Podcasts about shockheaded peter

E.B. Kogan and Jessica Silvetti join us to discuss their graphic novel series Shockheaded Peter. There was a lot discussed in a very short time! DOWNLOAD Shockheaded Peter By E.B. Kogan, Jessica Silvetti And Giuseppe Sabè Di Stefano. Shockheaded Peter … Continue reading →

Bearded Comic Bro got to sit down and talk with E.B. Kogan and Jessica Silvetti who are the writers on volume 2 of the comic series "Shockheaded Peter" Which goes live on Kickstarter October 7th. Make sure you watch the video and check out all the links below that we mention in the videoKickstarter for "Shockheaded Peter" Volume 2https://www.kickstarter.com/projects/ebkogan/shockheaded-peter-part-2?ref=nav_search&result=project&term=shockheaded&total_hits=13Follow E.B. and Jessica on Social Media Instagram: @ebkfromla @Jess_Silvetti

På premieredagen til «Shockheaded Peter» på Den Nationale Scene traff vi regissør Vidar Magnussen til en publikumsprat om makaber humor og bestialsk barneoppdragelse i Teaterbaren. Samtalepartner: Silje Gripsrud

Every Friday night Will Allred and Kevin Joseph sit down to talk comics, crowdfunding, and a little bit of Pop Culture with comic creators currently running campaigns. This week they speak with with Samantha Branch - The writer/artist of Will Not Bow to give us the 411 on her adult coloring book and artbook progect Witchtober: https://www.kickstarter.com/projects/willnotbowcomics/witchtober-coloring-book Samantha can be reached on Twitter @Samantha_Brannch Garth Matthams - writer of Witch Creek Road, introduced us of season two to his "Love letter to horror" Witch Creek Road: Skinned. https://www.kickstarter.com/projects/garththegeek/witch-creek-road-skinned-1 And the writing team of Jessica Silvetti & E.B. Kogan. came on to tell us how they reinterpreted cautionary tales from the 1840s into their absurdist horror comic Shockheaded Peter. https://www.kickstarter.com/projects/ebkogan/shockheaded-peter Kevin's comic Tart can be found at scoutcomics.com/collections/tart or ordered through your local comic shop (Tart Vol 2 can be preordered right now) His twitter handle is @kevinjosephcmx Information about Will Allred's comics can be found at crossoverdivision.com. Be sure to hit follow on his Kickstarter Prelaunch Page to be informed the moment his next Crossover Division campaign goes live in May: http://crossoverdivision.com/ks His twitter handle is @wallred Learn more about your ad choices. Visit megaphone.fm/adchoices

David and Rylend sit down with accomplished filmmakers Jess Silvetti and Ethan Kogan to talk about their first foray into comics, SHOCKHEADED PETER (available now via Kickstarter)… and Ethan and Rylend - who've known each other for 20+ years - swap stories about the INSANE 45-minute-long musical they filmed while in college. JESS SILVETTI Twitter: @Jesilvetti Instagram: @jess_silvetti Website: www.jessicasilvetti.com ETHAN KOGAN Twitter: @EBKfromLA Instagram: @EBKfromLA CHECK OUT THE SHOCKHEADED PETER KICKSTARTER: shockheadedpetercomic.com --Please leave us a rating on Apple Podcasts/iTunes!-- Website: pendantaudio.com Twitter: @pendantweb Facebook: facebook.com/pendantaudio Tumblr: pendantaudio.tumblr.com YouTube: youtube.com/pendantproductions

Bearded Comic Bro got to sit down and talk with E.B. Kogan and Jessica Silvetti who are the writers on a new comic coming to Kickstarter called  "Shockheaded Peter" which is live March 22nd. Make sure you watch the video and check out all the links below that we mention in the videoKickstarter for "Shockheaded Peter"https://www.kickstarter.com/projects/ebkogan/shockheaded-peterFollow E.B. and Jessica on Social Media Twitter: @EBKfromLA @jesilvettiInstagram: @ebkfromla @Jess_Silvetti

