Podcasts about Elektron

Ocean Power Technologies CEO Philipp Stratmann joined Steve Darling from Proactive to announce two significant reseller agreements, strengthening its commercial presence in both Latin America and the United States. The first agreement is with Elektron SAS, a Cartagena, Colombia-based company specializing in hydrographic and oceanographic instrumentation services. This partnership marks a major step forward in OPT's expansion into Latin America. Elektron will provide sales, integration, and support services for OPT's full suite of maritime solutions, including the WAM-V® Unmanned Surface Vehicles (USVs), the Next Generation PowerBuoy®, and the AI-powered Merrows™ platform. Importantly, the agreement includes a $4 million purchase commitment, underscoring strong regional demand and confidence in OPT's technology. The collaboration leverages Elektron's established network and technical expertise to help meet the growing need for advanced ocean monitoring and power systems across the region. In addition to the Latin American deal, OPT has signed another reseller agreement with Grava Hydrographic Solutions, a U.S.-based specialist in hydrographic and oceanographic equipment integration and services. Grava Hydro will help expand the availability and support of OPT's WAM-V® USVs across the United States, positioning the technology for greater use in commercial, research, and government applications. #proactiveinvestors #oceanpowertechnologiesinc #nyseamerican #optt #PhillipStratmann, #USGovernmentContract, #OffshoreAutonomy, #MaritimeSecurity, #CommercialPlatforms, #GrowthStrategy, #BuoyBusiness, #VehicleBusiness, #InternationalExpansion, #ReadyToDeploy

This week we are joined by Thomas Ekelund of the ritualistic death industrial project TREPANERINGSRITUALEN, whose work is deeply rooted in personal spiritual exploration and occult practice. Thomas is also a graphic designer who has worked with many underground artists and labels, and he runs the label Beläten, which just released a new CD by Catalan ritual folk band KAVERNA.In the full episode, we go on to discuss dangerous spiritual situations, TxRxP's relationship to the audience, reissues, Beläten, working for Elektron, early life experience with religion, BRIGHTER DEATH NOW,  top 5 experimental records, favorite contemporary artists, and more. https://www.patreon.com/whitecentipedenoiseOfficial site: https://de-za-kh-a-da-sh-ba-a-ha-v.se/Official shop: https://gotisktforbund.bigcartel.com/Graphic design portfolio: https://nullvoid.net/Label: https://belaten.se/This episode of WCN Podcast is sponsored by Rural Isolation Project: https://ruralisolationproject.com/And brought to you by:Initial Shock - Montreal Noise Fest - https://www.initialshock.screamandwrithe.com/White Centipede Noise - https://whitecentipedenoise.com/and, our Patreon supporters https://www.patreon.com/whitecentipedenoiseWhite Centipede Noise Podcast Episode 95Support the show

We're awashed with updates are releases! Leading the charge is Elektron with their Updates to the Digitakt II and Digitone II. Trying something this week with the audience vote. There's news in both the Dreadbox AND Behringer camp. We'll be talking about whichever those tuning into the live show think is most interesting. Audionautic Records' latest release, Fields of Few - First Land Encounterhttps://fieldsoffew.bandcamp.com/album/first-land-encounterGrab tickets for Eonlake's London Show here:https://skiddle.com/e/40699373Help Support the Channel:Patreon: www.patreon.com/audionauticThanks to our Patrons who support what we do:Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, Paul Ledbrook, Matt Donatelli, Coraline Ada Ehmke, Jaycee Lewis and Stephen Setzepfandt, Lars Haur - Audionaut ProducerJonathan Goode - Audionaut ProducerJoin the conversation:

Over the past six weeks, we've been thrilled to see an influx of exciting new promotions at Sequences! To enhance our offering, we're embarking on a journey of musical separation for our two monthly editions. This first podcast will immerse you in a captivating rhythmic and melodic sequencer experience, exploration of Berlin school music and expansive soundscapes. Download Bios: https://we.tl/t-vNzSVmNzj3 Playlist No 266 02.17 Brendan Pollard ‘Regulo' (album Strands) https://brendanpollard.bandcamp.com/album/strands 10.12 Brendan Pollard ‘Vessel Redux' *** 12.50 Remy ‘Mirage' (album Exhibition Of Dreams-25th Anniversary) *** https://remystroomer.bandcamp.com/album/exhibition-of-dreams-25th-anniversary 25.11 Ringhausen ‘Mellotron & Elektron' (album Mellotron & Elektron) https://ringhausen.bandcamp.com/album/mellotron-elektron 30.12 Krakenkraft ‘Cosmic Resonance' (album Suspicious Signals) https://cyclicaldreams.bandcamp.com 37.29 Krakencraft ‘The Magnificent Ambersonics' 41.08 Ian Boddy & Harald Grosskopf ‘Diodengesang' (album Doppelgänger) https://dinrecords.bandcamp.com 48.33 William Spivey ‘The Way Out Pt1' (album Dissolve) https://williamspiveyaf.bandcamp.com/album/dissolve 52.33 William Spivey ‘Illusion Of Occupancy' 58.33 Stan Dart ‘Lake Garda One (Deep, Blue & Green)' (album Murinsel Volume 7) https://standartmusicbox.bandcamp.com 01.03.14 Stan Dart ‘Lisboa Three (Water)' 01.08.25 Stan Dart ‘London Three (Afternoon Sky)' 01.14.35 Zalys ‘Cities Chrome' (album Voyager) https://zalys.bandcamp.com/album/void-voyager 01.17.49 Zalys ‘Void Voyage Part2' 01.20.38 Wojciech Kania ‘Mystique 2012 Part 2' (album Mystique 2012) https://wkania95.bandcamp.com/album/mystique-2012 01.31.23 Anna Sjalv Tredje ‘Mossen/Ankomster Utanför Tiden' (album Tussilago Fanfara) *** 01.41.11 Cells Interlinked 'Tree Of Life' (album Within) https://sincronadelviento.bandcamp.com/album/within-0045 01.47.13 Cells Interlinked ‘Nightfall' 01.53.58 Matthias Lehmann ‘Schwärme' (album Winter Saga) https://matthiaslehmann.bandcamp.com/album/winter-saga-album 02.00.39 Matthias Lehmann 'Uprise' 02.08.39 Colin Rayment ‘As Light Tiptoes In The Darkness' (album Penumbra) https://syngate.bandcamp.com 02.16.22 Andy Pickford ‘Tokamak Sushi' (album Tokamak Sushi) *** https://andypickford1.bandcamp.com/album/tokamak-sushi 02.28.04 Pat Pik 'Scream' (album Under Wave) 02.36.45 Pat Pik ‘Take A Deep Breathe' (album Take A Deep Breathe) https://patpik.bandcamp.com 02.44.09 Martijn Comes ‘Grace As Promarker' (album Frixtis) *** https://frixtis.bandcamp.com/album/frixtis 02.51.41 s475e ‘Very Old Machine' (EP Sn°2') https://s475e.bandcamp.com/album/sn-2 02.54.41 Roger Clark Miller ‘Post-Godzilla Intererrogation Dinner' (album Curiosity For Solo Electric Guitar Ensemble) https://cuneiformrecords.bandcamp.com/album/curiosity-for-solo-electric-guitar-ensemble Edit ***

