Podcast appearances and mentions of Jim Henson

This year's commencement speaker at the University of Maryland truly leapt to new heights! Kermit the Frog was the headliner at this year's graduation ceremony at UMD. The connection? The late Jim Henson, creator of “The Muppet Show,” was a Class of 1960 graduate. Would you have appreciated a commencement speech delivered by a puppet?You can hear NightSide with Dan Rea, Live! Weeknights From 8PM-12AM on WBZ NewsRadio on the #iHeartRadio app!

Think back to your childhood... Did you have a TV neighbor, friend, or mentor who you trusted? For millions of young people, that person was Luis from Sesame Street, played for over four decades by the legendary Emilio Delgado. In this Rewind episode which originally aired in July of 2020, Emilio discusses becoming a positive role model and even a father figure to kids around the world, even as he was navigating the joys and learning curves of fatherhood himself.Episode 123 of Modern Dadhood explores the powerful impact that television father figures and role models can have on our lives and on our parenting. In this Rewind episode, we're joined by stage and screen actor Emilio Delgado, best known for his decades-long portrayal of Luis on Sesame Street—a beloved character who was an advocate for positive Latino representation in media. Delgado shares insights on becoming aware of his influence as a role model, the importance of portraying authentic families and diversity on television, and his own experiences as a father, adoptive father, and stepfather. The conversation touches on balancing family life with a demanding career, the extended Sesame Street “family” behind the scenes, and integrating personal cultural values into his character.After the interview, Marc shares a side-splitting edition of Did I Just Say That Out Loud? LINKSEmilio Delgado on IMDBEmilio Delgado on WikipediaEmilio's InstagramBaa Baa BambaQuixote NuevoCaspar BabypantsSpencer AlbeeModern Dadhood (website)AdamFlaherty.tvStuffed Animal (Marc's kids' music)MD (Instagram)MD (Facebook)MD (YouTube)MD (TikTok) #moderndadhood #fatherhood #parenthood #parenting #parentingpodcast #dadding #dadpodcast

Kris Zellner is joined by Rob Naylor and Our Good Buddy Charles to discuss the month that was May 1990 in the National Wrestling Alliance and pop culture. We talk about Paul E. Dangerously making his return to TV managing Mean Mark Callous, the shocking death of Jim Henson, Ric Flair and Brian Pillman working the AWA Twin Wars '90 show to return the favor of being loaned The Destruction Crew, Ole Anderson becoming the sole booker in a shocker, the NWA babyfaces vs. the GLOW girls on Family Feud, the Road Warriors leaving for the WWF, Ice Cube releasing his first solo album, Capital Combat '90: The Return of Robocop, Madonna taking the world by storm with "Vogue,”the last episode of “Newhart,” and much more.We have a tremendous show here, so you better not miss it!!!---To support the show and get access to exclusive rewards like special members-only monthly themed shows, go to our Patreon page at Patreon.com/BetweenTheSheets and become an ongoing Patron. Becoming a Between the Sheets Patron will also get you exclusive access to not only the monthly themed episode of Between the Sheets, but also access to our new mailbag segment, a Patron-only chat room on Slack, and anything else we do outside of the main shows!If you're looking for the best deal on a VPN service—short for Virtual Private Network, it helps you get around regional restrictions as well as browse the internet more securely—then Private Internet Access is what you've been looking for. Not only will using our link help support Between The Sheets, but you'll get a special discount, with prices as low as $1.98/month if you go with a 40 month subscription. With numerous great features and even a TV-specific Android app to make streaming easier, there is no better choice if you're looking to subscribe to WWE Network, AEW Plus, and other region-locked services.For the best in both current and classic indie wrestling streaming, make sure to check out IndependentWrestling.tv and use coupon code BTSPOD for a free 5 day trial! (You can also go directly to TinyURL.com/IWTVsheets to sign up that way.) If you convert to a paid subscriber, we get a kickback for referring you, allowing you to support both the show and the indie scene.You can also use code BTSPOD to save 25% on your first payment — whether paying month to month or annually — when you subscribe to Ultimate Classic Wrestling Network at ClassicWrestling.net!To subscribe, you can find us on iTunes, Google Play, and just about every other podcast app's directory, or you can also paste Feeds.FeedBurner.com/BTSheets into your favorite podcast app using whatever “add feed manually” option it has.Support this podcast at — https://redcircle.com/between-the-sheets/donationsAdvertising Inquiries: https://redcircle.com/brands

Welcome to our first ever holiday special! Having traversed the Summer of '82, Javi, Paul and Producer Brad are back at the multiplex to witness the whirlwind of wonders that is Jim Henson's phantasmagoric puppetpalooza THE DARK CRYSTAL. Audiences young and old were both captivated and confounded by the strange spectacle of this creepy creature feature inexplicably intruding upon their holiday season (who on earth thought it was a good idea to release it on Dec. 17?), but its meticulous magnificence cannot be denied! Join us as we soak in the cinematic sorcery conjured by Jim Henson, Frank Oz, illustrator extraordinaire Brian Froud, and Star Wars producer Gary Kurtz. And this episode is special in more ways than one, as Javi shares his amazing experience working on the film's Emmy-winning prequel series he helped write and produce, THE DARK CRYSTAL: AGE OF RESISTANCE.Follow us!Instagram Bluesky email: Multiplexoverthruster@gmail.com Hosted on Acast. See acast.com/privacy for more information.

May 9-16, 1992 This week Ken welcomes co-founder of Mental Floss, co-founder of Kaleidoscope and host of the Part-Time Genius and Skyline Drive podcasts, Mangesh Hattikudur. Ken and Mangesh discuss downtown Brooklyn, going to college in North Carolina, spending your Summers in Idia, spending a year abroad in Atlanta, Brooklyn Manners, not being able to watch R rated movies, the book adaptation life hack, VHS terror, bootleg tapes, the hunt for nudity, The Carolinas, brown outs, shows the US exports, saying goodbye to Johnny Carson, Ken's day with John Cleese, Bob and Ray, the launch of Comedy Central as CTV/Comedy Channel/HA!, hunting down comedy lps, learning joke structure, Stephen Wright, Conan, talk shows, the death of John Candy, Jim Henson's death, Ed McMahon, what local news casters are paid, Vanna White's music career, the greatest picture of Richard Simmons ever, Jake Steinfeld, why Saturdays were tough, turning your house into a mini-golf course, the sries finale of Golden Girls, why Caddyshack II is better than Caddyshack, talk shows hosted by people playing a character, swear replacements, Parker Lewis Can't Lose, ripped from the headlines made for TV murder, how 70s vigilante revenge movies became 90s made for TV movies for women, Risky Business, the nostalgia lens, why you should always go back and revisit your childhood favorites, Police Academy, Revenge of the Nerds, movies that don't fly now, the evolution of R rated movie to children's cartoon, The Boston Celtics, Rescue 9-1-1, the theme song from Rescue 9-1-1, the 3.2.1 Contact Sex Special, Mental Floss, Davis Rules, the TV road not taken, network executives ruining shows, Night Court's final season before the reboot, when Harry Anderson would guest start on Cheers, how Park St Under was absolutely NOT ripped off to make Cheers, how one script became Beverly Hills Cop AND Cobra, Roald Dahl, Alfred Hitchcock Presents, loving Tom Arnold, 20/20, live exorcisms, and getting to the bottom of if the bush really burned. 

In the penultimate episode of the season, we're diving headfirst into the dark fantasy movie that defined 80s childhoods (for some of us, Dan included, maybe?) but was a complete box-office flop: Labyrinth (1986). Settle in for spoilers, swearing, and probably a tangent or two about where babies go when Jareth steals them. Was it just a logistical nightmare with all those puppets, animals, and babies? Yes. Does Jareth's portrayal raise some eyebrows today? Absolutely, he's the villain, you muppet! But despite its initial failure as a movie that flopped at the box-office, Labyrinth's unique blend of whimsy, darkness, and catchy songs (dance, magic, dance!) has cemented its status as a cult classic. We talk about the worm, the door knockers, the Bog of Eternal Stench, and why Jim Henson took the flop so hard. What to expect from this episode: Speculation on the film's deeper themes and interpretations, from it being a coming-of-age story about Sarah letting go of childhood things, an anti-hoarding message via the Garbage Lady, a metaphor for life's journey and friendship, or even the darker fan theory that the entire event is a result of Sarah's mental illness A deep dive into the incredible puppet work and practical effects, highlighting characters like Hoggle and the technical challenges of the "Swiss cheese" set Discussion about the confirmed sequel in development, touching on previous directors attached (Scott Derrickson, Fede Alvarez) and the current attachment of Robert Eggers (EGGERS!) Season 10 runs until May 26th with 10 episodes this time Would you like to see the full lineup for season 10? The only place you can see it is on Patreon but you don't need to be a paying member. Sign up for a free membership and get access to the lineup. If you do have some loose change consider signing up as a paid member. Our £3 a month Patreon tier will grant you access to all of our end of season wrap shows for seasons 1-9 and a minimum of 2 reviews of brand new movies each month. Plus the back-catalogue of reviews from 2023 and 2024.  Enjoy the show but can't support us financially? We get it. You could submit a review on the podcast player you're reading this on right now. Or if you listen on Spotify and you haven't given us a five-star rating yet, what are ye waiting for? It's easy. If you've done some or all of that and still want to do more, we would love it if you tell a friend about the show.   Or come find us on social media: Instagram | TikTok | Threads | YouTube

Jim Henson ließ Frösche singen, Monster tanzen und Kinder träumen. Mit den Muppets und Kermit, Bibo aus der Sesamstraße schrieb er Fernsehgeschichte. Seine Figuren leben auch über seinen frühen Tod hinaus weiter. Baumann, Tim www.deutschlandfunk.de, Kalenderblatt

Dan & Manny welcome Jen & P.T. from The Long Take Review to put Jim Henson's classic Labyrinth to the ultimate test—THE NOSTALGIA TEST! “We might spend the most time on fart jokes.” -P.T. Much like the topic of this episode, the conversation is a collection of twists, turns, deceptions, off-color fart jokes, confusion about David Bowie's tights, and hallucinations. The gang goes into their love of Henson's use practical effects, they talk about all the memorable characters, the film's lasting impact on cinematic history, and did we say fart jokes. They also touch on the announcement of a sequel directed by Robert Eggers, is Gremlins 2 better than the OG, the influence of David Bowie's performance, and the broader legacy of Jim Henson's creations like The Dark Crystal. It wouldn't be an episode of The Nostalgia Test without all the tangents, memories of Matt Antoniou, and Manny ignoring Dan trying to end the podcast, though he had help from P.T. Email us (thenostalgiatest@gmail.com) your thoughts, opinions, and questions about this episode and Labyrinth we'll talk answer them on the next episode.   Watch the full episode on YouTube!     Follow The Long Take Review! At The Long Take Review, four college professors talk film — providing insight, not assigning homework. Tune in to hear our reviews of new releases, reactions to movie news and awards season checkpoints (i.e. the Golden Globes), Oscar Fairy Flashback episodes in which we spend points to correct a year's nominees and winners, and our own annual awards show, the LTRs or “Letters.”  You can listen to The Long Take Review on Substack, Spotify, Apple, YouTube, or wherever you get your podcasts: https://rb.gy/kbcvoo   APPROXIMATE RUN OF SHOW: 00:00 Welcome to the Nostalgia Test Podcast 00:34 Introducing the Hosts and Guests 01:16 Diving into the Labyrinth 02:27 First Impressions and Reactions 04:31 Memorable Scenes and Characters 08:15 The Darker Side of Labyrinth 10:51 Behind the Scenes and Fun Facts 12:38 Creepy Moments and Theories 37:12 Favorite Characters and Final Thoughts 38:45 Frozen's Inspiration and Ludo Fun Facts 39:13 Princess Diana Meets Ludo 39:33 The Magic of Muppets and Puppetry 44:31 Hoggle's Complex Puppetry 48:59 Jim Henson's Dedication and Craft 54:42 The Bog of Eternal Stench 58:53 Labyrinth's Video Game-Like Structure 01:09:58 David Bowie's Role and Casting Choices 01:15:06 Potential Sequel and Final Thoughts 01:15:20 Discussing the Labyrinth Sequel 01:16:25 Casting Concerns and Potential Actors 01:16:53 Robert Eggers' Vision for the Sequel 01:23:33 Nostalgia and Legacy Sequels 01:26:14 Does Labyrinth Pass the Nostalgia Test? 01:34:37 Final Thoughts and Recommendations   Book The Nostalgia Test Podcast Bring The Nostalgia Test Podcast's high energy fun and comedy on your podcast, to host your themed parties & special events!  The Nostalgia Test Podcast will create an unforgettable Nostalgic experience for any occasion because we are the party! We are the most dedicated guests! We bring it 100% of the time! Email us at thenostalgiatest@gmail.com or fill out the form at this link. LET'S GET NOSTALGIC!     Keep up with all things The Nostalgia Test Podcast on Instagram | Substack | Discord | TikTok | Bluesky | YouTube | Facebook   The intro and outro music ('Neon Attack 80s') is by Emanmusic. The Lithology Brewing ad music ("Red, White, Black, & Blue") is by PEG and the Rejected

Happy Mothers Day! Well one day late, but better late than never right? Not only do we celebrate all the great Moms out there, but Istvan enlists Toby and Leprechaun to help him celebrate a very special anniversary. May 9th marked the 70th year of the creation of the Muppets. Jim Henson was one of the biggest influences on Istvan's work so it's a pretty special milestone. Don't you think? So strike up the band, light the lights and and make sure you do something nice for your Mom as we crank up this episode of Istvan's Imaginary Podcast. Be sure to check Istvan's Instagram for lots of other awesome posts and stories connected to podcast and beyond. Just search @iamistvan and be sure to follow his profile. Enjoy the show!Be sure to follow Istvan & His Imaginary Band on your go to streaming service and add your favorite songs of his to your playlists. May we recommend Summertime or Fondue as a start? Ok. Are you ready? Because here comes another super fun episode of Istvan's Imaginary Podcast. Kids and Family Podcast. #kidsandfamilyThanks for tuning in, enjoy!Make sure you're SUBSCRIBED and following Istvan on all his socials below. And don't forget to chip in at Istvan's Venmo (@istvansongs) to keep the show afloat, fun and free for all!Links: Enjoying the show? Please consider tipping the crew via Venmo to support the podcast Thanks! Venmo: @istvansongsIstvan on Spotify: shorturl.at/jCHW5Istvan on Apple Music: shorturl.at/gGL03Istvan's YouTube: www.youtube.com/imaginarykidsongsIstvan's Instagram: @iamistvanIstvan's TikTok: @iamistvanIstvan's Website: www.istvansongs.com

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"Everything I've done, I've done for you. I move the stars for no one.” After the release of THE DARK CRYSTAL — and its critical and commercial failure — Jim Henson and his collaborator on that project, illustrator Brian Froud, went back to the drawing board for their next ambitious fantasy project. Utilizing the lessons that they'd learned on that film, they looked to craft another story with the same amount of imagination, but with more humor, more heart, more music and… more humans. The resulting film, LABYRINTH, was not much more well-received at the time of its release, but like its predecessor, it's gone on to become a beloved film, one that's now considered a classic and one of the creative pinnacles of Henson's career. In this episode, we tell down the full story of how LABYRINTH was made, from its original concept, to the dozens of script drafts that it went through during its development, to the casting of David Bowie and Jennifer Connelly (and the actors who almost got the parts instead), and all of the innovative puppetry and creature creation that brought it to life. Want to support the show? Subscribers of CinemaShock+ can enjoy an extended version of this episode, which includes bonus segments and additional content, plus get access to all episodes two days early, exclusive merchandise discounts, and more. Join now at cinemashock.net/plus. ASSOCIATE PRODUCERS: Andrew C. | Andy Lancaster | asotirov | Benjamin Yates | Caverly | Curt M. | Elton Novara | Interzone78 | Jackson_Baker | Justin V. | Lucy Lawson | Nate Izod | Nathan Kelley | qoheleth | Robert Stinson Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy. This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net

Einer geht nach Hollywood, singt, wird berühmt: Eine nahezu gewöhnliche Geschichte - wäre der Star darin nicht ein sprechender Frosch. Von Ralph Erdenberger.

