Podcast appearances and mentions of takeshi morisato

In the early part of the twentieth century, three thinkers – Nishida Kitarō, Tanabe Hajime, and Nishitani Keiji – founded the Kyoto School of Philosophy, a group of scholars working at the intersection of Japanese and European thought. The Kyoto School, deeply influenced by the German tradition, wrote extensively on the works of Kant, Hegel, and Heidegger exploring themes such as the limits of our reason and the nature of nothingness. Tanabe, himself a student of Heidegger, explored such topics at length, building on the rich body of thought and – as we shall see – igniting his own philosophy. In this episode, we'll be investigating the profound insights of Tanabe's philosophy with two of the world's leading Tanabe scholars: Associate Professor of Philosophy at the Chinese University of Hong Kong, Gregory S. Moss and Lecturer in Non-Western Philosophy at the University of Edinburgh, Takeshi Morisato. As we explore Tanabe's work, we'll see Japan's, Kyoto School's, and Tanabe's histories, unique philosophical paths, and the many questions they illuminate along the way. As we do so, we'll uncover the invaluable insights of their work and the legacy they left behind. Contents Part I. The Kyoto School Part II. Further Analysis and Discussion Links Gregory S. Moss (website) Takeshi Morisato (website) The Dialectics of Absolute Nothingness: The Legacies of German Philosophy in the Kyoto School (book)

In the early part of the twentieth century, three thinkers – Nishida Kitarō, Tanabe Hajime, and Nishitani Keiji – founded the Kyoto School of Philosophy, a group of scholars working at the intersection of Japanese and European thought. The Kyoto School, deeply influenced by the German tradition, wrote extensively on the works of Kant, Hegel, and Heidegger exploring themes such as the limits of our reason and the nature of nothingness. Tanabe, himself a student of Heidegger, explored such topics at length, building on the rich body of thought and – as we shall see – igniting his own philosophy. In this episode, we'll be investigating the profound insights of Tanabe's philosophy with two of the world's leading Tanabe scholars: Associate Professor of Philosophy at the Chinese University of Hong Kong, Gregory S. Moss and Lecturer in Non-Western Philosophy at the University of Edinburgh, Takeshi Morisato. As we explore Tanabe's work, we'll see Japan's, Kyoto School's, and Tanabe's histories, unique philosophical paths, and the many questions they illuminate along the way. As we do so, we'll uncover the invaluable insights of their work and the legacy they left behind. Contents Part I. The Kyoto School Part II. Further Analysis and Discussion Links Gregory S. Moss (website) Takeshi Morisato (website) The Dialectics of Absolute Nothingness: The Legacies of German Philosophy in the Kyoto School (book)

On 9th August 1945, the US dropped the second atomic bomb on Nagasaki. Of the dead, approximately 8500 were Catholic Christians, representing over sixty percent of the community. In Dangerous Memory in Nagasaki: Prayers, Protests, and Catholic Survivor Narratives (Routledge, 2019), Gwyn McClelland presents a collective biography, where nine Catholic survivors share personal and compelling stories about the aftermath of the bomb and their lives since that day.  Examining the Catholic community's interpretation of the A-bomb, this book not only uses memory to provide a greater understanding of the destruction of the bombing, but also links it to the past experiences of religious persecution, drawing comparisons with the ‘Secret Christian' groups which survived in the Japanese countryside after the banning of Christianity.  Through in-depth interviews, it emerges that the memory of the atomic bomb is viewed through the lens of a community which had experienced suffering and marginalisation for more than 400 years. Furthermore, it argues that their dangerous memory confronts Euro-American-centric narratives of the atomic bombings, whilst also challenging assumptions around a providential bomb. Dangerous Memory in Nagasaki presents the voices of Catholics, many of whom have not spoken of their losses within the framework of their faith before. As such, it will be invaluable to students and scholars of Japanese history, religion and war history. I asked Gwyn about three questions that we could face when reflecting on the complex survivor narratives provided by the Catholic victims of the nuclear Holocaust in Japan, or more precisely, what the book refers to as the "dangerous memory in Nagasaki."   Do Nagasaki Christians and their unique intercultural Mariology (i.e., Maria kannon and Maria with a keloid scar) present any issues to today's theology (especially with regard to their possible reception by the Vatican)? How was John Paul II's visit to Nagasaki, which put an emphasis on human responsibility regarding war atrocities, received among the survivors who embraced the traditional interpretation of their losses as a sacrificial hansai (a burnt offering) or a part of setsuri (providence)?  How can the nation of Japan (both Catholics and the rest of the country) move forward in light of the dangerous memory of Nagasaki?  The author's responses to these questions reflected his intellectual virtue as a patient witness to the extraordinary life stories of the war victims in Nagasaki. The interview ends with a note of undying hope, the future possibility of transformative reconciliations that can move the whole country forward, while doing justice to dangerous memories.    Gwyn McClelland holds a Master of Divinity from the University of Divinity, Melbourne, Australia and a Doctorate of Philosophy in Japanese history from Monash University. He is the winner of the 2019 John Legge prize for best thesis in Asian Studies, awarded by the Asian Studies Association of Australia (ASAA). Takeshi Morisato is a philosopher and sometimes academic. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices

On 9th August 1945, the US dropped the second atomic bomb on Nagasaki. Of the dead, approximately 8500 were Catholic Christians, representing over sixty percent of the community. In Dangerous Memory in Nagasaki: Prayers, Protests, and Catholic Survivor Narratives (Routledge, 2019), Gwyn McClelland presents a collective biography, where nine Catholic survivors share personal and compelling stories about the aftermath of the bomb and their lives since that day.  Examining the Catholic community's interpretation of the A-bomb, this book not only uses memory to provide a greater understanding of the destruction of the bombing, but also links it to the past experiences of religious persecution, drawing comparisons with the ‘Secret Christian' groups which survived in the Japanese countryside after the banning of Christianity.  Through in-depth interviews, it emerges that the memory of the atomic bomb is viewed through the lens of a community which had experienced suffering and marginalisation for more than 400 years. Furthermore, it argues that their dangerous memory confronts Euro-American-centric narratives of the atomic bombings, whilst also challenging assumptions around a providential bomb. Dangerous Memory in Nagasaki presents the voices of Catholics, many of whom have not spoken of their losses within the framework of their faith before. As such, it will be invaluable to students and scholars of Japanese history, religion and war history. I asked Gwyn about three questions that we could face when reflecting on the complex survivor narratives provided by the Catholic victims of the nuclear Holocaust in Japan, or more precisely, what the book refers to as the "dangerous memory in Nagasaki."   Do Nagasaki Christians and their unique intercultural Mariology (i.e., Maria kannon and Maria with a keloid scar) present any issues to today's theology (especially with regard to their possible reception by the Vatican)? How was John Paul II's visit to Nagasaki, which put an emphasis on human responsibility regarding war atrocities, received among the survivors who embraced the traditional interpretation of their losses as a sacrificial hansai (a burnt offering) or a part of setsuri (providence)?  How can the nation of Japan (both Catholics and the rest of the country) move forward in light of the dangerous memory of Nagasaki?  The author's responses to these questions reflected his intellectual virtue as a patient witness to the extraordinary life stories of the war victims in Nagasaki. The interview ends with a note of undying hope, the future possibility of transformative reconciliations that can move the whole country forward, while doing justice to dangerous memories.    Gwyn McClelland holds a Master of Divinity from the University of Divinity, Melbourne, Australia and a Doctorate of Philosophy in Japanese history from Monash University. He is the winner of the 2019 John Legge prize for best thesis in Asian Studies, awarded by the Asian Studies Association of Australia (ASAA). Takeshi Morisato is a philosopher and sometimes academic. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices

On 9th August 1945, the US dropped the second atomic bomb on Nagasaki. Of the dead, approximately 8500 were Catholic Christians, representing over sixty percent of the community. In Dangerous Memory in Nagasaki: Prayers, Protests, and Catholic Survivor Narratives (Routledge, 2019), Gwyn McClelland presents a collective biography, where nine Catholic survivors share personal and compelling stories about the aftermath of the bomb and their lives since that day.  Examining the Catholic community's interpretation of the A-bomb, this book not only uses memory to provide a greater understanding of the destruction of the bombing, but also links it to the past experiences of religious persecution, drawing comparisons with the ‘Secret Christian' groups which survived in the Japanese countryside after the banning of Christianity.  Through in-depth interviews, it emerges that the memory of the atomic bomb is viewed through the lens of a community which had experienced suffering and marginalisation for more than 400 years. Furthermore, it argues that their dangerous memory confronts Euro-American-centric narratives of the atomic bombings, whilst also challenging assumptions around a providential bomb. Dangerous Memory in Nagasaki presents the voices of Catholics, many of whom have not spoken of their losses within the framework of their faith before. As such, it will be invaluable to students and scholars of Japanese history, religion and war history. I asked Gwyn about three questions that we could face when reflecting on the complex survivor narratives provided by the Catholic victims of the nuclear Holocaust in Japan, or more precisely, what the book refers to as the "dangerous memory in Nagasaki."   Do Nagasaki Christians and their unique intercultural Mariology (i.e., Maria kannon and Maria with a keloid scar) present any issues to today's theology (especially with regard to their possible reception by the Vatican)? How was John Paul II's visit to Nagasaki, which put an emphasis on human responsibility regarding war atrocities, received among the survivors who embraced the traditional interpretation of their losses as a sacrificial hansai (a burnt offering) or a part of setsuri (providence)?  How can the nation of Japan (both Catholics and the rest of the country) move forward in light of the dangerous memory of Nagasaki?  The author's responses to these questions reflected his intellectual virtue as a patient witness to the extraordinary life stories of the war victims in Nagasaki. The interview ends with a note of undying hope, the future possibility of transformative reconciliations that can move the whole country forward, while doing justice to dangerous memories.    Gwyn McClelland holds a Master of Divinity from the University of Divinity, Melbourne, Australia and a Doctorate of Philosophy in Japanese history from Monash University. He is the winner of the 2019 John Legge prize for best thesis in Asian Studies, awarded by the Asian Studies Association of Australia (ASAA). Takeshi Morisato is a philosopher and sometimes academic. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