Seit heuer präsentieren wir Ihnen eine neue zehnteilige Sendereihe auf radio klassik Stephansdom – den Ballkalender. Constantin Staus-Rausch besucht in der heurigen Ballsaison zehn Wiener Bälle, erzählt über deren Geschichte und berichtet live und aktuell über die heurige Ausgabe.In der aktuellen Ausgabe berichtet Staus-Rausch vom IAEA Staff Association Ball in der Wiener Hofburg in Wien.Der IAEA Ball ist der Ball der internationalen Atomenergiebehörde mit Sitz in Wien in der UNO City. Die Ursprünge des Balles reichen bis ins Jahr 1961, damals noch unter der Bezeichnung »Ball de tetes«, danach auch »UN Day Ball« oder »UNIDO Ball«. Seither wurde der Ball mit Unterbrechungen im Palais Auersperg, im Hotel Intercontinental, in den Sophiensälen, im Wiener Rathaus, im Austria Center und in der Hofburg ausgerichtet. Chapeau, dazu passt auch das Logo der IAEA, wo ein Elektron von Location zu Location schwirrt. Seit 1996 findet der Ball in der Wiener Hofburg statt, wo es der IAEA offenbar ganz gut gefällt.

EŞİT ELEKTRONİK Satış ve Pazarlama Müdürü: Çağrı Hekimoğlu by ST Endüstri Radyo

IFM ELEKTRONİK Sistem Ürünleri Teknik Destek ERKAN YONEY by ST Endüstri Radyo

EŞİT ELEKTRONİK Satış ve Pazarlama Müdürü: Çağrı Hekimoğlu by ST Endüstri Radyo

IFM ELEKTRONİK Sistem Ürünleri Teknik Destek ERKAN YONEY by ST Endüstri Radyo

SAMPLER & SANS REPROCHES (Radio broadcast)Playlist N° 1351 - Lundi 2024 - Horaire : 20:00 >> 22:00EBM - SYNTHWAVE - INDUSTRIAL & RELATED MUSICGALAXIE RADIO 95.3FM www.galaxieradio.fr------------------------------------------> [ S&SR Selection de la semaine...SOFT VEIN "Through Blinds" (Art Of Fact Records)] SOFT VEIN « God Whispers » DIG Album : Through Blinds (Art Of Fact Records) TOKEE+FRACTAL « Velocity » DIG Album : Prototype (Aliens Productions) FLINT GLASS & AH CAMA SOTZ « Menegokre (remix by ANATOLY GRINBERG) » DIG Album : Wakonda (Ant-Zen) SILENT EM « Real Life » DIG Album : Real Life (DKA Records) FATHERLESS CHILD « Bedtime (PEOPLE THEATRE's Pillow Mix) » DIG Album : En Mode Automatique (Extended And Remixed) (Foundry Records) BODY EXPANDER « Nukleare Dämmerung » DIG V/A : Future Wastelands (Werkstatt Recordings) STAHLSHLAG « Malayalam » DIG Album : Amrita (Pronoize) UNIT:187 « Glamhammer » DIG Album : KillCure (Metropolis Records) LES BERRTAS "Geistertanz (Tangeist Mix)" DIG Single : Geistertanz (Fakenoise) THE OVERLORDS "Sundown (LEAETHER STRIP Remix)" DIG Album : OVL Outtakes (The Overlods Corporation – T/A/P/E Sound ) LEÆTHER STRIP "Bela Lugosi's Dead" DIG Album : All Hallow's Eve (Cleopatra) RUE OBERKAMPF "Soror" DIG EP: Soror Aeterna (Rue Oberkampf) S.D.H « Lovers Wonder » DIG V/A : Artoffact Records 2024 Sampler (Art Of Fact Records) LLORA « Bad Behavior» DIG Album : Llora (Autoproduction) SOFT VEIN « Gray Space» DIG Album : Through Blinds (Art Of Fact Records) SIGNAL AOUT 42 « Staying ALive » 12inch : To Talk Nonsense (LD Records) MASCHINE BRENNT "Elektron (2024 Remix)" DIG Single : Elektron (Plonk) ZWEITE JUGEND "Reminiszenz (EVVILKING Mix by STERIL)" DIG Single: Reminiszenz (Brandsatz Records) ZIRKULAR DION "Zlyy" DIG Album: Spysh (Autoproduction) ORANGE SECTOR "Schmerz" DIG Album: Feuer Und Flamme (Infacted Recordings) PSYCHE « The Hiding Place » CD : Imaginary Life (Accession Records) ARNAUD REBOTINI « Electro Sucks » DIG Album : Quelqques Jours Pas Plus (Original Soundtrack) (Zend Avesta) THX TO : ART OF FACT RECORDS / LOOTERS (Sarah), ALIENS PRODUCTIONS (Peter Ryby), ANT-ZEN (Stefan Alt),DKA RECORDS (Chris), FATHERLESS CHILD (Nicolas), WERKSTATT RECORDINGS (Toxic Razor), PRONOIZE / DARK DIMENSIONS (Frank), METROPOLIS RECORDS/RED SAND PR (Gary), SIGNAL AOUT 42 (Jacky)PODCAST:YOUTUBE https://www.youtube.com/@SamplerEtSansReprochesYOUTUBE CHANNEL – NON STOP MUSIC -MIX ONLY + LIVE & INTERVIEWS REPORTS ITUNES :https://podcasts.apple.com/fr/podcast/sampler-sans-reproches/id1511413205 MIXCLOUD : https://www.mixcloud.com/SetSRradio/PODCLOUD :https://podcloud.fr/studio/podcasts/sampler-et-sans-reproches DEEZER :https://www.deezer.com/fr/show/1181282 GALAXIE RADIO https://galaxie-radio1.radio-website.com/upload/podcasts/audios/6778fcd4485ae3.15989314.mp3AMAZON MUSIC https://music.amazon.fr/podcasts/9718c2fe-d841-4339-a3e5-82c31d018ed7/SAMPLER-SANS-REPROCHESHEARTHIS https://hearthis.at/sampler-sans-reproches/

Der Witz des Tages vom 16.12.2024 mit dem Titel 'Das verschwundene Elektron' als Video.

Der Witz des Tages vom 16.12.2024 mit dem Titel 'Das verschwundene Elektron' zum Hören.

Geladen wie ein Elektron, nur glücklich in Bewegung. In schwindelnder Höhe, auf der Überholspur, auf verschollenen Pfaden, oder einfach nackt: Mit dem Stoff, aus dem die Albträume des Durchschnitts sind, decken sich sensation seeker zu. Erst Adrenalin lässt schmerzhafte Langeweile in Gemütlichkeit umschlagen. Doch leider bringt high speed auch high risk und endet oft mit no fun. Kaputte Knochen und Beziehungen sind oft die Folge. Wie man aus dieser besonderen Rezeptorverteilung eine Superkraft macht, besprechen wir in dieser Podcastfolge.

