Podcasts about world cultures

We Are the Church: A Multicultural Vision of Unity in a world that constantly tries to divide us through culture, race, and politics, the Church is called to be different. What does the Bible say about unity in diversity? How can we embrace cultural differences and reflect the Kingdom of Heaven? In this message, we dive deep into Paul's teachings on "putting on Christ" and how the early Church navigated cultural and racial divides.

In this enlightening session from the 2025 International Day of Calm Summit, Robert Vetter, M.A.—cultural anthropologist, healer, and host of the Healing & Spirituality in World Cultures podcast—delves into the transformative power of understanding and channeling anger.​Titled “Healing Rage and Anger One Encounter at a Time,” Robert's presentation challenges the notion that anger is merely a destructive force. Drawing from over three decades of study with Indigenous elders and traditional healers, he offers insights into how anger, when acknowledged and guided, can become a catalyst for personal growth and societal healing.​Through a blend of storytelling, anthropological wisdom, and spiritual guidance, Robert provides practical tools to help individuals navigate their emotions, fostering deeper connections and a more peaceful existence.​Connect with Robert Vetter:Website: bobvetter.comPodcast: Healing & Spirituality in World CulturesInstagram: @bobvetterhealingLinkedIn: Robert Vetter*******************************************************Are you ready to STOP YELLING AT YOUR CHILD in just 21 Days? Join my newest program at low introductory pricing... go to ⁠QUITYELLING.COM⁠1. Need more help? Let's grab some coffee or tea and talk. Go to TalkWithCelia.com and choose the time that works for you.2. Looking for a manual for parenting your child (now in English & Spanish)? It's finally here and you can grab your copy of my latest parenting & children's books today!3. Become a Member of my TRANQUILITY TRIBE and STOP YELLING Once & For All.4. Read my latest article to find out how to stop yelling... https://celiaArticle.com5. Looking to be part of a fun free and informative FB community (without all the bitching)?... join us in Pumped Up Parenting6. Love YouTube? Do you know there are lots of parenting videos, story time videos for you and your kids, as well as some great family workout videos? All on Pumped Up Parenting with Celia Kibler7. Follow me on Instagram and TikTok8. Join me on my newest platform PEANUT: Connecting women across fertility & motherhood9. Get my parenting worksheet and other resources at PumpedUpParenting.Etsy.com10. Join us on ⁠THE INTERNATIONAL DAY OF CALM⁠, watch the full replay on our YouTube Channel @DayofCalmTake the Pledge, Support our Mission of the Day of Calm Foundation to SOOTHE THE ANGER & RAGE AT THE HUMAN CORE as we work to end senseless violence against our kids.Support our school in Uganda, Share the Day, Attend a Calm Class or Parenting Class and feel great!

What drives someone to embark on a two-and-a-half-year biking adventure across the globe? Join us as we explore the intriguing world of long-distance cycling with Ben Clark, who is currently traveling through Southeast Asia on a 35,000-kilometer bike tour. This episode offers a glimpse into the life of a digital nomad, highlighting the challenges and rewards of embracing a lifestyle often spent on the road and constantly adapting to new environments and cultures.Ben shares personal stories from the journey, including unexpected friendships and extraordinary experiences in diverse countries like Georgia and India. Despite occasional hardships, they emphasize the joy of discovering new places and the kindness of strangers encountered along the way. This conversation inspires anyone curious about the endless possibilities that open up when we decide to step out of our comfort zone and explore the world on two wheels.Catch up with Ben on his website, World By Bike, and follow him on Instagram at @worldbybike_uk.Join our community at Warmshowers.org, follow us on Instagram @Warmshowers_org, and visit us on Facebook. You can also contact Tahverlee directly at Tahverlee@Warmshowers.org.Theme Music by Les Konley | Produced by Les KonleyHappy riding and hosting!

Pastor Chas Stevenson

As we reflect on cultural norms like the idolization of feelings and hurry, we are invited to align our emotions and pace with the truth, self-control, and lifestyle of Jesus.

As we reflect on our environment, we are called to challenge the cultural ideals of comfort and individualism, embracing the transformative power of suffering and redirecting our focus from self toward glorifying God and loving others.

Photographers have a magical ability to transport us to hidden worlds, giving us intimate access to facets of society that would otherwise go unnoticed. Above photograph © Marcela Taboada In today's podcast, we sit down with Mexican photographer Marcela Taboada, whose long-term documentary projects offer revealing glimpses into underrecognized communities, for Picturing World Cultures. Combining a passion for making pictures that let her “see backstage,” with a knack for “knocking doors” and the tenacity to win over resistant subjects, Marcela gained rare access to photograph the daily lives of Mexico's cloistered nuns. Follow her painstaking process and learn the secret to her acceptance as the nuns' photography godmother during our chat.     We also discuss her series “Women of Clay,” documenting the enterprising women of a Mixtec village, who singlehandedly rebuilt their homes after an earthquake using Adobe bricks and a process taught by a Mexican architect. Along the way, Marcela shares insights about the challenges of pursuing a photography career as a single mother with young children and reveals the lessons she learned from seeing aspects of her own story reflected in the lives of her subjects.  If you haven't already listened, check out all the episodes of our Picturing World Cultures podcast series here. Guest: Marcela Taboada Episode Timeline: 2:21: Marcela's process in making pictures that let her “see backstage.”  5:15: A childhood memory and her fascination with viewing the stars from an observatory built by her great uncle.  10:16: Marcela's introduction to cameras and the darkroom by photographing family trips. 13:24: University studies and a photo series inspired by her great aunt entering a Mexican nursing home.  18:13: Marcela's photo gear and juggling her early photo career while raising two children as a single mother. 22:52: Marcela's photo series Women of Clay, about a community of enterprising women who rebuilt their homes after an earthquake. 35:19: Episode Break 36:30: Marcela's project Consecrated, and some background on Catholic monasteries in Mexico. 43:46: The seven orders of Mexican cloistered nuns, Marcela's long process to gain access to photograph, and the miracle that finally convinced the nuns to let her in. 53:51: Marcela's role as photography godmother for the Conceptionist order, and her approach to photographing the lives of the nuns. 1:00:38: The decision to photograph in color with a lightweight Sony RX camera for quiet operation and a contemporary look.  1:02:31: The nuns' reaction to Marcela's pictures and the ways in which they've adapted to 21st century life. 1:08:09: Marcela Taboada answers our PWC Visual Questionnaire. Guest Bio: Marcela Taboada is a freelance photographer based in Oaxaca, Mexico since 1986. After initial studies in graphic design, she became drawn to photographing diverse communities for long-term stories that let her see backstage. Marcela has received both national and international accolades, including a Hasselblad Foundation scholarship, a National Geographic All Roads Photography Award, and Mexico's most prestigious art grant, the National System of Art Creators Award, which she received twice. Her photographs have been featured in solo and group exhibitions within Mexico and the United States, Europe, and Asia. Marcela has taught photography at universities, in high schools and in specialized workshops. Additionally, for 16 years she served as producer for American photographer Mary Ellen Mark's Annual Oaxaca Photo Workshops.  Stay Connected: Marcela Taboada Website: https://www.marcelataboada.com/ Marcela Taboada's National Geographic story: https://www.nationalgeographic.com/magazine/article/photo-story-consecrated-mexico-monasteries/ End Credits: Senior Creative Producer & Host: Jill Waterman Senior Technical Producer: Mike Weinstein Theme Music: Gabriel Richards Executive Producer: Richard Stevens

In this episode of Below the Radar, host Am Johal sits down with Mena El Shazly, a visual artist specializing in moving image creation, curation, and programming. Her practice speculates on notions of presence and transcendence in the digital world, exploring how processes of decay provide alternative forms of transformation and regeneration. They discuss her approach to time-based media, how the collaborative Death Spells project explores the ancient Egyptians afterlife obsessions, the Sudanese Crystalist movement, and how a teenage visit to Dracula's castle unexpectedly waylaid her tennis career, steering her toward a life in art. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/257-mena-el-shazly.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/257-mena-el-shazly.html Resources: Mena El Shazly: https://substantialmotion.org/profile/mena-el-shazly The Crystalist Manifesto: https://post.moma.org/modern-art-in-the-arab-world-primary-documents-the-crystalist-manifesto/ The Motion of the Image: https://thecinematheque.ca/films/2024/motion-image The Lind Biennial: https://thepolygon.ca/exhibition/the-lind-biennial/ Stir ‘Splainer: 5 artists at The Lind Biennial exhibition at the Polygon Gallery: https://www.createastir.ca/articles/lind-biennial-stir-splainer Small File Media Festival: https://smallfile.ca/ Bio: Mena El Shazly is a visual artist who works with analogue video, embroidery and performance. Her practice speculates on notions of presence and transcendence as informed by the internet culture and ancient rituals, and explores practices of cultivating decay to arrive at alternative forms of transformation and regeneration. Exhibitions of her work include Polygon Gallery, Vancouver (2024), Grand Egyptian Museum, Cairo (2024), and House of World Cultures, Berlin (2015). She was a fellow of the Home Workspace Program at Ashkal Alwan in Beirut (2015). El Shazly is based in Vancouver on unceded territories of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, and səl̓ilwətaɁɬ First Nations. She obtained an MFA from the School for the Contemporary Arts at Simon Fraser University in Vancouver (2023) and a BA from the American University in Cairo (2013). El Shazly also has a well-established curatorial practice. She is the Artistic Director of the Cairo Video Festival organized by Medrar and a programmer at the Small File Video Festival. Cite this episode: Chicago Style Johal, Am. “On Crystals, Tennis and Vampires — with Mena El Shaly.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, December 3, 2024. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/257-mena-el-shazly.html. Tags: SFU, SFU's Vancity Office of Community Engagement, Simon Fraser University, Am Johal, Below the Radar, Mena El Shazly

Find all show notes, including links and images at https://www.pedrobonatto.com/29

