Podcasts about Moogfest

Subscribe, Rate, & Comment on YouTube • Apple Podcasts • SpotifyIf you value this series, please consider becoming a patron here on Substack or with tax-deductible donations at every.org/humansontheloop (you'll get perks either way).About This EpisodeThis week we speak with “strategic futurist and pattern navigator” Adah Parris, a London-based wizard and weirdo with whom I immediately hit it off over our shared interest in “cyborg shamanism” and an emphasis on being good ancestors. Forbes Brasil called her “one of the most important futurists in the world.” It's hard for me to measure the impact she's had on business leaders, tech startups, marketing and communications firms, arts schools, and in the lives of the countless other people.We talk about the relationship between numbers, language, and the ineffable, ever-shifting human spirit. Adah's work points past knowledge and history into the elemental nature of both human and machine, past our differences into the deep similarity worth celebrating and the mystery that we inhabit and embody. Join us for a yarn that is both silly and profound, present and far-reaching, about being uncategorizably creative, open, and curious amidst the wicked problems of our time…Project Links• Read the project pitch & planning doc• Dig into the full episode and essay archives• Join the online commons for Wisdom x Technology on Discord + Bluesky + X• Join the open, listener-moderated Future Fossils Discord Server• Contact me if you have questions (patron rewards, sponsorship, collaboration, etc.)• Browse the HOTL reading list and support local booksellersChapters0:00:00 - Teaser0:00:49 - Intro0:05:24 - Feeling Seen & Heard0:09:54 - Adah's Biography0:17:21 - Poetry & Number0:27:55 - Cyborg Shamanism & The Five Elements0:37:03 - The Foraging Neurotype of “Extremely Online”0:51:07 - Surrendering Agency to Systems0:55:14 - The Incremental Reclamation of Agency1:01:19 - Art after Modernity & Healing from Noise1:13:01 - Beyond Narrative & Into Dance1:17:30 - Thanks & AnnouncementsAdah's LinksWebsite | Instagram | LinkedIn | Medium | Chartwell SpeakersFinding Our Future in Ancestral Wisdom @ TEDxSohoWhat Kind of Ancestor Do You Want To Be? @ Think With GoogleCyborg Shamanism & The Case for Elemental AI @ AtmosMentioned MediaRefactoring “Autonomy” & “Freedom” for The Age of Language Modelsby Michael Garfield223 - Timothy Morton on A New Christian Ecology & Systems Thinking BlasphemyFuture Fossils PodcastAttention deficits linked with proclivity to explore while foragingby David L. Barack et al.New Selves of Neural Media & AI as 'The Poison Path' with K Allado-McDowellHumans On The LoopRaising AI: An Essential Guide to Parenting Our Futureby De KaiTechnoshamanism: A Very Psychedelic Century! at Moogfest 2016by Michael GarfieldProteus (film)Sonic restoration: acoustic stimulation enhances plant growth-promoting fungi activityby James M. Robinson et al.Ada Twist, Scientistby Andrea Beaty & David RobertsOppenheimer (film)Dante's Infernoby Dante AlighieriMentioned People & InstitutionsFord Motor Co.TelefonicaWayraAT&TAugusta Ada Byron LovelaceCharles BabbageMarshall McLuhanDr. Kate StoneErnst HaeckelTada HozumiLewis MumfordJohn Taylor GattoPaul TillichAlan TuringGuest RecommendationsEmalick NijeAnjuli BediCharlie MorleyAmichai Lau-Lavie This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit michaelgarfield.substack.com/subscribe

Electronic music pioneer and composer Suzanne Ciani discusses her career highlights in conversation with William Stokes, including early performance struggles due to her determination to present shows in quadraphonic, a career resurgence thanks to Moogfest and why she loves working with the Buchla interface.Chapters00:00 - Introduction01:06 - The First Female To Score A Movie04:01 - Having More Than 20 Albums04:36 - Golden Apples Of The Sun07:55 - Live Performance Struggles11:57 - A Love Of Programming14:09 - Interacting With A Buchla17:14 - A New Way Of Performing Music22:32 - The Buchla 250 MARF25:36 - Making A Comeback At Moogfest29:36 - Creating Spatial Content38:40 - A Meeting Of Art And Science 41:36 - Future Plans"I didn't build the machines, I certainly didn't design them, but I could interact with them and use them, you know, and that's what I liked".#buchla #moogSuzanne Ciani BiogSuzanne is a five-time Grammy award-nominated composer, electronic music pioneer, and neo-classical recording artist who has released over 20 solo albums including "Seven Waves," and "The Velocity of Love," along with a landmark quad LP “LIVE Quadraphonic,” which restarted her Buchla modular performances. Her work has been featured in films, games, and countless commercials as well. She was inducted into the first class of Keyboard Magazine's Hall of Fame alongside other synth luminaries, including Bob Moog, Don Buchla and Dave Smith and received the Moog Innovation Award. Most recently, she is the recipient of the Independent Icon Award from A2IM, The Golden Ear Award and the SEAMUS Award.Suzanne has provided the voice and sounds for Bally's groundbreaking "Xenon" pinball machine, created Coca-Cola's pop-and-pour sound, designed logos for Fortune 500 companies and carved out a niche as one of the most creatively successful female composers in the world. A Life in Waves, a documentary about Ciani's life and work, debuted at SXSW in 2017 and is available to watch on all digital platforms. Ciani is a graduate of Wellesley College and holds a Masters in Music Composition from the University of California, Berkeley.http://sevwave.com/https://transversales.bandcamp.com/album/golden-apples-of-the-sun-3William Stokes BiogWilliam Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more. As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips' Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom. Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I'm always seeking out the most ‘out-there', experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.” Stokes currently lectures in Music Production at City, University of London.https://www.vokagentle.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Paleontologist-Futurist Michael Garfield is devoted to helping navigate our age of accelerating weirdness and helping cultivate the curiosity and play we'll need to thrive in it. As host and producer of Future Fossils Podcast, Michael refuses to be enslaved by a single perspective, creative medium, or intellectual community, walking through the walls between academia and festival culture, theory and practice — speaking and performing everywhere from Moogfest to Burning Man, SXSW to Boom Festival, the Commonwealth Bank of Australia to Long Now's Ignite Talks to The Chapel of Sacred Mirrors.Intro music “Brightside of the Sun,” by Basin and Range. Transition music: “Olympus Mons,” by Michael Garfield. Outro: “Smoke Alarm,” by Carsie Blanton. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit chrisryan.substack.com/subscribe

In this episode, we dive into the dynamic world of DJ Molly Parti, where music meets entrepreneurship. Join us as Molly shares her journey from spinning beats to running her own business, offering valuable insights into finding the perfect balance between creative passion and business acumen. Discover the power of consistency, the art of showing up, and the importance of maintaining a clear channel amidst the noise of the music industry. Get ready to tune in and learn from DJ Molly Parti's recipe for success! Get to know her: Molly Kummerle (DJ Molly Parti) was born with a natural passion for music, which has woven its way throughout her life. She has had a successful 20+ year career in the music industry as a singer, DJ, independent radio promoter, and publicist. As a DJ, her passion lies in curating the soundtrack for any occasion through music. She regularly performs at such events as silent discos, decade-themed dance parties, house parties, weddings, private and corporate occasions, and public venues. Most recently, DJ MollyParti has been expanding her community through her Twitch channel as a live streamer. Voted BEST NEWCOMER of 2022 in the TWITCH TV AWARDS. DJ Molly Parti is no stranger to the stage, having performed as front woman to the trip hop project Paper Tiger, and motown/jazz/cabaret band RubySlippers for almost 20 years, and collaborating on songs with artists like Emancipator. As a DJ for over 12 years, she has shared the stage with artists such as Marc Rebillet and Rob Garza (Thievery Corporation), and played events including MoogFest, Mountain Oasis Electronic Music Festival, LEAF Festival, and Downtown After 5. Voted Best of WNC in the Mountain XPress Best of WNC 2023.Mission:To celebrate all of life's big and small moments through music, community, inclusion, experience, and inspiration. Connect with her: Website: https://www.mollyparti.com/ Instagram: https://www.instagram.com/djmollyparti/ Facebook: https://www.facebook.com/djmollyparti Twitch: https://www.twitch.tv/djmollyparti --- Support this podcast: https://podcasters.spotify.com/pod/show/lisa-zahiya/support