The dance floor never lies! Jose talked about music the universal language, counterpoint in composition, why the stage sounds weird, sidechaining vocal fx and synths mixing, recording in the jungle, and building beats with Elektron and Ableton Live. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Jose Castillo, a producer/songwriter for artists seeking to bridge the gap between the latin and english-speaking world, and the pop and alternative worlds. Jose's discography has a great dance floor feel with a mastery of EDM style. His recent work includes Grammy and Latin-Grammy nominated releases by Camila Cabello, Bomba Estereo, Bad Bunny, Manu Chao, Fonseca, and many others.  His unique background combines a Caribbean and Latin sensibility, with classical training in composition, and a special point of view that comes from having toured around the world's best festivals with Bomba Estereo.  Thanks to Damian Taylor for making our introduction. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com Use code ROCK10 to get 10% off! https://www.empiricallabs.com/ Use code RSR10 to get 10% off the Arousor and BIG FrEQ plugins! https://traceaudio.com/ Use code RSR15 to get 15% off your custom printed labels! https://www.soundporter.com/ Get a free mix review and mastering demo! https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/7yxD0GXOlhzpAAgcDVEwtW?si=d06f3aa108c94142 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/483

This week Elektron announced their Digitone II so we're taking a peek at what we can expect. Also, Bluesky announce a monetisation plan for Content Creators, does this open up the door for a new pathways for the independent musician? Join the Discord: https://discord.gg/TzZjdZjc Help Support the Channel: Patreon: https://www.patreon.com/audionautic Thanks to our Patrons who support what we do: Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, Paul Ledbrook, Matt Donatelli, Stephen Setzepfandt, Mike K Smith & Justin Licameli Lars Haur - Audionaut Engineer Jonathan Goode - Audionaut Producer Join the conversation:

Järgmisel nädalal esietendub elektron.art kunstisaalis lavastus "tsau mis teed".

Mir beweegen eis dagdeeglech duerch digital Welten, wéi wa se keng Materialitéit hätten. Mee dat Ganzt baséiert op enger kolossaler weltwäiter Infrastruktur. Déi, plus déi verstoppt Säit vun der Virtualitéit, interesséiert eng Abberzuel vu Multimedia-Kënschtler:innen. An och Elektron, eng kënschtleresch Plattform, déi aus Esch2022 ervirgaangen ass. De ganze Summer iwwer invitéiert Elektron, queesch duerch Esch, op de Multimedia-Parcours “Cyber Structures”. D'Kerstin Thalau hat virun der Escher Konschthal Rendez-vous mat der Elektron-Directrice Françoise Poos, fir zwou vun de Strukturen ze entdecken.

Mir beweegen eis dagdeeglech duerch digital Welten, wéi wa se keng Materialitéit hätten. Mee am Fong baséiert dat Ganzt op enger kolossaler weltwäiter Infrastruktur. Déi, an doriwwer eraus déi verstoppte Säit vun der Virtualitéit, interesséiert eng Abberzuel vu Multimedia-Kënschtler:innen. An och Elektron, eng kënschtleresch Plattform, déi aus Esch2022 ervirgaangen ass. De ganze Summer iwwer invitéiert Elektron, queesch duerch Esch, op de Multimedia-Parcours “Cyber Structures”. D'Kerstin Thalau huet sech, mat eiser Stagiairin Ilana Joseph, op de Wee an de Süde gemaach, fir mat der Elektron-Directrice Françoise Poos, déi eenzel Statiounen ze entdecken.

Hey everyone and welcome to another week of news here on Summit in Six!  I'm Bridget and I'm Bailey and we work in the Summit County Communication and Public Engagement Department – the team that brings you Summit in Six every Friday!  Today, we kick things off with the preliminary results of Tuesday's Primary Election. … Continue reading June 28, 2024 – Primary Election Preliminary Results, Summit County Regional Housing Authority, Elektron Solar Ribbon Cutting & More! →

Many common household items such as mobile phones, TVs, computers, chargers, and other electronic devices, including their batteries, contain valuable materials that can be repurposed for new products. Electronic items we no longer use, or need are considered e-waste. Across Australia, there are government-backed programs available that facilitate the safe disposal and recycling of e-waste at no cost. - Gelek tiştên malê yên hevpar e wekî têlefonên destan, televizyon, komputer, betarî, û amûrên din yên elektronîkî, tevî batariyên wan, materyalên hêja hene ku dikarin ji bo hilberên nû ji nû ve werin bikar anîn. Tiştên elektronîkî yên ku em êdî bikar naynin, wekî bermahiyê elektironîk (e-waste) têne hesibandin. Li seranserê Australya, bernameyên bi piştgirîya hukûmetê ku bi ewle û vezîvirandina e-waste belaş hêsan dike hene.

Ist zwar knapp n Monat her, aber da war ja noch so ne Veranstaltung in Berlin, worüber sie mit den Kollegen vom SequencerTalk eh mal reden wollten, weil die waren (im Gegensatz zu unseren Podcastern) immerhin vor Ort. Hat nicht so ganz geklappt, aber auch ein halber Sequencertalk ist eine ganz(e) (gute) Folge Probe Podcast. Zu viert heute aufm Programm also: Booth, Booth, Booth – übersehene News, überteurtes Essen und überaltertes Publikum. Ausserdem (und mit "ausserdem" meine ich; den Löwenanteil des Podcasts): Amphibien, Tim Pritlove, Marxismus, Elektron, Oberheim und irgendwann auch noch die gerade erst vorgestellte Obst-KI. Viel Spass damit.

Hi everyone and welcome back to another week of news here on Summit in Six. This week, we'll discuss the county's new agenda and meeting minutes platform, some exciting grant funding news, the launch of Elektron Solar, and how you can bid on surplus county vehicles. Let's get into the news! GRANICUS As of Wednesday, … Continue reading May 17, 2024 – Summit County's new agenda and meeting minutes platform, exciting grant funding news, the launch of Elektron Solar →

"Faydalı saat" verilişində Tütünlə Mübarizə Günü ilə bağlı pulmonoloq Çağla Xurşud Hüseynova ilə birlikdə maraqlı və faydalı söhbətimiz oldu.Siqaret istifadəsi bizdən nələri alır?Elektron siqaretin bilmədiyimiz mənfi təsirləriSiqaretdən imtina niyə çətin görünür?Tütündən imtina etmək üçün vasitələr

Verliş:QanunnaməAparıcı:Rahib ƏhmədoğluQonaq:Elvin Məmmədov Dövlət Sosial Müdafiə Fondunun Sosial ödənişlər departamentinin böyük mütəxəssisi,ünvanlı sosial yardım barədə suallarımızı cavablandırdı.Ünvanlı sosial yardım üçün elektron müraciəti necə etmək olar?Kimlər ünvanlı sosial yardımdan yararlana bilərlər?

Verliş:QanunnaməAparıcı:Rahib ƏhmədoğluQonaq:Mehman Əliyev Dövlət Sosial Müdafiə Fondunun Vətəndaşların qəbulu departamentinin müdir müavini.Sosial yardımı kimlər ala bilərlər?Yardımın məbləği necə təyin olunur?