This week's episode was recorded in front of a live audience on Feb. 7th, 2025, at Cinema 21 in Portland, Oregon. Beloved composer, musician, and iconic actor PAUL WILLIAMS joined us to discuss the film we screened that night, PHANTOM OF THE PARADISE, as well as his impressive and long career in film and music. Paul talks about his experiences working with director Brian De Palma, juggling acting and composing songs for fellow actors William Finley, Gerrit Graham, and Jessica Harper, his stylistic influences for writing the soundtrack, the joy in playing a bastard like Swan and even how Phantom eventually found an audience with the help of some dedicated Winnipeggers. He also shares fascinating stories about his prolific work output, including composing for Jim Henson, how Burt Reynolds got the idea to put him in Smokey & The Bandit, writing songs for the Carpenters, Barbara Streisand & Ishtar, meeting songwriting deadlines while touring with Liza Minelli, how it felt when Phantom superfans Daft Punk reached out to him to collaborate on their music, and so much more.And as if that wasn't enough, there's also a live performance from Paul's latest collaborators, PORTUGAL. THE MAN, which includes a lovely Phantom Of The Paradise tip of the hat.Thanks again to all who donated their time and energy to make this beautiful event happen! Enjoy!PAUL WILLIAMS:https://www.paulwilliamsofficial.com/PORTUGAL. THE MAN:https://portugaltheman.com/FRANCES CHANGED MY LIFE:https://www.franceschangedmylife.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com  Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Get ready for a nostalgia-packed dive into one of Jim Henson's finest creations! Heather from WSTR Galactic Public Access joins in to celebrate The Great Muppet Caper, sharing childhood memories, behind-the-scenes Muppet magic, and why the Muppets' unique blend of wit and heart still matters today. From fourth-wall-breaking genius to questionable Disney decisions, it's an honest and hilarious exploration of why the Muppets captured our hearts. If you love the Muppets (or just clever, feel-good movies), don't miss this one!What to expect from the episode:A lively, nostalgia-filled discussion on The Great Muppet Caper, the legacy of Jim Henson, and the Muppets' unique brand of humor—including reflections on their enduring appeal (or lack thereof) across generationsCritical takes on Disney's stewardship of the Muppet franchise, the struggles of adapting Muppet content for modern audiences, and missed opportunities within theme parks and merchandisingFun insights into the hallmarks of classic Muppet movies, the importance of found family and situational comedy, plus candid opinions on whether the Muppets are still relevant todayEpisode Chapters:----------Listen to Heather on her podcast, WSTR: Galactic Public Access.----------The Cinedicate on InstagramThe Cinedicate's Discord Community Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Original Release Date: Monday 5 May 2025    Description:   During this week in 2007, YOUR Chillpak Hollywood Hour was born! Of course back then, we were called From the Heart of Hollywood until a “cease and desist” led to us … ceasing … and desisting. This week, your friends in podcasting and two special guests on Monday as they celebrate (in style!) the show that continues to "change the way people listen to the internet" becoming old enough to be out on its own! They will discuss the "Poverty Row" studios of the silent film era, the "soundies" of World War II, Las Vegas casinos circa 1980, a current Jazz artist making a name for herself, the late great Jill Sobule, the current movies Sinners, The Surfer, and The Wedding Banquet, The Muppets, Jim Henson, Star Wars Day, “Andor”, and more!  And please, don't be happy about the 18 years of shows that have passed. Instead, be sad about the 18 years of shows still to come!

Hello, and welcome one and all to the hall of the Goblin King! That's right, the ship is back on its normal course and we've got potpourri galore for you! We kick things off with an 80s fantasy staple in the form of Jim Henson's Labyrinth. It's Bowie and Connelly, puppets, and the 1980s! We discuss Bowie, Connelly, casting, music, and much, much more as we bring Labyrinth to the analysis table. Tune in now!

This episode, Kalid and Joe are joined by audiobook narrator, voice actor and author Shiromi Arserio to dig into Jim Henson's 1986 classic, Labyrinth. ​​*Thank you to Jim Hall for the music! Check out more of his music⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and if you like what you hear, please consider donating to support his work⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!*Thank you to Jim Tandberg for the Frankenstein's Podcast artwork!*Shoutout to our Patreon Producer(s), Luke Johnson, Andy Groth, Jake Kohl & Joe Mischo!⁠⁠⁠Support us on Patreon!⁠Featured Guest:Shiromi Arserio is an award-winning audiobook narrator, voice actor and author. At this point, she has narrated nearly 300 audiobooks. She is particularly known as an 'accent chameleon' in her work. She has just written her first novel, a fantasy story titled The Order of Grimm with a sequel on the way. Follow Shiromi on Instagram @Shiromi.arserio and be sure to visit her website to stay up to date on all her worksReferences:SinnersDeath of a UnicornThe Afterparty (Apple TV +)Sestia: The Five Queendoms, Book 3 (audiobook narrated by Shiromi Arserio)

We've already recorded an episode on The Muppets, but Jim Henson was such a neat guy we delved into him even further. Learn all about the man behind the Muppets who was so much more than just a master puppeteer in this classic episode.See omnystudio.com/listener for privacy information.

Before taking off for the upcoming Chicago Critics Film Festival (May 2-8) which they program, Erik Childress and Steve Prokopy review nine movies this week. They include the latest from Francois Ozon (When Fall Is Coming) and a Jim Henson-like fantasy from A24 (The Legend of Ochi). Jack Quaid and Jeffrey Dean Morgan make for unique investigators of a kidnapping (Neighborhood Watch) and a new video game adaptation is decidedly less unique (Until Dawn). Daisy Edgar-Jones and Jacob Elordi have secrets in the 1950s (On Swift Horses) and we take a trip through the careers of one of the most famous comedy teams of all-time (Cheech & Chong's Last Movie). David Cronenberg takes us on a conspiratorial meditation on grief and death (The Shrouds) while Gareth Evans has Tom Hardy deliver so much death (Havoc) and, nine years later, Ben Affleck's lethal autistic numbers cruncher returns with bro Jon Bernthal  (The Accountant 2).  2:56 - When Fall Is Coming 9:44 - Neighborhood Watch 15:08 – The Legend of Ochi 19:42 - Havoc 33:46 - Until Dawn 41:19 - On Swift Horses 52:58 - Cheech & Chong's Last Movie 1:06:30 - The Shrouds 1:19:35 - The Accountant 2

Jim Hill and Eric Hersey share Eric's full first impressions after visiting Epic Universe—just 27 days before its grand opening. From ride reviews to immersive lands, they explore how Universal's newest park lives up to the hype. Plus, they discuss Annual Passholder perks, new cosplay merch, and Universal's latest theme park innovations. Eric shares his thoughts after previewing Epic Universe for the first time New Dungeons & Dragons animatronic debuts at Universal Studios Hollywood, created in partnership with Jim Henson's Creature Shop Passholder perks, merch discounts, and alcohol restrictions tied to the Monster Makeup Experience Fan Fest Nights merch preview includes Star Trek, One Piece, Jujutsu Kaisen, and more Universal's $2B economic impact for Florida and $11B national impact highlighted by new reports This episode combines park preview excitement, detailed ride analysis, and big-picture context for Universal's most ambitious project yet. Support Our Sponsor: Be Our Guest Vacations Planning your next Universal vacation? Be Our Guest Vacations is a Platinum-level Earmarked travel agency with concierge-level service to make every trip magical. Their team of expert agents plans vacations across the globe, from Disney and Universal to cruises and adventures, ensuring you have the best possible experience without the stress. Book Now Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode was originally released in May 2022. In this Cinema Shock Rewind episode, we're revisiting our episode on Frank Oz's LITTLE SHOP OF HORRORS. Oz got his start as Jim Henson's closest collaborator, working with Jim during the Muppets' early years, and serving as a key piece of the Muppets' creative framework through the years of The Muppet Show and the subsequent feature films. In fact, Oz made his solo directorial debut on THE MUPPETS TAKE MANHANTTAN, which led to him being courted for LITTLE SHOP OF HORRORS not long after. In this episode, we'll tell you the full story of how LITTLE SHOP OF HORRORS was made, now with the added context of Oz's participation in the world of The Muppets. Want to support the show? Subscribers of CinemaShock+ can enjoy an extended version of this episode, which includes bonus segments and additional content, plus get access to all episodes two days early, exclusive merchandise discounts, and more. Join now at cinemashock.net/plus. ASSOCIATE PRODUCERS: Andrew C. | Andy Lancaster | asotirov | Benjamin Yates | Caverly | Curt M. | Elton Novara | Interzone78 | Jackson_Baker | Justin V. | Lucy Lawson | Nate Izod | Nathan Kelley | qoheleth | Robert Stinson Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy. This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net

In this episode, Phil and Janelle talk about fraudulent charges, Jim Henson, Michael Caine, improv, Nintendo, The Lord of the Rings, animation, Switch 2, and more.

In a realm far away, the Monster Candy crew discusses the 1982 Jim Henson/Frank Oz master class in puppeteering, "The Dark Crystal." Does it stand the test of time, or should it stay in the deep, dark, depths of a world controlled by the Skeksis' ?! Find out on this episode of Monster Candy Podcast!

The wait is over. Kev finally throws down the gauntlet to Segel & Co. over their take on Jim Henson's iconic creations in THE MUPPETS (2011). Muppet Man brilliance. The Rainbow Connection heresy. Rowlf trapped in a Family Guy cutaway gag. We're getting into it all. Don't have a Me Party all by yourself — come hang with us! -This is a⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TAPEDECK⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ podcast.Connect with us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ HQ at @austindangerpod. Send us a letter or voicemail at austindangerpodcast@gmail.com and we'll share them on our episodes. If you tag your reviews with "austindangerpod" on Letterboxd, we'll find them and also share them on the show!Follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kev⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠McKenzie⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd. Listen to Kev's other podcast, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ammonite Movie Nite⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Listen to McKenzie's other podcasts ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Criterion Connection⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ON LYNCH⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.-NEXT WEEK: It's our big ADP150 celebration with Kev's Pick: THE EMPIRE STRIKES BACK (1980)

Kirk pays a visit the musical world of The Muppets, from their Sesame Street origins in the 60s to the globe-hopping, cinematic heights of the 70s and 80s, with plenty of detours along the way.FEATURING:"Sesame Street Theme" by Joe Raposo, Jon Stone, and Bruce Hart"Mah Na Mah Na" by Piero Umilliani from Sweden: Heaven and Hell"Pinball Number Count" by Walt Kraemer and Ed Bogas, feat. The Pointer Sisters"Rainbow Connection" by Paul Williams (Lyrics) and William Ascher (Music), sung by Jim Henson as Kermit the FrogALSO REFERENCED/DISCUSSED:"Mercy, Mercy, Mercy" by Josef Zawinul from Mercy, Mercy, Mercy (Live at 'the Club'), Cannonball Adderley Quintet, 1966"Sesame Street Theme" performed by Gladys Knight and the Pips"Sesame Street Theme" arr. Dennis DiBlasio for Maynard Ferguson on Storm, 1982"Bein' Green," "'C' is for Cookie," "Happiness Hotel," and "Sing" by Joe RaposoRowlf (

Violet Eyes by Elizabeth Taylor + James Frawley's The Muppet Movie (1979) + Jim Henson's The Great Muppet Caper (1981) + Frank Oz's The Muppets Take Manhattan (1984) with Daniel Savino 4/17/25 S7E26 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