On 9th August 1945, the US dropped the second atomic bomb on Nagasaki. Of the dead, approximately 8500 were Catholic Christians, representing over sixty percent of the community. In Dangerous Memory in Nagasaki: Prayers, Protests, and Catholic Survivor Narratives (Routledge, 2019), Gwyn McClelland presents a collective biography, where nine Catholic survivors share personal and compelling stories about the aftermath of the bomb and their lives since that day.  Examining the Catholic community's interpretation of the A-bomb, this book not only uses memory to provide a greater understanding of the destruction of the bombing, but also links it to the past experiences of religious persecution, drawing comparisons with the ‘Secret Christian' groups which survived in the Japanese countryside after the banning of Christianity.  Through in-depth interviews, it emerges that the memory of the atomic bomb is viewed through the lens of a community which had experienced suffering and marginalisation for more than 400 years. Furthermore, it argues that their dangerous memory confronts Euro-American-centric narratives of the atomic bombings, whilst also challenging assumptions around a providential bomb. Dangerous Memory in Nagasaki presents the voices of Catholics, many of whom have not spoken of their losses within the framework of their faith before. As such, it will be invaluable to students and scholars of Japanese history, religion and war history. I asked Gwyn about three questions that we could face when reflecting on the complex survivor narratives provided by the Catholic victims of the nuclear Holocaust in Japan, or more precisely, what the book refers to as the "dangerous memory in Nagasaki."   Do Nagasaki Christians and their unique intercultural Mariology (i.e., Maria kannon and Maria with a keloid scar) present any issues to today's theology (especially with regard to their possible reception by the Vatican)? How was John Paul II's visit to Nagasaki, which put an emphasis on human responsibility regarding war atrocities, received among the survivors who embraced the traditional interpretation of their losses as a sacrificial hansai (a burnt offering) or a part of setsuri (providence)?  How can the nation of Japan (both Catholics and the rest of the country) move forward in light of the dangerous memory of Nagasaki?  The author's responses to these questions reflected his intellectual virtue as a patient witness to the extraordinary life stories of the war victims in Nagasaki. The interview ends with a note of undying hope, the future possibility of transformative reconciliations that can move the whole country forward, while doing justice to dangerous memories.    Gwyn McClelland holds a Master of Divinity from the University of Divinity, Melbourne, Australia and a Doctorate of Philosophy in Japanese history from Monash University. He is the winner of the 2019 John Legge prize for best thesis in Asian Studies, awarded by the Asian Studies Association of Australia (ASAA). Takeshi Morisato is a philosopher and sometimes academic. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

On 9th August 1945, the US dropped the second atomic bomb on Nagasaki. Of the dead, approximately 8500 were Catholic Christians, representing over sixty percent of the community. In Dangerous Memory in Nagasaki: Prayers, Protests, and Catholic Survivor Narratives (Routledge, 2019), Gwyn McClelland presents a collective biography, where nine Catholic survivors share personal and compelling stories about the aftermath of the bomb and their lives since that day.  Examining the Catholic community's interpretation of the A-bomb, this book not only uses memory to provide a greater understanding of the destruction of the bombing, but also links it to the past experiences of religious persecution, drawing comparisons with the ‘Secret Christian' groups which survived in the Japanese countryside after the banning of Christianity.  Through in-depth interviews, it emerges that the memory of the atomic bomb is viewed through the lens of a community which had experienced suffering and marginalisation for more than 400 years. Furthermore, it argues that their dangerous memory confronts Euro-American-centric narratives of the atomic bombings, whilst also challenging assumptions around a providential bomb. Dangerous Memory in Nagasaki presents the voices of Catholics, many of whom have not spoken of their losses within the framework of their faith before. As such, it will be invaluable to students and scholars of Japanese history, religion and war history. I asked Gwyn about three questions that we could face when reflecting on the complex survivor narratives provided by the Catholic victims of the nuclear Holocaust in Japan, or more precisely, what the book refers to as the "dangerous memory in Nagasaki."   Do Nagasaki Christians and their unique intercultural Mariology (i.e., Maria kannon and Maria with a keloid scar) present any issues to today's theology (especially with regard to their possible reception by the Vatican)? How was John Paul II's visit to Nagasaki, which put an emphasis on human responsibility regarding war atrocities, received among the survivors who embraced the traditional interpretation of their losses as a sacrificial hansai (a burnt offering) or a part of setsuri (providence)?  How can the nation of Japan (both Catholics and the rest of the country) move forward in light of the dangerous memory of Nagasaki?  The author's responses to these questions reflected his intellectual virtue as a patient witness to the extraordinary life stories of the war victims in Nagasaki. The interview ends with a note of undying hope, the future possibility of transformative reconciliations that can move the whole country forward, while doing justice to dangerous memories.    Gwyn McClelland holds a Master of Divinity from the University of Divinity, Melbourne, Australia and a Doctorate of Philosophy in Japanese history from Monash University. He is the winner of the 2019 John Legge prize for best thesis in Asian Studies, awarded by the Asian Studies Association of Australia (ASAA). Takeshi Morisato is a philosopher and sometimes academic. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

On 9th August 1945, the US dropped the second atomic bomb on Nagasaki. Of the dead, approximately 8500 were Catholic Christians, representing over sixty percent of the community. In Dangerous Memory in Nagasaki: Prayers, Protests, and Catholic Survivor Narratives (Routledge, 2019), Gwyn McClelland presents a collective biography, where nine Catholic survivors share personal and compelling stories about the aftermath of the bomb and their lives since that day.  Examining the Catholic community's interpretation of the A-bomb, this book not only uses memory to provide a greater understanding of the destruction of the bombing, but also links it to the past experiences of religious persecution, drawing comparisons with the ‘Secret Christian' groups which survived in the Japanese countryside after the banning of Christianity.  Through in-depth interviews, it emerges that the memory of the atomic bomb is viewed through the lens of a community which had experienced suffering and marginalisation for more than 400 years. Furthermore, it argues that their dangerous memory confronts Euro-American-centric narratives of the atomic bombings, whilst also challenging assumptions around a providential bomb. Dangerous Memory in Nagasaki presents the voices of Catholics, many of whom have not spoken of their losses within the framework of their faith before. As such, it will be invaluable to students and scholars of Japanese history, religion and war history. I asked Gwyn about three questions that we could face when reflecting on the complex survivor narratives provided by the Catholic victims of the nuclear Holocaust in Japan, or more precisely, what the book refers to as the "dangerous memory in Nagasaki."   Do Nagasaki Christians and their unique intercultural Mariology (i.e., Maria kannon and Maria with a keloid scar) present any issues to today's theology (especially with regard to their possible reception by the Vatican)? How was John Paul II's visit to Nagasaki, which put an emphasis on human responsibility regarding war atrocities, received among the survivors who embraced the traditional interpretation of their losses as a sacrificial hansai (a burnt offering) or a part of setsuri (providence)?  How can the nation of Japan (both Catholics and the rest of the country) move forward in light of the dangerous memory of Nagasaki?  The author's responses to these questions reflected his intellectual virtue as a patient witness to the extraordinary life stories of the war victims in Nagasaki. The interview ends with a note of undying hope, the future possibility of transformative reconciliations that can move the whole country forward, while doing justice to dangerous memories.    Gwyn McClelland holds a Master of Divinity from the University of Divinity, Melbourne, Australia and a Doctorate of Philosophy in Japanese history from Monash University. He is the winner of the 2019 John Legge prize for best thesis in Asian Studies, awarded by the Asian Studies Association of Australia (ASAA). Takeshi Morisato is a philosopher and sometimes academic. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the first decades of the 20th century the Japanese philosopher Kitaro Nishida sent students to Europe and America to see what they could discover about Western philosophy. Keiji Nishitani went to Freiburg to study under Martin Heidegger, and became one of the leading figures in the Kyoto School, a project of synthesis that tried to read the Japanese intellectual tradition through the lens of European philosophy and vice versa. These thinkers took ideas from Christian mysticism, German idealism and Phenomenology, and combined them with an interest in direct experience shaped by Japanese Zen and other forms of Buddhism. But it was work carried out in Japan in the 1930s, in a society becoming increasingly militaristic and tending towards fascism. Chris Harding discusses the Kyoto School and its legacy with James Heisig, Professor Emeritus at Nanzan University, Graham Parkes, Professorial Research Fellow in Philosophy at the University of Vienna, Raquel Bouso, Senior Lecturer in Philosophy at Universitat Pompeu Fabra, Barcelona, and Takeshi Morisato, Lecturer in Non-Western Philosophy at the University of Edinburgh.Producer: Luke Mulhall

Peter speaks to the Japanese philosopher Takeshi Morisato about the 20th-century Kyoto School intellectual named Tanabe Hajime, whose philosophical method assimilated traditional elements of Japanese Buddhism with the perspectives of Western existentialism and Judeo-Christian theology during a period of enormous social upheaval in the history of modern Japan. Takeshi Morisato is a lecturer in Non-Western Philosophy at the University of Edinburgh. He is also the current editor of the European Journal of Japanese Philosophy and the assistant editor of the Journal of East Asian Philosophy. In 2021 he published a short introduction to the thought of Tanabe Hajime titled Tanabe Hajime and the Kyoto School: Self, World and Knowledge via Bloomsbury. 

Indigenous thinker and leader, Ailton Krenak, exposes the destructive tendencies of our ‘civilization' in Life is not Useful  (Polity, 2023), which is translated by Jamille Pinheiro Dias & Alex Brostoff. The problematic symptoms of our modernity include rampant consumerism, environmental devastation, and a narrow and restricted understanding of humanity's place on this Earth. For many centuries, Brazil's Indigenous peoples have bravely faced threats of total annihilation and, in extremely adverse conditions, have reinvented their lives and communities.  At a time when the COVID-19 pandemic has forced the rest of the world to reconsider its lifestyle, Ailton Krenak's clear and urgent thinking emerges with newfound impact and offers a vital perspective on the enormous challenges we face today: the ravages of the pandemic and the devastation caused by global warming, to name just two. Krenak questions the value of going back to normal when ‘normal' is a vision of humanity divorced from nature, actively destroying the planet and digging deep trenches of inequality between peoples and societies. The ‘civilized' world insists on giving life a purpose but life is not ‘useful' and ‘civilization' is not destiny. We must learn to embrace the joy of living life to its fullest, and inhabit the stillness that comes with not always being useful. In the wake of the pandemic, we have an opportunity to create deep and meaningful change in the way we live: this, more than ever, is a time to listen to voices that are one with the body of the Earth. Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Indigenous thinker and leader, Ailton Krenak, exposes the destructive tendencies of our ‘civilization' in Life is not Useful  (Polity, 2023), which is translated by Jamille Pinheiro Dias & Alex Brostoff. The problematic symptoms of our modernity include rampant consumerism, environmental devastation, and a narrow and restricted understanding of humanity's place on this Earth. For many centuries, Brazil's Indigenous peoples have bravely faced threats of total annihilation and, in extremely adverse conditions, have reinvented their lives and communities.  At a time when the COVID-19 pandemic has forced the rest of the world to reconsider its lifestyle, Ailton Krenak's clear and urgent thinking emerges with newfound impact and offers a vital perspective on the enormous challenges we face today: the ravages of the pandemic and the devastation caused by global warming, to name just two. Krenak questions the value of going back to normal when ‘normal' is a vision of humanity divorced from nature, actively destroying the planet and digging deep trenches of inequality between peoples and societies. The ‘civilized' world insists on giving life a purpose but life is not ‘useful' and ‘civilization' is not destiny. We must learn to embrace the joy of living life to its fullest, and inhabit the stillness that comes with not always being useful. In the wake of the pandemic, we have an opportunity to create deep and meaningful change in the way we live: this, more than ever, is a time to listen to voices that are one with the body of the Earth. Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Indigenous thinker and leader, Ailton Krenak, exposes the destructive tendencies of our ‘civilization' in Life is not Useful  (Polity, 2023), which is translated by Jamille Pinheiro Dias & Alex Brostoff. The problematic symptoms of our modernity include rampant consumerism, environmental devastation, and a narrow and restricted understanding of humanity's place on this Earth. For many centuries, Brazil's Indigenous peoples have bravely faced threats of total annihilation and, in extremely adverse conditions, have reinvented their lives and communities.  At a time when the COVID-19 pandemic has forced the rest of the world to reconsider its lifestyle, Ailton Krenak's clear and urgent thinking emerges with newfound impact and offers a vital perspective on the enormous challenges we face today: the ravages of the pandemic and the devastation caused by global warming, to name just two. Krenak questions the value of going back to normal when ‘normal' is a vision of humanity divorced from nature, actively destroying the planet and digging deep trenches of inequality between peoples and societies. The ‘civilized' world insists on giving life a purpose but life is not ‘useful' and ‘civilization' is not destiny. We must learn to embrace the joy of living life to its fullest, and inhabit the stillness that comes with not always being useful. In the wake of the pandemic, we have an opportunity to create deep and meaningful change in the way we live: this, more than ever, is a time to listen to voices that are one with the body of the Earth. Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

