Podcasts about Weill

durée : 01:59:11 - Les Matins du samedi - par : Nicolas Herbeaux - Au programme des Matins du samedi : les "haltes soins addictions" sont menacées après bientôt dix ans d'expérimentation concluante ; Musiques et mafias : du jazz au rap ; et enfin, dans notre flânerie du samedi, on vous emmène au Musée de l'Orangerie pour découvrir la galeriste Berthe Weill. - réalisation : Jean-Christophe Francis - invités : Marie Jauffret-Roustide Sociologue et politiste, chargée de recherche à l'Inserm (Institut national de la santé et de la recherche médicale); Steven Jezo-Vannier Écrivain spécialiste de la contre-culture et de l'univers rock; Simon Piel Journaliste au Monde; Marianne Le Morvan Historienne de l'art et commissaire d'exposition

durée : 00:20:04 - L'Invité(e) des Matins du samedi - par : Nicolas Herbeaux - Cette semaine, dans les Flâneries du samedi, on vous emmène au Musée de l'Orangerie à la découverte de l'exposition "Berthe Weill, galeriste d'avant-garde". Grâce à la commissaire d'exposition, Marianne Le Morvan, découvrez cette galeriste du bas Montmartre qui marqua l'histoire de l'art moderne. - réalisation : Jean-Christophe Francis - invités : Marianne Le Morvan Historienne de l'art et commissaire d'exposition

durée : 01:59:11 - Les Matins du samedi - par : Nicolas Herbeaux - Au programme des Matins du samedi : les "haltes soins addictions" sont menacées après bientôt dix ans d'expérimentation concluante ; Musiques et mafias : du jazz au rap ; et enfin, dans notre flânerie du samedi, on vous emmène au Musée de l'Orangerie pour découvrir la galeriste Berthe Weill. - réalisation : Jean-Christophe Francis - invités : Marie Jauffret-Roustide Sociologue et politiste, chargée de recherche à l'Inserm (Institut national de la santé et de la recherche médicale); Steven Jezo-Vannier Écrivain spécialiste de la contre-culture et de l'univers rock; Simon Piel Journaliste au Monde; Marianne Le Morvan Historienne de l'art et commissaire d'exposition

Doug Weill, founder and co-managing partner at Hodes Weill and Associates, joined the REIT Report podcast to discuss findings from the 2025 Institutional Real Estate Allocations Monitor. Weill noted that institutions decreased target allocations by 10 basis points this year, although allocations are expected to increase by about the same amount in the coming 12 months. The survey showed market conviction “tick up a bit,” he added. “That to us indicates that institutions are increasingly ready to deploy capital and are viewing the next couple of years as potentially good vintages, which is what we hear over and over from institutions.”Weill also highlighted that about one in three institutions are actively allocating to REITs. “When we ask them about what it is about REITs that is most appealing, the two main or top objectives are liquidity and a proxy for core,” he noted.Larger institutions are more actively allocating to REITs, according to Weill, using dedicated in-house teams.

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Rabbi Josh Rose and Rabbi Jeffrey Weill open with quick banter about The Clash—correcting a claim that Allen Ginsberg wrote broadly for Combat Rock (it was a spoken-word feature on "Ghetto Defendant")—then pivot to their real topic: Jewish peoplehood. They trade personal moments that made peoplehood feel tangible: a wild wedding hora, a teenage son's ecstatic trip to Israel, and the fantasy of a synchronized, worldwide Shema. Both admit strong, visceral bonds to other Jews, yet note how personality, humor, music, and shared culture can sometimes trump tribal ties in day-to-day affinity. They then interrogate whether "peoplehood" exists or is better treated as an aspirational story worth preserving despite deep political and theological fractures. Weill recalls an Israeli guide who felt more kinship with an Arab Israeli bus driver than with U.S. Jews, raising questions about nationhood vs. Jewishness. He references Eric Alterman's We Are Not One to underscore disunity, while Rose argues the dream still has value even if the facts don't add up neatly. They close by distinguishing love for the Jewish collective from friction with particular Jews, debating "myth" vs. "dream," invoking (and nitpicking) Herzl's "If you will it…" line, and, fittingly, ending where they began—on music.

A Life in Song: Carole Farley on Longevity, Courage & Curiosity Host Hrund Ósk sits down with internationally celebrated soprano Carole Farley, whose legendary career spans the world's greatest stages — from her iconic Lulu at the Metropolitan Opera to acclaimed performances in Die Frau ohne Schatten, Wozzeck, and La Voix Humaine. They explore: • The making of a lifelong artist — from Idaho to the Met • Why bullet-proof vocal technique sustains a 45-year career • Creating your own opportunities (beyond YAPs) • Motherhood on tour & time management at the highest level • Curiosity, discipline, and staying true to your why "The single most important thing for a singer is a good technique… My voice works perfectly to this day — because of my technique." — Carole Farley Episode highlights 00:02 Falling in love with singing • 00:06 First teacher & early technique 00:10 Fulbright, Munich & first contracts • 00:17 The stage as the greatest teacher 00:23 Drive, discipline & time management • 00:33 Meeting conductor José Serebrier 00:38 Performing through motherhood • 00:45 Politics, contracts & self-advocacy 00:52 Opening doors for young singers • 00:59 Curiosity & sustaining a long career 01:15 Ego vs. purpose — remembering your why About Carole Farley American soprano Carole Farley debuted at the Metropolitan Opera in the title role of Lulu, a role she performed over 100 times in four languages. She has sung leading roles with Lyric Opera of Chicago, Paris, Zurich, Lyon, Teatro Colón, and more, and appeared with orchestras including the New York Philharmonic, Boston Symphony, Royal Philharmonic, and Concertgebouw. Her award-winning discography spans Strauss, Weill, Prokofiev, Poulenc, Britten, and Rorem. Website: https://carolefarley.com/index.html Selected recordings • Strauss: Four Last Songs — RCA/BMG • Kurt Weill: Der Neue Orpheus — ASV (world-premiere recording) • La Voix Humaine — Chandos • Ned Rorem Songs — Naxos (with the composer at the piano) Learn more Explore The Thriving Singer Academy — founded by Hrund Ósk — for a clear, empowering framework to understand your instrument, practice with purpose, and perform with confidence. Enroll / info: https://www.hrundosk.com/course-registration Enjoyed the episode? Follow/subscribe on Spotify and Apple Podcasts, and leave a quick review — it really helps other singers find the show!