Jon Dawson (Third of Never/Electric Forgiveness) and his friend Prozac interview Thorsten Quaeschning, Hoshiko Yamane and Paul Frick of Tangerine Dream.The conversation took place backstage at the Orange Peel in Asheville, NC, on Sept. 11, 2023. Topics covered include the new Tangerine Dream studio album, the 'Sessions' live album series,  Tangerine Dream in the 80s, The Doors, Lynyrd Skynyrd, memories of Moogfest, Hoshiko's favorite Tangerine Dream album, difficulties of touring in the United States, and an upcoming live DVD/Blu-ray from the 2022 tour.Music featured in this episode: Intro: Rose Is On The Air - Electric Forgiveness         Raum - Tangerine Dream         You're Always On Time - Tangerine Dream         Continuum - Tangerine Dream         Proton Bonfire - Tangerine Dream

Daniel Görtz and Michael Garfield in dialogue, hosted by Tom Amarque "Evil is the annunciation of the next level of order" Paleontologist-Futurist Michael Garfield is devoted to helping navigate our age of accelerating weirdness and helping cultivate the curiosity and play we'll need to thrive in it. As host and producer of both Future Fossils Podcast & The Santa Fe Institute's Complexity Podcast, Michael acts as interlocutor for a worldwide community of artists, scientists, and philosophers — a practice that feeds his synthetic and transdisciplinary "mind-jazz" performances in the form of essay, music, and fine art. Standard-bearer for a new generation of boundary-defying scholars, Michael refuses to be enslaved by a single perspective, creative medium, or intellectual community, walking through the walls between academia and festival culture, theory and practice — speaking and performing everywhere from Moogfest to Burning Man, SXSW to Boom Festival, the Commonwealth Bank of Australia to Long Now's Ignite Talks to The Chapel of Sacred Mirrors. Daniel Görtz is the co-author, with Emil Esper Friis, of both “Hanzi Freinacht” books The Listening Society and Nordic Ideology. Daniel's work approaches what many know as Ken Wilber's integral theory, but considers its secular and practical application to politics, cultural currents in society, within the arts and beyond. He lives in Sweden and works for Metamoderna, the publisher of metamodern books, and for Glimworks, an IT-company where he is In-House Philosopher. --- Send in a voice message: https://podcasters.spotify.com/pod/show/podcast-c709ee4/message

Check out Michael's many writings, art projects, music projects, and podcasts here.Instagram (@michaelgarfield) | Future Fossils Podcast| Complexity Podcast | substack | Live at the Apothecary | YouTube |Paleontologist-Futurist Michael Garfield is devoted to helping navigate our age of accelerating weirdness and helping cultivate the curiosity and play we'll need to thrive in it. As host and producer of both Future Fossils Podcast & The Santa Fe Institute's Complexity Podcast, Michael acts as interlocutor for a worldwide community of artists, scientists, and philosophers — a practice that feeds his synthetic and transdisciplinary "mind-jazz" performances in the form of essay, music, and fine art. Standard-bearer for a new generation of boundary-defying scholars, Michael refuses to be enslaved by a single perspective, creative medium, or intellectual community, walking through the walls between academia and festival culture, theory and practice — speaking and performing everywhere from Moogfest to Burning Man, SXSW to Boom Festival, the Commonwealth Bank of Australia to Long Now's Ignite Talks to The Chapel of Sacred Mirrors.Follow him on Substack, Medium, and Twitter (or join his book club on Patreon) for a kaleidoscopic avalanche of explorations into human-technology co-evolution, the pre- and post-history of creativity and communication, and other soulful and subversive futurism. Subscribe to his music on Spotify and Bandcamp and follow him on Instagram for clips from works in progress.

Paleontologist-Futurist Michael Garfield is devoted to helping navigate our age of accelerating weirdness and helping cultivate the curiosity and play we'll need to thrive in it. As host and producer of both Future Fossils Podcast & The Santa Fe Institute's Complexity Podcast, Michael acts as interlocutor for a worldwide community of artists, scientists, and philosophers — a practice that feeds his synthetic and transdisciplinary "mind-jazz" performances in the form of essay, music, and fine art. Standard-bearer for a new generation of boundary-defying scholars, Michael refuses to be enslaved by a single perspective, creative medium, or intellectual community, walking through the walls between academia and festival culture, theory and practice — speaking and performing everywhere from Moogfest to Burning Man, SXSW to Boom Festival, the Commonwealth Bank of Australia to Long Now's Ignite Talks to The Chapel of Sacred Mirrors.Follow him on Substack, Medium, and Twitter (or join his book club on Patreon) for a kaleidoscopic avalanche of explorations into human-technology co-evolution, the pre- and post-history of creativity and communication, and other soulful and subversive futurism. Subscribe to his music on Spotify and Bandcamp and follow him on Instagram for clips from works in progress.In this episode, Michael Garfield and Beth Weinstein discuss …▶ How the perception of organisms plays into their evolution▶ The relationship between mind, communication and the unfolding of biological form in time▶ Michael's psychedelic influence and how it has shaped his scholarly and artistic expression▶ Thinking about the brain's electrical activity as “weather”▶ Sitting in the liminal zone during psychedelic experiences, and how Michael tries to anchor the insights that come into his eyes open, waking experience▶ Studying ways that humans use certain things: “use webs”▶ How capitalism is founded in the deeper logic of biophysics, growth and the scaling of networks▶ The idea that the work of culture and knowledge production flows as an underground river through repeated waves of colonization▶ How we are under existential assault from the institutions we've created as a way of trying to shelter ourselves from the ravages of an unpredictable world▶ Civilizations and their institutions as life forms in their own right ▶ How in becoming more “porous” through psychedelic use you are interrogating the boundary of self and other and essentially issuing an invitation for the “other” to enter you ▶ “Fugitivity” as defining this time▶ How we need to preserve the wilderness at all costs, including the wilderness of the “uncategorizable self”▶ How the world is getting stranger and stranger and the surface area of our questioning now exceeds the surface area of our answering▶ Staying connected to simple things when you feel overwhelmed by the world▶ The relationship between mind and language ▶ How psychedelics give us experiences that elude or ability to communicate them and beckon us into more eloquent communicationMichael Garfield Links & Resources▶ Website: https://michaelgarfield.blogspot.com/▶ Instagram: https://www.instagram.com/michaelgarfield/▶ Substack:https://michaelgarfield.substack.com/▶ Twitter: https://twitter.com/michaelgarfield▶ Medium: https://michaelgarfield.medium.com/▶ Patreon: https://www.patreon.com/michaelgarfield▶ Spotify: https://open.spotify.com/artist/46UT138ndv6ZAeDt0eO64h▶ Bandcamp: https://michaelgarfield.bandcamp.com/

In this episode of Lead With Who You Are, we have Wanona Satcher, CEO & Founder of Makher Studio- a green manufacturing and design-build firm that specializes in innovative modular real estate and civic revitalization strategies. Wanona has been a troublemaker in one setting and a visionary in another. In our conversation, we explore the issue of context- how context can make who we are a problem or an asset. She talks with us about how fundraising is friction, the word, no, as one of the best words out there and she tells the story of her own journey to find the contexts that make who she is an asset and not a liability.In 2020, Wanona was selected as Inc Magazine's 100 Top Female Entrepreneurs, and in 2019, she won two Auburn Alumni awards (Diversity & Inclusion; Sustainability). In 2018, she was chosen to participate in the LAUNCH Founder University in Silicon Valley for minority and women-owned businesses. In 2016, Wanona was a finalist for the Dell/Cosmo Magazine Women's Entrepreneur Network Award and Keynote Panelist for Moogfest- the world-renowned music, art and technology conference. In 2013, she was also a semi-finalist for the Bloomberg Philanthropies Mayors Challenge, she attended Aspen Institute/CityLab 2.0 and was chosen as a national Next City Vanguard's Top 40 Under 40 program. She has been featured in GOOD Magazine and the Huffington Post. Find Makher Studio here.And check out all things Dia  Bondi here..

