didn't even hear what you said.  19:55 - Anna Garduno (Guest) It was tiring for the listener.  19:58 - Anne Ganguzza (Host) Exactly, exactly, and so you do have to start in the middle, and that's why I'm always saying that moment before right.  20:04 - Anna Garduno (Guest) It's so important, which is your basic acting thing. Right, like what happened before you came in the door, the scene, what happened, like how was the drive over?  20:11 - Anne Ganguzza (Host) Yes, and I'm like no, no, no, no, no. I hear the events that are happening. Tell me what the other person said and then how you responded. And I don't want you to respond with the first word. I want you to respond with maybe something that's rolling into the first word of the script.  20:30 Yeah, give yourself a lead in, because then it doesn't sound like the note like once and we all start on that same pitch. Right, I broke it down technically into musical notes, but still, you don't need to start like, hi, I'm just starting to talk.  20:45 - Anna Garduno (Guest) Yeah, you know no, of course not, but see, the moment before is really important. I imagine you do this with your students too. One of the benefits of doing these auditions at home and working at home is you can try a lot of things, which is and you can also give yourself a lead in, sometimes so that you are literally starting in. You say absolutely.  21:04 Don't stress about that credit card. Let me look. Let me look at the credit card. Like I have a piece of copy that starts out Wait, did you book the bartender? $200 last week. Like that's a good sentence, actually, but how much better is it if you imagine that your friend's upset crying. They're freaking out, Exactly. Listen, let me see you grab it. You go, okay, let me look at this for a minute. Wait, did you? $200? Which really means like, how drunk were you, Dear God?  21:30 - Jen Keefe (Ad) what was that about?  21:32 - Anna Garduno (Guest) And it's just taking that extra moment to put yourself in this situation Absolutely. And then, because you do it at home, you can do that lead in and cut it out. And that's one of the benefits, I think, of doing these auditions at home Because, as you know, in the in-person auditions which are starting up again thank God a little bit you usually get one shot and you can't do that lead in ahead of time.  21:51 - Anne Ganguzza (Host) Well, exactly so. We've talked about the moment before, which, again, I think is so important. We've talked about storytelling. What other things would you say are important for a voice actor to know today in order to get noticed and stand out?  22:06 - Anna Garduno (Guest) Okay, well, this is such a basic thing. It's going to sound so silly, but it's very important to do some homework. We'll just talk right now about two areas, about commercial and animation, but this is true for everything. Actually, listen to what is actually on the air to hear what the styles are, what the tones are and everything. I have students and I'm sure you do too Some, you know, women students who've gone off and raised children and they're coming back 20 years later, right, and everything is like it's in the eighties or the nineties. It's so amped up. I'm like, okay, have you actually heard a commercial? And I'm shocked at how people say, well, no, I stream.  22:43 - Anne Ganguzza (Host) I don't watch TV. Yeah, I don't watch TV. What?  22:46 - Anna Garduno (Guest) What does it matter with you? And what's so nice is you can that's research, yes, and also watch some different animation too, because, as we know, that natural voice, right, which is sort of the BoJack Horseman model, and then there's, you know, slightly more character-y things like in Spongebob, and then there's super cartoony, right. I am shocked at how many people do not actually pay attention to cartoons and they'll say, well, there's so many. How do I start? I go okay, watch movie trailers.  23:12 Watch the movie trailer, for inside out it's three minutes. There's five women and five men. Watch that and take notes. Don't just watch it passively. Write down what are the archetypes, what are the things, and then you put a check mark. So I'm very surprised at how people don't do their research. And I also tell my students it doesn't take long. If you spend half an hour a week listening to commercials in a very specific way and half an hour a week to different animation, listen to 10 minutes of three different shows and take notes on them, you do that for a month solid. Oh my God.  23:43 You have such a better foundation than everybody else. Oh my gosh, it's a very basic thing It'd be hard to audition for a play if you'd never seen a play Right. It would be hard to audition for an hour-long TV show if you hadn't watched hour-long TV in 20 years. You had no idea what those shows are like, because they're different than what they used to be.  24:01 - Anne Ganguzza (Host) And before you run into audition for no Matter what, can you take five to ten minutes to just look up the brand yes and look and see what's their website look? Like what is the product that you're talking about actually do. Do you know the product? Are you familiar with it? What is their demographic? Who are they trying to sell to? I mean, there's so much backstory.  24:22 Again, it's almost like you're doing character study right, but you're doing it about the brand because the brand is looking for a voice. Even if there are casting specs, right, you can always go to a brand and find out, like, who are they selling to and how are they trying to do that by just literally a Google search. Absolutely, and I don't see why people don't take the time to do that. I mean it could take literally five to ten minutes before you rush in and everybody's like I've got to get the audition in. I've got to get the audition in, but do the homework first. Spend five or ten minutes. I don't think that you're going to miss the timing. I mean, I know people are like I've got to get it in first.  24:52 - Anna Garduno (Guest) Also, it's going to be much more efficient. Right, you take five, ten minutes, so like, oh, what is this new? Obviously, I don't know anything about tech stuff. So what is this new tech thing about? I need to find out what it is, and then you can do almost anything in three to four. Takes Almost you know after that.  25:06 So it's not going to take you that long. But I think one of the things I recommend my students do is so that you're not always in a rush right, trying to do the audition and get all this stuff in is set aside a specific time, wednesday morning from 10 to 1030. I'm going to look at ispottv and I'm going to watch 10 car ads in a row and I'm going to write down the differences between them. So if you just set a specific time, then it's part of your ongoing kind of homework and then when you get that audition for Lexus or Jeep you've already seen it and you know what it is.  25:40 And you're like oh, or you can say oh, this is like the absolute vodka ad I just watched. Okay, and that's what that is. So you're not playing catch up. Yeah, and it's the only area of acting I've ever come across and where you can get better at it really fast, because if you have a good ear, you can hear, like students where I've done this myself right, I think I'm sounding very sexy, yeah yeah, and I just sound sad, sad and depressed.  26:07 I'm like, okay, that's bad. Or I'm trying to be enthusiastic and I sound crazy, like I've had 15 cups of coffee, so you can hear it and you can adjust it immediately and that's so satisfying. I mean, I love to do dialects, as I know you do, and you know dialects takes years to really be super great at them. And this is another area about the voiceover world is you can move forward very quickly if you are just consistent, consistent with your study consistent with your class?  26:40 - Anne Ganguzza (Host) Yes, absolutely.  26:42 - Anna Garduno (Guest) Consistent instead of stopping and starting all the time.  26:44 - Anne Ganguzza (Host) I love that. I love that and I try to tell my students you know, look, it's better for you to do one or two scripts a day because I give homework right. And I say it's better for you to do one or two scripts a day because I give homework right. Yeah, and I say it's better for you to do one or two scripts a day, then wait until the night before and then do all the scripts at the same time, because then you're in the same performance mode, right.  26:58 - Jen Keefe (Ad) You're just like, oh God, I've got to get my homework done.  27:00 - Anne Ganguzza (Host) I've got to get my homework done and so I'm going to listen to you. And so one of the reasons why I give homework is to hear, for me I'm vocally branding my students as well, so that we're prepping for the demo. Right, I want to hear them talking about Toyota or I want to hear them talking about Subaru or some other brand and I want to say, okay, I hear that, you know, and for me it's just a creative thing where I'm like, yes, I can hear that she sounds great with that brand, and so now we're going to focus on a spot on our demo for that brand. And so I give lots of homework because, number one, you should be able to practice what we're doing in between our sessions. Otherwise, like you want me to just live direct you once a week, that just, I mean, I don't feel that you're going to progress quickly.  27:45 - Anna Garduno (Guest) Well, what you're talking about, anne, is giving them the structure and the tools to become their own best director. Exactly that's what you're talking about, and that is a gift to give to students.  