Stream the show LIVE IU recently reopened the Museum of Archaeology and Anthropology with six exhibits and interactive experiences. The museum, which opened on Indigenous Peoples' Day, tells the stories of indigenous cultures in the American Midwest — with an inventory of over five million objects of cultural heritage.  Read more: IU's Archaeology Museum reopens  The museum previously consisted of separate museums known as the Mathers Museum of World Cultures and the Glenn A. Black Laboratory of Archaeology. “Whispers from the Divide,” an exhibit presented since the museum's reopening, tells the story of the U.S-Mexican border through a series of interactive videos. A new attraction is the Virtual Reality Dome, where curators and artists will feature exhibits. “City on the River” will be the first exhibit in the dome in 2025. The museum currently has these exhibits: “Divine Adornment: Community Stories of Belonging”; “Through Our Eyes: A Reclamation”; “Locally Based”; “Globally Relevant”; “Woven Through Time and Place”; and “Mapping the Midwest.” This week on Noon Edition we'll talk with curators and the director of the museum to learn more about the exhibits and the process of merging the museums. You can follow us on X @WFIUWTIUNews or join us on the air by calling 812-855-0811 or toll-free at 1-877-285-9348. You can also send questions for the show to news@indianapublicmedia.org. You can also record your questions and send them in through email.  Guests Brandie Macdonald, Executive Director and Chief Curator of the IU Museum of Archaeology and Anthropology Jean-Luc Howell, Director of Curatorial Affairs Kaila Cogdill, Curator of Collections Impact 

In today's podcast, we sit down with Mark Leong, a fifth-generation Chinese-American photographer, for Picturing World Cultures. Above photograph © Mark Leong From his arrival in 1980s Beijing on a one-year travel fellowship, to his decision to live and work there long-term over the following decades, we follow Mark's path from his ancestral village to the Beijing art scene, and beyond. He walks us through his experiences in documenting the massive cultural shifts as Chinese society transitioned from uniformity and limited choice to a realm of consumerism and increasing globalization. We also discuss Mark's long-term photographic project featuring China's Post-90's generation, the young adults born under the country's one-child policy. As Mark points out toward the end of our chat, “What's interesting to me about this generation I'm photographing is that they have this kind of creativity, and they have the resources to use this creativity to make something.” If you haven't already listened, check out all the episodes of our Picturing World Cultures podcast series here. Guest: Mark Leong For more information about our guest and the gear he uses, see: https:/www.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-mark-leong-china Stay Connected: Mark Leong Website: https://www.markleongphotography.com/ Mark Leong on Instagram: https://www.instagram.com/markleongphotography/ Mark Leong on Redux Website: https://reduxpictures.com/artist/mark-leong Mark Leong's book China Obscura: https://www.amazon.com/China-Obscura-Mark-Leong/dp/0811844617 Mark Leong's Award from Center: https://centersantafe.org/comingofage

The International Space Station will be decommissioned in 2030 and crash down into the Pacific Ocean, ending more than three decades of international cooperation. Launched in the wake of the Cold War, the ISS is seen as a triumph of global diplomacy between the US, Russia and other nations. Its demise will mark the end of an era.Nasa has awarded contracts to commercial companies to develop potential successors to the ISS, and maintain a U.S. presence in low earth orbit. Meanwhile Russia and India have said they plan to launch their own individual stations, and China has already got its own space station, Tiangong. As the era of the International Space Station nears its end, this week on The Inquiry, we're asking ‘What happens after the International Space Station?' Presenter: Tanya Beckett Producer: Matt Toulson Researcher: Kirsteen Knight Editor: Tara McDermott Technical Operator: Ben HoughtonContributors: Jennifer Levasseur, Museum Curator at the Smithsonian Institution's National Air and Space Museum, Washington D.C., USMark McCaughrean, former Senior Advisor for Science & Exploration at the European Space Agency and astronomer at the Max Planck Institute for Astronomy, Heidelberg, GermanyMai'a Cross, Professor of political science at Northeastern University, and director for the Center for International Affairs and World Cultures, Massachusetts, USWendy Whitman Cobb, Professor of strategy and security studies at the School of Advanced Air and Space Studies, Alabama, USCREDIT: State of the Union address, 1984; Courtesy Ronald Reagan Presidential Library

In Episode 16 of Little Brainiacs, we're setting out on a thrilling journey through some of the most amazing and mysterious corners of our world!

In Episode 75, Aditi shares her author life with us, sharing how she connects her passions and experiences with multicultural book writing. Learn how about the power of story and how to share your story with others or help others share their stories. In this episode, we also learn about the process of creating your own publishing brand that is aligned with your mission or your why. Aditi has published 14 books with 4 more in development and works with dozens of authors to help them develop their writing voice and publish their books. Resources 1. Raising World Children Website: https://raisingworldchildren.com/ 2. Raising World Children Facebook Group: https://www.facebook.com/groups/2081700035435050/ The Sparkling Me Series Books 1. How Our Skin Sparkles: A Growth Mindset Children's Book for Global Citizens About Acceptance - https://amzn.to/3YE7Xzm 2. Sparkles of Joy: A Children's Book that Celebrates Diversity and Inclusion - https://amzn.to/3YIx3MD 3. Small or Tall, We Sparkle After All: A Body Positive Children's Book about Confidence and Kindness - https://amzn.to/3C2gGCI 4. Sparkles of Joy Activity Book: Celebrate Diwali, Hanukkah, Christmas and World Cultures with Fun Puzzles, Word Searches, Creative Prompts, Coloring, ... Exercises and more - https://amzn.to/4flFPqh 5. The Sparkles Within: A Festive Children's Book about Finding Your Talents and the Winning Spirit - https://amzn.to/3CaH79e Other Books by Aditi Wardhan Singh 1. Strong Roots Have No Fear: Empowering Children to Thrive in a Multicultural World with Intuitive Parenting - https://amzn.to/3lttrJM 2. Ka Kyaa Kare : What Does Ka Do? - A Hindi Alphabet Book with Transliteration and English Translation to Help Develop Conversational Skills - https://amzn.to/48sZG4D 3. Through Our Eyes: A Multicultural Early Chapter Book of Exciting Short Stories Celebrating Heritage and Tradition - https://amzn.to/3NImqUP 4. Muhaavare Aur Hum: Idioms and Us – Learn Hindi and English Idioms to Improve Daily Conversational Skills and Vocabulary - https://amzn.to/4e9wdxU 5. Sanya's New Starts: An Easy to Read, Diverse Chapter Book about Belonging (Sanya's World 1) - https://amzn.to/4ebSewg 6. Our Diwali: Humaari Diwali - A Bilingual Hindi English Story Celebrating the Meaning and Diversity of Deepavali (Taran & Sejal's Inclusive Celebrations Book 1) - https://amzn.to/3Ahw3H2

Today's podcast has us sitting down with Venezuelan photographer and investigative journalist Fabiola Ferrero to discuss her long-term photographic projects in Venezuela, for Picturing World Cultures. Above photograph © Fabiola Ferrero Fabiola walks us through her childhood memories of Venezuela and describes how this period contrasts significantly with the country's current climate. We also discuss how she got started in photography, and how her time spent both in and out of Venezuela helped grow her photography and more. If you haven't already listened, check out all the episodes of our Picturing World Cultures podcast series here. Guest: Fabiola Ferrero Episode Timeline: 2:20: Fabiola discusses Venezuelan culture, and questions using the word resiliency in relation to the country's ongoing crisis. 5:39: How she got started in photography. 8:20: Fabiola talks about overcoming shyness, learning how to photograph people as an introvert, and the advantages of slowly building a connection with subjects. 11:12: On being the last of her family to leave Caracas. 14:43: Fabiola's early long term projects, Blurred in Despair and I Can't Hear the Birds, and the importance of image selection to building different narratives.  19:57: The impact of leaving Venezuela and how this shifted her perspective as a photographer. 24:11: The importance of Fabiola's assignment work in Venezuela and its impact on her personal work. 25:30: Episode Break 27:04: On migrating to Columbia in 2020, and her eventual return to Venezuela in 2022.  37:04: Fabiola runs us through her gear and setup. 38:09: Collaborating with other journalists in her latest project, The Wells Run Dry 44:10: The challenging topic of hope when discussing the future of Venezuela 46:50: We ask Fabiola about her mentorship program, Semillero Migrante 54:39: Fabiola Ferrero answers our PWC Visual Questionnaire. Guest Bio: Fabiola Ferrero was born in Caracas, Venezuela in 1991. Her personal work reflects how her childhood memories contrast with her country's current crisis.  Using her background in writing and investigative journalism, she develops long term visual projects focused on collaborative ways to speak about the human condition under hostile contexts. To bring opportunities to other emerging photographers, Fabiola founded Semillero Migrante in 2021. This mentorship program on the topic of migration empowers Venezuelans and Colombians and promotes the integration of both cultures. A 2018 Magnum Foundation Fellow in Social Justice, her additional recognition includes a 2021 Inge Morath Award, a 2022 Carmignac Photojournalism Award, and a World Press Photo award for Long Term Projects, which she received in 2023. Most recently, Fabiola completed a one-year fellowship at Columbia University's Institute for Ideas and Imagination in Paris. Stay Connected: Fabiola Ferrero Website: https://www.fabiolaferrero.com/ Fabiola Ferrero on Instagram: https://www.instagram.com/fabiolaferrero/ Fabiola Ferrero on Facebook: https://www.facebook.com/fabiola.ferrero/ Fabiola Ferrero on Twitter: https://x.com/FabiolaFerrero/ Fabiola Ferrero, I Can't Hear the Birds Video: https://www.youtube.com/watch?v=m_AmKsv_OTM Fabiola Ferrero, Fondation Carmignac: https://www.fondationcarmignac.com/en/fabiola-ferrero-en/ Fabiola Ferrero, Institute of Ideas & Imagination: https://ideasimagination.columbia.edu/fellows/fabiola-ferrero/ Semillero Migrante Instagram: https://www.instagram.com/semilleromigrante/  End Credits: Senior Creative Producer & Host: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens Theme Music: Gabriel Richards

Why do we care so much about the fictional restaurants, bars, and clubs in TV & Film. Well, I (Monis Rose) answer the question alongside, Chris Hudson, amazing sound master and producer.Hungry for more culinary adventures through the lens of your favorite TV shows and movies? You've just savored another episode of Restaurant Fiction, where we dish out the stories behind the most iconic fictional eateries. Don't let the journey end here:

In today's podcast, we'll be talking with Norwegian photographer Naina Helén Jåma about her documentation of indigenous South Sami culture in Norway and her career as a press photographer in Scandinavia. Jåma details her childhood growing up in the small rural village of Snasa, where, at the age of 15, she began her career while working as a cultural interpreter and archivist at the Saemien Sijte Museum.  From there, Naina takes us on a journey through her fascinating career as a photographer, from her training at the Nordic School of Photography to her work for world-renowned publications such as The New York Times, Bloomberg, and The Guardian Alongside her journalistic work, Naina maintains a close relationship with the traditional Sami arts of Duodji. Documenting the ongoing development of this art form pays tribute to oral knowledge and silent tradition, which is learned and transmitted visually. Above photograph © Naina Helén Jåma If you haven't already listened, check out all the episodes of our Picturing World Cultures podcast series here. For more information on our guests and the gear they use, see:  www.bhphotovideo.com/explora/podcasts Guest: Naina Helén Jåma Episode Timeline: 2:23: Naina's early childhood and growing up in Snåsa, a small village in Norway with approximately 2,000 inhabitants. 6:14: Naina's first job and the start of her career, working as a cultural archivist at the Saemien Sijite Museum. 10:44: How photographing handcrafted Sami items became Naina's thesis while enrolled at the Nordic School of Photography 14:45: Discussing different aspects and signifiers of traditional Sami clothing. 19:40: The eight different seasons of Sami culture. 22:06: Discussing the role and influence of animism and other traditional Sami belief systems. 28:18: Episode Break 29:40: Naina's go-to kit for cameras and lenses 33:10: Tips for shooting in cold climates and extreme conditions 35:14: Structuring documentation when working as a photojournalist  39:49: Naina's diverse reportage, from documenting the NATO summit to Sami youth protests due to windmill farms violating traditional reindeer hunting lands. 46:30: What Naina learned from her time working on the other side of the lens as a Director of Photography 49:26: “Man Borrows the Land from Future Generations” 53:06: Naina Helén Jåma answers our PWC Visual Questionnaire. Guest Bio: Naina Helén Jåma is a South Sami photographer and storyteller from Snaasa in Norway, currently based in Oslo. After starting her career at the Saemien Sijte Museum at age 15, where she worked to interpret and preserve South Sami culture. Naina has maintained a close relationship with the traditional Sami arts of Duodji. Documenting the ongoing development of this art form pays tribute to oral knowledge and silent tradition, which is learned and transmitted visually. Trained at the Nordic School of Photography in Sweden, Naina has worked as both a photojournalist and a photo editor for various Scandinavian newspapers and agencies, as well as major international publications such as The New York Times, Bloomberg and The Guardian. Naina is a member of the Sami Artists Association, and in 2020 she received a working grant from the Sami Council. Most recently, she was selected by the Norwegian Journal of Photography as one of nine photographers to work on a two-year heritage project, where she will be photographing and doing in-depth interviews to investigate the evolving legacy of Sami culture. Stay Connected: Naina Helén Jåma Website: https://www.nainahelen.com/ Naina Helén Jåma on Instagram: https://www.instagram.com/nainahelen/  Naina Helén Jåma on Facebook: https://www.facebook.com/nainahelen.photography/ Naina Helén Jåma on Twitter: https://x.com/nainahelenwj/ Naina Helén Jåma in the Norwegian Journal of Photography: https://njp.no/2024/naina-helen-jama/ Naina Helén Jåma on Blink: https://blink.la/u/nainahelen End Credits: Senior Creative Producer & Host: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens Theme Music: Gabriel Richards

Above photograph © Tailyr Irvine For more information on our guest and the gear she uses, see: https://www.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-tailyr-irvine-native-american

One of the BIGGEST mistakes most businesses make? They assume who they're speaking to is just like them.But that's furthest from the truth. Does it feel like anything you put out there just gets lost in the "multiverse" of people?No results? No growth? Nothing is connecting to your audience at the volume or pace you desire?We all have different life experiences, values, and priorities that influence our culture.We must connect to the multiverse of cultures of each and every person we hope to engage and buy from us.There are three baskets of culture: 1) World Culture 2) Local Culture and 3) Personal CultureThis episode will connect and highlight why understanding the three-tier layer culture of your audience  will make all the difference in how you grow, how fast you grow, and the most sustainable ways growth can be amplified by your community at large!Beyond The Episode Gems:• Learn More Starting Your Own Business With Amazon's Delivery Service Program• Start Creating Exceptional Sites & Business Solutions Using Wix Studios • Grow Your Business Faster Using HubSpot's CRM Platform• Use The Same Recording Platform I Use For My Podcast, Try Riverside.fm For Free• Buy Troy's Book, Strategize Up That Is Referenced In This Episode: StrategizeUpBook.com• Discover All Podcasts On The HubSpot Podcast Network#####Support The Podcast & Connect With Troy: • Rate & Review iDigress: iDigress.fm/Reviews•  Follow Troy's LinkedIn @FindTroy• Get Strategy Solutions & Services: GrowWithTroy.com•  Follow Troy's Instagram @FindTroy

A photographer's success hinges on access. This is an underlying thread in the tapestry woven in this week's show. Our discussion covers multiple facets and cultural attributes of Indian society, as seen through the eyes of a photographer with a knack for being in the right place at the right time. In this month's episode of the series, Picturing World Cultures, we speak with Indian photographer Pablo Bartholomew about his long career as a documentarian and photojournalist. From his early intimate views of 60s-era hippies launching a counterculture invasion from the West to his photojournalistic coverage of historic events, Bartholomew shares insights about dynamics at work behind the scenes. We also discuss changes to the marketplace for pictures over time, and whether an iconic picture is still able to affect a change in the world. As an antidote to a life chasing the news, Bartholomew embarked on a ten-year documentation of India's remote Naga tribes. In the show's second half, he walks us through his background research and the permissions process involved in photographing tribespeople and their customs with professional lighting gear.  There's also a personal motivation behind Bartholomew's Naga Project. As a child, he had heard many stories about goodwill the Naga showed his father's family during their flight from Burma to India during World War II.  “Principally, what I couldn't wrap my head around was that headhunters, they're supposed to be these ferocious people. Why would they let fair game pass through their backyard, to the degree where they would provide food and shelter?” he says. “So, there was in this savage something very kind. And I wanted to find out what the contradiction was.” Tune in today for more on the Naga tribes and other stories from India! If you haven't already listened, check out all the episodes of our Picturing World Cultures podcast series here.    Guest: Pablo Bartholomew Episode Timeline: 2:16: Pablo describes how the caste system functions as a defining aspect of Indian culture. 7:18: The influx of the Western hippy counterculture in India as recorded in Pablo's earliest pictures. 12:27: Capturing life on the streets of Delhi, Bombay, and Calcutta, a photo essay on Calcutta's Chinatown, and Pablo's work with the renowned Indian film director Satyajit Ray. 17:05: The rise of Pablo's photojournalism career, the dynamics of a photographer's access, and his iconic images of the tragic gas leak at Bhopal. 29:09: Pablo discusses how the work of a photojournalist has changed in the past 40 years. 32:53: Go-to camera gear, the various cameras Pablo's used over the years, and his transition from analog to digital. 36:37: Tips for mitigating the heat and humidity of India, plus equipment for image storage and film scanning. 40:10: Episode Break 41:23: Pablo's long-term project documenting the Naga tribes in Northeast India, his preliminary ethnographic research on the tribes, and gaining permission to photograph with full lighting gear.  51:43: Animist practices within the Naga tribes, and distinctions between tribes within the Naga identity. 1:00:05: Naga rituals it may be too late to photograph, and a memorable festival held by the Konyak tribe. 1:04:09: Pablo's cross-cultural project documenting economic emigres from India who have resettled in the US, France, England, Madagascar, and Portugal. 1:14:38: Pablo Bartholomew answers our PWC Visual Questionnaire.   Guest Bio: Pablo Bartholomew, a self-taught photographer born in New Delhi in 1955. His father Richard was a noted art critic as well as a photographer, allowing Pablo to learn photography at home at a very young age. In his subsequent career of nearly fifty years, Pablo has documented societies in conflict and transition, while also recording intimate details of his own generation maturing amid a changing India. From 1983 to 2004, his photojournalistic work was featured in every major international publication, from National Geographic to Paris Match and beyond. Pablo's photographs have been recognized by World Press Photo on three different occasions, including a 1985 ‘Picture of the Year' award for his riveting image from the Bhopal gas tragedy. In 2013, he was awarded the Padma Shri by the Government of India for his contributions to photography, and in 2014, he was honored with the status of Chevalier de L'Ordre des Arts et des Lettres by the French government. For more information on our guest and the gear he uses, see: https://www.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-pablo-bartholemew-india Stay Connected: Pablo Bartholomew Instagram: https://www.instagram.com/pablobartholomew/ Pablo Bartholomew Facebook page: https://www.facebook.com/parabart Pablo Bartholomew Bhopal photo from World Press Photo 1985: https://www.worldpressphoto.org/collection/photocontest/1985 Pablo Bartholomew Wikipedia page: https://en.wikipedia.org/wiki/Pablo_Bartholomew Pablo Bartholomew Nagaland Project: https://ninefish.in/viewing-room/the-nagas/ TEDxIIMRanchi: Pablo Bartholomew - A Life in Photography https://www.youtube.com/watch?v=zBldVr4YIBE Kishor Parekh: https://en.wikipedia.org/wiki/Kishor_Parekh  

This is the final day of Youth Conference 24. The theme of this year's conference is Kingdom Culture vs. World Culture. This morning the Youth take over leading the service and Pastor Brenden preaches on Kingdom Culture.

