Podcasts about supercollider

Bushy and Metal Mike come to the end of their Megadeth retrospective.  After 12 albums, they visit and discuss Th1rt3en (2011) Super Collider (2013) Dystopia (2016) The Sick, The Dying...and the Dead! (2022) Before we dive that topic, Bushy discusses an experience he had at the annual Plum Hollow Alternative Bluegrass Festival.   We also bring exciting news about our new partnership/sponsorship with Dubby! We hope you've enjoyed our Megadeth episodes!!! Click the link at the top of the page to browse Dubby products.  Use Promo Code THEPLUGPODCAST for 10% off your purchase!

With scalpel in hand, our fearless host attempts to re-engage in rock n' roll reanimation, reassess two critically maligned Megadeth albums — “Risk” and “Super Collider” — and reconfigure the remaining pieces into one cohesive kick-ass slab of alt-radio rock era Megadeth.

"When I first listened to the field recording, I was drawn to its spatial rendering, which made me curious to learn more about the place and its surroundings. Historically, it functioned both as an orphanage and a hospital, with certainly thousands traces of stories. This history, along with the architecture, inspired me to explore the relational characteristics of frequencies, materials, and memories. Also, I've always been fascinated by how a cathedral's dome is designed to shape frequencies, creating what could be described as "the song of the angels.". So I started to engage with the volume and height of the space, imagining how sound might behave within it—how frequencies would rapidly reflect across various distances, spreading in all directions within the massive structure of the Hospicio Cabañas in Guadalajara. "I think I engaged with Sonic Heritage by focusing on the relational and spatial aspects of sound within historically and culturally significant environments. By interpreting and exploring the acoustics of Hospicio Cabañas, I consider how sound interacts with architecture and memory, emphasizing how sonic imprints persist in spaces with deep historical resonance. "I used only the field recording as the primary material, processing it in SuperCollider. I enjoy the forensic nature of coding, allowing me to dissect sound and explore its possibilities. "A personal anecdote — I'm not entirely sure, but having worked as a painting restorer, I've become familiar with the spaces and atmospheres of historical monuments, particularly the sacred ones." Hospicio Cabañas at Guadalajara reimagined by Thierry J.D. Bernard. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage

Sam Aaron is the creator of Sonic Pi, one of the most unusual software platforms you'll encounter. It's a live-coding playground for making music. A tool that lets you write code that defines sounds and musical phrases, and build up a hole program that plays anything from a short bleep to a whole nightclub set. And Sam's creator has been using it live for years, weaving drum & bass nights out of thin air, all driven by the Ruby-esque he writes.In this episode we go through Sam's career path and design journey as we look at what it takes to make a programming language with enough expressivity and productivity to produce music at the speed of Sam's imagination.--Sam's Sonic Pi Course: https://www.patreon.com/posts/new-introductory-115404746Sonic Pi: https://sonic-pi.net/SuperCollider: https://supercollider.github.io/Overtone: https://github.com/overtone/overtonePower Gloves: https://en.wikipedia.org/wiki/Power_GloveWeb Audio API: https://developer.mozilla.org/en-US/docs/Web/API/Web_Audio_APITau5: https://www.patreon.com/posts/announcing-sonic-112605951Support Developer Voices on Patreon: https://patreon.com/DeveloperVoicesSupport Developer Voices on YouTube: https://www.youtube.com/@developervoices/joinKris on Bluesky: https://bsky.app/profile/krisajenkins.bsky.socialKris on Mastodon: http://mastodon.social/@krisajenkinsKris on LinkedIn: https://www.linkedin.com/in/krisjenkins/

CERN's plans to build a bigger, faster particle collider, with a hefty 17 billion Euro price tag, are in question. Physicists Andrew Pontzen and Harry Cliff discuss if the new machine is really worth it. A place on the podium or disappointment in the Olympics can come down to the precise position of a foot or angle of the hips. Science reporter Ella Hubber visits the University of Bath to check out the motion capture tech that makes these measurements. New research suggests our close cousins, the chimpanzees, chat just as fast as humans. Professor Cat Hobaiter from the University of St Andrews tells us what chimp chats can teach us about the evolution of language. 75 years after making a groundbreaking discovery, Rosemary Fowler has finally been awarded with an honorary doctorate. University of Bristol chancellor, Sir Paul Nurse, shares how important it is to celebrate and recognise Rosemary's achievements.Presenter: Victoria Gill Producers: Ella Hubber and Sophie Ormiston Editor: Martin Smith Production Co-ordinator: Jana Bennett-Holesworth