27:55 - Anne Ganguzza (Host) Thank you for calling homework being a gift. I love that. Oh, it is a gift. Yeah, I love that, and also I always say to people it's optional okay. I don't want to stress you out, yeah me too.  28:03 - Anna Garduno (Guest) I don't want to stress you out, but you're giving them. It was a new student, they go. Well, I just need to be. You know, if I have a director or a cast member, they tell me what to do. And I said to them okay, well, what might they say? And she said, well, they would tell me to be more conversational. I said, okay, and then what would you do? Blank face, yeah, and everyone's different. Like for me to be more conversational. In general, I have to slow down and I have to bring my voice down just a little bit.  28:31 Other people have to go faster.  28:38 - Anne Ganguzza (Host) Typically people pitch up when they're reading. That's just a, I think, human nature kind of thing, but you're right. And then sometimes they just go fast through everything or they go too slow through everything and then they sound too consistent. Consistency is like. I think I can't be stagnant in my business. That's the death of my business, and I think consistency might be the death of a voice actor. Because you can't be consistent in any sound right, because then it sounds robotic, it sounds with no point of view, there's no right, it's rhythm, and point of view is everything.  29:05 - Anna Garduno (Guest) I think Point of view drives the rhythm and sometimes the rhythm is like there's one style that sort of is kind of the opposite of all we're talking about a little bit is I call it a cello read Is that Eternity by Calvin Klein?  29:16 - Jen Keefe (Ad) Right when they just say do less, do less, do less.  29:18 - Anna Garduno (Guest) Right, hi, yes Hi, I'm not going up or down, but that's its own rhythm.  29:22 - Anne Ganguzza (Host) So that's why I call it a cello.  29:24 - Anna Garduno (Guest) So if somebody plays one note on a cell, that's what it is. Yeah, it's like that. So even that is a very specific point of view.  29:32 - Jen Keefe (Ad) Yeah, absolutely.  29:35 - Anna Garduno (Guest) And it makes it dynamic because you're right, if you're just consistent all the way through the same way, it's so boring, yeah, you just stop. It loses any kind of dynamic.  29:42 - Anne Ganguzza (Host) It loses point of view too Correct, it really does.  29:44 - Jen Keefe (Ad) Oh, absolutely yeah.  29:53 - Anne Ganguzza (Host) It's interesting how musical it can be and then yet I don't want my students to approach it necessarily musically. I want them to approach it like an actor, because if you can do that, then ultimately things just fall into place. When you're responding to something, you're acting is reacting. When you're reacting right and you're reacting with the lines in the script, it falls together naturally. It really does.  30:08 And so the rhythm and the melody just fall together, and the emphasis on the words. It just falls together Like it's an easy thing for me to say. However, somehow, when people get words in front of their face, yes, because I was taught to read aloud, you know, in grade school, and I was like yes, me, I love to read, I'm a good reader, and let me hello, I'm going to read my text now, and so you have no time to put a point of view on when you're just reading from left to right, you don't know what the story is. There's no history there, there's no. Who are you talking to? Well, I'm just reading to the air, right?  30:40 - Anna Garduno (Guest) Well, I think you bring up also a really good point too. The approach isn't after the voice will follow the musicality, all that will follow. And something that's a particular challenge is since when we're reading or working, a lot of times we have headphones, so we're hearing ourselves while we're talking and there's a big temptation to be the director, the producer, all at once while you're literally saying your words absolutely you have to not do that.  31:02 So I'm a big advocate just put one headphone on, because you don't ever hear what you actually sound like through your head or your headphones. It's close because you're listening through the speaker of your head, right? So that's that's. The other thing, too, is I tell students don't judge your read like. Listen to it back first before you start making adjustments, or you stop in the middle or you change it or something.  31:21 - Anne Ganguzza (Host) Yeah, that's good, I like that. Wait until you're done. I have the advice, which is interesting I get the one ear on, one ear off. For some people yeah, for some people, because for me, when I was initially starting, I had a lot of like noises coming out and I was evaluating my booth and so I couldn't tell if there was noise and also being directed right. So when you're directed, you kind of have to have your headphones on.  31:42 - Anna Garduno (Guest) Oh no, absolutely Right, You've got to be able to hear the direction.  31:44 - Anne Ganguzza (Host) So I always say your headphones are amplifying your sound, yes, and so if you get used to not listening to your sound and you're into the storytelling, it won't matter if you have headphones on or not. But that's a hard thing for people to do sometimes, because I know when I first started hi, oh, I love this. It's amplifying my voice, you know that kind of thing and it just gets to be a little egocentrical there for a minute. But I don't think any voice acting really should be egocentrical at all. It's something you are gifting right to the person who is listening to you and that is a gift you give to them. It's not about you listening to yourself.  32:20 - Anna Garduno (Guest) Well, even though you're just doing one side of the conversation. You're in fact interacting. Yeah, you are always interacting, and that's when they say talking to a friend. That's what they're trying to say is you're talking about this paper towel is going to soak up that spilled wine. Because you just came to your friend and said, oh my God, I spilled red wine all over my couch, I don't know what to do. You say, oh well, actually this thing is going to help you. You're interacting. Right, it's not about you at all. And it is a challenge sometimes not to fall either, to fall in love with your own voice or to decide.  32:49 You hate everything about it which is also not helpful.  32:52 - Anne Ganguzza (Host) That's so true. So you have to not judge.  32:54 - Anna Garduno (Guest) You have to wait and listen back and then see do I sound like I'm engaging with someone? Because you're always talking, like you say, for a reason. You know, even in animation stuff. You know I was talking to someone the other day about BoJack Horseman because that's such a common spec.  33:10 You know they say we want to like bojack horsemen, not rugrats and things like that. And I had somebody once I think was at sad foundation, wasn't a regular student said, and they said, well, you know, will arnett, they just hired him because you know he's just will arnett all the time. And you know what I said. I said, okay, I see why you're saying that, but my guess is a lot of people would like to play bojack. I bet chris rock would have loved it, paul rudd would have loved it.  33:28 Paul Rudd would have loved it. Owen Wilson would have loved it. There's a lot of comedic Seth Rogen, there's a lot of guys, and Willa and I get it, not because of the sound of his voice, but because he created a character that was engaging. So don't self-sabotage by saying, oh, it's a star. That's all they do. Don't diminish their work and don't diminish your possibility to do work as good, absolutely.  33:52 - Anne Ganguzza (Host) So I think that that's really interesting. Oh, I love that. I love that. Gosh, Anna, I could talk all day to you.  33:58 - Jen Keefe (Ad) Well, that's why we're going to get together and have cocktails and dinner.  34:00 - Anne Ganguzza (Host) There we go Well, there we go Well. I have to say thank you. So so much. Thank you so much and I know that it's been a pleasure having you on. Now you've got a special offer for boss listeners. I do Special offer.  34:12 - Anna Garduno (Guest) Talk to us about that a little bit so for boss listeners. You get 10% off any classes, 10% off any private coaching or things like that, and also 10% off any demos you may want to work on or refresh or anything like that. Just say that you're a fan of the boss lady. The queen herself Love it and I'm very happy to do that. And you can reach me through.  34:33 - Anne Ganguzza (Host) My direct email is AnnaVoiceForward at gmailcom, and just say hey, heard you on the boss, and we'll put that link in the show notes as well to get to your website. And so thank you so much, anna, for being with us today, and I look forward to working with you more in the future. For sure I want to have you as a VO Peeps guest director too, so coming up, so I'll be sending you that schedule. Yay, I would love that. So perfect. Thank you so much. Thank you so much, and so a big shout out to our sponsor, ipdtl. You too can connect and network like bosses. Find out more at IPDTLcom. Bosses. Have an amazing week and we'll see you next week. See you next week, bye, thank you.  35:20 - Intro (Announcement) Join us next week for another edition of VO Boss with your host, anne Ganguza, and take your business to the next level. Sign up for our mailing list at VOBosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution, with permission. Coast-to-coast connectivity via IPD TL.   

