Podcasts about drama theatre

COFFEE MOANING the PODCAST ON APPLE PODCASTS: https://podcasts.apple.com/gb/podcast/coffee-moaning/id1689250679ON SPOTIFY: https://open.spotify.com/show/3p6z4A1RbhidO0pnOGGZl2?si=IqwD7REzTwWdwsbn2gzWCg&nd=1HOW TO STAY MARRIED (SO FAR) the PODCASTON SPOTIFY: https://open.spotify.com/show/57MT4cv2c3i06ryQlIpUXc?si=1b5ed24f40c54ebaON APPLE PODCASTS: https://podcasts.apple.com/gb/podcast/how-to-stay-married-so-far/id1294257563AGONY AUNT & UNCLE the PODCASTON SPOTIFY: https://open.spotify.com/show/10G1HRFFGNRze1QegIeozs?si=158f37e366dd4ba0ON APPLE PODCASTS: https://podcasts.apple.com/gb/podcast/agony-aunt-uncle-with-nadia-sawalha-and-mark-adderley/id1668850817* Submit your questions at https://forms.gle/8Ukat4RHS8XwiDiU6 #* Hosted on Acast. See acast.com/privacy for more information.

A Russian missile attack on a theatre in the Ukrainian city of Chernihiv. We speak to the mayor who arrived at the scene minutes after it happened. Also in the programme: A fast-moving wildfire in Canada, which multiplied a hundredfold in just one day, is threatening tens of thousands of people in British Columbia. Local fire chief Jason Brolund tells us "the stories coming from my firefighters are mind boggling"; and the man swimming America's Hudson River in a solo protest to protect waterways. (The scene of a missile hit at the Drama Theatre in central Chernihiv, Ukraine, 19 August 2023. Credit: Photo by Oleg Petrasyuk/EPA-EFE/REX/Shutterstock)

Инт. О. Шведовой - Премьеры Toronto Russian Drama Theatre and Studio by Radio Megapolis Toronto

 Theatre Fantazja invites you to the play "Shame" by Marek Modzelewski!Saturday, 2 April 2022, 6.30 p.m. at the Bankstown Polish Club! Special guest, Kapela Polska ... - Teatr Fantazja zaprasza na sztukę "Wstyd" Marka Modzelewskiego ! Sobota, 2 kwietnia 2022, godzina 18.30 w Klubie Polskim Bankstown!   Gość specjalny, Kapela Polska...

Latest news from 16 March 2022, as reported in the Ukrainian media. Contact us at: highlightsfromukraine@gmail.com. Support Ukraine at: https://bit.ly/NBUsupportUA.

Drew Forsythe first appeared on stage in Sydney over 40 years ago. He grew up in far north Queensland and his prolific career on film, stage, and television has seen him become one of our favourite actors; equally adept in dramatic, comic and musical roles.A graduate of NIDA, he spent several years performing with the Old Tote Theatre company and the exciting new Nimrod theatre company, in a variety of roles that included The Seagull, Much Ado About Nothing, Richard 3, Twelfth Night, The Club, Comedy of Errors, Gone with Hardy, Romeo & Juliet, Henry 4, The Life of Galileo, The Three Sisters, The Bacchoi, Are you now or have you ever been? and Servant of Two Masters.Among his legendary performances, the title roles of the heroic Tonino and the foolish Zanetto in the Nick Enright/Terence Clarke musical, The Venetian Twins, are always recalled in awe. The show was written for Forsythe. He originated these dual roles for Nimrod Theatre Company in the first Sydney Theatre Company season in 1979, and subsequently in two revivals.Other stage musical appearances include Big River, Strictly Ballroom, The Republic of Myopia, A Funny Thing Happened on the Way to the Forum, and the Gilbert and Sullivan comic operas H.M.S. Pinafore and The Mikado. Drama credits include Mrs. Warren's Profession and Under Milkwood for the Sydney Theatre Company.He can lay claim to the unique position of being in the company of productions as they have opened new theatre venues. These include the Drama Theatre at the Sydney Opera House, Nimrod, Belvoir, and the Sydney Theatre (the Roz Packer).For the film Caddie, Forsythe received the 1976 Australian Film Institute Award for Best Actor in a Supporting Role. His television appearances include The Miraculous Mellops, The Dingo Principle, and Three Men and a Baby Grand, satirical sketch television comedy programs for which he was a writer/performer with Phillip Scott and Jonathan Biggins. The 'Three Men' team started in revue at the Tilbury Hotel, and much of the thematic material from these revues has been revisited and developed in the Sydney Theatre Company's 'Wharf Revue' series.He is presently performing in the Sydney season of the Wharf Revue, now playing at The Seymour Centre. The show is the perfect tonic to the tumultuous year in politics, and delivers the laugh we all need. Drew is erudite, engaging and possessed of a brilliant career in Australian theatre. At long last we can add Drew Forsythe to the absorbing alumni on STAGES.The STAGES podcast is available from Apple podcasts, Spotify and Whooshkaa. Also where you find your favourite podcasts. www.stagespodcast.com.au

