Podcast appearances and mentions of evan zarkadas

Students in twelfth-century Paris held slanging matches, branding the English drunkards, the Germans madmen and the French as arrogant. On Crusade, army recruits from different ethnic backgrounds taunted each other's military skills. Men producing ethnography in monasteries and at court drafted derogatory descriptions of peoples dwelling in territories under colonization, questioning their work ethic, social organization, religious devotion and humanness. Monks listed and ruminated on the alleged traits of Jews, Saracens, Greeks, Saxons and Britons and their acceptance or rejection of Christianity. Ethnicity in Medieval Europe 950-1250, Medicine, Power and Religion (Boydell and Brewer, 2021), provides a radical new approach to representations of nationhood in medieval western Europe, the author argues that ethnic stereotypes were constructed and wielded rhetorically to justify property claims, flaunt military strength, and assert moral and cultural ascendance over others. The gendered images of ethnicity in circulation reflect a negotiation over self-representations of discipline, rationality and strength, juxtaposed with the alleged chaos and weakness of racialized others. Interpreting nationhood through a religious lens, monks and schoolmen explained it as scientifically informed by environmental medicine, and ancient theory that held that location and climate influenced the physical and mental traits of peoples. Drawing on lists of ethnic character traits, school textbooks, medical treatises, proverbs, poetry and chronicles, this book shows that ethnic stereotypes served as rhetorical tools of power, crafting relationships within communities and towards others. Claire Weeda is a cultural historian at the Institute for History at Leiden University, Netherlands. Her main fields of interest include ethnic stereotyping, the history of the body, Greco-Arabic medicine, and organic politics in Europe, 1100-1500. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Students in twelfth-century Paris held slanging matches, branding the English drunkards, the Germans madmen and the French as arrogant. On Crusade, army recruits from different ethnic backgrounds taunted each other's military skills. Men producing ethnography in monasteries and at court drafted derogatory descriptions of peoples dwelling in territories under colonization, questioning their work ethic, social organization, religious devotion and humanness. Monks listed and ruminated on the alleged traits of Jews, Saracens, Greeks, Saxons and Britons and their acceptance or rejection of Christianity. Ethnicity in Medieval Europe 950-1250, Medicine, Power and Religion (Boydell and Brewer, 2021), provides a radical new approach to representations of nationhood in medieval western Europe, the author argues that ethnic stereotypes were constructed and wielded rhetorically to justify property claims, flaunt military strength, and assert moral and cultural ascendance over others. The gendered images of ethnicity in circulation reflect a negotiation over self-representations of discipline, rationality and strength, juxtaposed with the alleged chaos and weakness of racialized others. Interpreting nationhood through a religious lens, monks and schoolmen explained it as scientifically informed by environmental medicine, and ancient theory that held that location and climate influenced the physical and mental traits of peoples. Drawing on lists of ethnic character traits, school textbooks, medical treatises, proverbs, poetry and chronicles, this book shows that ethnic stereotypes served as rhetorical tools of power, crafting relationships within communities and towards others. Claire Weeda is a cultural historian at the Institute for History at Leiden University, Netherlands. Her main fields of interest include ethnic stereotyping, the history of the body, Greco-Arabic medicine, and organic politics in Europe, 1100-1500. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Students in twelfth-century Paris held slanging matches, branding the English drunkards, the Germans madmen and the French as arrogant. On Crusade, army recruits from different ethnic backgrounds taunted each other's military skills. Men producing ethnography in monasteries and at court drafted derogatory descriptions of peoples dwelling in territories under colonization, questioning their work ethic, social organization, religious devotion and humanness. Monks listed and ruminated on the alleged traits of Jews, Saracens, Greeks, Saxons and Britons and their acceptance or rejection of Christianity. Ethnicity in Medieval Europe 950-1250, Medicine, Power and Religion (Boydell and Brewer, 2021), provides a radical new approach to representations of nationhood in medieval western Europe, the author argues that ethnic stereotypes were constructed and wielded rhetorically to justify property claims, flaunt military strength, and assert moral and cultural ascendance over others. The gendered images of ethnicity in circulation reflect a negotiation over self-representations of discipline, rationality and strength, juxtaposed with the alleged chaos and weakness of racialized others. Interpreting nationhood through a religious lens, monks and schoolmen explained it as scientifically informed by environmental medicine, and ancient theory that held that location and climate influenced the physical and mental traits of peoples. Drawing on lists of ethnic character traits, school textbooks, medical treatises, proverbs, poetry and chronicles, this book shows that ethnic stereotypes served as rhetorical tools of power, crafting relationships within communities and towards others. Claire Weeda is a cultural historian at the Institute for History at Leiden University, Netherlands. Her main fields of interest include ethnic stereotyping, the history of the body, Greco-Arabic medicine, and organic politics in Europe, 1100-1500. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Students in twelfth-century Paris held slanging matches, branding the English drunkards, the Germans madmen and the French as arrogant. On Crusade, army recruits from different ethnic backgrounds taunted each other's military skills. Men producing ethnography in monasteries and at court drafted derogatory descriptions of peoples dwelling in territories under colonization, questioning their work ethic, social organization, religious devotion and humanness. Monks listed and ruminated on the alleged traits of Jews, Saracens, Greeks, Saxons and Britons and their acceptance or rejection of Christianity. Ethnicity in Medieval Europe 950-1250, Medicine, Power and Religion (Boydell and Brewer, 2021), provides a radical new approach to representations of nationhood in medieval western Europe, the author argues that ethnic stereotypes were constructed and wielded rhetorically to justify property claims, flaunt military strength, and assert moral and cultural ascendance over others. The gendered images of ethnicity in circulation reflect a negotiation over self-representations of discipline, rationality and strength, juxtaposed with the alleged chaos and weakness of racialized others. Interpreting nationhood through a religious lens, monks and schoolmen explained it as scientifically informed by environmental medicine, and ancient theory that held that location and climate influenced the physical and mental traits of peoples. Drawing on lists of ethnic character traits, school textbooks, medical treatises, proverbs, poetry and chronicles, this book shows that ethnic stereotypes served as rhetorical tools of power, crafting relationships within communities and towards others. Claire Weeda is a cultural historian at the Institute for History at Leiden University, Netherlands. Her main fields of interest include ethnic stereotyping, the history of the body, Greco-Arabic medicine, and organic politics in Europe, 1100-1500. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Students in twelfth-century Paris held slanging matches, branding the English drunkards, the Germans madmen and the French as arrogant. On Crusade, army recruits from different ethnic backgrounds taunted each other's military skills. Men producing ethnography in monasteries and at court drafted derogatory descriptions of peoples dwelling in territories under colonization, questioning their work ethic, social organization, religious devotion and humanness. Monks listed and ruminated on the alleged traits of Jews, Saracens, Greeks, Saxons and Britons and their acceptance or rejection of Christianity. Ethnicity in Medieval Europe 950-1250, Medicine, Power and Religion (Boydell and Brewer, 2021), provides a radical new approach to representations of nationhood in medieval western Europe, the author argues that ethnic stereotypes were constructed and wielded rhetorically to justify property claims, flaunt military strength, and assert moral and cultural ascendance over others. The gendered images of ethnicity in circulation reflect a negotiation over self-representations of discipline, rationality and strength, juxtaposed with the alleged chaos and weakness of racialized others. Interpreting nationhood through a religious lens, monks and schoolmen explained it as scientifically informed by environmental medicine, and ancient theory that held that location and climate influenced the physical and mental traits of peoples. Drawing on lists of ethnic character traits, school textbooks, medical treatises, proverbs, poetry and chronicles, this book shows that ethnic stereotypes served as rhetorical tools of power, crafting relationships within communities and towards others. Claire Weeda is a cultural historian at the Institute for History at Leiden University, Netherlands. Her main fields of interest include ethnic stereotyping, the history of the body, Greco-Arabic medicine, and organic politics in Europe, 1100-1500. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Students in twelfth-century Paris held slanging matches, branding the English drunkards, the Germans madmen and the French as arrogant. On Crusade, army recruits from different ethnic backgrounds taunted each other's military skills. Men producing ethnography in monasteries and at court drafted derogatory descriptions of peoples dwelling in territories under colonization, questioning their work ethic, social organization, religious devotion and humanness. Monks listed and ruminated on the alleged traits of Jews, Saracens, Greeks, Saxons and Britons and their acceptance or rejection of Christianity. Ethnicity in Medieval Europe 950-1250, Medicine, Power and Religion (Boydell and Brewer, 2021), provides a radical new approach to representations of nationhood in medieval western Europe, the author argues that ethnic stereotypes were constructed and wielded rhetorically to justify property claims, flaunt military strength, and assert moral and cultural ascendance over others. The gendered images of ethnicity in circulation reflect a negotiation over self-representations of discipline, rationality and strength, juxtaposed with the alleged chaos and weakness of racialized others. Interpreting nationhood through a religious lens, monks and schoolmen explained it as scientifically informed by environmental medicine, and ancient theory that held that location and climate influenced the physical and mental traits of peoples. Drawing on lists of ethnic character traits, school textbooks, medical treatises, proverbs, poetry and chronicles, this book shows that ethnic stereotypes served as rhetorical tools of power, crafting relationships within communities and towards others. Claire Weeda is a cultural historian at the Institute for History at Leiden University, Netherlands. Her main fields of interest include ethnic stereotyping, the history of the body, Greco-Arabic medicine, and organic politics in Europe, 1100-1500. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