Nous sommes le 1er décembre 1901, à Montmartre. Ce jour-là est officiellement inaugurée la Galerie B. Weill. B pour Berthe. Pour l'occasion, l'illustrateur Lobel-Riche a gravé un carton sur lequel on peut lire « Place aux Jeunes ». Le Tout-Paris est invité et le tapage est grand auprès de la presse. L'exposition qui célèbre l'événement rassemble des toiles de Pierre Girieud, Fabien Launay et Raoul de Mathan ainsi que des figurines en terre cuite d'Aristide Maillol, qui rencontrera peu de temps après la notoriété. L'histoire de Berthe Weill, marchande et mécène, est celle d'une pionnière. Elle a fait de sa galerie un espace d'expression pour toute une nouvelle frange d'artistes émergents. En accueillant ceux, et celles, qui « débutaient dans la carrière et n'étaient soutenus par personne », elle a joué un rôle primordial dans l'avènement de l'art moderne. C'est elle qui présenta, pour la première fois en galerie à Paris, les œuvres de Matisse et Picasso. Paul Reboux, écrivain et peintre, la décrira, en 1933, en "pourfendeuse héroïque du dragon de la banalité". Dix ans plus tôt, dans un texte intitulé « Les berceaux de la jeune peinture », André Warnod, critique d'art et fidèle allié, la résume ainsi : « Voyez aussi le cas d'une galerie comme celle de Mlle Berthe Weill. Lorsqu'on consulte la collection des catalogues de toutes les expositions qu'elle organisa dans sa boutique (…), on reste stupéfait qu'elle n'ait pas à sa porte une limousine grosse comme une locomotive. Tous les peintres qui ont un nom à présent, tous ceux qui ont joué un rôle dans l'art d'aujourd'hui ont été accueillis par elle alors qu'ils débutaient dans la carrière et n'étaient soutenus par personne. Ils y sont tous ». Un parcours hors-norme que celui de Berthe Weill, celui d'une femme dans un monde de l'art encore très misogyne, une femme qui a su s'imposer par sa volonté inébranlable mais aussi par son humour et son sens de l'autodérision. N'oublions pas celle que ses protégés avaient baptisé « la mère Weill »… Avec nous : Marianne Le Morvan, docteure en histoire de l'art et commissaire d'exposition. « Berthe Weill – Marchande et mécène de l'art moderne »éditions Flammarion. Sujets traités : Berthe Weill, marchande , mécène, art , moderne, Pierre Girieud, Fabien Launay , Raoul de Mathan, Matisse , Picasso, Galérie, peinture, Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

“Berthe Weill” Galeriste d'avant-gardeau Musée de l'Orangerie, Parisdu 8 octobre 2025 au 26 janvier 2026Entretien avecMarianne Le Morvan,fondatrice et directrice des Archives Berthe Weill, commissaire d'expositioin et chercheuse indépendante, et co-commissaire de l'exposition, par Anne-Frédérique Fer, à Paris, 3 octobre 2025, durée 16'14,© FranceFineArt.https://francefineart.com/2025/10/15/3650_berthe-weill_musee-de-l-orangerie/Communiqué de presse Commissariat :Sophie Eloy, Attachée de collection, chargée des contrepoints contemporains au musée de l'OrangerieAnne Grace, Conservatrice de l'art moderne au Musée des beaux-arts de MontréalLynn Gumpert, Directrice du Grey Art Museum, New York University, de 1997 à 2025Marianne Le Morvan, Fondatrice et directrice des archives Berthe Weill, commissaire d'expositions et chercheuse indépendanteEn 1901, Berthe Weill ouvre une galerie au 25, rue Victor-Massé, dans le quartier de Pigalle. Elle choisit alors de s'engager aux côtés des artistes de son temps, en contribuant à leur révélation puis à l'essor de leur carrière, malgré des moyens limités. Parmi eux se trouvent certains des plus grands noms des avant-gardes : comme d'autres aujourd'hui moins en vue. Avec un enthousiasme et une persévérance sans faille, elle a été leur porte-voix et les a soutenus pendant près de quarante ans, jusqu'à la fermeture de sa galerie en 1940, dans le contexte de la guerre et de la persécution des Juifs. Dès 1933, elle avait publié ses souvenirs de trois décennies d'activité sous le titre Pan! dans l'OEil!…, faisant oeuvre de pionnière de ce genre littéraire.Pourtant, la trajectoire de Berthe Weill, un temps presque effacée, n'est aujourd'hui pas encore inscrite au firmament des marchands d'art où figurent en bonne place Daniel-Henry Kahnweiler, Paul et Léonce Rosenberg, Ambroise Vollard ou encore Paul Guillaume. L'exposition, organisée par le Musée des beaux-arts de Montréal, le Grey Art Museum, New York University, et le musée de l'Orangerie à Paris, a pour ambition de mettre en lumière un pan encore méconnu de l'histoire de l'art moderne. Berthe Weill s'est engagée dès le début du siècle dans le soutien aux artistes sous le mot d'ordre de « Place aux jeunes » qui figurait sur sa carte publicitaire.De Picasso – qu'elle contribue à vendre avant même l'ouverture de sa galerie – à Modigliani – dont elle organise la seule exposition personnelle de son vivant en 1917 –, elle participe à la reconnaissance du fauvisme en présentant régulièrement des expositions du groupe d'élèves de Gustave Moreau réunis autour de Matisse. Elle s'engage, un peu plus tard, auprès des cubistes et des artistes de l'Ecole de Paris dans des batailles pour l'art, pour l'éclosion de ses nouvelles formes, mais aussi contre le conservatisme et la xénophobie. Malgré les vicissitudes, son intérêt pour les jeunes artistes n'a jamais faibli. C'est ainsi qu'elle a défendu farouchement des figures très différentes – dont certaines n'appartenant à aucun courant précis, – et leur a donné une chance en organisant une ou plusieurs expositions. Elle promeut, en outre, nombre d'artistes femmes, sans préjugés de sexe ou d'école, d'Émilie Charmy qu'elle expose régulièrement de 1905 à 1933 et qu'elle qualifie d' « amie d'une vie » à Jacqueline Marval, Hermine David ou encore Suzanne Valadon, alors très en vue. En 1951, à sa disparition, elle a présenté plus de trois cents artistes aux quatre adresses successives de sa galerie : 25, rue Victor-Massé ; 50, rue Taitbout à partir de 1917 ; 46, rue Laffitte de 1920 à 1934, et enfin 27, rue Saint-Dominique. Elle a organisé des centaines d'expositions jusqu'à la fermeture définitive de sa galerie en 1941.[...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Exposition « Berthe Weill. Galeriste d'avant-garde »Du 8 octobre 2025 au 26 janvier 2026 au musée de l'OrangerieEn 1901, Berthe Weill ouvre une galerie au 25 rue Victor-Massé, dans le quartier de Pigalle. Elle choisit alors de s'engager aux côtés des artistes de son temps en contribuant à leur révélation puis à l'essor de leur carrière, malgré des moyens limités. Parmi eux, se trouvent certains des plus grands noms des avant-gardes, comme d'autres aujourd'hui moins en vue. Avec un enthousiasme et une persévérance sans faille, elle a été leur porte-voix et les a soutenus pendant près de quarante ans jusqu'à la fermeture de sa galerie en 1940, dans le contexte de la guerre et de la persécution des Juifs.Dès 1933, elle avait publié ses souvenirs de trois décennies d'activité sous le titre « Pan ! Dans l'œil… », faisant œuvre de pionnière de ce genre littéraire.Plus d'infos : https://bit.ly/Berthe-Weill Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Er hat das Business von allen Seiten kennengelernt: als Geschäftsführer von Orchestern wie der Jungen Deutschen Philharmonie und dem Ensemble Modern, als Konzertveranstalter in Wien und in London sowie als Labelchef bei der Deutschen Grammophon. Heute betreibt Karsten Witt sein eigenes Künstlermanagement in Berlin. Musik von den schönsten Projekten eines Organisationstalents hat er in die Sendung mitgebracht: Aufnahmen mit seinen früheren Orchestern und den heute von ihm vertretenen Künstlerinnen und Künstlern, Musik von Brahms und Schönberg bis Zappa und Weill, aber auch den flotten Walzer, den Wolfgang Rihm ihm einmal gewidmet hat.

