Podcasts about doepfer

"I didn't know much about Eritrea, or its history, so it was interesting to dig deeper in to that history and that of Eritrean culture, the Eritrean diaspora and the church in Rome where the field recording was made. I kept the field recording as it was, and looped it for ten minutes, as I found the recording powerful and wanted to keep that going throughout the piece, and to construct the musical composition in interaction with it.  "I also reversed and slowed down the field recording, and played that alongside the original, with a bass drone in B on a Doepfer synthesizer (as the field recording is roughly in the key of B). I then wrote and recorded a short piece on acoustic guitar in the key of B in response to the field recording, which I looped, and created three other tracks of the same acoustic guitar piece on different timed interweaving loops slowed down, reversed and sped up.  "I then wrote a series of lines on the Korg Delta synthesizer, interacting and building from that, with some looped, and the two main parts of melody and harmony played live. All effects are analogue courtesy of Electro Harmonix pedals. The final mix of the recording was mastered by Iwan Morgan." Eritrean church in Rome reimagined by Evolution Of Beauty. Part of the Migration Sounds project, the world's first collection of the sounds of human migration.  For more information and to explore the project, see https://www.citiesandmemory.com/migration

Free improvisation on a MakeNoise 0-COAST modular synthesizer connected to a Doepfer ring modulator with two MATH function generators and a MakeNoise WobbleBug using frequency, amplitude and ring modulation. Performed live at Studio kHz on Jan 16, 2023.

Atmospherica live al rifugio MollinoBenvenuti a un nuovo emozionante episodio del nostro podcast dedicato al mondo affascinante dei sintetizzatori modulari. Oggi vi faccio ascoltare la registrazione del live del collettivo Atmospherica presso il rifugio Mollino di Gressoney (Ao). Le note e le randomizzazioni dei modulari di Idra, Giacomo Vanelli e Paolo Dellapiana vi accompagneranno per olre due ore, un vero e proprio viaggio dei sensi.Atmospherica è un progetto legato all'”Ascolto” inteso come percorso e viaggio interiore. Il progetto è nato da un'idea di Francesca Pavese aka IDRA e da Giacomo Vanelli. Seguiteli i protagonisti di questo live ai seguenti indirizzi Instagram:@__IDRA__@Paolo_dellapiana@Giacomovanelli@atmospherica.atmospherica Grazie per aver preso parte a questo viaggio all'interno del mondo dei sintetizzatori modulari. Ci vediamo giovedì 21 settembre! Seguimi su @poscast.rumorebianco e su @daniel__mana e ricordati di iscriverti al podcast per non perdervi i prossimi episodi!

Benvenuti a un nuovo emozionante episodio del nostro podcast dedicato al mondo affascinante dei sintetizzatori modulari.Oggi Maurizio Guzzi ci farà ascoltare come suona un Korg MS20 del 1978 e ci lanceremo in alcune patch abbastanza particolari. Ho inoltre il piacere di farvi ascoltare due brani di Maurizio, Dragonfly e Spaceway, entrambi molto affascinanti, molto diversi fra loro e diversi da quello che solitamente viene suonato con i synth. Nella parte finale dell'episodio, vi ricordo un appuntamento di Atmospherica, un modular picnic che si terrà sabato 2 Settembre presso il rifugio Mollino a Gressoney. Se volete scrivere a Maurizio potete farlo tramite email: mauriguzzi80@gmail.com Vi ricordo anche i contatti instagram di:Atmospherica: @atmospherica.atmospherica Rifugio Mollino:@rifugiomollinoGrazie per aver preso parte a questo viaggio all'interno del mondo dei sintetizzatori! Ci vediamo la prossima settimana! Seguimi su @daniel__mana e ricordati di iscriverti al podcast!