Students in twelfth-century Paris held slanging matches, branding the English drunkards, the Germans madmen and the French as arrogant. On Crusade, army recruits from different ethnic backgrounds taunted each other's military skills. Men producing ethnography in monasteries and at court drafted derogatory descriptions of peoples dwelling in territories under colonization, questioning their work ethic, social organization, religious devotion and humanness. Monks listed and ruminated on the alleged traits of Jews, Saracens, Greeks, Saxons and Britons and their acceptance or rejection of Christianity. Ethnicity in Medieval Europe 950-1250, Medicine, Power and Religion (Boydell and Brewer, 2021), provides a radical new approach to representations of nationhood in medieval western Europe, the author argues that ethnic stereotypes were constructed and wielded rhetorically to justify property claims, flaunt military strength, and assert moral and cultural ascendance over others. The gendered images of ethnicity in circulation reflect a negotiation over self-representations of discipline, rationality and strength, juxtaposed with the alleged chaos and weakness of racialized others. Interpreting nationhood through a religious lens, monks and schoolmen explained it as scientifically informed by environmental medicine, and ancient theory that held that location and climate influenced the physical and mental traits of peoples. Drawing on lists of ethnic character traits, school textbooks, medical treatises, proverbs, poetry and chronicles, this book shows that ethnic stereotypes served as rhetorical tools of power, crafting relationships within communities and towards others. Claire Weeda is a cultural historian at the Institute for History at Leiden University, Netherlands. Her main fields of interest include ethnic stereotyping, the history of the body, Greco-Arabic medicine, and organic politics in Europe, 1100-1500. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

In recent decades, the study of the Eastern Roman Empire, also known as Byzantium, has been revolutionized by new approaches and more sophisticated models for how its society and state operated. No longer looked upon as a pale facsimile of classical Rome, Byzantium is now considered a vigorous state of its own, inheritor of many of Rome's features, and a vital node in the first truly globalized world. The New Roman Empire: A History of Byzantium (Oxford UP, 2024) is the first full, single-author history of the eastern Roman empire to appear in over a generation. Covering political and military history as well as all the major changes in religion, society, demography, and economy, Anthony Kaldellis's volume is divided into ten chronological sections which begin with the foundation of Constantinople in 324 AD and end with the fall of the empire to the Ottoman Turks in the fifteenth century. The book incorporates new findings, explains recent interpretive models, and presents well-known historical characters and events in a new light. Dr. Anthony Kaldellis is Professor of Classics at the University of Chicago. His previous books include A Cabinet of Byzantine Curiosities; Streams of gold, Rivers of Blood; Romanland, and, as translator and editor, Prokopios' The Secret History. In 2019, he began hosting the podcast “Byzantium & Friends.” Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

In recent decades, the study of the Eastern Roman Empire, also known as Byzantium, has been revolutionized by new approaches and more sophisticated models for how its society and state operated. No longer looked upon as a pale facsimile of classical Rome, Byzantium is now considered a vigorous state of its own, inheritor of many of Rome's features, and a vital node in the first truly globalized world. The New Roman Empire: A History of Byzantium (Oxford UP, 2024) is the first full, single-author history of the eastern Roman empire to appear in over a generation. Covering political and military history as well as all the major changes in religion, society, demography, and economy, Anthony Kaldellis's volume is divided into ten chronological sections which begin with the foundation of Constantinople in 324 AD and end with the fall of the empire to the Ottoman Turks in the fifteenth century. The book incorporates new findings, explains recent interpretive models, and presents well-known historical characters and events in a new light. Dr. Anthony Kaldellis is Professor of Classics at the University of Chicago. His previous books include A Cabinet of Byzantine Curiosities; Streams of gold, Rivers of Blood; Romanland, and, as translator and editor, Prokopios' The Secret History. In 2019, he began hosting the podcast “Byzantium & Friends.” Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages.

This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture. From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons & Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators. The Fantasy of the Middle Ages: An Epic Journey Through Imaginary Medieval Worlds (J. Paul Getty Museum, 2022) aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars. This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022. Larisa Grollemond is the assistant curator of manuscripts at the J. Paul Getty Museum. She received her Ph.D. in art history from the University of Pennsylvania and was a contributing editor for Book of Beasts: The Bestiary in the Medieval World (Getty Publications, 2019). Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of the global Middle Ages and fantasy medievalisms. He holds a Ph.D. from the Courtauld Institute of Art, at the University of London. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture. From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons & Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators. The Fantasy of the Middle Ages: An Epic Journey Through Imaginary Medieval Worlds (J. Paul Getty Museum, 2022) aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars. This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022. Larisa Grollemond is the assistant curator of manuscripts at the J. Paul Getty Museum. She received her Ph.D. in art history from the University of Pennsylvania and was a contributing editor for Book of Beasts: The Bestiary in the Medieval World (Getty Publications, 2019). Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of the global Middle Ages and fantasy medievalisms. He holds a Ph.D. from the Courtauld Institute of Art, at the University of London. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture. From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons & Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators. The Fantasy of the Middle Ages: An Epic Journey Through Imaginary Medieval Worlds (J. Paul Getty Museum, 2022) aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars. This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022. Larisa Grollemond is the assistant curator of manuscripts at the J. Paul Getty Museum. She received her Ph.D. in art history from the University of Pennsylvania and was a contributing editor for Book of Beasts: The Bestiary in the Medieval World (Getty Publications, 2019). Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of the global Middle Ages and fantasy medievalisms. He holds a Ph.D. from the Courtauld Institute of Art, at the University of London. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture. From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons & Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators. The Fantasy of the Middle Ages: An Epic Journey Through Imaginary Medieval Worlds (J. Paul Getty Museum, 2022) aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars. This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022. Larisa Grollemond is the assistant curator of manuscripts at the J. Paul Getty Museum. She received her Ph.D. in art history from the University of Pennsylvania and was a contributing editor for Book of Beasts: The Bestiary in the Medieval World (Getty Publications, 2019). Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of the global Middle Ages and fantasy medievalisms. He holds a Ph.D. from the Courtauld Institute of Art, at the University of London. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

ARISTEiA in 30 min: Alexandros Nehamas, Professor of Philosophy and Comparative Literature, Edmund N. Carpenter II Class of 1943, Professor in the Humanities at Princeton University, Member of the American Academy of Arts & Sciences, the American Philosophical Society, the Academy of Athens, and Evan Zarkadas, Independent Scholar in European History, discuss about the philosophy of pursuing excellence in everyday life.