Sagace, corrosivo, commovente, assurdo, maturo, amaro. Questi sono solo alcuni degli aggettivi che descrivono Bojack Horseman, cartone animato scritto da Raphael Bob Waksberg e disegnato dalla fumettista Lisa Hanawalt.Bojack e il suo mondo rappresentano uno spaccato grottesco della società dello spettacolo degli States e in particolare della bizzarra fauna che ruota attorno a Hollywood. Il protagonista infatti non è altri che la star di una sit com per famiglie degli anni ‘90 che, dopo un paio di tentativi fallimentari di ritornare sulla cresta dell'onda, prova la carta del libro di memorie scritto a 4 mani con una giovane ghostwriter idealista... “Animazione” è il format del podcast di Mondoserie dedicato alle diverse scuole ed espressioni del genere, dall'Oriente alla scena europea e americana. Parte del progetto: https://www.mondoserie.it/ Iscriviti al podcast sulla tua piattaforma preferita o su: https://www.spreaker.com/show/mondoserie-podcast  Collegati a MONDOSERIE sui social: https://www.facebook.com/mondoseriehttps://www.instagram.com/mondoserie.it/ https://twitter.com/mondoserie_it https://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQ https://www.linkedin.com/in/mondoserie/

Growing up in Raleigh, North Carolina, Amy Sedaris watched a lot of television. She counts "Alvin and the Chipmunks" and "Second City Television" as major influences on her desire to perform, whether that meant pranking family members or acting in the plays written by her older brother, the humorist David Sedaris. Siblings aside, she was also surrounded by several other notable comedians, including Stephen Colbert and Paul Dinello, whom she met in her twenties at Chicago's Second City comedy troupe. That trio would go on to create "Strangers with Candy" in 1999, a sitcom underpinned by the same surreal yet comic tone that would come to define Sedaris's later roles on shows like "BoJack Horseman," "Unbreakable Kimmy Schmidt," and her own series, "At Home with Amy Sedaris." On this week's episode of "Table for Two," the actress and writer joins host Bruce Bozzi to discuss her years working as a waitress, why she prefers guest-starring over leading roles, and her recent addiction to BonBon candy.See omnystudio.com/listener for privacy information.