Documenting a culture can be a daunting process, especially when it involves a history of conquest and colonialism. Synthesizing such a complex and traumatic past in a contemporary narrative is a formidable task, requiring extensive researchh and dedicated planning. This is the back story to today's podcast. Above photograph © Juan Brenner For the seventh chapter in our monthly series, Picturing World Cultures, we speak with Guatemalan photographer Juan Brenner about his recent projects in the country's Western Highlands. Our chat begins with Brenner's introduction to photography as a youth, and the protective bubble surrounding him during the country's brutal civil war. He left Guatemala at age 20 to forge a career as a fashion photographer in New York, which filters into our discussions about portraiture and photo gear. But our primary focus is on Brenner's recent personal projects, created after his return to Guatemala, and an epiphany he had about the idea of “Indigenous Power.” Listen in as he describes how this concept was subsequently called into question. You'll gain insight into the unequal power quotient that comes with being a “Mickey Mouse” photographer and discover how critical aspects of communication extend well beyond the basic structure of language. As Brenner notes during our chat, “You have to be really careful just being a photographer. It's so colonialist, you know, having a camera. You have this big robot that you stick in people's faces. You have this advantage. And, for me, it's really important to think about that a lot.” If you haven't already listened, check out all the episodes of our Picturing World Cultures podcast series here. Guest: Juan Brenner For more information on our guest and the gear he uses, see: https://www.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-juan-brenner-guatemala Stay Connected: Juan Brenner Website: https://www.juanbrenner.com Juan Brenner Instagram: https://www.instagram.com/juan_brenner Juan Brenner Twitter: https://www.twitter.com/JuanBrenner5/ Artist talk with Juan Brenner: https://www.youtube.com/watch?v=FPiwQXWUMJ8&t=40s Juan Brenner's book Tonatiuh: https://editorialrm.com/en/producto/tonatiuh/

Do museum stores actually make any money? What are they really for? Can a store act like an exhibition? What does “cap rate” mean? How big should a museum store be? What percentage of visitors go into one, and how many of them buy something? Why should you get an expert to design your store, and what happens when you don't?David Franke (museum store architect) joins host Jonathan Alger (Managing Partner, C&G Partners) to discover what's “Beyond ‘Exit Through the Gift Shop'”.Along the way: rubber snakes, oysters, onions, and Mona Lisa ashtrays.Talking Points:1.  An oyster living in a birds nest.2.  New store in a new museum or a renovation to an existing one. Where, oh where to begin?3.  The peeling of the onion.4.  Getting the balance just right.5.  Don't forget that long range strategy to ensure you don't fall victim to your own success.How to Listen:Apple Podcastshttps://podcasts.apple.com/us/podcast/making-the-museum/id1674901311  Spotifyhttps://open.spotify.com/show/6oP4QJR7yxv7Rs7VqIpI1G  Everywherehttps://makingthemuseum.transistor.fm/  Guest Bio:With over four decades of experience as an architect, David Franke's focus is now exclusively on store design and planning for museum and cultural institutions around the world. Museum stores include two at the King Abdulaziz Center for World Culture in Dhahran, Saudi Arabia; the Fort Worth Museum of Science and History and the Museum of the American Cowgirl, the US Botanic Garden in DC, Frank Lloyd Wright's Taliesin West in Arizona; the Grounds for Sculpture in New Jersey, three retail projects for the State Preservation Board in Austin, and the Ravinia Festival in Highland Park Illinois. David has also served on councils and boards for the Mercer Museum and Fonthill Castle, Historical Society of Pennsylvania's Building and Facilities Committee and the Pennsylvania Ballet. He is a participant in the International Museum Construction Congress, the California Association of Museums, Texas Association of Museums, American Association of Museums and Mid-Atlantic Association of Museums, where has co-presented sessions on the design of museum retail.About MtM: Making the Museum is hosted (podcast) and written (newsletter) by Jonathan Alger. This podcast is a project of C&G Partners | Design for Culture. Learn about the firm's creative work at: https://www.cgpartnersllc.com Show Links:David's website: https://www.davidfrankeconsulting.comDavid by Email: DavidFrankeRA@Gmail.com David by Phone: +1 (215) 498-4384David on LinkedIn: https://www.linkedin.com/in/david-franke-ra-21a4539/ MtM Show Contact:https://www.makingthemuseum.com/contact  https://www.linkedin.com/in/jonathanalger  alger@cgpartnersllc.com  https://www.cgpartnersllc.com  Newsletter:Liked the show? Try the newsletter. Making the Museum is also a one-minute email on exhibition planning and design for museum leaders, exhibition teams and visitor experience professionals. Subscribe here: https://www.makingthemuseum.com 

The guests of the SBS Melbourne studio are Yulia Alba, founder of the StArt School, and her students. Masha is 19 years old and she studies art with her sister and is also studying to be an engineer. She is particularly fond of watercolors. Dylan is 4.5 years old and attends classes with his mother Lena. Most of all, he likes to sculpt radishes. - Гости мельбурнской студии SBS - основатель школы искусств stArt Юлия Альба и ее ученики. Маше 19 лет, и она занимается искусством вместе с сестрой, а также учится на инженера. Ей особенно нравится акварель. Дилану 4,5 года, и он ходит на занятия вместе с мамой Леной. Больше всего ему нравится лепить редиску.

Cover Photo by Nils Paellmann0:00 Restitution Study Group (RSG) Executive Director Deadria Farmer-Paellmann 1:30 overview of suit and issues raised 4:30 Prof. Tobias Skowronek's findings on the metals contained in the manillas7:00 Dismissal of suit against Smithsonian based on mootness7:55 court order that Plaintiffs conceded points and waived arguments 8:45 ruling in OK reparations case for the 1921 Tulsa Race Massacre10:30 Nigerian declaration by outgoing President Buhari 12:00 critical argument that transfer was ultra vires  13:00 Administrative Procedure Act - failure to hold public hearing on ‘ethical transfers' creates First Amendment issue 15:00 opinion on Nigeria's position 17:00 DNA research as to descendants from Esan People from Benin Kingdom19:00 Benin Kingdom's enslavement of their females20:15 Manchester Museum's 2023 repatriation to Australia's Aboriginal Anindilyakwa community of Groote Eylandt21:00 change in narratives offered by Frankfurt's Museum of World Cultures and Berlin's Humboldt Museum 22:45 ancestral dedications at institutions holding Benin Bronzes23:30 Benin Kingdom Museum in Harlem, NY 25:15 underreporting on lawsuit 26:00 shock about value of Benin Bronzes - a classic Wakanda story at end of first Black Panther film28:20 potential for justice in US lower federal courts and in SCOTUS31:00 narrative attached to the Benin Bronzes33:30 Illinois State Rep. Carol Ammons - Joint chairwoman of Illinois Legislative Black Caucus meeting with Chicago's Field Museum34:30 NY Legislator involved in work of RSGPlease share your comments and/or questions at stephanie@warfareofartandlaw.comTo hear more episodes, please visit Warfare of Art and Law podcast's website.Music by Toulme.To view rewards for supporting the podcast, please visit Warfare's Patreon page.To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening!© Stephanie Drawdy [2024]

Welcome back, Stoics! After a few weeks off, we return to the podcast with an absolute beast of an episode to continue season 3. Tune into this week's episode as we discuss some of the current hottest topics dominating the media: Drake vs. Kendrick Lamar, Harrison Butker's commencement speech, and the Israel-Gaza conflict on campus and across the world. From acknowledging whom we give fame and influence to discussing the importance of using rationale in highly controversial settings, this week's episode runs a bit longer and covers all the major Stoic components of these current events. We discuss how using reason and logic and being open-minded go a long way when having civil discussions about topics that deserve our attention. Ryan Quirk's most recent speech at the Institute of World Culture:https://www.youtube.com/live/aFNPpuN_hbs Follow us on all platforms for updates and engagement opportunities, see the show behind the scenes, and join the Gen Z Stoic community. Thank you for listening. ⁠⁠https://linktr.ee/genzstoic

In his latest book At Home in Nature: Technology, Labor, and Critical Ecology in Modern China (Duke UP, 2022), Ban Wang uses an ecocritical lens to examine anthropocentrism, technoscientific hubris, and ecologically destructive modes of production in modern China. Analyzing modern discourse, literature, film, and science fiction, Wang asserts that the domination of nature and labor under capitalism and technocrats is the culprit of ecological crises and human alienation. Alternatively, Wang argues, utopianisms of nonalienated labor keep alive the ideals of resonance between humans and Earth. Ban Wang is the William Haas Endowed Chair Professor in Chinese Studies in the Department of East Asian Languages and Cultures and Comparative Literature at Stanford University. His major publications include China in the World: Culture, Politics, and World Vision (Duke UP, 2022), Illuminations from the Past: Trauma, Memory, and History in Modern China (Stanford UP, 2004), History and Memory: A Critique of Global Modernity (Oxford UP, 2004), Narrative Perspective and Irony in Chinese and American Fiction (Edwin Mellen, 2002), and The Sublime Figure of History: Aesthetics and Politics in Twentieth-Century (Stanford UP, 1997). Ailin Zhou is a PhD student in Film & Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In his latest book At Home in Nature: Technology, Labor, and Critical Ecology in Modern China (Duke UP, 2022), Ban Wang uses an ecocritical lens to examine anthropocentrism, technoscientific hubris, and ecologically destructive modes of production in modern China. Analyzing modern discourse, literature, film, and science fiction, Wang asserts that the domination of nature and labor under capitalism and technocrats is the culprit of ecological crises and human alienation. Alternatively, Wang argues, utopianisms of nonalienated labor keep alive the ideals of resonance between humans and Earth. Ban Wang is the William Haas Endowed Chair Professor in Chinese Studies in the Department of East Asian Languages and Cultures and Comparative Literature at Stanford University. His major publications include China in the World: Culture, Politics, and World Vision (Duke UP, 2022), Illuminations from the Past: Trauma, Memory, and History in Modern China (Stanford UP, 2004), History and Memory: A Critique of Global Modernity (Oxford UP, 2004), Narrative Perspective and Irony in Chinese and American Fiction (Edwin Mellen, 2002), and The Sublime Figure of History: Aesthetics and Politics in Twentieth-Century (Stanford UP, 1997). Ailin Zhou is a PhD student in Film & Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