durée : 00:20:10 - « Johnny Johnson » de Kurt Weill - Johnny Johnson est une comédie musicale dont le livret et les paroles sont de Paul Green et la musique de Kurt Weill . Sa première a eu lieu en 1936 à Broadway. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The 2025 Red Sox Trade Deadline is like in Friends when Ross goes to get Rachel off the plane but in this version Rachel already got on the plane and left. We are joined by WEEI host Joe Weil. Joe provides a lot of perspective on today's events or lack thereof. Somehow we are all in agreement that this is still a competitive team. That being said, the fanbase is deflated. This is not the "decisive and aggressive" we were promised. Hopefully the Red Sox inability to execute Plan A does not become a pattern. And I hope their hot dog sales plummet. I will be bringing my own spaghetti to the ballpark from now on. The Red Sox trade acquisitions this year were Dodgers starting pitcher DUSTIN MAY and Cardinals relief pitcher STEVEN MATZ. Linktree NASP Instagram NASP Twitter Ian's Twitter Jack's Twitter

We are live at the CrossFit Games.  We are going to bring you the latest from all the action from the 2025 CrossFit Games.  Justin Medieros shows he's not done. Tia makes a statement after the first 2 events.  Weill she keep it going.  and Kristin Holte is Back!!!

Près de 40 ans après la mise en scène d'Antoine Vitez, la pièce fleuve de Paul Claudel est adaptée par Eric Ruf et retrouve la Cour d'honneur du Palais des Papes.  En 1929, l'auteur Paul Claudel publie Le soulier de Satin, un drame d'amour qui se déroule au temps des Conquistadors, entre la fin du XVIè siècle et le début du XVIIè siècle. Construite en «quatre journées», l'auteur narre une histoire d'amour passionnelle, mais impossible, entre Rodrigue et Doña Prouhèze, épouse du gouverneur Don Pélage.  L'origine du Soulier de Satin est biographique. Paul Claudel s'est inspiré de sa propre histoire. Il a été éperdument amoureux d'une femme mariée, Rosalie Vetch dont il a été séparé, mais avec qui il a eu un enfant adultérin. Cet amour, qui aura duré quatre ans, lui a inspiré le personnage de Ysé dans la pièce : Partage de Midi, puis celui de Dona Prouheze.  Dans les années 20, il retrouve cette femme. Il apprend alors qu'il a un enfant. Il a voulu rendre cette histoire, mythique.  Paul Claudel s'est inspiré d'une légende chinoise : celles de ces deux étoiles qui ne se rejoignent jamais, mais qui se croisent dans le ciel. En raison de sa longueur, six, sept, huit heures, voire plus ! — la pièce est rarement jouée.   Elle a été créée pour la première fois à la Comédie Française en 1943 par Jean-Louis Barrault dans un Paris occupé. Puis s'ensuit la version d'Antoine Vitez au Festival d'Avignon en 1987 dans la Cour d'honneur du Palais des Papes. Pour cette adaptation, Antoine Vitez prend le parti de couper tout ce qui, dans le texte, était empreint de religion.  Olivier Py a également mis en scène la pièce en 2003 au Théâtre de la Ville.  Dans cette nouvelle mise en scène d'Eric Ruf, administrateur de la Comédie-française jusqu'au 4 août 2025, le spectacle retrouve la Cour d'honneur du Palais des Papes.  Invités : Didier Sandre, comédien et metteur en scène français. Il interprétait le personnage de Rodrigue dans la mise en scène d'Antoine Vitez. Dans cette nouvelle adaptation, il joue le rôle de Don Pelage.  J'ai essayé d'accueillir cette présentation du Soulier pour ce qu'elle est aujourd'hui. Mais en entendant certaines répliques, j'ai des bouffées de temps retrouvé. Didier Sandre  Sefa Yeboah, comédien français. C'est l'une des dernières recrues de la Comédie Française qu'il a rejoint en 2023. Il y est dirigé par Thomas Ostermeier dans L'opéra de quat'sous de Brecht et Weill. Il a interprété Don Apostolo Gazella dans Lucrèce Borgia de Victor Hugo par Denis Podalydès qui lui confie également le rôle de Léandre dans Les Fourberies de Scapin de Molière. Il joue le rôle de l'ange gardien de Doña Prouhèze dans Le Soulier de Satin.  Il y a quelque chose d'accessible presque. Claudel a cette langue qui est magnifique, mais qui peut être très complexe. Eric Ruf a voulu la simplifier, pas la rendre banale, car ce n'est pas possible, mais la rendre audible, la rendre vivante. Sefa Yeboah   Avec aussi le témoignage d'un couple qui a assisté à la mise en scène d'Antoine Vitez, en 1987. Propos recueillis par Fanny Imbert. Le Soulier de Satin à voir dans la Cour d'honneur du Palais des papes jusqu'au 22 juillet 2025. Quelques mots sur Paul Claudel :  Né en 1868, Paul Claudel est un écrivain, dramaturge et diplomate français. Il est le frère de la sculptrice Camille Claudel. Il se convertit eau catholicisme en 1886 et toute son œuvre sera profondément marquée par sa foi. Passé une velléité d'entrer dans les ordres, il entre dans la carrière diplomatique en 1893. Il rencontre Rosalie Vetch avec qui il aura une fille illégitime, Louise. Il entre à l'Académie française en 1946. Paul Claudel est décédé en 1955.  Programmation musicale :  Le groupe occitan Raffut avec le titre «Tout est fragile».

