Podcasts about Paradiso

Follow FRANCHISE PARADISO on Instagram @franchiseparadiso!You can find also find the guys individually on social media:Heath on Letterboxd @theoneheathbar,Foster on Letterboxd @fosth101Rowan on Twitter @bitsofjoel, Letterboxd and Instagram @rowan.a.boatMay Honey on Letterboxd @MayEllenAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Het was zover! Dauwpop werd dertig en dat vierden wij! Daarnaast was ook Festileaks jarig dus het weekend van Dauwpop was één groot verjaardagsfeestje. En voor de nietsvermoedende bezoeker was het gewoon een groot feestje. Samen met Festileaks-redacteur Thijs bespreken Luc en Julia de highlights, de optredens die opvielen en andere bijzonderheden. Tips-van-om-de-week: Tip Thijs: Chase & Status - Section 63 in 013 op donderdag en vrijdag Tip Luc: De podcast Fela Kuti: Fear No Man.Twaalf afleveringen over het leven van Fela Kuti, de culturele context van het nieuw onafhankelijke Nigeria, met heel veel bekende stemmen erin.Met name het stuk van de podcast waar het gaat over de haast spirituele ervaringen van Fela’s live-optredens, waarin ie soms urenlang hetzelfde nummer speelde. Tip Julia: De podcast Good Hang met Amy Poehler, en in dit geval de aflevering met Hayley Williams (ter voorbereiding op de shows volgende week in Nederland, in Paradiso en op Best Kept Secret!) Zoals altijd staande ovaties, oneindige karmapunten en spontane confettidouches voor: Mick Hummel voor een schitterend podcastlogo. Wietze Wempe & Malou Gouders voor ons intro-anthem. Nora de Haas en Joris Timmerman als de immer stralende podcastredactie en de montage En jou, als lieve luisteraar! Het Festivalpodcast-anthem uit je hoofd leren? Hieronder de lyrics:Werelden vol avontuurvan Main Stage tot aan Dixieland.Muntjes op en vrienden kwijt,maar nog is hier niks irritant.Te vroeg gepiekt, maar geen paniek.Je slaapritme toch al verziekt.Hé een laser, confettiregen, yoga overwegen.Met een grote klodder mayo, op je broodje knakworst.Lauwe halve liter, maakt niet uit heb toch dorst.Luchtbed leeggelopen,Tent weer afgebroken.Al m'n geld verbrast,'t is de Festivalpodcast!

Here's just a brief episode about where I am and how the podcast will start again in about six weeks. Hang tight and we'll be walking . . . no, actually flying through the spheres of PARADISO in a few weeks.Until then, gird up your loins. PARADISO is not for those weak in spirit . . . or leggings.

A mix series that explores the dramatic and emotional depths of techno music. Inspired by Dante's Divine Comedy, the series navigates the darker, more aggressive aspects of techno while highlighting its capacity for emotional and mood-driven expression. Each installment focuses on a specific mood or theme, drawing parallels with Dante's epic poem. From the depths of Inferno to the heights of Paradiso, this series showcases techno's versatility and emotional range. ---------- Follow Gustav WAV. ◊ https://soundcloud.com/user-939650642 ◊ https://www.instagram.com/gustav_wav ◊ https://www.instagram.com/modernartappreciationclub ---------- Follow MSYH.FM » http://MSYH.FM » http://x.com/MSYHFM » http://instagram.com/MSYH.FM » http://facebook.com/MSYH.FM » http://patreon.com/MSYHFM ---------- Follow Make Sure You Have Fun™ ∞ http://MakeSureYouHaveFun.com ∞ http://x.com/MakeSureYouHave ∞ http://instagram.com/MakeSureYouHaveFun ∞ http://facebook.com/MakeSureYouHaveFun ∞ http://youtube.com/@MakeSureYouHaveFun ∞ http://twitch.tv/@MakeSureYouHaveFun

Guest House Paradiso away day review. Diabolical weekend in the capital.Pay your subs.

Maarten de Fockert. Ook wel Heintje Davids genoemd. Stoppen, doorgaan. Stoppen, doorgaan. Er gebeurt veel in dat koppie. Maar, nu is hij er uit. Hij stopt echt met voetballen. En dat terwijl Vriends de hoogtijdagen van zijn carriere beleefd. Met Adelaide United wordt er volop gestreden voor 'Europees' voetbal. En Verhaar dan, veilig spelen met Exca en de show stelen met zaalvoetbal. Dat is maar weinigen gegeven hoor. Dat en veel meer in deze Cor Potcast! Het is tevens de laatste aflevering samen met FC Afkicken. En we kunnen terugkijken op 7 prachtige seizoenen, waarin zelfs vriendschappen zijn ontstaan. Wat wil je nog meer! Veel luisterplezier! AanradersVerhaar: De serie The TestamentsFockert: Het concert van Nick Mulvey in Paradiso + het boek De ByzantijnVriends: De film Marty Supreme ESPN Compleet Neem nu een ESPN Compleet abonnement en mis niks van de ontknoping in de VriendenLoterij Eredivisie en Keuken Kampioen Divisie! Kijk snel op espn.nl/cor! Haal nu je kaartjes voor Maarten de Fockert in gesprek met Simon Kuper: https://onlineveilingmeester.nl/nl/veilingen/8860/kavels Pre-order nu het boekkie van Vriends, Jonas: https://www.overamsteluitgevers.com/boek/3655/jacobine-de-brauw-en-bart-vriends-jonas.html Volg ons op Instagram: @corpotcastVolg onze Spotify-lijst: Cor Potcast Elftal van de MaandSee omnystudio.com/listener for privacy information.

Send us Fan MailRHOA S17 E6 Recap: Cowboys, Catfights & Chili Cheese Chaos

In this concluding chapter of our journey through Dante's Commedia, Dr. Junius Johnson and Fr. Wesley Walker are joined by Dr. Jonathan Juilfs to explore the radiant heights of Paradiso. The conversation centers on the idea that the third canticle is not a boring landscape of static perfection, but rather the very “point” of the entire project grounded in the medieval understanding of capacity and divine alignment. Endnotes: * Dr. Juilfs: * The Pearl* The Consolation of Philosophy by Boethius * What Dreams May Come* Wesley: Little Gidding from Four Quartets by T.S. Eliot* Junius: * The Discarded Image by C.S. Lewis* The Last Battle by C.S. Lewis* Perelandra by C.S. Lewis This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.theclassicalmind.com/subscribe