Alec and Nick discuss the poetry and politics of the experimental music festival. At first exploring the history and economy of music festivals such as Big Ears, Moogfest, Hopscotch, Red Bull Music Academy, and the European Festival circuit—the conversation then launches into a  personal discussion probing Nick's curatorial role at ISSUE Project Room and Alec's curatorial role in the Neo-Pastiche: Changes In American Music Festival. Notions of community, consumption, and audience take shape around anecdotes of  DIY organizing, non-profit culture, Dick Higgins, Black Mountain College, Alvin Lucier, George Lewis, and more.

Join us for the dramatic ending of 1984!  At the end of episode 2, Winston had been captured by the party, and thrown in prison.  Let's see what becomes of him and his gal pal Julia.  Most importantly, let's see if your hosts fire this book out of the dang canon!  Theo does a seriously amazing job remembering what we've read so far.  Jackie sings Fast Car, as is customary.  Rachel blatantly virtue signals.  Topics include: the agents of SHIELD, Rudyard Kipling, God vs. GAWD, what to look for in an apartment, mayonnaise, BlacKkKlansman, Down to Earth, The Princess Bride, hurt/comfort fanfic, Moogfest, board game trauma, Bruce Bogtrotter, Olive Garden, the Gom Jabbar, Timothee Chalamet, Wookieepedia, drupelets, the Blair Witch Project, The Handmaid's Tale, GoodReads rating systems, Paul Thomas Anderson movies (specifically Phantom Thread), and dog allergies. Content warning: racism, sexism, antisemitism, torture, marijuana use Additional reading: Roger Griffin's work on fascism

Amon Tobin on the Virtual Sessions presented by The DJ Sessions 12/14/21 About Amon Tobin - Amȯn Tȯbin was born in Brazil, but spent his formative years in the UK. He came up through the breakdancing and hip-hop scenes in the 1980s, and the jungle and drum and bass scenes of the 1990s, before establishing a sound and a style that was singularly his own. He first emerged with a string of 12" singles on the small London label 9Bar Records, and his breakthrough first album, Adventures in Foam, led to his signing to Ninja Tune in 1996. For the next several years, he pushed the boundaries of found sound to the limits in acclaimed albums such as Bricolage (1997), Permutation (1998), Supermodified (2000), and out from out Where (2002), and pushed other compositional tactics forward in albums like Foley Room (2007) and ISAM (2011). Foley Room explored the role of sound design and field recordings, culminating in an acclaimed performance at the birthplace of musique concrete, the GRM in Paris. He also produced several original scores, ranging from the cult film Taxidermia to the video game blockbuster Splinter Cell: Chaos Theory, and created numerous dancefloor-oriented singles and albums under the alias Two Fingers. Tobin's 2011 album ISAM, an acronym for "Invented Sound Applied to Music," utilized advanced synthesis processing and production techniques traditionally reserved for sound design in film. It proved an influential contribution towards recent approaches to music production in electronic music. It also paved the way for a radically new kind of audiovisual performance. Hailed by major media outlets including Wired, Rolling Stone, NPR, and many others around the world, ISAM received global acclaim as a landmark in audiovisual performance. Projection mapping, which had been the domain of static and mostly corporate visual showcases, was configured for the first time to uniquely narrate the musical performance of an album. ISAM reshaped audience's expectations of electronic music concerts, and premiered at some of the world's most prestigious venues, from the Sydney opera House to the olympia in Paris to the London Hammersmith, and many international festivals including Sonar, MUTEK and Moogfest. The depth and scope of Amon Tobin's work have been a major inspiration to many. From the Kronos Quartet to Diplo, he achieved respect among artists within and outside electronic music. He established a reputation for musical ingenuity unconfined by genre, and over two decades remains one of the most visionary electronic artists of his generation. — Geeta Dayal About The DJ Sessions - With over 2,200 episodes produced over the last eleven years “The DJ Sessions”, a Twitch and Mixcloud “Featured Partner”, has featured international artists such as: BT, Robert Babicz, Camo & Krooked, Amon Tobin, SNBRN, Simon Patterson, Lindsey Stirling, Mako, Morgan Page, Jes, Cut Chemist, Yves Larock, Judge Jules, DubFX, DJs From Mars, Rudosa, Thievery Corporation, Sander Van Dorn, GAWP, Hollaphonic, Kissy Sell Out, Somna, David Morales, Roxanne, JB & Scooba, Massimo Vivona, Moulinx, Futuristic Polar Bears, Many Few, Joe Stone, Reboot, Truncate, Scotty Boy, Jody Wisternoff, Benny Bennasi, Dance Loud, Christopher Lawrence, Oliver Twizt, Ricardo Torres, Alex Harrington, 4 Strings, Sunshine Jones, Elite Force, Revolvr, Kenneth Thomas, Paul Oakenfold, George Acosta, Reid Speed, TyDi, Donald Glaude, Jimbo, Ricardo Torres, Hotel Garuda, Bryn Liedl, Rodg, Kems, Mr. Sam, Steve Aoki, Funtcase, Dirtyloud, Marco Bailey, Thousand Fingers, Dirtmonkey, Crystal Method, Beltek, Dyro, Andy Caldwell, Darin Epsilon, Kyau & Albert, Kutski, Vaski, Moguai, Blackliquid, Sunny Lax, Matt Darey, and many more. In addition to featuring national/international artists “The DJ Sessions” featured hundreds local top DJs from their homebase of Seattle. We have also undergone a massive upgrade in our TDJS studios and to our TDJS Mobile Studio to full HD streaming and HD audio to make the quality of the shows even better than before. Along with that we have launched a new website that now features our current live streams and past episodes in a much more user friendly mobile/social environment. About The DJ Sessions Event Services - TDJSES is a WA State Non-profit charitable organization that's main purpose is to provide music, art, fashion, dance, and entertainment to local and regional communities via events and video production programming distributed through broadcast television and the internet for live and archival viewing. "The DJ Sessions" is a Twitch "Featured Partner" and MixCloud "Featured Partner" series and has been recognized by Apple twice as a "New and Noteworthy" and "Featured Video” podcast. UStream and Livestream have also listed TDJS as a "Featured" stream in their lineups. The TDJS combined live streaming/podcast audience is over 125,000 viewers per week. For all press inquiries regarding “The DJ Sessions”, or to schedule an interview with Darran Bruce, please contact us at info@thedjsessions.com

Artist and philosopher Michael Garfield helps people navigate our age of accelerating weirdness and cultivate the curiosity and play we'll need to thrive in it. As host and producer of both Future Fossils Podcast & The Santa Fe Institute's Complexity Podcast, Michael acts as interlocutor for a worldwide community of artists, scientists, and philosophers — a practice fed by and and feeding back into his fifteen years of synthetic and transdisciplinary "mind-jazz" performances in the form of essay, avant-guitar, and live painting. Bearing the standard for a new generation of mystic-scholars and refusing to be enslaved by a single perspective, creative medium, or intellectual community, Michael walks through the walls between academia and festival culture, theory and practice — speaking and performing everywhere from Moogfest to Burning Man, SXSW to Boom Festival, the