What if you could blend the haunting echoes of history with cutting-edge electronic music? This week, Swedish composer Maria W. Horn reveals the secrets behind her spectralist compositions. We delve into her latest album, "Panoptikon," and how she seamlessly integrates ghostly choirs and recordings from an abandoned Swedish prison to evoke emotions that are both eerie and deeply human. Maria's background growing up in a remote Swedish area plays a significant role in her creative process, offering a unique perspective on the importance of community for artists.Maria shares invaluable insights on developing a unique voice, free from external pressures, and the benefits of embracing mistakes and uncertainties. She uses tools like SuperCollider to add an element of unpredictability to her work.Our discussion takes a fascinating turn as Maria describes her site-specific sound art projects, particularly her installation in Sweden's only panoptic prison. The emotional resonance of the prison's history inspired her to create an imaginary prison choir, combining sound and light to evoke the cycle of daylight and lamenting voices. Maria also opens up about her creative routines, the impact of COVID-19 on her life, and offers heartfelt advice to young artists. Trusting one's instincts, valuing friendships, and courageously releasing work independently emerge as key takeaways from our conversation.Panoptikon is available now, listen an buy on BandcampTo let us know the artists you'd like to hear, send us an email or even a letter. We'd love to hear! Follow Paul Hanford on InstagramLost and Sound is proudly sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

Art Bell - Super Collider Project - Prof. Paul Dixon

In this edition of The Naked Scientists: Why cancer waiting lists have lengthened, and the importance of catching the disease early; how pollution is blinding insects to plants they might otherwise want to pollinate: and how do blueberries come by their colour? It's not as simple as it sounds: squash one and you'll see they're not blue inside! Like this podcast? Please help us by supporting the Naked Scientists

This podcast is a commentary and does not contain any copyrighted material of the reference source. We strongly recommend accessing/buying the reference source at the same time. ■Reference Source https://www.ted.com/talks/brian_cox_cern_s_supercollider ■Post on this topic (You can get FREE learning materials!) https://englist.me/168-academic-words-reference-from-brian-cox-cerns-supercollider-ted-talk/ ■Youtube Video https://youtu.be/NHse8xLC36s (All Words) https://youtu.be/Nd_7mpouZ48 (Advanced Words) https://youtu.be/7WRRWhV8zJE (Quick Look) ■Top Page for Further Materials https://englist.me/ ■SNS (Please follow!)

The artists discuss the power of the Processing community with Alex Estorick and explain what makes Southern California a different kind of art world.

In July of 2020, Tyler Etters (@tyleretters) put out a request for contributions to start a project for norns named dronecaster (https://llllllll.co/t/dronecaster/34737). He found his first collaborator in Ryan Laws ('license' on lines), who helped build a SuperCollider template which not only deployed Tyler's initial vision, but made it easy for others to contribute as well. among those was Zack Scholl (@infinitedigits), whose norns scripts 'blndr' (https://llllllll.co/t/blndr/35106) and 'barcode' (https://llllllll.co/t/barcode/35297) were already instant classics within the community. This episode is comprised of separate but dovetailing conversations with these three artists, each recorded almost two years ago. Their perspectives remain incredibly energizing + inspiring, and I'm so humbled to be able to share them as the 23rd episode of this podcast. Featured tracks: - Sidereal Lobby: Mental Dub (Lisbon) // https://sidereallobby.bandcamp.com/album/fciv - Northern Information: powerlines // https://northerninformation.bandcamp.com/album/the-arecibo-lamentations - Tyler Etters: dronecaster demo // https://youtu.be/sYnHYDg3rhg - Tyler Etters: 'What Is Love?' cover with Yggdrasil // https://youtu.be/8ac2qw9gmaw - infinite digits: tock // https://infinitedigits.bandcamp.com/album/be-the-light-be-the-void - Northern Information: one is opposite six // https://northerninformation.bandcamp.com/album/the-arecibo-lamentations - infinite digits: worthying scattergoods // https://infinitedigits.bandcamp.com/album/generations - Northern Information: The Arecibo Lamentations // https://northerninformation.bandcamp.com/album/the-arecibo-lamentations - infinite digits: lonlat // https://infinitedigits.bandcamp.com/album/be-the-light-be-the-void - Sidereal Lobby: bottles // https://sidereallobby.bandcamp.com/album/beaches - Sidereal Lobby: Mental Dub (Null Lake) // https://sidereallobby.bandcamp.com/album/fciv

                This week we cover several alleged reports of time travel. So rub on some time grease, get nice and lubed up for our special season 3 finale. This topic was so fun to bring to you weirdos. Enjoy the holidays with your loved ones and if you find this time of year hard feel free to reach out we'll have some laughs with you and maybe ease your mind a bit. We'll back in January with some fresh candy for your ear holes.