Autor: Laages, Michael Sendung: Kultur heute Hören bis: 19.01.2038 04:14

Julie and Casey chat with Liz Hara (prolific TV writer, expert puppeteer and costume designer, citizen of Sesame Street, candy expert, all-around-cool-chick) about running toward failure, the pure magic and community-building power of puppets, what it’s like to be the only POC in a writer’s room (and how that world is changing for the better), and why puppets and emus don’t mix.  TOP TAKEAWAYS: Liz fell in love with puppets while working in theater in Minneapolis as a teenager and watching a gruesome dark comedy called Shockheaded Peter. Her first love is Butoh-style puppetry, where the puppeteers actually disappear even as they’re right in front of you working the puppets. For the last several years of working with Jim Henson studios, she’s been learning the art of moniter-style puppetry, where you have to puppet while watching a reversed image on a monitor to make sure the puppet is doing what it’s supposed to. Our brains hurt just thinking about it. Her work with puppets has allowed Liz to travel all over the world with shows and to festivals. One of those festivals, the World Puppet Festival of Charleville-Mézières, came along at a time when she was feeling some existential dread (“maybe I’ve just seen everything that there is to see and I don’t know what I’m doing with my life blah blah blah”), and renewed her faith in everything. Couldn’t we all use a dose of that? “For puppetry to work, the audience has to buy into the premise. By putting it up there, the artist is inviting the audience to ‘come play’. You have to agree that the thing we are moving is not just a doll being wiggled—we have to agree that this thing is alive. So there’s this immediate sense of community that is built, and that’s what I think makes it so special and so powerful.” (And isn’t that the goal of every artist and every public speaker—to create community?) Sesame Street is “the home of [Liz’s} heart”—she started out as a puppet builder and puppet costume designer and became a puppet “wrangler” (which she describes as the “pit crew” for the puppets on set.) And she’s got some STORIES…https://www.youtube.com/watch?v=1pvtcWwPVmk&t=113s It was actually one of the head writers on Sesame Street who encouraged Liz when she wanted to venture from writing plays and works for puppets to writing for TV. She began writing for Sesame Street, and then entered a pitch competition at the Austin TV Festival (which she won!), got a manager and an agent, and got her first staff writing position on a sitcom, and found out she had to move to LA from NY with about 17 hours notice.  Liz has now been in several writers’ rooms, sometimes diverse, and sometimes where she’s been the only person of color in the room. Her experience is that being “the only” means that she was looked at as the default expert on ALL people of color, or wondered if she was supposed to be the “BIPOC police”. Part of the ethos of a writers’ room is that you never want to kill an idea or a joke unless you can “one up” it. This means that a lot of energy goes into “do I speak up or will this moment pass,” which means you get quieter, which means you may be seen as not fully present . . . (classic double binds). A more diverse writer’s room means that each writer can draw on their own personal experience instead of having to represent EVERYONE’s experience. Why YA TV shows might have some of the best writing out there. If you need ideas for how to bring your community together digitally in this time, Liz has your back . . . (QUARANTEDTALKS!!??) “Play is a joyful approach to life without fear of failure—play and failure are extremely linked and you can’t create good work or live a good life without failure.” Puppeteering and writing is a “relentless process of learning a CRAFT”—which is why both the dedication to your own learning and the generous sharing of knowledge with others is so crucial. Institutional knowledge and the experience of/training from mentors is hugely important. Liz credits her many wonderful mentors, and is excited to now be playing that role for others. LIZ HARA writes television for little kids, big kids, and even bigger kids. She currently writes for Sesame Street, and won an Emmy for Outstanding Writing in 2018. She has also written for CBS’ Life in Pieces, Apple+’s Helpsters, HBO’s Esme & Roy, and Nature Cat and Odd Squad for PBS. Her newest gig is writing for Moon Girl and Devil Dinosaur, the newest Marvel superhero cartoon for Disney. Liz is also a puppet and costume builder, winning an Emmy for Best Costume Design in 2015 with her team for their work on Sesame Street.  She has worked on several other theatrical and film productions, including Avenue Q, Spider-Man: Turn Off the Dark, and The Lion King.   Liz is also a fantastic dancer, is super fun at weddings, and has an encyclopedic knowledge of candy.  