Indigenous thinker and leader, Ailton Krenak, exposes the destructive tendencies of our ‘civilization' in Life is not Useful  (Polity, 2023), which is translated by Jamille Pinheiro Dias & Alex Brostoff. The problematic symptoms of our modernity include rampant consumerism, environmental devastation, and a narrow and restricted understanding of humanity's place on this Earth. For many centuries, Brazil's Indigenous peoples have bravely faced threats of total annihilation and, in extremely adverse conditions, have reinvented their lives and communities.  At a time when the COVID-19 pandemic has forced the rest of the world to reconsider its lifestyle, Ailton Krenak's clear and urgent thinking emerges with newfound impact and offers a vital perspective on the enormous challenges we face today: the ravages of the pandemic and the devastation caused by global warming, to name just two. Krenak questions the value of going back to normal when ‘normal' is a vision of humanity divorced from nature, actively destroying the planet and digging deep trenches of inequality between peoples and societies. The ‘civilized' world insists on giving life a purpose but life is not ‘useful' and ‘civilization' is not destiny. We must learn to embrace the joy of living life to its fullest, and inhabit the stillness that comes with not always being useful. In the wake of the pandemic, we have an opportunity to create deep and meaningful change in the way we live: this, more than ever, is a time to listen to voices that are one with the body of the Earth. Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Indigenous thinker and leader, Ailton Krenak, exposes the destructive tendencies of our ‘civilization' in Life is not Useful  (Polity, 2023), which is translated by Jamille Pinheiro Dias & Alex Brostoff. The problematic symptoms of our modernity include rampant consumerism, environmental devastation, and a narrow and restricted understanding of humanity's place on this Earth. For many centuries, Brazil's Indigenous peoples have bravely faced threats of total annihilation and, in extremely adverse conditions, have reinvented their lives and communities.  At a time when the COVID-19 pandemic has forced the rest of the world to reconsider its lifestyle, Ailton Krenak's clear and urgent thinking emerges with newfound impact and offers a vital perspective on the enormous challenges we face today: the ravages of the pandemic and the devastation caused by global warming, to name just two. Krenak questions the value of going back to normal when ‘normal' is a vision of humanity divorced from nature, actively destroying the planet and digging deep trenches of inequality between peoples and societies. The ‘civilized' world insists on giving life a purpose but life is not ‘useful' and ‘civilization' is not destiny. We must learn to embrace the joy of living life to its fullest, and inhabit the stillness that comes with not always being useful. In the wake of the pandemic, we have an opportunity to create deep and meaningful change in the way we live: this, more than ever, is a time to listen to voices that are one with the body of the Earth. Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Through telling stories in this little book, In Praise of Civility (Wipf and Stock, 2021), James Heisig aims to provoke second thoughts about the effects of incivility on our lives and the lives of those around us. As short quips of moral outrage overtake more and more of our “civilized” conversations, the slow plod of thinking and acting civilly is easily left behind like a quaint and simpleminded distraction from the business of standing up for ourselves and our convictions. This is what the author wishes to turn on its head through examples of civility in action and the encouragement of “collective thinking” in which civility flowers. Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Through telling stories in this little book, In Praise of Civility (Wipf and Stock, 2021), James Heisig aims to provoke second thoughts about the effects of incivility on our lives and the lives of those around us. As short quips of moral outrage overtake more and more of our “civilized” conversations, the slow plod of thinking and acting civilly is easily left behind like a quaint and simpleminded distraction from the business of standing up for ourselves and our convictions. This is what the author wishes to turn on its head through examples of civility in action and the encouragement of “collective thinking” in which civility flowers. Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

You Must Believe in Spring (Hajar Press, 2022) is Mohamed Tonsy's "speculative fiction." It is about the future of Egypt when people's memory of the recent revolution is beginning to fade away as a distant past. How can we find hope when we find ourselves in a dystopia?   Twenty years after she first chanted in Tahrir, Hanan's son is living under military rule in Egypt. Though he is both a disciple of the national Sufi institute and a swimmer representing the Armed Forces, proximity to power cannot undo his revolutionary birthright: like his mother and grandmother before him, Shahed is an undercover rebel. When a general arrives at the Sufi institute looking for help with a military assignment, Shahed accepts, all while concealing his own plans for resistance. The mission takes him behind the walls of a prison town, inside a secret army barracks in the Sinai desert, and deep into the murky waters of the past. As he wades through his mother's repressed memories and the state's repressed histories, Shahed grapples with the traumas of the revolution and the weight of authoritarian rule, searching for new ways to revolt for freedom. Mohamed Tonsy is a queer Egyptian writer and ceramicist. Formerly an architect and a triathlete representing the Egyptian Triathlon Federation, he completed a PhD in Creative Writing at the University of Edinburgh. His writing has appeared in Mizna and Epoch Press and was shortlisted in MFest's 2021 Short Story Competition. You Must Believe in Spring is his first book. Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

You Must Believe in Spring (Hajar Press, 2022) is Mohamed Tonsy's "speculative fiction." It is about the future of Egypt when people's memory of the recent revolution is beginning to fade away as a distant past. How can we find hope when we find ourselves in a dystopia?   Twenty years after she first chanted in Tahrir, Hanan's son is living under military rule in Egypt. Though he is both a disciple of the national Sufi institute and a swimmer representing the Armed Forces, proximity to power cannot undo his revolutionary birthright: like his mother and grandmother before him, Shahed is an undercover rebel. When a general arrives at the Sufi institute looking for help with a military assignment, Shahed accepts, all while concealing his own plans for resistance. The mission takes him behind the walls of a prison town, inside a secret army barracks in the Sinai desert, and deep into the murky waters of the past. As he wades through his mother's repressed memories and the state's repressed histories, Shahed grapples with the traumas of the revolution and the weight of authoritarian rule, searching for new ways to revolt for freedom. Mohamed Tonsy is a queer Egyptian writer and ceramicist. Formerly an architect and a triathlete representing the Egyptian Triathlon Federation, he completed a PhD in Creative Writing at the University of Edinburgh. His writing has appeared in Mizna and Epoch Press and was shortlisted in MFest's 2021 Short Story Competition. You Must Believe in Spring is his first book. Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

You Must Believe in Spring (Hajar Press, 2022) is Mohamed Tonsy's "speculative fiction." It is about the future of Egypt when people's memory of the recent revolution is beginning to fade away as a distant past. How can we find hope when we find ourselves in a dystopia?   Twenty years after she first chanted in Tahrir, Hanan's son is living under military rule in Egypt. Though he is both a disciple of the national Sufi institute and a swimmer representing the Armed Forces, proximity to power cannot undo his revolutionary birthright: like his mother and grandmother before him, Shahed is an undercover rebel. When a general arrives at the Sufi institute looking for help with a military assignment, Shahed accepts, all while concealing his own plans for resistance. The mission takes him behind the walls of a prison town, inside a secret army barracks in the Sinai desert, and deep into the murky waters of the past. As he wades through his mother's repressed memories and the state's repressed histories, Shahed grapples with the traumas of the revolution and the weight of authoritarian rule, searching for new ways to revolt for freedom. Mohamed Tonsy is a queer Egyptian writer and ceramicist. Formerly an architect and a triathlete representing the Egyptian Triathlon Federation, he completed a PhD in Creative Writing at the University of Edinburgh. His writing has appeared in Mizna and Epoch Press and was shortlisted in MFest's 2021 Short Story Competition. You Must Believe in Spring is his first book. Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Foucault lived in Tunisia for two years and travelled to Japan and Iran more than once. Yet throughout his critical scholarship, he insisted that the cultures of the “Orient” constitute the “limit” of Western rationality.  Using archival research supplemented by interviews with key scholars in Tunisia, Japan and France, Marnia Lazreg's Foucault's Orient: The Conundrum of Cultural Difference, From Tunisia to Japan (Berghahn Books, 2020) examines the philosophical sources, evolution as well as contradictions of Foucault's experience with non-Western cultures. Beyond tracing Foucault's journey into the world of otherness, the book reveals the personal, political as well as methodological effects of a radical conception of cultural difference that extolled the local over the cosmopolitan. I asked Marnia how young philosophers should read Foucault's texts and also how she has integrated his concepts into her excellent sociological research that focuses on the world outside the "West." Her insightful advice should be taken into account when approaching any works of Foucault today.  Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

This introduction to Tanabe Hajime (1885-1962), the critical successor of the “father of contemporary Japanese philosophy” Nishida Kitaro (1870–1945), focuses on Hajime's central philosophical ideas and perspective on “self,” “world,” “knowledge,” and the “purpose of philosophizing”. Exploring his notable philosophical ideas including the logic of species, metanoetics, and philosophy of death, it addresses his life-long study of the history of Western philosophy. It sets out his belief that Western framework of thinking is incapable of giving sufficient answers to the philosophical questions concerning the self and the world together and discusses the central ideas he developed while working in Eastern traditions such as Confucianism and Daoism. Featuring comprehensive further reading lists, discussion questions and teaching notes, Tanabe Hajime and the Kyoto School: Self, World, and Knowledge (Bloomsbury, 2021) is an ideal introductory guide to Tanabe Hajime suitable for anyone interested in Japanese and World philosophy, as well as the development of the Kyoto School. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

This introduction to Tanabe Hajime (1885-1962), the critical successor of the “father of contemporary Japanese philosophy” Nishida Kitaro (1870–1945), focuses on Hajime's central philosophical ideas and perspective on “self,” “world,” “knowledge,” and the “purpose of philosophizing”. Exploring his notable philosophical ideas including the logic of species, metanoetics, and philosophy of death, it addresses his life-long study of the history of Western philosophy. It sets out his belief that Western framework of thinking is incapable of giving sufficient answers to the philosophical questions concerning the self and the world together and discusses the central ideas he developed while working in Eastern traditions such as Confucianism and Daoism. Featuring comprehensive further reading lists, discussion questions and teaching notes, Tanabe Hajime and the Kyoto School: Self, World, and Knowledge (Bloomsbury, 2021) is an ideal introductory guide to Tanabe Hajime suitable for anyone interested in Japanese and World philosophy, as well as the development of the Kyoto School. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

This introduction to Tanabe Hajime (1885-1962), the critical successor of the “father of contemporary Japanese philosophy” Nishida Kitaro (1870–1945), focuses on Hajime's central philosophical ideas and perspective on “self,” “world,” “knowledge,” and the “purpose of philosophizing”. Exploring his notable philosophical ideas including the logic of species, metanoetics, and philosophy of death, it addresses his life-long study of the history of Western philosophy. It sets out his belief that Western framework of thinking is incapable of giving sufficient answers to the philosophical questions concerning the self and the world together and discusses the central ideas he developed while working in Eastern traditions such as Confucianism and Daoism. Featuring comprehensive further reading lists, discussion questions and teaching notes, Tanabe Hajime and the Kyoto School: Self, World, and Knowledge (Bloomsbury, 2021) is an ideal introductory guide to Tanabe Hajime suitable for anyone interested in Japanese and World philosophy, as well as the development of the Kyoto School. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

