Podcasts about Hellenic studies

The struggle of many Greeks who were sent abroad as children for adoption in the aftermath of the Greek Civil War and the decades that followed is finally coming to an end as the Greek government is now paving the way for them to regain their Greek citizenship. Professor Gonda van Steen, the Koraes Chair at the Centre for Hellenic Studies and Department of Classics at King's College London and author of the book Adoption, Memory, and Cold War Greece: Kid pro quo?, joins Thanos Davelis as we look into the story of the Greek adoptees and their long and difficult homecoming.You can read the articles we discuss on our podcast here:A long and difficult homecomingGreece requests EU exemption for 2026 defense spending boostGreek FM highlights Ukraine support, regional ties at Three Seas Summit

fWotD Episode 2910: Aineta aryballos Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Wednesday, 23 April 2025, is Aineta aryballos.The Aineta aryballos is an ancient Greek aryballos (a small, spherical flask or vase), made between approximately 625 and 570 BCE in the city of Corinth in southern Greece. Approximately 6.35 centimetres (2.50 in) in both height and diameter, it was intended to contain perfumed oil or unguent, and is likely to have been owned by a high-class courtesan (hetaira) by the name of Aineta, who may be portrayed in a drawing on its handle. The vase's illegal sale to the British Museum in 1865 led to the prosecution of its seller, the Athenian professor and art dealer Athanasios Rhousopoulos, and exposed his widespread involvement in antiquities crime. The vase is inscribed with a portrait, generally agreed to be that of a woman and probably that of Aineta, who is named in the inscription on the vase. Below the portrait are the names of nine men, usually taken to be Aineta's admirers or lovers. The Aineta aryballos is likely to have been found in a grave, probably that of Aineta. According to Rhousopoulos, it was discovered in Corinth around 1852. In 1877, Panagiotis Efstratiadis, the Ephor General of Antiquities in charge of the Greek Archaeological Service, had Rhousopoulos fined for selling the vase in contravention of Greek law. Writing in 2012 for the Center for Hellenic Studies, Yannis Galanakis called the case "a milestone in the trafficking of Greek antiquities", in that it represented a relatively rare successful use of state power against the illegal trade in ancient Greek artefacts.This recording reflects the Wikipedia text as of 00:30 UTC on Wednesday, 23 April 2025.For the full current version of the article, see Aineta aryballos on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Danielle.

Brent Billings and Elle Grover Fricks investigate Jesus's teaching on oaths.“Greek Oath-Rituals” by Irene Berti — OpenEdition Books“The Greek Oath in the Roman World” by Serena Connolly — Oxford Academic“Loosing Vows and Oaths in the Roman Empire and Beyond: Authority and Interpretation” by Moshe Blidstein — De Gruyter“The Kinyradai of Paphos” by John Curtis Franklin — The Center for Hellenic Studies

CW: This episode discusses themes of sexual assault and intimate partner violence.Dr. Rhiannon Graybill shares her research on sexual violence in the Hebrew Bible and ways of reading such messy stories for then and now. We also talk about violent tropes in modern romance literature and Rome's origin stories—and what these kinds of tales do to those who read them.She says, “In our world sexual violence is often grounded in or justified by the Bible, and the Bible is used against survivors of sexual violence. And so reading biblical stories as fuzzy, messy, and icky helps us dismantle our experiences of sexual violence and of rape culture.”Access transcript and episode show notes: https://www.womenwhowentbefore.com/episodes/to-have-and-to-hold. Women Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh.The podcast's music is composed and produced by Moses Sun.This podcast is sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, the Stanley J. Seeger Center for Hellenic Studies, and the Committtee for the Study of Late Antiquity at Princeton University.Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.

We talk with Dr. Shai Secunda about the Babylonian rabbis' science of blood, breaking taboos through sex education, and menstruation as a cure for rabies.Today, taboos about menstruation keep thousands of girls from attending school. For Jewish sages in late antique Persia, such beliefs led to laws that required women to stay away from their husbands during their periods and to wash at prescribed times. (Whether women followed these laws is another question!) Blood could pollute, yet it could also purify. And practices around menstruation may have helped religious communities define their identity. Access transcript and episode show notes: www.womenwhowentbefore.com/episodes/bad-bloodWomen Who Went Before is written, produced, and edited by Rebekah Haigh and Emily Chesley.Podcast theme music is composed and produced by Moses Sun.This podcast is sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, the Stanley J. Seeger Center for Hellenic Studies, and the Committtee for the Study of Late Antiquity at Princeton University.Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.

Dr. Ada Nifosì tells us about the gymnastics of ancient Egyptian birth, why Egyptian women ate donkey balls and their cats ate penis cakes,  and why the god Seth should be avoided at all costs.Childbirth was a scary time for women, and that desire for safety and comfort is reflected in their stories about their gods. The most important goddess, Isis, was enshrined in Egyptian mythology as giving birth in dangerous circumstances.  Women turned to amulets, charms, midwives and wise women, their families, for assurance.Access transcript and episode show notes: www.womenwhowentbefore.com/episodes/the-pee-testWomen Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh. This episode was fact-checked by Emily G. Smith-Sangster.Podcast theme music is composed and produced by Moses Sun. This podcast is sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, the Stanley J. Seeger Center for Hellenic Studies, and the Committtee for the Study of Late Antiquity at Princeton University.Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.

Dr. Julia Watts Belser talks about ancient prenups, dancing at weddings, and what the rabbis had to say about beauty. We meet an Etruscan woman named Seianti Hanunia, an Egyptian Jewish woman Tapamet, and hear the (sometimes damaging) ideas of sages Shammai and Hillel. Paying attention to disability matters because it's noticing a person's full human experience. Access transcript and episode show notes: www.womenwhowentbefore.com/episodes/blemished-bridesWomen Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh.Podcast theme music is composed and produced by Moses Sun. This podcast is sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, the Stanley J. Seeger Center for Hellenic Studies, and the Committtee for the Study of Late Antiquity at Princeton University.Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.

Dr. Lloyd Llewellyn-Jones tells us about the veil in ancient Greek culture. Many women in the distant past (as today) wore veils during their life. Veiling meant many things to many people. It could be a means of patriarchal control, a sensual turn on, or a practical choice in a hot climate. From weddings to acts of piety and expressions of grief, veils "spoke." When she chose to reveal or not hide her hair, a Greek woman expressed something to the world. Access transcript and episode show notes: https://www.womenwhowentbefore.com/episodes/veiled-but-not-hiddenWomen Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh.Podcast theme music is composed and produced by Moses Sun. This podcast is sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, the Stanley J. Seeger Center for Hellenic Studies, and the Committtee for the Study of Late Antiquity at Princeton University.Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.

Dr. Julia Kelto Lillis asks, "To whom does a woman's virginity belong?" Join her and your hosts as we dive into the world of early Christian purity culture, what wine has to do with the V-Card, and why the gods like to make babies with virgins. Like today, the concept of virginity was culturally significant in the ancient world. But unlike today, virginity as an act of devotion to God could propel a woman to the top of the social ladder.  This episode we explore shifting ideas about what makes someone a virgin and the importance of virginity to the early Christian movement.  Access transcript and episode show notes: https://www.womenwhowentbefore.com/episodes/virginity-and-the-hype-about-hymensWomen Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh.Podcast theme music is composed and produced by Moses Sun. This podcast is sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, the Stanley J. Seeger Center for Hellenic Studies, and the Committtee for the Study of Late Antiquity at Princeton University.Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.

In this episode, we sit down with Dr. Rebecca Flemming and talk about ancient gynecology, wandering wombs, and what agency, if any, women had over the healing of their bodies. How did medical writers in Greece and Rome describe a woman's anatomy and its inner workings? And how did those beliefs influence the treatments they prescribed? Read transcript and episode show notes: https://www.womenwhowentbefore.com/episodes/wandering-wombsWomen Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh.Podcast theme music is composed and produced by Moses Sun. This podcast is sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, the Stanley J. Seeger Center for Hellenic Studies, and the Committtee for the Study of Late Antiquity at Princeton University.Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.

In a time when society is thinking passionately about bodily rights and who gets to make decisions about women's bodies, Season 2 turns to history. Women in the ancient world mattered, and so did their bodies—maybe learning about them can give us new questions as we face our own world. In our season intro episode, meet an ancient high-priestess of Ur and the first known author in human history: Enheduanna. Climb Mount Sinai with the Christian pilgrim Egeria. These two women and the records they left behind offer a personal glimpse into embodied moments of religious experience. And they help us set the stage for the season ahead.Episode show notes: https://www.womenwhowentbefore.com/episodes/bodily-mattersWomen Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh.The podcast theme music is composed and produced by Moses Sun. Season 1 Episode 0 intro music is licensed from Krux Music Publishing Limited.This podcast is sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, the Stanley J. Seeger Center for Hellenic Studies, and the Committtee for the Study of Late Antiquity at Princeton University.Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.