"This project uses just two sound sources: chiefly the one offered by Cities and Memory, a recording of a 1971 Triumph TR6 engine by lonskwad2020 @ https://freesound.org/s/435212/. To supplement this there is also a single chord hit and a drum loop taken from 'AU Profiles – Frank Jenkins – Another Case History and a Glance at Auburn University's Vocational Rehabilitation Curriculum' https://archive.org/details/aup-252-program-5, chosen as it dates from the same day that the Triumph TR6 was first released, 1969-09-19. "The piece was intended as a study on the potential for using the recently released FluCoMa toolkit https://www.flucoma.org/ within the SuperCollider environment. As it turned out the TR6 recording did not seem particularly amenable to analysis and resynthesis in this way. However, the OnsetSlice tool in mode 9 produced excellent results in slicing the drum break at the end of the Auburn University recording. "The final recording comprises a single unedited livecoded performance in SuperCollider, with the title taken from the script of a TR6 advert at https://youtu.be/D_b2trPkrns" Composition by tedthetrumpet.  This is part of the Obsolete Sounds project, the world's biggest collection of disappearing sounds and sounds that have become extinct – remixed and reimagined to create a brand new form of listening. Explore the whole project at https://citiesandmemory.com/obsolete-sounds IMAGE: © Akela NDE / Wikimedia Commons

What does Satan do when he gets bored, He takes an interest in theoretical physics and sculpture. At least that's what the whackadoos believe. Today, we discuss the CERN Supercollider and the Georgia Guidestones, ripped right from the headlines.

This week's guest, writer/drummer S.W. Lauden, first wrote about NY band Fountains Of Wayne in the book 'Go All The Way: A Literary Appreciation of Power Pop'. During that time, he listened to their third - and breakout - album 'Welcome Interstate Managers' for months on repeat, and eventually formulated a theory that it's actually a sly, sophisticated Gen-X concept album. To be clear, this is solely HIS theory. Nonetheless, it lent itself to a really fun conversation, and the pure-pop mastery of Chris Collingwood and Adam Schlesinger's songs cannot be denied! Songs featured in this episode: Valley Winter Song - Fountains Of Wayne (NPR Tiny Desk Concert); Next Aquarius - The Brothers Steve; Go All The Way - Raspberries; Radiation Vibe - Fountains Of Wayne; Fight Test - The Flaming Lips; That Thing You Do - The Wonders; Mexican Wine, Bright Future In Sales, Stacy's Mom - Fountains Of Wayne; Buddy Holly - Weezer, Just What I Needed - The Cars; Hackensack - Fountains Of Wayne; Hackensack - Katy Perry (Live MTV Unplugged, 2009); No Better Place, Valley Winter Song, All Kinds Of Time - Fountains Of Wayne; Rock-n-Roll Star - Oasis; Little Red Light, Hey Julie, Fire Island, Bought For A Song, Supercollider, Yours And Mine, Elevator Up - Fountains Of Wayne; Popular - Nada Surf; Hackensack - Fountains Of Wayne (Live Jersey 4 Jersey feat. Sharon Van Etten)

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☽Episode 33: The Mandela Effect☾So you think you know what dimension you're from, huh? Do you remember Darth Vader saying "Luke, I am your father," ? Or what about the movie Snow White and the famous line, "Mirror, Mirror, on the wall..." ? If you are sure you remember those things (and more!) you may or may not be from an alternate dimension. In this episode we discuss The Mandela Effect, a phenomenon where a large amount of people recall something that does not exist in the way they recall it. The theories for this phenomenon can range from mundane to mind bending, and the examples are seemingly never ending. If you are trying to find the tiktok that Sara mentions in this episode about the apple & the fourth dimension https://www.tiktok.com/@benjhandy/video/6980300813746883845?lang=en (tap here!) The video of boy genius Max Loughan describing the CERN theory can be found if you https://www.youtube.com/watch?v=-YyR2nm6VbA&ab_channel=NHMJSP.OMYAR (tap here!) ⛦Support The Show - Value 4 Value⛦Checkout What We're Doing: https://linktr.ee/awakenotwoke (Click Here) Chas's Business: https://www.etsy.com/shop/5DImpressionsShop (Click Here) ⛦Instagram & Website⛦Check out our Instagram https://www.instagram.com/awakenotwokepodcast/ (here) Check out our website http://awakenotwokepodcast.com/ (here) awakenotwokepodcast.comCheck out Chas's Instagram for 5D Impressions https://www.instagram.com/5dimpressions/ (here) ⛦ Intro music ⛦  Our sick intro song was composed and produced by Chas' husband Tony and you can checkout his soundcloudhttps://soundcloud.com/owlsnot ( here) ⛦ Royalty Free Credits⛦ Record Scratch Noise By Freesound.org user Luffy 7/7/2005 https://freesound.org/people/luffy/sounds/3536/ (https://freesound.org/people/luffy/sounds/3536/) Local Forecast - Elevator Music By Kevin MacLeod https://incompetech.com/ Promoted by MrSnooze https://youtu.be/ioi_-5sAuXQ Creative Commons — CC BY 3.0 I https://goo.gl/Yibru5 (https://goo.gl/Yibru5)