This introduction to Tanabe Hajime (1885-1962), the critical successor of the “father of contemporary Japanese philosophy” Nishida Kitaro (1870–1945), focuses on Hajime's central philosophical ideas and perspective on “self,” “world,” “knowledge,” and the “purpose of philosophizing”. Exploring his notable philosophical ideas including the logic of species, metanoetics, and philosophy of death, it addresses his life-long study of the history of Western philosophy. It sets out his belief that Western framework of thinking is incapable of giving sufficient answers to the philosophical questions concerning the self and the world together and discusses the central ideas he developed while working in Eastern traditions such as Confucianism and Daoism. Featuring comprehensive further reading lists, discussion questions and teaching notes, Tanabe Hajime and the Kyoto School: Self, World, and Knowledge (Bloomsbury, 2021) is an ideal introductory guide to Tanabe Hajime suitable for anyone interested in Japanese and World philosophy, as well as the development of the Kyoto School. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

This introduction to Tanabe Hajime (1885-1962), the critical successor of the “father of contemporary Japanese philosophy” Nishida Kitaro (1870–1945), focuses on Hajime's central philosophical ideas and perspective on “self,” “world,” “knowledge,” and the “purpose of philosophizing”. Exploring his notable philosophical ideas including the logic of species, metanoetics, and philosophy of death, it addresses his life-long study of the history of Western philosophy. It sets out his belief that Western framework of thinking is incapable of giving sufficient answers to the philosophical questions concerning the self and the world together and discusses the central ideas he developed while working in Eastern traditions such as Confucianism and Daoism. Featuring comprehensive further reading lists, discussion questions and teaching notes, Tanabe Hajime and the Kyoto School: Self, World, and Knowledge (Bloomsbury, 2021) is an ideal introductory guide to Tanabe Hajime suitable for anyone interested in Japanese and World philosophy, as well as the development of the Kyoto School. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

One of the trailblazers in the field of Japanese philosophy, James W. Heisig, delivered his five lectures in 2019 at Boston College as the Duffy Lectures in Global Christianity. These lectures were compiled into this book, Of Gods and Minds: In Search of a Theological Commons (Nagoya & Brussels: Chisokudō Publications, 2019). In them the author begins from the assumption that if the Christian God is to have global significance, it will not merely be a matter of Christianity accepting cultural and religious diversity and retreating from its mission of converting the entire world to its own way of thinking about God. The conversion to tolerance and hospitality towards other modes of belief and practice marks a watershed for Christianity, but only as a transition to straighten out its past in the face of a graver, commoner concern: the care of an earth abused by human civilization and devalued by organized religion. The author approaches this question from a broader consideration of the origins and functions of gods in minds and from there suggests grounding metaphors of the divine and its relationship to the natural world in a nothingness beyond being and becoming. During our interview, I asked Jim: The ongoing challenges of bringing our ecological concerns and street activism to the centerstage of our intellectual and philosophical discussions in academia are daunting. We (academics) tend to create another specialised branch of "environmental philosophy" or "philosophy of nature" as an elective rather than the core discourse in the field of philosophy. I asked him what is needed for philosophers and specialists of religious studies to take seriously the practical concept of the "care of an earth." His nuanced answer was this: a "revolution."  We also delved into the concept of nothingness as "connectedness" and the logic of soku 即 as a particular rendering of it in reference to contemporary Japanese philosophy. The examples he provided towards the end of the interview was stunning to say the least: A genuine connectedness between humans and nature, which also means to be faithful to emergences of gods in our minds from diverse cultural and historical backgrounds, should look like Kintsugi 金継ぎ. It can not only heal what is once broken but the process of healing can be beautiful and renew our appreciation of what we have broken once. We hope that philosophy programs from around the world will follow this revolutionary practice of connectedness.   Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

One of the trailblazers in the field of Japanese philosophy, James W. Heisig, delivered his five lectures in 2019 at Boston College as the Duffy Lectures in Global Christianity. These lectures were compiled into this book, Of Gods and Minds: In Search of a Theological Commons (Nagoya & Brussels: Chisokudō Publications, 2019). In them the author begins from the assumption that if the Christian God is to have global significance, it will not merely be a matter of Christianity accepting cultural and religious diversity and retreating from its mission of converting the entire world to its own way of thinking about God. The conversion to tolerance and hospitality towards other modes of belief and practice marks a watershed for Christianity, but only as a transition to straighten out its past in the face of a graver, commoner concern: the care of an earth abused by human civilization and devalued by organized religion. The author approaches this question from a broader consideration of the origins and functions of gods in minds and from there suggests grounding metaphors of the divine and its relationship to the natural world in a nothingness beyond being and becoming. During our interview, I asked Jim: The ongoing challenges of bringing our ecological concerns and street activism to the centerstage of our intellectual and philosophical discussions in academia are daunting. We (academics) tend to create another specialised branch of "environmental philosophy" or "philosophy of nature" as an elective rather than the core discourse in the field of philosophy. I asked him what is needed for philosophers and specialists of religious studies to take seriously the practical concept of the "care of an earth." His nuanced answer was this: a "revolution."  We also delved into the concept of nothingness as "connectedness" and the logic of soku 即 as a particular rendering of it in reference to contemporary Japanese philosophy. The examples he provided towards the end of the interview was stunning to say the least: A genuine connectedness between humans and nature, which also means to be faithful to emergences of gods in our minds from diverse cultural and historical backgrounds, should look like Kintsugi 金継ぎ. It can not only heal what is once broken but the process of healing can be beautiful and renew our appreciation of what we have broken once. We hope that philosophy programs from around the world will follow this revolutionary practice of connectedness.   Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

One of the trailblazers in the field of Japanese philosophy, James W. Heisig, delivered his five lectures in 2019 at Boston College as the Duffy Lectures in Global Christianity. These lectures were compiled into this book, Of Gods and Minds: In Search of a Theological Commons (Nagoya & Brussels: Chisokudō Publications, 2019). In them the author begins from the assumption that if the Christian God is to have global significance, it will not merely be a matter of Christianity accepting cultural and religious diversity and retreating from its mission of converting the entire world to its own way of thinking about God. The conversion to tolerance and hospitality towards other modes of belief and practice marks a watershed for Christianity, but only as a transition to straighten out its past in the face of a graver, commoner concern: the care of an earth abused by human civilization and devalued by organized religion. The author approaches this question from a broader consideration of the origins and functions of gods in minds and from there suggests grounding metaphors of the divine and its relationship to the natural world in a nothingness beyond being and becoming. During our interview, I asked Jim: The ongoing challenges of bringing our ecological concerns and street activism to the centerstage of our intellectual and philosophical discussions in academia are daunting. We (academics) tend to create another specialised branch of "environmental philosophy" or "philosophy of nature" as an elective rather than the core discourse in the field of philosophy. I asked him what is needed for philosophers and specialists of religious studies to take seriously the practical concept of the "care of an earth." His nuanced answer was this: a "revolution."  We also delved into the concept of nothingness as "connectedness" and the logic of soku 即 as a particular rendering of it in reference to contemporary Japanese philosophy. The examples he provided towards the end of the interview was stunning to say the least: A genuine connectedness between humans and nature, which also means to be faithful to emergences of gods in our minds from diverse cultural and historical backgrounds, should look like Kintsugi 金継ぎ. It can not only heal what is once broken but the process of healing can be beautiful and renew our appreciation of what we have broken once. We hope that philosophy programs from around the world will follow this revolutionary practice of connectedness.   Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

One of the trailblazers in the field of Japanese philosophy, James W. Heisig, delivered his five lectures in 2019 at Boston College as the Duffy Lectures in Global Christianity. These lectures were compiled into this book, Of Gods and Minds: In Search of a Theological Commons (Nagoya & Brussels: Chisokudō Publications, 2019). In them the author begins from the assumption that if the Christian God is to have global significance, it will not merely be a matter of Christianity accepting cultural and religious diversity and retreating from its mission of converting the entire world to its own way of thinking about God. The conversion to tolerance and hospitality towards other modes of belief and practice marks a watershed for Christianity, but only as a transition to straighten out its past in the face of a graver, commoner concern: the care of an earth abused by human civilization and devalued by organized religion. The author approaches this question from a broader consideration of the origins and functions of gods in minds and from there suggests grounding metaphors of the divine and its relationship to the natural world in a nothingness beyond being and becoming. During our interview, I asked Jim: The ongoing challenges of bringing our ecological concerns and street activism to the centerstage of our intellectual and philosophical discussions in academia are daunting. We (academics) tend to create another specialised branch of "environmental philosophy" or "philosophy of nature" as an elective rather than the core discourse in the field of philosophy. I asked him what is needed for philosophers and specialists of religious studies to take seriously the practical concept of the "care of an earth." His nuanced answer was this: a "revolution."  We also delved into the concept of nothingness as "connectedness" and the logic of soku 即 as a particular rendering of it in reference to contemporary Japanese philosophy. The examples he provided towards the end of the interview was stunning to say the least: A genuine connectedness between humans and nature, which also means to be faithful to emergences of gods in our minds from diverse cultural and historical backgrounds, should look like Kintsugi 金継ぎ. It can not only heal what is once broken but the process of healing can be beautiful and renew our appreciation of what we have broken once. We hope that philosophy programs from around the world will follow this revolutionary practice of connectedness.   Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

One of the trailblazers in the field of Japanese philosophy, James W. Heisig, delivered his five lectures in 2019 at Boston College as the Duffy Lectures in Global Christianity. These lectures were compiled into this book, Of Gods and Minds: In Search of a Theological Commons (Nagoya & Brussels: Chisokudō Publications, 2019). In them the author begins from the assumption that if the Christian God is to have global significance, it will not merely be a matter of Christianity accepting cultural and religious diversity and retreating from its mission of converting the entire world to its own way of thinking about God. The conversion to tolerance and hospitality towards other modes of belief and practice marks a watershed for Christianity, but only as a transition to straighten out its past in the face of a graver, commoner concern: the care of an earth abused by human civilization and devalued by organized religion. The author approaches this question from a broader consideration of the origins and functions of gods in minds and from there suggests grounding metaphors of the divine and its relationship to the natural world in a nothingness beyond being and becoming. During our interview, I asked Jim: The ongoing challenges of bringing our ecological concerns and street activism to the centerstage of our intellectual and philosophical discussions in academia are daunting. We (academics) tend to create another specialised branch of "environmental philosophy" or "philosophy of nature" as an elective rather than the core discourse in the field of philosophy. I asked him what is needed for philosophers and specialists of religious studies to take seriously the practical concept of the "care of an earth." His nuanced answer was this: a "revolution."  We also delved into the concept of nothingness as "connectedness" and the logic of soku 即 as a particular rendering of it in reference to contemporary Japanese philosophy. The examples he provided towards the end of the interview was stunning to say the least: A genuine connectedness between humans and nature, which also means to be faithful to emergences of gods in our minds from diverse cultural and historical backgrounds, should look like Kintsugi 金継ぎ. It can not only heal what is once broken but the process of healing can be beautiful and renew our appreciation of what we have broken once. We hope that philosophy programs from around the world will follow this revolutionary practice of connectedness.   Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