174: How and Why Ancient Greece is Still Relevant Today On today's episode. Archeologist Dr. Georgios Koukovasilis joins the podcast to share how ancient Greece is everywhere in the modern world. Dr. Georgios Koukovasilis  Georgios and Kiki  Today's Lexi:  Ancient – Αρχαίος – Archaíos In Today's Episode: During Kiki's summer visit to the Temple of Poseidon she had the great honor to meet and connect with a wonderful archologist.  Dr. Koukovasilis – PhD in Classical Art and Archeology – is a wealth of education, passion and knowledge regarding the ancient word and how it is everywhere we look and how we live in the modern world. Today meet Dr. Koukovasilis and discover how do we define archeology?  What drew Dr. Georgios to this field and how and why is Classical life relevant today.   Can we draw conclusions about humanity and well-being by looking back?   How can we move forward with progress and confidence? All this and more during episode 174. Resources: Georgios Koukovasilis | Center for Hellenic Studies in Greece (Harvard) Archaeology at Cambridge Georgios Koukovasilis on Instagram (@george_koukos__) Credits: Music: Spiro Dussias Vocals: Zabrina Hay Graphic Designer: Susan Jackson O'Leary  

On a narrow street in the old Greek quarter of Alexandria, the world renowned poet and writer Constantine Cavafy created some of the masterpieces that still inspire people across the world today. As of this past May, this home in Alexandria is now open to the public. Together with the Cavafy Archive in Athens, which is home to over 2,000 digitized manuscripts, with poems and handwritten notes, Cavafy's life and work are now accessible to a global audience. Prof. Gonda Van Steen, the Koraes Chair at the Centre for Hellenic Studies and Department of Classics at King's College London and a member of the academic committee for the Alexandria Cavafy House, joins me to explore why making Cavafy widely accessible is important, and look at why his work still inspires us today.You can read the articles we discuss on our podcast here:Onassis Foundation has restored Cavafy House in AlexandriaGreek poet who inspired Forster, Hockney and Jackie Onassis emerges from the shadowsGreek PM reiterates warning to North MacedoniaCyprus-US traveler data agreement ratified

******Support the channel****** Patreon: https://www.patreon.com/thedissenter PayPal: paypal.me/thedissenter PayPal Subscription 1 Dollar: https://tinyurl.com/yb3acuuy PayPal Subscription 3 Dollars: https://tinyurl.com/ybn6bg9l PayPal Subscription 5 Dollars: https://tinyurl.com/ycmr9gpz PayPal Subscription 10 Dollars: https://tinyurl.com/y9r3fc9m PayPal Subscription 20 Dollars: https://tinyurl.com/y95uvkao   ******Follow me on****** Website: https://www.thedissenter.net/ Facebook: https://www.facebook.com/thedissenteryt/ Twitter: https://twitter.com/TheDissenterYT   This show is sponsored by Enlites, Learning & Development done differently. Check the website here: http://enlites.com/   Dr. Edward Watts is presently the Vassiliadis Professor of Byzantine Greek History at the University of California, San Diego, where he was formerly Co-Director of the Center for Hellenic Studies. His research interests center on the intellectual and religious history of the Roman Empire and the early Byzantine Empire. He is the author of several books on ancient history, including Mortal Republic: How Rome Fell Into Tyranny, The Eternal Decline and Fall of Rome: The History of a Dangerous Idea, and Hypatia: The Life and Legend of an Ancient Philosopher.   In this episode, we focus on Hypatia. We first get into the social, political, and historical context where Hypatia lived, and the intellectual life in Alexandria. We then talk about her early years, how she became a philosopher and the head of a philosophy school, her main intellectual contributions, her political life and public service, and her tragic death and its aftermath. We also discuss her intellectual legacy, how she has been portrayed by artists, and what she symbolizes for modern people. -- A HUGE THANK YOU TO MY PATRONS/SUPPORTERS: PER HELGE LARSEN, JERRY MULLER, HANS FREDRIK SUNDE, BERNARDO SEIXAS, ADAM KESSEL, MATTHEW WHITINGBIRD, ARNAUD WOLFF, TIM HOLLOSY, HENRIK AHLENIUS, FILIP FORS CONNOLLY, DAN DEMETRIOU, ROBERT WINDHAGER, RUI INACIO, ZOOP, MARCO NEVES, COLIN HOLBROOK, PHIL KAVANAGH, SAMUEL ANDREEFF, FRANCIS FORDE, TIAGO NUNES, FERGAL CUSSEN, HAL HERZOG, NUNO MACHADO, JONATHAN LEIBRANT, JOÃO LINHARES, STANTON T, SAMUEL CORREA, ERIK HAINES, MARK SMITH, JOÃO EIRA, TOM HUMMEL, SARDUS FRANCE, DAVID SLOAN WILSON, YACILA DEZA-ARAUJO, ROMAIN ROCH, DIEGO LONDOÑO CORREA, YANICK PUNTER, CHARLOTTE BLEASE, NICOLE BARBARO, ADAM HUNT, PAWEL OSTASZEWSKI, NELLEKE BAK, GUY MADISON, GARY G HELLMANN, SAIMA AFZAL, ADRIAN JAEGGI, PAULO TOLENTINO, JOÃO BARBOSA, JULIAN PRICE, EDWARD HALL, HEDIN BRØNNER, DOUGLAS FRY, FRANCA BORTOLOTTI, GABRIEL PONS CORTÈS, URSULA LITZCKE, SCOTT, ZACHARY FISH, TIM DUFFY, SUNNY SMITH, JON WISMAN, WILLIAM BUCKNER, PAUL-GEORGE ARNAUD, LUKE GLOWACKI, GEORGIOS THEOPHANOUS, CHRIS WILLIAMSON, PETER WOLOSZYN, DAVID WILLIAMS, DIOGO COSTA, ANTON ERIKSSON, ALEX CHAU, AMAURI MARTÍNEZ, CORALIE CHEVALLIER, BANGALORE ATHEISTS, LARRY D. LEE JR., OLD HERRINGBONE, MICHAEL BAILEY, DAN SPERBER, ROBERT GRESSIS, IGOR N, JEFF MCMAHAN, JAKE ZUEHL, BARNABAS RADICS, MARK CAMPBELL, TOMAS DAUBNER, LUKE NISSEN, KIMBERLY JOHNSON, JESSICA NOWICKI, LINDA BRANDIN, NIKLAS CARLSSON, GEORGE CHORIATIS, VALENTIN STEINMANN, PER KRAULIS, KATE VON GOELER, ALEXANDER HUBBARD, BR, MASOUD ALIMOHAMMADI, JONAS HERTNER, URSULA GOODENOUGH, DAVID PINSOF, SEAN NELSON, MIKE LAVIGNE, JOS KNECHT, ERIK ENGMAN, LUCY, YHONATAN SHEMESH, MANVIR SINGH, PETRA WEIMANN, PEDRO BONILLA, AND CAROLA FEEST! A SPECIAL THANKS TO MY PRODUCERS, YZAR WEHBE, JIM FRANK, ŁUKASZ STAFINIAK, TOM VANEGDOM, BERNARD HUGUENEY, CURTIS DIXON, BENEDIKT MUELLER, THOMAS TRUMBLE, KATHRINE AND PATRICK TOBIN, JONCARLO MONTENEGRO, AL NICK ORTIZ, NICK GOLDEN, AND CHRISTINE GLASS! AND TO MY EXECUTIVE PRODUCERS, MATTHEW LAVENDER, SERGIU CODREANU, BOGDAN KANIVETS, ROSEY, AND GREGORY HASTINGS!

Solon is one of the seven sages of Athens, and he's credited with laying the groundwork for Athenian democracy. But most of what we know about him comes biographies written centuries after he lived.  Research: Aristotle, tr. Sir Frederic G. Kenyon. “The Athenian Constitution.” https://classics.mit.edu/Aristotle/athenian_const.1.1.html Britannica, The Editors of Encyclopaedia. "Draco". Encyclopedia Britannica, 28 Feb. 2024, https://www.britannica.com/biography/Draco-Greek-lawgiver Cadoux, T. J. “The Athenian Archons from Kreon to Hypsichides.” The Journal of Hellenic Studies, vol. 68, 1948, pp. 70–123. JSTOR, https://doi.org/10.2307/626301 Cartwright, Mark. “Solon.” World History Encyclopedia. March 10, 2016. https://www.worldhistory.org/solon/ Forrest, W. G., and D. L. Stockton. “The Athenian Archons: A Note.” Historia: Zeitschrift Für Alte Geschichte, vol. 36, no. 2, 1987, pp. 235–40. JSTOR, http://www.jstor.org/stable/4436007 French, A. “Solon and the Megarian Question.” The Journal of Hellenic Studies, vol. 77, 1957, pp. 238–46. JSTOR, https://doi.org/10.2307/629363 Gill, N.S. "Solon's Reforms and the Rise of Democracy in Athens." ThoughtCo, Aug. 30, 2020, thoughtco.com/solons-reforms-democracy-121062. Hölkeskamp, Karl-Joachim. “What's in a Code? Solon's Laws between Complexity, Compilation and Contingency.” Hermes, vol. 133, no. 3, 2005, pp. 280–93. JSTOR, http://www.jstor.org/stable/4477659 Leão, Delfim F. and P.J. Rhodes. “The Laws of Solon.” I.B. Tauris & Co. Ltd. London. 2015. Linforth, Ivan Mortimer. “Solon the Athenian.” University of California Press. 1919. Accessed online: https://play.google.com/store/books/details?id=_NENAAAAIAAJ&rdid=book-_NENAAAAIAAJ&rdot=1 Plutarch, and Aubrey Stewart, MA. “Plutarch's Lives.” George Bell & Sons. London. 1894. https://www.gutenberg.org/files/14033/14033-h/14033-h.htm#LIFE_OF_SOLON Plutarch, and John Dryden. “Plutarch's Lives.” Little, Brown & Co. Boston. 1895. Accessed online: https://archive.org/details/plutarchslivest02clougoog/page/n7/mode/1up Starr, Chester G.. "Peisistratus". Encyclopedia Britannica, 1 Apr. 2024, https://www.britannica.com/biography/Peisistratus See omnystudio.com/listener for privacy information.

Join me on the latest episode of "How I Got Here" (HIGH) as I sit down with Theo Maras - a visionary property developer and philanthropist whose contributions have significantly shaped Adelaide's landscape.