On June 6th, 1981, audiences were given access to the Australian premiere of Kander & Ebb's masterpiece CHICAGO - A Musical Vaudeville. The production debuted at The Drama Theatre, Sydney Opera House and made history. The production was conceived entirely by a local team who were not obliged to follow any blueprint from productions gone before.J.C. Willamson and Paul Dainty produced the show on tour, but CHICAGO in Australia was originally presented by The Sydney Theatre Company where the Artistic Director was Richard Wherrett. The show was directed by Wherrett and he assembled a team of master creatives, some who were at the beginning of their theatrical careers. They included Ross Coleman, Brian Thomson, Roger Kirk, Peter Casey, Michael Tyack, John Scandrett and Sue Nattrass in various roles.Wherrett's vision to bring a musical fare to a subsidised company was revelatory. In his program notes he wrote “ ….. the job of such companies is to present, amongst other fare, the best of existing dramatic literature; and the musical, while a latter development of theatrical expression, is as legitimately deserving of our attention as any other theatrical form.”The STC production of CHICAGO was a big, fat hit and showcased the extraordinary talents of a host of our established and emerging musical theatre best - Nancye Hayes, Geraldine Turner, Judi Connelli, Jack Webster, George Spartels, Terrence Donovan, Robina Beard, Kevan Johnston, Joy Miller, Peter Cousens, Garry Ginivan, DJ Foster, and Rod and Dolores Dunbar have all contributed to product in the decades since.This CHICAGO was certainly a milestone production of the show, and of the form in Australia. For our 200th episode, STAGES is joined by “Chicago's own killer dillers - those two scintillating sinners”, Australia's original Roxie Hart and Velma Kelly; Nancye Hayes and Geraldine Turner. A nostalgic episode celebrating the ruby anniversary of this seminal production.The STAGES podcast is available from Apple podcasts, Whooshkaa and Spotify. Also from where you find your favourite podcasts. www.stagespodcast.com.au

Today's guest is the Cuban Missile Crisis, TITO BONITO! Tito Bonito is an international and award winning performer, host, producer, graphic designer, and editor. His youtube channel, https://www.youtube.com/titobonito, is impeccably organized and full of entertainment. In this episode we chat about masculinity, growing up, Chicago and Los Angeles, and a whole lot of Jeez Loueez. Tito will be launching the next installment of his talk show, The Tito Bonito Show, on Clubhouse and as a podcast. For more info, check out www.titobonito.com and on IG at @cubanmissilecrisisThis episode mentions Jeez Loueez, Po Chop, Shea Coulee, Bazuka Joe, Ray Gunn, Dolls of Doom, Shan de Leers, & more.This episode is sponsored by Queen's Crown Jewels: https://www.queenscrownjewels.com/To attend Spectacular Striptease, a Zoom panel featuring burlesque legends Judith Stein, Kaena, Shawna the Black Venus, & a special tribute to Markina, visit: http://bit.ly/legendspanel & register for free. This panel is brought to you by the University of Toronto sponsored by the Centre for Drama Theatre and Performance Studies and Sexual Diversity Studies. This event will have ASL and/or closed captioning. (Thanks Forca!)Do you want to support the podcast? The Pastie Tapes Fan Club is always accepting new members! Join now at www.ThePastieTapes.comTo get a free sticker, click here for details.Find more at thepastietapes.comFollow on IG at @thepastietapesSee Siomai on IG at @siomaimooreCall or text 530-PASTIES Hosted on Acast. See acast.com/privacy for more information.

Adjudication comments of Mr Paul Brennan Association of Drama Adjudicators ADA .   Clare-Drama-Festival-738087396299106 http://www.adci.ie https://www.dli.ie http://ada.ie/profile/ https://www.facebook.com/aodhmccayada/ http://scariffbayradio.com The Inaugural Clare Drama Radio Play Festival on Scariff Bay Community Radio in conjunction with The Clare Drama Festival. Sponsored by Derg Credit Union, Clare Co. Council and the Clare Arts Office.  With the support of the Community Radio Association of Ireland CRAOL, and The Broadcasting Authority of Ireland BAI. With thanks to The Drama League of Ireland DLI, The Amateur Drama Council of 

Night 2 of the Inaugural Clare Drama Radio Play Festival on Scariff Bay Community Radio featured No Drama Theatre with 4 Wacky Tales of Dublin. Written and Directed by Seán Coyle Originally Broadcast live on Saturday 6th March 2021 on Scariff Bay Community Radio in conjunction with The Clare Drama Festival.  Introduced by Eoin O’Hagan.  Clare-Drama-Festival-738087396299106 http://www.adci.ie https://www.dli.ie http://ada.ie/profile/ https://www.facebook.com/aodhmccayada/ http://scariffbayradio.com The Inaugural Clare Drama Radio Play Festival on Scariff Bay Community Radio in conjunction with The Clare Drama Festival. Sponsored by Derg Credit Union, Clare Co. Council and the Clare Arts Office.  With the support of the Community Radio Association of Ireland CRAOL, and The Broadcasting Authority of Ireland BAI. With thanks to The Drama League of Ireland DLI, The Amateur Drama Council of Ireland ADCI, and the Association of Drama Adjudicators ADA.    