TESTO DELL'ARTICOLO ➜ https://www.bastabugie.it/8530OMELIA ASCENSIONE - ANNO A (Mt 28,16-20)di Don Stefano Bimbi L'Ascensione del Signore potrebbe sembrare, a prima vista, una festa di distacco: Gesù sale al cielo e si allontana dai suoi discepoli. In realtà è il contrario. È la festa della presenza nuova di Cristo, una presenza non più limitata a un luogo o a un tempo, ma capace di raggiungere ogni uomo, in ogni parte del mondo e in ogni epoca. Per questo gli Apostoli, dopo l'Ascensione, non tornano a Gerusalemme disperati, ma pieni di gioia. Hanno capito che Gesù non li ha abbandonati. È entrato nella gloria del Padre per restare con loro in un modo ancora più profondo.L'Ascensione conclude la missione terrena di Cristo e inaugura la missione della Chiesa. Gesù sale al cielo non per disinteressarsi della terra, ma per regnare come Signore della storia. Noi spesso immaginiamo il cielo come un luogo lontano, quasi irraggiungibile. In realtà il cielo è la vita stessa di Dio e Cristo vi entra con la sua umanità glorificata. Questo significa che la nostra natura umana è già entrata nel Paradiso. Gesù Cristo, vero Dio e vero uomo, siede alla destra del Padre. E allora anche tutti noi abbiamo una speranza concreta: non siamo destinati al nulla, ma alla gloria eterna.Questa verità cambia il modo di vivere le cose quotidiane. Quando un cristiano affronta una sofferenza, una malattia, una delusione familiare o un fallimento, non ragiona più pensando soltanto a questa terra, ma ha lo sguardo rivolto al cielo. Certo, il dolore è reale, ma non ha più l'ultima parola. Nemmeno la morte ha l'ultima parola. Oggi invece molti vivono schiacciati da preoccupazioni immediate: il lavoro, i soldi, la salute, il giudizio degli altri. Tutto sembra decisivo, assoluto. Eppure Gesù ci insegna a tenere il cuore rivolto verso l'alto. Questo non vuol dire disprezzare la vita sulla terra, ma vivere senza diventare schiavi delle cose che passano.ANDATE E FATE DISCEPOLI TUTTI I POPOLIGli Apostoli, però, ricevono anche un comando preciso: «Andate e fate discepoli tutti i popoli» (Mt 28,19). L'Ascensione non è una fuga dal mondo, ma anzi è l'inizio della missione. Il cristiano non può ridurre la fede a qualcosa di privato da vivere solo in casa propria o in chiesa. Se Cristo è veramente risorto ed è il Signore, allora questa verità deve raggiungere tutti. Oggi invece molti cattolici vivono una fede timida, quasi vergognosa. Hanno paura di parlare di Dio, di difendere la verità del Vangelo, di mostrarsi cristiani nell'ambiente di lavoro, a scuola o perfino in famiglia. Si preferisce tacere per non essere giudicati. Ma gli Apostoli, dopo l'Ascensione, fanno esattamente il contrario: escono allo scoperto. Prima erano impauriti, chiusi nel cenacolo; dopo diventano coraggiosi perché hanno fatto esperienza nella loro vita che Cristo è vivo.Anche nella vita quotidiana ci sono tante occasioni semplici per testimoniare la fede. Un genitore che insegna ai figli a pregare e li porta alla Messa domenicale sta già evangelizzando. Un giovane che, quando è con gli amici, non si vergogna di fare il segno della croce al ristorante prima del pasto compie una piccola testimonianza pubblica. Una persona che rifiuta compromessi disonesti sul lavoro per restare fedele alla coscienza annuncia Cristo con i fatti. Spesso pensiamo che evangelizzare significhi fare cose straordinarie, ma il primo apostolato passa dalla coerenza della vita.IO SONO CON VOI TUTTI I GIORNI, FINO ALLA FINE DEL MONDOGesù promette: «Io sono con voi tutti i giorni, fino alla fine del mondo» (Mt 28,20). Non dice: "Vi ricorderò", ma "sono con voi". È presente nella sua Chiesa, nel Vangelo, nei sacramenti, specialmente nell'Eucaristia. Quando entriamo in chiesa davanti al tabernacolo non siamo davanti a un simbolo, ma davanti a Cristo vivo. Quante volte però viviamo come se Dio fosse assente. Ci agitiamo, ci scoraggiamo, perdiamo la pace, perché ci dimentichiamo della sua presenza reale.L'Ascensione allora ci invita a vivere con uno sguardo nuovo. I piedi restano sulla terra, ma il cuore deve essere orientato al cielo. Il cristiano non fugge dalle responsabilità quotidiane, anzi le vive meglio, perché sa che ogni gesto può avere un valore eterno. Una ragazza che arriva vergine al matrimonio, una madre che cresce con amore i figli, un anziano che offre con pazienza la propria solitudine, un lavoratore che svolge con onestà il proprio dovere, un malato che unisce le sue sofferenze a quelle di Cristo: tutto può diventare strada verso il Paradiso.San Filippo Neri era un sacerdote allegro, pieno di umanità, capace di scherzare e stare in mezzo alla gente. Dentro il suo cuore ardeva continuamente il desiderio del Paradiso. Ripeteva spesso: "Paradiso, Paradiso!". Non lo diceva per evadere dalla realtà, ma perché aveva capito che tutto passa e che solo Dio resta. Proprio per questo sapeva amare meglio le persone concrete che aveva davanti. Ai giovani insegnava a vivere con gioia, ma senza attaccarsi alle cose del mondo. Diceva: "State buoni, se potete", ricordando che la santità non consiste in cose straordinarie, ma nel vivere ogni giorno con il cuore rivolto a Dio. San Filippo aveva già il cuore in cielo mentre camminava per le strade di Roma. E questo gli dava una libertà interiore impressionante: non cercava successo, approvazione o potere, perché sapeva che la vera patria è lassù.In conclusione la festa dell'Ascensione ci ricorda che il cristianesimo non è soltanto una morale o un insieme di valori, ma un fatto soprannaturale. Cristo è veramente risorto, veramente asceso al cielo e ci sta preparando un posto. Per questo la Chiesa continua a guardare verso l'alto con speranza. In un mondo spesso ripiegato sulle cose materiali e immediate, il cristiano è chiamato a ricordare che siamo fatti per il cielo e che soltanto Dio può colmare il desiderio profondo del cuore umano.

In „Station Paradiso“ zeigt die Komponistin Sara Glojnarić in der Staatsoper neue Perspektiven auf Migrationsgeschichte und Musik in Stuttgart. Die Uraufführung der Oper am 10. Mai 2026.

De Song van de Eeuw. 33 miljoen streams. En toch bijna alles kwijt. Martin Buitenhuis, frontman van Van Dik Hout, bouwde in 38 jaar een van de succesvolste bands van Nederland. Maar toen de muziekindustrie instortte, verdween het verdienmodel van de ene op de andere dag. Hoe overleef je dat? En wat kan elke ondernemer leren van een muzikant die weigert te stoppen? Sponsors & Kortingen Met de code 'Doorzetters' krijg je 10% korting op McGregor kleding

Wie klingt eine Einwandererstadt? In „Station Paradiso“ zeigt die Staatsoper neue Perspektiven auf Migrationsgeschichte und Musik in Stuttgart.