A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt. The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium's profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day. Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium's ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination. Nathanael Aschenbrenner is a lecturer at the University of California San Diego in the department of history. His research and publications explore empire and ideology in the medieval and early modern Mediterranean, as well as Byzantium's imperial legacy after 1453. Jake Ransohoff is a Hellenisms Past & Present, Local and Global Postdoctoral Fellow at the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University. He holds a BA from the University of Chicago, and defended his PhD dissertation in History at Harvard University in June, 2022. His current research focuses on the intersection between power, political legitimacy, and attitudes toward the body in the Byzantine world—especially the disfigured and disabled body. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt. The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium's profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day. Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium's ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination. Nathanael Aschenbrenner is a lecturer at the University of California San Diego in the department of history. His research and publications explore empire and ideology in the medieval and early modern Mediterranean, as well as Byzantium's imperial legacy after 1453. Jake Ransohoff is a Hellenisms Past & Present, Local and Global Postdoctoral Fellow at the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University. He holds a BA from the University of Chicago, and defended his PhD dissertation in History at Harvard University in June, 2022. His current research focuses on the intersection between power, political legitimacy, and attitudes toward the body in the Byzantine world—especially the disfigured and disabled body. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt. The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium's profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day. Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium's ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination. Nathanael Aschenbrenner is a lecturer at the University of California San Diego in the department of history. His research and publications explore empire and ideology in the medieval and early modern Mediterranean, as well as Byzantium's imperial legacy after 1453. Jake Ransohoff is a Hellenisms Past & Present, Local and Global Postdoctoral Fellow at the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University. He holds a BA from the University of Chicago, and defended his PhD dissertation in History at Harvard University in June, 2022. His current research focuses on the intersection between power, political legitimacy, and attitudes toward the body in the Byzantine world—especially the disfigured and disabled body. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt. The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium's profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day. Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium's ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination. Nathanael Aschenbrenner is a lecturer at the University of California San Diego in the department of history. His research and publications explore empire and ideology in the medieval and early modern Mediterranean, as well as Byzantium's imperial legacy after 1453. Jake Ransohoff is a Hellenisms Past & Present, Local and Global Postdoctoral Fellow at the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University. He holds a BA from the University of Chicago, and defended his PhD dissertation in History at Harvard University in June, 2022. His current research focuses on the intersection between power, political legitimacy, and attitudes toward the body in the Byzantine world—especially the disfigured and disabled body. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt. The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium's profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day. Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium's ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination. Nathanael Aschenbrenner is a lecturer at the University of California San Diego in the department of history. His research and publications explore empire and ideology in the medieval and early modern Mediterranean, as well as Byzantium's imperial legacy after 1453. Jake Ransohoff is a Hellenisms Past & Present, Local and Global Postdoctoral Fellow at the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University. He holds a BA from the University of Chicago, and defended his PhD dissertation in History at Harvard University in June, 2022. His current research focuses on the intersection between power, political legitimacy, and attitudes toward the body in the Byzantine world—especially the disfigured and disabled body. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt. The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium's profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day. Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium's ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination. Nathanael Aschenbrenner is a lecturer at the University of California San Diego in the department of history. His research and publications explore empire and ideology in the medieval and early modern Mediterranean, as well as Byzantium's imperial legacy after 1453. Jake Ransohoff is a Hellenisms Past & Present, Local and Global Postdoctoral Fellow at the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University. He holds a BA from the University of Chicago, and defended his PhD dissertation in History at Harvard University in June, 2022. His current research focuses on the intersection between power, political legitimacy, and attitudes toward the body in the Byzantine world—especially the disfigured and disabled body. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt. The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium's profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day. Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium's ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination. Nathanael Aschenbrenner is a lecturer at the University of California San Diego in the department of history. His research and publications explore empire and ideology in the medieval and early modern Mediterranean, as well as Byzantium's imperial legacy after 1453. Jake Ransohoff is a Hellenisms Past & Present, Local and Global Postdoctoral Fellow at the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University. He holds a BA from the University of Chicago, and defended his PhD dissertation in History at Harvard University in June, 2022. His current research focuses on the intersection between power, political legitimacy, and attitudes toward the body in the Byzantine world—especially the disfigured and disabled body. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt. The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium's profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day. Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium's ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination. Nathanael Aschenbrenner is a lecturer at the University of California San Diego in the department of history. His research and publications explore empire and ideology in the medieval and early modern Mediterranean, as well as Byzantium's imperial legacy after 1453. Jake Ransohoff is a Hellenisms Past & Present, Local and Global Postdoctoral Fellow at the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University. He holds a BA from the University of Chicago, and defended his PhD dissertation in History at Harvard University in June, 2022. His current research focuses on the intersection between power, political legitimacy, and attitudes toward the body in the Byzantine world—especially the disfigured and disabled body. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Sea in the Middle: The Mediterranean World, 650-1650 (U California Press, 2022) presents an original and revisionist narrative of the development of the medieval west from late antiquity to the dawn of modernity. This textbook is uniquely centered on the Mediterranean and emphasizes the role played by peoples and cultures of Africa, Asia, and Europe in an age when Christians, Muslims, and Jews of various denominations engaged with each other in both conflict and collaboration. Key features: Fifteen-chapter structure to aid classroom use Sections in each chapter that feature key artifacts relevant to chapter themes Dynamic visuals, including 190 photos and 20 maps The Sea in the Middle and its sourcebook companion, Texts from the Middle, pair together to provide a framework and materials that guide students and scholars through this complex but essential history—one that will appeal to the diverse student bodies of today. Thomas E. Burman is Professor of History at the University of Notre Dame and the Director of the Medieval Institute. He is a scholar of Christian-Muslim-Jewish intellectual and cultural history in the medieval Mediterranean. His book Reading the Qur'an in Latin Christendom was awarded the Jacques Barzun Prize in Cultural History. Brian A. Catlos is Professor of Religious Studies at the University of Colorado Boulder, and the co-director of the Mediterranean Seminar. He works on Christian-Muslim-Jewish relations in the premodern Mediterranean. His most recent book, Kingdoms of Faith: A New History of Islamic Spain, is available in eight languages and as an audiobook. Mark D. Meyerson is Professor in the Department of History and Centre for Medieval Studies at the University of Toronto. He works on Christian-Muslim-Jewish relations in the premodern Mediterranean and on the history of violence. His book A Jewish Renaissance in Fifteenth-Century Spain was runner-up for the National Jewish Book Award, USA. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Sea in the Middle: The Mediterranean World, 650-1650 (U California Press, 2022) presents an original and revisionist narrative of the development of the medieval west from late antiquity to the dawn of modernity. This textbook is uniquely centered on the Mediterranean and emphasizes the role played by peoples and cultures of Africa, Asia, and Europe in an age when Christians, Muslims, and Jews of various denominations engaged with each other in both conflict and collaboration. Key features: Fifteen-chapter structure to aid classroom use Sections in each chapter that feature key artifacts relevant to chapter themes Dynamic visuals, including 190 photos and 20 maps The Sea in the Middle and its sourcebook companion, Texts from the Middle, pair together to provide a framework and materials that guide students and scholars through this complex but essential history—one that will appeal to the diverse student bodies of today. Thomas E. Burman is Professor of History at the University of Notre Dame and the Director of the Medieval Institute. He is a scholar of Christian-Muslim-Jewish intellectual and cultural history in the medieval Mediterranean. His book Reading the Qur'an in Latin Christendom was awarded the Jacques Barzun Prize in Cultural History. Brian A. Catlos is Professor of Religious Studies at the University of Colorado Boulder, and the co-director of the Mediterranean Seminar. He works on Christian-Muslim-Jewish relations in the premodern Mediterranean. His most recent book, Kingdoms of Faith: A New History of Islamic Spain, is available in eight languages and as an audiobook. Mark D. Meyerson is Professor in the Department of History and Centre for Medieval Studies at the University of Toronto. He works on Christian-Muslim-Jewish relations in the premodern Mediterranean and on the history of violence. His book A Jewish Renaissance in Fifteenth-Century Spain was runner-up for the National Jewish Book Award, USA. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Sea in the Middle: The Mediterranean World, 650-1650 (U California Press, 2022) presents an original and revisionist narrative of the development of the medieval west from late antiquity to the dawn of modernity. This textbook is uniquely centered on the Mediterranean and emphasizes the role played by peoples and cultures of Africa, Asia, and Europe in an age when Christians, Muslims, and Jews of various denominations engaged with each other in both conflict and collaboration. Key features: Fifteen-chapter structure to aid classroom use Sections in each chapter that feature key artifacts relevant to chapter themes Dynamic visuals, including 190 photos and 20 maps The Sea in the Middle and its sourcebook companion, Texts from the Middle, pair together to provide a framework and materials that guide students and scholars through this complex but essential history—one that will appeal to the diverse student bodies of today. Thomas E. Burman is Professor of History at the University of Notre Dame and the Director of the Medieval Institute. He is a scholar of Christian-Muslim-Jewish intellectual and cultural history in the medieval Mediterranean. His book Reading the Qur'an in Latin Christendom was awarded the Jacques Barzun Prize in Cultural History. Brian A. Catlos is Professor of Religious Studies at the University of Colorado Boulder, and the co-director of the Mediterranean Seminar. He works on Christian-Muslim-Jewish relations in the premodern Mediterranean. His most recent book, Kingdoms of Faith: A New History of Islamic Spain, is available in eight languages and as an audiobook. Mark D. Meyerson is Professor in the Department of History and Centre for Medieval Studies at the University of Toronto. He works on Christian-Muslim-Jewish relations in the premodern Mediterranean and on the history of violence. His book A Jewish Renaissance in Fifteenth-Century Spain was runner-up for the National Jewish Book Award, USA. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

The Sea in the Middle: The Mediterranean World, 650-1650 (U California Press, 2022) presents an original and revisionist narrative of the development of the medieval west from late antiquity to the dawn of modernity. This textbook is uniquely centered on the Mediterranean and emphasizes the role played by peoples and cultures of Africa, Asia, and Europe in an age when Christians, Muslims, and Jews of various denominations engaged with each other in both conflict and collaboration. Key features: Fifteen-chapter structure to aid classroom use Sections in each chapter that feature key artifacts relevant to chapter themes Dynamic visuals, including 190 photos and 20 maps The Sea in the Middle and its sourcebook companion, Texts from the Middle, pair together to provide a framework and materials that guide students and scholars through this complex but essential history—one that will appeal to the diverse student bodies of today. Thomas E. Burman is Professor of History at the University of Notre Dame and the Director of the Medieval Institute. He is a scholar of Christian-Muslim-Jewish intellectual and cultural history in the medieval Mediterranean. His book Reading the Qur'an in Latin Christendom was awarded the Jacques Barzun Prize in Cultural History. Brian A. Catlos is Professor of Religious Studies at the University of Colorado Boulder, and the co-director of the Mediterranean Seminar. He works on Christian-Muslim-Jewish relations in the premodern Mediterranean. His most recent book, Kingdoms of Faith: A New History of Islamic Spain, is available in eight languages and as an audiobook. Mark D. Meyerson is Professor in the Department of History and Centre for Medieval Studies at the University of Toronto. He works on Christian-Muslim-Jewish relations in the premodern Mediterranean and on the history of violence. His book A Jewish Renaissance in Fifteenth-Century Spain was runner-up for the National Jewish Book Award, USA. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

The Sea in the Middle: The Mediterranean World, 650-1650 (U California Press, 2022) presents an original and revisionist narrative of the development of the medieval west from late antiquity to the dawn of modernity. This textbook is uniquely centered on the Mediterranean and emphasizes the role played by peoples and cultures of Africa, Asia, and Europe in an age when Christians, Muslims, and Jews of various denominations engaged with each other in both conflict and collaboration. Key features: Fifteen-chapter structure to aid classroom use Sections in each chapter that feature key artifacts relevant to chapter themes Dynamic visuals, including 190 photos and 20 maps The Sea in the Middle and its sourcebook companion, Texts from the Middle, pair together to provide a framework and materials that guide students and scholars through this complex but essential history—one that will appeal to the diverse student bodies of today. Thomas E. Burman is Professor of History at the University of Notre Dame and the Director of the Medieval Institute. He is a scholar of Christian-Muslim-Jewish intellectual and cultural history in the medieval Mediterranean. His book Reading the Qur'an in Latin Christendom was awarded the Jacques Barzun Prize in Cultural History. Brian A. Catlos is Professor of Religious Studies at the University of Colorado Boulder, and the co-director of the Mediterranean Seminar. He works on Christian-Muslim-Jewish relations in the premodern Mediterranean. His most recent book, Kingdoms of Faith: A New History of Islamic Spain, is available in eight languages and as an audiobook. Mark D. Meyerson is Professor in the Department of History and Centre for Medieval Studies at the University of Toronto. He works on Christian-Muslim-Jewish relations in the premodern Mediterranean and on the history of violence. His book A Jewish Renaissance in Fifteenth-Century Spain was runner-up for the National Jewish Book Award, USA. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Sea in the Middle: The Mediterranean World, 650-1650 (U California Press, 2022) presents an original and revisionist narrative of the development of the medieval west from late antiquity to the dawn of modernity. This textbook is uniquely centered on the Mediterranean and emphasizes the role played by peoples and cultures of Africa, Asia, and Europe in an age when Christians, Muslims, and Jews of various denominations engaged with each other in both conflict and collaboration. Key features: Fifteen-chapter structure to aid classroom use Sections in each chapter that feature key artifacts relevant to chapter themes Dynamic visuals, including 190 photos and 20 maps The Sea in the Middle and its sourcebook companion, Texts from the Middle, pair together to provide a framework and materials that guide students and scholars through this complex but essential history—one that will appeal to the diverse student bodies of today. Thomas E. Burman is Professor of History at the University of Notre Dame and the Director of the Medieval Institute. He is a scholar of Christian-Muslim-Jewish intellectual and cultural history in the medieval Mediterranean. His book Reading the Qur'an in Latin Christendom was awarded the Jacques Barzun Prize in Cultural History. Brian A. Catlos is Professor of Religious Studies at the University of Colorado Boulder, and the co-director of the Mediterranean Seminar. He works on Christian-Muslim-Jewish relations in the premodern Mediterranean. His most recent book, Kingdoms of Faith: A New History of Islamic Spain, is available in eight languages and as an audiobook. Mark D. Meyerson is Professor in the Department of History and Centre for Medieval Studies at the University of Toronto. He works on Christian-Muslim-Jewish relations in the premodern Mediterranean and on the history of violence. His book A Jewish Renaissance in Fifteenth-Century Spain was runner-up for the National Jewish Book Award, USA. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The Sea in the Middle: The Mediterranean World, 650-1650 (U California Press, 2022) presents an original and revisionist narrative of the development of the medieval west from late antiquity to the dawn of modernity. This textbook is uniquely centered on the Mediterranean and emphasizes the role played by peoples and cultures of Africa, Asia, and Europe in an age when Christians, Muslims, and Jews of various denominations engaged with each other in both conflict and collaboration. Key features: Fifteen-chapter structure to aid classroom use Sections in each chapter that feature key artifacts relevant to chapter themes Dynamic visuals, including 190 photos and 20 maps The Sea in the Middle and its sourcebook companion, Texts from the Middle, pair together to provide a framework and materials that guide students and scholars through this complex but essential history—one that will appeal to the diverse student bodies of today. Thomas E. Burman is Professor of History at the University of Notre Dame and the Director of the Medieval Institute. He is a scholar of Christian-Muslim-Jewish intellectual and cultural history in the medieval Mediterranean. His book Reading the Qur'an in Latin Christendom was awarded the Jacques Barzun Prize in Cultural History. Brian A. Catlos is Professor of Religious Studies at the University of Colorado Boulder, and the co-director of the Mediterranean Seminar. He works on Christian-Muslim-Jewish relations in the premodern Mediterranean. His most recent book, Kingdoms of Faith: A New History of Islamic Spain, is available in eight languages and as an audiobook. Mark D. Meyerson is Professor in the Department of History and Centre for Medieval Studies at the University of Toronto. He works on Christian-Muslim-Jewish relations in the premodern Mediterranean and on the history of violence. His book A Jewish Renaissance in Fifteenth-Century Spain was runner-up for the National Jewish Book Award, USA. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