Since his 2007 breakthrough album, Spiderman Of The Rings, Dan Deacon has assumed numerous roles. He's a staple of Baltimore's Wham City art collective - and a classically-trained composer and film scorer. On stage, he's a mad scientist tinkering with colorful electronics - and a ringleader encouraging his wild fans in absurdist dance-offs. Likewise, his music delivers both exquisite bliss and full-on beat-heavy cacophony. But no matter the setting, Deacon's unfettered sense of humor and his masterful ear for sonic textures unify his various music sides in endlessly exciting ways. Now, after several records written for larger ensembles, Deacon has gone solo with his 2015 album, Gliss Riffer. In some ways, it's a return to what he's best known for: exuberant and densely-stuffed electronic dance music. And while singing has always played some part Deacon's songs, Gliss Riffer showcases his voice more fully. You can hear that immediately in the lead single, "Feel The Lightning," and in "Learning To Relax" - where Deacon changes the pitch or timbre of his voice to sometimes sound female - like a duet with himself. It's a big pop-infused sound that will easily get fans flailing with awkward abandon on the dance floor. Deacon plays those two new songs -- plus a completely improvised piece -- and talks about his writing process and more for this in-studio session. Set List: "Learning To Relax" "Untitled Improvisation" "Feel The Lightning" Interview Highlights Dan Deacon, on why Gliss RIffer showcases more of his voice: I think the reason I focused on the voice is because I permanently destroyed it. There [was] a venue in New York called 285 Kent. I was sick. I had a sore throat and I did the show anyway. I didn't warm up and people were smoking inside. It was the perfect storm for a terrible worsening of the throat. I went to a throat doctor and was like, "Well, you didn't do permanent, permanent damage, but you have to realize you can't treat your voice like your shoes. You have to treat it well and you have to know how to use it." I was like, "What?!? I have no idea how to use my voice! That's insane!" I'm not going to have the same voice in 2040, 2020. I kept thinking that I should utilize this expiring instrument before it's expired. On the vocal techniques in "Feel The Lightning": This is the first record where I wanted to use a different technique to augment the pitch in my voice. I use an old Les Paul technique that The Beatles used a lot too called Varispeed: You change the speed of the music. And you sing regularly and then speed it up and slow it down and then it augments the sound of your voice. After years of pitch shifting, I have a different way of thinking about it: I don't hear sounds as gendered. I'm not doing a female voice, I'm just doing a higher pitched voice. Just like how the left hand on the piano isn't a boy and the right hand on the piano isn't a girl. On his exploration of synthesizers: After I made America, I was like, "Why aren't I thinking about the orchestration of the synthesizer? Why don't I try to realize these synth parts, not with soft synths but with hardware synths?" So when I was down for Moogfest, doing a demo for something we were making, I [thought] it would be really fun to come down here and record for a few days. And they gave us full access to their facilities. They let me use a new synth called the Sub 37 that wasn't out yet; didn't have a manual, it was still in beta testing. It felt really good, and it was exciting to use an instrument that hasn't really existed yet. I'm often fascinated with the history of musical instruments and how people are like, "Electronic music, what is it?" On the writing process: When I'm writing anything, I wonder where it will it go. What it's future will be? Will I play live? Will it be something that exists on an album? Will it be something that I play in a seated area, like in a concert hall, or in a venue? Would it be something I play to be paired to image, like for film or video? Once I sort of figure out where it's going to go, it start to grow into that mold. On the shift in music listening habits: I also don't like thinking of music as a commodity. It's only existed as a commodity for like a 120 years max? I don't know the exact date but it didn't use to be something like, "You want to hear a song? Give me five dollars, I'll sing it for you. And I'll sing it for you whenever you see me." [laughs] Any paradigm shift, there's going to be a fall out and a quote-unquote Dark Age surrounding it. I just feel like, music is constantly changed. The way you heard it, the way you made it, the way it interacts with society, the way you interact with it, so I don't think there are wrong turns.

On March 20th, 1980, Mount St. Helens (traditionally known as Lawetlat'la or Loowit) erupted. Rocks boiled, rivers evaporated into clouds, and Spirit Lake—a site connected with Indigenous whistling spirits known as Tsiatko—was smothered under a blanket of pyrolized trees. As part of a continuing series of works under the “Echomaking” umbrella, in this audio essay, Kristen Gallerneaux (Métis-Wendat) uncovers the sonic, material, and poetic resonances connected to this story. She will focus on the contagion effect of folklore born out of cataclysmic events, new mineral formats, and recovering knowledge within charged landscapes affected by geological and ecological transformation. This recording was made on land occupying the ancestral, traditional and contemporary homelands of the Meškwahki·aša·hina (Fox), Peoria, Anishinabewaki ᐊᓂᔑᓈᐯᐗᑭ, Bodéwadmiakiwen (Potawatomi), and Myaamia people.  The people of these nations were forced from their land through the 1807 Treaty of Detroit. Kristen Gallerneaux is an artist, curator, and sonic researcher holding a Ph.D. in Art Practice & Media History (UC San Diego), an MA in Folklore (University of Oregon), and an MFA in Art (Wayne State University). She is also the Curator of Communication and Information Technology at The Henry Ford Museum in Detroit, Michigan, where she continues to build upon one of the largest historical technology collections in North America. In 2018, she was a Future Thought speaker at Moogfest and premiered the experimental short film, The Hum. She has presented at Unsound editions Dislocation (2014), Presence (2018), and Intermission (2020). In 2017, she spoke about the history of the Votrax text-to-speech synthesizer and taught an electronic music production workshop at Pop Kultur Berlin. She has written for the Barbican Center, ARTnews, the Quietus, and Herman Miller's WHY magazine. She has published on wide-ranging topics like mathematics in mid-century design, the visual history of telepathy research, the world's first mousepad, and car audio bass battles in Miami. Her book, High Static, Dead Lines, is available via Strange Attractor Press and distributed by MIT Press in the United States. Produced by: Zakia Sewell Music by: Nicolas Gaunin Design by: Mariana Vale This series has been programmed as part of the Freelands Lomax Ceramics Fellowship.

While on the road to catching back up with getting back into giving folks more regular FuseBox Radio Broadcast full length episodes of tunes & commentary, here's the latest BRAND NEW DJ Fusion mix of some new & old school Hip-Hop, Soul, R&B, House, Afrobeat, Pop, Jazz and Funk from this Sunday afternoon's The Futon Dun weekly live DJ set (streamed at http://www.TheFutonDun.com)...get into this set of tunes, mellow out to the music and enjoy!DJ Fusion's The Futon Dun Livestream DJ Mix Summer 2021 #2 (My Most Wanted For Moogfest 2022 Mix #2)1. Artifacts - Dynamite Soul (inst.)2. Rejjie Snow feat. MF DOOM & Cam O'Bri - Cookie Chips3. Tyler The Creator feat. Daisy World - Rise! 4. DJ Food - Zoom Zoom5. Goldlink feat. Flo Milli - Raindrops6. The Avalanches - Live At Dominoes7. Brian Jackson - Mars Walk8. DJ 2-Tone Jones - Three Piece9. Mariah The Scientist - Impalas & Air Force 1s10. Patrice Rushden - (She Will) Take You Down To Love11. AZ - Never Change12. Oh No - Soul Surgery13. Leon Bridges - Magnolias14. DAP The Contract feat. SirBastien - TDK15. Mild Minds feat. Frameworks - No Skin16. Hiatus Kaiyote - Rosewater17. Moonshine feat. NoKliche, Maltre Magellan & ZuZut - Ancestors Dance (Zutzut RMX)18.  Lava La Rue feat. Congo Natty & Phoebs - Magpie Nia Archives RMX19. Sault - Bitter Streets 20. Pete Rock and the Soul Brothers - That's The Way ___FuseBox Radio Broadcast Website: http://www.FuseBoxRadio.comFuseBox Radio Broadcast Facebook Page: http://www.facebook.com/FuseBoxRadioShowThe Futon Dun: http://www.TheFutonDun.comFuseBox Radio Broadcast Twitch Page: http://www.twitch.tv/FuseBoxRadio

While on the road to catching back up with getting back into giving folks more regular FuseBox Radio Broadcast full length episodes of tunes & commentary, here's the latest BRAND NEW DJ Fusion mix of some new & old school Hip-Hop, Soul, R&B, House, Afrobeat, Pop, Jazz and Funk from this Sunday afternoon's The Futon Dun weekly live DJ set (streamed at http://www.TheFutonDun.com)...get into this set of tunes, mellow out to the music and enjoy!DJ Fusion's The Futon Dun Livestream DJ Mix Spring Session #11 (My Most Wanted For Moogfest 2022 Mix)1. DJ Vadim - Soundcatchers (instrumental)2. Skyzoo - Rich Rhetoric3. The Avalanches - Since I Left You (Prince Paul RMX)4. Tyler, The Creator feat. Daisy World - Rise!5. Your Old Droog feat. MF DOOM - Dropout Boogie6. Sault feat. Little Simz - You From London7. Mndsgn - When There's Love Around 8. Hiatus Kaiyote - Sparkle Tape Breakup9. Ill Peach - Gum10. Lava La Rue - G.O.Y.D. 11. Angelique Kidjo - One Africa (Independance Cha-Cha)12. Black Box - I Don't Know Anybody Else (Motown Disco Era)13. Moonshine feat. Georgia Ann Muldrow & Sango - Onward14. Elohim - Journey to the Center15. Jordan Rakei - Family16. Bobby Sessions feat. Benny The Butcher & Freddie Gibbs - Gold Rolex17. Dan Croll - On Top18. Evidence feat. Fly Anakin - Delay The Issue___FuseBox Radio Broadcast Website: http://www.FuseBoxRadio.comFuseBox Radio Broadcast Facebook Page: http://www.facebook.com/FuseBoxRadioShowThe Futon Dun: http://www.TheFutonDun.comFuseBox Radio Broadcast Twitch Page: http://www.twitch.tv/FuseBoxRadio