Hardste guy die binnenkort in Paradiso staat. De straten fluisteren dat Adje line voor line opneemt. Vergeet niet te liken en subscriben.Alleen met Vodafone Unlimited heb je altijd het snelste internet (tot wel 1 gbit/sec). Check voor meer info en alle Unlimited-abonnementen vodafone.nl/unlimited of loop even een winkel binnen voor extra info!

Follow FRANCHISE PARADISO on Instagram @franchiseparadiso!You can find also find the guys individually on social media: Heath on Letterboxd @theoneheathbar, Foster on Letterboxd @fosth101 Rowan on Twitter @bitsofjoel, Letterboxd and Instagram @rowan.a.boatAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Ciccini, pronti a volare dall'altra parte del mondo? In questo episodio vi porto alla scoperta di Siargao, l'isola che è diventata il paradiso dei surfisti… ma pure dei nomadi digitali e di tutti quelli che vogliono mollare Milano per vivere a piedi nudi sulla sabbia! Onde perfette, cibo da sogno, community expat e una lezione di vita: meno stress, più sorrisi. Vi racconto le ns avventure tra palme, board e coworking vista oceano, e tutto quello che serve sapere se sognate di cambiare rotta (anche solo per una stagione!). Zaino pronto, si parte per Siargao! Learn more about your ad choices. Visit megaphone.fm/adchoices

Concluding our three-series on Dante, Fr. John and Fr. Jacob walk through the finale of Dante's Divine Comedy, the Paradiso. This "highlights reel" serves as an overview of the work for anyone every interested, but intimated by a poem of such stature. We hope it inspires a reading, as the poetry of Dante is truly inexhaustible. If you are interested in more, check out Fr. John's nine-part lecture series at Our Lady of Lourdes: https://www.youtube.com/@LourdesDenver/streams.

Hey there. We're going to pause our slow-walk for a couple of months as I get out from under chemotherapy. We've come to the end of PURGATORIO and it also seems natural that we rest a little before the big ascent ahead in PARADISO. Look for more announcements here, but let's plan on being back on our walk (or what will become our flight) in mid-summer. See you then!

While we are on a break, enjoy this episode from Season 2. Season 3 starts May 19!My son Jack is back as we discuss Paradiso, Jack's favorite part of Dante's Divine Comedy. I absolutely love getting to chat with him again (see a couple of earlier episodes linked below). We talk about why he loves Dante in general, and Paradiso in particular. Highlights include:Dante's bravery (or chutzpah!) in writing his poetry and scholarly works in Italian rather than Latin;Who Dante is for (spoiler--it's for YOU), and why (the title of this episode is a big hint!);How people of different ages see Dante in a different light;Why a map of Heaven is really hard to draw, especially compared to Hell and Purgatory.Jack wrote his thesis on part of the Divine Comedy, and he has a lot of experience in the classroom with Dante, so he brings a lot of his knowledge to expand on what we've been talking about for the last two weeks.This episode forms a kind of trilogy on Crack the Book: two weeks ago we discussed Inferno, and last week my friend Lisa and I covered Purgatorio. It's my hope that these three podcasts will inspire you to pick up your own copy of the Divine Comedy and jump in.Season 3 is coming May 19! LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)Crack the Book, Inferno EpisodeCrack the Book, Purgatorio EpisodeJack's Episode About BoethiusJack's Episode About the OdysseyCONNECTThe complete list of Crack the Book Episodes (Amazon affiliate links): https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

We've reached the end of our time on the great mountain of Purgatory . . . and in the great second canticle of COMEDY.Here are some final thoughts, an attempt to bring our time with this part of the poem to a close.Dante has worked hard to make PURGATORIO the hinge of his entire poem. Let's explore some ways it reflects back on INFERNO and looks ahead to PARADISO.Here are the segments for this episode of WALKING WITH DANTE:[01:01] PURGATORIO is an inversion of INFERNO.[02:54] PURGATORIO is most human part of COMEDY.[04:34] PURGATORIO is a rehearsal of the structure of the New Testament.[07:29] PURGATORIO is a meta-commentary on the writing of INFERNO.[09:45] PURGATORIO is the end of one sort of poem and the beginning of another.[10:35] PURGATORIO ends with two unique creations by Dante.[12:01] Where do the souls go when they are lifted out of Limbo?[13:46] Why does PURGATORIO end with the virtue of purity?[15:48] Is the will truly the necessary, sufficient, and final cause of a soul's purgation?

Tuesday of the Third Week of Easter Optional Memorial of St. Anselm, 1033-1109; Archbishop of Canterbury; a doctor of the church; subjects of his writings included the existence of God, the Incarnation, the procession of the Holy Spirit, Atonement, and discussions on Free Will and Predestination; German philosophers and English historians referenced Anselm; Anselm is also mentioned in Dante’s Paradiso as, “…among the spirits of light and power in the sphere of the sun…”; he was named a doctor of the church in 1720 Office of Readings and Morning Prayer for 4/21/26 Gospel: John 6:30-35

Nate joins Rosetta and Milly in the studio to chat all things pukapuka, on Loose Reads! This week he's reviewing Hannah Lillith Assadi's Paradiso 17 - which is longlisted for the Women's Prize this year! Whakarongo mai nei. Thanks to Timeout Bookstore!

Psychologist, behavioral geneticist and writer Kathryn Paige Harden joins co-hosts Jennifer Maritza McCauley and Whitney Terrell to discuss her new book, Original Sin: On the Genetics of Vice, the Problem of Blame, and the Future of Forgiveness. Harden talks about the chemistry of human behavior, how society has shaped its views of different communities, the relationship between hereditability and perceived responsibility, and how those opinions shift as science unlocks more mysteries of the human genome. She also reflects on how her Christian upbringing has influenced her thinking and considers what influence new genetic information might have on our legal system. Harden reads from Original Sin.To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the Fiction/Non/Fiction Instagram account, the Fiction/Non/Fiction YouTube Channel, and our show website: https://www.fnfpodcast.net/This podcast is produced by Jennifer Maritza McCauley, V.V. Ganeshananthan and Whitney Terrell.Kathryn Paige HardenOriginal Sin: On the Genetics of Vice, the Problem of Blame, and the Future of ForgivenessThe Genetic Lottery: Why DNA Matters for Social EqualityOthersThe Divine Comedy - Inferno, Purgatorio, Paradiso by Dante Alighieri“Criminal Complexity” - The American ScholarSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Novelist Hannah Lillith Assadi makes her podcast debut to discuss her new book, Paradiso 17, about a Palestinian man's restless lifelong search for home. Writer and bookseller Sina Grace talks with Assadi, who is a longtime friend, about the process of funneling the grief from the recent passing of her father into a novel that is partly his story and partly her own. They talk character, they talk process, and they even digress into a long tangent on Emerald Fennell's Wuthering Heights (we just can't stop talking about it on this podcast!). Pick up a copy of the book at Skylight or order the audiobook version from Libro.fm.  Hosted by Sina Grace. Produced by Justin Remer. Recorded at the LAPL Octavia Lab. Opening music: "Optimism (Instrumental)" by Duck the Piano Wire.  Closing music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band. 