Près de 40 ans après la mise en scène d'Antoine Vitez, la pièce fleuve de Paul Claudel est adaptée par Eric Ruf et retrouve la Cour d'honneur du Palais des Papes.  En 1929, l'auteur Paul Claudel publie Le soulier de Satin, un drame d'amour qui se déroule au temps des Conquistadors, entre la fin du XVIè siècle et le début du XVIIè siècle. Construite en «quatre journées», l'auteur narre une histoire d'amour passionnelle, mais impossible, entre Rodrigue et Doña Prouhèze, épouse du gouverneur Don Pélage.  L'origine du Soulier de Satin est biographique. Paul Claudel s'est inspiré de sa propre histoire. Il a été éperdument amoureux d'une femme mariée, Rosalie Vetch dont il a été séparé, mais avec qui il a eu un enfant adultérin. Cet amour, qui aura duré quatre ans, lui a inspiré le personnage de Ysé dans la pièce : Partage de Midi, puis celui de Dona Prouheze.  Dans les années 20, il retrouve cette femme. Il apprend alors qu'il a un enfant. Il a voulu rendre cette histoire, mythique.  Paul Claudel s'est inspiré d'une légende chinoise : celles de ces deux étoiles qui ne se rejoignent jamais, mais qui se croisent dans le ciel. En raison de sa longueur, six, sept, huit heures, voire plus ! — la pièce est rarement jouée.   Elle a été créée pour la première fois à la Comédie Française en 1943 par Jean-Louis Barrault dans un Paris occupé. Puis s'ensuit la version d'Antoine Vitez au Festival d'Avignon en 1987 dans la Cour d'honneur du Palais des Papes. Pour cette adaptation, Antoine Vitez prend le parti de couper tout ce qui, dans le texte, était empreint de religion.  Olivier Py a également mis en scène la pièce en 2003 au Théâtre de la Ville.  Dans cette nouvelle mise en scène d'Eric Ruf, administrateur de la Comédie-française jusqu'au 4 août 2025, le spectacle retrouve la Cour d'honneur du Palais des Papes.  Invités : Didier Sandre, comédien et metteur en scène français. Il interprétait le personnage de Rodrigue dans la mise en scène d'Antoine Vitez. Dans cette nouvelle adaptation, il joue le rôle de Don Pelage.  J'ai essayé d'accueillir cette présentation du Soulier pour ce qu'elle est aujourd'hui. Mais en entendant certaines répliques, j'ai des bouffées de temps retrouvé. Didier Sandre  Sefa Yeboah, comédien français. C'est l'une des dernières recrues de la Comédie Française qu'il a rejoint en 2023. Il y est dirigé par Thomas Ostermeier dans L'opéra de quat'sous de Brecht et Weill. Il a interprété Don Apostolo Gazella dans Lucrèce Borgia de Victor Hugo par Denis Podalydès qui lui confie également le rôle de Léandre dans Les Fourberies de Scapin de Molière. Il joue le rôle de l'ange gardien de Doña Prouhèze dans Le Soulier de Satin.  Il y a quelque chose d'accessible presque. Claudel a cette langue qui est magnifique, mais qui peut être très complexe. Eric Ruf a voulu la simplifier, pas la rendre banale, car ce n'est pas possible, mais la rendre audible, la rendre vivante. Sefa Yeboah   Avec aussi le témoignage d'un couple qui a assisté à la mise en scène d'Antoine Vitez, en 1987. Propos recueillis par Fanny Imbert. Le Soulier de Satin à voir dans la Cour d'honneur du Palais des papes jusqu'au 22 juillet 2025. Quelques mots sur Paul Claudel :  Né en 1868, Paul Claudel est un écrivain, dramaturge et diplomate français. Il est le frère de la sculptrice Camille Claudel. Il se convertit eau catholicisme en 1886 et toute son œuvre sera profondément marquée par sa foi. Passé une velléité d'entrer dans les ordres, il entre dans la carrière diplomatique en 1893. Il rencontre Rosalie Vetch avec qui il aura une fille illégitime, Louise. Il entre à l'Académie française en 1946. Paul Claudel est décédé en 1955.  Programmation musicale :  Le groupe occitan Raffut avec le titre «Tout est fragile».

Enquête sur les intoxications E. coli à Saint-Quentin, dans l'Aisne : "l'Institut Pasteur essaye d'être encore plus rapide que d'habitude". Comment même-t-on ces investigations ? Ecoutez François-Xavier Weill, le responsable du Centre national de référence des Escherichia coli à l'Institut Pasteur. Ecoutez Les trois questions de RTL Petit Matin avec Jérôme Florin du 27 juin 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Enquête sur les intoxications E. coli à Saint-Quentin, dans l'Aisne : "l'Institut Pasteur essaye d'être encore plus rapide que d'habitude". Comment même-t-on ces investigations ? Ecoutez François-Xavier Weill, le responsable du Centre national de référence des Escherichia coli à l'Institut Pasteur. Ecoutez Les trois questions de RTL Petit Matin avec Jérôme Florin du 27 juin 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

The collaboration between Kurt Weill and Bertolt Brecht is rightly legendary. The two men could not have been more different from each other, and like the Brahms/Joachim relationship I mentioned in my recent show about the Brahms Double concerto, the friendship between Weill and Brecht was stormy to say the least. The two collaborated on some of the most memorable works of the Weimar era in Germany, such as the Threepenny Opera, which features a pretty famous tune called Mack the Knife. Their final collaboration was on the “sung ballet” The Seven Deadly Sins. This is a piece that was written at a point of remarkably high tension within Weimar Germany. On an artistic level, the 1920s and early 1930s had seen a veritable explosion in the world of culture, with art, dance, theater, and music all featuring artists who were pushing the boundaries with wild experimentation and a kind of ecstatic fervor that produced some of the world's greatest and most memorable cultural achievements. On a parallel track however, the rise of the Nazis cast a pall over all of this. By 1933, both Brecht and Weill(who was Jewish) knew that Germany was not a place that they could stay safely. Weill ended up in Paris and then in the US for the rest of his life, while Brecht bounced around Europe before returning to East Germany after the war, hoping to be a part of the Marxist Utopia that he believed had been founded there.  The simmering combination of Weill's mastery of transforming popular forms into a unique kind of classical music along with Brecht's pointed satire and brilliantly inventive libretti resulted in the Seven Deadly Sins, a piece that that brutally satirizes extreme capitalism and the degradation of the human soul that supposedly results from it. This is a nakedly political piece, and I should make it clear that by talking about it, by choosing to feature it on the show, and by regularly performing it, I don't necessarily endorse its views. Brecht was extreme in all ways, as we'll get to today, and the power of this piece in my opinion doesn't come from its politics, but from its remarkable and devastating portrayal of a human soul and the tragedies that can befall it. This is one of my favorite pieces of the whole 20th century, and I'm so happy to share it with you today. Join us!

durée : 00:07:34 - Info médias - Le reporter, entouré d'experts, explique comment le monde est entré dans une nouvelle ère, avec l'avènement d'hommes forts au pouvoir, de Poutine à Trump en passant par Xi Jinping et Javier Milei. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Have you ever heard Contemplazione, a piece for orchestra by Catalani, the composer of La Wally? Have you ever heard “Who's Afraid of the Big Bad Wolf?”—but arranged for piano? These are two of the offerings in this eclectic, stimulating program. Catalani, “Contemplazione” Catalani, “Ebben? Ne andró lontana,” from “La Wally” Stravinsky, “Le Baiser de la fée” Shchedrin, “Changing of the Guard” from “Carmen Suite” Fauré, Pavane Churchill-Walford, “Who's Afraid of the Big Bad Wolf?” Tveitt, “Sonata etere” Sibelius, “Was It a Dream?” Weill, “My Ship”

A look at UCSF's Weill Neurosciences Building in Mission Bay. Series: "UC Landmarks" [Health and Medicine] [Show ID: 40744]