The Sea in the Middle: The Mediterranean World, 650-1650 (U California Press, 2022) presents an original and revisionist narrative of the development of the medieval west from late antiquity to the dawn of modernity. This textbook is uniquely centered on the Mediterranean and emphasizes the role played by peoples and cultures of Africa, Asia, and Europe in an age when Christians, Muslims, and Jews of various denominations engaged with each other in both conflict and collaboration. Key features: Fifteen-chapter structure to aid classroom use Sections in each chapter that feature key artifacts relevant to chapter themes Dynamic visuals, including 190 photos and 20 maps The Sea in the Middle and its sourcebook companion, Texts from the Middle, pair together to provide a framework and materials that guide students and scholars through this complex but essential history—one that will appeal to the diverse student bodies of today. Thomas E. Burman is Professor of History at the University of Notre Dame and the Director of the Medieval Institute. He is a scholar of Christian-Muslim-Jewish intellectual and cultural history in the medieval Mediterranean. His book Reading the Qur'an in Latin Christendom was awarded the Jacques Barzun Prize in Cultural History. Brian A. Catlos is Professor of Religious Studies at the University of Colorado Boulder, and the co-director of the Mediterranean Seminar. He works on Christian-Muslim-Jewish relations in the premodern Mediterranean. His most recent book, Kingdoms of Faith: A New History of Islamic Spain, is available in eight languages and as an audiobook. Mark D. Meyerson is Professor in the Department of History and Centre for Medieval Studies at the University of Toronto. He works on Christian-Muslim-Jewish relations in the premodern Mediterranean and on the history of violence. His book A Jewish Renaissance in Fifteenth-Century Spain was runner-up for the National Jewish Book Award, USA. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

The Sea in the Middle: The Mediterranean World, 650-1650 (U California Press, 2022) presents an original and revisionist narrative of the development of the medieval west from late antiquity to the dawn of modernity. This textbook is uniquely centered on the Mediterranean and emphasizes the role played by peoples and cultures of Africa, Asia, and Europe in an age when Christians, Muslims, and Jews of various denominations engaged with each other in both conflict and collaboration. Key features: Fifteen-chapter structure to aid classroom use Sections in each chapter that feature key artifacts relevant to chapter themes Dynamic visuals, including 190 photos and 20 maps The Sea in the Middle and its sourcebook companion, Texts from the Middle, pair together to provide a framework and materials that guide students and scholars through this complex but essential history—one that will appeal to the diverse student bodies of today. Thomas E. Burman is Professor of History at the University of Notre Dame and the Director of the Medieval Institute. He is a scholar of Christian-Muslim-Jewish intellectual and cultural history in the medieval Mediterranean. His book Reading the Qur'an in Latin Christendom was awarded the Jacques Barzun Prize in Cultural History. Brian A. Catlos is Professor of Religious Studies at the University of Colorado Boulder, and the co-director of the Mediterranean Seminar. He works on Christian-Muslim-Jewish relations in the premodern Mediterranean. His most recent book, Kingdoms of Faith: A New History of Islamic Spain, is available in eight languages and as an audiobook. Mark D. Meyerson is Professor in the Department of History and Centre for Medieval Studies at the University of Toronto. He works on Christian-Muslim-Jewish relations in the premodern Mediterranean and on the history of violence. His book A Jewish Renaissance in Fifteenth-Century Spain was runner-up for the National Jewish Book Award, USA. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Sea in the Middle: The Mediterranean World, 650-1650 (U California Press, 2022) presents an original and revisionist narrative of the development of the medieval west from late antiquity to the dawn of modernity. This textbook is uniquely centered on the Mediterranean and emphasizes the role played by peoples and cultures of Africa, Asia, and Europe in an age when Christians, Muslims, and Jews of various denominations engaged with each other in both conflict and collaboration. Key features: Fifteen-chapter structure to aid classroom use Sections in each chapter that feature key artifacts relevant to chapter themes Dynamic visuals, including 190 photos and 20 maps The Sea in the Middle and its sourcebook companion, Texts from the Middle, pair together to provide a framework and materials that guide students and scholars through this complex but essential history—one that will appeal to the diverse student bodies of today. Thomas E. Burman is Professor of History at the University of Notre Dame and the Director of the Medieval Institute. He is a scholar of Christian-Muslim-Jewish intellectual and cultural history in the medieval Mediterranean. His book Reading the Qur'an in Latin Christendom was awarded the Jacques Barzun Prize in Cultural History. Brian A. Catlos is Professor of Religious Studies at the University of Colorado Boulder, and the co-director of the Mediterranean Seminar. He works on Christian-Muslim-Jewish relations in the premodern Mediterranean. His most recent book, Kingdoms of Faith: A New History of Islamic Spain, is available in eight languages and as an audiobook. Mark D. Meyerson is Professor in the Department of History and Centre for Medieval Studies at the University of Toronto. He works on Christian-Muslim-Jewish relations in the premodern Mediterranean and on the history of violence. His book A Jewish Renaissance in Fifteenth-Century Spain was runner-up for the National Jewish Book Award, USA. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

Medieval and Renaissance Cyprus was a fascinating place of ethnic, cultural, and religious encounters. Following almost nine centuries of Byzantine rule, Cyprus was conquered by the Crusaders in 1191, becoming (until 1571) the most important stronghold of Latin Christianity in the Eastern Mediterranean—first under the Frankish dynasty of the Lusignans, and later under the Venetians. Modern historiographical readings of Cypriot identity in medieval and early modern times have been colored by British colonialism, Greek nationalism, and Cyprocentric revisionism. Although these perspectives have offered valuable insights into the historical experience of Latin-ruled Cypriots, they have partially failed to capture the dynamics of non-coercive resistance to domination, and of identity preservation and adaptation.  Orthodox Cyprus under the Latins, 1191–1571 (Lexington Books, 2018) readdresses the question of Cypriot identity by focusing on the Greek Cypriots, the island's largest community during the medieval and early modern period. By bringing together theories from the fields of psychology, social anthropology, and sociology, this study explores continuities and discontinuities in the Byzantine culture and religious tradition of Cyprus, proposing a new methodological framework for a more comprehensive understanding of Cypriot Orthodoxy under Crusader and Venetian rule. A discussion of fresh evidence from hitherto unpublished primary sources enriches this examination, stressing the role of medieval and Renaissance Cyprus as cultural and religious province of the Byzantine and post-Byzantine Orthodox world. Chrysovalantis Kyriacou (Ph.D.) is a lecturer in Ecclesiastical History at the Theological School at the church of Cyprus. He earned his Ph.D. in history at Royal Holloway, University of London, and has also taught at the University of Cyprus. His area of specialty is late antique, Byzantine, medieval, and early modern history and culture, focusing on the role of Cyprus as a place of ethnoreligious encounter, interaction, and contention. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Medieval and Renaissance Cyprus was a fascinating place of ethnic, cultural, and religious encounters. Following almost nine centuries of Byzantine rule, Cyprus was conquered by the Crusaders in 1191, becoming (until 1571) the most important stronghold of Latin Christianity in the Eastern Mediterranean—first under the Frankish dynasty of the Lusignans, and later under the Venetians. Modern historiographical readings of Cypriot identity in medieval and early modern times have been colored by British colonialism, Greek nationalism, and Cyprocentric revisionism. Although these perspectives have offered valuable insights into the historical experience of Latin-ruled Cypriots, they have partially failed to capture the dynamics of non-coercive resistance to domination, and of identity preservation and adaptation.  Orthodox Cyprus under the Latins, 1191–1571 (Lexington Books, 2018) readdresses the question of Cypriot identity by focusing on the Greek Cypriots, the island's largest community during the medieval and early modern period. By bringing together theories from the fields of psychology, social anthropology, and sociology, this study explores continuities and discontinuities in the Byzantine culture and religious tradition of Cyprus, proposing a new methodological framework for a more comprehensive understanding of Cypriot Orthodoxy under Crusader and Venetian rule. A discussion of fresh evidence from hitherto unpublished primary sources enriches this examination, stressing the role of medieval and Renaissance Cyprus as cultural and religious province of the Byzantine and post-Byzantine Orthodox world. Chrysovalantis Kyriacou (Ph.D.) is a lecturer in Ecclesiastical History at the Theological School at the church of Cyprus. He earned his Ph.D. in history at Royal Holloway, University of London, and has also taught at the University of Cyprus. His area of specialty is late antique, Byzantine, medieval, and early modern history and culture, focusing on the role of Cyprus as a place of ethnoreligious encounter, interaction, and contention. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