Matt is literally packing as this episode goes live. So who better to walk you through the last-minute Disney prep checklist than someone who is actively living it? We share the real things families forget before a Walt Disney World trip, including a few gems you only learn the hard way. In this episode, Matt and Chip go through their full pre-trip routine: checking dining reservations and canceling what you won't use before the fees kick in, verifying park hours that may have changed since you booked, checking the refurbishment calendar for any surprise closures, making sure Magic Bands are charged and linked, putting air tags on everything (yes, including the kids), and ordering groceries a few days in advance so they actually arrive before you do. They also cover the stuff nobody thinks to mention, like bringing your own straws, checking the weather close to departure, making sure all your devices are charged and updated, and the one room request tip that can genuinely improve your stay at any Disney resort Matt also explains how Animal Kingdom's extended hours completely shifted his strategy for this trip, and why checking park hours closer to your departure date can open up lightning lane options you didn't know you had. He walks through a specific example of how park hopping to Animal Kingdom in the evening could unlock rides that are totally tapped out at Hollywood Studios and Magic Kingdom by midday during spring break. **Chapters** 00:15 Why last-minute prep matters, especially for first-timers 00:46 Chip's number one thing he always forgets: the dog 02:36 Tip 1: Bring your own straws (paper straws at Disney are the worst) 03:44 Tip 2: Sunscreen and sunglasses (and why Matt buys both at Disney every time) 05:14 Chip's tip: car seat travel bags and how they double as an overflow bag 06:12 Stroller bags, travel logistics, and giving credit to the wives 07:10 Tip 3: Review your dining reservations and cancel what you won't use 07:37 How park hours changed Matt's entire trip strategy 08:18 Deluxe Evening Hours and after-hours events that sneak up on you 09:08 Set an alarm to cancel dining reservations or you will forget 09:36 Tip 4: Check what dining has opened up from recent cancellations 11:01 Why not having dining reservations can land you at Paradiso 37 14:14 Why park hours, Disney Springs hours, and show times matter more than you think 15:00 Lightning lane strategy when Hollywood Studios is tapped out at midday 16:39 Tip 5: Air tags on bags, car keys, and yes, the kids 19:31 Tip 6: Check the weather a few days out, not weeks out 20:27 Tip 7: Check the refurbishment calendar for last-minute closures 22:29 Tip 8: Order groceries a few days in advance, not the day of 23:32 What happens when groceries arrive while you're at Magic Kingdom 24:30 Tip 9: Cords, devices, and making sure everything is charged and updated 25:35 Headphones for the kids: wireless, charged, and not left at school 26:32 Same team, different roles: how Matt and Chip divide trip prep with their wives 27:54 Tip 10: Always make a room request before your trip ---

Farts, puke, and physical violence are the topics of this episode! This week Sam chose, maybe incorrectly, to expose Michelle to the immature world of Rik Mayall and Adrian Edmondson. Along with special guest Aunt Pam, the topic this week is Guest House Paradiso. The episode features a mandatory message from Donald J. Trump.

From stone tools and shelters to symbolic art and abstract thought, human history is shaped by a brain built to form and share ideas. Joseph Paradiso, Professor in Media Arts and Sciences at the MIT Media Lab, explores what comes next after the early visions of ubiquitous computing have largely arrived in today's Internet of Things world, where low-power sensors and interfaces are embedded in smart devices across our environments and connect seamlessly to widespread networking infrastructure. He asks how this information connects to people, and how perception, cognition, and identity might expand beyond our corporeal confines. Drawing on recent projects from his Responsive Environments research group, he examines sensing at multiple scales in the physical world, including wearables, smart buildings, connected landscapes, and space missions, and the different ways sensed or inferred information can connect to people. Examples include smart buildings as “prosthetic” extensions of their inhabitants, manifesting sensed or inferred phenomena in virtual analog environments, and interfaces modulated by user attention and focus or augmented by real-time AI. Series: "CARTA - Center for Academic Research and Training in Anthropogeny" [Science] [Show ID: 41327]

From stone tools and shelters to symbolic art and abstract thought, human history is shaped by a brain built to form and share ideas. Joseph Paradiso, Professor in Media Arts and Sciences at the MIT Media Lab, explores what comes next after the early visions of ubiquitous computing have largely arrived in today's Internet of Things world, where low-power sensors and interfaces are embedded in smart devices across our environments and connect seamlessly to widespread networking infrastructure. He asks how this information connects to people, and how perception, cognition, and identity might expand beyond our corporeal confines. Drawing on recent projects from his Responsive Environments research group, he examines sensing at multiple scales in the physical world, including wearables, smart buildings, connected landscapes, and space missions, and the different ways sensed or inferred information can connect to people. Examples include smart buildings as “prosthetic” extensions of their inhabitants, manifesting sensed or inferred phenomena in virtual analog environments, and interfaces modulated by user attention and focus or augmented by real-time AI. Series: "CARTA - Center for Academic Research and Training in Anthropogeny" [Science] [Show ID: 41327]

From stone tools and shelters to symbolic art and abstract thought, human history is shaped by a brain built to form and share ideas. Joseph Paradiso, Professor in Media Arts and Sciences at the MIT Media Lab, explores what comes next after the early visions of ubiquitous computing have largely arrived in today's Internet of Things world, where low-power sensors and interfaces are embedded in smart devices across our environments and connect seamlessly to widespread networking infrastructure. He asks how this information connects to people, and how perception, cognition, and identity might expand beyond our corporeal confines. Drawing on recent projects from his Responsive Environments research group, he examines sensing at multiple scales in the physical world, including wearables, smart buildings, connected landscapes, and space missions, and the different ways sensed or inferred information can connect to people. Examples include smart buildings as “prosthetic” extensions of their inhabitants, manifesting sensed or inferred phenomena in virtual analog environments, and interfaces modulated by user attention and focus or augmented by real-time AI. Series: "CARTA - Center for Academic Research and Training in Anthropogeny" [Science] [Show ID: 41327]

From stone tools and shelters to symbolic art and abstract thought, human history is shaped by a brain built to form and share ideas. Joseph Paradiso, Professor in Media Arts and Sciences at the MIT Media Lab, explores what comes next after the early visions of ubiquitous computing have largely arrived in today's Internet of Things world, where low-power sensors and interfaces are embedded in smart devices across our environments and connect seamlessly to widespread networking infrastructure. He asks how this information connects to people, and how perception, cognition, and identity might expand beyond our corporeal confines. Drawing on recent projects from his Responsive Environments research group, he examines sensing at multiple scales in the physical world, including wearables, smart buildings, connected landscapes, and space missions, and the different ways sensed or inferred information can connect to people. Examples include smart buildings as “prosthetic” extensions of their inhabitants, manifesting sensed or inferred phenomena in virtual analog environments, and interfaces modulated by user attention and focus or augmented by real-time AI. Series: "CARTA - Center for Academic Research and Training in Anthropogeny" [Science] [Show ID: 41327]