Lucie Weill a depuis l'enfance, une détermination sans borne. Passionnée, organisée, courageuse, extrêmement intelligente et reconnaissante de la chance qu'elle a eue, Lucie Weill a su faire de ce qu'elle a reçu quelque chose de plus grand.Première invitée de « Tant qu'il y aura des Femmes », cette entrepreneuse de 33ans cultive à la fois quelque chose de raisonnable et à la fois un appétit et un désir plus grand que la vie dont elle se donne chaque jour les moyens de les dépasser encore.Alors la façon dont elle a imaginé avec son père leur hôtel Lily of The Valley, son enfance et sa famille, sa façon de voir la vie, la mère qu'elle veut être pour ses filles, mais aussi ce qu'elle a choisi d'être comme femme ou encore l'animal social qu'elle aurait aimé être, tout cela et bien plus encore c'est à découvrir ici. A la fin de cet entretien, hors micro, je lui ai dit « Lucie j'aurais aimé vous entendre à 14ans, avant de faire mes choix, avant de me construire, de choisir et de dessiner ma vie. » Je le pensais bien sûr et je le pense encore plus en ayant réécouter cet épisode.Merci Lucie d'être la marraine de ce nouveau format et de m'avoir fait confiance.Et bonne écoute à toutes et à tous.C'est formidable d'être une femme, serrons-nous les coudes sans nous monter les unes contre les autres. Générique composé là encore par le formidable Jean Thévenin.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

“We got it from Lauren Bacall,” says this curator. The flu? Certainly not. An Elsa Peretti handbag, one of 700 items from Bacall's wardrobe donated to the Museum at FIT, where it was featured in Hill's recent exhibition,Fashioning Wonder: A Cabinet of Curiosities. Music: Eléonore Weill, Zoe Guigueno.

In this episode, I got over the following topics:-311 Umar vs Merab, Jiri vs hill, Islam vs moicano-Merab O'Malley 2-De ridder vs Bo Nickal-312 Strickland DDP and Weill vs Tatiana suarez-Adesanya vs imavov-313 Ankalaev vs Pereira-Pereira vs Ankalaev 2 and how that could affect Jon Jones vs Aspinall if vacant title-Potential International fight week Topuria vs Islam (leak from Spanish espn Topuria vs oliveira)-Brady vs Edward's (Brady vs Usman)-UFC 314 Predictions Volk vs Lopez

After I post a Countermelody episode on a cherished singer, my relationship with these artists continues: one of those manifestataions is that I never stop seeking out rare and unusual recordings featuring those singers. This results in a grab-bag of fascinating and often obscure material that is simply too good not to share with my listeners. Today I present you with the second episode of such genre, which I have collectively dubbed “Rescue Mission.” On this episode I feature singers you've heard on the podcast over the course of the past several weeks and months, including, among many others, Janet Baker, Oralia Domínguez, Eugene Holmes, Ellabelle Davis, Gilda Cruz-Romo, Benjamin Luxon, Mara Coleva, Hugo Hasslo, Margaret Marshall, Gloria Davy, and Mady Mesplé, performing work by Handel, Verdi, Weill, Bach, Brahms, Boito, and Mozart. The episode concludes with Eleanor Steber (because, as I affirmed laast week, you can never have enough of her), in a 1949 performance of “Ah, Perfido!” that will have you picking your dislocated jaw up off the floor. Also expect shout-outs to friends of the podcast, old and new, as well as a certain amount of political snippiness! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Send us a textDr. David Weill shares his journey from transplant pulmonologist to consultant and author, exploring how he recognized the emotional and physical toll of clinical medicine after 20 years and strategically transitioned to his "second act." He provides honest insights into the realities of medical practice, the importance of knowing when to pivot, and the value of pursuing creative outlets that align with your strengths.• After 20 years as a transplant pulmonologist, Dr. Weill transitioned to consulting and writing• He recognized early that clinical medicine had a "shelf life" due to physical demands and emotional toll• Used a methodical approach of listing what he excelled at and enjoyed to guide his next chapter• Now works as a consultant helping transplant programs improve their systems and outcomes• Has published two books: "Exhale" (a memoir) and "All That Really Matters" (a novel)• Emphasizes the challenge of accepting medicine's imperfect outcomes• Recommends "test-driving" potential new career paths while still in your current role• Highlights the importance of the "three Fs": family, friends, and faith (spiritual practice)Visit davidweill.com to learn more about Dr. Weill's books and work. He welcomes emails from medical students, residents, and physicians considering career transitions.Though I am a physician, this is not medical advice. This is only a tool that physicians can use to get ideas on how to deal with burnout and/or know they are not alone. If you are in need of medical assistance talk to your physician.Learn more about female physicians' journey through burnout to thriving!https://www.theworthyphysician.com/booksLet's connect for speaking opportunities!https://www.theworthyphysician.com/dr-shahhaque-md-as-a-speakerCheck out the free resources from The Worthy Physician:https://www.theworthyphysician.com/freebie-downloadsBattle of the Boxes21 Day Self Focus Journal

Taking our cue from the new Broadway musical  Operation Mincemeat, we look at songs that inspired--and were inspired by-- the WWII homefront here and in the UK:  Bernstein, Berlin, Coward, Weill, Bart and more. 

Historia de un encuentro único y excepcional, de enorme valor artístico, social y humano, destinadas a marcar para siempre la historia del siglo XX.Escuchar audio

WBJ Rabbis Reimer, Rose and Weill discuss the expectation that rabbis must act, talk, and, yes, dress like rabbis. Must we? It can feel oppressive at times, but it may also serve an important purpose. That's what we are kicking around in this episode of Weird Being Jewish.     

Rabbis Reimer, Weill and Rose take on the Trumpian turn in the country and whether Jewish people have a paritcular obligation to speak out as Jews about what's happening.  They also touch on collective responsibility and - hey, who gets to say who's right and wrong anyway? Raising more questions than answers these three rabbi-friends ponder what's most heavily on all of our minds, and find meaning in the conversation. Join us!

Today, Hunter spoke with Senior Reporter at The Appeal, Elizabeth Weill-Greenberg. A few weeks ago, Hunter was joined by Phil Wilayto of the Virginia Defender to talk about why prisoners of Virginia's Red Onion Prison were lighting themselves on fire. Today, Elizabeth joins to reveal how despite the public proclamations by DOC officials, prisoners were lighting themselves on fire all along.   Guest Elizabeth Weill-Greenberg, Senior Reporter, The Appeal   Resources: Follow Elizabeth https://x.com/elizabethweill https://bsky.app/profile/did:plc:dld6gvzefnncxuiaccy2u3qn Read about Red Onion Prison https://theappeal.org/red-onion-virginia-prison-self-immolated/ https://www.vpm.org/news/2024-12-06/ekong-eshiet-kevin-rashid-johnson-red-onion-vadoc-wise-county https://virginiamercury.com/2025/01/09/rally-continues-call-for-investigation-into-red-onion-state-prison-presses-for-prison-reforms/ https://www.vpm.org/news/2025-01-10/red-onion-prison-incarceration-wise-county-pound-death-mike-jones https://www.prisonradio.org/news-update/red-onion-state-prison-update/ https://theappeal.org/virginia-prison-response-red-onion-self-immolation/ https://theappeal.org/prisoners-intentionally-burned-themselves-red-onion-state-prison-virginia/     Contact Hunter Parnell:                                 Publicdefenseless@gmail.com  Instagram @PublicDefenselessPodcast Twitter                                                                 @PDefenselessPod www.publicdefenseless.com  Subscribe to the Patron www.patreon.com/PublicDefenselessPodcast  Donate on PayPal https://www.paypal.com/donate/?hosted_button_id=5KW7WMJWEXTAJ Donate on Stripe https://donate.stripe.com/7sI01tb2v3dwaM8cMN Trying to find a specific part of an episode? Use this link to search transcripts of every episode of the show! https://app.reduct.video/o/eca54fbf9f/p/d543070e6a/share/c34e85194394723d4131/home  