Athena Potari is a philosopher, spiritual teacher, and lineage holder of the Hellenicspiritual tradition. She is the founder of Athenoa – an Academy for Hellenic Wisdom inGreece, where Hellenism is approached as a living wisdom tradition whose coreconsists in the inextricable synthesis of scientific reason, self-inquiry and spirituality.Her work aims to revive the deeper spiritual and experiential dimensions of HellenicPhilosophy as a living spiritual lineage, combining discursive rigor, embodiedmeditative practices, and ancient spiritual practices with the aim of awakening to theever-present mystery of being – our true Self. She received her PhD from the Universityof Oxford, specializing in Political Philosophy, and her MA in Political Theory withDistinction from the London School of Economics and Political Science (LSE). She wasFellow at the Center for Hellenic Studies at Harvard University, exploring possibilitiesfor an expanded practice of Philosophy by re-integrating elements and histories of thefeminine. She is recipient of the Academy of Athens Award of Philosophy (2020),author of “A Call for a Renaissance of the Spirit in the Humanities” published by theGalileo Commission, and Member of the Galileo Commission Steering Committee. In this episode, Athena and Jacob discuss: How engaging with the Indian yogic traditions can clarify our ability to find wisdom in our own indigenous traditions. The unique energetic “field” of Oxford and how it nurtured her academic and philosophical development. The basics of the Hellenic worldview, and how it frames a spiritual path that sees the All as both One and Many. The inherently political nature of Being. The ways in which the modern university does not satisfy the deepest impulses toward eudaemonia – happiness, or fulfillment. A view of ethics not as “morality” but as “habits of energy.” Philosophy not as an “intellectual” but an “embodied” endeavor.  The teachings of various ancient Greek philosophers, including Plato, Heraclitus, Plotinus, and Pythagoras.  The holistic synergy between consciousness and matter. The nature of Being. Follow Athena on the Following Channels: Facebook: facebook.com/athenapotari ; facebook.com/athenoa YouTube: @athenoa Instagram:  @athena_potari Webpage (finished soon): philathenea.wixsite.com/athenoa-academy See omnystudio.com/listener for privacy information.

Frank Schaeffer In Conversation with Patrick J. Deneen, exploring his work and the themes of his book, Regime Change: Toward a Postliberal Future._____LINKShttps://politicalscience.nd.edu/people/patrick-j-deneen/https://www.patrickjdeneen.comBOOKRegime Change: Toward a Postliberal Future_____Patrick J. Deneen is Professor of Political Science and holds the David A. Potenziani Memorial Chair of Constitutional Studies at the University of Notre Dame.  Prior to joining the faculty of Notre Dame in 2012, he taught at Princeton University (1997-2005) and Georgetown University (2005-2012), where he held the Markos and Eleni Tsakapoulos-Kounalakis Chair in Hellenic Studies.  From 2005-2007 he served as principle Speechwriter and Special Assistant to the Director of the U.S. Information Agency, Joseph Duffey. Deneen's intellectual interests and publications are ranging, including ancient political thought, American political thought, liberalism, conservatism, religion and politics and literature and politics.  He has written four books and edited three others.  His books include The Odyssey of Political Theory, Democratic Faith, Conserving America?, and most recently, Why Liberalism Failed, which appeared in January, 2018 with Yale University Press (paperback 2019). Why Liberalism Failed has now been translated into twenty languages, including German, French, Italian, Spanish, Portuguese, Arabic, Japanese, and Korean. He teaches across his areas of interest, and offers regular courses with titles such as "Political Theory," "Constitutionalism, Law and Politics," "LiberaliAn ex-evangelical boomer, a middle-aged gay artist, and a frazzled stay-at-home mom walk into a bar, share a table, and go deep about some of life's big questions.Join Frank, Ernie, and Erin as they share stories of love, sex, grief, religion and so much more. This is “Love in Common.”Visit LoveInCommon.org to Subscribe on your favorite Podcast platform. Support the show_____In Conversation… with Frank Schaeffer is a production of the George Bailey Morality in Public Life Fellowship. It is hosted by Frank Schaeffer, author of Fall In Love, Have Children, Stay Put, Save the Planet, Be Happy. Learn more at https://www.lovechildrenplanet.comFollow Frank on Substack, Facebook, Twitter, Instagram, Threads, and YouTube. https://frankschaeffer.substack.comhttps://www.facebook.com/frank.schaeffer.16https://twitter.com/Frank_Schaefferhttps://www.instagram.com/frank_schaeffer_arthttps://www.threads.net/@frank_schaeffer_arthttps://www.youtube.com/c/FrankSchaefferYouTube In Conversation… with Frank Schaeffer PodcastApple Podcasts: https://podcasts.apple.com/us/podcast/in-conversation-with-frank-schaeffer/id1570357787NEW: Love In Common Podcast with Frank Schaeffer, Ernie Gregg, and Erin BagwellApple Podcasts: ...

Convincing evidence that the Egyptian, Sumerian, and Dogon civilizations were founded by aliens from the Sirius star system who are now ready to return• Updated with 140 pages of new scientific evidence that solidifies the hypothesis that the KGB, CIA, and NASA attempted to suppress• An awe-inspiring work of research that calls for a profound reappraisal of our role in the universe• Over 10,000 copies sold in its first two months of release in BritainPublication of The Sirius Mystery in 1976 set the world abuzz with talk of an extraterrestrial origin to human civilization and triggered a 15-year persecution campaign against Robert Temple by the KGB, CIA, NASA, and other government agencies. Undaunted, however, Temple is back, with 140 pages of new scientific evidence that makes his hypothesis more compelling than ever.Many authors have speculated on the subject of extraterrestrial contact, but never before has such detailed evidence been presented. Temple applies his in-depth knowledge of ancient history, mythology, Pythagorean physics, chaos theory, and Greek, to a close examination of the measurements of the Great Pyramid of Giza, which was built to align directly with the star Sirius. He concludes that the alien civilization of Sirius and our own civilization are part of the same harmonic system, and are destined to function and resonate together. His findings warrant a profound reappraisal of our role in the universe.Robert Temple is a fellow of the Royal Astronomical Society, the Society for the Promotion of Hellenic Studies, the Egyptian Exploration Society, the Royal Historical Society, the Institute of Classical Studies, and the Institute of Historical Research. He is the author of nine books, including Conversations with Eternity and The Genius of China. Most recently he and his wife, Olivia, published The Complete Fables of Aesop to international acclaim. He lives in London.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2790919/advertisement

Anastasia Giannakidou, the Frank J. McLoraine Professor of Linguistics, has always been captivated by the intricacies of language. Growing up in a picturesque Greek town, she developed a deep appreciation for language's diverse meanings and structures because of Greek education. Throughout her journey from Greece, to the Netherlands to the United States, where she now teaches at the University of Chicago, she has constantly pushed boundaries by exploring new languages and undertaking exciting projects. Professor Giannakidou shares her insights on the immense value of multilingualism and how language is intertwined with various aspects of life. 

Ryan speaks with Edith Hall about why she wants to open up Aristotle's works to the world at large, how Aristotle defined what a human being is and how one can be happy, the importance of doing what you're good at and enjoying what you're doing so long as it's good for the social good, and more.Edith Hall, FBA is a British scholar and professor of classics at Durham University, specializing in ancient Greek literature and cultural history, and professor in the Department of Classics and Centre for Hellenic Studies at King's College, London, as well as a Fellow of the British Academy. Her research and writings have been influential in three distinct areas: (1) the understanding of the performance of literature in the ancient theater and its role in society, (2) the representation of ethnicity; (3) the uses of Classical culture in European education, identity, and political theory. She has written and been a part of many publications about Greek classics, including Aristotle's Way: How Ancient Wisdom Can Change Your Life (2018), Sophocles and the Greek Tragic Tradition (2009), and Inventing the Barbarian: Greek Self-Definition through Tragedy (1989). ✉️ Sign up for the Daily Stoic email: https://dailystoic.com/dailyemail

Join us for a wonderful chat with the amazing Maria Behrakis. Maria is a first generation Greek American community activist focused on education and Greek-American philanthropy. A mother of three children, Maria, along with her husband, Drake, is active with the National Hellenic Society which is dedicated to perpetuating, celebrating and passing on our Hellenic heritage. She is also a member of Leadership 100, a Greek-American service organization committed to preserving Hellenism and Orthodoxy in America. Maria and Drake are active supporters of the Behrakis Family Endowment at Boston College which was founded in 2001 for the advancement of Hellenic Studies and the promotion of travel abroad to Greece. Maria has served on the Board of Trustees of Anatolia College in Thessaloniki Greece since 2012. She is passionate about mental wellness efforts in school communities and instilling a focus on the whole student… mind, body and soul, and is actively involved in developing such a comprehensive program for the Anatolia community at all school levels. In her previous professional career, she was with Putnam Investments and Fidelity Investments (1990- 1997). Maria received a B.A in Economics with a minor in Computer Science from Brandeis University (1990). Maria enjoys playing tennis, spending time with friends and family, and traveling, especially to Greece! Learn more about Anatolia College and the amazing programs it offers or contact Maria with any questions.

On the Season 1 finale we talk with Dr. Deborah Lyons about ancient Greek myths, breaking cultural boxes, and why we should all strive to be killjoys. Pandora's box, Penelope's gifts, Helen's beauty in Sappho's poetry, and more. Why does it matter that Pandora didn't actually have a box in the earliest versions of the myth? How were objects and the practice of gift-giving gendered in Classical Greece? What rituals did ancient Greek women participate in, and what did they produce? As we study ancient women, what strategies can we turn to for unearthing hope?Shownotes: https://www.womenwhowentbefore.com/out-of-pandoras-box-recovering-hope/ Women Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh.The music is composed and produced by Moses Sun.Sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, and the Stanley J. Seeger Center for Hellenic Studies at Princeton UniversityViews expressed on the podcast are solely those of the individuals, and do not represent Princeton University.