One of the trailblazers in the field of Japanese philosophy, James W. Heisig, delivered his five lectures in 2019 at Boston College as the Duffy Lectures in Global Christianity. These lectures were compiled into this book, Of Gods and Minds: In Search of a Theological Commons (Nagoya & Brussels: Chisokudō Publications, 2019). In them the author begins from the assumption that if the Christian God is to have global significance, it will not merely be a matter of Christianity accepting cultural and religious diversity and retreating from its mission of converting the entire world to its own way of thinking about God. The conversion to tolerance and hospitality towards other modes of belief and practice marks a watershed for Christianity, but only as a transition to straighten out its past in the face of a graver, commoner concern: the care of an earth abused by human civilization and devalued by organized religion. The author approaches this question from a broader consideration of the origins and functions of gods in minds and from there suggests grounding metaphors of the divine and its relationship to the natural world in a nothingness beyond being and becoming. During our interview, I asked Jim: The ongoing challenges of bringing our ecological concerns and street activism to the centerstage of our intellectual and philosophical discussions in academia are daunting. We (academics) tend to create another specialised branch of "environmental philosophy" or "philosophy of nature" as an elective rather than the core discourse in the field of philosophy. I asked him what is needed for philosophers and specialists of religious studies to take seriously the practical concept of the "care of an earth." His nuanced answer was this: a "revolution."  We also delved into the concept of nothingness as "connectedness" and the logic of soku 即 as a particular rendering of it in reference to contemporary Japanese philosophy. The examples he provided towards the end of the interview was stunning to say the least: A genuine connectedness between humans and nature, which also means to be faithful to emergences of gods in our minds from diverse cultural and historical backgrounds, should look like Kintsugi 金継ぎ. It can not only heal what is once broken but the process of healing can be beautiful and renew our appreciation of what we have broken once. We hope that philosophy programs from around the world will follow this revolutionary practice of connectedness.   Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

One of the trailblazers in the field of Japanese philosophy, James W. Heisig, delivered his five lectures in 2019 at Boston College as the Duffy Lectures in Global Christianity. These lectures were compiled into this book, Of Gods and Minds: In Search of a Theological Commons (Nagoya & Brussels: Chisokudō Publications, 2019). In them the author begins from the assumption that if the Christian God is to have global significance, it will not merely be a matter of Christianity accepting cultural and religious diversity and retreating from its mission of converting the entire world to its own way of thinking about God. The conversion to tolerance and hospitality towards other modes of belief and practice marks a watershed for Christianity, but only as a transition to straighten out its past in the face of a graver, commoner concern: the care of an earth abused by human civilization and devalued by organized religion. The author approaches this question from a broader consideration of the origins and functions of gods in minds and from there suggests grounding metaphors of the divine and its relationship to the natural world in a nothingness beyond being and becoming. During our interview, I asked Jim: The ongoing challenges of bringing our ecological concerns and street activism to the centerstage of our intellectual and philosophical discussions in academia are daunting. We (academics) tend to create another specialised branch of "environmental philosophy" or "philosophy of nature" as an elective rather than the core discourse in the field of philosophy. I asked him what is needed for philosophers and specialists of religious studies to take seriously the practical concept of the "care of an earth." His nuanced answer was this: a "revolution."  We also delved into the concept of nothingness as "connectedness" and the logic of soku 即 as a particular rendering of it in reference to contemporary Japanese philosophy. The examples he provided towards the end of the interview was stunning to say the least: A genuine connectedness between humans and nature, which also means to be faithful to emergences of gods in our minds from diverse cultural and historical backgrounds, should look like Kintsugi 金継ぎ. It can not only heal what is once broken but the process of healing can be beautiful and renew our appreciation of what we have broken once. We hope that philosophy programs from around the world will follow this revolutionary practice of connectedness.   Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The overwhelming majority of tea practitioners in contemporary Japan are women, but there has been little discussion on their historical role in tea culture (chanoyu). In Cultivating Femininity: Women and Tea Culture in Edo and Meiji Japan (U Hawaii Press, 2019), Rebecca Corbett (USC East Asian Library) writes women back into this history and shows how tea practice for women was understood, articulated, and promoted in the Edo (1603–1868) and Meiji (1868–1912) periods. Viewing chanoyu 茶の湯 from the lens of feminist and gender theory, she sheds new light on tea's undeniable influence on the formation of modern understandings of femininity in Japan. Corbett overturns the iemoto 家元 tea school's carefully constructed orthodox narrative by employing underused primary sources and closely examining existing tea histories. She incorporates Pierre Bourdieu's theories of social and cultural capital and Norbert Elias's “civilizing process” to explore the economic and social incentives for women taking part in chanoyu. Although the iemoto system sought to increase its control over every aspect of tea, including book production, eighteenth- and nineteenth-century popular texts aimed specifically at women evidence the spread of tea culture beyond parameters set by the schools. The expansion of chanoyu to new social groups cascaded from commoner men to elite then commoner women. Shifting the focus away from male tea masters complicates the history of tea in Japan and shows how women of different social backgrounds worked within and without traditionally accepted paradigms of tea practice. The direct socioeconomic impact of the spread of tea is ultimately revealed in subsequent advances in women's labor opportunities and an increase in female social mobility. Through their participation in chanoyu, commoner women were able to blur and lessen the status gap between themselves and women of aristocratic and samurai status. Cultivating Femininity offers a new perspective on the prevalence of tea practice among women in modern Japan. It presents a fresh, much-needed approach, one that will be appreciated by students and scholars of Japanese history, gender, and culture, as well as by tea practitioners. This book is now available for free in open access at DOAB, ProjectMuse, and JSTOR.  Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

The overwhelming majority of tea practitioners in contemporary Japan are women, but there has been little discussion on their historical role in tea culture (chanoyu). In Cultivating Femininity: Women and Tea Culture in Edo and Meiji Japan (U Hawaii Press, 2019), Rebecca Corbett (USC East Asian Library) writes women back into this history and shows how tea practice for women was understood, articulated, and promoted in the Edo (1603–1868) and Meiji (1868–1912) periods. Viewing chanoyu 茶の湯 from the lens of feminist and gender theory, she sheds new light on tea's undeniable influence on the formation of modern understandings of femininity in Japan. Corbett overturns the iemoto 家元 tea school's carefully constructed orthodox narrative by employing underused primary sources and closely examining existing tea histories. She incorporates Pierre Bourdieu's theories of social and cultural capital and Norbert Elias's “civilizing process” to explore the economic and social incentives for women taking part in chanoyu. Although the iemoto system sought to increase its control over every aspect of tea, including book production, eighteenth- and nineteenth-century popular texts aimed specifically at women evidence the spread of tea culture beyond parameters set by the schools. The expansion of chanoyu to new social groups cascaded from commoner men to elite then commoner women. Shifting the focus away from male tea masters complicates the history of tea in Japan and shows how women of different social backgrounds worked within and without traditionally accepted paradigms of tea practice. The direct socioeconomic impact of the spread of tea is ultimately revealed in subsequent advances in women's labor opportunities and an increase in female social mobility. Through their participation in chanoyu, commoner women were able to blur and lessen the status gap between themselves and women of aristocratic and samurai status. Cultivating Femininity offers a new perspective on the prevalence of tea practice among women in modern Japan. It presents a fresh, much-needed approach, one that will be appreciated by students and scholars of Japanese history, gender, and culture, as well as by tea practitioners. This book is now available for free in open access at DOAB, ProjectMuse, and JSTOR.  Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The overwhelming majority of tea practitioners in contemporary Japan are women, but there has been little discussion on their historical role in tea culture (chanoyu). In Cultivating Femininity: Women and Tea Culture in Edo and Meiji Japan (U Hawaii Press, 2019), Rebecca Corbett (USC East Asian Library) writes women back into this history and shows how tea practice for women was understood, articulated, and promoted in the Edo (1603–1868) and Meiji (1868–1912) periods. Viewing chanoyu 茶の湯 from the lens of feminist and gender theory, she sheds new light on tea's undeniable influence on the formation of modern understandings of femininity in Japan. Corbett overturns the iemoto 家元 tea school's carefully constructed orthodox narrative by employing underused primary sources and closely examining existing tea histories. She incorporates Pierre Bourdieu's theories of social and cultural capital and Norbert Elias's “civilizing process” to explore the economic and social incentives for women taking part in chanoyu. Although the iemoto system sought to increase its control over every aspect of tea, including book production, eighteenth- and nineteenth-century popular texts aimed specifically at women evidence the spread of tea culture beyond parameters set by the schools. The expansion of chanoyu to new social groups cascaded from commoner men to elite then commoner women. Shifting the focus away from male tea masters complicates the history of tea in Japan and shows how women of different social backgrounds worked within and without traditionally accepted paradigms of tea practice. The direct socioeconomic impact of the spread of tea is ultimately revealed in subsequent advances in women's labor opportunities and an increase in female social mobility. Through their participation in chanoyu, commoner women were able to blur and lessen the status gap between themselves and women of aristocratic and samurai status. Cultivating Femininity offers a new perspective on the prevalence of tea practice among women in modern Japan. It presents a fresh, much-needed approach, one that will be appreciated by students and scholars of Japanese history, gender, and culture, as well as by tea practitioners. This book is now available for free in open access at DOAB, ProjectMuse, and JSTOR.  Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The overwhelming majority of tea practitioners in contemporary Japan are women, but there has been little discussion on their historical role in tea culture (chanoyu). In Cultivating Femininity: Women and Tea Culture in Edo and Meiji Japan (U Hawaii Press, 2019), Rebecca Corbett (USC East Asian Library) writes women back into this history and shows how tea practice for women was understood, articulated, and promoted in the Edo (1603–1868) and Meiji (1868–1912) periods. Viewing chanoyu 茶の湯 from the lens of feminist and gender theory, she sheds new light on tea's undeniable influence on the formation of modern understandings of femininity in Japan. Corbett overturns the iemoto 家元 tea school's carefully constructed orthodox narrative by employing underused primary sources and closely examining existing tea histories. She incorporates Pierre Bourdieu's theories of social and cultural capital and Norbert Elias's “civilizing process” to explore the economic and social incentives for women taking part in chanoyu. Although the iemoto system sought to increase its control over every aspect of tea, including book production, eighteenth- and nineteenth-century popular texts aimed specifically at women evidence the spread of tea culture beyond parameters set by the schools. The expansion of chanoyu to new social groups cascaded from commoner men to elite then commoner women. Shifting the focus away from male tea masters complicates the history of tea in Japan and shows how women of different social backgrounds worked within and without traditionally accepted paradigms of tea practice. The direct socioeconomic impact of the spread of tea is ultimately revealed in subsequent advances in women's labor opportunities and an increase in female social mobility. Through their participation in chanoyu, commoner women were able to blur and lessen the status gap between themselves and women of aristocratic and samurai status. Cultivating Femininity offers a new perspective on the prevalence of tea practice among women in modern Japan. It presents a fresh, much-needed approach, one that will be appreciated by students and scholars of Japanese history, gender, and culture, as well as by tea practitioners. This book is now available for free in open access at DOAB, ProjectMuse, and JSTOR.  Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