SESSIONAL SOUND PRESENT " ELEKTRON NIGHT " WITH TC DJ Part 2 Live You can hear us from here Puoi sentirci da qui: Music: Techno - Hard Techno This player is directed only for live: ◉ https://players.rcast.net/popup2/200226?autoplay=stop ◉ Twitch: https://www.twitch.tv/tc_dj ◉ Website: https://tcdj.jimdofree.com/live ◉ Hearthis: https://hearthis.at/tc.dj.official ◉ Website: Afro House https://afro-night-stations.jimdofree.com ◉ https://techno-community.jimdofree.com/rstcdj ◉ Youtube: https://www.youtube.com/@tcdjmusic ◉ FREE APP: ◉ Keep One https://keepone.net/radio/k143781/tc-dj-only-live-streaming ◉ https://tunein.com/radio/TC-Dj-Only-Streaming-H24-s269273 ◉ Zeno Fm https://zeno.fm/radio/tc-dj-only-live-streaming TC Dj has been breaking sound systems all over the world for several decades, starting in its native Italy, and finally landing in Basel, Zurich, London, Naples, Italy, where it currently resides. Starting his techno campaign in the early 90s in Italy, he quickly delved into the productive side of things, and eventually managed to manage. A quick technical study, he quickly found himself handling buttons for renowned labels such as flying saucers, self records, Tcr records, neapolis records and robotics records, providing mastering, production and remixing for various labels, meanwhile building his repertoire. Axe club, naxsos, street parade, love parade, house club,energy, the club, tabo club, effel she zen, will return in most clubs in the Italian area of southern Italy the Cyclops, Metropolis, italian discotheques. where they have performed internationally renowned artists such as Todd terry.little Louie Vega, Roger Sanchez, Francois Kevorkian, dennis fererr, Tony Humphries, Sven Vath, Marco Carola, lello Roman, Erick Morillo, DJ Simi, Carl Cox etc.. He has played with several djs and producers including Mark Broom, DJ Lukas, dj Du'art, dj Sasha Carassi, dj Felix Kröcher, dj Horacio Cruz, dj Danilo Vigorito, dj Murphy, dj Fernanda Martins, dj Paula Cazenave, dj Professor dj Fatima Hajji. _____________________________________________________________________ Contact Worldwide Booking & Mngmnt: tcdj@tutamail.com musicrecordsradio@proton.me DONATE https://www.paypal.com/paypalme/remzone _____________________________________________________________________ #recording #live #techno #hardtechno #technoproducer #djlifestyles #deeptechno #technolifestyle #tcrrecords #techc #darktechno #neapolisrecords #livestream #dj #naples #twitch #musicislife #partyplanner #studio #music #acid #rave #technofestival #tcdj #traxsource #beatport #spotify #itunes #hearthisat #mixcloud #technopeople

SESSIONAL SOUND PRESENT " ELEKTRON NIGHT " WITH TC DJ Part 1 You can hear us from here Puoi sentirci da qui: Music: Techno - Hard Techno This player is directed only for live: ◉ https://players.rcast.net/popup2/200226?autoplay=stop ◉ Twitch: https://www.twitch.tv/tc_dj ◉ Website: https://tcdj.jimdofree.com/live ◉ Hearthis: https://hearthis.at/tc.dj.official ◉ Website: Afro House https://afro-night-stations.jimdofree.com ◉ https://techno-community.jimdofree.com/rstcdj ◉ Youtube: https://www.youtube.com/@tcdjmusic ◉ FREE APP: ◉ Keep One https://keepone.net/radio/k143781/tc-dj-only-live-streaming ◉ https://tunein.com/radio/TC-Dj-Only-Streaming-H24-s269273 ◉ Zeno Fm https://zeno.fm/radio/tc-dj-only-live-streaming TC Dj has been breaking sound systems all over the world for several decades, starting in its native Italy, and finally landing in Basel, Zurich, London, Naples, Italy, where it currently resides. Starting his techno campaign in the early 90s in Italy, he quickly delved into the productive side of things, and eventually managed to manage. A quick technical study, he quickly found himself handling buttons for renowned labels such as flying saucers, self records, Tcr records, neapolis records and robotics records, providing mastering, production and remixing for various labels, meanwhile building his repertoire. Axe club, naxsos, street parade, love parade, house club,energy, the club, tabo club, effel she zen, will return in most clubs in the Italian area of southern Italy the Cyclops, Metropolis, italian discotheques. where they have performed internationally renowned artists such as Todd terry.little Louie Vega, Roger Sanchez, Francois Kevorkian, dennis fererr, Tony Humphries, Sven Vath, Marco Carola, lello Roman, Erick Morillo, DJ Simi, Carl Cox etc.. He has played with several djs and producers including Mark Broom, DJ Lukas, dj Du'art, dj Sasha Carassi, dj Felix Kröcher, dj Horacio Cruz, dj Danilo Vigorito, dj Murphy, dj Fernanda Martins, dj Paula Cazenave, dj Professor dj Fatima Hajji. _____________________________________________________________________ Contact Worldwide Booking & Mngmnt: tcdj@tutamail.com musicrecordsradio@proton.me DONATE https://www.paypal.com/paypalme/remzone _____________________________________________________________________ #recording #live #techno #hardtechno #technoproducer #djlifestyles #deeptechno #technolifestyle #tcrrecords #techc #darktechno #neapolisrecords #livestream #dj #naples #twitch #musicislife #partyplanner #studio #music #acid #rave #technofestival #tcdj #traxsource #beatport #spotify #itunes #hearthisat #mixcloud #technopeople

Di çarçoveya projeya Şahmaran de çanda kevnar a Kurdî ya çîrokbêjî û dengbêjî bi muzîka elektronîk ji nû ve tê şîrove kirin. Em jî bi muzîkjen Mustafa Demîr re li ser muzîka elektronîk a Kurdî û li ser projeya wan a bi navê Şahmaran dipeyivin. Von Celil Kaya.

Verliş:"Qanunnamə"Aparıcı:Rahib ƏhmədoğluQonaq:TƏBİB-in tabeliyində fəaliyyət göstərən "Rəqəmsal Tibbi Həllər" MMC-nin direktor müavini Misirxan Sadıqzadə elektron arayışların necə alınması barədə geniş məlumat verdi...