In the penultimate episode of season 1, “In Her Own Words: Ancient Women Authors,” we talk with historian and classicist Dr. Kate Cooper about gatekeeping, the privilege of individualism, and those rare surviving moments when women wrote for themselves. The famous Greek poet Sappho, who wrote of love and loss. Faltonia Betitia Proba, the elite Roman woman who adapted Virgil to tell Christian history. The pilgrim Egeria who described her tour of the Holy Lands to her circle of female friends back home. And of course we revisit Perpetua, the martyr from Carthage we first met in Episode 0.Shownotes: https://womenwhowentbefore.com/in-her-own-words/Women Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh.The music is composed and produced by Moses Sun.Sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, and the Stanley J. Seeger Center for Hellenic Studies at Princeton UniversityViews expressed on the podcast are solely those of the individuals, and do not represent Princeton University.

Christina A. Clark, Ph.D., serves as the Chief Academic Officer at Marywood  University, providing leadership in all academic matters and working collaboratively with the deans, faculty, staff, students, and administration to further Marywood's mission and vision. Prior to her appointment at Marywood University, Dr. Clark served as Dean of the School of Design, Arts, and Humanities at Marymount University [Arlington, Va.], where she also was a tenured professor of literature and languages. Dr. Clark's academic administration skills include strategic planning, program assessment, recruitment and retention, curricular development, shared governance, university advancement, partnership development, and grant writing, among other issues of critical focus in higher education. She has had extensive leadership development experience, particularly at Marymount and Creighton Universities. Currently participating in the Council of Independent College's Executive Leadership Academy, she previously participated in Leadership Arlington and CASE Advanced Development for Deans and Academic Leaders. Committed to action enabling diversity, equity, and inclusion, she currently serves as chair of the Society for Classical Studies' Committee on Diversity in the Profession and has served on the Council of Colleges of Arts and Sciences' Committee on Cultural Diversity. Dr. Clark's professional specialty is in classics. As a scholar, Dr. Clark focuses on the representation of gender and nonverbal behavior in ancient Greek and Roman poetry and her professional contributions and research include peer-reviewed books, book chapters, articles, papers, and reviews. Dr. Clark has been recognized for her accomplishments and contributions with the Gamma Phi Beta's Shine (Teaching) Award at Creighton University and “Iggy” Award for Outstanding Freshmen Mentors, Role Models, and Advocates, also at Creighton. A member of the Eta Sigma Phi and Phi Kappa Phi honor societies, Dr. Clark also was a Junior Fellow at Harvard University's Center for Hellenic Studies.. Previously, Dr. Clark served as director of the world literature program and the health administration and policy program at Creighton University [Omaha, Neb.], where she also chaired the Classical and Near Eastern Studies department and served as a professor. She has served internationally as an associate professor at the Intercollegiate Center for Classical Studies [Rome, Italy] and has taught in the United States at Iowa State University [Ames, Iowa]; Bowdoin College [New Brunswick, Maine]; Gustavus Adolphus College [St. Peter, Minn.]; Florida State University [Tallahassee, Fla.], and the University of Wisconsin-Madison [Madison, Wisc.]. Growing up in a military family and living in many different areas of the United States as well as the Philippines, Dr. Clark earned a BA in Classics from Georgetown University and a MA and PhD in Classics from the University of Wisconsin-Madison. During her undergraduate education, Dr. Clark spent her junior year abroad at Trinity College [Dublin, Ireland].

In Episode 8 our hosts talk with Dr. Elizabeth Shanks Alexander about whether women can keep track of their own periods, religious law as a boys' club, and why ancient rabbis cared about witchery.  Episode show notes: https://womenwhowentbefore.com/suffering-witches-to-live.Women Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh. The music is composed and produced by Moses Sun.Sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, and the Stanley J. Seeger Center for Hellenic Studies at Princeton UniversityViews expressed on the podcast are solely those of the individuals, and do not represent Princeton University.

A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt. The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium's profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day. Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium's ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination. Nathanael Aschenbrenner is a lecturer at the University of California San Diego in the department of history. His research and publications explore empire and ideology in the medieval and early modern Mediterranean, as well as Byzantium's imperial legacy after 1453. Jake Ransohoff is a Hellenisms Past & Present, Local and Global Postdoctoral Fellow at the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University. He holds a BA from the University of Chicago, and defended his PhD dissertation in History at Harvard University in June, 2022. His current research focuses on the intersection between power, political legitimacy, and attitudes toward the body in the Byzantine world—especially the disfigured and disabled body. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt. The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium's profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day. Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium's ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination. Nathanael Aschenbrenner is a lecturer at the University of California San Diego in the department of history. His research and publications explore empire and ideology in the medieval and early modern Mediterranean, as well as Byzantium's imperial legacy after 1453. Jake Ransohoff is a Hellenisms Past & Present, Local and Global Postdoctoral Fellow at the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University. He holds a BA from the University of Chicago, and defended his PhD dissertation in History at Harvard University in June, 2022. His current research focuses on the intersection between power, political legitimacy, and attitudes toward the body in the Byzantine world—especially the disfigured and disabled body. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt. The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium's profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day. Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium's ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination. Nathanael Aschenbrenner is a lecturer at the University of California San Diego in the department of history. His research and publications explore empire and ideology in the medieval and early modern Mediterranean, as well as Byzantium's imperial legacy after 1453. Jake Ransohoff is a Hellenisms Past & Present, Local and Global Postdoctoral Fellow at the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University. He holds a BA from the University of Chicago, and defended his PhD dissertation in History at Harvard University in June, 2022. His current research focuses on the intersection between power, political legitimacy, and attitudes toward the body in the Byzantine world—especially the disfigured and disabled body. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt. The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium's profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day. Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium's ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination. Nathanael Aschenbrenner is a lecturer at the University of California San Diego in the department of history. His research and publications explore empire and ideology in the medieval and early modern Mediterranean, as well as Byzantium's imperial legacy after 1453. Jake Ransohoff is a Hellenisms Past & Present, Local and Global Postdoctoral Fellow at the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University. He holds a BA from the University of Chicago, and defended his PhD dissertation in History at Harvard University in June, 2022. His current research focuses on the intersection between power, political legitimacy, and attitudes toward the body in the Byzantine world—especially the disfigured and disabled body. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt. The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium's profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day. Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium's ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination. Nathanael Aschenbrenner is a lecturer at the University of California San Diego in the department of history. His research and publications explore empire and ideology in the medieval and early modern Mediterranean, as well as Byzantium's imperial legacy after 1453. Jake Ransohoff is a Hellenisms Past & Present, Local and Global Postdoctoral Fellow at the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University. He holds a BA from the University of Chicago, and defended his PhD dissertation in History at Harvard University in June, 2022. His current research focuses on the intersection between power, political legitimacy, and attitudes toward the body in the Byzantine world—especially the disfigured and disabled body. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt. The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium's profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day. Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium's ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination. Nathanael Aschenbrenner is a lecturer at the University of California San Diego in the department of history. His research and publications explore empire and ideology in the medieval and early modern Mediterranean, as well as Byzantium's imperial legacy after 1453. Jake Ransohoff is a Hellenisms Past & Present, Local and Global Postdoctoral Fellow at the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University. He holds a BA from the University of Chicago, and defended his PhD dissertation in History at Harvard University in June, 2022. His current research focuses on the intersection between power, political legitimacy, and attitudes toward the body in the Byzantine world—especially the disfigured and disabled body. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt. The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium's profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day. Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium's ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination. Nathanael Aschenbrenner is a lecturer at the University of California San Diego in the department of history. His research and publications explore empire and ideology in the medieval and early modern Mediterranean, as well as Byzantium's imperial legacy after 1453. Jake Ransohoff is a Hellenisms Past & Present, Local and Global Postdoctoral Fellow at the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University. He holds a BA from the University of Chicago, and defended his PhD dissertation in History at Harvard University in June, 2022. His current research focuses on the intersection between power, political legitimacy, and attitudes toward the body in the Byzantine world—especially the disfigured and disabled body. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt. The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium's profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day. Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium's ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination. Nathanael Aschenbrenner is a lecturer at the University of California San Diego in the department of history. His research and publications explore empire and ideology in the medieval and early modern Mediterranean, as well as Byzantium's imperial legacy after 1453. Jake Ransohoff is a Hellenisms Past & Present, Local and Global Postdoctoral Fellow at the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University. He holds a BA from the University of Chicago, and defended his PhD dissertation in History at Harvard University in June, 2022. His current research focuses on the intersection between power, political legitimacy, and attitudes toward the body in the Byzantine world—especially the disfigured and disabled body. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Caryn Tamber-Rosenau explains how two lethal women perform gender in the Hebrew Bible. Judith and Jael were talented Jewish heroines who skillfully played their hands (and bodies) to save their people from invading armies.How might the stories about Clytemnestra and the Ugaritic goddess Anat have shaped these biblical narratives? How does the book of Judith intersect with Judas Maccabee and the Maccabean Revolt? How is virginity a sexual orientation? Gender performance, queer theory, and femmes fatales join with Agatha Christie's murder mysteries and the Renaissance painter Artemisia Gentileschi to understand how gender is play acted and subverted in ancient texts. CW: This episode also discusses themes of sexual assault.Women Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh. The music is composed and produced by Moses Sun.Episode show notes: https://womenwhowentbefore.com/women-get-a-head/Sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, and the Stanley J. Seeger Center for Hellenic Studies at Princeton University Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.