Dr Steve interviews electronic musician Metamyther. Topics include Moogfest, breaking into electronic music, performance in the age of COVID-19, vaccine timing, and more. Check him out: https://www.metamyther.com/ stuff.doctorsteve.com (for all your online shopping needs!) noom.doctorsteve.com (lose weight, gain you-know-what) Get Every Podcast on a Thumb Drive (all this can be yours!) roadie.doctorsteve.com (The ROBOT guitar and bass tuner! And it ain't expensive!) simplyherbals.net (for all your StressLess and FatigueReprieve needs!) BACKPAIN.DOCTORSTEVE.COM – (Back Pain? Check it out! Talk to your provider about it!) Cameo.com/weirdmedicine (Book your old pal right now while he's still cheap!) Learn more about your ad choices. Visit megaphone.fm/adchoices

What kind of beat is irresistible to listeners, and how is it achieved? What makes a musical collaboration successful? What can musical minds teach us about innovation? They don’t think like we do, and in the creative process, they don’t act like we do. R. Michael Hendrix believes it isn’t a coincidence that some of the world’s most respected creators, like Jimmy Iovine and Bjork, are also entrepreneurs. The designer and musician joined us to share from interviews he conducted for his book Two Beats Ahead: What Musical Minds Teach Us About Innovation. He discussed conversations with some of the biggest names in music, and how their musical strengths correlate to innovative business practices: with Justin Timberlake, he spoke about the importance of demoing; with Jimmy Lovine, the essentials of acute listening. Hendrix shared secrets to maximizing results in a collaboration from Beyoncé and Pharrell Williams. He imparted the importance of experimentation from musical pioneers Imogen Heap and Radiohead, and provided us with a front-row seat to a conversation about producing with T Bone Burnett and Hank Shocklee, co-founder of Public Enemy. With clear and concise mindsets that any entrepreneur or innovative thinker can put into practice, Hendrix offered us a one-of-a-kind presentation that shows us how to thrive in an evolving world, from some of top creative geniuses of our time. R. Michael Hendrix is a Partner and Global Design Director at IDEO, a design and innovation consulting firm. He has delivered design keynotes at Fast Company, Wired, SXSW, American Institute of Graphic Arts, and others, plus music keynotes at SXSW Music, Sonar Plus, and Moogfest. He is also an Assistant Professor of Music Business/Management at Berklee College of Music, and a regular guest lecturer for professional societies and universities across the globe. Buy the Book: https://www.thirdplacebooks.com/book/9781541730588  Presented by Town Hall Seattle. To become a member or make a donation click here. 

If you're listening to this podcast on Apple or Spotify, you're seriously missing out. The Trumpet Dynamics mobile app has content and exclusive bonuses you won't find on a third-party application. To access the mobile app, visit trumpetdynamics.com. https://podcastartistry.com/wp-content/uploads/2021/03/mutantrumpet.jpg (Click or tap here to see a photo of the mutantrumpet.) Composer/performer https://benneill.com (Ben Neill) is the inventor of the Mutantrumpet, a hybrid electro-acoustic instrument, and is widely recognized as a musical innovator through his recordings, performances and installations. Neill’s music blends influences from electronic, jazz, and minimalist music, blurring the lines between digital media and acoustic instrument performance. Neill has recorded eleven albums of his music on labels including Universal/Verve, Thirsty Ear, Astralwerks, and Six Degrees. Currently he is an Artist in Residence at Nokia Bell Labs where he is exploring new modes of emotion transfer and communication between people using music, visual media, and hybrid instruments. Performances include BAM Next Wave Festival, Big Ears Festival, Lincoln Center, Whitney Museum of American Art, Bing Concert Hall at Stanford, Getty Museum, Cite de la Musique Paris, Moogfest, Spoleto Festival, Umbria Jazz, Bang On A Can Festival, ICA London, Istanbul Jazz Festival, Vienna Jazz Festival, and the Edinburgh Festival, among many others. Neill has worked closely with many musical innovators including La Monte Young, John Cage, John Cale, Pauline Oliveros, Rhys Chatham, DJ Spooky, David Berhman, Mimi Goese, King Britt, and Nicolas Collins. Neill also leads concerts of La Monte Young’s The Second Dream of the High Tension Stepdown Line Transformer with an international brass ensemble; performances have recently been presented in New York, Amsterdam, Paris, Amsterdam, Huddersfield, Den Bosch, Oslo, Krems, Koln, Los Angeles, and Warsaw. Neill began developing the Mutantrumpet in the early 1980s. Initially an acoustic instrument (a combination of 3 trumpets and a trombone combined into one), he collaborated with synthesizer Robert Moog to integrate electronics. In 1992, while in residency at the STEIM research and development lab for new instruments in Amsterdam, Neill made the mutantrumpet fully computer interactive. In 2008 he created a new version of his instrument at STEIM, and returned there in 2016-17 to design Version 4.0 which made its debut 2019. See a more detailed history of the instrument https://benneill.com/portfolio/mutantrumpethistory/ (here). Other current projects include a collaboration with vocalist/composer Mimi Goese that explores the musical and poetic qualities of mathematics and science through collaborations with chaos mathematician Ralph Abraham and the Beacon Institute for Rivers and Estuaries. The new songs combine the interplay of Goese’s captivating vocals and the electroacoustic explorations of Neill’s self-designed mutantrumpet with sounds created from fractal mathematics and Hudson River environmental data. A native of North Carolina, Neill holds a Doctorate of Musical Arts degree from Manhattan School of Music. He studied composition with La Monte Young and was also mentored by composer/performer Jon Hassell in the early 1980’s. Since 2008 he has been a music professor at Ramapo College of New Jersey. BEN NEILL PRESS QUOTES “Ben Neill is using a schizophrenic trumpet to create art music for the people.” Wired Magazine “Ben Neill performs the Mutantrumpet, a super-instrument of his own design that he also uses to control lights and other elements in the show. The music is a dense, continously-shifting tapestry of electronic beats.” Wired Magazine “The avant-garde and EDM come together in music by Ben Neill & his mutantrumpet.” WNYC New Sounds/John Schaefer “A creative composer, genius performer, and inventor of the mutantrumpet.” Time Out NY “Ben Neill...

Drum & Lace is the artist name of Italian composer, sound artist, and performer, Sofia degli Alessandri-Hultquist.She’s performed at world-renowned events and festivals like Moogfest and The Echo Society VI: Family.As a composer her work can be heard on the Apple TV series, “Dickenson” and the NBC show, “Good Girls,” as well as many films and documentaries.This episode, we premier Sofia’s new piece “Evapora,” and discuss genre-less music and how live performance and solitary composition can influence each other.

With a wide ranging skill set as a music and tech educator, songwriter, producer, instrumentalist, entrepreneur, and activist, Erin Barra has been a key player in many projects.An authoritative voice in music, tech, and education, Barra is the Director of Popular Music at Arizona State University, Executive Director of Beats By Girlz, course developer for Berklee Online and former Associate Professor at the Berklee College of Music in Boston. She has a wide breadth of experience developing and teaching curriculums at the open-source, K-12, and collegiate levels, several of which are the most popular and highest rated courses on their respective platforms.As a community organizer, she has the ability to mobilize and build from the ground level up, creating and funding several organizations and efforts at the intersection of art, technology, education, and equity. She currently sits on the board of Women in Music, and has spearheaded research regarding women in the music industry in partnership with Berklee's Institute of Creative Entrepreneurship, which won the Innovation award at SIM São Paulo.Specializing in composition, performance, and creative music technology application, she has worked with and represented companies such as Ableton, ROLI, MusicTech, Moog and iZotope. She has presented at Loop, NAMM, SXSW, Moogfest, Gearfest, KIEM, Future of Music Coalition, Yale's EXPOL, and Re-Mixed Media Festival. Check out Barra's work as an artist on all platforms, and catch her live electronic performances on YouTube or right here.Learn more about Lyte.  Hosted on Acast. See acast.com/privacy for more information.