From stone tools and shelters to symbolic art and abstract thought, human history is shaped by a brain built to form and share ideas. Joseph Paradiso, Professor in Media Arts and Sciences at the MIT Media Lab, explores what comes next after the early visions of ubiquitous computing have largely arrived in today's Internet of Things world, where low-power sensors and interfaces are embedded in smart devices across our environments and connect seamlessly to widespread networking infrastructure. He asks how this information connects to people, and how perception, cognition, and identity might expand beyond our corporeal confines. Drawing on recent projects from his Responsive Environments research group, he examines sensing at multiple scales in the physical world, including wearables, smart buildings, connected landscapes, and space missions, and the different ways sensed or inferred information can connect to people. Examples include smart buildings as “prosthetic” extensions of their inhabitants, manifesting sensed or inferred phenomena in virtual analog environments, and interfaces modulated by user attention and focus or augmented by real-time AI. Series: "CARTA - Center for Academic Research and Training in Anthropogeny" [Science] [Show ID: 41327]

US author Hannah Lillith Assadi's work looks at what it means to come of age under the weight of history - but her latest novel, examines that through a deeply personal lens. Paradiso 17 has only just been released, but has already been longlisted for this year's 2026 Women's Prize for Fiction.

Son of Nobody by Yann Martel is an imaginative retelling of the Trojan War from the bestselling author of Life of Pi. Yann joins us to talk about the Trojan War, studying the classics, writing epic poetry, structure, Greek mythology, storytelling and more with cohost Brenda Allison. This episode of Poured Over was hosted by Brenda Allison and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): Son of Nobody by Yann Martel Life of Pi by Yann Martel The Iliad by Homer, translated by Stephen Mitchell The Song of Achilles by Madeline Miller The Personal Memoirs of Ulysses S. Grant by Ulysses S. Grant Margo's Got Money Troubles by Rufi Thorpe The Bluest Eye by Toni Morrison The Divine Comedy: The Inferno, The Purgatorio, and The Paradiso by Dante Alighieri, translated by John Ciardi The Tartar Steppe by Dino Buzzati Waiting for Godot: : A Tragicomedy in Two Acts by Samuel Beckett The Iliad by Homer, translated by Emily Wilson Featured Books (TBR Top Off) Son of Nobody by Yann Martel What We Can Know by Ian McEwan Cloud Cuckoo Land by Anthony Doerr  

Beatrice concludes her monologue at the end of PURGATORIO with some dazzling metaphoric pyrotechnics, a slam on Dante's intellect, and a redefinition of this journey across the known universe. It's not just any old pilgrimage. It's a crusade.Join me, Mark Scarbrough, as we look at the final images of her speech and discover its larger, structural details . . . which point us directly ahead to PARADISO.Consider defraying the many costs of this podcast with a one-time donation or a small monthly stipend by using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:11] My English translation of PURGATORIO, Canto XXXIII, Lines 61 - 78. If you'd like to read along or continue the conversation about this episode, please find its entry on my website, markscarbrough.com.[03:03] Fun calculations to discover how long Adam (and Eve) stayed in Limbo.[07:52] Beatrice's assertions about the writing and reading of texts.[13:33] References to the river Elsa and to Pyramus.[17:10] A badly mixed metaphor that leads into questions of interiority.[21:14] Rereading all of Beatrice's final monologue in PURGATORIO: XXXIII: 31 - 78.[23:49] Four structural notes on this monologue.

De opbrengst van de Amnesty-collecte van Nico. Optreden in Paradiso. Dingen gaan stuk. Het Boekenbal. Gezellige luisteraars. Vervelende oude man. Zweten in het stembureau. Tooting my own horn. Halverwege in het vaandel. Noodhuwelijk. Afgekeurd. Berlusconi Airport. Veel plezier!See omnystudio.com/listener for privacy information.

Il nome preferito di Max Allegri per l'attacco della prossima stagione è Santiago Castro, classe 2004 del Bologna che però chiede non meno di 40 milioni.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/radio-rossonera--2355694/support.

Lo sponsor di questo episodio è Shopify! Prova adesso Shopify per 1 euro al mese: www.shopify.it/mitologia Immagina di svegliarti in paradiso. Cibo divino, acqua pura, un'isola bellissima. Una dea immortale che ti ama e ti offre l'eternità. Il tuo corpo non invecchia più, le ferite guariscono in fretta. Dovresti essere felice, no? Invece piangi. Ogni giorno. Sulla stessa spiaggia. Guardando lo stesso mare vuoto. Perché il paradiso senza libertà è una prigione. E l'immortalità senza significato è tormento. Odisseo vive questo paradosso per anni - ma quanti? Lui crede pochi mesi. La verità è molto, molto peggiore. .-.-. Vuoi saperne di più sull'episodio? Vai qui e leggi gli approfondimenti: https://it.tipeee.com/mitologia-le-meravigliose-storie-del-mondo-antico/news .-.-. Per avere informazioni su come puoi supportare questo podcast vai qui: https://it.tipeee.com/mitologia-le-meravigliose-storie-del-mondo-antico/ Se ti va di dare un'occhiata al libro “Il Re degli Dei”, ecco qui un link (affiliato: a te non costa nulla a me dà un piccolissimo aiuto): https://amzn.to/3Q50uFR Se ti va di dare un'occhiata al libro “Eracle, la via dell'eroe”, ecco qui un link: https://amzn.to/46dAFYZ Altri link affiliati: Lista dei libri che consiglio (lista in continuo aggiornamento): https://amzn.to/3Q3ZYI9 Lista dei film che consiglio (lista in continuo aggiornamento): https://amzn.to/3DoqTa7 Lista hardware che consiglio per chi è curioso del mondo per podcast (lista in continuo aggiornamento): https://amzn.to/44TYKTW Uso plugin audio da questa Software House: Waves. Se vuoi dare un'occhiata, anche questo è un link affiliato: https://www.waves.com/r/1196474 Ami musiche rilassanti e i suoni della natura? Iscriviti a questo meraviglioso canale  https://www.youtube.com/channel/UCbRZLgwT37437fYK4YYKhXQ?sub_confirmation=1 Learn more about your ad choices. Visit megaphone.fm/adchoices

As Beatrice and Dante continue to walk through Eden, she begins the final discourse that will end PURGATORIO: a cryptic, apocalyptic vision of the world (or maybe just the church?) set right. But by whom? Or when? And is the church destroyed? Or is it going to be rehabilitated?Beatrice's vision is the capstone of PURGATORIO and prepares us for the elliptical and stylized poetry to come in PARADISO, just ahead of us. It's a test to see whether we can make it. Don't worry: We will!Join me, Mark Scarbrough, as we begin our final walk across one of the most difficult passages in PURGATORIO. Seven hundred years of commentary hasn't come to any agreement on these lines. Why should we?To keep this podcast afloat, please consider a one-time donation or a very small monthly stipend to underwrite its many fees. You can do so at this PayPal link.Here are the segments for this episode of WALKING WITH DANTE:[01:43] My English translation of PURGATORIO, Canto XXXIII, Lines 25 - 45. If you'd like to read along or continue the conversation with me by a comment on this episode, please find it on my website: markscarbrough.com.[04:18] A reminder: the rigid and highly stylized manner code in the Middle Ages.[08:46] Beatrice's redefinition of the terms: wakefulness rather than walking, the chariot as a vessel, the dragon as a serpent (from Eden?), and the chariot's possible, full destruction.[14:18] A translation problem: the possible sop of bread. And difficult interpretations: God's vendetta and a future heir.[18:30] Seven hundred years of commentary on the tough problem of "five hundred ten and five--God's messenger."[27:42] Rereading the passage: PURGATORIO, Canto XXXIII, lines 25 - 45.