In his latest book At Home in Nature: Technology, Labor, and Critical Ecology in Modern China (Duke UP, 2022), Ban Wang uses an ecocritical lens to examine anthropocentrism, technoscientific hubris, and ecologically destructive modes of production in modern China. Analyzing modern discourse, literature, film, and science fiction, Wang asserts that the domination of nature and labor under capitalism and technocrats is the culprit of ecological crises and human alienation. Alternatively, Wang argues, utopianisms of nonalienated labor keep alive the ideals of resonance between humans and Earth. Ban Wang is the William Haas Endowed Chair Professor in Chinese Studies in the Department of East Asian Languages and Cultures and Comparative Literature at Stanford University. His major publications include China in the World: Culture, Politics, and World Vision (Duke UP, 2022), Illuminations from the Past: Trauma, Memory, and History in Modern China (Stanford UP, 2004), History and Memory: A Critique of Global Modernity (Oxford UP, 2004), Narrative Perspective and Irony in Chinese and American Fiction (Edwin Mellen, 2002), and The Sublime Figure of History: Aesthetics and Politics in Twentieth-Century (Stanford UP, 1997). Ailin Zhou is a PhD student in Film & Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In his latest book At Home in Nature: Technology, Labor, and Critical Ecology in Modern China (Duke UP, 2022), Ban Wang uses an ecocritical lens to examine anthropocentrism, technoscientific hubris, and ecologically destructive modes of production in modern China. Analyzing modern discourse, literature, film, and science fiction, Wang asserts that the domination of nature and labor under capitalism and technocrats is the culprit of ecological crises and human alienation. Alternatively, Wang argues, utopianisms of nonalienated labor keep alive the ideals of resonance between humans and Earth. Ban Wang is the William Haas Endowed Chair Professor in Chinese Studies in the Department of East Asian Languages and Cultures and Comparative Literature at Stanford University. His major publications include China in the World: Culture, Politics, and World Vision (Duke UP, 2022), Illuminations from the Past: Trauma, Memory, and History in Modern China (Stanford UP, 2004), History and Memory: A Critique of Global Modernity (Oxford UP, 2004), Narrative Perspective and Irony in Chinese and American Fiction (Edwin Mellen, 2002), and The Sublime Figure of History: Aesthetics and Politics in Twentieth-Century (Stanford UP, 1997). Ailin Zhou is a PhD student in Film & Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

In his latest book At Home in Nature: Technology, Labor, and Critical Ecology in Modern China (Duke UP, 2022), Ban Wang uses an ecocritical lens to examine anthropocentrism, technoscientific hubris, and ecologically destructive modes of production in modern China. Analyzing modern discourse, literature, film, and science fiction, Wang asserts that the domination of nature and labor under capitalism and technocrats is the culprit of ecological crises and human alienation. Alternatively, Wang argues, utopianisms of nonalienated labor keep alive the ideals of resonance between humans and Earth. Ban Wang is the William Haas Endowed Chair Professor in Chinese Studies in the Department of East Asian Languages and Cultures and Comparative Literature at Stanford University. His major publications include China in the World: Culture, Politics, and World Vision (Duke UP, 2022), Illuminations from the Past: Trauma, Memory, and History in Modern China (Stanford UP, 2004), History and Memory: A Critique of Global Modernity (Oxford UP, 2004), Narrative Perspective and Irony in Chinese and American Fiction (Edwin Mellen, 2002), and The Sublime Figure of History: Aesthetics and Politics in Twentieth-Century (Stanford UP, 1997). Ailin Zhou is a PhD student in Film & Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

The dictionary defines culture as “the way of life for an entire society.” But sometimes larger forces create rifts within the whole, inevitably leading to a confrontation between factions. A prime example of this cultural struggle is playing out today within the cities and villages of Ukraine, the focus of today's episode. Above photograph © Maxim Dondyuk In this sixth installment of our monthly series, Picturing World Cultures, we speak with Ukrainian photographer and visual artist Maxim Dondyuk, and his wife and artistic manager, Irina. Our conversation stretches beyond the current conflict, to encompass other aspects of Ukrainian society. From Maxim's early series on a country doctor's final visits with patients (which drew inspiration from the work of W. Eugene Smith) to his in-depth coverage of Ukraine's TB epidemic, we witness the evolution of his working methods and his dedication to long term documentary projects. Step behind the scenes of a military camp for children run by Cossacks, and gain insight into the cultural split between pro-Russian and pro-European factions, which Maxim photographed for his book Culture of Confrontation. As he writes in this book, “One culture tried to cling to old times, old ways of living. They were nostalgic for a past that meant a lot to them, to their parents, and grandparents. Yet there was another culture that felt completely differently. They looked ahead to forging something new, a different country.” Join us for this frank discussion about how such conflicting forces take visual form in Maxim's powerfully arresting images. If you haven't already listened, check out all the episodes of our Picturing World Cultures podcast series here. Guests: Maxim & Irina Dondyuk Stay Connected: Maxim Dondyuk Website: https://maximdondyuk.com/ Maxim Dondyuk Instagram: https://www.instagram.com/maximdondyuk/ Maxim Dondyuk Facebook: https://www.facebook.com/maximdondyuk Maxim Dondyuk Twitter: https://www.twitter.com/maximdondyuk Maxim Dondyuk Wikipedia: https://en.wikipedia.org/wiki/Maxim_Dondyuk Maxim Dondyuk‘s W. Eugene Smith Grant: https://www.smithfund.org/2022-maxim-dondyuk

Please support this podcast by checking out my friends at Magic Mind: https://magicmind.com/juliand - Use code "JulianD" for up to 50% off your subscription (***TIMESTAMPS in description below) ~ Evy Poumpouras is a former Secret Service Agent Interrogator, Journalist, Professor & Author. Her 2020 book, “Becoming Bulletproof,” is a NYT Best-Seller. As a member of the most prestigious protection force in the world for over 12 years, Evy served on the Secret Service's Presidential Protective Division for President Barack Obama and First Lady Michelle Obama. She has also protected presidents George W. Bush, William J. Clinton, and George H.W. Bush - BUY EVY'S BOOK IN MY AMAZON STORE: https://amzn.to/3RPu952  EPISODE LINKS: - Julian Dorey PODCAST MERCH: https://juliandorey.myshopify.com/  - Support our Show on PATREON: https://www.patreon.com/JulianDorey  - Join our DISCORD: https://discord.gg/Ajqn5sN6  EVY LINKS: - INSTAGRAM: https://www.instagram.com/evypoumpouras/?hl=en  JULIAN YT CHANNELS: - SUBSCRIBE to Julian Dorey Clips YT: https://www.youtube.com/@juliandoreyclips  - SUBSCRIBE to Julian Dorey Daily YT: https://www.youtube.com/@JulianDoreyDaily  - SUBSCRIBE to Best of JDP: https://www.youtube.com/@bestofJDP  Brian David Mitchell Video: ​​https://www.youtube.com/watch?v=QybphTUd-o0  ***TIMESTAMPS*** 0:00 - Evy Poumpouras & Julian talk Greece, the Greek Lifestyle & Dual Citizenship 9:10 - Evy relives the worst day in American history 20:49 - “They crashed down and the world ended”; George W. Bush shows up to the scene 33:01 - Evy describes her near-death experience & the peace it brought her; Healthy fear & bad fear 34:08 - Emotional vs logical decision making; Non-social people post-2020 53:56 - Selfish US culture vs. World Culture; Connecting w/ people 59:57 - Jiu Jitsu & Acting School 1:05:54 - Ideal conditions for interrogation; China & influence 1:13:56 - Electronic fraud at Secret Service; Secret Service History 1:22:47 - Evy fight with Chinese General; Corrupt foreign countries; Russia & Secret Service 1:33:08 - Most dangerous people; Interrogations after tragedy; How Evy Interrogates 1:38:22 - Brian David Mitchell Interrogation breakdown (Elizabeth Smart) 1:46:33 - Empathy in interrogation; How to set up an interrogation; TV Movies wrong about interrogation 1:53:58 - Jim DiOrio interrogation story; Mirroring; Finding commonality 2:06:05 - Homeland Quote about America; creating t3rr0rists problem 2:14:24 - Evy going from NYPD to Secret Service Story; Most Elite Interrogators 2:24:57 - Polygraphs 2:35:26 - How to spot a lie on a polygraph; Keeping track of polygraph records 2:43:14 - Are people inherently bad? 2:48:54 - Evy shares sinister interrogation story; Stopping tragedies 3:01:40 - Evy's new project CREDITS: - Hosted & Produced by Julian D. Dorey - Intro & Episode Edited by Alessi Allaman ~ Get $150 Off The Eight Sleep Pod Pro Mattress / Mattress Cover (USING CODE: “JULIANDOREY”): https://eight-sleep.ioym.net/trendifier Julian's Instagram: https://www.instagram.com/julianddorey ~ Music via Artlist.io ~ Julian Dorey Podcast Episode 201 - Evy Poumpouras