(00:15) ¡Bienvenidos al NortCast! Su Podcast que habla de Aeropuertos mexicanos

** This week Owen Blackhurst, Seb White, James Bird, and Tommy Stewart chat about football but also discuss mental health issues. If you are affected by any of the issues discussed, please visit thecalmzone.net or samaritans.org or phone the Samaritans on 116 123 **Live from Spotify, the old gang are back together as Owen Blackhurst, James Bird, Seb White and Tommy Stewart talk Roy Orbison, Ghetts, Joy Guidry, Puressence, Metallica, trainspotters, Francis Bourgeois, MUNDIAL digital, Héctor Bellerín, West Didsbury & Chorlton FC, Owen Blackhurst's Goal of the Month, trains, Dave and Sharons, Matthew Le Tissier, Seb on the Spot, allies, conspiracy theories, Bill Gates, George Weah, Alan Brazil, Ray Parlour, Pulp Fiction, David Beckham, Arsène Wenger, John Hartson, John Travolta, Les Dennis, Extras, Ronaldo, Xherdan Shaqiri, Barclaysmen, Stoke City FC, Basel, Bayern Munich, Kolkata, vodka & tonics, Liverpool v Manchester United, José Mourinho, Jürgen Klopp, Turkey hair, Goodison Park, David Beckham, Daniel Podence, Charlie Adam, The Masters, Duck magazine, BMX, Marko Arnautović, the Stoke accent, the Black Country, Bojan, BoJack Horseman, hyperbole, Hermione, misled, Elliot Hackney, Seb and the Queen, Donald Trump, Bill Clinton, George H. W. Bush, Tiger Woods, Walt Disney, Colin Montgomerie, blue slacks, World Mental Health Day, talking to your mates and strangers, CALM, Jonny Sharples, Manny Singh Kang, coming out, LGBTQ+ in football, the Rainbow Devils, Old Trafford, NFL, Miami Dolphins, the noise away fans make, pooptracking, “Man on!”, Arne Slot's outfits, Lee Carsley, the national anthem, Erik ten Hag, LimeBikes, The Avengers, and somehow so much more.Get the latest issue of MUNDIAL Mag hereFollow MUNDIAL on Twitter - @mundialmagFollow MUNDIAL on Instagram - @mundialmag Hosted on Acast. See acast.com/privacy for more information.