Ti sei mai chiesto come è nata la lingua italiana? La storia dell'italiano è un viaggio affascinante lungo circa 3000 anni, che parte da un piccolo popolo di pastori nel Lazio e arriva fino alla lingua studiata e amata in tutto il mondo. Capire da dove viene l'italiano ti aiuterà a comprendere meglio la grammatica, il vocabolario e a scoprire perché l'italiano è fatto così com'è. Come Nasce l'Italiano? La Storia della Lingua Italiana Le Origini: Prima di Roma Un Mosaico di Lingue nella Penisola (Prima del 753 a.C.) Immagina l'Italia di circa 3000 anni fa, intorno al 1000 a.C. Non c'era nessuna "Italia" come la conosciamo oggi. La penisola era un mosaico di popoli diversi, ognuno con la propria lingua e la propria cultura. Al nord c'erano i Celti (o Galli), che parlavano lingue celtiche — sì, le stesse lingue imparentate con l'irlandese e il gallese di oggi. Al centro c'erano gli Etruschi, un popolo misterioso e affascinante. La loro lingua non è ancora stata completamente decifrata: sappiamo leggere le loro lettere, ma non sempre capiamo il significato delle parole. Nel sud e in Sicilia c'erano i Greci, che avevano fondato colonie così importanti che quella zona si chiamava Magna Grecia, cioè "Grande Grecia". Città come Napoli (Neapolis, "città nuova" in greco), Siracusa e Taranto erano città greche. E poi, nel centro della penisola, nella zona del Lazio, c'era un piccolo popolo di pastori e agricoltori: i Latini. Parlavano una lingua indoeuropea che oggi chiamiamo latino. PopoloZona geograficaLingua parlataCelti (Galli)Nord ItaliaLingue celticheEtruschiCentro Italia (Toscana, Umbria, Lazio)Etrusco (non completamente decifrato)GreciSud Italia e Sicilia (Magna Grecia)Greco anticoLatiniLazioLatino (lingua indoeuropea) Curiosità: La parola "Italia" probabilmente viene dalla parola Italói, un termine usato dai Greci per indicare le popolazioni del sud della penisola. Potrebbe derivare dalla parola víteliú, che significava "terra dei vitelli". Quindi "Italia" potrebbe significare "terra dei vitelli". Roma e il Latino (753 a.C. – 476 d.C.) La Nascita e l'Espansione di Roma Secondo la leggenda, Roma fu fondata nel 753 a.C. da Romolo e Remo, due gemelli allattati da una lupa. Nella realtà la fondazione fu un processo graduale, ma quello che è certo è che Roma, da piccolo villaggio, diventò piano piano una potenza enorme, conquistando prima il resto dell'Italia e poi tutto il Mediterraneo: Spagna, Francia (che i Romani chiamavano "Gallia"), parte della Gran Bretagna, il Nord Africa, la Grecia, il Medio Oriente... E con le conquiste romane, si diffuse anche il latino. Due Versioni del Latino: Classico e Volgare Esistevano, in pratica, due "versioni" del latino, ed è fondamentale capire la differenza tra di esse per comprendere la nascita dell'italiano. Il latino classico (o letterario) era quello che usavano gli scrittori, i poeti, i filosofi come Cicerone, Virgilio e Ovidio. Era una lingua elegante, complessa, con regole grammaticali molto precise. Era la lingua dei libri, dei discorsi ufficiali, dei documenti. Il latino volgare (dal latino vulgus = "popolo") era invece il latino parlato dalla gente comune, dai soldati, dai commercianti. Era più semplice, più diretto, e cambiava continuamente a seconda del luogo e del periodo. La parola "volgare" in questo contesto non significa "brutto" o "maleducato" come in italiano moderno, ma semplicemente "del popolo". Ed è proprio dal latino volgare, non da quello classico, che nasceranno tutte le lingue romanze: italiano, spagnolo, francese, portoghese, rumeno, catalano e tante altre. Esempi Concreti: dal Latino Volgare alle Lingue Romanze SignificatoLatino classicoLatino volgareItalianoSpagnoloFranceseCavalloequuscaballuscavallocaballochevalMangiareederemanducaremangiaremanjar (antico)manger Come puoi notare, le parole italiane, spagnole e francesi derivano dalla forma volgare, non da quella classica. Il latino classico ha comunque lasciato tracce nell'italiano colto: da equus derivano parole come "equestre" e "equitazione". La Caduta dell'Impero Romano e la Frammentazione Linguistica (476 d.C. – IX secolo) Il Crollo dell'Unità Linguistica Nel 476 d.C. cade l'Impero Romano d'Occidente. Le invasioni dei popoli germanici — Goti, Longobardi, Franchi, Vandali — cambiano completamente la situazione. Senza l'unità politica di Roma, senza le strade romane efficienti, senza l'amministrazione centralizzata, il latino volgare parlato nelle diverse regioni comincia a evolversi in direzioni diverse. Immagina un grande fiume che si divide in tanti piccoli fiumi: è esattamente quello che succede alla lingua. In Francia, il latino volgare diventa piano piano il francese antico. In Spagna, diventa il castigliano antico. In Italia, diventa non "l'italiano", ma tanti volgari diversi: il volgare toscano, il volgare siciliano, il volgare veneziano, il volgare napoletano, e così via. L'Influenza dei Popoli Germanici sulla Lingua I popoli germanici che si stabiliscono in Italia lasciano tracce importantissime nella lingua. I Longobardi, per esempio (che dominano gran parte dell'Italia dal 568 d.C.), ci regalano parole che usiamo ancora oggi. Parola italianaOrigine longobardaSignificato originaleguanciawankjaguanciaschienaskinastinco, ossostincoskinkagambastampastampfjanpestarepancabankapancaguerrawerra (germanico)mischia, confusione La parola "guerra", che oggi usiamo quotidianamente, non viene dal latino! In latino classico, "guerra" si diceva bellum (da cui l'aggettivo "bellico"). La nostra parola "guerra" viene invece dal germanico werra, e arrivò in italiano probabilmente attraverso i Franchi o i Longobardi. Dalla stessa radice germanica deriva anche l'inglese war. Curiosità: durante questo periodo, le persone comuni non sapevano più il latino classico, ma la Chiesa continuava a usarlo. Questo creava situazioni curiose: la gente andava a messa e non capiva quasi niente di quello che diceva il prete! Perfino la parola "Italia" come entità geografica sopravvive durante questo periodo, anche se politicamente la penisola è divisa in mille pezzi. La Lombardia, per esempio, prende il nome proprio dai Longobardi. I Primi Documenti in Volgare Italiano (IX – XII secolo) Il Placito Capuano (960 d.C.) Il documento più famoso tra i primi testi in volgare è il cosiddetto Placito Capuano (o Placito di Capua), del 960 d.C. Si tratta di un documento legale scritto a Capua, vicino a Napoli. È una testimonianza in un processo riguardante delle terre contese tra un monastero e un proprietario terriero. La frase chiave, pronunciata dai testimoni, è: "Sao ko kelle terre, per kelle fini que ki contene, trenta anni le possette parte Sancti Benedicti." Che significa: "So che quelle terre, entro quei confini che qui si descrivono, le ha possedute per trent'anni la parte (il monastero) di San Benedetto." Guarda questa frase: sao (so), kelle (quelle), terre (terre), possette (possedette/possedé). Non è latino, non è ancora italiano moderno, ma ci stiamo avvicinando. È come vedere una fotografia sfocata che piano piano diventa nitida. L'Indovinello Veronese (Fine VIII – Inizio IX Secolo) In realtà, c'è un documento ancora più antico del Placito Capuano. È il famoso Indovinello Veronese, scritto tra la fine dell'VIII e l'inizio del IX secolo, trovato nella Biblioteca Capitolare di Verona: "Se pareba boves, alba pratalia araba, albo versorio teneba, negro semen seminaba." È un indovinello che significa: "Spingeva avanti i buoi, arava prati bianchi, teneva un aratro bianco, seminava seme nero." La soluzione? Le dita che scrivono! I "buoi" sono le dita, i "prati bianchi" sono il foglio, l'"aratro bianco" è la penna d'oca, e il "seme nero" è l'inchiostro. Questo testo è un misto tra latino e volgare e ci mostra esattamente il momento di transizione tra le due lingue. La Scuola Siciliana e i Primi Poeti (XIII secolo) La Corte di Federico II e la Nascita della Poesia in Volgare Nel XIII secolo, alla corte dell'imperatore Federico II di Svevia, a Palermo, succede qualcosa di rivoluzionario: un gruppo di poeti e intellettuali comincia a scrivere poesia in volgare invece che in latino o in provenzale (che era la lingua della poesia per eccellenza in quel periodo). Questi poeti formano la cosiddetta Scuola Siciliana (o Scuola poetica siciliana). Tra i più importanti c'è Jacopo da Lentini, che è considerato l'inventore del sonetto — sì, quella forma poetica di 14 versi che poi userà anche Shakespeare. Un'invenzione italiana, nata in Sicilia! La Diffusione del Volgare Toscano Quando le poesie siciliane si diffondono nel resto d'Italia, vengono copiate da scribi toscani che le "traducono" nel loro volgare. Questo significa che il volgare toscano comincia ad assorbire e rielaborare la tradizione letteraria siciliana. È un primo passo verso la centralità del toscano. Nel frattempo, in altre parti d'Italia fioriscono altre tradizioni letterarie: a Bologna, il poeta Guido Guinizzelli fonda il cosiddetto Dolce Stil Novo, una corrente poetica che parla dell'amore in modo nuovo e raffinato. Ma il volgare toscano comincia a emergere come il più prestigioso tra i volgari italiani. Dante, Petrarca e Boccaccio: i "Tre Padri" dell'Italiano (XIV secolo) Ed eccoci al momento più importante di tutta la storia della lingua italiana. Tre uomini, tutti toscani, tutti geniali, cambiano tutto per sempre. Dante Alighieri (1265–1321) Dante è il padre della lingua italiana. Senza Dante, l'italiano come lo conosciamo probabilmente non esisterebbe. La sua opera più famosa è la Divina Commedia (che lui chiamava semplicemente Commedia; l'aggettivo "Divina" fu aggiunto dopo da Boccaccio nel Trattatello in laude di Dante).È un poema di circa 14.233 versi in cui Dante viaggia attraverso l'Inferno, il Purgatorio e il Paradiso.