They weren't going to hire me for EDC anyway1- not based off of that mix! But it had been a long week, and a long day, and of all the excuses in the world o had to make, the greatest excuse was this: it just wasn't my best mix( I simply wasn't ready. In fact, my entry was more like a spoof— I hadn't any pictures on my laptop and instead included a photo of my logo; my entry included a bio that was short and direct, vague and said more about my invisible cat than I did me. I didn't include a soundcloud, because I didn't have one, and when it came down to it, I wasn't a fan of the mix; it didn't sound as well as I knew I could do, or even as good as some of my past entries. I was going off the top of my head, with no tracks analyzed to sync—which meant I was wasting valuable playtime selecting tracks, and pitchyhingbthen manually to be exact, which made my mix not sound like me at all. I sounded like an amatur/- and with this being my first on-camera appearance, I certainly was an amatuer. The top of the line technology was foreign to me— and I knew EDC was at a loss; I hadn't handed in my best work or even looked my best, not understanding how fat the camera would make me look. Still, I hadn't even given them the video, and with every bit of my might leading up to the very deadline, I still made a ridiculous effort to hand in something— because it was some thing. I was already on somebody's radar in the DJ world for a very long time— this was my way of showing I was still doing as much as I could to actually catch up to speed with the kids, the hot girl DJ's, and the prostitots who at least could figure out how to analyze and sync their pre-recorded sets and press play on time. My set was janky, and it made it look like I couldn't even do that. But I could. As I had learned by spending that amount of time at the decks, I had actually become quite the technical DJ— little use of effects by choice means that I had precision focused in speed and ability— how many tracks can I get up and down and to stay in line? It was harder than ever without the ability to use sync at all, but I was learning by hand a skill enough DJ's didn't have to make it a skill worth having. Then, there was more I needed not just to learn, but for it to become second nature. For it to be easy to do not just in a room myself, but potentially in front of hundreds and thousands of people. I didn't want to be the average disc jokey. I wanted to play EDC— and not on a little controller on a side stage at 3:30 PM; I was sure I would one day start there, but this year was a wash. I had been thrown off by trying and failing to record the mixed I needed to enter the contest on my birthday and then all that accumulated in the pressure of anxiety, disappointment, and movements I hadn't made in months under the circumstances— for about four days in a row it seemed unlikely that it would happen at all, and when it did, it was at the very last moment, at the literal deadline, with a mix I wasn't particularly proud of and a track which was technically unreleased without using “unlicensed content”— I had selected it in hopes that the judge of the contest, SLANDER might hear something from it. A bass music DJ— and this was bass music, however, with somewhat outdated samples and a rare and very unique technique, I would hope that someone would listen to the track before the mix— and hear something special in it. It was a special song, at least to me— but these people were hard to impress to say the least, still I wanted to at least be on the radar, and I had an Insomniac tattoo that pleaded with me at times to just do whatever it takes. Besides, they had opened up another contest, which meant I had four tracks to present in total— three more tracks and three more mixes, and I was determined that with each passing day I would do better. For now, I was recovering from being out in New York on a rolling basis; my collected self confidence and poise from isolation had dwindled into the rotting core of depression of just being “just another poor black girl in Brooklyn” not an identity I wore on me at all times, but something like a badge that was placed on me by location, and the color of my skin. I hated my apartment, and I hated everything about my circumstances— because it separated me from the other DJs and producers. I wasn't safe, supported, popular, pretty, or well-to-do— and I didn't have the access to thentechnology on a whim, through a friend, or with privelege. Everything I did in the DJ world was a fight, a push, a breakthrough from a world that had no such luxuries— and for the most part, what wasn't going into my music, was going into my mouth. When I wasn't excersising, I was working, and when I wasn't working, I still was. I spent my time writing, and reading, and there was no such thing as a waste of time when I was learning about my predecessors— J.K. Rowling, George Lucas, and even Jim Henson, who I'd learned had made the very first muppet from scratch and by hand! Besides the play on words, I wasn't just a DJ; I was a writer, and a filmmaker, and I was trying to figure out how somehow also I was this strange puppeteer man, coming to the conclusion with the fact that I was also sort of always just obsessed with TV and wanted something to do with it. But I was stamping my foot, and heavily— I didn't just want to be an actor! I didn't just want to be a comedian. And certainly, because it sometimes seemed as if anybody could do it and with the sync button and pre-recorded mixes in mind, any bikini clad hot girl or basic bitch Chad boy could and were very most often DJs—I certainly did not want to nor did I have the choice of being just a DJ, or JUST a producer— because it seemed nothing made sense without being any of the others. But the problem remained that I was still not making any money from anything really worthwhile, and I was sick of subsisting, with the limited choices I had for nutrition and vitamins because of my government subsidies; the foods I wanted were out of reach— the energy sustaining, clean and organically sourced best foods and vitamins were just simply unavailable to people with food stamps, and even on the days I should have felt happiest, I became depressed. How was I going to escape the system— and why was no strawberry flavored vegan protein available to people on EBT?! I was almost a comedian, but lately too depressed to perform. All I wanted was my music world to be real— and it was real— I was doing just about as much as anyone else in the industry was, despite my limitations, and just not getting paid for it. My neighbors banged on the walls when I played music and slammed doors even even I didn't— and when I sang or rapped it sounded like they were slamming things around like they were throwing tantrums and fits. It might have been easy to look past if I were inebriated in some sort of way like most rappers, singers, and performers— but I was stone cold sober. Even in ear plugs, I heard every slam, every bang, every boom— and not to mention the motorcycles and the rest of the idiots outside. It seemed like I was being trapped by an energy that just simply never wanted me to make the best music I knew I could make, and so the best music I knew I could make wasn't going to be in this place. But how would I escape it? IT STARTS NOW. Agh. I promised myself that on my next Instacart subscription I would brush up on my Saturday a Night Live and whatever Which included but wasn't exactly limited to— Seth Meyers, 30 Rock, And almost dreadedly The Tonight Show, starring . Oh look. There he is. What was that dude's name again? Fixed it, You're welcome. What was wrong with it. Just needed some adjustments. Uhh. Wow, I never saw that before. A very strange man has appears to have affixed a giant pair of television antennas to his oddly specific television-shaped house. Hm. Aha, I see… I told you before, Marty. I don't like you hanging out with that old man. He is— — he's strange, Marty! He's strange, Well, maybe I'm strange. I don't think so! Remember this? LORRAINE points at a picture on the refrigerator; Her son, MARTY is clean cut, smiling and well dressed— almost the opposite of his newly adopted Whatever, I just got bored. But mom, he's a genius! Genius my patatootie! Let's not— [The Festival Project ™] Ugh, Mom! —say, “patootie” alright? Especially when I'm watching TV! I can say patootie all I want, especially if it's my patootie! Eww, mom!! Patatootie, patootie, patootie! Alright. I only got two weeks to learn everything I can about Saturday night Live… For whatever reason. WHY! I don't know. WHY! I don't know. WHYYYYYYYYYY?! I don't know, Kenan, shut the fuck up! Woah woah woah. Hold the phone. KENAN cries out into the universe inconsolably about his newly entirely totaled Beamer. KEL can't seem to console him, but doesn't really try. He seems preoccupied with twisting up the perfect blunt, licking it from the sidewalk as KENAN, hunched over the crumpled hood and completely totaled vehicle cries out once more, WHYYYYYYYYYYYYYY?! There appears to have been a hit-and-run. L E G E N D S Earlier: Well, for… Wait who did I write Flowers for? Bill Hader. That's right. I never found Bill Hader. I was trying to avoid— Oh look, a penny. Aurumph. —oddly enough, I also promised myself a Rick and Morty marathon. Oh, that's right; it was Was I right? I can bet. CHRIS PARNELL seems to have awakened from a very deep sleep. As he lie on his back in the middle of the floor in an unknown room, the location becomes familiar ; he appears to be at Rockerfeller Center— however, not in a usual setting. PARNELL Oh, Jesus Christ… I don't know how I had him and sudakis mixed up. I don't even think they were on the same cast. Also, explain to me why. EXPLAIN TO ME WHY THIS DUDE: [Apparently Rob Riggle] SHOT ME. Shot— yo, wait. And you said— I'm waiting. He was wearing some kind of cloak . A cloak of invisibility. Everything was hidden besides— whatever he was drinking. He was drinking something . Yes, that is correct, apparently! “Apparently” Apparently! “Apparently” Do you remember what he was drinking. Ah, yes. I remember exactly…apparently. Apparently? Yes, exactly—apparently. It appeared to be a strawberry milkshake. A—a strawberry milkshake . A strawberry milkshake! Exactly! Not apparently? Exactly, apparently! Alright… thanks. -_- Now, where were we with the actual celebrities ! I thought this was a Star-studded cast! We are star studded. Where are they then. The who?! The stars ! The what! The people! You said this movie had real star power! It does! Where! Right here, see ?! At some point I had seen all I thought that I could of one man's price — The thing to pay in response to one great, cosmic ask; And then, like nothing ; I dissappeared, and went away with it all, into my cavern, trapped like a madman; To know so much and yet, nothing at all. Shh. K. Take this. *sighs, but almost silently* Shh. *sighs even more deeply, but even more silently* The Legend of Ascencia Yo. Yo what. Yo what the fuck. What the fuck. What the fuck. It's Skrillex. No, I'm not. Dont tell me— Idiot . You look confused. Do it again. I am— confused. Mortals. Where's deadmau5. I'm not playing deadmau5; These speakers are loud. Play the deadmau5 No, not that. There is it. Aha. See, I found it. —noo. That's better. I'll take it from here. From where. I don't see anything. I don't feel. I don't know anything. I don't say. I lost focus. I go home drunk. I think I called the wrong number. I think I caught a cold on the tour bus. I think I brought the whole road back with me. I think I got more starstruck not watching. I think I ran out of luck— On a four leaf clover. I think I woke up to Conan at Four in the morning Like “top of the morning to ya” And it was too much It was too much. It was too much. Smile. Camera one Camera 3 Run a mile Smile Admire on in 1, 2– Why are we counting up? Somehow my whole world backwards Backend, black tights, Black dress That's right But I don't like rice and my fritters is fried I am fried I am High I guess High I guess High I guess High I guess Hi, I guess. I like his eyes, I guess. Starting to cry I guess, Will ferrel is wild, I guess But why Don't look at the thigh meat I'm high as a kite I guess I just smiled and sung my goodbyes And just stopped trying to try I guess I wasted all my good years On a poor fat boy I wasted all my goo ears on bad songs that Still blow my mind Subliminal messages And as high as I am I still see tides, I guess Whole worlds of oceans and Starting to fly, I guess Yess I'm a bird Fuck this bird All I wanted was water A kite I guess Look, mom, I still cry I guess I digest life by the light and the smiles I get Almost none of them, Retreat to the forest Where I don't see none of them To go downstairs, No hair No make up Ugly girl Black girl Broke girl New York Going downstairs Undressed, Not made up Ugly girl Black girl Nappy girl Fat girl New York Scowl like you mean it Scowl like you mean it Nobody loves be because I'm not famous And no, I don't want you Because you're not famous And no, I don't want you Because you got famous And now I don't want you Because you're too famous Yes Do wah diddy Down by the boardwalk Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2018-2025 ALL RIGHTS RESERVED. © -U.™

Since the film's theatrical release on June 27, 1986, Jim Henson's Labyrinth's loyal and steadfast cult following has grown over the decades. Audiences are invited to experience an epic evening as a live band performs in sync with the movie featuring David Bowie's original vocals, and playing the songs and the score from the soundtrack composed by Bowie and Trevor Jones. Experience this one night show Wednesday night April 16th at @thefactory_stl at @thedistrictstl in Chesterfield, Missouri. Doors open at 6:30, Show starts 7:30pm, all ages welcome Tickets all for sale on @ticketmaster! Learn more ⤵️ www.thefactorystl.com/event/labyrinth/  www.labyrinthinconcert.com/  @labyrinthinconcert @hensoncompany @labyrinthmovieofficial Costumes are highly encouraged, but please no weapons or laser pointers. www.mostlysuperheroes.com 

June 7 marks the end of an era, one that lasted 34 years to be precise. The closing of Jim Henson's Muppet*Vision 3D at Disney's Hollywood Studios signifies not only a farewell to one of the oldest and most beloved attractions in the park, but also to one of the cleverest shows that has ever existed in a Disney theme park. As the last production that Jim Henson worked on, Muppet*Vision 3D is filled with laughs, heart, and ingenuity. To honor this magnificent attraction, author Aaron Wallace joins host Brett Nachman to share our memories, favorite show elements, including its brilliant writing, and they think represent the show's legacy, among other topics. This episode is a salute to all 3D shows, but mostly Muppet*Vision 3D. If you know, you know! Check out what Aaron Wallace has been up to by following him on Instagram (@aaronhwallace) and find out more about his books on AaronWallaceOnline.com. Feel free to reach out to Brett via Bluesky @drnachman and Instagram @drnachman, subscribe to the podcast, and send your feedback to notablydisney@gmail.com  New episodes of Notably Disney debut on the first and third Tuesday of each month.