The overwhelming majority of tea practitioners in contemporary Japan are women, but there has been little discussion on their historical role in tea culture (chanoyu). In Cultivating Femininity: Women and Tea Culture in Edo and Meiji Japan (U Hawaii Press, 2019), Rebecca Corbett (USC East Asian Library) writes women back into this history and shows how tea practice for women was understood, articulated, and promoted in the Edo (1603–1868) and Meiji (1868–1912) periods. Viewing chanoyu 茶の湯 from the lens of feminist and gender theory, she sheds new light on tea's undeniable influence on the formation of modern understandings of femininity in Japan. Corbett overturns the iemoto 家元 tea school's carefully constructed orthodox narrative by employing underused primary sources and closely examining existing tea histories. She incorporates Pierre Bourdieu's theories of social and cultural capital and Norbert Elias's “civilizing process” to explore the economic and social incentives for women taking part in chanoyu. Although the iemoto system sought to increase its control over every aspect of tea, including book production, eighteenth- and nineteenth-century popular texts aimed specifically at women evidence the spread of tea culture beyond parameters set by the schools. The expansion of chanoyu to new social groups cascaded from commoner men to elite then commoner women. Shifting the focus away from male tea masters complicates the history of tea in Japan and shows how women of different social backgrounds worked within and without traditionally accepted paradigms of tea practice. The direct socioeconomic impact of the spread of tea is ultimately revealed in subsequent advances in women's labor opportunities and an increase in female social mobility. Through their participation in chanoyu, commoner women were able to blur and lessen the status gap between themselves and women of aristocratic and samurai status. Cultivating Femininity offers a new perspective on the prevalence of tea practice among women in modern Japan. It presents a fresh, much-needed approach, one that will be appreciated by students and scholars of Japanese history, gender, and culture, as well as by tea practitioners. This book is now available for free in open access at DOAB, ProjectMuse, and JSTOR.  Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

The overwhelming majority of tea practitioners in contemporary Japan are women, but there has been little discussion on their historical role in tea culture (chanoyu). In Cultivating Femininity: Women and Tea Culture in Edo and Meiji Japan (U Hawaii Press, 2019), Rebecca Corbett (USC East Asian Library) writes women back into this history and shows how tea practice for women was understood, articulated, and promoted in the Edo (1603–1868) and Meiji (1868–1912) periods. Viewing chanoyu 茶の湯 from the lens of feminist and gender theory, she sheds new light on tea's undeniable influence on the formation of modern understandings of femininity in Japan. Corbett overturns the iemoto 家元 tea school's carefully constructed orthodox narrative by employing underused primary sources and closely examining existing tea histories. She incorporates Pierre Bourdieu's theories of social and cultural capital and Norbert Elias's “civilizing process” to explore the economic and social incentives for women taking part in chanoyu. Although the iemoto system sought to increase its control over every aspect of tea, including book production, eighteenth- and nineteenth-century popular texts aimed specifically at women evidence the spread of tea culture beyond parameters set by the schools. The expansion of chanoyu to new social groups cascaded from commoner men to elite then commoner women. Shifting the focus away from male tea masters complicates the history of tea in Japan and shows how women of different social backgrounds worked within and without traditionally accepted paradigms of tea practice. The direct socioeconomic impact of the spread of tea is ultimately revealed in subsequent advances in women's labor opportunities and an increase in female social mobility. Through their participation in chanoyu, commoner women were able to blur and lessen the status gap between themselves and women of aristocratic and samurai status. Cultivating Femininity offers a new perspective on the prevalence of tea practice among women in modern Japan. It presents a fresh, much-needed approach, one that will be appreciated by students and scholars of Japanese history, gender, and culture, as well as by tea practitioners. This book is now available for free in open access at DOAB, ProjectMuse, and JSTOR.  Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Water, Wood, and Wild Things: Learning Craft and Cultivation in a Japanese Mountain Town  (Viking, 2021) is memoir, ethnography, cookbook, and sketchbook rolled into one." This is the Princeton Independence's description of the polyvocal and artistic text, written by Hannah Kirshner. I cannot agree more with the following review they made on the creative quality of the book: "It evokes the best of the nature writing of Rachel Carson and Wendell Berry, as well as the food writing of M.F.K. Fisher and craft writing of Edmund de Waal." It is certainly a great book to read if you are traveling to Japan or to buy as a gift if you know someone who might be interested in Japanese culture but does not where to start.  An immersive journey through the culture and cuisine of one Japanese town, its forest, and its watershed–where ducks are hunted by net, saké is brewed from the purest mountain water, and charcoal is fired in stone kilns–by an American writer and food stylist who spent years working alongside artisans One night, Brooklyn-based artist and food writer Hannah Kirshner received a life-changing invitation to apprentice with a “saké evangelist” in a misty Japanese mountain village called Yamanaka. In a rapidly modernizing Japan, the region–a stronghold of the country's old-fashioned ways–was quickly becoming a destination for chefs and artisans looking to learn about the traditions that have long shaped Japanese culture. Kirshner put on a vest and tie and took her place behind the saké bar. Before long, she met a community of craftspeople, farmers, and foragers–master woodturners, hunters, a paper artist, and a man making charcoal in his nearly abandoned village on the outskirts of town. Kirshner found each craftsperson not only exhibited an extraordinary dedication to their work but their distinct expertise contributed to the fabric of the local culture. Inspired by these masters, she devoted herself to learning how they work and live. Taking readers deep into evergreen forests, terraced rice fields, and smoke-filled workshops, Kirshner captures the centuries-old traditions still alive in Yamanaka. Water, Wood, and Wild Things invites readers to see what goes into making a fine bowl, a cup of tea, or a harvest of rice and introduces the masters who dedicate their lives to this work. Part travelogue, part meditation on the meaning of work, and full of her own beautiful drawings and recipes, Kirshner's refreshing book is an ode to a place and its people, as well as a profound examination of what it means to sustain traditions and find purpose in cultivation and craft. During the interview, we talked about Hannah's process of creative writing and its symbiotic relation with accompanying illustrations. Our discussions quickly led to a series of episodes, which described her cross-cultural and cross-linguistic interactions with others (including humans, animals, plants, art crafts, and natural surroundings) in the wonderful mountain town, Yamanaka, in Ishikawa Prefecture. This book is not only a great invitation to the magical experience of living in rural Japan and becoming a part of satoyama, but also an indispensable contribution to our ongoing discussions on the larger problems of "sustainability," "decline of rural economy and tradition," "ecology," and the negative aspect of "urbanisation" or of "ageing rural society" in Japan among others.  Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Water, Wood, and Wild Things: Learning Craft and Cultivation in a Japanese Mountain Town  (Viking, 2021) is memoir, ethnography, cookbook, and sketchbook rolled into one." This is the Princeton Independence's description of the polyvocal and artistic text, written by Hannah Kirshner. I cannot agree more with the following review they made on the creative quality of the book: "It evokes the best of the nature writing of Rachel Carson and Wendell Berry, as well as the food writing of M.F.K. Fisher and craft writing of Edmund de Waal." It is certainly a great book to read if you are traveling to Japan or to buy as a gift if you know someone who might be interested in Japanese culture but does not where to start.  An immersive journey through the culture and cuisine of one Japanese town, its forest, and its watershed–where ducks are hunted by net, saké is brewed from the purest mountain water, and charcoal is fired in stone kilns–by an American writer and food stylist who spent years working alongside artisans One night, Brooklyn-based artist and food writer Hannah Kirshner received a life-changing invitation to apprentice with a “saké evangelist” in a misty Japanese mountain village called Yamanaka. In a rapidly modernizing Japan, the region–a stronghold of the country's old-fashioned ways–was quickly becoming a destination for chefs and artisans looking to learn about the traditions that have long shaped Japanese culture. Kirshner put on a vest and tie and took her place behind the saké bar. Before long, she met a community of craftspeople, farmers, and foragers–master woodturners, hunters, a paper artist, and a man making charcoal in his nearly abandoned village on the outskirts of town. Kirshner found each craftsperson not only exhibited an extraordinary dedication to their work but their distinct expertise contributed to the fabric of the local culture. Inspired by these masters, she devoted herself to learning how they work and live. Taking readers deep into evergreen forests, terraced rice fields, and smoke-filled workshops, Kirshner captures the centuries-old traditions still alive in Yamanaka. Water, Wood, and Wild Things invites readers to see what goes into making a fine bowl, a cup of tea, or a harvest of rice and introduces the masters who dedicate their lives to this work. Part travelogue, part meditation on the meaning of work, and full of her own beautiful drawings and recipes, Kirshner's refreshing book is an ode to a place and its people, as well as a profound examination of what it means to sustain traditions and find purpose in cultivation and craft. During the interview, we talked about Hannah's process of creative writing and its symbiotic relation with accompanying illustrations. Our discussions quickly led to a series of episodes, which described her cross-cultural and cross-linguistic interactions with others (including humans, animals, plants, art crafts, and natural surroundings) in the wonderful mountain town, Yamanaka, in Ishikawa Prefecture. This book is not only a great invitation to the magical experience of living in rural Japan and becoming a part of satoyama, but also an indispensable contribution to our ongoing discussions on the larger problems of "sustainability," "decline of rural economy and tradition," "ecology," and the negative aspect of "urbanisation" or of "ageing rural society" in Japan among others.  Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Water, Wood, and Wild Things: Learning Craft and Cultivation in a Japanese Mountain Town  (Viking, 2021) is memoir, ethnography, cookbook, and sketchbook rolled into one." This is the Princeton Independence's description of the polyvocal and artistic text, written by Hannah Kirshner. I cannot agree more with the following review they made on the creative quality of the book: "It evokes the best of the nature writing of Rachel Carson and Wendell Berry, as well as the food writing of M.F.K. Fisher and craft writing of Edmund de Waal." It is certainly a great book to read if you are traveling to Japan or to buy as a gift if you know someone who might be interested in Japanese culture but does not where to start.  An immersive journey through the culture and cuisine of one Japanese town, its forest, and its watershed–where ducks are hunted by net, saké is brewed from the purest mountain water, and charcoal is fired in stone kilns–by an American writer and food stylist who spent years working alongside artisans One night, Brooklyn-based artist and food writer Hannah Kirshner received a life-changing invitation to apprentice with a “saké evangelist” in a misty Japanese mountain village called Yamanaka. In a rapidly modernizing Japan, the region–a stronghold of the country's old-fashioned ways–was quickly becoming a destination for chefs and artisans looking to learn about the traditions that have long shaped Japanese culture. Kirshner put on a vest and tie and took her place behind the saké bar. Before long, she met a community of craftspeople, farmers, and foragers–master woodturners, hunters, a paper artist, and a man making charcoal in his nearly abandoned village on the outskirts of town. Kirshner found each craftsperson not only exhibited an extraordinary dedication to their work but their distinct expertise contributed to the fabric of the local culture. Inspired by these masters, she devoted herself to learning how they work and live. Taking readers deep into evergreen forests, terraced rice fields, and smoke-filled workshops, Kirshner captures the centuries-old traditions still alive in Yamanaka. Water, Wood, and Wild Things invites readers to see what goes into making a fine bowl, a cup of tea, or a harvest of rice and introduces the masters who dedicate their lives to this work. Part travelogue, part meditation on the meaning of work, and full of her own beautiful drawings and recipes, Kirshner's refreshing book is an ode to a place and its people, as well as a profound examination of what it means to sustain traditions and find purpose in cultivation and craft. During the interview, we talked about Hannah's process of creative writing and its symbiotic relation with accompanying illustrations. Our discussions quickly led to a series of episodes, which described her cross-cultural and cross-linguistic interactions with others (including humans, animals, plants, art crafts, and natural surroundings) in the wonderful mountain town, Yamanaka, in Ishikawa Prefecture. This book is not only a great invitation to the magical experience of living in rural Japan and becoming a part of satoyama, but also an indispensable contribution to our ongoing discussions on the larger problems of "sustainability," "decline of rural economy and tradition," "ecology," and the negative aspect of "urbanisation" or of "ageing rural society" in Japan among others.  Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