Dr. Solange Ashby teaches us about Nubian warrior queens, Hollywood stereotypes about Egyptian women, and why you shouldn't trust Wikipedia.Meet the powerful, voluptuous queens of Meroe—Amanirenas, Amanitore, Amanishakheto. While Roman noblewomen were supposed to stay hidden at home, these queens were ruling and leading their troops into battle. Hear how Nubian families tracked filiation through their mothers. Learn about color consciousness in the biblical story of Moses' Kushite wife. And along the way, discover what Cleopatra and Wonder Woman have in common.Show notes and sources: womenwhowentbefore.com/african-warrior-queensWomen Who Went Before is written, produced, and edited by Rebekah Haigh and Emily Chesley.The theme music was composed and produced by Moses Sun. The podcast is sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, and the Stanley J. Seeger Center for Hellenic Studies at Princeton University.Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.

Harry Patsouris from the Foundation of Hellenic Studies here in SA joined Matthew as they welcome Hellenic Presidential Guard members to SA.See omnystudio.com/listener for privacy information.

We interview  Dr. Thomas A. J. McGinn about Roman prostitution, marriage laws, and a strange Cinderella story. What was a paterfamilias and how did they determine a woman's life? Were prostitutes merely doing their civic duty? Why did early Christians call the Roman government the pimp-in-chief?Autonomy and agency are the overarching themes of this episode. We explore them in laws governing Roman women, how prostitution was legislated and profited from in Ancient Rome, why sex work isn't the right term for the Roman world, and why even empresses weren't immune from slander. Imperial Japan's “comfort women,” Marie Antoinette, and Iran's headscarf laws are part of this story too. But we start with an actress named Theodora.CW: This episode discusses themes of rape and sexual exploitation.Women Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh.The music is composed and produced by Moses Sun. Episode show notes: womenwhowentbefore.com/the-oldest-profession/.Sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, and the Stanley J. Seeger Center for Hellenic Studies at Princeton University.Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.

We talk to Dr. Susan Ashbrook Harvey about how gender shaped ancient thinking about God, women's church choirs, and the complex web of metaphors for the divine within Syriac Christianity.Women Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh.The music is composed and produced by Moses Sun. This episode was fact-checked by Jillian Marcantonio and George Kiraz.Show notes: womenwhowentbefore.com/two-breasts-of-the-father/Sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, and the Stanley J. Seeger Center for Hellenic Studies at Princeton UniversityViews expressed on the podcast are solely those of the individuals, and do not represent Princeton University.

Dr. Elaine Pagels joins us to talk about manic pixie dream girls, lost Gnostic texts like Thunder, Perfect Mind, and why being a heretic might not be so bad. Stereotypes about women aren't solely a modern phenomenon. Two pervasive archetypes in early Christian writings were the devil's gateway and bride of Christ . Where did these labels come from? And what were some alternative perspectives among gnostic texts like the Gospel of Mary and Thunder, Perfect Mind? Where did Eve go wrong? Who were the leaders Eustochium, Junia, and Marcellina? How do the Pauline and deuteropauline letters differ in their takes on women? Women Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh. This episode was fact-checked by Jillian Marcantonio. The music is composed and produced by Moses Sun. Episode show notes: womenwhowentbefore.com/fall-girlSponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, and the Stanley J. Seeger Center for Hellenic Studies at Princeton UniversityViews expressed on the podcast are solely those of the individuals, and do not represent Princeton University.

We explore ancient Jewish fan fiction, why makeup made the angels fall, and the ever-present problem of ghostwriting with Dr. Annette Yoshiko Reed in Season 1 Episode 2, "Ghostwriting the Daughters of Men: Whose Writing Is it Anyway?" You've heard of the human fall story in Genesis 3, but what about the angelic fall stories in Genesis 6, 1 Enoch, and the Testament of Reuben? How did the Third Sibylline Oracle try to one-up Homer? Does the male gaze operate the same way in ancient texts as in our modern world? And is the misogyny we find in ancient texts always misogyny? These questions and more!Women Who Went Before is written, produced, and edited by Rebekah Haigh and Emily Chesley. The music is composed and produced by Moses Sun.Episode show notes:https://womenwhowentbefore.com/ghostwriting-daughters-of-men/ Sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, and the Stanley J. Seeger Center for Hellenic Studies at Princeton UniversityViews expressed on the podcast are solely those of the individuals, and do not represent Princeton University.

The Iliad is among the oldest surviving works of literature, but for a long time The Iliad wasn't written down. It's a story that has influenced the world for over three thousand years, but for the ancient Greeks, it was history. One man, Homer, is credited with writing The Iliad, but it's more likely that The Iliad was composed by many ancient storytellers—a lot of whom were women. Gregory Nagy is the Francis Jones Professor of Classical Greek Literature and Professor of Comparative Literature and Director of the Center for Hellenic Studies at Harvard University. His books include Homer: The Preclassic and The Ancient Greek Hero in 24 Hours. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

We talk to Dr. Sarit Kattan Gribetz about history's nameless faces, the news negativity bias, and how to raid ancient texts to find women. How were women named and anonymized in Jewish and Christian texts? When did bene Yisra'el mean "sons of Israel" in the Hebrew Bible, and when did it include the daughters too? What do we know about female scribes in antiquity?  Who was Rav Hisda's daughter? And how do biases shape what scholars find? Episode show notes: womenwhowentbefore.com/invisible-womenWomen Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh. The music is composed and produced by Moses Sun.Sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, and the Stanley J. Seeger Center for Hellenic Studies at Princeton UniversityViews expressed on the podcast are solely those of the individuals, and do not represent Princeton University.

The Iliad is among the oldest surviving works of literature, but for a long time The Iliad wasn't written down. It's a story that has influenced the world for over three thousand years, but for the ancient Greeks, it was history. One man, Homer, is credited with writing The Iliad, but it's more likely that The Iliad was composed by many ancient storytellers—a lot of whom were women. Gregory Nagy is the Francis Jones Professor of Classical Greek Literature and Professor of Comparative Literature and Director of the Center for Hellenic Studies at Harvard University. His books include Homer: The Preclassic and The Ancient Greek Hero in 24 Hours. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Iliad is among the oldest surviving works of literature, but for a long time The Iliad wasn't written down. It's a story that has influenced the world for over three thousand years, but for the ancient Greeks, it was history. One man, Homer, is credited with writing The Iliad, but it's more likely that The Iliad was composed by many ancient storytellers—a lot of whom were women. Gregory Nagy is the Francis Jones Professor of Classical Greek Literature and Professor of Comparative Literature and Director of the Center for Hellenic Studies at Harvard University. His books include Homer: The Preclassic and The Ancient Greek Hero in 24 Hours. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices

In our season intro we ask: Why aren't women in our ancient history textbooks? What is antiquity? How were women imagined in ancient Mediterranean societies? And why does women's history matter? Meet the North African woman Perpetua, whose prison diary from Carthage is one of the few surviving literary texts written by an ancient woman. And meet your podcast hosts, Rebekah Haigh and Emily Chesley. Women Who Went Before is written, produced, and edited by Rebekah Haigh and Emily Chesley. The music is composed and produced by Moses Sun.Episode show notes: https://womenwhowentbefore.com/missing-presumed-absent/ Sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, and the Stanley J. Seeger Center for Hellenic Studies at Princeton UniversityViews expressed on the podcast are solely those of the individuals, and do not represent Princeton University.

Alexander the Great's untimely death at Babylon in 323 BC triggered an unprecedented crisis across his continent-spanning empire.Within a couple of days, the very chamber in which he died witnessed a gore-soaked showdown between his previously united commanders and soldiers. Within a fortnight, Babylon saw the first siege of the post-Alexander age.In this special explainer episode to mark the anniversary of Alexander's death, Tristan brings to life the imperial implosion that was the immediate aftermath of the Macedonian king's death - a subject he knows one or two things about, seeing as he's written a book on it!Tristan's book The Perdiccas Years, 323-320 BC (Alexander's Successors at War) is available on Amazon here.This episode was produced by Elena Guthrie and mixed by Aidan Lonergan. It contains translations of contemporary speeches by JC Yardsley & music from Epidemic Sound.If you'd like to learn more, we have hundreds of history documentaries, ad-free podcasts and audiobooks at History Hit - subscribe today! To download the History Hit app please go to the Android or Apple store.Further Reading - Primary Sources Arrian Events After Alexander 1.1–1.9A.Curtius 10.5–10.10.Diodorus Siculus 18.1–18.6.Justin 13.1–13.4.Plutarch Life of Eumenes 3.Secondary Sources Anson, E. (1992), ‘Craterus and the Prostasia', Classical Philology 87 (1), 38–43.Anson, E. (2015), Eumenes of Cardia, Leiden, 58–77.Bosworth, A. B. (2002), The Legacy of Alexander: Politics, Warfare, and Propaganda under the Successors, New York, 29–63.Errington, R. M. (1970), ‘From Babylon to Triparadeisos: 323–320 bc', The Journal of Hellenic Studies 90, 49–59.Meeus, A. (2008), ‘The Power Struggle of the Diadochoi in Babylon, 323bc', Ancient Society 38, 39–82.Meeus, A. (2009), ‘Some Institutional Problems concerning the Succession to Alexander the Great: “Prostasia” and Chiliarchy', Historia 58 (3), 287–310.Mitchell, L. (2007), ‘Born to Rule? Succession in the Argead Royal House', in W. Heckel., L. Tritle and P. Wheatley (eds.), Alexander's Empire: Formulation to Decay, California, 61–74.Worthington, I. (2016), Ptolemy I: King and Pharaoh of Egypt, New York, 71–86 See acast.com/privacy for privacy and opt-out information.