Professional tree planting is back breaking piecework—a combination of high intensity sport and industrial labor that requires both technical finesse and remarkable physical and mental endurance. Using techniques more often associated with high-performance athletes, experienced planters (commonly known as high-ballers) leap up and down through uneven and debris-strewn terrain, armed only with a shovel and 30-kg bags of seedlings on their backs.   In recent years, tree planting has become a rite of passage among young Canadians not afraid of hard work and dirt under their fingernails. As seasonal work, it attracts many students from Canada's southern cities. Due to the brutal physical demands, most are under 30 years old. Out on the cut block inclement weather is common, and the swarms of biting insects are legendary.   Working in—rather than on—the land for months on end, and sharing an isolated camp site creates a solid bond among planters. This has molded into a subculture of sorts, which is the subject of today's show.   My guest for this episode is Canadian photographer and filmmaker Rita Leistner. Rita documents communities living in extreme conditions, typically investing months or years in a project. After spending a decade as a tree planter during her youth, Rita returned to the forest in 2016 to document a new generation. In 2021, she released her results as an Art Trifecta, featuring large fine art photographs, a 256-page photo book, and the documentary feature film “Forest for the Trees.”    Equally in her element in forests and war zones, Rita's photographs and her writings about photography, art, and war have been published, exhibited, and collected worldwide. She is represented by the Stephen Bulger Gallery for art, and by Green Planet Films for film.  If you haven't already listened, prior episodes of our podcast series Picturing World Cultures can be accessed at the links below: Wayne Quilliam discussing Australia's indigenous communities Kiana Hayeri reflecting on her work in Iran and Afghanistan Joshua Irwandi sheds light on his documentation of Indonesia's Asmat region Daniel Rosca describes the rustic landscape and old world traditions of rural Romania Guest: Rita Leistner Episode Timeline:   2:02: The backstory to Canadian tree planting as a business   5:21: Rita's interest in photography and her early days as a tree planter.   12:43: Comparisons and contrasts between Rita's early tree planting experiences and what she found when returning to the forest to document this subject.   18:21: A typical day in the life of a tree planter and the actual planting process   26:31: How Rita landed on her distinctive photographic style of capturing fast moving planters with a PhaseOne camera and Profoto lighting.   32:40: Rita talks about how the young planters responded to her sudden presence in the camp.   36:17: Rita's lighting set up with Profoto B1 lights and coordinating with an assistant to carry all the gear.   41:56: Episode Break   43:10: Rita talks about power consumption, batteries, generators, workflow, and more when working in remote locations.   45:03: Inclement weather, dirt, and bugs when shooting both stills and video footage out in the wilderness.   48:41: The lighting details behind Rita's enchanted forest nighttime images and timelapse footage.   53:38: How the work of tree planters is perceived by both the logging industry and environmentalists, and the effects this has on the planters themselves. 1:03:47: How Rita's Tree Planter project has affected her sense of Canadian identity.   1:06:04: Rita Leistner answers our PWC Visual Questionnaire.   Guest Bio: Rita Leistner is a Canadian photographer and filmmaker who creates portraits of communities living in extreme conditions, typically investing months or years in a project. After spending a decade of her formative years as a tree planter in the Canadian wilderness, she returned to this theme to document a new generation of planters from 2016 to 2019. In 2021, she released the project as an Art Trifecta, featuring fine art photographs, a 256-page monograph, and the 91-minute documentary film Forest for the Trees.   Additionally, Rita has been captured by insurgents, assaulted, and shot at, and she has run into gunfire to get a photograph. She has published four books of photography including Unembedded: Four Independent Photojournalists on the War in Iraq (2005), widely considered one of the most influential anti-war books to come out of the Iraq conflict. Rita's photographs and her writings about photography, art, and war have been published and exhibited worldwide, and are in major corporate and museum collections. From 2010 to 2016 she served as Associate Professor in the History of Photojournalism and Documentary Photography at the University of Toronto. She is represented by the Stephen Bulger Gallery for art, and by Green Planet Films for film.    Stay Connected: Rita Leistner Website: http://ritaleistner.com/ Forest for the Trees Website: https://www.forestforthetreesdocumentary.com/ Rita Leistner Instagram: https://www.instagram.com/ritaleistner/ Rita Leistner Twitter: https://twitter.com/ritaleistner/ Stephen Bulger Gallery Website: https://www.bulgergallery.com/artists/45-rita-leistner/overview/ Green Planet Films Website: https://greenplanetfilms.org/products/forest-for-the-trees?_pos=1&_sid=90a01a45d&_ss=r Canadian photographer Lorraine Gilbert: https://www.lorrainegilbert.com/

There are many different ways to look at culture, and today we take a geographic approach, to distinguish people who live in rural mountain and hilly settings from those of the wider plains and urban areas.   Our focus is the country of Romania, where we'll explore the rustic landscape of small farms, hand tilled fields, and local communities that still identify with the working methods and traditions of the past. Along the way, we'll follow the cyclical work of farmers and shepherds, gain insight into the Orthodox faith, explore vibrant holiday celebrations, and reveal unique rituals with pagan roots.   In this fourth installment of our monthly series, Picturing World Cultures, we speak with Daniel Rosca, a Romanian photographer and travel guide specialized in photographic, cultural, and genealogical tours. As a child, Daniel experienced the age-old traditions of rural Romania first-hand during time spent on his grandparent's farm. Following university studies, he spent four years abroad, working in youth development, consulting, and corporate social responsibility. After living in Brussels, Warsaw, Istanbul, and Cairo, and travelling to another 40 countries on four continents, Daniel decided travel should become his full-time job. He chose to return to his homeland in 2011, where he founded Romania Photo Tours and True Romania Tours, to help curious travelers immerse themselves in—and capture images of—old-world Romanian culture. In summary, to quote the motto of his photo tour site: Veni, Vidi, Click! If you haven't already listened, prior episodes of our podcast series Picturing World Cultures can be accessed at the links below: Wayne Quilliam discussing Australia's indigenous communities Kiana Hayeri reflecting on her work in Iran and Afghanistan Joshua Irwandi sheds light on his documentation of Indonesia's Asmat region Guest: Daniel Rosca Episode Timeline:   2:07: The blend of various cultures and influences that make up Romanian culture, geographic distinctions between regions based on mountains, hills, and plains, Romania's historic regions, plus the country's widespread agricultural focus.   9:41: Common misconceptions about Romania: dispelling inaccuracies about Dracula and Romania's communist past, plus Romania's current strengths in tech, IT, and engineering.   12:34: Special considerations, both general and cultural, when photographing people in different regions, making pictures of the Roma, military, or police, plus Romania's strict policies that prohibit driving after even a sip of alcohol.      17:44: Romanian agricultural traditions of scything, haymaking, horse carts, blacksmiths, shepherding, plus the art of traditional egg painting.   23:24: Forging a human connection with local villagers and craftspeople, etiquette and logistics when making pictures, plus the issue of obtaining model releases for portraits.   30:14: Daniel's go-to photo gear: Nikon Z6 mirrorless and a 24-70 mm f/2.8 lens, the benefits to carrying a flash, plus recommendations for packing and benefits to traveling light   34:08: Episode Break   35:10: Romanian Orthodox churches, regional differences in appearance, rules of etiquette and respectful behavior when photographing, plus the many denominations of Orthodoxy, and details about holiday schedules.   44:42: Meaning of the word Orthodox, distinctions between Orthodox and Catholic faiths, plus Romania's Lutheran heritage, and fortified churches of Transylvania.   47:11: Romanian bear dance festivals of Moldova over New Year's, the festival's pagan roots, tips for getting good pictures by interacting and considering the background first, plus other year end celebrations   54:20: Romanian Easter traditions, a candle lit in Jerusalem on Easter morning and flown to all Romanian Orthodox churches, breaking the Lenten fast, plus Romania's little-known focus on vegan foods.   1:00:58: Romania's Dracula lure, distinguishing true cultural history from the literary myth, useful resources for more background about Romania, plus details about Daniel's genealogical tours.   57:22: Daniel Rosca answers our Picturing World Cultures Visual Questionnaire.   Guest Bio: Daniel Rosca is a Romanian photographer and tour guide specializing in photographic, cultural, and genealogical tours. As a child, he spent a lot of time at his grandparent's subsistence farm and experienced many of the traditions of rural Romania. After university and four years abroad, he realized how interesting rural Romania and its traditions are and decided to return to his native country to help curious travelers discover them as well. Before setting down roots in travel, Daniel worked in youth development, consulting, as well as in corporate social responsibility for Microsoft. After living and working in Brussels, Warsaw, Istanbul, and Cairo, and travelling to another 40 countries on four continents, he decided travel should become his full-time job, in the country where he feels most connected. He founded Romania Photo Tours and True Romania Tours in 2011. In summary, to quote the motto of his photo tour site: Veni, Vidi, Click! Where click is not only about clicking the shutter, but also about clicking with the culture.    Stay Connected: Romania Photo Tours Website: https://romania-photo-tours.com/ True Romania Tours Website: https://true-romania.tours/ Romania Photo Tours Instagram: https://www.instagram.com/romaniaphototours/ Romania Photo Tours Facebook: https://www.facebook.com/touroperatorRomaniaPhotoTours True Romania Tours Facebook: https://www.facebook.com/TrueRomaniaTours/ Romania Photo Tours X: https://twitter.com/photo_romania True Romania Tours X: https://twitter.com/TRomaniaTours True Romania Tours Pinterest: https://www.pinterest.com/trueromaniatours/ Romanian photographer Sorin Onisor: https://www.instagram.com/sorin_onisor/

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While Joshua Irwandi was born and raised in Indonesia, the early pictures he made during his first visit to the region of Asmat, in the province of West Papua, were less than satisfying to him. Yet his fascination with the people and the place stuck, inspiring him to embark on the long-term project Not a Blank Canvas. In this third installment of our monthly series, Picturing World Cultures, we speak with Irwandi about his experiences documenting the people and landscape of Asmat, which offers a window into long-held traditions and the sweeping changes he's observed there over the past 10 years. Listen in as Irwandi describes how tapping into the region's rich history through museum collections holding Asmat art proved an important part of his background research. We also discuss the connections he forged with the local Catholic church, and how the many years an American missionary spent learning about and embracing local ways led to a blending of Catholic celebrations and iconography with traditional Asmat feasts. Contrary to western holidays, Asmat feasts are celebrated for months on end, and Joshua sheds light on their mystical origins through dreams, and the performative rituals that he was privileged to witness and photograph.  In equal measure, he touches on the changing roles of a people who are essentially subsistence hunter gatherers within contemporary society, and the recent effects of transmigration and gentrification on the region's native inhabitants, which also forms a part of his documentation. Self-described as a naturally shy person, Irwandi's approach to making pictures for this project is to play the long game, while planning for longer visits that allow him to be a “constant observer,” as he describes it.   “I don't pretend I have all the knowledge,” he says. “But I guess it's easier to come and connect with the locals when you walk in like a new blank piece of book, wanting to learn, rather than assume that you know about them already.” If you haven't already heard them, prior episodes of our podcast series Picturing World Cultures can be accessed at the links below:  Wayne Quilliam discussing Australia's indigenous communities: https://www.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-wayne-quilliam-australiatasmania  Kiana Hayeri reflecting on her work in Iran and Afghanistan: https://www.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-kiana-hayeri-iran-afghanistan Guest: Joshua Irwandi Above photograph © Joshua Irwandi For more information on our guest and the gear he uses, see: https://blogd7.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-joshua-irwandi-indonesia Stay Connected: Joshua Irwandi Website: https://www.joshuairwandi.com/ Joshua Irwandi Instagram: https://www.instagram.com/joshirwandi/ Joshua Irwandi Facebook: https://www.facebook.com/joshua.irwandi/ Joshua Irwandi X: https://twitter.com/joshirwandi/ Asmat Museum of Culture and Progress: https://asmatmuseum.org/en/ Joshua Irwandi National Geographic Explorers Page: https://explorer-directory.nationalgeographic.org/joshua-irwandi Joshua Irwandi's story for The Globe and Mail: https://www.theglobeandmail.com/world/article-how-to-move-a-capital-city-an-exclusive-look-at-indonesias-plan-to/ Pulitzer Prize page for Irwandi's Photo The Human Cost of COVID-19:  https://www.pulitzer.org/finalists/joshua-irwandi-freelance-photographer-national-geographic