Water, Wood, and Wild Things: Learning Craft and Cultivation in a Japanese Mountain Town  (Viking, 2021) is memoir, ethnography, cookbook, and sketchbook rolled into one." This is the Princeton Independence's description of the polyvocal and artistic text, written by Hannah Kirshner. I cannot agree more with the following review they made on the creative quality of the book: "It evokes the best of the nature writing of Rachel Carson and Wendell Berry, as well as the food writing of M.F.K. Fisher and craft writing of Edmund de Waal." It is certainly a great book to read if you are traveling to Japan or to buy as a gift if you know someone who might be interested in Japanese culture but does not where to start.  An immersive journey through the culture and cuisine of one Japanese town, its forest, and its watershed–where ducks are hunted by net, saké is brewed from the purest mountain water, and charcoal is fired in stone kilns–by an American writer and food stylist who spent years working alongside artisans One night, Brooklyn-based artist and food writer Hannah Kirshner received a life-changing invitation to apprentice with a “saké evangelist” in a misty Japanese mountain village called Yamanaka. In a rapidly modernizing Japan, the region–a stronghold of the country's old-fashioned ways–was quickly becoming a destination for chefs and artisans looking to learn about the traditions that have long shaped Japanese culture. Kirshner put on a vest and tie and took her place behind the saké bar. Before long, she met a community of craftspeople, farmers, and foragers–master woodturners, hunters, a paper artist, and a man making charcoal in his nearly abandoned village on the outskirts of town. Kirshner found each craftsperson not only exhibited an extraordinary dedication to their work but their distinct expertise contributed to the fabric of the local culture. Inspired by these masters, she devoted herself to learning how they work and live. Taking readers deep into evergreen forests, terraced rice fields, and smoke-filled workshops, Kirshner captures the centuries-old traditions still alive in Yamanaka. Water, Wood, and Wild Things invites readers to see what goes into making a fine bowl, a cup of tea, or a harvest of rice and introduces the masters who dedicate their lives to this work. Part travelogue, part meditation on the meaning of work, and full of her own beautiful drawings and recipes, Kirshner's refreshing book is an ode to a place and its people, as well as a profound examination of what it means to sustain traditions and find purpose in cultivation and craft. During the interview, we talked about Hannah's process of creative writing and its symbiotic relation with accompanying illustrations. Our discussions quickly led to a series of episodes, which described her cross-cultural and cross-linguistic interactions with others (including humans, animals, plants, art crafts, and natural surroundings) in the wonderful mountain town, Yamanaka, in Ishikawa Prefecture. This book is not only a great invitation to the magical experience of living in rural Japan and becoming a part of satoyama, but also an indispensable contribution to our ongoing discussions on the larger problems of "sustainability," "decline of rural economy and tradition," "ecology," and the negative aspect of "urbanisation" or of "ageing rural society" in Japan among others.  Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Water, Wood, and Wild Things: Learning Craft and Cultivation in a Japanese Mountain Town  (Viking, 2021) is memoir, ethnography, cookbook, and sketchbook rolled into one." This is the Princeton Independence's description of the polyvocal and artistic text, written by Hannah Kirshner. I cannot agree more with the following review they made on the creative quality of the book: "It evokes the best of the nature writing of Rachel Carson and Wendell Berry, as well as the food writing of M.F.K. Fisher and craft writing of Edmund de Waal." It is certainly a great book to read if you are traveling to Japan or to buy as a gift if you know someone who might be interested in Japanese culture but does not where to start.  An immersive journey through the culture and cuisine of one Japanese town, its forest, and its watershed–where ducks are hunted by net, saké is brewed from the purest mountain water, and charcoal is fired in stone kilns–by an American writer and food stylist who spent years working alongside artisans One night, Brooklyn-based artist and food writer Hannah Kirshner received a life-changing invitation to apprentice with a “saké evangelist” in a misty Japanese mountain village called Yamanaka. In a rapidly modernizing Japan, the region–a stronghold of the country's old-fashioned ways–was quickly becoming a destination for chefs and artisans looking to learn about the traditions that have long shaped Japanese culture. Kirshner put on a vest and tie and took her place behind the saké bar. Before long, she met a community of craftspeople, farmers, and foragers–master woodturners, hunters, a paper artist, and a man making charcoal in his nearly abandoned village on the outskirts of town. Kirshner found each craftsperson not only exhibited an extraordinary dedication to their work but their distinct expertise contributed to the fabric of the local culture. Inspired by these masters, she devoted herself to learning how they work and live. Taking readers deep into evergreen forests, terraced rice fields, and smoke-filled workshops, Kirshner captures the centuries-old traditions still alive in Yamanaka. Water, Wood, and Wild Things invites readers to see what goes into making a fine bowl, a cup of tea, or a harvest of rice and introduces the masters who dedicate their lives to this work. Part travelogue, part meditation on the meaning of work, and full of her own beautiful drawings and recipes, Kirshner's refreshing book is an ode to a place and its people, as well as a profound examination of what it means to sustain traditions and find purpose in cultivation and craft. During the interview, we talked about Hannah's process of creative writing and its symbiotic relation with accompanying illustrations. Our discussions quickly led to a series of episodes, which described her cross-cultural and cross-linguistic interactions with others (including humans, animals, plants, art crafts, and natural surroundings) in the wonderful mountain town, Yamanaka, in Ishikawa Prefecture. This book is not only a great invitation to the magical experience of living in rural Japan and becoming a part of satoyama, but also an indispensable contribution to our ongoing discussions on the larger problems of "sustainability," "decline of rural economy and tradition," "ecology," and the negative aspect of "urbanisation" or of "ageing rural society" in Japan among others.  Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Water, Wood, and Wild Things: Learning Craft and Cultivation in a Japanese Mountain Town  (Viking, 2021) is memoir, ethnography, cookbook, and sketchbook rolled into one." This is the Princeton Independence's description of the polyvocal and artistic text, written by Hannah Kirshner. I cannot agree more with the following review they made on the creative quality of the book: "It evokes the best of the nature writing of Rachel Carson and Wendell Berry, as well as the food writing of M.F.K. Fisher and craft writing of Edmund de Waal." It is certainly a great book to read if you are traveling to Japan or to buy as a gift if you know someone who might be interested in Japanese culture but does not where to start.  An immersive journey through the culture and cuisine of one Japanese town, its forest, and its watershed–where ducks are hunted by net, saké is brewed from the purest mountain water, and charcoal is fired in stone kilns–by an American writer and food stylist who spent years working alongside artisans One night, Brooklyn-based artist and food writer Hannah Kirshner received a life-changing invitation to apprentice with a “saké evangelist” in a misty Japanese mountain village called Yamanaka. In a rapidly modernizing Japan, the region–a stronghold of the country's old-fashioned ways–was quickly becoming a destination for chefs and artisans looking to learn about the traditions that have long shaped Japanese culture. Kirshner put on a vest and tie and took her place behind the saké bar. Before long, she met a community of craftspeople, farmers, and foragers–master woodturners, hunters, a paper artist, and a man making charcoal in his nearly abandoned village on the outskirts of town. Kirshner found each craftsperson not only exhibited an extraordinary dedication to their work but their distinct expertise contributed to the fabric of the local culture. Inspired by these masters, she devoted herself to learning how they work and live. Taking readers deep into evergreen forests, terraced rice fields, and smoke-filled workshops, Kirshner captures the centuries-old traditions still alive in Yamanaka. Water, Wood, and Wild Things invites readers to see what goes into making a fine bowl, a cup of tea, or a harvest of rice and introduces the masters who dedicate their lives to this work. Part travelogue, part meditation on the meaning of work, and full of her own beautiful drawings and recipes, Kirshner's refreshing book is an ode to a place and its people, as well as a profound examination of what it means to sustain traditions and find purpose in cultivation and craft. During the interview, we talked about Hannah's process of creative writing and its symbiotic relation with accompanying illustrations. Our discussions quickly led to a series of episodes, which described her cross-cultural and cross-linguistic interactions with others (including humans, animals, plants, art crafts, and natural surroundings) in the wonderful mountain town, Yamanaka, in Ishikawa Prefecture. This book is not only a great invitation to the magical experience of living in rural Japan and becoming a part of satoyama, but also an indispensable contribution to our ongoing discussions on the larger problems of "sustainability," "decline of rural economy and tradition," "ecology," and the negative aspect of "urbanisation" or of "ageing rural society" in Japan among others.  Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

In an “other world” composed of language—it could be a fathomless Martian well, a labyrinthine hotel, or forest—a narrative unfolds, and with it the experiences, memories, and dreams that constitute reality for Haruki Murakami's characters and readers. Memories and dreams in turn conjure their magical counterparts—people without names or pasts, fantastic animals, half-animals, and talking machines that traverse the dark psychic underworld of this writer's extraordinary fiction. Fervently acclaimed worldwide, Haruki Murakami's wildly imaginative work in many ways remains a mystery, its worlds within worlds uncharted territory. Finally in The Forbidden Worlds of Haruki Murakami (University of Minnesota Press, 2014), Matthew Carl Strecher provides readers with a map to the strange realm that grounds virtually every aspect of Murakami's writing. A journey through the enigmatic and baffling innermost mind, a metaphysical dimension where Murakami's most bizarre scenes and characters lurk, The Forbidden Worlds of Haruki Murakami exposes the psychological and mythological underpinnings of this other world. The author shows how these considerations color Murakami's depictions of the individual and collective soul, which constantly shift between the tangible and intangible but in this literary landscape are undeniably real. Through these otherworldly depths The Forbidden Worlds of Haruki Murakami also charts the writer's vivid “inner world,” whether unconscious or underworld (what some Japanese critics call achiragawa あちら側, or “over there”), and its connectivity to language. Strecher covers all of Murakami's work—including his efforts as a literary journalist—and concludes with the first full-length close reading of the writer's recent novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage. Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

In an “other world” composed of language—it could be a fathomless Martian well, a labyrinthine hotel, or forest—a narrative unfolds, and with it the experiences, memories, and dreams that constitute reality for Haruki Murakami’s characters and readers. Memories and dreams in turn conjure their magical counterparts—people without names or pasts, fantastic animals, half-animals, and talking machines that traverse the dark psychic underworld of this writer’s extraordinary fiction. Fervently acclaimed worldwide, Haruki Murakami’s wildly imaginative work in many ways remains a mystery, its worlds within worlds uncharted territory. Finally in The Forbidden Worlds of Haruki Murakami (University of Minnesota Press, 2014), Matthew Carl Strecher provides readers with a map to the strange realm that grounds virtually every aspect of Murakami’s writing. A journey through the enigmatic and baffling innermost mind, a metaphysical dimension where Murakami’s most bizarre scenes and characters lurk, The Forbidden Worlds of Haruki Murakami exposes the psychological and mythological underpinnings of this other world. The author shows how these considerations color Murakami’s depictions of the individual and collective soul, which constantly shift between the tangible and intangible but in this literary landscape are undeniably real. Through these otherworldly depths The Forbidden Worlds of Haruki Murakami also charts the writer’s vivid “inner world,” whether unconscious or underworld (what some Japanese critics call achiragawa あちら側, or “over there”), and its connectivity to language. Strecher covers all of Murakami’s work—including his efforts as a literary journalist—and concludes with the first full-length close reading of the writer’s recent novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage. Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