One of the ways I pay the rent is by working as a composer and musician for theater and dance productions. It's something I've been taking time off from since before I started the whole Satanist Reads the Bible project—I had had a busy year and got burned out on it—but back in December I got an email from one of my music mentors asking if I wanted to join in as a musician on a production of a piece of musical theater called Shockheaded Peter. It's based on a German children's book of cautionary tales called Der Struwwelpeter in which various misbehaviors on the part of the children result in disaster and death. I played a drum kit made partially out of garbage along with an upright bassist and an accordionist, and it's been a highlight of my career and one of the great privileges and joys of my life. I've been training as a musician for about 25 years now and have performed hundreds of shows, and this show has both demanded and demonstrated my highest capabilities as a musician, performer, and human being. It's been difficult work that's pushed me to my limits but I've loved every second of it—it's one of those experiences that has made the Eternal Return worth it for me—and it's brought up some questions regarding philosophy and theater, some of which I'll be exploring here. Works Referenced or Consulted Bodman, W. S. (2011). The poetics of Iblis: Narrative theology in the Qur'an. Harvard Theological Studies, Harvard Divinity School : Distributed by Harvard University Press. Bradford, G. (2013). The Value of Achievements: The Value of Achievements. Pacific Philosophical Quarterly, 94(2), 204–224. https://doi.org/10.1111/j.1468-0114.2012.01452.x Csikszentmihalyi, M. (2009). Flow: The psychology of optimal experience (Nachdr.). Harper [and] Row. Goffman, E. (1990). The presentation of self in everyday life (Nachdr.). Doubleday. H7451—Ra`—Strong's Hebrew Lexicon (KJV). (n.d.). Blue Letter Bible. Retrieved March 10, 2020, from https://www.blueletterbible.org/kjv/gen/1/1/s_1001 Hamilton, J. R. (2019). Philosophy of Theater. In E. N. Zalta (Ed.), The Stanford Encyclopedia of Philosophy (Winter 2019). Metaphysics Research Lab, Stanford University. https://plato.stanford.edu/archives/win2019/entriesheater/ Nietzsche, F. W., & Kaufmann, W. A. (1974). The gay science: With a prelude in rhymes and an appendix of songs (1st ed.). Vintage Books. Satan As a Moral Exemplar. (2020, February 29). A Satanist Reads the Bible. https://asatanistreadsthebible.com/satan-as-a-moral-exemplar/ Satan in the Qur'an. (2019, November 16). A Satanist Reads the Bible. https://asatanistreadsthebible.com/satan-in-the-quran/ Taylor, C. (1994). The politics of recognition. In A. Gutmann (Ed.), Multiculturalism: Examining the politics of recognition. Princeton University Press. --- Send in a voice message: https://anchor.fm/asatanistreadsthebible/message Support this podcast: https://anchor.fm/asatanistreadsthebible/support

Eric Bornstein discusses the art of the mask. Award-winning mask maker Eric Bornstein of Behind The Mask Studio/Theatre specializes in custom made masks, corporate event planning, arts education, and mask theater programming. Eric has studied mask making with masters Agung Suardana in Bali, and Donato Sartori in Italy. He received his MLA in Fine Arts along with the Thomas Small prize from Harvard University. Behind The Mask was recently awarded the commission of 120 award statuettes for the prestigious Reggae Gold award event in Kingston, Jamaica. Previously, Eric was awarded a Fulbright award to revive and reinvigorate the art of giant puppet effigies in Jamaica 2017. He won the 2016 IRNE award for Best Puppetry Design for Company One’s Shockheaded Peter, and was part of the Liars & Believers team that won the Excellence in Production Design award at the New York Musical Theatre Festival 2012 for his masks in Le Cabaret Grimm. Eric was recently featured on the PBS hit show, Pinkalicious and Peteriffic. He is currently the artist-in-residence at the First Church Boston UU. Check out his web site: http://www.behindthemask.org --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/cindy-gilman/support