Fielding Edlow is a stand-up comedian, writer, and creator/star of award-winning digital series Bitter Homes and Gardens. She has performed stand-up at Edinburgh, Leicester, Boston Comedy Festival and hosted her sold-out cult show Eat Pray Fuck for 6 years at the Hollywood Improv. She voiced the “Roxie” on Bojack Horseman including a slew of other characters (but was politely asked not to do “accents”) Her first solo show, Coke-Free J.A.P. had two sold-out runs in LA before being developed as a half-hour pilot at Showtime. Her plays have been produced/workshopped with Naked Angels, New York Stage & Film, Comedy Central Stage, IAMA, and Circle X Theatre. She's currently on a very haphazard international tour for her latest solo show Gaslighting is My Love Language. Listen to the conversation, get some good news, and get some inspiration with the guys on Good Things Are Happening. Good Things Are Happening is sponsored by Surfshark! Get a deal at https://get.surfshark.net/SH3q3 Visit us on the web at https://www.goodthingspod.com/

This week, we talked about vacation, Bryan's birthday, Chimp Crazy, Bojack Horseman, Penguin, Agatha All Along, Only Murders in the Building, Star Wars Lego Rebuild the Galaxy, James Earl Jones RIP, John Cassaday RIP, Fanta Haunted Apple, and more!   Links: 1. John Cassaday died https://bleedingcool.com/comics/comics-artist-john-cassaday-planetary-co-creator-has-died-aged-52/ 2. Cards Against Humanity sues SpaceX https://arstechnica.com/tech-policy/2024/09/cards-against-humanity-sues-spacex-alleges-invasion-of-land-on-us-mexico-border/ 3. James Earl Jones died https://variety.com/2024/film/news/james-earl-jones-dead-darth-vader-lion-king-1236138656/ QoftheW: What's a superpower that sounds good but is actually bad?   Salty Merch: https://www.teepublic.com/user/saltylanguagepods Our Patreon: Patreon.com/saltylanguage   Subscribe / rate / review us on Apple Podcasts!   Visit us at: saltylanguage.com Apple Podcasts: https://podcasts.apple.com/us/podcast/salty-language/id454587072?mt=2 Spotify: https://open.spotify.com/show/3GnINOQglJq1jedh36ZjGC iHeart Radio: http://www.iheart.com/show/263-Salty-Language/ Google Play Music: https://play.google.com/music/listen#/ps/Ixozhhniffkdkgfp33brnqolvte Tony's YouTube channel: https://www.youtube.com/@allthebeers Bryan's YouTube channel: https://www.youtube.com/@IFinallyPlayed https://www.tiktok.com/@saltylanguage facebook.com/saltylanguage @salty_language / saltylanguage@gmail.com http://salty.libsyn.com/webpage  / http://www.youtube.com/user/SaltyLanguagePod Instagram/Threads: SaltyLanguage Reddit: r/saltylanguage Stitcher: https://www.stitcher.com/podcast/salty-language tangentboundnetwork.com Share with your friends!

Writer and critic Sonia Saraiya is back to bid summer adieu with a discussion of Netflix's The Perfect Couple, a six-part murder mystery among the rich and unbearable that's aiming for Revenge and Succession vibes -- but does it work? The panel has mixed feelings...except about the beautiful locations, and the star wattage of Meghann Fahy. After we rinsed off the sand, we went Around The Dial with Adam Sandler's latest special, the first season of BoJack Horseman, and The Challenge, and Julie hoped a great first date would lead to something Canon-ical with her pitch for Looking. Lee Daniels won, Bosch: Legacy (and Sarah's years-long runner) lost, and we tried to figure out who the IMDb considered most likely to succeed in Game Time. Take a break from chipping balls into the bay and have a listen! GUESTS