Doug Weill, managing partner at Hodes Weill and Associates, was a guest on the latest episode of the Nareit REIT Report.Hodes Weill recently released its 2024 Real Estate Allocations Monitor which showed that about 39% of institutions actively allocated capital to REITs in 2023, compared with 36% the prior year. Sovereign wealth funds were “meaningfully more active,” Weill said. “I think this is an ongoing trend where institutions are increasingly active out of their real estate allocations in REITs. And REITs are increasingly a complement to private market investments.”About 67% of institutions indicated that liquidity is one of the key reasons why they invest in REITs, which was up from about 46% the prior year.

Episode 88: In this episode, I sit down with Dr. David Weill, a renowned transplant surgeon and accomplished author, to uncover the intricate world of organ transplants. Dr. Weill takes us on a journey through his impressive career, from his early days as an intern to his rise as a leading expert in lung transplants. We discuss the emotional highs and lows of transplant surgery, the critical decisions involved in patient selection, and how personal experiences have shaped his professional approach.  In this candid conversation, Dr. Weill opens up about the often-overlooked struggles within the healthcare system, the concept of moral injury among healthcare workers, and the immense challenges that came with balancing life-saving procedures with the harsh realities of medicine today. His unique perspective offers listeners an inside look into one of the most transformative fields in healthcare.  Key Highlights: The serendipitous path that led Dr. Weill to specialize in transplant surgery The unique challenges of lung transplantation compared to other organs Navigating the complex decision-making process in organ allocation The emotional toll of long-term patient relationships in transplant care Dr. Weill's transition from clinical practice to writing and consulting Discover how: Personal experiences, such as a family member's transplant, can reshape a surgeon's approach to patient care The concept of "moral injury" offers a new perspective on healthcare worker burnout Writing can serve as both a therapeutic outlet and a means to educate the public about healthcare realities Maintaining connections with family, friends, and personal beliefs can help healthcare professionals navigate career challenges This episode provides valuable insights for healthcare professionals at all stages of their careers, as well as anyone drawn to the human side of medicine. Through Dr. Weill's journey from transplant surgeon to author and consultant, we explore the emotional complexities of patient care, the ethical dilemmas of organ allocation, and the concept of "moral injury" in healthcare—highlighting how personal experiences can shape both medical practice and career paths beyond the operating room. Resources Mentioned: "Exhale" by Dr. Weill "All that Really Matters" by Dr. Weill Davidweill.com Join us for this enlightening conversation that bridges the gap between medical expertise and human experience, offering a rare glimpse into the world of organ transplantation and the evolving landscape of healthcare. Connect with Andrea on Instagram (@andreaaustinmd) or LinkedIn about the show and more, or visit her website www.andreaaustinmd.com.

Before I traveled to my home state of Wisconsin this week, I had prepared an episode to post this weekend, but in my naïveté, I had not anticipated the catastrophe that happened to my country, and to the world, when the unthinkable occurred this past Tuesday. Since then I have barely had a moment's rest, feeling gripped by a torrent of negative emotions, rage and despair primary among them. It became apparent to me that I had to give voice to those feelings in order to work through them, and in the process maybe even help my friends and listeners who are struggling with their own versions of this toxic emotional cocktail. So here is the episode I dearly wish I had not felt compelled to produce, one devoted to despair and to rage, as we attempt to convert them into resolve and determination to “stand our ground” and demand that our beloved country not go under, powerless though we may feel at this moment to prevent that from happening. I have chosen work by Poulenc, Mozart, Weill, Monteverdi, Menotti, Schumann, Schubert, and Bernstein, performed by such podcast favorites as Jennie Tourel, Judy Garland, Gérard Souzay, Maria Callas, Oralia Domínguez, Virginia Zeani, Judith Raskin, Pilar Lorengar, and others, to act as our music therapists as we struggle to regain our equilibrium, “Lost in the Stars” though we may feel at this moment. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

durée : 01:28:52 - "Lost in the Stars", les 75 ans du chef d'oeuvre de Kurt Weill à Broadway - par : Laurent Valière - Le 30 octobre 1949, Kurt Weill repoussait encore les limites de la comédie musicale avec une œuvre sur la réconciliation en Afrique du Sud entre deux pères de couleur de peau différente qui ont perdu leur fils. Dernier succès public de Kurt Weill avant sa mort, l'œuvre est rarement montrée depuis.

This week: a huge survey of the work of the late linchpin of the Los Angeles contemporary scene Mike Kelley has arrived at Tate Modern in London. We speak to its co-curator Catherine Wood about this enormously influential artist and his visceral and absurd response to popular culture and folk traditions of the US. A major show of Indian art made between 1975 and 1998, a pivotal period of political, social and economic change in the country, opened this week at the Barbican Art Gallery in London. Shanay Jhaveri, a former curator of international art at the Metropolitan Museum of Art in New York who is now head of visual arts at the Barbican, leads us in a tour of show. And this episode's Work of the Week is Raoul Dufy's Thirty Years or La Vie en Rose (1931), a painting made originally for the 30th anniversary of a gallery in Paris, that was owned by the pioneering woman gallerist Berthe Weill. She is the subject of an exhibition at the Grey Art Museum at New York University, which will tour next year to Montreal and Paris. Lynn Gumpert, the co-curator of the show and director of the Grey Art Museum, tells us about the painting, the artist and the dealer.Mike Kelley: Ghost and Spirit, Tate Modern, London, until 9 March 2025; Mike Kelley: Ghost and Spirit; Moderna Museet, Stockholm, 12 April-15 September 2025.The Imaginary Institution of India: Art 1975–1998, Barbican Art Gallery, London, 5 October-5 January 2025; and you can hear an in-depth interview with Nalini Malani on A brush with…, that's the episode from 21 February this year.Make Way for Berthe Weill: Art Dealer of the Parisian Avant-Garde, Grey Art Museum, New York, until 1 March; Montreal Museum of Fine Arts, 10 May-7 September 2025; Musée de l'Orangerie, Paris, 8 October 2025-25 January 2026.Subscription offer: get three months of The Art Newspaper for just £1/$1/€1. Choose between our print and digital or digital-only subscriptions. Visit theartnewspaper.com to find out more. Hosted on Acast. See acast.com/privacy for more information.