Song by Song returns for its 15th season, digging into one of the densest and most involved albums in the whole project, The Black Rider. Guest host Jeu Jeu La Foille joins Sam and Martin to add her experience in use of Waits in theatrical performance as well as her own memories of the stage production, as we discuss the function of overtures & introductions, the interactions between ablism & empowerment, and how to properly discipline wayward children. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Lucky Day (Overture), The Black Rider, Tom Waits (1993) The Struwwelpeter Overture, Shockheaded Peter, The Tiger Lillies (1999) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Shockheaded Peter is considered by many as a brutal book. Each story has a clear moral that demonstrates the disastrous consequences of misbehavior in an exaggerated way. - Von vielen verpönt als "schwarze" Pädagogik, von vielen verschrien als "typisch brutal deutsch". Doch es steckt auch viel wertvolle Pädagogik in diesem klassischen Kinderbuch.

The Tiger Lillies is an Olivier Award-winning and Grammy-nominated musical trio with more than thirty years of success around the world as a live band, as recording artists and as part of several theatre productions, including the Olivier Award-winning Shockheaded Peter on the West End. Their latest collaboration is with visual director Mark Holthusen and writer Peder Bjurman on a story set along the Mexican border, Corrido de la Sangre, which will be performed as part of the ¡Viva! Spanish and Latin American Festival 2018 at HOME Manchester. In this episode, BTG editor David Chadderton speaks to two thirds of the Tiger Lillies, Martin Jacques and Adrian Stout, about the new show and also about the joys and the problems of being uncategorisable outsiders, what it means to be genuinely 'alternative', the way the look and the sound of the band were carefully conceived and have evolved and some other projects currently in development or on the horizon. Corrido de la Sangre featuring The Tiger Lillies will be performed at HOME Manchester from 20 April to 5 May 2018 as part of the ¡Viva! Spanish and Latin American Festival. They will perform Poe’s Haunted Palace at London’s Queen Elizabeth Hall from 28 to 30 August 2018.

Phelim McDermott co-founded acclaimed theatre company Improbable in 1996. His directing credits including Shockheaded Peter with Julian Crouch and The Tiger Lillies, Philip Glass’s The Perfect American with ENO and Teatro Real in Madrid, The Addams Family on Broadway and, most recently, Jim Broadbent in A Christmas Carol on the West End. Phelim spoke to BTG editor David Chadderton about the origins of Improbable's show Animo that combines improvisation and puppetry, which was revived for the 2016 Latitude Festival led by co-artistic director Lee Simpson. He also looked back on 20 years of Improbable and talked about the importance of improvisation to all of his work, even when script-based, and the influence of the ideas of Keith Johnstone and Jeremy Whelan on his techniques.

Antallet valgomater har hatt en enorm vekst siden sist valg. For fire år siden var det bare en seks-sju valgomater - i år kan du velge blant flere hundre... Rettssaken om berg-og-dal-banen på Hunderfossen ved Lillehammer fortsetter - idag er det Hunderfossen selv som skal legge frem sin sak. Den norske suksessversjonen av musikalen "Shockheaded Peter" eksporteres til teaterstormakten Tyskland - veldig stas, sier regissør Erik Ulfsby. Vi kommer av tekniske årsaker tilbake til Valgomatsaken mot slutten av sendingen - Kulturnytt får du med Birger Kolsrud Jåsund i studio.