With a wide ranging skill set as a music and tech educator, songwriter, producer, instrumentalist, entrepreneur, and activist, Erin Barra has been a key player in many projects.An authoritative voice in music, tech, and education, Barra is the Director of Popular Music at Arizona State University, Executive Director of Beats By Girlz, course developer for Berklee Online and former Associate Professor at the Berklee College of Music in Boston. She has a wide breadth of experience developing and teaching curriculums at the open-source, K-12, and collegiate levels, several of which are the most popular and highest rated courses on their respective platforms.As a community organizer, she has the ability to mobilize and build from the ground level up, creating and funding several organizations and efforts at the intersection of art, technology, education, and equity. She currently sits on the board of Women in Music, and has spearheaded research regarding women in the music industry in partnership with Berklee’s Institute of Creative Entrepreneurship, which won the Innovation award at SIM São Paulo.Specializing in composition, performance, and creative music technology application, she has worked with and represented companies such as Ableton, ROLI, MusicTech, Moog and iZotope. She has presented at Loop, NAMM, SXSW, Moogfest, Gearfest, KIEM, Future of Music Coalition, Yale's EXPOL, and Re-Mixed Media Festival. Check out Barra’s work as an artist on all platforms, and catch her live electronic performances on YouTube or right here.Learn more about Lyte. 

iTunes         Spotify         Youtube           Patreon Sean Sullivan is a Production Manager, FOH Engineer, and Monitor Engineer based in North Carolina. Over the years he’s been involved with festivals and artists such as MoogFest, Form Arcosanti, Imagine Music festival, Chicano Batman, and Hundred Waters. Sean is also a certified First Responder, a member of Event Safety Alliance, D&B trained, and is a trained JBL technician. Special Mentions: Tour Supply GoFundMe, Greg Looper Episode, Kevin Martin Tour Supply Episode, The Girl in the Back: A Female Drummer's Life with Bowie, Blondie, and the '70s Rock Scene, Tour Health Research Initiative, ROADIE: My Documentary (TJ Hoffman film), Loud: A Life In Rock ‘N Roll by the World’s First Female Roadie. By Tana Douglas, Mixing Music Live, The Last Seat in the House: The Story of Hanley Sound, The Power of Podcasting Panel at NAMM, Soundgirls, Roswell Pro Audio Mini K87, Filming Great Concert Footage, Roadie Short Film, Roadie: A True Story (at least the parts I remember)

On this podcast, we'll be showcasing the mouthwatering Tasting Menus from leading cultural and music PR agency WildKat, as well as acclaimed composer, sound artist and performer Drum & Lace whose latest EP "Further" was released last week. WildKat Tasting Menus WildKat's Press Assistant Robert Shone writes: "It is well known that a careful combination of sound and taste can elevate the sensory experience of both parties. Back in 1997, Heston Blumenthal enhanced his fish dish 'Sounds of the Sea' through utilising an iPod of sea soundscapes to create 'sonic seasoning'. We here at WildKat are doing the reverse. Throughout the ongoing global COVID-19 pandemic, WildKat will be enhancing many virtual classical music experiences with a carefully paired item of food or drink. Every week, our team will create a brand new Menu of 14 livestreams, specially paired with 14 recipes. Each week, a member of the WildKat team will also provide a recommendation of a TV show, book, or a piece of art to help stimulate and inspire during this trying time." To sample these Tasting Menus, please visit wildkatpr.com/news or WildKat PR on socials. Drum & Lace Drum & Lace (also known as Sofia Hultquist) is an Italian-born composer, sound artist and performer that writes and creates music for film and media. Among her impressive credits include fashion documentary "The First Monday in May" (dir Andrew Rossi), the AppleTV+ Original Series "Dickinson" (created by Alena Smith) and season 3 of NBC “Good Girls” (created by Jenna Bans & Bill Krebs). Other notable collaborations include leading brands such as NARS, Always, Tanya Taylor, Girls Who Code, Squarespace, as well as theatre production company Saudade Theatre and contemporary dance company Heidi Duckler Dance. Drum & Lace's performance work often includes sound installation and spatial audio elements, at events such as Moogfest and National Sawdust. Her latest EP "Further" was originally commissioned as a new work for Heidi Duckler Dance that features field recordings, samples from Yellowstone National Park's online archive, electronics and strings performed by the London Contemporary Orchestra. Inspired by Emily Dickinson's poem "Further in Summer than the Birds," an ode to nature, the EP depicts the journey of a bird. I talked to Drum & Lace last week from her home studio in Los Angeles about the creative inspiration, research and compositional processes behind the release, as well as the broader ideas and issues arising from the EP. Most notably, this includes the importance of protecting, listening to and caring for nature, actions that many people having been reflecting on over these last few months. Many thanks to Hannah Goldshlack-Wolf for bringing this fascinating and thought-provoking listen to my attention and arranging this discussion, and to Drum & Lace for taking the time to talk especially for this podcast. Listen to "Further" here: https://soundcloud.com/drumandlace/sets/further. Learn more about Drum & Lace here: drumandlace.com. Podcast released 21st June 2020; interview recorded on 11th June 2020.

Ashley Melzer is a producer, filmmaker and writer based in Durham, NC. She grew up in North Florida, the youngest daughter of a small town dentist and nurse. Growing up, Ashley was a wannabe beatnik who loved music, wrote bad poetry and annoyed her older brothers. Her brothers grew up to become dentists. Ashley either missed or threw away the family memo and has instead chased creative pursuits. She received her Bachelors in Cinematic Arts from the University of Southern California and then a Masters in Folklore from UNC-Chapel Hill. Her writing and photography has been featured in Indy Week, Paste Magazine, eMusic, and the Southern Foodways Alliance to name a few. She's worked with Hopscotch, Moogfest, Thornapple Films, The Southern Oral History Program and more. She currently works on Multimedia Production and Special Projects for the Southern Cultures Journal. She is director and producer of Zara, a one person show about an anxious, asthmatic Muslim kid’s search for meaning and the chance encounters that impacted him. Ashley is the founder of Mettlesome, a creative, project based collective, for which she performs, directs, writes and teaches comedy. When not being creative, Ashley is usually hanging out with her husband Jack and their rescue dog Iceman. Ashley Melzer is the producer of “You Gave Me A Song: The Life and Music of Alice Gerard.” --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/americanfilmmaker/support

C'est le deuxième épisode en Caroline du Nord. Dans le premier, on avait plus ou moins essayé de traiter le Triangle avec égalité mais cette fois-ci, on vous parle avant tout de Durham, la ville la plus cool des États-Unis. Mais il était difficile de ne pas également aller voir du côté de Raleigh, la capitale de l'état, notamment pour la musique électronique du collectif Raund Haus. Pour la musique de Durham, on parlera pas mal d'indie folk, du label Merge Records, de ses infrastructures musicales (Motorco, Cat's Cradle, Bull City Records), de college rock, de pop DIY, des petites villes voisines (Chapel Hill ou Carrboro), du festival Moogfest et ses groupes rigolos ou provocateurs. La musique de Durham Blanko Basnet - With It All LiLa - Group Therapy Spider Bags - Alligator Wye Oak - Fortune Sylvan Esso - Die Young (WITH live version) Daughter Of Swords - Prairie Winter Wasteland Bowerbirds - Northern Lights Bat Fangs - Boy Of Summer The Muslims - Blame It on Mohammad ZenSoFly - Like That Oak City Slums - Turn Sunset Palette - Just You Hiss Golden Messenger - Lateness of Dancers Melosmatic - Coriolis Abonnez-vous dans nos réseaux Même après 150 épisode, c'est toujours pareil : pour suivre Mappemonde, vous pouvez vous abonner à la page Facebook  ainsi que le compte Instagram. Vous pouvez écouter l'intégrale des podcasts via iTunes et autres plateformes de podcast (cherchez : « mappemonde radio campus paris » et abonnez-vous aux updates).