Larry O'Connor, the Founder and CEO of Other World Computing (OWC), took a few minutes out of his busy schedule to give our host, Cirina Catania, a rundown on some of the new products they are showing at NAB 2024. He talked about the Atlas TypeA cards, the Envoy SSD portable drive, the Envoy Pro Mini, the Elektron, and SoftRAID 8 and more. Get the scoop right from the person who runs the company! If you are in Vegas for NAB, please stop by Booth #2024 in Central Hall. The OWC team would love to welcome you and answer all your questions. We are grateful to have Other World Computing as our sponsor and we are so very proud of everything they do on a daily basis for creatives all over the world.  Besides, their products are reliable, backed by amazing warranties, and competitive in price. I've been using OWC gear for many years and can personally recommend it. Go to OWC.com for more information. If you enjoy our podcast, please subscribe and tell all your friends about us! We love our listeners. And, if you have ideas for segments, write to OWCRadio@catania.us. We are always up for new ideas! You can find OWC RADiO at OWCRadio.com, on Spotify, Apple Podcasts, and all other podcatchers! About Other World Computing: Founded in 1988, Other World Computing (OWC), is committed to providing innovative performance-driven, quality solutions that enable the creators of today and tomorrow to realize their imaginations. As a partner to the digital artist, the company provides a range of 21st-century solutions to Capture, Create, and Collaborate. From live recordings to the recording studio, to the film set, to the field and stadium, to ingesting data locally to the storage on an enterprise rack for web or corporate backup or securing of data, from professionals to enthusiasts; Other World Computing knows that there is no room for compromise when it comes to one's vision. ABOUT CIRINA CATANIA: Cirina Catania, is a successful filmmaker, former Sr Vice President of Worldwide Marketing at MGM-UA and United Artists, and one of the co-founders and former director of the Sundance Film Festival. She is the founder, CEO and Executive Director of the non-profit, High School Media Collective. Cirina is Founder/Lead Creative at the Catania Group Global, Showrunner and Host of OWC RADiO and partner, Lumberjack System, as well as Tech Ambassador for companies such as Blackmagic Design.  She is a long-time member of the Producers Guild, Writers Guild, Cinematographers Guild, the National Press Club, National Press Photographer's Association, and more. She has worked as a writer, director, supervising producer, cinematographer, post-producer, or marketing exec on over 150 film, television and new media projects for the big screen as well as for networks such as National Geographic and Discovery. Cirina is based in San Diego, D.C. and Berlin when she is not on the road filming in the Amazon or other exotic locations. She is very proud of the fact that she has not yet contracted Malaria and that after all these years, she still loves her job! For more interviews with Larry O'Connor, visit https://eshop.macsales.com/owc-radio/owcs-larry-oconnor-talks-tech-about-new-products-following-the-wwdc-2023/ and https://podcasts.apple.com/us/podcast/ceo-larry-oconnor-on-owc-radios-100th-episode-owcs/id1458884466?i=1000528896325&l=it

ElektronとかEP-133いいけど 今日のビート YouTube https://www.youtube.com/@katsuOfficial note https://note.com/kermit71/ TikTok ⁠https://www.tiktok.com/@katsu_beat⁠ instagram https://www.instagram.com/kermit71 【今日のキーワード】 ROLAND SP-404 MKII / SP-404 MK2 / AKAI PROFESSIONAL MPC ONE / ビートメイク / コーヒー / Elektron --- Send in a voice message: https://podcasters.spotify.com/pod/show/katsushi-machida/message

Več kot 40 let je imel v minulem stoletju Piran svoj letni kino ob morju. V mestu pa ni bil edini, kot se še spominjajo nekateri krajani, ki nanj hranijo lepe spomine. Desetletja nazaj so bile kino predstave za obiskovalce poseben dogodek, tudi v nekdanjem kinu "Soča" v starem delu mestnega jedra Kopra in letnem kinu za tržnico, še pred tem pa v stavbi, kjer je že leta 1908 zaživel prvi kinematograf v mestu, poimenovan Elektron. Podeželje je vselej obiskoval potujoči kino, ki ga v zadnjih letih obuja tudi projekt Kino Istra. Kinematografsko dediščino v Izoli predstavljata še danes letni kino Arrigoni in Odeon, kjer je pred vhodom v dvorano postavljen nekdanji projektor, za katerega so kinooperaterji uporabljali oglje. O kinu nekoč in danes v istrskih mestih, z nekaj zbranimi spomini, v tokratni oddaji Primorski kraji in ljudje.

Today we're joined by Andrew Tasselmyer, prolific musician you may know from his solo work or as a member of Hotel Neon, Gray Acres, and Mordançage. Andrew and Andy have a long friendship, and Dan gets to meet Andrew for the first time. After some chat about technical difficulties and our favorite instrument mods, we get right into the Elektron Octatrack MKII, and Andy and Dan nod their heads along as if they understand half of what's being talked about. It's a deep dive on a deep device from the deep mind of Andrew Tasselmyer. Dig in!Check out all things Andrew: https://www.andrewtasselmyer.com/Buy Old Blood pedals: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us on the socials: @andrewtasselmyer, @oldbloodnoise, @andyothling, @danfromdsf

Join Dmitri on an exploration through the evolving landscape of modern synthesizers at the Buchla & Friends event held in downtown LA last month. From the innovative offerings of the Buchla Easel to Noise Engineering, Elektron, 1010 Music and the Star Wars vibe of Soma Laboratory's Terra,  there was a lot to take in. It truly felt like a fusion of a craft fair and makerspace community, and we had a blast. The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!