Ype en Botte hebben deze week vrij, na alle consternatie van de boekpresentatie, het optreden in Paradiso en het Boekenbal. Daarom een herhaling van onze wandelaflevering, waarbij we langs de straatboekenkastjes in onze buurt gaan. In het voorjaar van 2021 maakten we deze aflevering. Zijn die pleurisboekenkastjes nou echt zo erg of is het eigenlijk superleuk. Onze tocht heeft in ieder geval een onverwachte ontknoping. Wil je ons steunen? Word dan Vriend van de Show! Veel plezier!See omnystudio.com/listener for privacy information.

On this week's The Last Drop, JB & Khody continue El Tesoro month. No time wasted as the bottle pops right away pouring some El Tesoro Paradiso Extra Anejo & we give our thoughts on this beauty. As always, sit back, turn your headphones up & don't stop, keep pouring.Head over to https://arteagave.com/ use promo code JB to receive 10% off on your tickets. #Sponsored #ad

Nynke, Alex en Anne zijn nu nog wetenschappelijker! Met dank aan metronieuws, dat wel. Maar toch, de feiten vliegen je om de oren deze aflevering. We bespreken de vrouwelijke mentorparadox en waarom Nynke zich niet meer kleedt voor Bill Gates dan wel de male gaze afhankelijk van hoeveel gehoorschade je vroeger in Paradiso hebt opgelopen. Hanneke is overigens even met mantelzorgverlof. We maken ons zorgen over de zorgen om ouder te worden want daar word je ouder van en dat is zorgelijk. We bespreken het Boekenbalthema 'Mijn Generatie': is er zoiets als een 'stem van een generatie'? Nee toch. Al kunnen we wel Het Rugzakje van een Generatie aanwijzen: Ruben van Gucht. Groeten! Anne, Alex en Nynke _ Sponsor: Yokuu Haal 1 miljard poetshulpjes in huis! Bestel op www.yokuu.eu en gebruik 'ikkeniemanddie' voor 20% korting op je eerste bestelling. - Sponsor Squla Ontdek hoe leuk leren is op Squla, voor peuters t/m groep 8. Oefen met alle vakken van de basisschool. Ga naar squla.nl/ikkeniemanddie en ontvang €10 korting op een jaarlidmaatschap. De korting is geldig t/m 31 maart 2026. See omnystudio.com/listener for privacy information.