Dr. Wilner would love your feedback! Click here to send a text! Thanks!Many thanks to David Weill, MD, former Director of the Center for Advanced Lung Diseases and the Lung and Heart-Lung Transplant Program at Stanford University Medical Center. Dr. Weill is the author of the new novel “All That Really Matters” and the memoir “Exhale”. He's working on a 3rd book to be published next year. I read “All That Really Matters” and couldn't put it down. Although I am not a transplant surgeon like the protagonist, we definitely shared some similar experiences during our training and early careers. The novel leads us through the complex world of organ transplants, with the author as an expert guide. Even those without a medical background will have no difficulty following the plot and may perhaps identify with a character or two. Dr. Weill told me that the novel was a vehicle that allowed him explore the moral and ethical issues involved in human organ transplant. During our 30-minute discussion, Dr. Weill filled me in on his 20 years of life-saving organ transplant work. Although immensely gratifying, this 24/7 activity wreaked havoc on his work/life balance. Finally, Dr. Weill left his position as Director of the Transplant Program at Stanford to become Principal of the Weill Consulting Group, which focuses on improving the delivery of pulmonary, ICU, and transplant care. This transition allowed him to move back to his hometown of New Orleans, continue to help improve the transplant system, and provided an opportunity for him to write. During our interview, we also discussed the practicalities and rewards of writing fiction, his long-term goals, and how he gets the writing done. It was indeed a pleasure interviewing David Weill! More about David can be found on his website: www.DavidWeill.com. You can purchase “All That Really Matters” or “Exhale” on Amazon.Please click "Fanmail" and share your feedback!If you enjoy an episode, please share with friends and colleagues. "The Art of Medicine with Dr. Andrew Wilner" is now available on Alexa! Just say, "Play podcast The Art of Medicine with Dr. Andrew Wilner!" To never miss a program, subscribe at www.andrewwilner.com. You'll learn about new episodes and other interesting programs I host on Medscape.com, ReachMD.com, and RadioMD.com. Please rate and review each episode. To contact Dr. Wilner or to join the mailing list: www.andrewwilner.com To support this program: https://www.patreon.com/andrewwilner Finally, this production has been made possible in part by support from “The Art of Medicine's” wonderful sponsor, Locumstory.com, a resource where providers can get real, unbiased answers about locum tenens. If you are interested in locum tenens, or considering a new full-time position, please go to Locumstory.com. Or paste this link into your browser: ...

909: According to MIT's Center for Information Systems Research (CISR) Senior Research Scientist and Chairman Peter Weill, "real-time business" refers to an organization's ability to make decisions, respond to customer needs, and manage operations instantly using up-to-date data and technology to drive efficiency and outcomes. In this episode of Technovation, Peter High welcomes Weill to discuss his groundbreaking research on real-time business and lessons for executives seeking to transform their organizations. Weill shares how companies are leveraging cloud data, AI, and APIs to enable real-time decision-making, customer onboarding, and employee support. He highlights case studies from companies like Chase and United Airlines, showing how real-time operations have improved customer satisfaction and boosted performance. Weill also emphasizes the importance of digital-savvy leadership, noting that boards and executives with these skills are best positioned to succeed in this new paradigm. Finally, he offers insights into the future of real-time business with Generative AI, which promises to revolutionize customer interactions and internal processes.

909: According to MIT's Center for Information Systems Research (CISR) Senior Research Scientist and Chairman Peter Weill, "real-time business" refers to an organization's ability to make decisions, respond to customer needs, and manage operations instantly using up-to-date data and technology to drive efficiency and outcomes. In this episode of Technovation, Peter High welcomes Weill to discuss his groundbreaking research on real-time business and lessons for executives seeking to transform their organizations. Weill shares how companies are leveraging cloud data, AI, and APIs to enable real-time decision-making, customer onboarding, and employee support. He highlights case studies from companies like Chase and United Airlines, showing how real-time operations have improved customer satisfaction and boosted performance. Weill also emphasizes the importance of digital-savvy leadership, noting that boards and executives with these skills are best positioned to succeed in this new paradigm. Finally, he offers insights into the future of real-time business with Generative AI, which promises to revolutionize customer interactions and internal processes.

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What if facing death every day could teach you the true meaning of life? As a transplant doctor, Dr. Weill learned what really matters—discover his journey. Dr. David Weill is the former Director of the Center for Advanced Lung Disease and the Lung and Heart-Lung Transplant Program at Stanford University Medical Center. He is currently the Principal of the Weill Consulting Group, where he focuses on improving the delivery of pulmonary, ICU, and transplant care. Dr. Weill's writing has been featured in prominent publications, including the Wall Street Journal, USA Today, Salon, Newsweek, the Chicago Tribune, STAT, the Washington Post, The Hill, LitHub, Tablet, The Times of Israel, and the Los Angeles Times. He has also appeared on Fox, CNN, and The Doctors television show, and has been interviewed by the New York Times, the San Francisco Chronicle, and the Wall Street Journal. In addition to his extensive professional accomplishments, Dr. Weill is an accomplished author. His memoir, Exhale: Hope, Healing, and A Life in Transplant, was published in May 2021, and his novel, All That Really Matters, was published in June 2024. Dr. Weill attended medical school at Tulane, completed his internal medicine residency at UT Southwestern, and pursued a pulmonary, critical care, and lung transplant fellowship at the University of Colorado. Connect with Dr. Weill LI; @davidweillmd FB: @davidweillmd IG: @davidweillmd

Are you struggling to leave the emotional weight of your job at work? Join Dr. David Weill, former director of Stanford's Center for Advanced Lung Disease, as he shares how to manage the mental and emotional strain of high-stress careers using his three F's method—Family, Friends, and Faith.Do you find it difficult to separate your work stress from your personal life?Handling the emotional highs and lows of a high-stress career can feel overwhelming, especially when it starts to affect your relationships at home.You might be making the mistake of carrying the weight of your job into your personal life. In this episode, Dr. David Weill reveals the key to managing stress without letting it spill into your home life—his three F's method.BY THE TIME YOU FINISH LISTENING, YOU'LL DISCOVER: How to prevent your job from taking over your personal life.The importance of staying connected with family, friends, and faith.Practical tips for maintaining mental and emotional wellness in high-pressure environments.Remember, it's not just about surviving your shift—it's about thriving in your career and personal life.CONNECT WITH DR. WEILLLINKEDIN | WEBSITEOTHER LINKS MENTIONED IN THIS EPISODE: Dr. Weill's BooksExhale: Hope, Healing, and a Life in Transplant - https://amzn.to/4fC1OdBAll That Really Matters - https://amzn.to/46JaZVvHi everyone! Are you ready to enhance your peer support skills? Join us for our next GRIN course. Assisting Individuals in Crisis and Group Crisis Intervention live, online training will be August 21-23, 2024. This CISM training is designed for anyone in a high-stress occupation or those that support them. This official training is registered with the International Critical Incident Stress Foundation. Register now at survivingyourshift.com/grin.CONNECT WITH BART: Website | LinkedIn | FacebookLiked this episode? Share it and tag me @bartlegerLove the show? Leave a review and let me know!This podcast is sponsored by The Stress Care Doc. Organizations are losing money everyday to workplace stress and employee turnover. I deliver the training and structure they need to develop a resilient workforce. Organizations that work with us provide their employees with the supportive workplace they deserve.Some product links on this site are affiliate links, which means I'll earn a small commission for any affiliate purchases you make (at no additional cost to you). I only recommend products that I use and/or personally trust, so you can browse with confidence.