David Lorimer's Guest today is Dr Athena D. Potari,  Fellow at the Center for Hellenic Studies at Harvard University (2022/23). She received her PhD from the University of Oxford, specializing in Political Philosophy, and holds an MA in Political Theory summa cum laude from the London School of Economics and Political Science (LSE). In 2020, she was the youngest female scholar to receive the prestigious Academy of Athens Award of Philosophy. She has previously taught at the Universities of Oxford, University of Patras and University of Toulouse 1-Capitol (Athens branch). In 2019 she founded Atheonoa - a school of philosophy based in Greece devoted to the study of Ancient Hellenic Philosophy as an experiential path to the lived realization of non-dual awareness (gnosis) and eudaimonia, combining rigorous textual study with meditation and other embodied practices inspired by the ancient scriptures. She is a Member of the Galileo Commission Steering Group and the author of “A Call for a Renaissance of the Spirit in the Humanities” published by the Galileo Commission.Imaginal Inspirations is hosted by David Lorimer, Programme Director of the Scientific and Medical Network and Chair of the Galileo Commission, an academic movement dedicated to expanding the evidence base of a science of consciousness. Imaginal cells are responsible for the metamorphosis of the caterpillar into a butterfly, which is the Greek symbol for the soul. These cells are dormant in the caterpillar but at a critical point of development they create the new form and structure which becomes the butterfly.scientificandmedical.net galileocommission.orgbeyondthebrain.org Works and links mentioned:Papers by Athena Potari https://harvard.academia.edu/DespoinaAthenaPotarihttps://uk.bookshop.org/books/1605839924_shining-light-on-transcendence-the-unconventional-journey-of-a-neuroscientist/9781786771070Plato: The Republic https://uk.bookshop.org/books/the-republic-9780008480080/9780008480080Kahlil Gibran: The Prophet https://uk.bookshop.org/books/the-prophet/9781513263229Yogananda Paramahansa: Autobiography of a Yogi https://uk.bookshop.org/books/autobiography-of-a-yogi-9788189535513/9788189535513 Production: Martin RedfernArtwork: Amber HaasMusic: Life is a River, by Magnus Moone

The Viking hero Starkad / Starkaðr was a warrior-poet with extra arms who was blessed by the god Odin. This aristocratic transgressive lone wolf character is actually a prehistoric Indo-European archetype equivalent to Hercules in Greece, Suibhne in Ireland and Krishna's cousin Siśupāla of Chedi from the Hindu religion of India. In this video I explain who Starkad was and how his myths parallel other Indo-European stories of a Sigma male outsider who loves kings, hates the lower classes, is rude to women and goes into mad rages of extreme violence against his enemies. Do you have the traits of the Indo-European sigma male warrior-poet?This channel depends on your support:SubscribeStar: https://www.subscribestar.com/survive-the-jiveSources:-Compton, T., ‘Victim of the Muses: Poet as Scapegoat, Warrior and Hero in Greco-Roman and Indo-European Myth and History' Washington, DC: Center for Hellenic Studies (2006).-Cohen, D. “Suibhne Geilt.” Celtica 12:113–124. (1977).-Dumézil ‘Aspects de la fonction guerrière chez les Indo-Européens' (1956).-Hui, J ‘'Svá segir Starkaðr': Manipulating Memoralisation in Gautreks saga' (2015).-Puhvel, J., ‘Comparative Mythology' (1987). https://amzn.to/3xJVdHb

Dr. Anastasia Giannakidou, a professor of linguistics at the University of Chicago, joins Lexie to discuss how the movie “Arrival” is really quite accurate in its portrayal of linguistic theory, the benefits of bilingualism, which language between Modern and Ancient Greek is more important to learn now, and how to keep dying languages alive. So tuck in your togas and hop aboard Trireme Transit for this week's exciting odyssey! Learn more about Dr. Giannakidou: https://linguistics.uchicago.edu/anastasia-giannakidou Check out Dr. Giannakidou's most recent book: https://www.barnesandnoble.com/w/truth-and-veridicality-in-grammar-and-thought-anastasia-giannakidou/1137907672 Find the latest news from the UChicago Center for Hellenic Studies: https://hellenicstudies.uchicago.edu Support us on Patreon: https://www.patreon.com/TheOzymandiasProject Custom music by Brent Arehart of Arehart Sounds. Get exclusive bonus content (ad free episodes, early releases, and experimental content) on Patreon! Hosted on Acast. See acast.com/privacy for more information.

“As a child, music felt very natural for me. I didn't feel I needed to put any effort into learning the piano. I wanted to find all the musical information that was there. What was the purpose of studying the piano? Suddenly the whole thing became so creative. I felt that the sound is something malleable and you can have an infinite number of possibilities and ways of phrasing and expressing, so that opened a whole new area of possibilities and I found this just fascinating.”Lorenda Ramou, PhD, is a pianist, musicologist, piano teacher and concert curator, with a particular interest in 20th and 21st c. repertoire. She has appeared in many festivals and concert tours in Europe, USA and Chile. She has extensively researched, published and lectured on Greek piano repertoire; her numerous CD recordings for BIS, ECM, NAXOS and Athens Music Society include, among others, solo and chamber music works by Nikos Skalkottas, Dimitris Dragatakis, Konstantia Gourzi and Yiannis Ioannidis. She collaborates as Project Manager for contemporary music projects with Onassis Cultural Centre, Athens. Eager to transmit her knowledge of 20th and 21st century's piano repertoire to a younger generation of performers, she is teaching a yearly workshop on the subject at the Athens Conservatory. She had collaborated with composers Mauricio Kagel, Maurice Ohana, Frederic Rzewski and with French author Pascal Quignard. She had received guidance by pianists Claude Helffer, Marie-Françoise Bucquet, Pierre-Laurent Aimard and Steve Drury, while studying at the Paris Conservatory (CNSMDP), City University, London, and New England Conservatory, Boston. Her projects have been supported by the French Ministry of Culture, the British Council, Fulbright Foundation and the Center of Hellenic Studies, Harvard University.· www.onassis.org/people/lorenda-ramou · www.creativeprocess.info

Lorenda Ramou, PhD, is a pianist, musicologist, piano teacher and concert curator, with a particular interest in 20th and 21st c. repertoire. She has appeared in many festivals and concert tours in Europe, USA and Chile. She has extensively researched, published and lectured on Greek piano repertoire; her numerous CD recordings for BIS, ECM, NAXOS and Athens Music Society include, among others, solo and chamber music works by Nikos Skalkottas, Dimitris Dragatakis, Konstantia Gourzi and Yiannis Ioannidis. She collaborates as Project Manager for contemporary music projects with Onassis Cultural Centre, Athens. Eager to transmit her knowledge of 20th and 21st century's piano repertoire to a younger generation of performers, she is teaching a yearly workshop on the subject at the Athens Conservatory. She had collaborated with composers Mauricio Kagel, Maurice Ohana, Frederic Rzewski and with French author Pascal Quignard. She had received guidance by pianists Claude Helffer, Marie-Françoise Bucquet, Pierre-Laurent Aimard and Steve Drury, while studying at the Paris Conservatory (CNSMDP), City University, London, and New England Conservatory, Boston. Her projects have been supported by the French Ministry of Culture, the British Council, Fulbright Foundation and the Center of Hellenic Studies, Harvard University.· www.onassis.org/people/lorenda-ramou · www.creativeprocess.info

“As a child, music felt very natural for me. I didn't feel I needed to put any effort into learning the piano. I wanted to find all the musical information that was there. What was the purpose of studying the piano? Suddenly the whole thing became so creative. I felt that the sound is something malleable and you can have an infinite number of possibilities and ways of phrasing and expressing, so that opened a whole new area of possibilities and I found this just fascinating.”Lorenda Ramou, PhD, is a pianist, musicologist, piano teacher and concert curator, with a particular interest in 20th and 21st c. repertoire. She has appeared in many festivals and concert tours in Europe, USA and Chile. She has extensively researched, published and lectured on Greek piano repertoire; her numerous CD recordings for BIS, ECM, NAXOS and Athens Music Society include, among others, solo and chamber music works by Nikos Skalkottas, Dimitris Dragatakis, Konstantia Gourzi and Yiannis Ioannidis. She collaborates as Project Manager for contemporary music projects with Onassis Cultural Centre, Athens. Eager to transmit her knowledge of 20th and 21st century's piano repertoire to a younger generation of performers, she is teaching a yearly workshop on the subject at the Athens Conservatory. She had collaborated with composers Mauricio Kagel, Maurice Ohana, Frederic Rzewski and with French author Pascal Quignard. She had received guidance by pianists Claude Helffer, Marie-Françoise Bucquet, Pierre-Laurent Aimard and Steve Drury, while studying at the Paris Conservatory (CNSMDP), City University, London, and New England Conservatory, Boston. Her projects have been supported by the French Ministry of Culture, the British Council, Fulbright Foundation and the Center of Hellenic Studies, Harvard University.· www.onassis.org/people/lorenda-ramou · www.creativeprocess.info