[A beautiful dog enters the palace; C'esme't is pleased—actually, more thrilled.] Now! (Yo!) [The Dog sits at the entrance.] Call to me. [he speaks from the mind (telepathically) with a familiar tonal voice] Come, sweet stranger! [The Dog approaches] For it is I, the King who walks as not a ghost For yet the call has spoken that I be your loyal shadow (it's me; the King. I've been called to watch over you) Then? (Elaborate.) For now I came as waked dost I as ghost and wandered, pity and pardoned by no army dared Aghast my throne And agape my eyes, Wide my mouth and nostrils, Disemboweled and yet, I did wake with my fortune And tidings in my kingdom, a hidden realm, For there slayed, as I wept, The others dared to swallow, This truth, I, as knight and pawn doth slay the Queen, For titled King no friend of mine; And now, this beast as blood dost froth, My mind does waste, but here I bark Fortunate! To be laid by as you, I will. Then, creature, as you may! For free, this I, And coming not the time I shall l awaken, And then, though, Does the true challenge to bear, The altar; the stone, the shield and the rope From which I pull, and thee shall fight. Marriage of souls. To fancy this beast, betrayeth not. For something barks as is an end As a man does call a lover friend And so lover-friend I am and shall be. Lol what the fuck. So he's a dog now. ‍♀️ wtf is going on in this show. Idk. I'm baked. Enter The Multiverse L E G E N D S: Manifest Destiny ‍♂️ Ascension: Enter the Multiverse The titles switched. Good idea. So maybe I should stick with t mobile? Idk. Mint mobile is 15 dollars a month for unlimited talk and text. HERE AND NOW I DECREE, THIS FEAST DOES NOURISH ALL OUR MINDS AND HEARTS TO FIGHT THE GOOD WAR AGAINST ALL HE WHO SQUANDER THE MERCY OF PEACE! TO COURAGE! lol you lost me. I'm grasping at strings here. I needs a means to an end I need a body bag, body bag I need a King and a dog And a cat and an owl And a mark and a dawn And a knife and a gun Call it what you want I was not at the rock But that's where I was going I'm lost in Omaha I was just on the dark With the dark and the walkers The king and the rabbit The facts and the stalkers But who sunk the boat? Who sunk the boat Now this is encouragement! Acknowledgements? Nothing yet. Disaster strikes obvious and No regrets But obvious I'm in it for the long run And it transpired for the job done But the waffles came out awful And crispier than I wanted Almost every time So I took the iron back to target And I know I came out with a double album in August But I got no promotions So I won't walk the carpet So I won't walk the carpet I know I know I'm no Joan Rivers Or Joan of ark so I won't talk the gossip I won't talk the gossip I won't talk the gossip Now, more followers Show boat, Throw him overboard into a rowboat With no paddles And horseshoes on em— That outta show ‘em Rondevouz Rob us all Noah's Ark Don't get so lost in the story Lost in the sory Lost in the LORNE MICHAELS …you caused this. [In a secret lab inside of 30 Rock, A group of SATURDAY NIGHT LIVE alumni are trapped inside a metal box; this room has no doors and no windows and seems to be amplifying thought frequencies each of them hears uniquely, but distinctly, and very, very loudly. This is due to the irrefutable fact that they are all gifted telepaths, due to having served time often looking into the lenses of live broadcast cameras. it is theorized that, because of this anomaly— a strange and untraceable signal seeming to intercept all of Rockefeller Plaza's Radio antennae transmissions, it may be an unknown extraterrestrial force attempting to comminicste with 30 Rock from space. On this day, they've been gathered and trapped here in an emergency focus group to attempt to remedy the problem. Haha. MAKE IT STOP. OH MY GOD WHAT IS THST, WHYYYYYYYYY! WHYYYYYYYYYYYYYYYYHY!!! Craters full of lullabies and dictionary definitions; Tense intimate interactions, and now, this hypertension. I have a secret, a dirty little secret. I didn't do it! It wasn't me! Hmm..okay–vouch. I'm telling you–wait– vouch? Yeah, I vouch. You're vouching me? I'm vouching you. She's vouching me. She vouched you. So i'm good? You're good. I'm good. You're good. Ok. SETH MEYERS is the best secret keeper in the entirety of the known and unknown multiverse. The respective deities and entities within the outer realms have taken notice to this; One of the world's greatest eve played game has become the ritualistic endeavor of tracking down this human in order to attempt to overwhelm him so that he might eventually crack or implode, or even acknowledge these sometimes outrageous events and otherworldly happenings; thus far, he has not. As of recently, the elders of the darkest deities from the furthest outer realms and legions of Hell have been taking this game with the now very famous and successful seth meyers, a popular TV host; this has elevated the e ntirety of the threshold for Seth's tolerance, and it appears he may soon be pushed to crack. So why are you on the wire? I atrophied at extravagant Tip toed in the tip ties; Til' then, i went there, Now summer starts in winter Now summer starts in winter Now summer starts in winter Pull the curtain back, Then you censor this Censor this! I pull the curtain back, then redact then redact don't react don't react It's an act it's an act Shit I pull the curtain back then I bow; It's a show now Pull the curtain back then I show, It's a showdown Listen up, Listen down I super blow my flow now, super bowl my pronouns You can't lose if you don't pick a team You can't win if you don't even play I can't pay you if I don't get a paycheck I can't work at it if it's not fame Oh no! I can't work at it if it's not fame. The isms is the synthesis; I only got one present for christmas When you [can] Take that spark and bury it in your heart, don't remark about it– Then, probably you're a comic Or an alcoholic, one of the two of them Wrong not to touch, then Willed you back into existence And still it's in exigence, and Guilty by association Guilty by association I just want to know what the current Tonight Show budget is for hair dye. Also wondering why JImmy's suit is grey, but his hair isn't? Is that a two in one? Honest to God my only question about this man. The rest can remain as mystery. Act V Part II Guilty By Association Sometimes I Stevie Wonder what you're up to; I can't see you but I know you're in my aura Sometimes I Richard Pryor while you're on my mind; I guess you could say you set my soul on fire My, my my Look what time it is I've only just begun to know you; Then I had to dieSo turn the light off My eye Turn the light off for awhile And follow me to darkness Follow me To the other side. It's not true, but it'll do I might have lost you somewhere Better off to leave you somewhere sure; If it's not pure And how could it be When only the light hits the snow And bounces off The warmth is an illusion, And your love is just a dream And anyway, anyway There's nothing i've ever been surer of Than the definite end, The enter and exit And when planets align, Only to fall completely out of orbit Now what was this for again Foreigner, object identified and destroyed it's destructive qualities, Tentative in a nature Sure, pressure– Resentment, Intense good moments of pleasure, Then signals sent Completely by accident. -Now that i've been thinking lately of Bill Murray And my formerly imaginary friend Riff Raff, Now i'm sure that There may be some telepathy involved Which means I should probably just– Go somewhere else now. Should I be sorry for my thoughts? I'd rather not, But still YO. Yo dude, what the fuck. I'VE BEEN STUCK IN THIS MOVIE FOR LIKE A YEAR. That's not that long… IT'S A LONG TIME TO BE IN A MOVIE. Please don't tear me to pieces; Don't blow the balloon up, No foul ball, No side eye No fowl play And dinner is as cold as it gets But dinner does warm In the aluminum foil, But all out of order, The border patrol is just Digging for details Digging for details. And it's this: You don't know what it is, Until you get into it, And it sets into you The only way it can When it's in you. Are you paying attention to this? Or can I just end it? Boston accents or what, And now i really think It's just inside my head It's just inside my head and This is getting weird. All of a sudden, I'm oh wonder and I love it And Sara Silverman has The prettiest brown eyes I've ever seen (on a celebrity) ((with whom I share a gender)) Aha. Okay, Sabrina Carpenter has a very pretty voice But that doesn't make me Any less jealous Or any less capable of explosion Disarm me I'm catching up on the specials I missed Being special I guess With no grocery subscription Aim low, Get high, I guess Rob Lowe, Build time, I guess I miss the old announcer, And the golden years I miss the former times And the mouse ears I learned my less I might got Kim K and TSwift Pointer Finger Could hold a tune to you, Who The joys of live theatre, And the catastrophe of the Impenetrable Boy oh boy is Television getting heavy Turn up the ridiculousness and Atrocious Atrocities and Acidophilus Anorexic, I wish i could digest this –and expand my vocabulary I wish I was better than I am So i could be Capable Can Kim Kardashian ever not just be Naturally beautiful at everything Doing everything Kim The J I can't sing in this apartment And it might actually kill me The devil lives next door on both sides I'm in a satan sandwich I guess I'm just Not free I must have fucked up last lifetime I must have fucked up last lifetime I might have looked just like her I want to get upstaged by Eddie Murphy More corpse suits! Pink lipstick! Slap the desk Check the camera Front loading! Front loading! I want a chance at humbling white america (just kidding) I want a wig that looks like an afro (cause I don't have one) I want Lorne Michaels to shame me into beng better By making me feel mediocre first So I hit the high bar When I hit the body bag I hit the body bag When I hit the high road With Letterman YOU STOLE MY BODY TO GO TO A BLACK TIE FUNCTION!? Yeah. Well–which one? Okay, you're gonna get a kick out of this. I'm giddy for physical comedy THIS IS MY MANIFEST DESTINY MY MANIFEST DESTINY AHHHHHHHH MY MANIFEST DESTINAAAAAAA Comedy comes in all forms And God comes in all Karma I brace myself for repeating my mantras I light candles But don't blow them out I just might get my wish DO NOT RESIST. I AM RESISTING THIS ARREST. Oh yeah. YES. Shoot him. NO, DON'T. SHOOT HIM, BILLY BOB, SHOOT ‘EM. Crocodile hunter turned hard-up cop Read him his rights! He ain't white enough. So she's perfect! Me? I've been taken in I can't stand to stamp I can't christmas, Backwards And backwash And sanford and sons And Whatever And… Ego might eat me like Eggos Like Hannibal Burress was holding At the market I left my Ego at the door But there's just no room for the both For the both of us I KNOW I'll just write her a hit show! What. YES. THEN, SHE'LL LEAVE SNL, AND THEN I'LL BE THE BLACK GIRL ON THE SHOW MWAAHAHAHAHAHA Ok. wtf happened to that girl? SUNNI BLU [kicking and screaming] I TOLD YOU I'M NOT GOING ON FA– —-NOOOOOOOOOOOOOOOOOOOOOOOOOO!!! So many beautiful people, or, rather The actors, Or should I say Vortex Then. Too many beautiful people I spent the whole night warm and holed up in the office What could come out of The Rock I don't know where to look I'm not used to the audience Duh, that. I'm a professional audience member But i don't remember the ending Anybody? Anybody? Any envy actor actress? BPM: Dosage Anxiety Remix Honestly fuck the comed circut I just want to know what it's like to have a body What's it like to have a body? I'm just a collective consciousness robot Adapting to my environment I can't sing in this apartment! I'm in a Satan Sandwich And would be The God in the middle If God didn't find this Absolutely hilarious So I'm on 24 hours; You're on Saturday Nights, But i'm on 24 I broke my Don't-look up-folks rule on Brittney Howard Cause I think i'm just like herBut more of a coward. You're on Saturday Night Live But i'm on 24 Hours It hurts longer And stronger Every moment I'm gone And still not a mom I wish I could change my eyes The color of the world Before it all ends Earth gone And oceans of mud No tide And no moon (The Earth without the Sun) I don't want to know you I don't want to owe you a lesson. I don't want to go there. I don't want no dance numbers. I don't want no GOATS here. No goats here. I don't get it, Mass Media– Is this flattery, or Deception? Humiliation? Based in perception, I see, so Is this recognition or Did I just send Dillon Francis my script in the beginning? No answer, by God. What an asshole What if Alienz Don't like lesbians. What is trance is just bad dance music. That's… What if edifice breaks for a daily regimen of Letterman? What if RUN, FALLON, RUN! I'M ATTACHED TO A KITE I HAVE NO CONTROL OF THIS. WELL, WHAT IS IT ATTACHED TO?! YOU DON'T WANNA KNOW! —NONONONONONONONONONONONONONONONONONON AAAAAAAAAAAAHHHHHHHHHHH! Look, It's Meryl Streep! Holy shit, Meryl Streep is hot. What.(I can't keep secrets>) God doesn't keep good secrets. Just stop talking. Look, It's “My Bad Chad” Holyfuck Are you gonna have all those burned off too? Or can I do it for you? (might cost less) Jk Kim K That's a tough act to follow. Ariana? Nah, Backup; Had that. Meanwhile: Me in a hatchback Campin' at the Palisades. My name's the hammer –Adam ruins everything– I am not goin' starstruck –Adam Ruins Everything– My name's the Hammer (I'm a hammer, damn) –Adam Ruins Everything– I love showbiz But I got hard work comin on Now pause:: I need a break Need to make money Now i get a two for one Two for one Hate me or love me Either way, I'm gonna show up, Blow up, Glow up, And fuck off I'm a lost cause Cause I lost God On a talk show The way the camera moves makes me nauseous virtual reality And everybody's mad at me for Jimmy Fallon's Galaxy Conan “snowball” O'Brien But why's he called that. Shh! Not Yet. Oh, you are so overdone and fucked right now! Shh! My mom might be listening. Like she's never heard the word ‘fuck'? Shhhh! MOM I heard that! See! She said she heard it; she didn't say stop it. Well stop it. Fuck me man! SHH. KNOCK IT OFF. Yes Mrs. Mason Who the fuck is Mrs. Mason. Come on, white america; Put me on late night I promise you I'll watch more hallmark artists Than all of them Every day over here is a suit and tie function Camera one? YOU DONE FUCKED WITH US FOR THE LAST TIME. Ah shit. lol . whart is thrus. Fucking–magicians or something. Freemasons. F– Alright. Where is he? Where is who? You know who! What? Donaghey!!!!!!!! Lol Alec Baldin is like 200 years old. *cackles too hard, falls over and dies* Yikes. JACK DONAGHEY enters from a Parallel dimension and sees ALEC BALDWIN'S CORPSE. …Huh. Who's this handsome son of a bitch, I wonder. Don't wonder too hard. We gotta find that court order and get out of here. What court order [Cort hors d'oeuvres] what. I don't know. It almost kind of rhymed with corpse and wonder and I'm still stuck writing in cadences. What for! Oh wow, the neighbor was really a plant forreal. STOP SLAMMIN THAT Yo fuck this. Waht the fuck am I supposed to do with all this information. [appearing entirely out of nowhere, as always.] JIMMY FALLON I told you to burn it. OH MY FUCKING JESUS CHRIST. STOP DOING THAT. I can't. That's– Apparently what I do. WELL GET OUT OF HERE. Wish I could. Strapped to a kite. THEN HOW ARE YOU STANDING HERE? WHAT? I'm learning a lot of things up there! UP–WHERE! Up yours. WHAT. *poofs* UGHHHHHHHHHHHHHHHHHHHH. I hate him. I HATE HIM. I HATE HIM. I hate this. TINA FEY Fuckit, he hates himself. Lets just assume. No, that's it. That's the singularity. What. It can't– He's just so confi— That's the singularity. [everything ploofs back to normal] See. I win. FUCK. ARE YOU SERIOUS!? I'M YOUNG AGAIN. i”M YOUNG AGAIN. [The entire cast stares at their returned to period-accurately aged cast mate; He appears so confident and wise, however–just a glint of insecurity falls over him–this indeed was the singularity; rather than to risk all of time and space defrabicating for a third and albeit final time, they rain down on their castmate, with the angry hellfire of a gregorian mob, urging him to GO LOVE YOURSELF. Long Night at work, or just Shoo fly, don't bother me– I'm more caught up on the Rudolph Storyline, How it's some mystic But I missed it With the lip stick And the vintage this and thats Person Welcome to Hogwarts, Of course, It's your funeral God bless the illuminati All I see is– NOT IT. IT WASN'T ME. I DIDN'T DO IT. JLO BITCH, STOP TALKING. Woah, What the FUCK JLO. JLO WHAT IN THE FUCK DID I JUST SAY? I–wh– Wait… Fallon? SHHHHThhHHHTHhhTHHHH!! Give me one bet Died inside Who's doing which thing God bless these envies! Gie me one shot Now who am I?Ace in the hole? I died inside. Don't break the barrier Don't run the wall Don't be the villain Fall, JImmy, Fall. To float, or to fall Or to walk away To shop at the mall Or to bet it all on Fall on And I tell you to jump, you jump! And I tell you to move, You move! And I tell you to movie, You movie! And I show you the blue OH GOD. Gimmie the binoculars! No, you don't wanna see What! Why not! HE MOONED ME. I got three of a kind Three of a kind Three of hearts Two of diamonds HAH. I DOn'T LiKE THIS. Fuck off, The Ace. And very kindly, Go fuck yourself. Four aces, Four aces A mindfuck for the both of us An open book And shotglasses And fans of ours Its good to laugh At the ones you love Love Love Love Love It's showbiz, It's showbiz; I love it I want to die. I love it I love it I missed the bar I fucked up somewhere. Don't look back in anger, Or don't look back at al. Fall, Fall, Fall Fall Fall Love Love Love Love Love Love Did you notice I haven't looked back. I put you up on a– Up on a Up on a pedestal Then remembered To forget it all, In indifference Foraged your signature Sorry, I don't want a lot of hawk-a-loogie clock-the-woman knockdown, dragout drama I got a feel for it. What if all your forfeitures were fortunes All your donuts turned subordinates To astronauts Or fake dreams for fak streams and dreaming of Don't bother me I'm on poverty I want walks on the beach and blue bunny ice cream sundaes I've got a whole city Marked off in my journal For frozen custard and Lost in a thought, are we? Trust me, I think I died. Trust me, I trusted the God of Mercy Trust me I went all the way to the burden, Bought a hammock And then worked harder than nobody No dropped calls from mother No one's home at all Work harder I thought Sweater Weather was my new DJ name, But as it turns out, It was my telepathy ringing me I rode to the top of the rock with the beatlesI didn't mean for it to be me But i was twice out of body, Once out of mind. Now give me a minute Please. Let me become indifferent Don't need no friends, Long roads Roundhouse kicks to the face Hard rolling baggage Heart shaped boxes Or Prophets Don't need dozens of roses don't need diamonds Do need dinosaursDo need phone numbers do Do do . –but don't– don't don't. When i fall in line I write books and poems, songs And suffer, slugger . This is what I struggled with– who paid the neighbor bitch to feed me the whole special And slam doors On my mental That shit struck a chord And rubbed me the wrong way But i'm humble I won't touch nobody's Body at all. Nobody's. Now my dreams make sense, kind of But why are these my dreams And not actual people and most of all What does it mean? That I'm equal to? Or lesser than? Like the emerald stone on Sir Paul McCartney's hand, I went green for a moment It's just banter.I'm just having a hard time (I can't sing in this apartment)I might need a band I might need a bandaid. I might need a bath Some peroxide and hair dye My heart's broken I'm having a hard time But still not struggling I might have a hard time But not as hard as the afterparty was, And I struck gold. Kept walking Roll dice. Four of a kind, Four kings, four aces Four of a kind, Four kites, And a night owl The Rock and the Kite, Part V STEFON It's this thing where… {Enter The Multiverse} –and that's why I wished my mom a happy birthday. [The Festival Project ™ ] Damn, the illuminati really showed out for the oscars this year. CONAN SHHHH. He even says “I Am” Then commands the stage Look at all those long legs Now we're on enclave or conclave? I don't know. I'm feeling more ravey. Tears of a Clown Nobody to save me Not even shug avery. Who? That's right? Now i'm feeling more Broadway, baby. L E G E N D S: Manifest Destiny I wanna see the snake sitting next to you; Show me those eyes I love models and the lack thereof Inside of them I want to see the feral reptile Show me those eyesI love that she flies through life Right to you Right It's a boys club Boy they Really prize these Chappel Roans and Timothee Chalemet But where am I at? –Adam Ruins Everything– A couple forced fake laughs Cause I like highlights Stagecrafts Craftservices And god knows I can't write like this And I'm About To die [CONAN O'BRIEN leaves television to run a Bed and Breakfast in ORLANDO.] INT. BED AND BREAKFAST. ORLANDO. … [Calamity ensues] Conan killed the oscars, Stole the wand, The show and the bowtie (hostses with the mostest) –and that's why he's Snowball. No, i'm sure it's because my fur is fluffy and– Okay no more outdated rick and morty references Fine. Was that Dillon Francis behind Ben Stiller Or do I still just like white guys That much. Why do A-Listers like reptiles so much? Show me those eyes, you know I could use a good lunch (Birds of Prey eat snakes) {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2018-2025 ALL RIGHTS RESERVED. © -U.™ Episode Transcript: Yeah. Okay, this is terrifying. I haven't actually done this in it feels like way longer than it's been. In reality, it's only been like three like maybe three days, but it makes all the difference in the world. Hi. what's going on, I was just reminiscing about kitten mittens. Aw shit. I dropped my pen. If you remember if you're listening to this right now and you remember kittenman. congratulations, you've been with me since the beginning. um anyway, I don't know why I was just remembering that. kitten mittens. I thought it was the most hilarious thing in the world. I really I might have been delirious. losing my mind at a certain point, but I thought kittens was the best thing in the world. It was at the time. I was like I couldn't think of anything better. Then again, I was uh I don't know, I was discovering many hilarities. excuse the idiots in the back, they are idiots. um and they and they do this based on whatever I'm doing in my apartment. I'm their god. Anyway. I'm excused the background noise is still gonna be a a little bit uh while we're dealing with that, but at least you can help me collectively consciously remove them from existence entirely, um with the help of you know a collective existence we can get rid of evil. I don't I don't entirely. I'm not sure. I think that it would take a lot of people to understand that like a lot of it is just a game. I think it would take raising the entire consciousness of like people as a whole for them to understand that like, most of it is for entertainment and based off perceptions. So, like, whatever you' idea for the world is, like it was your idea. Whatever's making you upset is it was your idea. So I'm kind of coming to like terms with that in my own, like sense. I'm like, oh, yeah, like, whatever is happening, I'm like a certain like at the surface level is wrong, but like on a grander scale, like I programmed this into my reality for whatever purpose in order to better suit my, like ideal reality. That's, you know, that's that's it. I can't attribute it to anything else. They're idiots, cause I'm idiots. Anyway, what else is going on? I don't know, I was I'm gonna try and do this off book. I think I do have like I have some notes, but like I don't like the way that it feels when I'm going off of my notebook because it feels like robotic. It feels really, you know, like and not necessarily rehearsed, but it's it feels planned and when I listen back to the episodes where I do go off of like notes or something like that, I don't like the way that it sounds. Hearing myself back, going from a going going from like a script. And so I try to keep it like 100% improvisational and it keeps it fresh. and honestly, honesty goodness, I haven't been on the Peloton for like more than 15 minutes at a time since I stopped doing these episodes. I don't know what it is about the sound of my own voice, but maybe it's the fact that like, I'm in performance mode and I'm giving you guys like I'm in, you know, I'm like in my radio voice and then I'm watching back like a performance of myself in order to like, I don't know. It's like it's like experiencing myself for the first time secondhandedly because I'm not necessarily not thinking about what I'm saying, but I'm also not thinking about what what I'm saying or how I'm saying it as I'm saying it. And then, you know, sometimes I just really like even on my hardest days, sometimes I make myself laugh the very most, and I'm like, okay, there's another reason to keep doing it. Because for the most part, I'm like I don't wanna do this anymore, it costs me too much money and it's not. Like, I'm not a clut person. I'm just not a clout guy. I don't like doing stuff for clout, cause clout doesn't pay the bills and clout doesn't clout doesn't necessarily get you jobs, like unless it's like the right person's clout. Like, you get have clout from a million people, and if none of those million people are the well, a million is kind of where they drive line. Like if a million people are like, yeah, this is the shit, then it might get you a job. But like a million is probably the minimum number for that. Like if you don't have a million followers or you don't have a million views or you don't have a million of anything of just like clout like it doesn't pay bills. So I'm not a cloud person. I'm not just gonna do whatever off clout. What did I get off that on that clot rat for? I don't know, what was I saying? Oh, I'm going off book. I'm off. script. Anyway. what can I remember from things that I wrote down?, I don't know. I've been reading a lot. I've been, you know, doing doing the best that I can. I've been well, I've been reading. I've been reading children's books specifically because I'm finding information. Well, first of all, I picked up these children's books with the hope that I would be the owner of a small library and I'm not. I'm actually putting a lot of the books back into like society, which is fine. I'm just downsizing. It's actually helping me feel a lot better. Like my head is a lot clearer, my studio. My studio for for the first time in a long time was like a place that I can that I feel like I want to work. and it was the weirdest thing because I went through like a year of just like collecting whatever book I saw, like whether it was just like on a stoop, like I, you know, for whatever or out of the little free library or like just wherever, because books are everywhere in New York and that's probably my favorite thing hands down about New York is that like wherever you go there are books and they're free and you can pick them up. But I'm also very sensitive to energy, so as like an energy worker and a transmuter, it became congested to the point where it's like, okay, there is like a certain type of energy that's not that's foreign to me and as much cleansing and as much like, you know, whatever, as much, you know, in any kind of, you know, like spiritual work I was doing, there's an energy here that I'm not necessarily comfortable with. And I realized every time I picked up a book, I fell into like a certain type of world, you know, and it wasn't just like whether the book caught my attention from just like the cover or whatever, and then I decided to flip through it or whether it was like a book that I was stuck in, I was falling until like a certain energy or a certain world and that every book had a certain energy to it. And so I realized after a year of collecting hundreds of books that I had literally hundreds of energies, like floating through my space and it became like hectic and it became heavy to the point where I was like, like, I don't necessarily want to hold on to all these things. and so it's it's been really rejuvenating. I've been going through a time of just like not necessarily like I know I have a lot of stuff to do. but one of the stuff to do is is like going through all of the things that I know that I need to like let go of in order to feel better. And it has been helping me feel better. It has for the most part, I'm still doing a lot with like my energy recovery and the noise here has a lot to do with it. I'm now like I now have anxiety to the point where I have like a consistent nauseum. like every time I hear like any kind of motor, like I get sick and now it's it's actually getting worse the longer that I've stayed here with the noise, it's like I now have like an upset stomach all the time, headaches twitches. It's the it's the most fucked up thing ever. and I've also been learning more about because I'm, you know, still still really focused in my music and so frequencies and, you know, like I've always been like a huge believer and like layered frequencies for healing, like sound healing, beta thick alpha, and and the whatnot, but I finally caught onto a piece of information that made me realize how the noise outside has affected my brain chemistry and not just in the way that it's like it's annoying or it's a nuisance or it's harassment, which it is all of those things, according to the law, but in a sense of what's happening to my brain chemically, like the chemical changes that are happening in my brain, or the frequency changes that are happening in my brain are actually the things that are making me more upset than loss of sleep, or, you know, like a disruption or disorganization of my mind or my daily habits. The thing that's making me the most upset is what I'm realizing is it's changing my frequency, and I'm not talking about just my my aura I well, I am in a sense, but like the frequency, the frequency differences that that your brain your brain goes into different frequencies during, you know, waking state, alha state, better state, you know, and when you're sleeping, you're in um I well, it depends on the person actually, and it depends on the type of sleep that you're getting. Like most people sleep and like a data state from what I'm understanding and this is the state of like conscious dreaming. And this is this, I could be incorrect because honestly, I layer them anyway. And I finally I finally did it. I I did. I' I was working on a song and I realized that I achieved like perfect theta without actually even meaning to. And I think I did another one and that was like in perfect gamma without even like it was just mixed perfectly. that it I was also listening to like a gamatone and then I realized I was like, wait, is that the song or is it the tone? Because, you know, if the if the frequency that you're listening to is pure enough, it will actually distort the bass or the, you know, it will distort the entire sound of whatever you're listening to. So sometimes things can sound warped or like they're waving or like they're going through something because those tones are kind of like they're they're moving against each other or with each other just kind of depends. And so what what has been, well, I wanted to finish, well, yeah, I think I have at least one song now that's in theta, and I have at least one song that's in gamma, completely. and and I and I shocked myself because I was listening to the tones and I was like, wait, the wait a second. like, I'm feeling like double here. Is this this song that I'm listening to, that I'm checking back the mix, or is this the the frequencies? And I I turned off all the frequencies and sure enough, it was the song. It was like a pure I was like, wow. I'm like that's an achievement. I did it completely by accident and I wish I knew the formula that I used to do that.c some people are so mathematic about it. Like some people are so uh like, you know, some people do this to their music. A lot of people, especially inass music, that's why it is the way that it is, is you're going to a show to get these frequencies like zapped into your body at at full forces. and some people know how to do it on purpose. I did it on accident, so I'm like, if I can continue to achieve at this but I'm trying to figure out like the mathematical equation or like the actual sonic equation for making this happen, like every time, because going through my history ofass music, I will finish in a second, going through my history of bass music, I have always gravitated to the to these frequencies, to the frequencies that make me feel better after a certain amount of time listening to them or a certain amount of time being in in that frequency. So that's this is the music that has, I guess subconsciously kind of for the kind of artist that I am. But this is the reason why I'm upset about the noise. like the most upset about it, like not even on a legal level, on a social level, on a moral level, like, no, this is actually morally wrong, it is morally wrong on so many fucking levels. I'm like, why are you so like, why obviously I did this on purpose, like in my God complex, I'm like, oh, well, I can better the community as long as I make a point, like that environmentally, this is damaging people. It's giving people mental illness, that it or like if they're predisposed to mental illness, it's even worse, but it's it's also like causing mental illness and people that are otherwise healthy people, which is not a lot of people in New York City given. It's just not. It's not a healthy place. A lot of people are not healthy. But even in like moderately healthy humans, this noise disruption can cause like brain changes and chemistry changes, and this is the reason why I'm so upset is because when you are sleeping, if you are sleeping, your brain is in a certain level that is like in a healing state. In the first few minutes that you wake up, as I understand it. In the first few minutes after you wake up, your brain is in a state that it can like that you can manipulate your entire environment, that you can change things, that you can heal yourself. And so when I'm waking up in the first few minutes in the very first thing that I hear is a motorcycle that's ripping through my fucking brain, it's changing my brain frequency from a frequency that is like at the at the at a human level or at any kind of level, kind of the the thing that makes every human capable of being a genius, not the genius level able to heal yourself and the frequency that you're able to heal yourself is what you automatically wake up in. So when you' when this frequency is interrupted, it's intercepted in immediately into a negative thought pattern. And so you immediately, so what's happening, what's been happening to me over the last year with the motorcycle nuisance harassment problem or whatever the fuck I don't care what it's called on paper. I just want it to stop like I just want to live in peace. It's not like and kind of having like coming from a a background where I kind of tend to have like take responsibility for myself, like oh, it must be something that I'm doing and yes, I also have like a higher god complex or like an ego if you want to call it, that's like, oh no, I must have done this on purpose. And you know, like in order for the greater good, like in order to fulfill my purpose in some sort of way, it must be it must be part of my process to have this. That's also my ego like I'm a god. like, you know, that's just me, that's the generation. That's the generation that I come from. That's our mindset. Like nothing happens in this world without me in it, period. That's why rappers are rappers and that's why that's why models are models. We all have egos and it's really hard to kill the bitch. I've had at least ten ego dusts throughout my fucking like existence and it still comes back. It doesn't matter. You can have an ego death and be like a completely ego list for like what, six months tops? Eventually you're gonna have like the ego is is is imp important to survival, because I lost the word. I think implemental what was I gonna use? I was definitely a for syllable word. Either way, it is you need it. Like if you if you oh, you know, people might describe people, like being in like a in a sense of humility as like, oh, just completely without ego, but like at the end of the day, like, no, like your ego allows you to actually like compensate with the rest of the world, like, most people do not have no ego entirely, or at least for like, like a week after your acid tri or whatever, yeah, like, oh, had ego death and I completely. But like within I swear to God, like within six months time, like your ego has at least minimally like repaired itself. That's what an ego does, that's why you have it. You have it. It's a survival. It's it's a part of your consciousness that has to do with survival if you don't have your ego, like you're pretty much dead in the world, especially the way it is now. Anyway, this is that that's going to probably close up my spiel on that. Yeah, I'm upset because instead of like the first few moments of my waking moments being a healing, time, it is immediately going into disarray and chaos and anxiety. And so in in so I'm losing like, I don't I don't really care about oh, I mean, like I care about life in a sense, but I mean, like, and it in a mortal sense. I like, yes, it's taking years off of me. and I feel it like in the way that it's like, I I am slower to do regular things or like, whatever my rising thoughts, might be are completely just destroyed by this like what I've what I've come to perceive is like an evil force. It is evil in so many levels again this breaks down from like a higher consciousness to like a lower state of consciousness. The lower state of consciousness is saying that like these people are just idiots. They're idiots and they are not self aware of the fucking like pollution that they're doing on kind of middle sense, I'm like, oh, it's politics, it's like gentrification if these guys run around in circles, then people call up the fucking place, the place gets fucking more allocated funds to their fucking police officers, the police officers have fucking filling their quotas. It's all bureaucracy and paperwork and politics on that middle level and on the highest level it is like no, this is evil, it's pure evil because people are so grossed out by the fact that fucking New York is New York and also the wage and income and quality factor is that this guy is doing whatever the fuck he has to do brown. He's doing well, not that guy. that guy's that guy's a weak dick motherfucker. He has a small dick and everybody in the neighborhood knows it. He drives around and circle making people miserable. He also I'm it's the same dude. that same dude followed me to the Trader Joe's. It's the same dude, so I'm like, I like I know the sound of his bike from anything, so I definitely know when I'm at the Trader Joe's and then he's like all of a sudden traffic like, I'm like yo dude like why the fuck you following me to Trader Joe's like I live four miles away, which is not that far on the fucking motorcycle, but I came all the way over here on the subway for you to follow me on your bike. week, dick, bro.way, like, fuck this, fuck this, fuck that guy, fuck this neighborhood, fuck this place, fuck these politics, fuck these people. On a low frequency. Like on a low frequency, I'm like, fuck all this, like on a high frequency, I'm like, there's a purpose or whatever, it'll work, is temporary, blah, blah, blah. What the fuck was I saying? I don't know. I what the fuck was I ranting? I don't know. I that's that shiel, right? Trader Joe, hello Trader Joe. It's not safe. No, but you know, oh man, let's you say I, whatever. Let's just say oh, whatever. a lot. What else do we got? I don't know. I put on an album that came out today, yay, it's called all the rage. Actually, all that all that gripe about like, oh, it's an EP when I'm sure that the stores are gonna call it an album. I was like, I'm sure it's gonna be an album, so I just started calling it an album. like the release comes out and they're like, it's an EP, you congratulations. So I I thought I was putting out an album, that I was an EP, but it just missed the cutoff her album, because technically you can have a six track album and if it's over 30 minutes. If and you can have a six track album that's an EP like this, all the range is technically an EP at least according to Spotify's standards. And it's, I think it's like two and a half minutes under I think it's like 2 and a half minutes under, so it's an EP, but it's six tracks and I'm really excited about it. I kind of put a little bit more promotion into it than usual. I even had some press done, and that's great. because you can get pressed done. They're like,Yo, for $500. You'll be famous tomorrow. I'm like, that fucked up. That's a paycheck for some people. and that's not famous. also. They're charging people to be like spectacular. Well, they're charging they're like charging for people to be like popular, which is I think it's wrong, like ethically, you shouldn't be able to do that, like, oh, no, you're gonna get on all the playlists and whatever, you're gonna have like all like you should not be able to sell followers, like whether they're real people, which is slavery or they're robots, which is also slavery. Like you should not be able to sell fame that's making it like now I don't even trust like, okay, like this person got an award, but like, okay, because because the album was popular, because it was better than all the other ones. Or like, how do you know that you even heard all the albums because there are so many, and that like, okay, this person who put like zero dollars into promotion, how do you know that album wasn't better? because you didn't hear it? Because the person with a million dollar ad campaign won the fucking won the fucking award? Because you heard it because they put a million dollars into the fucking promotions. So it makes it makes everything the fact that everything is on a level system that's based on money is completely unfair. Like the all the industries are broken, it's not just music. Like, it's not just music. I'm like, holy shit, like you could spend like a year, an average year salary, which is what's the median income now. even with like no adjustment for inflation, like what, $50,000? Okay. So you could spend $50,000 on your your career so you'd have to you'd have to do that. That's even you're still competing with people who have a million dollars for doing nothing. That's insane. Anyway, I'm not bitter. What the fuck did I do earlier that I wasn't that literally the spirit that was like, don't be salty. I was like, oh, I was like,Yo, stop teaching models to fucking DJ, because I I happened on this girl that was like, yo, like I actually liked some of her music. I liked some of her music, but she wasn't doing much. And like everything was just fake. It was like super duper fake, but she was mad gorgeous and like more of these girls are popping up out of nowhere that are like not they're like models that are barely touching the decks and they're like a march. I'm like yo, dude, if that girl made this music like okay, maybe I should see her, but like, I'm like no somebody goes produce this because like she's moving badly in time to it and I realized something about being a producer is like yo if you spent enough time actually crafting this like this piece, you're not gonna move like badly to it like you're not going to move weird to music that you made because it's in you like it came from in your body. So like, I was like, I don't know what the fuck I'm looking at and I'm like, oh, I'm looking at propaganda. But then like, isn't that just kind of like discouraging people who don't have that type of body type or mindset, but it was funny because the algorithm was like don't be salty. It was like DJing is for everybody and if that's your passion and I'm like yeah, if that's your passion, but like, yo, when what where is the line between like propaganda and passion? Like, oh, I'm already a successful like, multimillionaire fashion model, but like I'm gonna be a DJ, like it washes out all the people who have actually like put in the work. It washes out all the people who have actually put in the work. Don't be salty. I was like fine, fine, but only because I like that algorithm. Only because I like that algorithm. I'm like fine, okay, we'll we'll be whatever. Whatever I've been reading. Oh, I read a book, let's see, let's see if I can remember the ones I already put back. I've been reading these uh this like children's book series on like famous people because I realized that they're written for children and I'm like, yo, dude, like somebody could read this whole series in the second grade and be smarter than me because I didn't know anything about the people that I'm reading about at all. And so they're like these little biographies. Well, I mean, they they're on a child's level. I don't know how long it would take a child to read, but they take me like an hour, hour and a half to read just like at a normal speed. And I read really fast. But I think the reason why from taking me so long to read them is because I actually take like a lot of I take a lot of like, I don't know, words or art to me, so if something is like especially musical, I might take it and be like that's a good song title. Like, if I think enough about this and what I know about this, like what kind of song is it? And, you know, just like little fun facts. Like first of all, I'm obsessed with George Lucas. I've never been a huge Star Wars person, just and I I realizing this. I've never been being on like Star Wars wicked. like, I've never been being on things that are like really, really big, but then I did grow up and kind of like a sheltered shut community where like most of the people like twilight, I wasn't hungerames, aylys Cyrus, well Hannah Montana at the time, okay? I just wasn't into those things, but most mostly because they're fans, actually, she just put out something that I kind of piqued my interest. It was in my fucking sl side bar. I was like, oh, no, what's this? I'm I might check it out. But I've been staying off the mainstream just cause I'm realizing like the reason that I'm seeing this is money and doesn't necessarily make it better or worse than anybody else. Because sometimes mainstream artists come out with crap and I think they do it on purpose, they're like,Yo, watch this. I can do whatever because so many millions of people love me, watch this. I'm like, damn. And then millions of people are like, yay, yes, yes, this. I'm like, the fuck? What did you do? And I'm pretty sure the mainstream artist is like consciously, even collectively like, you see what I'm saying? I can do whatever the fuck.c I did one thing cool, maybe like five things cool, like a long time ago, and literally don't have to do anything else. I just do this just to prove a poil. Like, I can shit on a track, literally. And millions of people will be like, I love you. I love you, please more of those. do it again. I'm like, oh, God, please, no. What the fuck? Millions of fans. Like once you have your fucking fan based unlock, like that's it. Like, you don't have to fucking people will be like, literally kissing at all of the ground that you touch for the rest of forever forever. That's it. I'm realizing that about fantom, so I'm like, yo, if you know what kitten mittens are. I'd still don't, but if you if you know kitten mittens, congrats, you're one of 12 people who actually like me. one of 12. I'm like 12 is enough. That's what Jesus had, right? might as well and Jesus technically have like 11 I don't know why I like that guy so much. I'm pretty much obsessed with him, too. I love Jesus. I'm like, Jesus is the god kind of I mean, like he's technically like three gods. anyway, why am I obsessed with uh George Lucas? First of all, he's one of the coolest people ever, Kate, like, okay, first he was a greaser, like a real greaser. like from the movie Grease, but like the actual thing before the movie Grease, cause if I if I'm not mistaken, he was like a greaser before they made Grease. That's crazy. Yeah, because Gre was like in the 70s, but it was about the 50s, right? I don't know. He was like an actual real life, like they just put Vaseline, I guess in their hair and wore like dirty shit and they were like, yeaheah, greaser. and they w and they fucking drove and they drove, what did they drive? I don't know, cars, old cars, and they would race them. I that was honestly I'm obsessed with this dude. I and now I kind of want to see Star Wars because I've never seen them. But honestly Star Wars is one of those things that, oh, that's what I was saying. God, yeah, well, yeah, I like grew up not liking Star Wars because all the people that liked it were mean. Like all those other things I named earlier in the episode. Like they're fans sucked, so I was like, I definitely cannot see myself getting into this. And so I never did, but now I'm well, as happy as I am being single. I save certain things for like just a case. I ever get in a relationship. I'm like Star Wars. I've never seen that. Like I saved certain things for like you know, like I wouldn't necessarily want to watch it by myself. I think I'd get geeked, though, now, now that I understand, like the kind of person that created Star Wars, I'm like, yo, dude, like he's the shit. Like, okay, first of all, okay, if I did the math, secondly, no, cause the first of all thing was like, he's a greaser. That's the coolest thing about George Lucas. Yeah. I mean, like I mean, like there was so many cool things. I had to take notes, I had to stop. I was like bending back pages, I was like, all this dude's the best. Okay. I was like,Yo, okay, whatever. Like, uh, oh, well, that was one of the last things I read. If I did the math right, this dude has like a 12 year old. He's older than my dad. My dad's pushing 80. I'm like, is he 80? He's like 80 with a 12 year old. That's incredible. That's I have so much respected admiration for that. Because it kind of proves my point that like if you're dude, you can just like keep on popping them out, popping them out. But he also like adopted kids, I think. Yeah, yeah. And he also like adopted kids. was at him? Yeah. Yo, I'm telling you there's so much practice into these little books. I'm like, okay, whatever, what else is cool. I don't know, he just seems he just seems like the dude just seems like the dude. I was likeYo. I I can't remember all the notes I took, but those those two things alone. I'm like, yeah, I earn my respect. I did write down a quote earlier that was like, what did he used to say? oh, do that again but better? I'm like, yeah, that sounds that sounds accurate. And then I liked the fact that like all his worlds within his worlds are like connected, so he'll leave Easter eggs within worlds of different Indiana Smith. He really liked the name Indiana because I guess he had a dog named Indiana, which was named after somebody else that was named Indiana. And I had no idea that Indiana Jones was like his brainchild or like close to it. I was like, whoa, this dudees are fucking legend, like a real like an actual, like this dude's a G for George Lucas. He's the best. I was like, yeah, dude. I could not put that book down. I was like sitting in cold bathtub water like, oh my God, this is such a pain turner. I gotta read about this dude until the very end of this book and I did. I would not put it down. I was like, George Lucas is the man, bro. like the man, I don't like like, yo, cool dude. I like that guy. I've never seen Star Wars. I have, I've seen like the beginning. It's like in the time, blah, fucking blah, blah, fucking talk. Yeah, and then I started writing my own movies, you know. It's not that any of them, you know, as whatever, you know, sometimes it's circumstance, sometimes sometimes I' just realize that I make excuses. Like I have no reason not to be as successful as any of these people that I'm reading about, because I'm finding personality traits about myself as I'm reading about them, like Albert Einstein Total Duis. He might have been like like functionally retarded. I'm pretty sure he was retarded, but also a genius. Like like, oh, okay, this is the coolest thing about Albert Einstein are we done inukas never, never. He's immortal, right? We'll see him at some point. He's so cool. He's so cool anyway. I was like, yeah, dude, this dude is cool. But there's that's the Alb Einstein, my man, okay, so like, slowly almost solely responsible for the invention of the Adamah. That's dope. On accident, though, because once he realized what had like once he realized that, okay, like, okay, I'm correct about this. For sure, I'm definitely correct about this, but like, yo okay, should we back up a little bit? First of all, he didn't say anything until he was like four. Didn't say anything, not a not a single word, his parents were like,o, something's wrong with him. Like even back in the day where it's like, uh don't know. Something's wrong with him. He's not saying anything. The doctors were like, he's perfectly fine.'s fine. And he didn't say anything his entire life until one day, apparently, he sat down to dinner with his parents and the soup was too hot, and that's what he said he's like the soup is too hot. Like, could you imagine, like having a kid that you're like 100% sure is retarded? Oops, nope, you can't say that. Okay, well, you could. Then so let's just shouldn't I just cancel you can't say that. Why, though? Like, okay, when I was growing up, you have to understand I come from a time where it was like you could just call that to somebody cause they were being dumb, but not dumb, right? But I mean like at a certain point, like, okay, technically Helen Keller was deaf dumb and blind, but like sometime and I'm assuming like between the 70s and 80s, it became a slang for like that's dumb. Like, don't do that because whatever you're doing is not right, which is like, okay if you're not right, then you're what? Retarded. Like, I'm sorry. I'm like some certain things are not going to be like, I'm, you know. I'm like early 2000s game or culture, that's gay, but I love gay. It's like nobody's being derogatory about that. I'm being derogatory about your behavior and I might even use it as like a positive you know what's what describing words or adjectives? I don't know. I'm going through. I'm going to processes realizing that like, okay, I'm at the age where certain information is gonna be offloaded. Certain like it's not coming back ever. Like, you like, I I know Spanish, but only if I have to speak it and it's not like, I'm not developing any other nothing else is like my brain is like, we don't need this, do we? I'm like, I don't know. Maybe I should hold on to that. No, no, we don't need this. I'm like, okay, well. there are certain things about me that are just not gonna change at this point. I'm not sorry, because honestly, weren't too offended at everything when, like, there're there are things that are offensive that nobody really is offended about. like, if you really found an offensive, it would not exist anymore, you know? Because when somebody becomes really passionate about something, and they change it. Which is why I'm taking my time. I like, youo, annihilation is imminent. Like this cannot be anymore. Like, you don't change my brain chemistry. Fuck that shit. my brain chemistry is perfect the way that it is. Like I'm almost sure that like the entire mental health industry will change based on ideals that are like blooming and other like in other what the fuck was I just saying exactly ideas that are already springing up in in small circles. like they'll, you know, be one day. Like that's just valid, like nothing's really wrong with you. something's wrong with the world. Like, why? Like, and what can we do to change that? It could be environmental completely. It could take somebody with like severe mental health issues, severe schizophrenia, severe bipolar disorder, severe fucking severe depression, severe anxiety and change their environmental factors or even just like change the fact that that like they're facing poverty, poverty is a mental illness and that's not what it's not looked at as such. It's looked at as a deficiency on the individual's part when it could be like and it could be a polethro of environmental factors. That'll change. It will in my lifetime. I know that it will. It may not be because of me because for the most part, I'm a pacifist. I really am. I'm a yoder, like, honestly, it has to be like visibly hurting someone else or hurting me painfully enough for me to be passionate about it to make it change. Like, I'm sorry, I'm not. I don't want I don't really want to be a leader, especially because like people are still like populating this planet. I don't necessarily I don't I don't wanna be like a a leader in anything because that is like that's too much power. Honestly, just let me play the music and then fuck off. And I will fuck off. Like if you think I talk too much or you find me annoying or you think I'm stupid like eventually I I disappear. That's it a self-reflective Go away, all right. I't have to be asked twice. I don't stay in places where I'm not welcome. So, New York it's been good. Are't not really. But somebody I thought okay, who else am I obsessed with? I love this new lady that I found. Her name is Gina something rather fucking amazing. I I love New York people because I love New York people. Like I really do. like it is well, it's hard to fucking there's a fucking oh, honestly, it could be simplified to this as like, okay, maybe this embraces like the new the New York feminine and what I really hate is the New York masculine, which is just toxic, just disgusting, like where I spinning on things, shut the fuck up, like, are you not self aware? Like it's it's certain level of and I'm not, I'm really not binary in the sense where it's like balanc, bro. like balance, like a little bit of everything is good and like half masculine, half feminine is like a good balance, non-binary embracing that. But like yo, dude, there's a certain rasculinity about the city that's the thing that makes it nasty. It was like, whoa. whoa. I'm like, that's nasty, but I was oh, okay, I'm in love with this person. Her name is like Gene or something rather. I'm still I still have like I no, I have no feet in the comedy pool cause like I realized I stopped performing comedy and I stopped writing it, and like all the like semi tragic possibility, like possibly hilarious situations that were happening to me when I was actively writing comedy just stopped. I was like good, I don't necessarily need to be in that right now. That's that has sailed and will probably later sink, but I don't want to be in there if like, okay, like you're funny, if like sad and bad shit happens to you all the time. I'm like, that's fucked up. I don't wanna be that guyc 50 years from now I could be that guy and like still not earn a penny more than I'm earning right now making music underground. So if it's if I had to choose between the two, I've already earned mastery in recording arts. 10,000 hours or more, like I don't necessarily like being a comic is like another ladder. It's another it's a thing. And honestly, when I stopped like, well, I mean, like I I took a break from tears of a clown because it became such a like passion project for me that I was like, oh, this is that I'm caring too much like I should stop. and still not finish and it's not it's not like, it never had a release date in mind, so it's not necessarily like what's it delayed? Yeah, it's not delayed, and it's not it's definitely not in hiatus, but like, I realized that I have a certain responsibility to my audience altogether. It like to do this show as well and so like this, there's been taking kind of a priority, knowing that like my hiatus has been longer than any other hiatus is, and that I owe it to like my homegrown audience and my weird coat following to like okay like I have to give you guys everything from fucking like November to now and just musically that's a lot but then I've also the writing has also accompanied it and so it would be a shame to just let that go entirely because I feel that like my actual, my actual fan base is here in this show, unfortunately, well, not unfortunately, because I've started to get like a sense of familiarity within the dance music scene, like, as a producer through this podcast as a medium, because when I started doing this podcast, like, it wasn't like people weren't generally like now people are doing like following my, what's it? format. Like people weren't really doing DJ mixes and like putting music on podcasts, like it just wasn't people weren't doing it. I was the only one doing it now everybody's doing it and it makes me want to do it less, but then also like I have to kind of show consistency with myself in order for me to feel like I'm still doing something. What was that rant about? I don't know. I'm obsessed with this lady name's Gina or something rather. She's super New York. What would she say? that I really liked? Oh, if you didn't know the rules before you got to New York, you you like if you came to New York and you're not having a good time, you probably didn't know the rules before you got here.rect. I didn't come here on purpose. This was my layover city. I came here by accident and I did not know the rules. Now I'm learning the rules and I'm like the rules are fucked up and rules are kind of meant to be broken if you're disturbing my peace, I will then disturb your peace. No, I will not. I do not believe an eye for an eye, and also I feel that you are dangerous people. I will then report you to the police and and make the proper documentation in order for it to stop. I'm a snitch. I don't give a fuck. Like if you're actually hurting me, like if you're changing my the way that I think and the way that I feel, like if you're making me sick inside of my own environment, like you deserve it. I'll give a fuck. I don't give a fuck. I don't give any kind of fuck. And then that way, I am a feminist, cause it's like, yo, dude, like how long are you gonna sit and take somebody hurting you before you actually realize that like you're not the problem they are and in order for their behavior to stop, you have to actually like you have to prevent this by stepping up for yourself. It's kind of like a show and like, okay, like like at a certain point it is kind of like a game. Like how long are you going to let me do this to you before you just fucking like get up and fucking hit me back? And I'm like, I don't want to like, I don't want to fight, but at the same time, like, bro, like I've been getting my ass whipped by these idiots and so I'm like, okay, I have to actually, but I'm still not a fighter. I have to do it in a way that makes sense and so that the community can be improved when I move on. Like I don't necessarily want to put somebody in the same place that I am now because I really am not I don't and just improve it. Like I believe so much in doing that, like not just leaving no trace, but like improving the place from which you are situated when you leave so that when the next person comes through, they don't have to struggle through the same hardship. So in that way, leadership, sure, be