NUI Galway's NEW Student Voice Podcast Series is here! Each week we speak with a student undertaking a particular course at NUI Galway. We hope that these short and insightful podcasts will be an additional and informative aid for your students. This week Caroline Duggan, Student Recruitment Officer at NUI Galway is speaking with Julia Egan and her experience studying the BA (Drama, Theatre and Performance Studies) at NUI Galway.

The best way, to guarantee a loss, is to quit. - Morgan Freeman --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/titaniumscalesproductions/support

John Clark was born in Tasmania and his first intention was to be an archeologist. However, it was the theatre that called and provided Clark with an illustrious career as a theatre-maker and teacher. His greatest triumph is an indelible turn as Director of the National Institute of Dramatic Art. For 40 years he guided and nurtured generations of practitioners who would become crucial contributors to our Theatre, Film and Television industries.He studied theatre at the Bristol Old Vic Theatre school and at Bristol University, where he designed the set for the first production of Harold Pinter’s play - The Room. A series of firsts would decorate his career as a director, delivering productions of Death of a Salesman in Hobart, a premiere production of Who’s Afraid of Virginia Woolf? and a landmark Sydney season of Don’s Party.He played pivotal roles with the Old Tote Theatre and the Jane Street Theatre at a time when a new Australian voice was being developed in playwriting and an authentic style for the Australian actor.When the Old Tote Theatre Company ceased operation, Clark together with Elizabeth Butcher, became the Sydney Theatre Company’s initial Artistic Director and Administrator, overseeing an interim season in the Drama Theatre at the Sydney Opera House.His contribution to defining ‘an Australian theatre’ on local and international stages is vast. He is one of our great champions and a man of tremendous charm and infinite story. It was indeed a privilege and a joy to spend some time with John Clark.

Robin Pascoe has recently retired from his role guiding and nurturing young teachers in the discipline of Drama. He recognises that an immersion in arts subjects is a crucial experience to equip a child in a vast skills set that will contribute to their humanity for life.Robin has had an extensive career in arts education with the Education Department of Western Australia where he was the Superintendent for the Arts with responsibility for Arts in schools K-12, Consultant for Performing Arts K-12 and District Manager for Curriculum.Robin is a Past President of Drama Australia and has held positions on the Drama Australia Executive as well as DramaWest.In July 2013 he was elected President of IDEA - the International Drama/Theatre and Education Association. It is a huge and satisfying role that allows him to observe and guide Arts education across a range of cultures. In July 2020, the IDEA 10th World Congress for Drama/Theatre and Education will be conducted in Beijing, China.Robin is a much respected and celebrated member of the Drama Education community. He is never lacking in his support and mentorship of teachers and maintains constant investigation and research into the effectiveness of the arts in the curriculum.This is an essential conversation that will enlighten, affirm and celebrate the work of the Drama teacher. Robin invests his knowledge with passion, statistics and his engaging dry wit. I was delighted to examine the role of the arts in the curriculum with Robin in an absorbing episode of Stages.The Stages podcast is available in iTunes, Spotify and Whooshkaa.

Last year, playwright Lucy Kirkwood delivered us a sweeping epic with Chimerica, which looked at China’s economic rise against the backdrop of the 1989 Tiananmen Square protests. This year, her new play, The Children, is equally ambitious in its scope – as it pulls apart the fallout of a nuclear disaster – but it distils the action down into a chamber piece for three actors. In our case, Pamela Rabe, Sarah Peirse and William Zappa. Arts journalist Fiona Gruber travelled to the UK recently and spoke to Lucy Kirkwood about what inspired her to write the play. https://www.sydneytheatre.com.au/thechildren The Children, 29 Mar – 19 May 2018, Drama Theatre, Sydney Opera House Seeing the show? Let us know your thoughts. Tag @sydneytheatreco or #sydneytheatreco

Joining us today are three actors – Helen Thomson, Heather Mitchell and Michelle Lim Davidson – all of whom are performing in our production of Top Girls which is currently playing at Sydney Opera House. Top Girls was written by British playwright Caryl Churchill, and first performed back in 1982. Margaret Thatcher was in power, the term “glass ceiling” had only just been coined and the new hit self-help book for women was Helen Gurley Brown’s “Having It All”. Top Girls explores all this in some remarkable and unpredictable ways. Top Girls, 12 Feb – 24 Mar 2018, Drama Theatre, Sydney Opera House www.sydneytheatre.com.au/topgirls Seeing the show? Let us know your thoughts. Tag @sydneytheatreco or #sydneytheatreco

Matt Lutton, Artistic Director of Malthouse Theatre, joins us to discuss his latest show with STC, Away by Michael Gow. Away is a classic Australian play, set during the Vietnam War, that tells the stories of three families as they head off on their summer holidays. Away, 18 Feb – 25 Mar 2017, Drama Theatre, Sydney Opera House Seeing the show? Let us know your thoughts. Tag @sydneytheatreco and #STCAway Producer Carl Nilsson-Polias Composer Max Lyandvert