Our very own editor, Sherry Guo, called dibs on these chapters many moons in advance AND FOR GOOD REASON! These chapters absolutely slaps, as does this episode. Enjoy another edition of TN-Guo! Topics include: Sherry's setup, claw clips, 0.5s, Thalia spin-off, crying babies, Doodle Jump, auras, skibidi, agreeing in conversations, Bojack Horseman, plastic surgery, bad gifts, The Westher Channel, anti-oracle Aeolus, windy fingers, predictions, and more! NEW TNO MERCH: www.thenewestolympian.com/merch TNO LIVESTREAM (tix live Wednesday @ noon): www.thenewestolympian.com/live — Find The Newest Olympian Online —  • Website: www.thenewestolympian.com • Patreon: www.thenewestolympian.com/patreon • Twitter: www.twitter.com/newestolympian • Instagram: www.instagram.com/newestolympian • Facebook: www.facebook.com/newestolympian • Reddit: www.reddit.com/r/thenewestolympian • Merch: www.thenewestolympian.com/merch — Production —  • Creator, Host, Producer, Social Media, Web Design: Mike Schubert • Editor: Sherry Guo • Music: Bettina Campomanes and Brandon Grugle • Art: Jessica E. Boyd — About The Show —  Has the Percy Jackson series been slept on by society? Join Mike Schubert as he reads through the books for the first time with the help of longtime PJO fans to cover the plot, take stabs at what happens next, and nerd out over Greek mythology. Whether you're looking for an excuse to finally read these books, or want to re-read an old favorite with a digital book club, grab your blue chocolate chip cookies and listen along. New episodes release on Mondays wherever you get your podcasts! Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, we talk about cookouts, @emoenmusic, @AmigoTheDevil, @OfficialVended, Bojack Horseman, Squirrel With A Gun @QuiteDan, Drawful, Paralympic breakdancing, concert prices, cannoli dip, SUATMM Lego Classic Batmobile, and more! http://traffic.libsyn.com/salty/SaltyLanguage676.mp3   Salty Merch: https://www.teepublic.com/user/saltylanguagepods Our Patreon: Patreon.com/saltylanguage   Subscribe / rate / review us on Apple Podcasts!   Links:   1. Paralympic breakdancing https://www.unilad.com/news/sport/raygun-olympics-breakdancing-paralympics-latest-223355-20240818 2. Squirrel With A Gun https://squirrelwithagun.com/ 3. Cannoli dip https://thecrumbykitchen.com/cannoli-dip/ SUATMM Lego CLassic Batmobile https://www.lego.com/en-us/product/batman-the-classic-tv-series-batmobile-76328 QoftheW: What's the first food you ever remember not liking?   Visit us at: saltylanguage.com Apple Podcasts: https://podcasts.apple.com/us/podcast/salty-language/id454587072?mt=2 Spotify: https://open.spotify.com/show/3GnINOQglJq1jedh36ZjGC iHeart Radio: http://www.iheart.com/show/263-Salty-Language/ Google Play Music: https://play.google.com/music/listen#/ps/Ixozhhniffkdkgfp33brnqolvte Tony's YouTube channel: https://www.youtube.com/@allthebeers Bryan's YouTube channel: https://www.youtube.com/@IFinallyPlayed https://www.tiktok.com/@saltylanguage facebook.com/saltylanguage @salty_language / saltylanguage@gmail.com http://salty.libsyn.com/webpage  / http://www.youtube.com/user/SaltyLanguagePod Instagram/Threads: SaltyLanguage Reddit: r/saltylanguage Stitcher: https://www.stitcher.com/podcast/salty-language tangentboundnetwork.com Share with your friends!

Many of us have sought information about our family history, trying to solve those unanswered questions about our predecessors. In the quest for truths about others through examining their lives and lineage, we may also find truths about ourselves in the process. In his latest release and nonfiction debut, The Dead Don't Need Reminding: In Search of Fugitives, Mississippi, and Black TV Nerd Shit, New York Times bestselling author Julian Randall braids past with present as he retraces the life of his grandfather, a white-passing patriarch driven from a town in Mississippi, all the way to Randall's own internal battles with depression and how he ultimately emerged from its depths. Randall weaves pop culture into his pages, exploring grief, family, emotional health, and the American way with a medley of media ranging from Into the Spiderverse and Jordan Peele movies to BoJack Horseman and the music of Odd Future. Seattle writer Ally Ang joins Randall in conversation for an evening of laughter, tears, and everything in-between. Julian Randall is a contributor to the #1 New York Times bestseller Black Boy Joy and his middle-grade novel, Pilar Ramirez and the Escape From Zafa, was published by Holt in 2022. He has received fellowships from Cave Canem, Tin House, and Milkweed Editions. He is the winner of the 2019 Betty Berzon Emerging Writer Award from the Publishing Triangle, the 2019 Frederick Bock Prize, and a Pushcart prize. His poetry has been published in The New York Times Magazine, Ploughshares, and POETRY. His first book, Refuse, won the Cave Canem Poetry Prize and was a finalist for an NAACP Image Award. He lives in Chicago. Ally Ang is a gaysian poet and editor based in Seattle, Washington. Their work has been published in Queer Nature: A Poetry Anthology, Nepantla: An Anthology Dedicated to Queer Poets of Color, Foglifter, Columbia Journal,and elsewhere. They are a Pushcart Prize and Best of the Net nominee, a Tin House workshop alum, and a 2022 Jack Straw Writers Program fellow. Ang holds a BA in sociology and Asian American studies from Wellesley College and an MFA in creative writing from the University of Washington. They are currently working on their first full-length poetry collection. When not writing, Ang can be found gazing longingly at bodies of water or doting on their cat, Gomez.

Aug. 16-22: Bruce Willis kills the erotic thriller, Seth Green goes camping, the first Exorcist prequel, Scott Pilgrim goes forth, GamerGate gives everyone a bad name, Terry Gilliam's hung up on math, Sin City returns, and Chloe Grace Moretz might go. All that and more this week 30, 20, and 10 years ago!