"Hey, I tell you what is. Big city, hmm? Live, work, huh? But not city only. Only peoples. Peoples is peoples. No is buildings. Is tomatoes, huh? Is peoples, is dancing, is music, is potatoes. So, peoples is peoples. Okay?" With his dream project THE DARK CRYSTAL taking so much of his time and energy, Jim Henson was content to slim down his role on the next Muppet project and allow his right hand man Frank Oz to take the helm in his first solo directing feature. THE MUPPETS TAKE MANHATTAN would be the last Muppet film that Henson would be involved with before his untimely passing a few years later, but the film's legacy would have a lasting impact on his company, especially in the form of the Muppet Babies, who'd get their own Saturday morning cartoon, inspired by a sequence from the film. And let's not forget the media circus that surrounded the wedding of the century! In this episode, we give all the details on how the film came to be, from its concept, multiple script changes, release and beyond! Want to support the show? Subscribers of CinemaShock+ can enjoy an extended version of this episode, which includes bonus segments and additional content, plus get access to all episodes two days early, exclusive merchandise discounts, and more. Join now at cinemashock.net/plus. ASSOCIATE PRODUCERS: Andrew C. | Andy Lancaster | asotirov | Benjamin Yates | Caverly | Curt M. | Elton Novara | Interzone78 | Jackson_Baker | Justin V. | Lucy Lawson | Nate Izod | Nathan Kelley | qoheleth | Robert Stinson ASSOCIATE PRODUCERS: Andrew C. | Andy Lancaster | asotirov | Benjamin Yates | Caverly | Curt M. | Elton Novara | Interzone78 | Jackson_Baker | Justin V. | Lucy Lawson | Nate Izod | Nathan Kelley | qoheleth | Robert Stinson Join the Community: Substack | Discord Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy. This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net