Medieval and Renaissance Cyprus was a fascinating place of ethnic, cultural, and religious encounters. Following almost nine centuries of Byzantine rule, Cyprus was conquered by the Crusaders in 1191, becoming (until 1571) the most important stronghold of Latin Christianity in the Eastern Mediterranean—first under the Frankish dynasty of the Lusignans, and later under the Venetians. Modern historiographical readings of Cypriot identity in medieval and early modern times have been colored by British colonialism, Greek nationalism, and Cyprocentric revisionism. Although these perspectives have offered valuable insights into the historical experience of Latin-ruled Cypriots, they have partially failed to capture the dynamics of non-coercive resistance to domination, and of identity preservation and adaptation.  Orthodox Cyprus under the Latins, 1191–1571 (Lexington Books, 2018) readdresses the question of Cypriot identity by focusing on the Greek Cypriots, the island's largest community during the medieval and early modern period. By bringing together theories from the fields of psychology, social anthropology, and sociology, this study explores continuities and discontinuities in the Byzantine culture and religious tradition of Cyprus, proposing a new methodological framework for a more comprehensive understanding of Cypriot Orthodoxy under Crusader and Venetian rule. A discussion of fresh evidence from hitherto unpublished primary sources enriches this examination, stressing the role of medieval and Renaissance Cyprus as cultural and religious province of the Byzantine and post-Byzantine Orthodox world. Chrysovalantis Kyriacou (Ph.D.) is a lecturer in Ecclesiastical History at the Theological School at the church of Cyprus. He earned his Ph.D. in history at Royal Holloway, University of London, and has also taught at the University of Cyprus. His area of specialty is late antique, Byzantine, medieval, and early modern history and culture, focusing on the role of Cyprus as a place of ethnoreligious encounter, interaction, and contention. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Medieval and Renaissance Cyprus was a fascinating place of ethnic, cultural, and religious encounters. Following almost nine centuries of Byzantine rule, Cyprus was conquered by the Crusaders in 1191, becoming (until 1571) the most important stronghold of Latin Christianity in the Eastern Mediterranean—first under the Frankish dynasty of the Lusignans, and later under the Venetians. Modern historiographical readings of Cypriot identity in medieval and early modern times have been colored by British colonialism, Greek nationalism, and Cyprocentric revisionism. Although these perspectives have offered valuable insights into the historical experience of Latin-ruled Cypriots, they have partially failed to capture the dynamics of non-coercive resistance to domination, and of identity preservation and adaptation.  Orthodox Cyprus under the Latins, 1191–1571 (Lexington Books, 2018) readdresses the question of Cypriot identity by focusing on the Greek Cypriots, the island's largest community during the medieval and early modern period. By bringing together theories from the fields of psychology, social anthropology, and sociology, this study explores continuities and discontinuities in the Byzantine culture and religious tradition of Cyprus, proposing a new methodological framework for a more comprehensive understanding of Cypriot Orthodoxy under Crusader and Venetian rule. A discussion of fresh evidence from hitherto unpublished primary sources enriches this examination, stressing the role of medieval and Renaissance Cyprus as cultural and religious province of the Byzantine and post-Byzantine Orthodox world. Chrysovalantis Kyriacou (Ph.D.) is a lecturer in Ecclesiastical History at the Theological School at the church of Cyprus. He earned his Ph.D. in history at Royal Holloway, University of London, and has also taught at the University of Cyprus. His area of specialty is late antique, Byzantine, medieval, and early modern history and culture, focusing on the role of Cyprus as a place of ethnoreligious encounter, interaction, and contention. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Medieval and Renaissance Cyprus was a fascinating place of ethnic, cultural, and religious encounters. Following almost nine centuries of Byzantine rule, Cyprus was conquered by the Crusaders in 1191, becoming (until 1571) the most important stronghold of Latin Christianity in the Eastern Mediterranean—first under the Frankish dynasty of the Lusignans, and later under the Venetians. Modern historiographical readings of Cypriot identity in medieval and early modern times have been colored by British colonialism, Greek nationalism, and Cyprocentric revisionism. Although these perspectives have offered valuable insights into the historical experience of Latin-ruled Cypriots, they have partially failed to capture the dynamics of non-coercive resistance to domination, and of identity preservation and adaptation.  Orthodox Cyprus under the Latins, 1191–1571 (Lexington Books, 2018) readdresses the question of Cypriot identity by focusing on the Greek Cypriots, the island's largest community during the medieval and early modern period. By bringing together theories from the fields of psychology, social anthropology, and sociology, this study explores continuities and discontinuities in the Byzantine culture and religious tradition of Cyprus, proposing a new methodological framework for a more comprehensive understanding of Cypriot Orthodoxy under Crusader and Venetian rule. A discussion of fresh evidence from hitherto unpublished primary sources enriches this examination, stressing the role of medieval and Renaissance Cyprus as cultural and religious province of the Byzantine and post-Byzantine Orthodox world. Chrysovalantis Kyriacou (Ph.D.) is a lecturer in Ecclesiastical History at the Theological School at the church of Cyprus. He earned his Ph.D. in history at Royal Holloway, University of London, and has also taught at the University of Cyprus. His area of specialty is late antique, Byzantine, medieval, and early modern history and culture, focusing on the role of Cyprus as a place of ethnoreligious encounter, interaction, and contention. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

Medieval and Renaissance Cyprus was a fascinating place of ethnic, cultural, and religious encounters. Following almost nine centuries of Byzantine rule, Cyprus was conquered by the Crusaders in 1191, becoming (until 1571) the most important stronghold of Latin Christianity in the Eastern Mediterranean—first under the Frankish dynasty of the Lusignans, and later under the Venetians. Modern historiographical readings of Cypriot identity in medieval and early modern times have been colored by British colonialism, Greek nationalism, and Cyprocentric revisionism. Although these perspectives have offered valuable insights into the historical experience of Latin-ruled Cypriots, they have partially failed to capture the dynamics of non-coercive resistance to domination, and of identity preservation and adaptation.  Orthodox Cyprus under the Latins, 1191–1571 (Lexington Books, 2018) readdresses the question of Cypriot identity by focusing on the Greek Cypriots, the island's largest community during the medieval and early modern period. By bringing together theories from the fields of psychology, social anthropology, and sociology, this study explores continuities and discontinuities in the Byzantine culture and religious tradition of Cyprus, proposing a new methodological framework for a more comprehensive understanding of Cypriot Orthodoxy under Crusader and Venetian rule. A discussion of fresh evidence from hitherto unpublished primary sources enriches this examination, stressing the role of medieval and Renaissance Cyprus as cultural and religious province of the Byzantine and post-Byzantine Orthodox world. Chrysovalantis Kyriacou (Ph.D.) is a lecturer in Ecclesiastical History at the Theological School at the church of Cyprus. He earned his Ph.D. in history at Royal Holloway, University of London, and has also taught at the University of Cyprus. His area of specialty is late antique, Byzantine, medieval, and early modern history and culture, focusing on the role of Cyprus as a place of ethnoreligious encounter, interaction, and contention. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

Medieval and Renaissance Cyprus was a fascinating place of ethnic, cultural, and religious encounters. Following almost nine centuries of Byzantine rule, Cyprus was conquered by the Crusaders in 1191, becoming (until 1571) the most important stronghold of Latin Christianity in the Eastern Mediterranean—first under the Frankish dynasty of the Lusignans, and later under the Venetians. Modern historiographical readings of Cypriot identity in medieval and early modern times have been colored by British colonialism, Greek nationalism, and Cyprocentric revisionism. Although these perspectives have offered valuable insights into the historical experience of Latin-ruled Cypriots, they have partially failed to capture the dynamics of non-coercive resistance to domination, and of identity preservation and adaptation.  Orthodox Cyprus under the Latins, 1191–1571 (Lexington Books, 2018) readdresses the question of Cypriot identity by focusing on the Greek Cypriots, the island's largest community during the medieval and early modern period. By bringing together theories from the fields of psychology, social anthropology, and sociology, this study explores continuities and discontinuities in the Byzantine culture and religious tradition of Cyprus, proposing a new methodological framework for a more comprehensive understanding of Cypriot Orthodoxy under Crusader and Venetian rule. A discussion of fresh evidence from hitherto unpublished primary sources enriches this examination, stressing the role of medieval and Renaissance Cyprus as cultural and religious province of the Byzantine and post-Byzantine Orthodox world. Chrysovalantis Kyriacou (Ph.D.) is a lecturer in Ecclesiastical History at the Theological School at the church of Cyprus. He earned his Ph.D. in history at Royal Holloway, University of London, and has also taught at the University of Cyprus. His area of specialty is late antique, Byzantine, medieval, and early modern history and culture, focusing on the role of Cyprus as a place of ethnoreligious encounter, interaction, and contention. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

ARISTEiA in 30 min: Dimitris Caramitsos-Tziras, Ambassador of Greece in Japan and Evan Zarkadas, Independent History Scholar, discuss about "Diplomacy as a way to reach peace with excellence".