Lorenda Ramou, PhD, is a pianist, musicologist, piano teacher and concert curator, with a particular interest in 20th and 21st c. repertoire. She has appeared in many festivals and concert tours in Europe, USA and Chile. She has extensively researched, published and lectured on Greek piano repertoire; her numerous CD recordings for BIS, ECM, NAXOS and Athens Music Society include, among others, solo and chamber music works by Nikos Skalkottas, Dimitris Dragatakis, Konstantia Gourzi and Yiannis Ioannidis. She collaborates as Project Manager for contemporary music projects with Onassis Cultural Centre, Athens. Eager to transmit her knowledge of 20th and 21st century's piano repertoire to a younger generation of performers, she is teaching a yearly workshop on the subject at the Athens Conservatory. She had collaborated with composers Mauricio Kagel, Maurice Ohana, Frederic Rzewski and with French author Pascal Quignard. She had received guidance by pianists Claude Helffer, Marie-Françoise Bucquet, Pierre-Laurent Aimard and Steve Drury, while studying at the Paris Conservatory (CNSMDP), City University, London, and New England Conservatory, Boston. Her projects have been supported by the French Ministry of Culture, the British Council, Fulbright Foundation and the Center of Hellenic Studies, Harvard University.· www.onassis.org/people/lorenda-ramou· www.creativeprocess.info

Hello, kaiju lovers! Though still grieving the loss of Gary, Nate soldiers on—without his intrepid producer, Jimmy From NASA, as mandated by the Board—because he's finally made it to the good part of “The Year of Gamera”! He's joined by three of the original MIFV Tourists, Nick Hayden, Timothy Deal, and Joe Metter, to discuss Gamera: Guardian of the Universe, the first of the famed Heisei Trilogy directed by Shusuke Kaneko. While the Tourists have never seen it, they have a deep appreciation of storytelling, drama, and anime, so Nate was certain they would enjoy it. Did they? Listen to find out! The Toku Topic is the legend of Atlantis since it factors heavily into this film and the rest of the trilogy. During the broadcast, Nate finally conducts his overdue interview with Spacewoman Kilara, who is much nicer about the whole thing than Nate expects. Unlike Miss Perkins, about whom Nate and Jimmy were messaged about by Jessica before the show with a bombshell revelation. Then after the broadcast, he visits the Board's executive assistant at her office to confront her—with electrifying results. Listen to Nate and Travis's spinoff podcast, The Henshin Men Podcast, on Redcircle. This episode's prologue and epilogue, “Revelation of Power,” was written by Nathan Marchand. “An Interview with Spacewoman Kilara” was written by Nathan Marchand. Guest stars: Amy Summers as Spacewoman Kilara Celeste Mora as Miss Perkins Additional music: “Shrouded Reactor” by Wiesty “Opening the Way” by Pablo Coma “Let's Rocket!” (Remix) by Johnnybeeog Sound effects sourced from Freesound.org. We'd like to give a shout-out to our MIFV MAX patrons Travis Alexander and Michael Hamilton (co-hosts of Kaiju Weekly); Danny DiManna (author/creator of the Godzilla Novelization Project); Eli Harris (elizilla13); Chris Cooke (host of One Cross Radio); Bex from Redeemed Otaku; Damon Noyes, The Cel Cast, TofuFury, and Elijah Thomas! Thanks for your support! You, too, can join MIFV MAX on Patreon to get this and other perks starting at only $3 a month! Check out MIFV MAX #4 to learn how you can help make Episode 50—MIFV's second anniversary special—possible! Buy official MIFV merch on TeePublic! This episode is approved by the Monster Island Board of Directors. Timestamps: Prologue: 0:00-3:01 Intro: 3:01-17:15 (Kilara Interview: 4:37-9:29) Entertaining Info Dump: 17:15-26:07 Toku Talk: 26:07-1:27:53 Promo: 1:27:53-1:28:31 Toku Topic: 1:28:31-1:49:29 Listener Feedback, Housekeeping & Outro: 1:49:29-1:59:29 Epilogue: 1:59:29-end Podcast Social Media: Twitter Facebook Instagram Follow Jimmy on Twitter: @NasaJimmy Follow the Monster Island Board of Directors on Twitter: @MonsterIslaBOD Follow the Raymund Martin and the MIFV Legal Team on Twitter: @MIFV_LegalTeam Follow Crystal Lady Jessica on Twitter: @CystalLadyJes1 Follow The Henshin Men Podcast on Twitter: @HenshinMenPod www.MonsterIslandFilmVault.com #JimmyFromNASALives       #MonsterIslandFilmVault       #Godzilla        #GodzillaKingoftheMonsters © 2021 Moonlighting Ninjas Media Bibliography/Further Reading: “Atlantis” (Wikipedia). Ebert, Roger. “Gamera: Guardian of the Universe” (Review). England, Norman. “Inside the Heisei Trilogy: The Guardian of the Universe.” (Arrow Video Gamera: The Complete Collection; originally published in Fangoria #173, June 1998). Flower, James. “A Guide to English Language Gamera.” (Arrow Video Gamera: The Complete Collection). Forsyth, Phyllis Young. Atlantis: The Making of Myth. “Chapter 1: The Enigma of Atlantis.” Gamera: The Complete Collection, Disc Five Special Features. Gamera: Guardian of the Universe Commentary by Matt Frank (Arrow Video's Gamera: The Complete Collection). Gill, Christopher. “The Genre of the Atlantis Story.” Classical Philology, Oct., 1977, Vol. 72, No. 4 (Oct., 1977), pp. 287-304. Hackworth, R. “The Story of Atlantis: Its Purpose and Its Moral.” The Classical Review, May, 1944, Vol. 58, No. 1 (May, 1944), pp. 7-9. LeMay, John. The Big Book of Japanese Giant Monster Movies Volume 2: 1982-2017. LeMay, John. The Big Book of Japanese Giant Monster Movies: The Lost Films (Mutated Edition). LeMay, John. Writing Giant Monsters. Macias, Patrick. “A History of Gamera: Gamera the Guardian of the Universe” (Arrow Video's Gamera: The Complete Collection). Milner, David. “Interview with Noriaki Yuasa” (Arrow Video's Gamera: The Complete Collection). Morgan, Kathryn A. “Designer History: Plato's Atlantis Story and Fourth-Century Ideology.” The Journal of Hellenic Studies, 1998, Vol. 118 (1998), pp. 101-118. Wiki Articles on Gamera: Guardian of the Universe: Gamera Wiki Gojipedia IMDB Toho Kingdom Wikipedia Wikizilla

Nikolay Grintser is a classic philologist, director of the School of Contemporary Humanitarian Research, RANEPA. Doctor of Philology, a specialist in ancient Greek literature of the archaic and classical eras, ancient literary and linguistic theory, comparative mythology and the history of religion. Head of the Department of Classical Philology of the Institute of Oriental Cultures and Antiquity of the Russian State University for the Humanities, Head of the Laboratory of Ancient Culture at the RANEPA SHAGI. Since 2016 - Corresponding Member of the Russian Academy of Sciences. Co-author of the book "Formation of literary theory in Ancient Greece and India" (2000, together with P. A. Grintser), commentator of Homer ("Homer. Iliad. Odyssey", 2002). Field of interests: classical Greek literature, Homeric epic, Greek drama, comparative mythology, history of humanities. In 1988 graduated summa cum laude from the Department of Classical Philology, Moscow State University. In 1991 got a Candidate of Science (Ph.D.) degree from Moscow State University. Dissertation: "Syntax Theory in the Development of Classical Grammatical Tradition". In 1999 got a Doctor of Sciences (Habilitation) degree from Moscow State University. Dissertation: - "The Formation of Classical Literary Theory". In 1989-1994 – Junior Researcher at the Institute of Slavic and Balkan Studies, Russian Academy of Sciences. In 1989 started working as Lecturer in Latin and Greek and history of the humanities at Moscow State University. Since 1992 – Associate Professor, then Full Professor at the Russian State University for the Humanities. Courses taught: Greek language and literature, mythology, history of religion, history of the humanities and education in the classical age. Since 1995 – Chair, Department of Classical Culture (then – Classical Philology), Russian State University of the Humanities. Since 2013 – Director, School of the Advanced Studies in The Humanities, Russian Presidential Academy of National Economy and Public Administration, Chair of the Center of Classical Studies. In 2016 was elected Correspondent Member of the Russian Academy of Sciences As a Visiting Fellow worked at Harvard University and Center of Hellenic Studies, Washington, USA; Maison des Sciences de l'Homme, Paris, France; Free University, Berlin, Germany; Oxford and Cambridge Universities, Great Britain, Swedish Collegium of the Advanced Studies, Uppsala. Lectured at the University of California in Los Angeles, USA; Leuven University, Belgium; Freiburg University, Germany. Grantee of Russian State Scientific Foundation, Open Society Institute (Soros Foundation), International Research and Exchanges Board, Alexander von Humboldt Foundation. Participated in more than 70 scholarly conferences on classical studies, linguistics, semiotics and history of the humanities, both Russia-wide and international (in USA, Greece, Germany, Austria, France, Belgium, Denmark, Serbia). Author of more than 80 scholarly publications in Russian and English. Member of the Administrative Board of Russian Classical Association. Member of the Editorial Boards of Russian peer-reviewed scholarly journals "Vestnik drevnej istorii", "Voprosy literatury" and "Shagi/Steps". FIND NIKOLAY ON SOCIAL MEDIA Facebook © Copyright 2022 Den of Rich. All rights reserved.