Today I sat down with my friend Sophie Weill, a NYC and Miami based PR agency owner, host of the Active Ingredient podcast, yoga teacher and so much more. We had so much fun chatting about what its like growing up in a Latin household and the values that we take with us as we grow into our own lives and future families, what its like starting a business in a popular and traditional industry like PR and founding a passion project with your sister, a tableware company with a mission, Piano Piano. If you enjoyed this episode, please leave a rating and review, screenshot and share on stories as you're listening and tag us so we can repost! Let's Connect! Sophie's Instagram ⁠My's Instagram⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Let's Get Candid Podcast Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kayla Moran Law⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Geneva⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kayla Morán Blog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pinterest⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/kaylaaamorann/support

Coming to you from the Ptex headquarters in Brooklyn, NY, this podcast is for no-nonsense advice to help you learn, grow, and lead.  Today, I'm excited to be chatting with former Chief Automation Officer of the Ptex Group and good friend Nathan Weill Nathan Weill, a self-identified tech geek, He founded Flow Digital in 2018, providing headache-free automation support so business owners could stop struggling with SaaS tools and repetitive tasks and direct their full energy toward growth. In our interview, I discuss the importance of automation in business processes by identifying repetitive tasks and setting clear objectives. Then Nathan highlight examples of automation for lead generation, internal processes, and follow-up procedures. I also discuss the common misconceptions about automation  - such as automation equals job loss, too expensive for small businesses Then we discuss using automation to save time and energy, improve efficiency, and enhance client communication This and so much more only on the let's talk business podcast…  let's get right to our conversation with Nathan Weill LINKS https://flow.digital https://www.linkedin.com/in/nweill/ https://x.com/NathanWeill PLEX GROUP:  To watch or listen to this episode, visit: https://ptexgroup.com/podcast/ Listen via WhatsApp: https://chat.whatsapp.com/LQcX4QJzavWEKTGAbgK3Gh For all other episodes or to view all other ways to subscribe, visit https://ptex.co/podcast PRACTICAL POINTERS: Identify Repetitive Tasks: Start by listing out all repetitive tasks in your business processes. These are prime candidates for automation and can significantly reduce manual workload. Set Clear Objectives: Define what you aim to achieve with automation, such as reducing errors, saving time, or improving customer satisfaction. Clear goals will guide your automation strategy. Lead Generation: Use tools like chatbots on your website to engage visitors and capture leads automatically. Platforms like HubSpot can automate email campaigns to nurture leads. Choose the Right Tools: Research and select automation tools that align with your business needs. Consider factors like ease of use, integration capabilities, and customer support. Freemium Models: Take advantage of freemium versions of automation tools to get started without a significant upfront investment. Tools like Mailchimp offer free plans for small businesses.   TIMESTAMPS :  04:01 Appreciation for team involvement and automation benefits. 07:04 Custom software takes time, but off-the-shelf works. 10:57 Efficient lead management crucial for sales productivity. 15:54 Automate lead tracking, notification, and response oversight. 18:18 Scheduling made simple with shared booking links. 23:26 Automate functions, enhance employee experience, streamline onboarding. 24:33 Automate systems for cost-effective and efficient onboarding. 28:30 Streamlining reporting processes for executives using automation. 33:37 AI drives automation with increased operational relevance. 36:39 Human interaction is important but automation essential. 37:38 Seek Zapier blog for full case study. 43:28 Started without standard procedures, had to catch up. 45:21 Use chatbots and automation tools for lead generation.   GUEST BIO : Most businesses lose massive amounts of time and money to routine business tasks and technology struggles. While directing operations at Ptex Group, a New York-based marketing agency, Nathan Weill, a self-identified tech geek, set out to eliminate his own company's losses by sharpening his SaaS expertise. After winning massive savings and growth for his employer, Nathan made it his mission to bring the same freedom to other businesses. He founded Flow Digital in 2018, providing headache-free automation support so business owners could stop struggling with SaaS tools and direct their full energy toward growth. Ranked as the #1 certified expert worldwide on Zapier's marketplace and certified by Keap, Pipedrive, Airtable, and many other tools, Flow Digital offers workflow, sales, and marketing automation as well as CRM implementation. Nathan and his team save clients around 45,000 hours per month and have generated over $10 million in ROI to date.

Hey Friends~  When you get triggered by your child's behavior, there is a reason!   When we respond internally to our children's behavior, it may be deeper, within YOU . . .  It MIGHT NOT actually  the child's behavior.     This triggering can be a barrier to being one's best self!  Today, we learn to develop that inner sense that allows you to see your child separately from your internal heightened response.   Guest Gayle Weill will share her expertise to show you how to separate those 2 things!  This is a must-listen episode!!   Always cheering you on!  Dinalynn CONTACT the Host, Dinalynn:  hello@thelanguageofplay.com   ABOUT THE GUEST:   Gayle Weill is a Licensed psychotherapist. Having graduated from Yeshiva University's MSW program, Ms. Weill went on to receive additional certifications and training in Child-Parent Psychotherapy, EMDR, and Hypnosis. She also has national accreditation as an Adoption-Competent therapist and is a Circle of Security-Parenting facilitator, which is a program that promotes the attachment bond between parents and their young children. CONTACT THE GUEST:   gayleweill@gmail.com Website: https://gayleweilllcsw.com/ Linkedin: https://www.linkedin.com/in/gayledaskal/ Instagram: https://www.instagram.com/gayleweilltherapy/   RESOURCES from The Language Of Play Sign up for my newsletter!  https://dinalynnr.systeme.io/newsletter-optin Sign up for FREE 21 Days of Encouragement in your inbox!https://dinalynnr.systeme.io/1-21signup Join my Facebook Page: https://www.facebook.com/profile.php?id=61557381098806 Sign up for a 15 min "Let's Meet Session" on zoom!  Let's Meet Session For Speaking Engagements or For 1:1 or Group Parent Coaching (virtual or live), contact me at hello@thelanguageofplay.com    If You Liked This Episode, You Will Want To Listen To These Episodes: 33 Series: “Why Won't the Kids Listen!?” part 6: BiG EMoTioNS! 4 things to ask yourself before you respond 47 EXPERT: Jaci Finneman: Helping Kids Make Apology with the “Make It Right” Technique 69 Can You Really Reparent Yourself? And When You Should Consider It. 108 EXPERT: Dewey Kraus Discusses Self-Compassion When Parenting 124 Coach Brett Baughman: “Take 5 and Come Back Better” Here's How!