A unique, illustrated book that aspires to bring medieval history closer to the general audience will change the way you see medieval history, The Middle Ages: A Graphic History (Icon Books, 2021) busts the myth of the ‘Dark Ages', shedding light on the medieval period's present-day relevance in a unique illustrated style. This history takes us through the rise and fall of empires, papacies, caliphates and kingdoms; through the violence and death of the Crusades, Viking raids, the Hundred Years War and the Plague; to the curious practices of monks, martyrs and iconoclasts. We'll see how the foundations of the modern West were established, influencing our art, cultures, religious practices and ways of thinking. And we'll explore the lives of those seen as ‘Other' – women, Jews, homosexuals, lepers, sex workers and heretics. Join historian Eleanor Janega and illustrator Neil Max Emmanuel on a romp across continents and kingdoms as we discover the Middle Ages to be a time of huge change, inquiry and development – not unlike our own. Eleanor Janega is a medieval historian at the London School of Economics specializing in sexuality, propaganda, apocalypticism, and the urban experience in the medieval period generally and in late medieval Bohemia in particular. Her focus is on communicating medieval history for a general audience, and to that end she blogs at going-medieval.com and has written for The Washington Post, BBC History and History Today among others. At the same time, she can also be found hosting medieval history programs on History Hit TV. Neil Max Emmanuel is a motion graphics animator, illustrator, storyboard artist, cartoonist, visual facilitator, media trainer, and consultant. For ten years he has worked for Channel 4's Time Team alongside the country's leading historical experts and filmmakers. He has worked for many historical documentaries for BBC, Channel 4, National Geographic and History Channel to name a few. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

A unique, illustrated book that aspires to bring medieval history closer to the general audience will change the way you see medieval history, The Middle Ages: A Graphic History (Icon Books, 2021) busts the myth of the ‘Dark Ages', shedding light on the medieval period's present-day relevance in a unique illustrated style. This history takes us through the rise and fall of empires, papacies, caliphates and kingdoms; through the violence and death of the Crusades, Viking raids, the Hundred Years War and the Plague; to the curious practices of monks, martyrs and iconoclasts. We'll see how the foundations of the modern West were established, influencing our art, cultures, religious practices and ways of thinking. And we'll explore the lives of those seen as ‘Other' – women, Jews, homosexuals, lepers, sex workers and heretics. Join historian Eleanor Janega and illustrator Neil Max Emmanuel on a romp across continents and kingdoms as we discover the Middle Ages to be a time of huge change, inquiry and development – not unlike our own. Eleanor Janega is a medieval historian at the London School of Economics specializing in sexuality, propaganda, apocalypticism, and the urban experience in the medieval period generally and in late medieval Bohemia in particular. Her focus is on communicating medieval history for a general audience, and to that end she blogs at going-medieval.com and has written for The Washington Post, BBC History and History Today among others. At the same time, she can also be found hosting medieval history programs on History Hit TV. Neil Max Emmanuel is a motion graphics animator, illustrator, storyboard artist, cartoonist, visual facilitator, media trainer, and consultant. For ten years he has worked for Channel 4's Time Team alongside the country's leading historical experts and filmmakers. He has worked for many historical documentaries for BBC, Channel 4, National Geographic and History Channel to name a few. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

A unique, illustrated book that aspires to bring medieval history closer to the general audience will change the way you see medieval history, The Middle Ages: A Graphic History (Icon Books, 2021) busts the myth of the ‘Dark Ages', shedding light on the medieval period's present-day relevance in a unique illustrated style. This history takes us through the rise and fall of empires, papacies, caliphates and kingdoms; through the violence and death of the Crusades, Viking raids, the Hundred Years War and the Plague; to the curious practices of monks, martyrs and iconoclasts. We'll see how the foundations of the modern West were established, influencing our art, cultures, religious practices and ways of thinking. And we'll explore the lives of those seen as ‘Other' – women, Jews, homosexuals, lepers, sex workers and heretics. Join historian Eleanor Janega and illustrator Neil Max Emmanuel on a romp across continents and kingdoms as we discover the Middle Ages to be a time of huge change, inquiry and development – not unlike our own. Eleanor Janega is a medieval historian at the London School of Economics specializing in sexuality, propaganda, apocalypticism, and the urban experience in the medieval period generally and in late medieval Bohemia in particular. Her focus is on communicating medieval history for a general audience, and to that end she blogs at going-medieval.com and has written for The Washington Post, BBC History and History Today among others. At the same time, she can also be found hosting medieval history programs on History Hit TV. Neil Max Emmanuel is a motion graphics animator, illustrator, storyboard artist, cartoonist, visual facilitator, media trainer, and consultant. For ten years he has worked for Channel 4's Time Team alongside the country's leading historical experts and filmmakers. He has worked for many historical documentaries for BBC, Channel 4, National Geographic and History Channel to name a few. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

A unique, illustrated book that aspires to bring medieval history closer to the general audience will change the way you see medieval history, The Middle Ages: A Graphic History (Icon Books, 2021) busts the myth of the ‘Dark Ages', shedding light on the medieval period's present-day relevance in a unique illustrated style. This history takes us through the rise and fall of empires, papacies, caliphates and kingdoms; through the violence and death of the Crusades, Viking raids, the Hundred Years War and the Plague; to the curious practices of monks, martyrs and iconoclasts. We'll see how the foundations of the modern West were established, influencing our art, cultures, religious practices and ways of thinking. And we'll explore the lives of those seen as ‘Other' – women, Jews, homosexuals, lepers, sex workers and heretics. Join historian Eleanor Janega and illustrator Neil Max Emmanuel on a romp across continents and kingdoms as we discover the Middle Ages to be a time of huge change, inquiry and development – not unlike our own. Eleanor Janega is a medieval historian at the London School of Economics specializing in sexuality, propaganda, apocalypticism, and the urban experience in the medieval period generally and in late medieval Bohemia in particular. Her focus is on communicating medieval history for a general audience, and to that end she blogs at going-medieval.com and has written for The Washington Post, BBC History and History Today among others. At the same time, she can also be found hosting medieval history programs on History Hit TV. Neil Max Emmanuel is a motion graphics animator, illustrator, storyboard artist, cartoonist, visual facilitator, media trainer, and consultant. For ten years he has worked for Channel 4's Time Team alongside the country's leading historical experts and filmmakers. He has worked for many historical documentaries for BBC, Channel 4, National Geographic and History Channel to name a few. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

A unique, illustrated book that aspires to bring medieval history closer to the general audience will change the way you see medieval history, The Middle Ages: A Graphic History (Icon Books, 2021) busts the myth of the ‘Dark Ages', shedding light on the medieval period's present-day relevance in a unique illustrated style. This history takes us through the rise and fall of empires, papacies, caliphates and kingdoms; through the violence and death of the Crusades, Viking raids, the Hundred Years War and the Plague; to the curious practices of monks, martyrs and iconoclasts. We'll see how the foundations of the modern West were established, influencing our art, cultures, religious practices and ways of thinking. And we'll explore the lives of those seen as ‘Other' – women, Jews, homosexuals, lepers, sex workers and heretics. Join historian Eleanor Janega and illustrator Neil Max Emmanuel on a romp across continents and kingdoms as we discover the Middle Ages to be a time of huge change, inquiry and development – not unlike our own. Eleanor Janega is a medieval historian at the London School of Economics specializing in sexuality, propaganda, apocalypticism, and the urban experience in the medieval period generally and in late medieval Bohemia in particular. Her focus is on communicating medieval history for a general audience, and to that end she blogs at going-medieval.com and has written for The Washington Post, BBC History and History Today among others. At the same time, she can also be found hosting medieval history programs on History Hit TV. Neil Max Emmanuel is a motion graphics animator, illustrator, storyboard artist, cartoonist, visual facilitator, media trainer, and consultant. For ten years he has worked for Channel 4's Time Team alongside the country's leading historical experts and filmmakers. He has worked for many historical documentaries for BBC, Channel 4, National Geographic and History Channel to name a few. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A unique, illustrated book that aspires to bring medieval history closer to the general audience will change the way you see medieval history, The Middle Ages: A Graphic History (Icon Books, 2021) busts the myth of the ‘Dark Ages', shedding light on the medieval period's present-day relevance in a unique illustrated style. This history takes us through the rise and fall of empires, papacies, caliphates and kingdoms; through the violence and death of the Crusades, Viking raids, the Hundred Years War and the Plague; to the curious practices of monks, martyrs and iconoclasts. We'll see how the foundations of the modern West were established, influencing our art, cultures, religious practices and ways of thinking. And we'll explore the lives of those seen as ‘Other' – women, Jews, homosexuals, lepers, sex workers and heretics. Join historian Eleanor Janega and illustrator Neil Max Emmanuel on a romp across continents and kingdoms as we discover the Middle Ages to be a time of huge change, inquiry and development – not unlike our own. Eleanor Janega is a medieval historian at the London School of Economics specializing in sexuality, propaganda, apocalypticism, and the urban experience in the medieval period generally and in late medieval Bohemia in particular. Her focus is on communicating medieval history for a general audience, and to that end she blogs at going-medieval.com and has written for The Washington Post, BBC History and History Today among others. At the same time, she can also be found hosting medieval history programs on History Hit TV. Neil Max Emmanuel is a motion graphics animator, illustrator, storyboard artist, cartoonist, visual facilitator, media trainer, and consultant. For ten years he has worked for Channel 4's Time Team alongside the country's leading historical experts and filmmakers. He has worked for many historical documentaries for BBC, Channel 4, National Geographic and History Channel to name a few. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Students in twelfth-century Paris held slanging matches, branding the English drunkards, the Germans madmen and the French as arrogant. On Crusade, army recruits from different ethnic backgrounds taunted each other's military skills. Men producing ethnography in monasteries and at court drafted derogatory descriptions of peoples dwelling in territories under colonization, questioning their work ethic, social organization, religious devotion and humanness. Monks listed and ruminated on the alleged traits of Jews, Saracens, Greeks, Saxons and Britons and their acceptance or rejection of Christianity. Ethnicity in Medieval Europe 950-1250, Medicine, Power and Religion (Boydell and Brewer, 2021), provides a radical new approach to representations of nationhood in medieval western Europe, the author argues that ethnic stereotypes were constructed and wielded rhetorically to justify property claims, flaunt military strength, and assert moral and cultural ascendance over others. The gendered images of ethnicity in circulation reflect a negotiation over self-representations of discipline, rationality and strength, juxtaposed with the alleged chaos and weakness of racialized others. Interpreting nationhood through a religious lens, monks and schoolmen explained it as scientifically informed by environmental medicine, and ancient theory that held that location and climate influenced the physical and mental traits of peoples. Drawing on lists of ethnic character traits, school textbooks, medical treatises, proverbs, poetry and chronicles, this book shows that ethnic stereotypes served as rhetorical tools of power, crafting relationships within communities and towards others. Claire Weeda is a cultural historian at the Institute for History at Leiden University, Netherlands. Her main fields of interest include ethnic stereotyping, the history of the body, Greco-Arabic medicine, and organic politics in Europe, 1100-1500. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