Zo enters a world of magic, rot and decay. This world shouldn't be this way as this magical place was once green and briming with life. In time Zo finds out that a prophecy must be fulfilled in order for this world to be restored to its former glory. A rare being, a Gelfling who is guided by creatures known as the Mystics, is said to be the one to find the Crystal Shard that can be used to heal the world. On his way this Gelfling may find allies, but there are also numerous adversaries in the wilds. The wicked rulers of this world, known as the Skeksis, will stop at nothing to prevent the prophesy from coming to pass. They would do anything to prevent any surviving Gelfling from using the Crystal Shard to restore The Dark Crystal. Episode Segments00:04:08 - Opening Credits for The Dark Crystal starring Jim Henson, Frank Oz, & Kathryn Mullen00:18:17- Favorite Parts of the 1982 film: The Dark Crystal00:56:09 - Trivia from the movie The Dark Crystal01:03:25 - Critics' Thoughts on Jim Henson and Frank Oz's The Dark Crystal Please leave a comment, suggestion or question on our social media: Back Look Cinema: The Podcast Links:Website: www.backlookcinema.comEmail: fanmail@backlookcinema.comYouTube: https://www.youtube.com/@backlookcinemaTwitter: https://twitter.com/backlookcinemaFacebook: https://www.facebook.com/BackLookCinemaInstagram: https://instagram.com/backlookcinemaThreads: https://www.threads.net/@backlookcinemaTikTok: https://www.tiktok.com/@backlookcinemaTwitch https://www.twitch.tv/backlookcinemaBlue Sky: https://bsky.app/profile/backlookcinema.bsky.socialMastodon: https://mstdn.party/@backlookcinemaBack Look Cinema Merch at Teespring.comBack Look Cinema Merch at Teepublic.com Again, thanks for listening.