Kiana Hayeri was born in Iran, and this was where she launched her career as a photojournalist and visual storyteller. Yet after traveling to Afghanistan for a 2014 assignment, she decided to relocate, spending the next eight years covering both the frontlines of conflict and everyday lives of the Afghan people. In this second installment of our monthly series, Picturing World Cultures, we speak with Hayeri about her experiences living and working in a region mired in cultural upheaval, failing infrastructure, and rife with political violence. Listen in as Hayeri shares insights about her early work documenting youth culture in both Iran and Afghanistan, while revealing subtle differences in how each society approaches a division between public and private life. When it comes to making pictures, Hayeri's first concern is for the latent potential of her photographs to endanger the lives of her subjects. She elaborates on making conscious calculations in her head related to every small detail to mitigate this risk. Working as a woman within a patriarchal society involves great challenges, and we broach this subject, as well as the advantages she has when photographing culturally sensitive subjects. While Hayeri has little problem maintaining focus on the frontlines while immersed in her work, we also discuss the tolls of making pictures in traumatic situations, and the importance of taking breaks to reestablish a sense of normalcy and maintain health and sanity. Hayeri has worked with an extensive network of local contacts to arrange access for the stories she tells. She avoids using the term “fixer” for these essential collaborators, pointing out, “The credit for a lot of the stories that we work on goes to our local colleagues, because they are the ones who put themselves on the front of everything. It's their reputation, their lives that they risk. I have a lot of respect for that.” Check out the first episode of our new podcast series Picturing World Cultures, featuring my interview with Australian photographer Wayne Quilliam, here: https://www.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-wayne-quilliam-australiatasmania Above photograph © Kiana Hayeri Guest: Kiana Hayeri For more information on our guest and the gear she uses, see: https://www.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-kiana-hayeri-iran-afghanistan Stay Connected: Kiana Hayeri Website: https://www.kianahayeri.com/ Kiana Hayeri Instagram: https://www.instagram.com/kianahayeri/  Kiana Hayeri Facebook: https://www.facebook.com/kianahj Kiana Hayeri Ted Talk: https://www.ted.com/speakers/kiana_hayeri

Оксана Седых - кандидат филосовских наук, доцент кафедры истории и теории мировой культуры философского факультета МГУ имени М.В. Ломоносова. Сфера научных интересов: история и теория мировой культуры и литературы, литература и фольклор, философия и культура Серебряного века, культурная (социокультурная) антропология. Oxana Sedykh, PhD in Philosophical Sciences, Associate Professor of the Department of History and Theory of World Culture, Faculty of Philosophy at the Lomonosov Moscow State University. Area of her scientific interests: history and theory of world culture and literature, literature and folklore, philosophy and culture of the Silver Age, and cultural (sociocultural) anthropology. FIND OXANA ON SOCIAL MEDIA Facebook ================================SUPPORT & CONNECT:Support on Patreon: ⁠https://www.patreon.com/denofrich⁠Twitter: ⁠https://twitter.com/denofrich⁠Facebook: ⁠https://www.facebook.com/mark.develman/⁠YouTube: ⁠https://www.youtube.com/denofrich⁠Instagram: ⁠https://www.instagram.com/den_of_rich/⁠Hashtag: #denofrich© Copyright 2023 Den of Rich. All rights reserved.

“The eye should learn to listen before it looks.” – Robert Frank Australian photographer Wayne Quilliam used to consider his camera as a tool, but today it's become his “companion.” This is just one of the inspiring takeaways from our chat for the new monthly podcast series, “Picturing World Cultures.” Listen in as Quilliam describes his journey—from growing up on the island state of Tasmania knowing little about his indigenous roots, to gaining a fascination with culture while traveling with the Royal Australian Navy, to his current roles as a leading indigenous imagemaker and cultural ambassador.  When it comes to making pictures, Quilliam differentiates between an older approach of maintaining photographic objectivity and more contemporary methods for immersing yourself in a story to have a stronger sense of connection with subjects, and a better understanding of what that story will become.  We also discuss aboriginal cultural protocols, and Quilliam offers surprising insights into the unique relationship between culture and skin color in Australia's indigenous communities.   Stay to the end for tips about photographing culturally sensitive subjects by listening for images rather than seeing them, and Quilliam's following parting advice. •    Know who you are as a person and what your role is within the journey. •    Make sure you're as informed as possible about your subject and the who, what, how, why, when, and where of the story and end goal. •    And most important, offer total respect to both the land and people as part of your photographic process. Above photograph © Wayne Quilliam Guests: Wayne Quilliam For more information on our guest and the gear he uses, see: https://blogd7.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-wayne-quilliam-australiatasmania Stay Connected: Wayne Quilliam Website: https://aboriginal.photography/ Wayne Quilliam Instagram: https://www.instagram.com/waynequilliam/ Wayne Quilliam Facebook: https://www.facebook.com/AustralianAboriginalPhotography/ Wayne Quilliam Flickr: https://www.flickr.com/photos/waynequilliamphotography/# Wayne Quilliam book Culture is Life: https://www.hardiegrant.com/au/publishing/bookfinder/book/wayne-quilliam_-culture-is-life-2nd-edition-by-wayne-quilliam/9781741178760 Wayne Quilliam interactive exhibit “Connection”: https://www.thelumemelbourne.com/connection

My guest this week is John Heers. John is head of the First Things Foundation. First Things Foundation was conceived as a way to remind wealthy westerners of what gives meaning to life and as a mechanism for serving the poorest among us. As a couple of men working in the aid field, we saw how do-gooders sometimes do profound damage to struggling communities. That damage isn't always physical; things get built when the cash shows up. The damage is spiritual, resulting in local people and local economies becoming dependent on outsiders. Or worse, these communities are violently transformed into what outsiders deem to be "good". We get into the spirit of what John calls "old world thinking" and the Orthodox way to offer philanthropy and aid. At the end, join me in the quiz that I take! Am I more of a new world enlightenment thinker, or do I trend towards the OLD WORLD? For more from John Heers, go here:   To take the quiz, go here: Sponsor: The Podsworth App: Get 50% off your first order at when you use code BUCK50 at checkout! Visit my website:  Donate to the show here:  Audio Production by Podsworth Media: Leave us a review and rating on iTunes! Thanks!

What if we told you about an upcoming World Culture Festival that will converge over half a million people from across the globe in the heart of Washington, DC? This remarkable event is a grand celebration where people of diverse nationalities unite to revel in the rich tapestry of cultures that define our world. If this sounds intriguing, you're in for a treat! On September 29th to October 1st, the nation's capital will play host to the most anticipated gathering of our time, right on the iconic National Mall. In this colossal celebration of life and the unwavering human spirit, we embark on an extraordinary journey. Together, we will explore the profound power of unity that effortlessly transcends boundaries, the timeless beauty of cultural preservation, and the invaluable importance of nurturing our mental well-being. The World Culture Festival's mission is nothing short of awe-inspiring. It sends a powerful message to the world that we are all one global family, and our differences can harmoniously coexist. It offers leaders from various segments of society—business, politics, religion, academia—a platform to renew their vision and collaborate for the common good. This movement embodies the revival of universal human values such as love, compassion, and friendliness. Legacies of War, with its foundational values rooted in History, Healing, and Hope, intertwines seamlessly with the preservation of heritage, traditions, and cultures. This intersection brings collective healing, especially to communities that have endured the hardships of war, violence, and displacement. The World Culture Festival, a celebration of global diversity and harmony, serves as a beacon of hope and an opportunity for leaders from all walks of life to unite in pursuit of a shared mission. Check more about the World Culture Festival and the Art of Living at https://wcf.artofliving.org/ Get to know our speakers: Raj Mahalingam is a SKY breath meditation instructor . He is passionate about anything yoga, Ayurveda and Anthropology for well being. He also holds Health and Hygiene Workshops which educates about the various benefits of Ayurvedic science in integrative health. He works in the Supply Chain technology Industry.  Within Technology , He is passionate about technologies for social good, especially those that have the potential to help underdeveloped communities climb the economic ladder. Jennifer Ka is currently a SKY Campus Breath & Meditation Instructor at universities and a Clinical Yoga Therapist for Penn Medicine Princeton Behavioral Health working with populations who have suffered from trauma, major mental disorders and addiction. She has a BA in Psychology from UC San Diego and a MA in East-West Psychology from the California Institute of Integral Studies. She is a first generation born Cambodian American. She interned in Cambodia as a writer/researcher interviewing survivors and perpetrators of the Khmer Rouge Genocide and published a book/play “Unspoken Words” from the Documentation Center of Cambodia that addressed intergenerational trauma. Her Master's thesis was focused on the healing from the after effects of war & violence coming from parents who survived the war. She now uses breathwork, yoga, and the practices she learned from the Art of Living to heal herself and help others.