Students in twelfth-century Paris held slanging matches, branding the English drunkards, the Germans madmen and the French as arrogant. On Crusade, army recruits from different ethnic backgrounds taunted each other's military skills. Men producing ethnography in monasteries and at court drafted derogatory descriptions of peoples dwelling in territories under colonization, questioning their work ethic, social organization, religious devotion and humanness. Monks listed and ruminated on the alleged traits of Jews, Saracens, Greeks, Saxons and Britons and their acceptance or rejection of Christianity. Ethnicity in Medieval Europe 950-1250, Medicine, Power and Religion (Boydell and Brewer, 2021), provides a radical new approach to representations of nationhood in medieval western Europe, the author argues that ethnic stereotypes were constructed and wielded rhetorically to justify property claims, flaunt military strength, and assert moral and cultural ascendance over others. The gendered images of ethnicity in circulation reflect a negotiation over self-representations of discipline, rationality and strength, juxtaposed with the alleged chaos and weakness of racialized others. Interpreting nationhood through a religious lens, monks and schoolmen explained it as scientifically informed by environmental medicine, and ancient theory that held that location and climate influenced the physical and mental traits of peoples. Drawing on lists of ethnic character traits, school textbooks, medical treatises, proverbs, poetry and chronicles, this book shows that ethnic stereotypes served as rhetorical tools of power, crafting relationships within communities and towards others. Claire Weeda is a cultural historian at the Institute for History at Leiden University, Netherlands. Her main fields of interest include ethnic stereotyping, the history of the body, Greco-Arabic medicine, and organic politics in Europe, 1100-1500. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

Students in twelfth-century Paris held slanging matches, branding the English drunkards, the Germans madmen and the French as arrogant. On Crusade, army recruits from different ethnic backgrounds taunted each other's military skills. Men producing ethnography in monasteries and at court drafted derogatory descriptions of peoples dwelling in territories under colonization, questioning their work ethic, social organization, religious devotion and humanness. Monks listed and ruminated on the alleged traits of Jews, Saracens, Greeks, Saxons and Britons and their acceptance or rejection of Christianity. Ethnicity in Medieval Europe 950-1250, Medicine, Power and Religion (Boydell and Brewer, 2021), provides a radical new approach to representations of nationhood in medieval western Europe, the author argues that ethnic stereotypes were constructed and wielded rhetorically to justify property claims, flaunt military strength, and assert moral and cultural ascendance over others. The gendered images of ethnicity in circulation reflect a negotiation over self-representations of discipline, rationality and strength, juxtaposed with the alleged chaos and weakness of racialized others. Interpreting nationhood through a religious lens, monks and schoolmen explained it as scientifically informed by environmental medicine, and ancient theory that held that location and climate influenced the physical and mental traits of peoples. Drawing on lists of ethnic character traits, school textbooks, medical treatises, proverbs, poetry and chronicles, this book shows that ethnic stereotypes served as rhetorical tools of power, crafting relationships within communities and towards others. Claire Weeda is a cultural historian at the Institute for History at Leiden University, Netherlands. Her main fields of interest include ethnic stereotyping, the history of the body, Greco-Arabic medicine, and organic politics in Europe, 1100-1500. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Students in twelfth-century Paris held slanging matches, branding the English drunkards, the Germans madmen and the French as arrogant. On Crusade, army recruits from different ethnic backgrounds taunted each other's military skills. Men producing ethnography in monasteries and at court drafted derogatory descriptions of peoples dwelling in territories under colonization, questioning their work ethic, social organization, religious devotion and humanness. Monks listed and ruminated on the alleged traits of Jews, Saracens, Greeks, Saxons and Britons and their acceptance or rejection of Christianity. Ethnicity in Medieval Europe 950-1250, Medicine, Power and Religion (Boydell and Brewer, 2021), provides a radical new approach to representations of nationhood in medieval western Europe, the author argues that ethnic stereotypes were constructed and wielded rhetorically to justify property claims, flaunt military strength, and assert moral and cultural ascendance over others. The gendered images of ethnicity in circulation reflect a negotiation over self-representations of discipline, rationality and strength, juxtaposed with the alleged chaos and weakness of racialized others. Interpreting nationhood through a religious lens, monks and schoolmen explained it as scientifically informed by environmental medicine, and ancient theory that held that location and climate influenced the physical and mental traits of peoples. Drawing on lists of ethnic character traits, school textbooks, medical treatises, proverbs, poetry and chronicles, this book shows that ethnic stereotypes served as rhetorical tools of power, crafting relationships within communities and towards others. Claire Weeda is a cultural historian at the Institute for History at Leiden University, Netherlands. Her main fields of interest include ethnic stereotyping, the history of the body, Greco-Arabic medicine, and organic politics in Europe, 1100-1500. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Students in twelfth-century Paris held slanging matches, branding the English drunkards, the Germans madmen and the French as arrogant. On Crusade, army recruits from different ethnic backgrounds taunted each other's military skills. Men producing ethnography in monasteries and at court drafted derogatory descriptions of peoples dwelling in territories under colonization, questioning their work ethic, social organization, religious devotion and humanness. Monks listed and ruminated on the alleged traits of Jews, Saracens, Greeks, Saxons and Britons and their acceptance or rejection of Christianity. Ethnicity in Medieval Europe 950-1250, Medicine, Power and Religion (Boydell and Brewer, 2021), provides a radical new approach to representations of nationhood in medieval western Europe, the author argues that ethnic stereotypes were constructed and wielded rhetorically to justify property claims, flaunt military strength, and assert moral and cultural ascendance over others. The gendered images of ethnicity in circulation reflect a negotiation over self-representations of discipline, rationality and strength, juxtaposed with the alleged chaos and weakness of racialized others. Interpreting nationhood through a religious lens, monks and schoolmen explained it as scientifically informed by environmental medicine, and ancient theory that held that location and climate influenced the physical and mental traits of peoples. Drawing on lists of ethnic character traits, school textbooks, medical treatises, proverbs, poetry and chronicles, this book shows that ethnic stereotypes served as rhetorical tools of power, crafting relationships within communities and towards others. Claire Weeda is a cultural historian at the Institute for History at Leiden University, Netherlands. Her main fields of interest include ethnic stereotyping, the history of the body, Greco-Arabic medicine, and organic politics in Europe, 1100-1500. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Students in twelfth-century Paris held slanging matches, branding the English drunkards, the Germans madmen and the French as arrogant. On Crusade, army recruits from different ethnic backgrounds taunted each other's military skills. Men producing ethnography in monasteries and at court drafted derogatory descriptions of peoples dwelling in territories under colonization, questioning their work ethic, social organization, religious devotion and humanness. Monks listed and ruminated on the alleged traits of Jews, Saracens, Greeks, Saxons and Britons and their acceptance or rejection of Christianity. Ethnicity in Medieval Europe 950-1250, Medicine, Power and Religion (Boydell and Brewer, 2021), provides a radical new approach to representations of nationhood in medieval western Europe, the author argues that ethnic stereotypes were constructed and wielded rhetorically to justify property claims, flaunt military strength, and assert moral and cultural ascendance over others. The gendered images of ethnicity in circulation reflect a negotiation over self-representations of discipline, rationality and strength, juxtaposed with the alleged chaos and weakness of racialized others. Interpreting nationhood through a religious lens, monks and schoolmen explained it as scientifically informed by environmental medicine, and ancient theory that held that location and climate influenced the physical and mental traits of peoples. Drawing on lists of ethnic character traits, school textbooks, medical treatises, proverbs, poetry and chronicles, this book shows that ethnic stereotypes served as rhetorical tools of power, crafting relationships within communities and towards others. Claire Weeda is a cultural historian at the Institute for History at Leiden University, Netherlands. Her main fields of interest include ethnic stereotyping, the history of the body, Greco-Arabic medicine, and organic politics in Europe, 1100-1500. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Students in twelfth-century Paris held slanging matches, branding the English drunkards, the Germans madmen and the French as arrogant. On Crusade, army recruits from different ethnic backgrounds taunted each other's military skills. Men producing ethnography in monasteries and at court drafted derogatory descriptions of peoples dwelling in territories under colonization, questioning their work ethic, social organization, religious devotion and humanness. Monks listed and ruminated on the alleged traits of Jews, Saracens, Greeks, Saxons and Britons and their acceptance or rejection of Christianity. Ethnicity in Medieval Europe 950-1250, Medicine, Power and Religion (Boydell and Brewer, 2021), provides a radical new approach to representations of nationhood in medieval western Europe, the author argues that ethnic stereotypes were constructed and wielded rhetorically to justify property claims, flaunt military strength, and assert moral and cultural ascendance over others. The gendered images of ethnicity in circulation reflect a negotiation over self-representations of discipline, rationality and strength, juxtaposed with the alleged chaos and weakness of racialized others. Interpreting nationhood through a religious lens, monks and schoolmen explained it as scientifically informed by environmental medicine, and ancient theory that held that location and climate influenced the physical and mental traits of peoples. Drawing on lists of ethnic character traits, school textbooks, medical treatises, proverbs, poetry and chronicles, this book shows that ethnic stereotypes served as rhetorical tools of power, crafting relationships within communities and towards others. Claire Weeda is a cultural historian at the Institute for History at Leiden University, Netherlands. Her main fields of interest include ethnic stereotyping, the history of the body, Greco-Arabic medicine, and organic politics in Europe, 1100-1500. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