In an “other world” composed of language—it could be a fathomless Martian well, a labyrinthine hotel, or forest—a narrative unfolds, and with it the experiences, memories, and dreams that constitute reality for Haruki Murakami’s characters and readers. Memories and dreams in turn conjure their magical counterparts—people without names or pasts, fantastic animals, half-animals, and talking machines that traverse the dark psychic underworld of this writer’s extraordinary fiction. Fervently acclaimed worldwide, Haruki Murakami’s wildly imaginative work in many ways remains a mystery, its worlds within worlds uncharted territory. Finally in The Forbidden Worlds of Haruki Murakami (University of Minnesota Press, 2014), Matthew Carl Strecher provides readers with a map to the strange realm that grounds virtually every aspect of Murakami’s writing. A journey through the enigmatic and baffling innermost mind, a metaphysical dimension where Murakami’s most bizarre scenes and characters lurk, The Forbidden Worlds of Haruki Murakami exposes the psychological and mythological underpinnings of this other world. The author shows how these considerations color Murakami’s depictions of the individual and collective soul, which constantly shift between the tangible and intangible but in this literary landscape are undeniably real. Through these otherworldly depths The Forbidden Worlds of Haruki Murakami also charts the writer’s vivid “inner world,” whether unconscious or underworld (what some Japanese critics call achiragawa あちら側, or “over there”), and its connectivity to language. Strecher covers all of Murakami’s work—including his efforts as a literary journalist—and concludes with the first full-length close reading of the writer’s recent novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage. Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

In an “other world” composed of language—it could be a fathomless Martian well, a labyrinthine hotel, or forest—a narrative unfolds, and with it the experiences, memories, and dreams that constitute reality for Haruki Murakami’s characters and readers. Memories and dreams in turn conjure their magical counterparts—people without names or pasts, fantastic animals, half-animals, and talking machines that traverse the dark psychic underworld of this writer’s extraordinary fiction. Fervently acclaimed worldwide, Haruki Murakami’s wildly imaginative work in many ways remains a mystery, its worlds within worlds uncharted territory. Finally in The Forbidden Worlds of Haruki Murakami (University of Minnesota Press, 2014), Matthew Carl Strecher provides readers with a map to the strange realm that grounds virtually every aspect of Murakami’s writing. A journey through the enigmatic and baffling innermost mind, a metaphysical dimension where Murakami’s most bizarre scenes and characters lurk, The Forbidden Worlds of Haruki Murakami exposes the psychological and mythological underpinnings of this other world. The author shows how these considerations color Murakami’s depictions of the individual and collective soul, which constantly shift between the tangible and intangible but in this literary landscape are undeniably real. Through these otherworldly depths The Forbidden Worlds of Haruki Murakami also charts the writer’s vivid “inner world,” whether unconscious or underworld (what some Japanese critics call achiragawa あちら側, or “over there”), and its connectivity to language. Strecher covers all of Murakami’s work—including his efforts as a literary journalist—and concludes with the first full-length close reading of the writer’s recent novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage. Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In an “other world” composed of language—it could be a fathomless Martian well, a labyrinthine hotel, or forest—a narrative unfolds, and with it the experiences, memories, and dreams that constitute reality for Haruki Murakami’s characters and readers. Memories and dreams in turn conjure their magical counterparts—people without names or pasts, fantastic animals, half-animals, and talking machines that traverse the dark psychic underworld of this writer’s extraordinary fiction. Fervently acclaimed worldwide, Haruki Murakami’s wildly imaginative work in many ways remains a mystery, its worlds within worlds uncharted territory. Finally in The Forbidden Worlds of Haruki Murakami (University of Minnesota Press, 2014), Matthew Carl Strecher provides readers with a map to the strange realm that grounds virtually every aspect of Murakami’s writing. A journey through the enigmatic and baffling innermost mind, a metaphysical dimension where Murakami’s most bizarre scenes and characters lurk, The Forbidden Worlds of Haruki Murakami exposes the psychological and mythological underpinnings of this other world. The author shows how these considerations color Murakami’s depictions of the individual and collective soul, which constantly shift between the tangible and intangible but in this literary landscape are undeniably real. Through these otherworldly depths The Forbidden Worlds of Haruki Murakami also charts the writer’s vivid “inner world,” whether unconscious or underworld (what some Japanese critics call achiragawa あちら側, or “over there”), and its connectivity to language. Strecher covers all of Murakami’s work—including his efforts as a literary journalist—and concludes with the first full-length close reading of the writer’s recent novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage. Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On 9th August 1945, the US dropped the second atomic bomb on Nagasaki. Of the dead, approximately 8500 were Catholic Christians, representing over sixty percent of the community. In Dangerous Memory in Nagasaki: Prayers, Protests, and Catholic Survivor Narratives (Routledge, 2019), Gwyn McClelland presents a collective biography, where nine Catholic survivors share personal and compelling stories about the aftermath of the bomb and their lives since that day.  Examining the Catholic community's interpretation of the A-bomb, this book not only uses memory to provide a greater understanding of the destruction of the bombing, but also links it to the past experiences of religious persecution, drawing comparisons with the ‘Secret Christian' groups which survived in the Japanese countryside after the banning of Christianity.  Through in-depth interviews, it emerges that the memory of the atomic bomb is viewed through the lens of a community which had experienced suffering and marginalisation for more than 400 years. Furthermore, it argues that their dangerous memory confronts Euro-American-centric narratives of the atomic bombings, whilst also challenging assumptions around a providential bomb. Dangerous Memory in Nagasaki presents the voices of Catholics, many of whom have not spoken of their losses within the framework of their faith before. As such, it will be invaluable to students and scholars of Japanese history, religion and war history. I asked Gwyn about three questions that we could face when reflecting on the complex survivor narratives provided by the Catholic victims of the nuclear Holocaust in Japan, or more precisely, what the book refers to as the "dangerous memory in Nagasaki."   Do Nagasaki Christians and their unique intercultural Mariology (i.e., Maria kannon and Maria with a keloid scar) present any issues to today's theology (especially with regard to their possible reception by the Vatican)? How was John Paul II's visit to Nagasaki, which put an emphasis on human responsibility regarding war atrocities, received among the survivors who embraced the traditional interpretation of their losses as a sacrificial hansai (a burnt offering) or a part of setsuri (providence)?  How can the nation of Japan (both Catholics and the rest of the country) move forward in light of the dangerous memory of Nagasaki?  The author's responses to these questions reflected his intellectual virtue as a patient witness to the extraordinary life stories of the war victims in Nagasaki. The interview ends with a note of undying hope, the future possibility of transformative reconciliations that can move the whole country forward, while doing justice to dangerous memories.    Gwyn McClelland holds a Master of Divinity from the University of Divinity, Melbourne, Australia and a Doctorate of Philosophy in Japanese history from Monash University. He is the winner of the 2019 John Legge prize for best thesis in Asian Studies, awarded by the Asian Studies Association of Australia (ASAA). Takeshi Morisato is a philosopher and sometimes academic. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices

On 9th August 1945, the US dropped the second atomic bomb on Nagasaki. Of the dead, approximately 8500 were Catholic Christians, representing over sixty percent of the community. In Dangerous Memory in Nagasaki: Prayers, Protests, and Catholic Survivor Narratives (Routledge, 2019), Gwyn McClelland presents a collective biography, where nine Catholic survivors share personal and compelling stories about the aftermath of the bomb and their lives since that day.  Examining the Catholic community's interpretation of the A-bomb, this book not only uses memory to provide a greater understanding of the destruction of the bombing, but also links it to the past experiences of religious persecution, drawing comparisons with the ‘Secret Christian' groups which survived in the Japanese countryside after the banning of Christianity.  Through in-depth interviews, it emerges that the memory of the atomic bomb is viewed through the lens of a community which had experienced suffering and marginalisation for more than 400 years. Furthermore, it argues that their dangerous memory confronts Euro-American-centric narratives of the atomic bombings, whilst also challenging assumptions around a providential bomb. Dangerous Memory in Nagasaki presents the voices of Catholics, many of whom have not spoken of their losses within the framework of their faith before. As such, it will be invaluable to students and scholars of Japanese history, religion and war history. I asked Gwyn about three questions that we could face when reflecting on the complex survivor narratives provided by the Catholic victims of the nuclear Holocaust in Japan, or more precisely, what the book refers to as the "dangerous memory in Nagasaki."   Do Nagasaki Christians and their unique intercultural Mariology (i.e., Maria kannon and Maria with a keloid scar) present any issues to today's theology (especially with regard to their possible reception by the Vatican)? How was John Paul II's visit to Nagasaki, which put an emphasis on human responsibility regarding war atrocities, received among the survivors who embraced the traditional interpretation of their losses as a sacrificial hansai (a burnt offering) or a part of setsuri (providence)?  How can the nation of Japan (both Catholics and the rest of the country) move forward in light of the dangerous memory of Nagasaki?  The author's responses to these questions reflected his intellectual virtue as a patient witness to the extraordinary life stories of the war victims in Nagasaki. The interview ends with a note of undying hope, the future possibility of transformative reconciliations that can move the whole country forward, while doing justice to dangerous memories.    Gwyn McClelland holds a Master of Divinity from the University of Divinity, Melbourne, Australia and a Doctorate of Philosophy in Japanese history from Monash University. He is the winner of the 2019 John Legge prize for best thesis in Asian Studies, awarded by the Asian Studies Association of Australia (ASAA). Takeshi Morisato is a philosopher and sometimes academic. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices

Faith and Reason in Continental and Japanese Philosophy (Bloomsbury, 2019) by Takeshi Morisato is a book that brings together the work of two significant figures in contemporary philosophy. By considering the work of Tanabe Hajime, the Japanese philosopher of the Kyoto School, and William Desmond, the contemporary Irish philosopher, Takeshi Morisato offers a clear presentation of contemporary comparative solutions to the problems of the philosophy of religion. Importantly, this is the first book-length English-language study of Tanabe Hajime's philosophy of religion that consults the original Japanese texts. Considering the examples of Christianity and Buddhism, Faith and Reason in Continental and Japanese Philosophy focuses on finding the solution to the problem of philosophy of religion through comparative examinations of Tanabe's metanoetics and Desmond's metaxology. It aims to conclude that these contemporary thinkers - while they draw their inspiration from the different religious traditions of Christianity and Mahayana Buddhism - successfully reconfigure the relation of faith and reason. The book marks an important intervention into comparative philosophy by bringing into dialogue these thinkers, both major figures within their respective traditions yet rarely discussed in tandem. Learn more about your ad choices. Visit megaphone.fm/adchoices