# 76-B: "Light Sensors" (DOEPFER A-179-2 vs ADDAC ADDAC308) by Spoken Word with Electronics

# 76-B: "Light Sensors" (DOEPFER A-179-2 vs ADDAC ADDAC308) by Spoken Word with Electronics

Das sooperRadio ist eine neue Sendung aus dem Umfeld des Veranstalterteams der Superbooth. Es geht um Elektronische Musik in und aus Berlin, den Synthesizer als Instrument und Spielgerät und dessen praktische Anwendung. ## Die Sendung zu 20 Jahre SuperBooth. Monolake aka Robert Henke, HerrSchneider und Andre Kaufmann sprechen über die Geschichte, die Visionen, Musik und ihre aktuelle Motivation. Wir schauen heute zurück zu den Ursprüngen der Idee einer Synthesizer Messe und tauschen uns über mögliche neue Impulse für dieses Format aus. Zusammen mit Marc Mesi aus Paris, kreierte SchneidersBuero aus Berlin einen Gemeinschaftsstand auf der Musikmesse Frankfurt 2002. Dort fanden sich zehn Synthesizer Hersteller ein, wie Big Briar (aka Moogmusic), Elektron, Doepfer, Vermona und zelebrierten eine kollektive Partystimmung. HerrSchneider bringt heute ein paar Geschichten von damals mit wie „Bob Moog und seine Sekretärin auf dem Dancefloor während Berliner Elektroniker ihre Live Konzerte vorspielten." # sooperRADIO Das sooperRadio ist eine neue Sendung aus dem Umfeld des Veranstalterteams der SuperBooth. Es geht um elektronische Musik in und aus Berlin, dem Synthesizer als Instrument und Spielgerät und dessen praktische Anwendung. Zu hören sein werden viele persönliche Gedanken rund um das Thema Elektronische Musik, ihre Wirkung, Klänge und das Musizieren in seiner großen Vielfalt. Ergänzt mit Anekdoten, Aspekten und Neuigkeiten über unseren Versuch, elektronische Musikinstrumente und deren Potenzial und Anwendungsbereiche mittels einer liebevoll organisierten Veranstaltung namens SuperBooth, einem breiten Publikum verständlich zu machen und auf möglichst praktische und persönliche Weise näherzubringen. Zur besseren Veranschaulichung haben wir einen Praxisteil in der Sendung. Dafür werden wir regelmäßig den erfahrenen Produktexperten aus SchneidersLaden, Thomas Kircher, im Studio begrüßen. Neben dem fachlichen Austausch zur Materie wird uns Thomas mehr oder weniger verständliche Anwendungsbeispiele live im Studio vorstellen und vertonen. Für jede sooperRadio Sendung laden wir Musikschaffende oder Hersteller:innen ins Studio ein, mit denen wir uns über die persönliche Arbeitsweise und die Leidenschaft zur Elektronischen Musik unterhalten. Die zwei Stunden werden moderiert von Mareen und André, die neben den Künstler:innen und dem Fachberater Thomas Kircher auch immer wieder Gastmoderator:innen willkommen heissen möchten. * https://www.sooperradio.com/