Grace & Tyler reflect on seeing each other (and also the stage show Traffic & Weather and also Jody Porter) last week at the Adirondack Theatre Festival, and then discuss the underrated Interstate Managers gem Supercollider!Patreon: https://www.patreon.com/fountainsofsplainEmail: fountainsofsplain@gmail.comIG: https://www.instagram.com/fountainsofsplain/TikTok: https://www.tiktok.com/@fountainsofsplain?lang=en'Splain playlist: https://open.spotify.com/playlist/5BSmVU2i5Ntjy5d0KcO7gP?si=kzyR5784RgWArUFO3BjRbwPlaylist of featured artists: https://open.spotify.com/playlist/6WEHh9HtbMppR02NWK7Rm2?si=KocI17RxQ7uLQjc1PfjBzAPERFECT THEME SONG by Kirsten and Darinhttps://instagram.com/kirabella1588?igshid=fpw8kv87ybsahttps://instagram.com/gimpymusical?igshid=tmm3p3f5lzd8Music -  Doomer (Pts. 1 & 2) by Kill GoslingInstagram: https://www.instagram.com/killgosling/Twitter: https://twitter.com/killgoslingSpotify: https://open.spotify.com/artist/3hgaJzmO7bwlLjTpVtxehi?si=RSfqxlhPRqyZRBAINWJmew&dl_branch=1Cover art by Claire D:https://www.instagram.com/claire.in.color/Support the show (https://www.patreon.com/fountainsofsplain)Support the show (https://www.patreon.com/fountainsofsplain)

Original Airdate 7/9/13 Robert Cooper and Mark Radulich are back to review the latest offering from #thrashmetal legends #Megadeth #Supercollider. Does it suck? Is it delicious? You'll find out tonight!

Its episode 42 and we have a special guest with us for this week's Broken Record in the form of metal aficionado and Hell Bent for Metal Podcast creator Tom Dare. And this particular episode is catered to his tastes perfectly … or it would be, if we weren't talking about an album written and released in the past 10 years of 'anything you can do I can better' Metallica copyists Megadeth's career. Hold on to your hadron collider's cause we're talking Super Collider. Released on June 4, 2013, Super Collider marked the first time the band had released more than one album with the same lineup since 1997's Cryptic Writings, however it is the band's final album to feature drummer Shawn Drover and guitarist Chris Broderick, due to their departures from Megadeth in November 2014. The album debuted at number six on the Billboard 200 and has sold over 86,000 copies in the United States as of December 2015, despite receiving mixed reviews from critics with a Metacritic rating of 41/100 We discuss the lead up to this album, which had, for the most part, placed Megadeth in the best position they'd been in since the early 90s. They ballsed up most of that good will with this album, but where will we rank it on our list of Broken Records?

Guests Alee Peoples and Cara Levine talk about Secret narratives, Ambient grief, how Fear is a Liar, Adrian Piper, Not arriving, Residencies, the Luxury of isolation, Art as time management, Finding the balance, how to Protect your eyes while you're blinding yourself, Echo Park Film Center, Elephant Art Space and sooo much more! Alee Peoples is an artist and filmmaker living in Los Angeles. She is inspired by pedestrian histories, pop song lyrics and is invested in the hand-made. Alee has a film screening on February 22nd for the New Works Salon at Echo Park Film Center here in LA Cara Levine is an artist living in Los Angeles. She works in sculpture, video and socially engaged practices. She has work in the group show Message to Space in the inaugural opening of SUPERCOLLIDER a new science inspired exhibition platform at the Beacon Building. … and also, she and Alee have a two person show coming up in April at elephant art space here in the Cypress Park neighborhood of Los Angeles Our interstitial music as always is Ocfif by Lewis Keller. And we go out with the latest from friend of the show Nick Flessa - a single that came out last month under the name Dayton Swim Club (inspired by a cult early internet video of the same name). The project stems from Nick Flessa Band but is more collaborative, featuring Mario Luna on guitar, Jessica Perelman on Drums, Kirsten Bladh (of Leggy) on bass, and Dominique Matelson on backing vocals and keys. … and the name of the song is Rage All Night