The early modern Mediterranean was an area where many different rich cultural traditions came in contact with each other, and were often forced to co-exist, frequently learning to reap the benefits of co-operation. Orthodox, Roman Catholics, Muslims, Jews, and their interactions all contributed significantly to the cultural development of modern Europe.  Cross-Cultural Interaction Between Byzantium and the West, 1204-1669: Whose Mediterranean Is It Anyway? (Routledge, 2020) addresses, explores, re-examines, and re-interprets one specific aspect of this cross-cultural interaction in the Mediterranean - that between the Byzantine East and the (mainly Italian) West. The investigation of this interaction has become increasingly popular in the past few decades, not least due to the relevance it has for cultural exchanges in our present-day society. The starting point is provided by the fall of Constantinople to the troops of the Fourth Crusade in 1204. In the aftermath of the fall, a number of Byzantine territories came under prolonged Latin occupation, an occupation that forced Greeks and Latins to adapt their life socially and religiously to the new status quo. Venetian Crete developed one of the most fertile 'bi-cultural' societies, which evolved over 458 years. Its fall to the Ottoman Turks in 1669 marked the end of an era and was hence chosen as the end point for the conference. By sampling case studies from the most representative areas where this interaction took place, the volume highlights the process as well as the significance of its cultural development. Angeliki Lymberopoulou is Senior Lecturer in Art History (late and post-Byzantine art) at The Open University, UK. Her research interests focus on Venetian Crete (1211-1669) and the cross-cultural interactions and exchanges between Greek Orthodox and Roman Catholic Christians in the wider Mediterranean. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

The early modern Mediterranean was an area where many different rich cultural traditions came in contact with each other, and were often forced to co-exist, frequently learning to reap the benefits of co-operation. Orthodox, Roman Catholics, Muslims, Jews, and their interactions all contributed significantly to the cultural development of modern Europe.  Cross-Cultural Interaction Between Byzantium and the West, 1204-1669: Whose Mediterranean Is It Anyway? (Routledge, 2020) addresses, explores, re-examines, and re-interprets one specific aspect of this cross-cultural interaction in the Mediterranean - that between the Byzantine East and the (mainly Italian) West. The investigation of this interaction has become increasingly popular in the past few decades, not least due to the relevance it has for cultural exchanges in our present-day society. The starting point is provided by the fall of Constantinople to the troops of the Fourth Crusade in 1204. In the aftermath of the fall, a number of Byzantine territories came under prolonged Latin occupation, an occupation that forced Greeks and Latins to adapt their life socially and religiously to the new status quo. Venetian Crete developed one of the most fertile 'bi-cultural' societies, which evolved over 458 years. Its fall to the Ottoman Turks in 1669 marked the end of an era and was hence chosen as the end point for the conference. By sampling case studies from the most representative areas where this interaction took place, the volume highlights the process as well as the significance of its cultural development. Angeliki Lymberopoulou is Senior Lecturer in Art History (late and post-Byzantine art) at The Open University, UK. Her research interests focus on Venetian Crete (1211-1669) and the cross-cultural interactions and exchanges between Greek Orthodox and Roman Catholic Christians in the wider Mediterranean. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

The early modern Mediterranean was an area where many different rich cultural traditions came in contact with each other, and were often forced to co-exist, frequently learning to reap the benefits of co-operation. Orthodox, Roman Catholics, Muslims, Jews, and their interactions all contributed significantly to the cultural development of modern Europe.  Cross-Cultural Interaction Between Byzantium and the West, 1204-1669: Whose Mediterranean Is It Anyway? (Routledge, 2020) addresses, explores, re-examines, and re-interprets one specific aspect of this cross-cultural interaction in the Mediterranean - that between the Byzantine East and the (mainly Italian) West. The investigation of this interaction has become increasingly popular in the past few decades, not least due to the relevance it has for cultural exchanges in our present-day society. The starting point is provided by the fall of Constantinople to the troops of the Fourth Crusade in 1204. In the aftermath of the fall, a number of Byzantine territories came under prolonged Latin occupation, an occupation that forced Greeks and Latins to adapt their life socially and religiously to the new status quo. Venetian Crete developed one of the most fertile 'bi-cultural' societies, which evolved over 458 years. Its fall to the Ottoman Turks in 1669 marked the end of an era and was hence chosen as the end point for the conference. By sampling case studies from the most representative areas where this interaction took place, the volume highlights the process as well as the significance of its cultural development. Angeliki Lymberopoulou is Senior Lecturer in Art History (late and post-Byzantine art) at The Open University, UK. Her research interests focus on Venetian Crete (1211-1669) and the cross-cultural interactions and exchanges between Greek Orthodox and Roman Catholic Christians in the wider Mediterranean. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

The early modern Mediterranean was an area where many different rich cultural traditions came in contact with each other, and were often forced to co-exist, frequently learning to reap the benefits of co-operation. Orthodox, Roman Catholics, Muslims, Jews, and their interactions all contributed significantly to the cultural development of modern Europe.  Cross-Cultural Interaction Between Byzantium and the West, 1204-1669: Whose Mediterranean Is It Anyway? (Routledge, 2020) addresses, explores, re-examines, and re-interprets one specific aspect of this cross-cultural interaction in the Mediterranean - that between the Byzantine East and the (mainly Italian) West. The investigation of this interaction has become increasingly popular in the past few decades, not least due to the relevance it has for cultural exchanges in our present-day society. The starting point is provided by the fall of Constantinople to the troops of the Fourth Crusade in 1204. In the aftermath of the fall, a number of Byzantine territories came under prolonged Latin occupation, an occupation that forced Greeks and Latins to adapt their life socially and religiously to the new status quo. Venetian Crete developed one of the most fertile 'bi-cultural' societies, which evolved over 458 years. Its fall to the Ottoman Turks in 1669 marked the end of an era and was hence chosen as the end point for the conference. By sampling case studies from the most representative areas where this interaction took place, the volume highlights the process as well as the significance of its cultural development. Angeliki Lymberopoulou is Senior Lecturer in Art History (late and post-Byzantine art) at The Open University, UK. Her research interests focus on Venetian Crete (1211-1669) and the cross-cultural interactions and exchanges between Greek Orthodox and Roman Catholic Christians in the wider Mediterranean. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The early modern Mediterranean was an area where many different rich cultural traditions came in contact with each other, and were often forced to co-exist, frequently learning to reap the benefits of co-operation. Orthodox, Roman Catholics, Muslims, Jews, and their interactions all contributed significantly to the cultural development of modern Europe.  Cross-Cultural Interaction Between Byzantium and the West, 1204-1669: Whose Mediterranean Is It Anyway? (Routledge, 2020) addresses, explores, re-examines, and re-interprets one specific aspect of this cross-cultural interaction in the Mediterranean - that between the Byzantine East and the (mainly Italian) West. The investigation of this interaction has become increasingly popular in the past few decades, not least due to the relevance it has for cultural exchanges in our present-day society. The starting point is provided by the fall of Constantinople to the troops of the Fourth Crusade in 1204. In the aftermath of the fall, a number of Byzantine territories came under prolonged Latin occupation, an occupation that forced Greeks and Latins to adapt their life socially and religiously to the new status quo. Venetian Crete developed one of the most fertile 'bi-cultural' societies, which evolved over 458 years. Its fall to the Ottoman Turks in 1669 marked the end of an era and was hence chosen as the end point for the conference. By sampling case studies from the most representative areas where this interaction took place, the volume highlights the process as well as the significance of its cultural development. Angeliki Lymberopoulou is Senior Lecturer in Art History (late and post-Byzantine art) at The Open University, UK. Her research interests focus on Venetian Crete (1211-1669) and the cross-cultural interactions and exchanges between Greek Orthodox and Roman Catholic Christians in the wider Mediterranean. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

The early modern Mediterranean was an area where many different rich cultural traditions came in contact with each other, and were often forced to co-exist, frequently learning to reap the benefits of co-operation. Orthodox, Roman Catholics, Muslims, Jews, and their interactions all contributed significantly to the cultural development of modern Europe.  Cross-Cultural Interaction Between Byzantium and the West, 1204-1669: Whose Mediterranean Is It Anyway? (Routledge, 2020) addresses, explores, re-examines, and re-interprets one specific aspect of this cross-cultural interaction in the Mediterranean - that between the Byzantine East and the (mainly Italian) West. The investigation of this interaction has become increasingly popular in the past few decades, not least due to the relevance it has for cultural exchanges in our present-day society. The starting point is provided by the fall of Constantinople to the troops of the Fourth Crusade in 1204. In the aftermath of the fall, a number of Byzantine territories came under prolonged Latin occupation, an occupation that forced Greeks and Latins to adapt their life socially and religiously to the new status quo. Venetian Crete developed one of the most fertile 'bi-cultural' societies, which evolved over 458 years. Its fall to the Ottoman Turks in 1669 marked the end of an era and was hence chosen as the end point for the conference. By sampling case studies from the most representative areas where this interaction took place, the volume highlights the process as well as the significance of its cultural development. Angeliki Lymberopoulou is Senior Lecturer in Art History (late and post-Byzantine art) at The Open University, UK. Her research interests focus on Venetian Crete (1211-1669) and the cross-cultural interactions and exchanges between Greek Orthodox and Roman Catholic Christians in the wider Mediterranean. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The early modern Mediterranean was an area where many different rich cultural traditions came in contact with each other, and were often forced to co-exist, frequently learning to reap the benefits of co-operation. Orthodox, Roman Catholics, Muslims, Jews, and their interactions all contributed significantly to the cultural development of modern Europe.  Cross-Cultural Interaction Between Byzantium and the West, 1204-1669: Whose Mediterranean Is It Anyway? (Routledge, 2020) addresses, explores, re-examines, and re-interprets one specific aspect of this cross-cultural interaction in the Mediterranean - that between the Byzantine East and the (mainly Italian) West. The investigation of this interaction has become increasingly popular in the past few decades, not least due to the relevance it has for cultural exchanges in our present-day society. The starting point is provided by the fall of Constantinople to the troops of the Fourth Crusade in 1204. In the aftermath of the fall, a number of Byzantine territories came under prolonged Latin occupation, an occupation that forced Greeks and Latins to adapt their life socially and religiously to the new status quo. Venetian Crete developed one of the most fertile 'bi-cultural' societies, which evolved over 458 years. Its fall to the Ottoman Turks in 1669 marked the end of an era and was hence chosen as the end point for the conference. By sampling case studies from the most representative areas where this interaction took place, the volume highlights the process as well as the significance of its cultural development. Angeliki Lymberopoulou is Senior Lecturer in Art History (late and post-Byzantine art) at The Open University, UK. Her research interests focus on Venetian Crete (1211-1669) and the cross-cultural interactions and exchanges between Greek Orthodox and Roman Catholic Christians in the wider Mediterranean. Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network