It's time to play the music, it's time to light the lights, it's time to SPIN THE MUPPET SHOW'S MAGICAL MONTHLY MUPPET SHOW OF THE MONTH! And this time it landed on (drum roll) JOHN CLEESE! Premire member of legendary comedy troupe Monty Python, Mr. Cleese and the Muppets are a match made in heaven! John Cleese not only guest starred, but also wrote the episode as well, so you know it will be a good one! Will this one make it to an 8 on the space to carol? You'll just have to listen in to find out. Join the discussion on our discord! https://discord.gg/JDtWJrhPF6Follow us on twitter @PMoNPodcast and on Instagram and Threads @puppetmastersofnoneFind out more about the puppet masters on our website: https://puppetmastersofnone.wixsite.com/puppetmastersofnoneOriginal Music Composed by Taetro. @Taetro  https://www.taetro.com/Send us a text

"Another world, another time, in the age of wonder. A thousand years ago, this land was green and good - until the Crystal cracked." After the completion of THE GREAT MUPPET CAPER, Jim Henson focused on a project that had been in the works for years — its earliest seeds were planted well before even The Muppet Show had begun production — an ambitious fantasy film made in collaboration with renowned illustrator Brian Froud. That film, THE DARK CRYSTAL, would be Jim's most ambitious project to date. It's a film that pushed the limits of what puppetry was capable of, essentially creating an entirely new artform that would change the landscape of movie special effects for years to come. But it was also a great artistic and financial risk for Henson. When it was released, audiences didn't quite know what to think of it, but the film has become to be considered a bonafide classic in the decades since. In this episode, we'll detail the years long process to bring THE DARK CRYSTAL to the screen. D&D LIVE FOR CHARITY, Hosted by Mr. Todd A. Davis Comedians, Drag Performers, and Pro Wrestlers play Dungeons & Dragons in front of a LIVE audience to benefit The Julie Valentine Center!

Jillian, Chris and Tyler chat about Jim Henson's fantasy cult-classic, Labyrinth. Chris throws a tempter tantrum when he finds out Gonzo isn't in the movie.

We here at Oldie But A Goodie love reviewing kids movies that are way too dark and scary for kids. This week, we're looking at a classic example of this style of film: Jim Henson and Frank Oz's The Dark Crystal from 1982. It's a fantasy movie filled with adventure, goofy characters, incredible puppetry, and tons of horrible and violent acts inflicted upon cute creatures. It's fun for the whole family!Join our Patreon for our bonus episodes! https://www.patreon.com/oldiebutagoodiepodFollow the show!Instagram: https://www.instagram.com/oldiebutagoodiepod/Facebook: https://fb.me/oldiebutagoodiepodPodcast Platforms: https://linktr.ee/oldiebutagoodiepodGot feedback? Send us an email at oldiebutagoodiepod@gmail.comFollow the hosts!Sandro Falce - Instagram: https://www.instagram.com/sandrofalce/- Twitter: https://twitter.com/sandrofalce- Letterboxd: https://letterboxd.com/SandroFalce/- Twitch: https://www.twitch.tv/SandroFeltChairZach Adams - Instagram: https://www.instagram.com/zach4dams/- Twitter: https://twitter.com/ZackoCaveWizard- Letterboxd: https://letterboxd.com/zach4dams- Twitch: https://www.twitch.tv/zackocavewizardWatch our editor, Starkie, on Twitch! https://www.twitch.tv/sstarkieeOldie But A Goodie's theme tune is written and produced by Josh Cake. Check out his work here: https://www.joshcake.com/Check out other shows from our network 'That's Not Canon'! https://thatsnotcanon.com/ Hosted on Acast. See acast.com/privacy for more information.

Zach welcomes Craig Shemin (Author & Historian, 'Sam & Friends: The Story of Jim Henson's First Television Show') onto the program for an inspirational, celebration-al, & Muppet-tational chat about Jim Henson and his first outing into Television, SAM & FRIENDS. Grab your favorite Esskay Meat Product and your thermos filled with Wilkins Coffee as the two explore the origins of Jim's path to puppetry, unveil the curtain to find out more of how his partner Jane Nebel contributed so heavily to early Muppet success, roll on the floor laughing through 5 surviving episodes of the show, and settle upon how 'Sam & Friends' and Muppet's have influenced the world of television & beyond to this day. Plus: The Ballyhoo gets a Sponsor! ------ Be sure to pick up a copy of Craig's book on the history of Sam & Friends for a deeper look into its history. Visit https://www.samandfriendsbook.com for ways to purchase & how to get even more swag from your book purchase! And be sure to follow Craig's talents as a writer by watching his two original Jack Benny scripts as performed by NO SOAP RADIO ( https://nosoapradioplayers.com ) Watch Here- "This is Your Life, Jack Benny" : https://youtu.be/vSQAHnpTg1E?si=9lE-Q19oHwKZY_ex " Jack Visits the Apollo 11 Launch" :  https://youtu.be/Xytm4gByVUw?si=jZV6KRk1IG4RebdF ------ Special Thanks to Matt Merback for his performance as Mr. Wilkins in the ending sketch.  