BoJack Horseman's, Aparna Nancherla joins Joshua to talk about her favorite formative books "A House on Mango Street" and "The Phantom Tollbooth". The comedian, author, and actor delves into the struggles she faced with Imposter Syndrome while writing her memoir "Unreliable Narrator" about the very trials of that very Imposter Syndrome. She and Joshua explore how the end result to a story about yourself is not an end at all, and how an honest conclusion can be an open one. They share their mutual love of libraries and the prolific comedian pulls out a wide array of contemporary fiction and nonfiction from the tote bag she was given at the Miami Beach Book Fair, an unlikely festival for such a beach forward city. Hosted on Acast. See acast.com/privacy for more information.

Time for the last SXSW special with Jaboukie Young-White! Raised in Chicago, you may know him from being a correspondent on The Daily Show, performing on The Tonight Show twice or his writing on Netflix's American Vandal and Big Mouth!In the world of film, Jaboukie voiced Disney's first openly gay protagonist in Strange World, and appeared opposite Joaquin Phoenix in Mike Mills' C'Mon, C'Mon.Plus a load of other credits including Only Murders in the Building, Ralph Breaks the Internet, BoJack Horseman - he's a big deal!In this episode, we discuss Jaboukie's high stakes start in the world of comedy, coming out to his parents on The Tonight Show, inventing the term “Short King”, creating the best odds for yourself to succeed and what it's like to work on The Daily Show.Join the Insiders Club at patreon.com/comcompod where you can get access to 15 minutes of extras including finding a niche audience through social media, discovering your voice and authenticity within comedy. You'll also get access to the video back catalogue including James Acaster, Dai Henwood and Julia Masli.Support the Podcast at Patreon.com/ComComPod☑️ Get ad-free audio episodes (including this one)☑️ Extra content (including 15 minutes with Jaboukie)☑️ Exclusive guest announcements and engagement ☑️ New membership offerings including a monthly “Stu&A” which is a Q&A with me with a fun title.Catch Up with Jaboukie:You can keep up to date with Jaboukie on Twitter and Instagram, @Jaboukie.Everything Stu's up to:Edinburgh | August 2024: https://tickets.edfringe.com/whats-on#q=%22Stuart%20Goldsmith%3A%20Spoilers%20(A%20Climate%20Crisis%20Stand-Up%20Show)%22Discover Stu's comedy about the climate crisis, for everyone from activists to CEOs, at www.stuartgoldsmith.com/climate.Find everything else you at linktr.ee/stuartgoldsmith. Hosted on Acast. See acast.com/privacy for more information.

Jay smothers Weird Al with love and appreciation for Al's perfection in his parody. We talk about Mad Magazine, Looney Tunes, pizza, travel, doing what you want, the power of an orchestra, the two pulls of being a comic vs a musician, how a true showman can come out of Linwood, and giving up architecture for being a professional goofball/genius. Bio: FEW WOULD HAVE GUESSED that “Weird Al” Yankovic – who as a shy, accordion-playing teenager got his start sending in homemade tapes to the Dr. Demento Radio Show– would go on to become a pop culture icon and the biggest-selling comedy recording artist of all time, with classic song and music video parodies such as“Eat It,” “Like a Surgeon,” “Smells Like Nirvana,” “Amish Paradise,” “White & Nerdy” and “Word Crimes.”  Now in his fourth decade as America's foremost song parodist, he has been the recipient of numerous awards, including five Grammys® (out of sixteen total nominations) and a string of Gold and Platinum albums.In 2015 and 2016, Weird Al's Mandatory World Tour encompassed 200 shows throughout the U.S., Canada, Europe and Australia, including two nights at the Hollywood Bowl and a sold-out gig at New York's Radio City Music Hall.  In the spring of 2018, Al performed 77 shows as part of his Ridiculously Self-Indulgent, Ill-Advised Vanity Tour, where he and his bandmates of over 35 years played setlists composed almost entirely of his original (non-parody) material, and without any of their signature over-the-top theatrics (no costumes, props or video screens). And in 2019 Weird Al followed up his most bare-bones tour with his most extravagant tour ever – Strings Attached – where he and his band were backed for each of their 67 shows by female singers and a full symphony orchestra.Weird Al's 14th studio album, the Grammy® award-winning Mandatory Fun (2014), became the first comedy album in history to debut at #1 on the Billboard Top 200 chart, and the first to even reach the top of that chart since 1963.  Yankovic set the U.S. record on Spotify for having the most tracks from one album in the viral top 10 at one time, taking the top four spots.  In addition, “Word Crimes” debuted in the Billboard Top 40, making Al one of only four artists to have had Top 40 singles in each of the last four decades (the other three being Michael Jackson, Madonna and U2).Al has remained active as a recording artist.  June 2017 saw the release of Captain Underpants: The First Epic Movie (Dreamworks), for which Al co-wrote and performed the film's theme song.  In August 2017, Al wrote and performed “The North Korea Polka (Please Don't Nuke Us)” for Last Week Tonight with John Oliver (HBO). In November 2017 Legacy Recordings released Squeeze Box: The Complete Works of “Weird Al” Yankovic, a remastered 15-disc box set (including a rarities album) plus a 120-page book of archival photos, all housed in a replica of Weird Al's trademark accordion. Al also recorded cover versions of the Squidbillies theme for Adult Swim and the Ramones' “Beat on the Brat” for a Dr. Demento compilation album, and produced remixes of two hit singles for Portugal. The Man (“Feel It Still” and “Live in the Moment”).  And March 2018 brought us “The Hamilton Polka,” a frantic tour de force mash-up of 14 songs from the Broadway smash, commissioned by Lin-Manuel Miranda himself and released as part of his “Hamildrops” series.In addition to his cult-hit feature film UHF (1989), his late ‘90s CBS Saturday morning series The Weird Al Show and numerous AL-TV specials he has made for MTV and VH1 over the years, Yankovic has remained a staple of film and television, from appearances on The Simpsons, 30 Rock, The Goldbergs and How I Met Your Mother to performing live on the Primetime Emmy Awards and starring in his own concert specials for Disney, VH1 and Comedy Central.  In 2015 Yankovic took over as co-host and bandleader for the fifth season of IFC's Comedy Bang! Bang!  Currently Al can be heard as the voice of the title character in Disney Channel's animated series Milo Murphy's Law (his other voice acting work includes appearances on Bojack Horseman, Gravity Falls, Adventure Time, My Little Pony: Friendship is Magic, Wander Over Yonder, and the DC animated feature Batman vs. Robin). Yankovic added “New York Times bestselling author” to his resumé in 2011 with the release of his children's book, When I Grow Up (HarperCollins), followed two years later by My New Teacher and Me!  An animated series based on his children's books is currently being developed in partnership with the Jim Henson Company.   2012 saw the release of Weird Al: The Book (Abrams), an illustrated hardcover on Al's life and career, and in 2015 Yankovic became not only MAD Magazine's cover boy, but the first guest editor in their 63-year history.In 2017 NECA Toys released the second in its line of retro-clothed Weird Al action figures, and in 2018 Funko released two of its own POP! vinyl figures.  On August 27, 2018, the Hollywood Chamber of Commerce awarded “Weird Al” Yankovic with the 2,643rd star on the Hollywood Walk of Fame.