C’est le deuxième épisode en Caroline du Nord. Dans le premier, on avait plus ou moins essayé de traiter le Triangle avec égalité mais cette fois-ci, on vous parle avant tout de Durham, la ville la plus cool des États-Unis. Mais il était difficile de ne pas également aller voir du côté de Raleigh, la capitale de l’état, notamment pour la musique électronique du collectif Raund Haus. Pour la musique de Durham, on parlera pas mal d’indie folk, du label Merge Records, de ses infrastructures musicales (Motorco, Cat’s Cradle, Bull City Records), de college rock, de pop DIY, des petites villes voisines (Chapel Hill ou Carrboro), du festival Moogfest et ses groupes rigolos ou provocateurs. La musique de Durham Blanko Basnet - With It All LiLa - Group Therapy Spider Bags - Alligator Wye Oak - Fortune Sylvan Esso - Die Young (WITH live version) Daughter Of Swords - Prairie Winter Wasteland Bowerbirds - Northern Lights Bat Fangs - Boy Of Summer The Muslims - Blame It on Mohammad ZenSoFly - Like That Oak City Slums - Turn Sunset Palette - Just You Hiss Golden Messenger - Lateness of Dancers Melosmatic - Coriolis Abonnez-vous dans nos réseaux Même après 150 épisode, c’est toujours pareil : pour suivre Mappemonde, vous pouvez vous abonner à la page Facebook  ainsi que le compte Instagram. Vous pouvez écouter l’intégrale des podcasts via iTunes et autres plateformes de podcast (cherchez : « mappemonde radio campus paris » et abonnez-vous aux updates). Une émission animée et réalisée par Thomas Guillot. Mappemonde est une émission créée par Thomas Guillot pour Radio Campus Paris. Générique réalisé par Antonin Rey. Photo: Thomas Guillot

LP Giobbi (like the Italian... gee-oh-bee) is a "producer-DJ-music director-synth warrior goddess born in Oregon and based in LA". She's also our guest on Episode 13 of Sisu Presents: In the Key of She! 13 is a number traditionally associated with feminine power and energy and OMG that sums LP! This show is one of the most fun and uplifting shows we've produced - bassy, jazzy, piano house and an incredible "tits out" enthusiasm for life (her words, but now mine!!) When she's not collaborating or touring with the likes of Sofi Tukker, Jax Jones, Hotel Garuda or Autograf, she's co-founding burgeoning publishing companies and touring parties (Animal Talk Collective), heading up a thriving non-profit organization to address the lack of representation and equity in electronic music (FEMMEHOUSE), acting as North American Music Director for W Hotels, and running her namesake apparel business (GIOBBI). In 2019 alone, she performed breakthrough sets at some of the biggest festival stages in the US, including Moogfest, HARD Summer and Coachella—DJMag even named her track “Amber Rose” as one of its 20 massive tracks at this year's festival. She's been co-signed by some of music biggest names and brands, providing mixes to Diplo's Revolution on SiriusXM, collaborating with ROLI and Native Instruments, and partnering with brands like Moog, Guitar Center, and Roland Tracks played during the interview: Perfect Fire: Lpgiobbi – Perfect-fire Amber Rose: Lpgiobbi – Amber-rose Dejala Pasar Lpgiobbi – Dejala-pasar-feat-within-radio-edit Ready to Go: Lpgiobbi – Ready-to-go Jungle Queen: Lpgiobbi – Jungle-queen-feat-tt-the-artist @lpgiobbi beatport.com/artist/lp-giobbi/699908 www.lpgiobbi.com @moog @sirusxm

In this episode, Scout talks to the Brand Director of Moog Music and the Creative Director of Moogfest, Emmy Parker about what it's like to work at Moog Music and more!! --- Send in a voice message: https://anchor.fm/scouttech/message

Dave and Scout discuss synthesizers and more! --- Send in a voice message: https://anchor.fm/scouttech/message

Scout and Andy talk about Robots he has built, the Gravity harp for Bjork and more! --- Send in a voice message: https://anchor.fm/scouttech/message

Scout talks with Kiran Gandhi AKA Madame Gandhi about her music, Feminism and More! --- Send in a voice message: https://anchor.fm/scouttech/message

Scout (in this episode being 12) interviewed three scientists at CERN who worked on the Large Hadron Collider. --- Send in a voice message: https://anchor.fm/scouttech/message

Wherein: Adrienne and Steve dine with two helpings of Blondies' omnivore pop Scroll down to play Podcast.                 Denis at Discogs                          Heart Of Glass at Discogs                  Blondie Official Website           Denis video at You Tube       Heart Of Glass Video at You Tube                Plastic Letters at Discogs                 Randy and the Rainbows - Denise at You Tube              Mike Chapman Wiki Page               NPR Article about 'The Night Disco Died'         Rapture Video at You Tube       From Russia With Love (Live) on You Tube                   Our review of Moogfest featuring Blondie                               Our live review of Blondie and Costello                            Our Face It book review                        

About: Dudadius is the electronic project of scoring composer, Bryan Rheude. He calls it Electro Humanism, even if we’re not entirely sure what the hell that means. There’s an undercurrent of cinematic vibes to his music, probably owing to Rheude’s day job creating scores for film, tv, and adverts. The Dudadius releases under the Collisions Minimal series are one-off modular performances, the others are traditional productions using a combination of modular synths and vintage poly synths; bringing it all together in Ableton. During the last couple years he has focused on performing live with his modular—driven by some of the Monome devices—including a real hoot at Moogfest this last spring. Dudadius also maintains an active Youtube channel, including a new series called Circuits with Feelings that features a combination of interviews and technical deep dives. Links: https://dudadius.bandcamp.com https://www.youtube.com/playlist?list=PLOrNss1QKPXC-ZFpm_YFIiTRU8gAnXL3x https://open.spotify.com/artist/476BOCuCceYJUmKCETcEtYsi=J7F1tUJfQUWaqD3ThtgPbA http://www.beekermusic.com https://www.instagram.com/dudadius/

Chicago born @Antenes is a Brooklyn based synth obsessive. She builds her own modulars and then sets them to the future to cook up rough edged warehouse tracks that are gritty and bleakly atmospheric, as well as more textured, detailed ambient work. She has done installations at Moogfest as well as playing as far afield as China, Colombia and Japan, and has appeared on LIES, Silent Season, Bunker NY and Mord. She DJs as well as playing live, has roots in goth and industrial as well as noise from her early years playing guitar, but also has a real love of techno, electro and experimental. Her darkly absorbing mix for us this week includes tracks from Electric Indigo, Stephanie Merchak, Fjader, Oisel, Rrose, Lonefront, DJ ESP, Erica Mar, Wata Igarashi, Silent Servant, Ewa Justka, Bergsonist and Uun. It reflects her interest in a healthy amount of ominous dance hypnagogia while also drawing from a large pool of influences from the experimental to her roots in the Midwest. “The ESP track in there has some weird filtering and panning with the crunchy drums for example,” she says, “I love hearing how raw it is”.