This is the Live Call-in Show from this past Sunday night, March 16, 2025!  Mike and Scott are your hosts tonight as we had lots of calls for the hour to guide the conversations!  We discussed the changes coming to Southwest Airlines in the near future and how those might parallel changes that Disney has made in the past 5 years or so.  We also had a great call from Listener Charlie who told us about a Jim Henson show that was recorded at Disney's Hollywood Studios for a very brief time that neither Mike nor Scott had heard of!  Listener Beth shares her experience this past week of her first Disney Cruise Line experience on the Disney Wish and much more!  Come join us in the BOGP Clubhouse this week at www.beourguestpodcast.com/discord.  Please visit our website at www.beourguestpodcast.com.  Thank you so much for your support of our podcast! Also, please follow the show on Twitter @BeOurGuestMike and on Facebook at www.facebook.com/beourguestpodcast.  Become a patron of the Be Our Guest Podcast over at www.patreon.com/BeOurGuestPodcast.  Thanks to our friends at The Magic For Less Travel for sponsoring today's podcast!

Send us a textThe Oh Brother is back with something different than their typical videos. Dan and Mike took a trip to Disneyworld Hollywood Studios! They give their thoughts on the rides and attractions they took, such as the soon to be closing Muppets 3D ride, and their personal favorite: Fantasmic!Actress Karissa Lee Staples Support the showOh Brother Podcast: Subscribe on YouTube Listen on all podcast platforms Follow us on Instagram Leave a 5-star rating/review on Apple Podcasts

Send us a textThank you for tuning in! On today's show, I am joined by with John Kinsner, the founder of Black Ink Presents, an intriguing company that creates unforgettable experiences for its clients. His latest project involves reviving a cult classic movie. "Labyrinth," which was released in 1986, is being given new life nearly 40 years later. John has successfully brought his dream to fruition by organizing a screening of the film accompanied by a live band.Here are a few spots where you can find John and "Labryinth in Concert."Black Ink on IG:  https://www.instagram.com/blackinkpresents/Labyrinth in Concert website:  https://www.labyrinthinconcert.com/Black Ink Website:  https://www.blackinkpresents.com/Support the showVisit: https://www.popcultureretrospective.com/ for all things Pop Culture Retrospective! Follow me on Instagram: https://www.instagram.com/popcultureretrospective/ Follow me on Twitter!: https://twitter.com/PopCultureRetroReview the show! https://www.popcultureretrospective.com/reviews/new/Pop Culture Retrospective Merch!: https://pop-culture-retrospective-pod.myspreadshop.com/allEmail me anytime: amy@popcultureretrospective.com

In this episode, Michael and Tom sail to Little Mermaid's Island, an unaired television show that was developed for the Disney Channel with the cooperation of Jim Henson's creature shop.Links:Michael's Disneyland History SegmentsImportant DIS links and more information!Connecting with Walt on TwitterDreams Unlimited TravelSources:Books:Disney Never Lands: Things Disney Never Made by Jim KorkisWebsites/Articles:This 35-Year-Old Disney Classic Has a Forgotten Muppet-Style Remake by Melody DayLittle Mermaid's Island: The Abandoned Jim Henson Disney Channel TV Show Pilot, Storybook AmusementJim Henson Made a ‘Little Mermaid' Show and, Yep, It Was Weird by Cameron GormanVideos:Little Mermaid's Island: Sebastian's BirthdayLittle Mermaid's Island: To Tell the Truth Hosted on Acast. See acast.com/privacy for more information.

"There'll be mystery and catastrophe! But it's all in fun, you paid the money - wait and see! Hey! A movie! Starring everybody! And me!" After the success of THE MUPPET MOVIE, Jim Henson had hoped to get funding for a fantasy film that had become a sort of dream project of his. But that film — which would not feature the beloved and recognizable Muppets — would be a sizeable risk, so his producer convinced him to strike while the iron was hot and make a sequel to THE MUPPET MOVIE before embarking on his ambitious fantasy project. This time around, Jim Henson himself would be in the director's chair, creating a new adventure for the Muppet gang that would be a send-up of classic Hollywood films. In this episode of Jim Henson: Heart Felt, we'll detail the full story of how THE GREAT MUPPET CAPER was made, from its early script woes, through its envelope-pushing puppetry innovations, and its eventual release and reception, where it was met with high expecations. Want to support the show? Subscribers of CinemaShock+ can enjoy an extended version of this episode, which includes bonus segments and additional content, plus get access to all episodes two days early, exclusive merchandise discounts, and more. Join now at cinemashock.net/plus. ASSOCIATE PRODUCERS: Andrew C. | Andy Lancaster | asotirov | Benjamin Yates | Caverly | Curt M. | Elton Novara | Interzone78 | Jackson_Baker | Justin V. | Lucy Lawson | Nate Izod | Nathan Kelley | qoheleth | Robert Stinson Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy. This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net

We talk to Mike Quinn - Puppeteer, Actor, Director, Animator and Nien Nunb in the Star Wars Movies. Equipped with a relentless passion and drive, it was without doubt that the young Mike Quinn was always going to be a Puppeteer, there was nothing else he ever wanted to do. After showcasing his skills to the legendary Jim Henson it would set him on a path working on some of the most iconic movies of the 1980s and beyond. From The Muppet Movies, through Labyrinth, The Dark Crystal, Who Framed Roger Rabbit and most recently Beetlejuice Beetlejuice, Mike Quinn has been and continues to be a invaluable asset to so many parts of movie magic. Special thanks to Affinity Photo - The hottest photo editing software on iPad, Mac & PChttps://affinity.serif.com/photoIntro Music by Johnny Monacohttps://www.johnnymonaco.com Incidental Music by Night Fires Please visit The 80s Video Shop Patreon Page to find out how you can help grow our very own 80s Video Shop. https://www.patreon.com/80sVideoShop

In this episode of The Epic Universal Podcast, Jim Hill and Eric Hersey explore how Jim Henson's Muppets found their way to Universal Pictures with The Great Muppet Caper and The Dark Crystal. Plus, they cover the latest Universal Studios news, from Super Bowl ads to Epic Universe food reveals. Highlights include: The Great Muppet Caper at Universal: How Universal Pictures got involved with Jim Henson's second Muppet film and what went wrong at the box office. The Dark Crystal's Production Nightmare: Why Jim Henson's boldest film was nearly unreleasable—and how Universal forced last-minute changes. Scarlett Johansson Joins Jurassic World: How the longtime Jurassic Park superfan finally landed a role in Jurassic World: Rebirth. Epic Universe Food Preview: A breakdown of the newly revealed menus and the must-try dishes coming to Universal's newest theme park. Butterbeer Season Arrives: Universal launches new Butterbeer Crepes and nationwide pop-up Butterbeer carts. Universal's Search for Food Vloggers: How you can apply to be part of Universal Orlando's new YouTube food series. This episode blends Muppet nostalgia, Universal history, and the latest theme park news. Whether you love classic films or are counting down to Epic Universe, this one's for you! Support Our Sponsor: Be Our Guest Vacations Planning your next Universal vacation? Be Our Guest Vacations is a Platinum-level Earmarked travel agency with concierge-level service to make every trip magical. Their team of expert agents plans vacations across the globe, from Disney and Universal to cruises and adventures, ensuring you have the best possible experience without the stress. Book Now Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us as we welcome John Didato, the brilliant Senior Creative Director at Sesame Workshop, who offers a vibrant glimpse into the world of educational television and the transformative power of Sesame Street. Broadcasting from the heart of Little Italy, we celebrate Italian American heritage and the community's indelible mark on the world of media. Through John's engaging experiences, we reflect on Sesame Street's pioneering role in tackling real-life issues and shaping young minds globally for over five decades.Embark on a storytelling journey as we explore the craft of filmmaking and the unique process of capturing Italian American narratives through documentary films. Inspired by classic cinema, we share personal anecdotes and insights into the evolution of Italian American representation in media. Experience the cultural bonds of stoop culture and the behind the scenes tales of Sesame Street, shedding light on the show's commitment to diversity and inclusion. From the innovative puppeteering techniques of Jim Henson to the introduction of diverse Muppets, we celebrate the show's legacy of nurturing children's growth. We also share the joy of shaping new generations of filmmakers and storytellers, emphasizing the power of community engagement and the importance of Italian American contributions to this beloved institution.HIS SOCIALS Facebook: https://www.facebook.com/john.didato/TO LEARN ABOUT HIS DOCUMENTARY WATCH BELOWhttps://youtu.be/PGE1TNhsrvA?si=WT1XvsTcL3bsU3AA

If you're a fan of 1986's "Labyrinth," then you need to know about the touring production of "Jim Henson's Labyrinth In Concert." Steve talks to Black Ink Production's John Kinsner about this amazing project.  See the tour schedule here: Labyrinthinconcert.com Seggies this week include "TV Party Tonight" and "Spin Me Round." Our Sponsors The 2025 lineup of The 80s Cruise features Squeeze, Adam Ant, Christopher Cross, Sheila E, Men at Work, Andy Bell of Erasure, Warrant, FireHouse, Dokken, Information Society, Kurtis Blow, Honeymoon Suite, Faster Pussycat, T'Pau, Tiffany, Naked Eyes and Musical Youth. Tribute bands include Sunset Boulevard, Trial by Fire and The Reflexx. Listen to this week's show for a special promo code that will give first-time cruisers $200 in cabin credit. For more information, go to www.the80scruise.com. Our podcast is listener-supported via Patreon. Members get special swag and invitations to patron-only Zoom happy hours with the hosts of the podcast. Find out more at our official Patreon page. The Stuck in the '80s podcast is hosted by creator Steve Spears and Brad Williams. Find out more about the show, celebrating its 19th year in 2024, at sit80s.com.

In this episode of The Epic Universal Podcast, Jim Hill and Eric Hersey continue their deep dive into The Muppets' surprising relationship with Universal Studios, exploring how Jim Henson's creations almost found a home with the studio long before Disney. Plus, they cover the latest Universal news and updates. Highlights include: The Muppets & Universal: How The Great Muppet Caper and The Dark Crystal were distributed by Universal, and why the studio took a risk on Jim Henson's boldest project. Jim Henson's Hollywood Struggles: The challenges Henson faced in getting The Dark Crystal financed and how Universal nearly lost faith in the project. Volcano Bay's First-Ever Nighttime Event: What to expect from Universal's new after-hours water park experience. Epic Universe Updates: A first look at Universal's life-size animatronic dragons appearing at Epic Universe's Isle of Berk. Harry Potter's New Wands at Epic Universe: The latest sneak peek at the exclusive wand collection coming to the Ministry of Magic. This episode blends theme park history, Muppet nostalgia, and the latest Universal Studios news. If you're a fan of The Muppets, Universal Studios, or Hollywood what-ifs, this one's for you! Support Our Sponsor: Be Our Guest Vacations Planning your next Universal vacation? Be Our Guest Vacations is a Platinum-level Earmarked travel agency with concierge-level service to make every trip magical. Their team of expert agents plans vacations across the globe, from Disney and Universal to cruises and adventures, ensuring you have the best possible experience without the stress. Book Now Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The Epic Universal Podcast, Jim Hill and Eric Hersey dive into the fascinating history of The Muppets and their surprising connection to Universal Studios. Plus, they cover the latest Universal news and updates. Highlights include: The Muppets & Universal: How The Great Muppet Caper and The Dark Crystal were distributed by Universal, raising the question—did Universal almost have the theme park rights to the Muppets? Jim Henson's Battle for Prime Time: How Henson pitched The Muppet Show to major networks before finding unexpected success overseas. Saturday Night Live's Muppet Experiment: The surprising (and disastrous) attempt to integrate Muppets into early SNL sketches. FanFest at Universal Hollywood: Jim prepares for his upcoming trip to the new fan event, featuring Back to the Future and One Piece meet & greets. Halloween Horror Nights 2024: Universal announces event dates for both Hollywood and Orlando—will M3GAN return for another creepy flash mob? Lou Wasserman Statue Returns: The legendary Universal executive's statue is back—Jim shares why Wasserman was a key figure in shaping Universal Studios. This episode blends theme park history, pop culture deep dives, and the latest Universal Studios news. If you're a fan of The Muppets, Universal Studios, or theme park what-ifs, this one's for you! Support Our Sponsor: Be Our Guest Vacations Planning your next Universal vacation? Be Our Guest Vacations is a Platinum-level Earmarked travel agency with concierge-level service to make every trip magical. Their team of expert agents plans vacations across the globe, from Disney and Universal to cruises and adventures, ensuring you have the best possible experience without the stress. Book Now Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The Epic Universal Podcast, Jim Hill and Eric Hersey dive into the fascinating history of The Muppets and their surprising connection to Universal Studios. Plus, they cover the latest Universal news and updates. Highlights include: The Muppets & Universal: How The Great Muppet Caper and The Dark Crystal were distributed by Universal, raising the question—did Universal almost have the theme park rights to the Muppets? Jim Henson's Battle for Prime Time: How Henson pitched The Muppet Show to major networks before finding unexpected success overseas. Saturday Night Live's Muppet Experiment: The surprising (and disastrous) attempt to integrate Muppets into early SNL sketches. FanFest at Universal Hollywood: Jim prepares for his upcoming trip to the new fan event, featuring Back to the Future and One Piece meet & greets. Halloween Horror Nights 2024: Universal announces event dates for both Hollywood and Orlando—will M3GAN return for another creepy flash mob? Lou Wasserman Statue Returns: The legendary Universal executive's statue is back—Jim shares why Wasserman was a key figure in shaping Universal Studios. This episode blends theme park history, pop culture deep dives, and the latest Universal Studios news. If you're a fan of The Muppets, Universal Studios, or theme park what-ifs, this one's for you! Support Our Sponsor: Be Our Guest Vacations Planning your next Universal vacation? Be Our Guest Vacations is a Platinum-level Earmarked travel agency with concierge-level service to make every trip magical. Their team of expert agents plans vacations across the globe, from Disney and Universal to cruises and adventures, ensuring you have the best possible experience without the stress. Book Now Learn more about your ad choices. Visit megaphone.fm/adchoices