I am composer and performer based in Stockholm, Sweden. My work usually stays within the realm of electronic music both when performing as a solo artist and in different constellations, but I have also written for chamber ensembles, dance companies and some opera. Starting out with a basic Doepfer system in 1999, there have been modulars in my home studio ever since. Ten years ago I acquired my first small Buchla system. I started out with a 6-panel powered boat with a 206e, a 259e, a266e, a 281e and a 292e. Just before this was delivered, the Skylab cabinet was released. I tried to change my order into that instead and Don replied with a "yes". But of course I got the 6-boat anyway in the first shipment. Eventually, the Skylab arrived and I also added a 258v from Mark Verbos. The system has grown over the years and right now my system populates two Skylab cabinets, where one is my live system and the other have a more fixed position in the studio. I also still have the original 6-boat and an Easel Command. As an associate professor in electroacoustic composition at the Royal College of Music in Stockholm, I also maintain and teach on our fairly large system which is a hybrid of 200e stuff and vintage modules from 1974. The school are also in possession of an original Easel which was very close to be thrown away in a move of store rooms some years ago. So, there's quite a lot of Buchla in my life and it is surely one of the cornerstones of my artistic work. My research is also all about different kinds of modularity, virtual and physical, human and non-human, and I usually strive for the perfect integration of my Buchla with self-made software instruments written mainly in the SuperCollider programming environment. For my performance at CCTV Stockholm in March this year, I started out with the intention to work with my Easel Command and a little live-coding system I've made. I practiced and made some recordings with this setup for some weeks, but also tried other solutions in parallel. I ended up using my my live Skylab, comprised of the following modules: 266e, Studio.h CSR, 225e, 281e, 292e, 285e, 261e, 259e, Studio.h DPO (258e) and 291e. For control, sequencing and mixing I used another home made SuperCollider instrument based on the Snyderphonics Manta controller (http://snyderphonics.com/manta.htm). It is a touch sensitive device with 48 pads, 4 buttons and 2 sliders. Basically, the SuperCollider instrument is a modular system where each pad can be assigned one or several functions, like volume control of hardware inputs from the Buchla, sending midi or cv, apply effects, sequencing or sampling. For the live set I used a combination of live input from the Buchla and loops and samples made during the recording sessions with the Easel. I have some music released on various labels using my real name, under the moniker Codespira1 and as part of different collaborations (mainly There are no more four seasons and RTTRSPRT). For further listening and info check these links:   Social media: Instagram: https://www.instagram.com/codespira1/ Facebook: https://www.facebook.com/codespira1/ YouTube: https://www.youtube.com/channel/UCspNTJ1xczCgKW0NUAMhSpQ SoundCloud: https://soundcloud.com/emp/   Releases as Codespira1: Artefact (Moving Furniture Records, 2016) https://movingfurniturerecords.bandcamp.com/album/artefact Rasterfeld Archives #1 (CO-DEPENDENT, 2019) https://co-dependent.bandcamp.com/album/code009   Releases as Mattias Petersson: Remaining oddities, resultant additives (Jahr Null Aufnahmen, 2010) https://open.spotify.com/album/5IcAo9aprlVwNddnrXucLe?si=qXJ-Hd7tShqFXSmfhuDhbw Floodlight (Ideal Recordings, 2008) https://open.spotify.com/album/7nGL4dtqmfUnOKiXtvUzKD?si=uM7Yb9tUSsuGDovLMvzFEw Mimer (Fylkingen Records, 2003) https://open.spotify.com/album/41pgXkm2uw4iEbXSinyrSP?si=6aUh2fwfSS2kzuk5NMwICw   RTTRSPRT: https://soundcloud.com/rttrsprt   There are no more four seasons: Bandcamp: https://nm4s.bandcamp.com/ YouTube channel: https://www.youtube.com/channel/UC8_uqxOGZvxSRmEjKAuRl3g

Solstice Live Stream from June 20th, 2020 5:30 PM EDT Into the New Nature Travelling without moving into the Mycelium Network with Nanotopia. Mycelium bio-sonification through modular synthesis. Electrodes are placed within Ganoderma lucidum aka Reishi. The electrodes detect micro fluctuations in conductivity between 1000 t0 100000 of a second. This biodata is then translated to MIDI & CV enabling Humans to hear the Mycelium. Relax into the Mycelium Network... Prior to lift-off we will show our set-up and then fade into reactive TouchDesigner visuals. Thank you for tuning in. Generative TouchDesigner visuals react/respond to the mycelium biodata. Spaceship controls: Flute/Pluck/Bow/Percussive sounds= Mutable instruments Plaits & clones: Atom & Piques Paths, branches, roots = Qu-Bit's amazing Bloom (fractal sequencer) Make Noise= Morphagene, René, Tempi, Pressure Points Along with= Pittsburgh Instruments, Doepfer, Moog(s), Korg (keystep to Mother32), Erica Synths. Visuals both chance & purposeful: Mermaid painting= @sarah_gravel on insta Images used in TouchDesigner Mycelium network: Tardigrade footage= @atinyworldorg on insta/twitter NASA, Planet Earth, nanotopia. Follow us on Instagram: @nanotopia_net @MothAntler @Nanotopian Support artistic efforts: https://www.patreon.com/nanotopia_net

All the most interesting music technology news from the last month including Thomann Synth Reactor, SP-2400, RolandCloud TB-303, Deton8, Parallels, Doepfer polyphonic, Equinox, Dubler Studio Kit, Nanoloop, Moogfest, SPICE and Thunderbolt.Read More → The post Molten Music Monthly – March 2019 appeared first on Molten Music Technology Blog.