A mix series that explores the dramatic and emotional depths of techno music. Inspired by Dante's Divine Comedy, the series navigates the darker, more aggressive aspects of techno while highlighting its capacity for emotional and mood-driven expression. Each installment focuses on a specific mood or theme, drawing parallels with Dante's epic poem. From the depths of Inferno to the heights of Paradiso, this series showcases techno's versatility and emotional range. ---------- Follow Gustav WAV. ◊ https://soundcloud.com/user-939650642 ◊ https://www.instagram.com/gustav_wav ◊ https://www.instagram.com/modernartappreciationclub ---------- Follow MSYH.FM » http://MSYH.FM » http://x.com/MSYHFM » http://instagram.com/MSYH.FM » http://facebook.com/MSYH.FM » http://patreon.com/MSYHFM ---------- Follow Make Sure You Have Fun™ ∞ http://MakeSureYouHaveFun.com ∞ http://x.com/MakeSureYouHave ∞ http://instagram.com/MakeSureYouHaveFun ∞ http://facebook.com/MakeSureYouHaveFun ∞ http://youtube.com/@MakeSureYouHaveFun ∞ http://twitch.tv/@MakeSureYouHaveFun

#SANREMO2026 Nessuno vende come Shopify! https://www.shopify.it Learn more about your ad choices. Visit megaphone.fm/adchoices

⁠#SANREMO2026⁠ Nessuno vende come Shopify! ⁠https://www.shopify.it⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This is what went down during my set at the Mardi Gras Paradiso Pool Party in Sydney, on Sunday 22nd February 2026 (Episode 215). Enjoy!

Crime and Fantasy on a MondayFirst,  a look at this day in History.Then, Dragnet starring Jack Webb,  originally broadcast February 23, 1954, 74 years ago, The Big Pipe.  Mrs. Ada Fitzgerald has been found murdered. She was bludgeoned to death with a lead pipe!Followed by The New Adventures of Nero Wolfe starring Sydney Greenstreet, originally broadcast February 23, 1951, 75 years ago, The Case of the Malevolent Medic.   Mrs. Hal Horton, the wife of a wealthy industrialist, is in love with her doctor. However, Dr. Ben Sloane is planning to marry his nurse. When Mrs. Horton dies in the doctor's office, Mr. Horton suspects foul play. Then, Lights Out, originally broadcast February 23, 1943, 83 years ago, They Met At Dorset.  Two German soldiers parachute into England on a mission to rescue Rudolph Hess. Seeking shelter from the rain, they come upon a genuine haunted house.Followed by Quiet Please starring Ernest Chappell, originally broadcast February 23, 1948, 78 years ago,  Wear the Dead Man's Coat.  "Wear the dead man's coat...and nobody takes note." An easy path to invisibility, and Kidneyfoot Cassidy takes the path.Finally,  Claudia,  originally broadcast February 23, 1948, 78 years ago,  Finding a Contractor. A visit to Paradiso. Kathryn Bard and Paul Crabtree star.  Thanks to Richard G for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! Find the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.html

We've got travel on our brains this week as we've just returned from Barcelona where we celebrated the 10-year-anniversary of Paradiso, our featured bar and book in this episode, while our interview takes us to Buenos Aires, the next stop on our itinerary, where we'll be joining in the fun with the team at Tres Monos for the fourth Gran Corso de los Monos. We're joined by co-founder Charly Aguinsky who tells us about the bar, its work in the community and what they have in store for Latin America's carnival weekend.Our featured products take us on journeys of a different kind – taste. We have two very special gins, one shaped entirely by the Golden Ratio and produced just once a year, the ultra premium Aureus Vita, the other is Seatrus Gin, which promises flavours of the Mediterranean sea. For more from The Cocktail Lovers, visit thecocktaillovers.comFor the products featured in this episode, see websites below:What we're drinking:Between The Sheets25ml cognac25ml light rum25ml triple sec10ml freshly squeezed lemon juice Orange peel to garnishMethod:Chill Martini glasses in freezer. Shake all ingredients over ice. Pour into the chilled cocktail glass and garnish with an orange twist.Aureus Vita Fibonacci GinParadiso 10 Year Anniversary BookParadiso BarcelonaSeatrus GinTres Monos BarThe Cocktail Lovers theme music is by Travis 'T-Bone' WatsonEdited by Christian Fox Hosted on Acast. See acast.com/privacy for more information.

This bonus episode of The Classical Mind serves as “front matter” to prepare listeners for a three-month reading marathon of Dante Alighieri's Divine Comedy. Join Wesley and Junius as they explain that the work is a “comedy” not because of humor, but because of its trajectory: it begins in the darkness of Inferno and ends with the “blessed life” and vision of God in Paradiso. The discussion explores the poem's intricate architecture, consisting of 100 cantos and an interlocking three-line rhyme scheme called terza rima. The hosts emphasize that Dante intentionally wrote the poem to be read using the medieval fourfold method—literal, allegorical, moral (tropological), and eschatological—allowing it to function as both a narrative journey and a transformative spiritual school for the reader.The episode also provides the vital historical and cosmological context required to navigate Dante's world, from the “funnel” of Hell beneath Jerusalem to the mountain of Purgatory on the opposite side of the globe. The hosts explain how the Earth was viewed as the “cosmic dump” at the absolute bottom of a sphere-shaped universe, putting Satan as far from God as possible. Additionally, they break down the 13th-century political strife between the Ghibellines and Guelphs, noting that Dante's own exile as a White Guelph deeply colors the text. By synthesizing the theology of Aquinas and Bonaventure with the classical poetry of Virgil, Dante created an “encyclopedia of medieval thought” that remains a high point of the Western canon. Get full access to The Classical Mind at www.theclassicalmind.com/subscribe

Beatrice continues to lead Dante toward contrition, pointing out both the purposes of her body (or corpse) and the ways he has failed to followed her lofty beauty.She finishes her second salvo at the pilgrim with a rhetorical flourish, showing the reader (and Dante) that she is a master of rhetoric, someone who commands a high, elevated style of poetry--that is, a fusion of the literal and the metaphoric that will become increasingly necessary to describe the PARADISO experience.Join me, Mark Scarbrough, as we look at the conclusion of Beatrice's second run at the pilgrim Dante and find the ways that she is directing both him and his poetry.To support the work of this podcast with a small monthly stipend or a one-time gift, please visit this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:09] My English translation of PURGATORIO, Canto XXXI, Lines 49 - 63. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[03:19] Glossing the full passage: "beauty" three times, high rhetorical style, low vulgar vocabulary, and an aphoristic ending.[13:15] Rereading Beatrice's second salvo at Dante: PURGATORIO, Canto XXXI, lines 22 - 63.[15:22] The uneasy but crucial balance between allegorical/metaphorical language and literal/realistic language.[18:57] Beatrice: negative space made flesh.[23:38] Renegotiating COMEDY v. intending these revelations all along.[28:06] High rhetorical style in Dante's vernacular mouth.