Poslechněte si:00:48 Vybudujeme v kosmu solární elektrárnu?13:45 Mají krokodýli rádi dětský pláč?20:05 Jak zabránit infarktu?25:44 Shluky elektronů na vlastní oči34:00 Kam odlétají čeští ptáci?40:21 Dron proti nemocemHovoří fyzik Jakub Holovský, biolog Jaroslav Petr nebo ornitolog Zdeněk Vermouzek. Rubriku Stalo se tento den připravil Ing. František Houdek. Z knihy Hledání Petra Kulhánka a kol. čte Libor Vacek.Všechny díly podcastu Meteor můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Episode 100 Crosscurrents in Early Electronic Music: Italy—Part 1 Playlist Berio, Maderna, Nono, Zuccheri, RAI Studio di Fonologia Musicale (RAI), Milan Luciano Berio, “Mutazioni” (1955) from Prospettive Nella Musica (1956 RAI Radiotelevisione Italiana). The first complete tape work by Berio at the newly founded RAI studio, which he was running with composer Bruno Maderna. Sound engineering by Marino Zuccheri. Berio and Maderna kept an open mind about the music that would be produced under its roof. They did not align themselves aesthetically with either the musique concrète approach taken in Paris or the serialist, rules-based composing style of Cologne. “Bruno and I immediately agreed,” explained Berio, “that our work should not be directed in a systematic way, either toward recording acoustic sounds or toward a systematic serialism based on discrete pitches.”[1] As a consequence, Alfredo Lietti Marino Zuccheri, engineers for the studio, filled it with equipment that appealed to a wide spectrum of compositional needs. In 1956, studio no. 3 at RAI had a custom-built cabinet with six vertical racks consisting of audio generators (9 sine wave oscillators, 1 white noise generator, 1 pulse generator), sound modifiers (plate reverb, octave filter, high pass filter, low-pass filter, variable band-pass filter, third-octave filter, ring and amplitude modulators), and a mixing panel. Several tape recorders were available mix and match sounds. You can almost sense the excitement of the creation of these foundational works as each composer brought their own individualism to the sound a translated that into electronic music. 3:36 Berio & Maderna, “Ritatto di Città (poema radiofonico)” (1955) (1955 RAI). File from the RAI Archives. This is an excerpt from a radiophonic production that was 26' long. 6:05 Bruno Maderna, “Notturno” (1956) from Prospettive Nella Musica (1956 RAI Radiotelevisione Italiana). Maderna's first official solo tape work produced at the RAI studio. From an original disc released by the RAI in 1956. 3:24 Luciano Berio, “Perspectives” from Prospettive Nella Musica (1956 RAI Radiotelevisione Italiana). An eight-part work of experiments in transforming musical sounds and rhythms with electronic manipulation. 6:36 Bruno Maderna, “Música su Due Dimensioni” from História da Música Eletroacústica (1958). 7:10 Luciano Berio, “Momenti”(1960) from Images Fantastiques (Electronic Experimental Music) (1968 Limelight). This release was an American collection of European electronic music released on the Limelight label, a subsidiary of Philips. Although released a few years after “Momenti” was available elsewhere, this was an album that captivated my imagination at the time. You hear Berio's innate sense for fashioning unique sounds and rhythms with this sound material, adding some reverb to give it depth, producing audio that is reminiscent of natural sounds, but transformed to give it an other-worldly quality. 7:02 Bruno Maderna, “Dimensioni II (Inventione su Una Voce)” from Musica Elettronica / Electronic Music (1994 Stradivarius). Anyone familiar with Italian new music will know the name of Cathy Berberian. She was an American operatic mezzo-soprano and for a time (1950-64) was married to Luciano Berio. She was a kind of muse for the modern composers at the Milan studio, lending her incredible vocal capabilities to tracks that could then be transformed into electronic music. One such famous piece, not included here because it is so familiar, is “Thema (Omaggio a Joyce)” by Berio. Instead, I wanted to feature another tape piece, this one by Maderna, because he not only transforms Berberian's voice using electronic techniques but allows her to express herself as well in some unmodified sections. This marks a period where Maderna was longer magnetic tape pieces, ten minutes or more each. Unlike his shorter, more frenetic works, these longer pieces gave him time to develop themes, apply long silences, and structure his works around variations on his audio materials. 10:52 Luigi Nono, “Omaggio a Vedova” (1960) (1976 Wergo). A magnetic tape work by another outstanding contributor to electronic music in Italy, Luigi Nono. Like Berio, Nono went on to be better known for his instrumental and vocal compositions. This work is an homage to artist Emelie Vedova. Note that we feature another homage to Vedova from 1967 later in the podcast, “Parete 1967 _1” by Marino Zuccheri. 4:52 Niccolò Castiglioni, “Divertimento” (1960) from Elektron 3 (1967 Sugar Music). Produced at the Studio di Fonologia Musicale di Milano. Castiglioni was an Italian composer, born in Milan who later came to the United States to teach composition at the University of Michigan. This work sounds a bit like chirping insects and is the only tape piece he produced at the RAI. 2:38 Bruno Maderna, “Le Rire” (1962)” from Musica Elettronica / Electronic Music (1994 Stradivarius). Another long-form tape piece by Maderna. The voices heard and processed are those of Maderna, Cathy Berberian, and the sound designer Marino Zuccheri. The sounds in the beginning are modulated by sine waves and filters, plus some occasional ambient sounds like footsteps and rain. The second part of the work, beginning around the 11-minute mark, switches to more traditional musique concrete sounds reminiscent of drums, flutes, as well as white noise. 15:53 Luigi Nono, “La Fabbrica Illuminata” for voice and magnetic tape (1964) from Luigi Nono La Fabbrica Illuminata (1968 Wergo). Nono was also expanding his use of electronic sounds and wrapping them in vocal music. This work combines sounds created at the RAI with vocals written for a choir ( Chor Der RAI Mailand) and sopranos (Carla Henius). Marino Zuccheri helped Nono with the tape music. 16:28 Jon Hassell, “Music for Two Vibraphones” (1965) (1965 RAI). Yes, this is the Jon Hassell, the American composer and trumpeter. I know he is American, but I couldn't resist including this brief track that he recorded while in Milan in 1965. To my ears, this has an especially digital sound, especially when you consider how time consuming it must have been to assemble the opening sequence using tape editing. It is also a work of contrasts, with the explosive opening section giving way to about a minute of extremely quiet, almost ambient sound to close the work. 2:43 Marino Zuccheri, “Parete 1967 _1” (1967) from Parete '67 Per Emilio Vedova (2018 Die Schachtel). The sound mixer and designer at the RAI studio, Zuccheri often appears as a credit on works created in the studio. Working as a sound technician after World War II, Zuccheri was transferred to the RAI headquarters in Milan where he met Luciano Berio. He was instrumental in developing the system and layout of the Studio di Fonologia Musicale, where he worked until 1983. His close collaboration with the composers working at the Studio, above all Berio, Maderna and Nono, gave rise most of their notable tape pieces. Visitors, such as John Cage, were quick to acknowledge his steady hand as chief orchestrator of sound and engineering at the studio. He was often asked to provide electronic music for broadcast and film productions, of which this is one, a collaboration with Emilio Vedova for the preparation of the Italian pavilion of the Montreal Expo. 15:03 Luigi Nono, “Contrappunto Dialettico Alla Mente” (For Magnetic Tape)(1968) from Roland Kayn / Luigi Nono – Cybernetics III / Contrappunto Dialettico Alla Mente (1970 DGG). Another one of Nono's exquisite works combining vocals and electronic music on magnetic tape, recorded at RAI. In this work you can see how Nono complements the sound palette of the usual RAI sounds with sounds that are uniquely presented by human voices. Chorus, Coro Da Camera Della RAI; Conductor, Nino Antonellini; Soprano Vocals, Liliana Poli; Other Voices, Cadigia Bove, Elena Vicini, Marisa Mazzoni, Umberto Troni. 19:48 Opening background music: Bruno Maderna, “Serenata III” (1962)” from Musica Elettronica / Electronic Music (1994 Stradivarius). 11:20 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.   [1] Joel Chadabe, Electric Sound: The Past and Promise of Electronic Music (Upper Saddle River, NJ: Prentice Hall, 1997), 48

4. Juni 2023, 8 Uhr, Liebfrauenkirche Frankfurt am Main, Dreifaltigkeitssonntag, Lesejahr A Wie sich Gott wiedererkennt in der Vielfalt seiner Schöpfung, in der Vielfalt von Mann und Frau und Menschen Die Vereinheitlichung der Welt fasziniert. Diktaturen träumen davon, die Kirche träumte von der Macht der Einheitlichkeit, IOS und Windows vereinheitlichen Welt Tastaturarbeit und Mausbewegung. Die Welt zwischen 0 und 1 … wie langweilig. Die christliche Überlieferung spricht von interessanter Vielfalt im Urgrund der Welt. Dreifaltigkeit, Trinität, Dreieinigkeit --- das erschien mir lange als unlösbares Rätselwort, einem Koan gleich, das Zen-MeisterInnen den SchülerInnen geben … Der Blick auf Elektron, Proton und Neutron lehrt mich ein tieferes Verständnis; alles ist in Bewegung, und Gott deren Urplan. Sie mögen das nun annehmen oder nicht: Sie werden mir zustimmen, dass alles im Fluss ist. Einander bedingt. Verschiedenheit die frohe Quelle ist für Entwicklung. Die abweichende Meinung der Augenöffner sein kann. Wir sind einander als Schlüssel gegeben für neue Perspektiven, ganz andere Sichten. Nicht als Schlösser für abschließende Betrachtungen, die ausschließen. Dann auch Stop sagen, Grenzen aufzeigen, Ehrfurcht erwecken … der Dreifaltige Gott gibt seine Gebote, recht betrachtet, damit wir in Bewegung bleiben.