Peter Grenader is a bit of a lightning rod. He's a 'personality' in a rather staid business, he's been part of the electronic scene for a long time, but he's always willing to speak his mind and provide his perspective. Some in the industry have written him off for good (he notes in the interview that he's been 'banned for life' from Muff Wiggler, for example), while other people that I respect - like Jill Frasier - find him a compelling creator and collaborator. What you can't argue, however, is his importance in the history of electronic music and the growth in popularity of modular systems. The Plan B business drove things forward from where Doepfer had started it, but brought a level of quality and creativity that was needed to move things forward. Alas, a tumble of problems occurred which caused Plan B to go under, and it was at a time when the modular community was just growing, getting some leverage, and was unwilling to let this just dry up. The result was a huge fight  - one that I didn't witness at the time, but whose footprints are still seen all over the modular synth landscape. Peter's willingness to talk about this, along with his assurances that his debts had been paid, should help us get past some of the problems of the past, and to be able to look that Plan B in its proper historical light, as well as illuminate the work that he and others are doing in the future. I hope that you enjoy getting to hear Peter - in person - talk about his excitement for the future, admission of past failures, and emotional enthusiasm for the electronic arts. This episode of the Art + Music + Technology podcast was supported, in part, by centrozoon - a trio consisting of Bernhard Wöstheinrich, Markus Reuter and Tobias Reber.

Scott Jaeger is responsible for a lot of modular makers getting into the game. When he started making Eurorack modules under The Harvestman moniker, there were relatively few players: Doepfer (of course), Plan B, Livewire and - well, that was about it. Scott came into the game with something completely different: digital devices that turned the analog-based modular concept on its ear. He also was aggressive about design, control layout and user interface, and the result was that almost everyone doing a Eurorack system - especially if is was going to be used for performance - would have some of The Harvestman modules in the rack. After expanding into more products, the company morphed into Industrial Music Electronics, and is making updated versions of the classics as well as a broad array of new modules. He is also collaborating with Vladimir Kuzmin as Iron Curtain Electronics, creating the Polivoks modules based on designs from the classic Russian analog synth. But regardless of the collab, Scott's design focus comes through on all of these synth modules, and his attention to detail makes them among everyone's favorite devices. In our chat, we discuss everything from the name change, through Scott's explorations in music electronics, to the development of the Polivoks devices and his own work - including how he approaches synth design. We also talk a lot about how his perspective of performance and instrument design is seen in his module creations. I came out of this discussion understanding a lot more about his decision-making process, and also about why these modules feel so perfect when playing.  A great talk with an amazing developer. Enjoy!

I don't often get to talk to superstars - there are simply too many layers between who I am and what they do. So, generally, gear and creativity talk aren't in the mix for most stars' PR blitzes. However, Jesse Carmichael (Maroon 5) and Jason Lader (pretty much EVERYBODY!) have put out an EP as "The Circuit Jerks", and they reached out to me to talk about the process. This release, called EP1, features some unusual tracks, including two 1:11:11-long tracks that are pretty mind-bending. What I really enjoyed about this conversation is the recognition that star status doesn't change your passions - and these two guys are rabid modular fans. I'm sorry that this chat is going to disappoint Maroon 5 fans that want to know about Jesse's love life, or train spotters that want to know what kind of shoes Elvis Costello wears in the studio. We talked hard core gear-geek talk, praising Doepfer modules, video performance tools and imagining a future of net-based sync. Alas, at the end of the chat the real world steps in (the manager hung up on us *exactly* on schedule), and we go on our merry ways. But for a little bit, we really got an insight into the point of passion in your work, and how excitement expresses itself in music-making. This was a lot of fun, and I owe these guys for sharing the time with us. Enjoy!

Jonathan and Joel are talking about The Future Of Electronic Music In Modular Synthesis, Fake British Accents, Auto Accent Generator App, and Licorice Root as the Future of Oral Care. Some Links: I Dream Of Wires Documentary: http://www.idreamofwires.org/ Here’s an article about modular synthesis. https://www.soundonsound.com/sos/apr13/articles/modular-synths.htm Doepfer’s website: http://www.doepfer.de/home.htm Web MD is […]