Spencer is the Vice President of the TLEX institute, an organization dedicated to bringing meditation, emotional intelligence, leadership and learning to corporate teams around the world. He has taught breathwork and meditation over many parts of the world. In his upcoming role this fall as the master of ceremonies for the World Culture Festival at the National Mall from September 29-October 1st, Spencer is already promoting awareness through various media outlets to renew the spirit of connection and harmony, drawing in millions of individuals who long for a world with less division. In 2016, Spencer had the honor of serving as the MC for the World Culture Festival in Delhi. World Culture Festival Link If you're not having a blast in your recovery, you ain't doing it right! And Thank you for allowing me to participate in my recovery in this manner today! Enjoy! --- Support this podcast: https://podcasters.spotify.com/pod/show/dan-reeves8/support

The stories in the Thousand and One Nights, or the Arabian Nights, are familiar to many of us: from the tales of Aladdin, Sinbad the Sailor, Ali Baba and his forty thieves, to the framing story of Scheherazade telling these stories to her homicidal husband, Shahrayar.  Muḥsin Jāsim Mūsawī's The Arabian Nights in Contemporary World Cultures: Global Commodification, Translation, and the Culture Industry (Cambridge UP, 2021) offers a rich and wide-ranging analysis of the power of this collection of tales that penetrates so many cultures and appeals to such a variety of predilections and tastes. It also explores areas that were left untouched, like the decolonization of the Arabian Nights, and its archaeologies. Unique in its excavation into inroads of perception and reception, Muhsin J. al-Musawi's book unearths means of connection with common publics and learned societies. Al-Musawi shows, as never before, how the Arabian Nights has been translated, appropriated, and authenticated or abused over time, and how its reach is so expansive as to draw the attention of poets, painters, illustrators, translators, editors, musicians, political scientists like Leo Strauss, and novelists like Michel Butor, James Joyce and Marcel Proust amongst others. Making use of documentaries, films, paintings, novels and novellas, poetry, digital forums and political jargon, this book offers nuanced understanding of the perennial charm and power of this collection. Professor Muhsin al-Musawi is a literary critic and a scholar of classical and modern Arabic literature and comparative cultural studies. He taught for over two decades at universities in the Arab world before moving to Columbia University. He is the author of twenty-eight books (including four novels) and over sixty scholarly articles. He has been the editor of the Journal of Arabic Literature (Brill Academic Publishers) since 2000. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The stories in the Thousand and One Nights, or the Arabian Nights, are familiar to many of us: from the tales of Aladdin, Sinbad the Sailor, Ali Baba and his forty thieves, to the framing story of Scheherazade telling these stories to her homicidal husband, Shahrayar.  Muḥsin Jāsim Mūsawī's The Arabian Nights in Contemporary World Cultures: Global Commodification, Translation, and the Culture Industry (Cambridge UP, 2021) offers a rich and wide-ranging analysis of the power of this collection of tales that penetrates so many cultures and appeals to such a variety of predilections and tastes. It also explores areas that were left untouched, like the decolonization of the Arabian Nights, and its archaeologies. Unique in its excavation into inroads of perception and reception, Muhsin J. al-Musawi's book unearths means of connection with common publics and learned societies. Al-Musawi shows, as never before, how the Arabian Nights has been translated, appropriated, and authenticated or abused over time, and how its reach is so expansive as to draw the attention of poets, painters, illustrators, translators, editors, musicians, political scientists like Leo Strauss, and novelists like Michel Butor, James Joyce and Marcel Proust amongst others. Making use of documentaries, films, paintings, novels and novellas, poetry, digital forums and political jargon, this book offers nuanced understanding of the perennial charm and power of this collection. Professor Muhsin al-Musawi is a literary critic and a scholar of classical and modern Arabic literature and comparative cultural studies. He taught for over two decades at universities in the Arab world before moving to Columbia University. He is the author of twenty-eight books (including four novels) and over sixty scholarly articles. He has been the editor of the Journal of Arabic Literature (Brill Academic Publishers) since 2000. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The stories in the Thousand and One Nights, or the Arabian Nights, are familiar to many of us: from the tales of Aladdin, Sinbad the Sailor, Ali Baba and his forty thieves, to the framing story of Scheherazade telling these stories to her homicidal husband, Shahrayar.  Muḥsin Jāsim Mūsawī's The Arabian Nights in Contemporary World Cultures: Global Commodification, Translation, and the Culture Industry (Cambridge UP, 2021) offers a rich and wide-ranging analysis of the power of this collection of tales that penetrates so many cultures and appeals to such a variety of predilections and tastes. It also explores areas that were left untouched, like the decolonization of the Arabian Nights, and its archaeologies. Unique in its excavation into inroads of perception and reception, Muhsin J. al-Musawi's book unearths means of connection with common publics and learned societies. Al-Musawi shows, as never before, how the Arabian Nights has been translated, appropriated, and authenticated or abused over time, and how its reach is so expansive as to draw the attention of poets, painters, illustrators, translators, editors, musicians, political scientists like Leo Strauss, and novelists like Michel Butor, James Joyce and Marcel Proust amongst others. Making use of documentaries, films, paintings, novels and novellas, poetry, digital forums and political jargon, this book offers nuanced understanding of the perennial charm and power of this collection. Professor Muhsin al-Musawi is a literary critic and a scholar of classical and modern Arabic literature and comparative cultural studies. He taught for over two decades at universities in the Arab world before moving to Columbia University. He is the author of twenty-eight books (including four novels) and over sixty scholarly articles. He has been the editor of the Journal of Arabic Literature (Brill Academic Publishers) since 2000. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The stories in the Thousand and One Nights, or the Arabian Nights, are familiar to many of us: from the tales of Aladdin, Sinbad the Sailor, Ali Baba and his forty thieves, to the framing story of Scheherazade telling these stories to her homicidal husband, Shahrayar.  Muḥsin Jāsim Mūsawī's The Arabian Nights in Contemporary World Cultures: Global Commodification, Translation, and the Culture Industry (Cambridge UP, 2021) offers a rich and wide-ranging analysis of the power of this collection of tales that penetrates so many cultures and appeals to such a variety of predilections and tastes. It also explores areas that were left untouched, like the decolonization of the Arabian Nights, and its archaeologies. Unique in its excavation into inroads of perception and reception, Muhsin J. al-Musawi's book unearths means of connection with common publics and learned societies. Al-Musawi shows, as never before, how the Arabian Nights has been translated, appropriated, and authenticated or abused over time, and how its reach is so expansive as to draw the attention of poets, painters, illustrators, translators, editors, musicians, political scientists like Leo Strauss, and novelists like Michel Butor, James Joyce and Marcel Proust amongst others. Making use of documentaries, films, paintings, novels and novellas, poetry, digital forums and political jargon, this book offers nuanced understanding of the perennial charm and power of this collection. Professor Muhsin al-Musawi is a literary critic and a scholar of classical and modern Arabic literature and comparative cultural studies. He taught for over two decades at universities in the Arab world before moving to Columbia University. He is the author of twenty-eight books (including four novels) and over sixty scholarly articles. He has been the editor of the Journal of Arabic Literature (Brill Academic Publishers) since 2000. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Richard Sclove's newest book — Escaping Maya's Palace: Decoding an Ancient Myth to Reveal and Heal the Hidden Madness of Modern Civilization (Karavelle Press, 2023)— won a 2023 Gold Nautlilus Book Award, capturing the top prize in the category “World Cultures' Transformational Development & Growth.” Richard founded and for thirteen years directed the Loka Institute, a nonprofit organization dedicated to making research, science, and technology responsive to democratically decided priorities. He is also a cofounder of the ECAST (Expert and Citizens Assessment of Science and Technology) network and of the Living Knowledge network. He has been the Director of Strategic Planning at the Mind and Life Institute, co-founded by the Dalai Lama, and a Project Director at the Center for Contemplative Mind in Society. Richard's 1995 book Democracy and Technology received the Don K. Price Award of the American Political Science Association honoring “the year's best book in science, technology, and politics.” He is an elected Fellow of the American Association for the Advancement of Science. He has published in numerous venues, including the Washington Post, Newsweek, the Christian Science Monitor, Adbusters, Yes! Magazine, Utne Reader, Tikkun, Huffington Post, Technology Review, the Chronicle of Higher Education, Science magazine, Nature magazine, Issues in Science and Technology, Futures, and Science, Technology and Human Values. Dr. Sclove has taught and lectured at universities worldwide and delivered many plenary and keynote addresses. He has prepared invited testimony for the House Science Committee of the U.S. Congress and given one-on-one policy briefings to U.S. and other national decision-makers, including the Director of the National Science Foundation and the President's Science Advisor. Richard earned his B.A. degree in environmental studies from experimental, interdisciplinary Hampshire College and, from MIT, an M.S. in nuclear engineering and a Ph.D. in political theory. He held the Ciriacy-Wantrup Postdoctoral Fellowship in Economics at the University of California at Berkeley. Richard has been a meditator for over 40 years, studied with more than half a dozen spiritual teachers, and lived for a year in an ashram/orphanage in Varanasi, India. Dr. Susan Grelock Yusem is an independent researcher trained in depth psychology, with an emphasis on community, liberation, and eco-psychologies. Her work centers around interconnection and encompasses regenerative food systems, the arts and conservation. She directs narrative development at the innovative global nonprofit Commonweal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On the September 3, 2023 episode of Mic Check, host Mike Merli is joined by Ameya Krishnan. Ameya grew up in New Haven and is currently based in Hamden, Connecticut. Professionally, she is a nurse practitioner in child psychiatry. And for The Art of Living foundation, she has been a meditation instructor for 8 years, and a volunteer for 15. Through The Art of Living foundation, Ameya is involved with the upcoming World Culture Festival, which will be taking place from September 29 through October 1 at the National Mall in Washington, DC. Ameya shares what community means to her, what folks can expect at the World Culture Festival, and some important work she's doing within the recovery community here in Connecticut. For more on the World Culture Festival: http://wcf.artofliving.org For more on the World Culture Festival Guitar Ensemble: http://wcfguitar.org And to connect with Ameya about her local work here in Connecticut: ameya.krishnan@artofliving.org

When game companies simulate cultures in their games they usually focus on the tropes that their intended audiences have about those cultures and then design their game around those tropes.  Is there anything wrong with that?  If so, what? What can game designers do to present cultures – present and past – more respectfully? ---------------------------------------------------------------  Andrei Zanescu is a newly minted Doctor of Communication at Concordia University, in Montreal, Canada. His research focuses on resonance and its uses for (re)producing culture, in blockbuster games both digital and analog, as well as the overlap between blockbuster films and games. He also researches the political economy of game distribution, and the monetization of game platforms.  Andrei is co-author of Microstreaming on Twitch, which is forthcoming from MIT Press.  And he's co-host of the Humor and Games. ------------------------------------------------------------ JOIN THE ETHICS AND VIDEO GAMES COMMUNITY: - Follow/like/share us on Facebook, Twitter, and YouTube  - Explore our website and check out our Video Games Ethics Resources Center: https://ethicsandvideogames.com - If you're game to lend us your financial support, we'd love to have it and can definitely use it!  You can do that here: SUPPORT OUR PODCAST! - Give us a review whereever you listen to podcasts - If you've got an idea or an ethical issue involving video games that you think would make for a good podcast, please let us know!  Contact us at ethicsandvideogames.com or email us at contact@ethicsandvideogames.com.  We'd love to hear from you! Hosted by Shlomo Sher, Ph.D. and Andy Ashcraft Production by Carmen Elena Mitchell Music and graphics by Daniel Sher