What a great way to kick off this podcast. In our debut episode, Sarah Belle Reid talks about her new album, Underneath and Sonder, how she interfaces her trumpet with electronics, her visceral performance style, using restraint in improvisation and so much more. This is part 1 in a two part interview. https://files.fireside.fm/file/fireside-uploads/images/e/e089de38-368c-448b-8254-b01278e56695/KQFgBAP7.jpg Order Sarah's new album, Underneath and Sonder (https://www.sarahbellereid.com/store/underneath-and-sonder) https://files.fireside.fm/file/fireside-uploads/images/e/e089de38-368c-448b-8254-b01278e56695/wVW3Ed0v.jpg Minimally Invasive Gesture Sensing Interface (MIGSI) for trumpet was developed by Sarah Reid and Ryan Gaston at California Institute of the Arts. (https://www.sarahbellereid.com/projects#/migsi/) www.sarahbellereid.com (https://www.sarahbellereid.com) Find Sarah Belle Reid on Social Media: Instagram (http://instagram.com/sarahbellereid), Facebook (http://facebook.com/sarahbellereidofficial), YouTube (http://www.youtube.com/channel/sarahbellereid), Twitter (http://twitter.com/sarahbellereid) Sarah Belle Reid is a Canadian performer-composer, specializing in trumpet and electronics, modular synthesis, and alternate forms of graphical notation for composition and improvisation. She is a co-developer of the Minimally Invasive Gesture Sensing Interface (MIGSI) for trumpet: an open-source, wireless interface that captures performance data and provides real-time extended sonic and visual control for improvisation. Reid has presented and performed with MIGSI at institutions and festivals around the world including Moogfest, Stanford University’s Center for Computer Research in Music and Acoustics (CCRMA), the International Conference of New Interfaces for Musical Expression (NIME 2015: Brisbane, Australia), New Media Art & Sound Summit (NMASS 2017: Austin, TX), University of Oregon, UT Austin, and UC Irvine's Women in Music Technology Symposium (2016), among others. As a composer, Reid’s work explores themes of time and memory imprints both in sound and physical performance—a fascination inspired by Marcel Duchamp’s writings on infrathin—as well as the integration of electronics, hybrid/new instruments, and found objects. Her compositions have been performed by renowned musicians around the world, most recently pianist Vicki Ray, Caution Tape Sound Collective (supported by Association of Canadian Women Composers and SOCAN), Los Angeles Percussion Quartet, and Vinny Golia. In 2017 her composition “Flux” for amplified percussion quartet won the Grammy-nominated Los Angeles Percussion Quartet’s Next Wave Composer Initiative. As a performer dedicated to new and experimental music, Reid has premiered over 40 works for solo trumpet, as well as multiple chamber and performance art pieces. She is a founding member of the trumpet/modular synthesizer duo Burnt Dot, dedicated to exploring open forms of spontaneous creation and electroacoustic collaboration. Additionally, Reid has worked with a wide range of musicians and ensembles in a broad range of musical genres and settings. Highlights include Charlie Haden, Wadada Leo Smith, David Rosenboom, Todd Barton, Liberation Music Orchestra, KREation Ensemble, Orchestre de la Francophonie, and the Montreal Symphony Pops Orchestra, Julia Holter, Adele, Avey Tare (Animal Collective), and Estrella TV. As a scholar, Reid has studied with music technology leaders Dr. Ajay Kapur and Dr. Perry Cook, and published technical and theoretical papers on the subjects of interdisciplinary process and collaboration, musical interface design, and alternate methods of musical notation. Reid has been an invited speaker and guest artist at Stanford University, Hendrix University, University of Oregon, University of California, Santa Barbara, University of Southern California, UC Irvine’s Women in Music Technology symposium, the European Society for the Cognitive Sciences of Music, and the international conference of New Interfaces for Musical Expression (NIME). Reid received a Bachelor of Music in trumpet performance from McGill University’s Schulich School of Music and a Master of Fine Arts from the California Institute of the Arts, where she is currently on faculty teaching music technology (Music Technology: Interaction, Intelligence, and Design), and music theory. Episode Sponsor: Boutique Pedal NYC (http://www.boutiquepedalnyc.us/)

Scout talks about Jimmy's previous talk at Moogfest 2019, his work with Blondie, and how he got started in his musical career. --- Send in a voice message: https://anchor.fm/scouttech/message

So things are getting weird here. SMG also know as Sony Media Group has filed a claim against 49 seconds of my 2017 single Star Stuff. This is the song I released just before Moogfest 2017. This is a song that I own all rights to, both publishing and writing. I was able to make an appeal, if you can call it that, and Sony has until July 1 to respond. Check out the whole tale up to this point in today's episode. I will update as this goes on. Opening by Mark Yoshimoto Nemcoff Mark's Podcast and Website Mynsays.com senatorjaiz.rocks instagram.com/senatorjaiz facebook.com/senatorjaiz open.spotify.com/artist/6khocwq2Rd9aFvenCcizoo --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/diy-creative/support

This week, we catch up with US Girls mastermind Meghan Remy prior to her Moogfest set. The Toronto-based experimental pop artist broke incredible new ground on her 2018 record, In a Poem Unlimited, and her magnetic presence matches those majestic prisms of idiosyncratic songwriting. Her soothing voice is the perfect counterpoint to the taut, coiled intensity of her lyrics—and here she puts it to perfect use, discussing growing her own vegetables and environmentalism, her ideal touring schedule, moving to Canada, and seeing Billy Joel as a child for her first concert. Head here for more info on US Girls and her most recent record, In a Poem Unlimited. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

Thanks to episode sponsors http://signalsounds.com - check them out for all your modular/synth purchasing needs.▶ Buy Finlay Shakespeare’s Ace Album: https://editionsmego.bandcamp.com/album/domestic-economy / http://editionsmego.com/release/EMEGO-261▶ Buy Finlay's incredible modules: https://www.futuresoundsystems.co.uk/▶ Visit Machina Bristronica in Bristol, in 2020: http://machinabristronica.uk/▶ How I played Moogfest with just an iPhone https://youtu.be/PEC_JL5pf10

This week we return to our coverage from Moogfest with not one but two fantastic conversations with brilliant minds that helped discover some of the most exciting musical voices of the last few decades. First up is Daniel Miller, musician, producer, and founder of Mute Records, the label that brought the world Depeche Mode, Erasure, Nick Cave and the Bad Seeds, and so many others. Daniel and host Lior Phillips chat about seeing his first concerts, buying his first Korg 700s, and his exploration of the UK music scene in the late '70s and early '80s. After that, Lior chats with Craig Leon, a man who has been at the intersection of countless musical moments in the US since helping to discover seminal punk and no wave bands like The Ramones, Suicide, and Talking Heads. Lior sat down with Craig and his partner, psych/folk/country musician Cassell Webb, to talk about Craig's time in CBGB's and Max's Kansas City and his work with Pavorotti, Cassell's first-hand experience with Buddy Holly, and so much more. Head here for more on Mute Records. Head here for more info on Craig Leon and Cassell Webb's new record, Anthology of Interplanetary Folk Music Vol. 2: The Canon. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

It's Wednesday. Wow, where does the time go? Today on the Dispatch: Gaby Del Valle - Clothing companies could be donating unsold merchandise, but some are trashing it instead Ann-Derrick Gaillot - Did Moogfest mess up?  Hosted by Adrianne Jeffries. Produced by John Lagomarsino. Learn more about your ad choices. Visit megaphone.fm/adchoices

NC house hip-hop sensation Zensofly drops by the WKNC studios to jaw with English Soccer and Green Machine about her recent Double Barrel Benefit performance and her upcoming Moogfest set.

Ah summer, the warm months of tank-topped bros sweating all over you under the dayglo lights of big stages at outdoor EDM shows. Our host Emilie Friedlander and Managing Editor Colin Joyce have just returned from Durham, North Carolina's Moogfest, so we decided to dedicate this episode to the dawning festival season of 2017. After we chat about our experiences at the festival, features Editor Michelle Lhooq joins the cast to talk about a piece we published last week about helping a friend through a bad psychedelic trip, which is always good knowledge to have on hand when you're within spitting distance of a mainstage. Associate Editor Ezra Marcus talks about the qualities that make a “Song of the Summer.” And since last month marked the 40th anniversary of Studio 54's opening night, we talk about Nicky Siano's account of the club's troubled first month. Hosted on Acast. See acast.com/privacy for more information.

Marissa Jerden interviews people on the streets at Moogfest 2016 and discusses the panels she attended.

Avant garde metal fans will be pleased with the Moogfest 2016 lineup. Former Chainsaw Rock music director Jamie Halla has this audio rundown.

We are joined by Rich Hilton who is literally fresh off stage from his Chic gig in China and back in his hotel, the internet holds out. Also new this week is Andy Hunter, a DJ and collaborator with Robbie on Sushi Friday Music. We start with a new purchase by Gaz - the Belking Thunderbolt port replicator, then the article on Forbes about how earbuds have changed the way we mix - do the panel agree? Then The Keith Emerson Moog Modular announced at Moogfest, TapeOp magazine on what makes a good engineer, and the Synthetic Things- and their ode to Moogfest. And finally PhonoPaper iOS musical barcode app.

In the week of Moogfest we discuss the Ashville Electronic Music event, and the monosynth Werkstatt, the Pringles Organ - is it real? iVCS3 and XILS3 - two VCS3 emulations for iPad and desktop, plus a bit of creative gear usage and application improvisation.