As the show that nobody asked to return returns for yet another episode, Ferg and Lee cover some vital ground: just how many Bruce Springsteen puns are appropriate? How is Ferg's car insurance debacle playing out? What makes a good Alien film?   We explore the tricky world of Rondo briefly and think we've discovered those who have figured out the true nature of this divisive variety. Shouts outs go to Ingrid and Dunleavy and Mark at All Angels.   Think you have to be posh to be a winemaker? Ferg discusses his newest celebrity friends Joanna Lumley, Victoria Moore, and Oz Clarke while Lee gets all too existential and concerned with the true nature of time...and how he can clear your winery of brett with only his guitar.   Eventually we get to some wine. Lee tastes Finca Bacara's 'Time Waits For No One' Monastrell Biologico while Ferg cracks open a can of Howl & Grappa's Elektron via Bin Two's Wonky Post Vineyard.   On top of all this, learn our new brand hashtags: #FergsMum #JacksMum #BenLudford and #NotBensMum.   TM&TM S2E5: Between Two Piers. Available to castload in your downpods from Thursday morning.   When will it end?!

30-second audio demo of the Elektron Syntakt Sonic Drop ▶️ avid.com/sonic-drop Find creative inspiration with Pro Tools | Sonic Drop, an ongoing drop of free samples and loops from multiplatinum artist Matt Lange—yours with any Pro Tools subscription

Irish-born, Manchester-based Kerrie is a multi-disciplinary artist, incorporating live sets, DJing, producing and running her label Dark Machine Funk across her repertoire of work. Having garnered a rich musical education through working at and holding a DJ residency for one of the UK's most respected record shops Eastern Bloc, Kerrie's in-depth knowledge and unwavering dedication to music shines through her notable back catalogue and bolshy, unforgiving DJ and Live sets. Honing her craft for over a decade, Kerrie has played worldwide in celebrated venues such as Tresor, Berghain, fabric, FOLD, Elsewhere NYC and festivals including Freedom Medellin, Freerotation, Drift and Basilar. First learning to mix via her brother's turntables in the early 2000s, it wasn't until 2009 that Kerrie invested in her own set-up and built an extensive record collection, covering everything from ambient, electronic, house, EBM, acid, electro, and her go-to genre, techno. Kerrie delivers tough moods from the turntables, as conveyed in her mixes for Reclaim Your City, Bassiani, SLAM and Crack, where she carefully blended high-energy styles of UK, Detroit, and European techno, many of which stem from the 90s and the 00s. It's frequent to hear Kerrie weave broken elements into her mixes too, chopping up the 4/4 groove at just the right moment to keep things propulsive. Kerrie's Live sets are fast becoming renowned for their trippy motifs and high impact on the dancefloor, applauded by Berlin's long-running club Tresor, where she made several appearances with her Elektron machines. Kerrie's Live set at Freerotation in 2019 was one of the festival's most talked-about debuts, and this year, Kerrie will return to and debut at multiple festivals and clubs across Europe and the Americas. Following well-received releases on labels such as Don't Be Afraid, Cultivated Electronics, I Love Acid and Symbolism, Kerrie launched her imprint Dark Machine Funk [DMF] in 2020. The label homes her distinctly raw aesthetic and honours her love for dark, gritty, metallic and industrial sounds melded with elements of funk, heavily influenced by second-wave Detroit artists, UK techno and music by some of her favourite artists; James Ruskin, Blawan and Surgeon. Kerrie's first release on DMF, "Inner Space PT1", was praised by Resident Advisor, who credited her ability to make "lean, fierce techno that knows how to groove." 2022 was a watershed year for Kerrie's productions. She debuted on the monumental UK techno label Blueprint with her EP "Raw Regimen", which landed acclaimed reviews. Truly welcomed to the Blueprint family, Kerrie will share her second EP on the label in May 2023 and join the crew at Blueprint showcases around the globe. This year marks the release of Kerrie's 10th EP on vinyl, and considering her consistent output on DMF, Blueprint and many more labels, the producer shows no sign of slowing down. Coming to international prominence in more recent years, regardless of her decade-long tenure in Manchester's vibrant scene, Kerrie is deeply invested in the culture of electronic music, starting from her teenage era as a raver in Ireland up to her innovative projects today. In 2017, she founded Eastern Bloc's in-house event space to nurture local talent, which remains at the heart of Manchester's music community. Kerrie is forging a long-lasting path fuelled by drive, passion, authenticity and a community-first way of thinking. Tracklist via -Spotify: http://bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/ Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer Keep up with SLAM: fanlink.to/Slam Keep up with Soma Records: fanlink.to/SomaRecords For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

Pełna transkrypcja + foto/video na https://radionaukowe.pl/Podcast działa dzięki: https://patronite.pl/radionaukowe Dziękuję!***- Funkcjonujemy dzięki zasilaniu przez promieniowanie elektromagnetyczne ze Słońca. W związku z tym wiedza, jak materia oddziałuje z promieniowaniem elektromagnetycznym, jakie mechanizmy są generowane przez nie generowane, jest niezwykle ważna – podkreśla w Radiu Naukowym prof. Marek Stankiewicz, dyrektor Narodowego Centrum Promieniowania Synchrotronowego Solaris. –Promieniowanie elektromagnetyczne jest tutaj wykorzystywane jako taka sonda, którą możemy zajrzeć w głąb materii. Możemy badać strukturę tej materii, możemy też stymulować pewne reakcje i sprawdzać, czy nie potrafimy ich wykorzystać do naszych celów – dodaje.Centrum Solaris znajduje się w Krakowie. To jedyny taki ośrodek w Polsce. Podobnych na świecie jest wiele, bo promieniowanie synchrotronowe jest bardzo atrakcyjne badawczo. Jest niezwykle jasne, ale to nie jedyna jego zaleta. Pochodzi z rozpędzanych do niemal prędkości światła elektronów. – Elektron emituje promieniowanie w dość szerokim zakresie energetycznym, od podczerwieni do twardych iksów. A na danej linii pomiarowej może pani sobie wybrać dany zakres energetyczny takiego promieniowania. Czyli jest to uniwersalna żarówka – porównuje dr Adriana Wawrzyniak, zastępczyni Dyrektora ds. Akceleratorów.Dr Wawrzyniak oprowadza nas po całym synchrotronie, wyjaśniając m.in. jak zmusza się elektrony do wyemitowania potrzebnego nam światła. Elektrony są przyspieszane, natomiast, jak wiadomo, nie mogą osiągnąć prędkości światła. – Dlatego przy każdym przyspieszeniu w pewien sposób wytracają część tej energii w postaci promieniowania elektromagnetycznego – mówi dr Wawrzyniak. W „Solaris” można prowadzić badania z inżynierii biomedycznej, geologii, biologii, farmakologii czy elektroniki.W podcaście zwierzamy hale synchrotronu, zaglądamy do linii badawczych, sterowni, dowiadujemy się czym żywią się naukowcy pracujący na miejscu non-stop oraz czy jedna mucha może zepsuć eksperyment.Centrum zwiedzam w czasie przerwy technicznej i rozbudowy. Ale już na dniach, 6 marca, urządzenie znów ruszy pełną parą.