While celebrating Hazbin Hotel on Collider Ladies Night, creator Vivienne Medrano said she wouldn't mind seeing the show run for six seasons, like her favorite show of all time, BoJack Horseman. “My favorite show went to six, so six would be cool!” However, she also noted, “The real answer is as many as they'll give me, forever — forever and ever because there could always be more.” Given the monumental success of Hazbin Hotel Season 1, I'm a big believer Prime Video and A24 should defer to Medrano on this one, and give her whatever she wants!Hazbin Hotel is something Medrano's been working on since middle school. After years of honing the characters, she created an independently made pilot episode, after which A24 swooped in to help turn it into a series that Prime Video distributed in January 2024. Not only did the show premiere to glowing reviews, but it also became Prime Video's largest global debut for a new animated series. But, perhaps most impressive of all was the fervent fanbase the show quickly amassed. Yes, Medrano and Hazbin already had quite the following via the pilot, which crossed 100 million views on YouTube in February, but the debut of Hazbin Hotel Season 1 on Prime Video undoubtedly increased that following exponentially.The show puts the spotlight on Charlie Morningstar (voiced by Erika Henningsen), the princess of Hell. Due to overpopulation in Hell, angels swoop down from Heaven once a year to conduct a purge, wiping out as many sinners as possible. Charlie's had enough of seeing her people perish and strives to change the system via her Hazbin Hotel, a hotel designed to rehabilitate sinners and get them into Heaven. Not only is Hazbin Hotel brimming with curious characters, wildly creative world-building and thematic heft, but it's also a musical — and every single song on its soundtrack is a true banger. The competition in the Animated Program category at the Emmys is fierce courtesy of iconic long-running series like The Simpsons and Bob's Burgers, and new standout programs like X-Men '97, but given the quality of Hazbin Hotel and the colossal passionate fanbase it's ignited, it deserves to be in the mix.How exactly does one get from middle school doodles to spearheading an Emmy-worthy animated musical? That's exactly what I covered with Medrano on her episode of Collider Ladies Night! Hosted on Acast. See acast.com/privacy for more information.

Alison Brie is the star of beloved television shows Community, Mad Men and BoJack Horseman. She joins us on the latest episode of Bullseye to talk about her latest: Apples Never Fall. We get into her time growing up in South Pasadena and what she learned about herself while working on the physically demanding wrestling tv series GLOW. Does she think the long-awaited Community movie is actually happening? Only one way to find out!Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

It's time for Lauren and Nicole's next adventure: covering all things Batman. This season begins with very special guest Paul F. Tompkins (Threedom, Mr. Show, Bojack Horseman, Comedy Bang! Bang!) explaining the lore and cultural impact of 1966's Batman starring Adam West. Get your shark repellent ready, folks. You're going to need it.Follow Paul: Instagram, TwitterLike the show? Rate Newcomers 5 stars on Spotify and Apple Podcasts and leave a review for Nicole and Lauren to read on the pod!Follow the podcast on Letterboxd.Advertise on Newcomers via Gumball.fmSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.