In this clip from ADSN 31, Eonlake and Sunwarper discuss the recently announced song mode from Elektron for the Digitakt, Digitone and Syntakt. With Eonlake being a Digitakt user, they then discuss the merits of the new mode and some potential ways to incorporate it into live sets and dawless setups. Watch the full episode here: Apple https://apple.co/3V80BQY Youtube https://youtube.com/watch?v=Xi5-b4FQEms… Spotify https://spoti.fi/3C9Kwl8 Check out our new Eco T-Shirts: https://audionauticrecords.bandcamp.com/merch/audionautic-space-eco-tee Special thanks: McKinleyA - Audionaut Engineer Lars Haur - Audionaut Producer Help Support the Channel: Patreon: https://www.patreon.com/audionautic PayPal: https://www.paypal.com/paypalme/AudionauticRecords Join the conversation:

Plus: Expressive e announce shipping date for the Osmose

Check out our new Eco T-Shirts: https://audionauticrecords.bandcamp.com/merch/audionautic-space-eco-tee Special thanks: McKinleyA - Audionaut Engineer Lars Haur - Audionaut Producer Help Support the Channel: Patreon: https://www.patreon.com/audionautic PayPal: https://www.paypal.com/paypalme/AudionauticRecords Join the conversation:

On STS-84 we'll deliver Mike Foale to Mir, bring Jerry Linenger back to Earth, wonder how much Elektron really weighs, enjoy the music in the base block, and contemplate the mystical powers of a shouting Marine. http://thespaceabove.us http://twitter.com/SpaceAboveUs http://patreon.com/TheSpaceAboveUs  

‘Her tişt li ser dile mîrov e, heke tiştek binuqute dilê însan ne mimkun e ku ew tişt bisernekeve ‘ wiha dest bi xeberdana xwe dike Nazîme Curga. Curga, jineke 39 salî ye û bi qasî 18 salan e li Wanê temîra amurên elektronik dike. Curga , dayika 5 zarokan e û him ji mala xwe ra eleqedar e him jî kargeha xwe dinêre. Serê sibê wexta kar û barê xwe yê malê temam dike, tê derîyê kargeha xwe vedike û piraniya zemanê xwe li wê derê derbas dike. Tişteke wê xemgîn dike heye; berteka mêran…. Nêzîktarîya mêran wê gellek aciz dike . Lê baş e ku hevserê wê ji wê ra buye darpiştek. Curga, ne ji karê xwe ne ji sekna xwe yek gav paş da neavêtî ye , her dewam kirîye. Hetta dibêje ku êdi li hember wê pejirandinek heye. Pêşnîyareke Curga ji jinan ra heye û dibêje divê jin jixwebawer bin û qet xwe biçuk nebinin…..

Let's talk all things Syntakt with Mario Hernandez of Elektron. Hosted by Bboytech, Ken Flux Pierce and Trovarsi

Wasserstoff kann leuchten, aber nur im Radio. Und damit können wir dorthin schauen, wo keine Sterne im Universum leuchten. Wie das funktioniert? Erfahrt ihr in der neuen Folge der Sternengeschichten. Wer den Podcast finanziell unterstützen möchte, kann das hier tun: Mit PayPal (https://www.paypal.me/florianfreistetter), Patreon (https://www.patreon.com/sternengeschichten) oder Steady (https://steadyhq.com/sternengeschichten)

Todays show features the typical suspects on the Beatppl squad including BBoyTech, Ken Pierce and D. Steele with special guest Simon Mattisson from Elektron. We dig in deep on Digitone and other Elektron products. Lots of good leaughs and great conversation.

Promieniowanie Czerenkowa produkują cząstki poruszające się szybciej od światła. Zanim zaprotestujecie: tak, maksymalna prędkość to prędkość światła w próżni. Ale światło w ośrodku zwalnia. – Na przykład w atmosferze jego prędkość może być 0,3% mniejsza od maksymalnej. Może być więc tak, że super energetyczna cząstka będzie poruszać się z prędkością większą niż prędkość światła w tymże ośrodku. I wtedy ta cząstka zaczyna produkować niebieskie promieniowanie, promieniowanie Czerenkowa – wyjaśnia prof. Marek Nikołajuk z Wydziału Fizyki Uniwersytetu w Białymstoku, sekretarz Międzynarodowej Unii Astronomicznej. Promieniowanie Czerenkowa pozwala astronomom na obserwację Wszechświata – pośrednio – w promieniowaniu gamma (wysokoenergetycznym), które jest przez naszą atmosferę jest blokowane. Właśnie powstaje duże obserwatorium – Cherenkov Telescope Array (CTA), które ma być nową jakością w tego typu obserwacjach. Prof. Nikołajuk jest zaangażowany w projekt CTA.Tylko, co cząstki szybsze od fotonów mają nam dać w kontekście promieniowania gamma (czyli pędzących fotonów)? Tu właśnie pojawia się wspomniana „pośredniość”. – Otóż, kiedy taki bardzo, bardzo energetyczny foton, np. biliard bardziej energetyczny niż foton widzialny… wpada do atmosfery, to w końcu zaczyna grzęznąć. Ale jego energia jest na tyle olbrzymia, że zaczyna wokół siebie tworzyć pary cząstek. Elektron-antyelektron. I te pary poruszają się z większą prędkością niż lokalna prędkość światła produkując promieniowanie Czerenkowa – wyjaśnia naukowiec. Dzięki analizie tego promieniowania można analizować samo promieniowania gamma.- Ten proces zaczyna się 10-12 km nad Ziemią, czyli w wysokości przelotowej samolotów – dodaje prof. Nikołajuk. Zatem, kto leciał samolotem pasażerskim, leciał wśród promieniowania Czerenkowa. Jednak ze względu na niezwykle krótkie błyski, nie jesteśmy w stanie tego dostrzec gołym okiem (ani z samolotu, ani z Ziemi). Dlatego potrzebne nam jest CTA – sieć kilkudziesięciu wysoce specjalistycznych teleskopów w trzech wymiarach, umieszczanych na pustyni Atacama w Chile i hiszpańskiej wyspie La Palma. Międzynarodowy projekt CTA nam pomóc lepiej zrozumieć czarne dziury, gwiazdy neutronowe, aktywne jądra galaktyk, czy ciemną materię. W podcaście rozmawiamy dużo o technicznych wyzwaniach takiego nowego obserwatorium (np. trzeba było zbudować drogę), o tym czy nie lepiej wysłać teleskopu ponad atmosferę i czy oglądanie w dzieciństwie Star Treka determinuje karierę. Polecam!Więcej: https://www.cta-observatory.org/Strona prof. Nikołajuka: http://212.33.71.131/~mark/