Nikolay Grintser is a classic philologist, director of the School of Contemporary Humanitarian Research, RANEPA. Doctor of Philology, specialist in ancient Greek literature of the archaic and classical eras, ancient literary and linguistic theory, comparative mythology and the history of religion. Head of the Department of Classical Philology of the Institute of Oriental Cultures and Antiquity of the Russian State University for the Humanities, Head of the Laboratory of Ancient Culture at the RANEPA SHAGI. Since 2016 - Corresponding Member of the Russian Academy of Sciences. Co-author of the book "Formation of literary theory in Ancient Greece and India" (2000, together with P. A. Grintser), commentator of Homer ("Homer. Iliad. Odyssey", 2002). Field of interests: classical Greek literature, Homeric epic, Greek drama, comparative mythology, history of humanities.In 1988 graduated summa cum laude from the Department of Classical Philology, Moscow State University. In 1991 got the Candidate of Science (Ph.D) degree from Moscow State University. Dissertation: "Syntax Theory in the Development of Classical Grammatical Tradition". In 1999 got the Doctor of Sciences (Habilitation) degree from Moscow State University. Dissertation: - "The Formation of Classical Literary Theory". In 1989-1994 – Junior Researcher at the Institute of Slavic and Balkan Studies, Russian Academy of Sciences. In 1989 started working as Lecturer in Latin and Greek and history of the humanities at Moscow State University.Since 1992 – Associate Professor, then Full Professor at the Russian State University for the Humanities. Courses taught: Greek language and literature, mythology, history of religion, history of the humanities and education in the classical age. Since 1995 – Chair, Department of Classical Culture (then – Classical Philology), Russian State University of the Humanities. Since 2013 – Director, School of the Advanced Studies in The Humanities, Russian Presidential Academy of National Economy and Public Administration, Chair of the Center of Classical Studies. In 2016 was elected Correspondent Member of the Russian Academy of SciencesAs a Visiting Fellow worked at Harvard University and Center of Hellenic Studies, Washington, USA; Maison des Sciences de l'Homme, Paris, France; Free University, Berlin, Germany; Oxford and Cambridge Universities, Great Britain, Swedish Collegium of the Advanced Studies, Uppsala. Lectured at the University of California in Los Angeles, USA; Leuven University, Belgium; Freiburg University, Germany. Grantee of Russian State Scientific Foundation, Open Society Institute (Soros Foundation), International Research and Exchanges Board, Alexander von Humboldt Foundation.Participated in more than 70 scholarly conferences on classical studies, linguistics, semiotics and history of the humanities , both Russia-wide and international (in USA, Greece, Germany, Austria, France, Belgium, Denmark, Serbia). Author of more than 80 scholarly publications in Russian and English.Member of the Administrative Board of Russian Classical Association. Member of the Editorial Boards of Russian peer-reviewed scholarly journals "Vestnik drevnej istorii", "Voprosy literatury" and "Shagi/Steps".FIND NIKOLAY ON SOCIAL MEDIAFacebook================================PODCAST INFO:Podcast website: https://www.uhnwidata.com/podcastApple podcast: https://apple.co/3kqOA7QSpotify: https://spoti.fi/2UOtE1AGoogle podcast: https://bit.ly/3jmA7ulSUPPORT & CONNECT:Support on Patreon: https://www.patreon.com/denofrichTwitter: https://www.instagram.com/denofrich/Instagram: https://www.instagram.com/denofrich/Facebook: https://www.facebook.com/denofrich

In this episode of "Keen On", Andrew is joined by Edward J. Watts, the author of "The Eternal Decline and Fall of Rome: The History of a Dangerous Idea", to tell the stories of the people who built their political and literary careers around promises of Roman renewal, as well as those of the victims they blamed for causing Rome's decline. Professor Watts received his PhD in History from Yale University in 2002. His research interests center on the intellectual and religious history of the Roman Empire and the early Byzantine Empire. His first book, City and School in Late Antique Athens and Alexandria (University of California Press, 2006), explains how the increasingly Christian upper class of the late antique world used a combination of economic and political pressures to neutralize pagan elements of the traditional educational system. City and School received the Outstanding Publication Award from the Classical Association of the Middle West and South in 2007. His second book, Riot in Alexandria: Historical Debate in Pagan and Christian Communities (University of California Press, 2010), uses Greek, Latin, Coptic, and Syriac sources to reconstruct an Alexandrian riot that erupted in 486 AD. Riot received a 2010 PROSE Award Honorable Mention in Classics and Ancient History. His third book, The Final Pagan Generation (University of California Press, 2015) offers a generational history of the men born in the 310s that traces the experience of living through the fourth century's dramatic religious and political changes. It was awarded the 2015 Phi Alpha Theta Best Subsequent Book Prize. His fourth book, Hypatia: The Life and Legend of an Ancient Philosopher (Oxford University Press, 2017) recounts the life of an important female philosopher whose work redefined philosophy and whose death resonated as a symbol of dramatic religious and social change in the early fifth century. He is also the author of Mortal Republic: How Rome Fell into Tyranny (Basic Books, 2018). In addition to these five books, he has co-edited five other volumes (From the Theodosians to the Tetrarchs [Cambridge, 2010]; Shifting Cultural Frontiers in Late Antiquity [Ashgate, 2012]; Freedom of Speech and Self Censorship in Late Antiquity [a special issue of the Revue Belge published in 2014]; Late Antique Letter Collections: A Critical Introduction and Reference Guide [University of California Press, 2016], and the Blackwell Companion to Late Antique Literature [Wiley-Blackwell, forthcoming]. He has also authored more than 40 articles on topics ranging from the Old Academy in the fourth century BC to the relationship between orality and textuality in the early Byzantine period. He is currently preparing a monograph tracing the Romanization and de-Romanization of the Mediterranean world between 96 and 850 AD (The Rise and Fall of the Roman Nation, [Oxford University Press, forthcoming]) and is co-authoring a volume introducing the historical and classroom uses of Roman imperial coins. Before coming to UCSD in 2012, Professor Watts taught for ten years at Indiana University. Professor Watts teaches courses on Byzantine History, Roman History, Late Antique Christianity and paganism, Roman numismatics, and the history of the Medieval Mediterranean. Dr. Watts was the director of the Center for Hellenic Studies from 2014-2016. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Jane Barnes moves to her father's affluent New England hometown for her senior year of High School, she soon discovers that the quaint village has a strange effect on her, especially when she steps into its ancient cemetery, where one of the stones marks the grave of another Jane Barnes – accused of witchcraft almost 400 years before. Jane's search into the past puts her on a collision course with Newfield's history when it becomes clear her namesake ancestor was at the center of some of the town's darkest days.Roaring Box ProductionsRoaring Box Productions is an adventurous fictional podcast, audiobook and radio-play laboratory which explores new ways to create and share audio stories and experiences which are devised and executed by the form's most talented artists. Created by Tracy Brigden and Mike DelGaudio, Roaring Box plans to create a menu of uniquely theatrical and immersive audio experiences for the listener.Tracy Brigden - Writer, ProducerTracy Brigden has spent over 30 years in the theatre developing, producing and directing new work for the stage. She was Artistic Director of City Theatre in Pittsburgh for 16 years where she directed and/or produced almost 200 new plays and musicals as well as directing theatre across the country and in New York. Tracy received her MFA in Dramatic Writing from Point Park University in 2019. Her play, I Know You Are, But What Am I? had its premiere in 2019 and she has had two immersive theatre plays, Road to Independence and Legends and Hauntings produced through the Fairfield History Center.  Her play Stage Struck about Bram Stoker, author of Dracula, was recently awarded first place in Pittsburgh Playlabs Script Competition. In addition to her work on scripted podcasts, he is currently writing a feature film about Qanon. Eric Shimelonis - Original MusicEric Shimelonis is a composer, conductor, and multi-instrumentalist.  His genre-defying score work has been heard on everything from the big screen to the small stage, and his classical compositions have been performed at Carnegie Hall, The Kennedy Center, Tanglewood, and Harvard's Center for Hellenic Studies.  In collaboration with his wife Rebecca Sheir, Eric produces and scores a number of podcasts, including the children's storytelling podcast Circle Round. Kenny Neal - Sound DesignKenny Neal is a Helen Hayes Award-winning sound designer, composer and arranger. His work has been heard in theaters in the Washington DC area including The Kennedy Center, Olney Theatre Center, Signature Theatre, The Studio Theatre, and many others. He has designed sound as a teaching artist at Georgetown University, The University of Maryland, and American University, where he served as an adjunct professor in the Department of Performing Arts. He studied music history and composition at St. Mary's College of Maryland.Actors:Kate Baldwin - Jane Kate starred opposite both Bette Midler and Bernadette Peters in the 2017 Tony-winning revival of Hello Dolly! She was nominated for the 2017 Tony, Drama Desk, and Outer Critics Circle Awards for her performance as Irene Molloy. Her starring role in the 2009 Broadway revival of Finian's Rainbow drew Tony, Drama Desk, and Outer Critics Circle Award nominations. She received a Drama Desk Award nomination as Jen in Keen Company's revival of John & Jen. She starred as Sandra Bloom in Big Fish on Broadway and earned a Drama Desk Award nomination as Leslie Lyntonn Benedict in Giant at The Public Theater. Off Broadway, she drew raves in Songbird (59E59) and a Lortel Award nomination in Superhero (Second Stage). Television: “Law & Order SVU” (NBC) “Just Beyond” (Disney Plus) “Live from Lincoln Center: Stephen Sondheim's Passion” (PBS) “First You Dream: The Music of Kander and Ebb” (PBS) Mike DelGaudio – Jane's DadMike is a voice actor and producer, you can find him most often in his home studio where he produces his YouTube channel “Booth Junkie” helping new voice actors get started in their own studios. He has appeared as a narrator for the New York Times, Audible's Atlas Obscura, Montage King MMA and has been a player on The NoSleep Podcast for over 10 seasons. Recent corporate clients include Anheuser Busch, Caterpillar and Publix.  Erin Lillis - Liza  Erin Lillis is proud to be working with Newfield in the part of Liza / Elizabeth.  She has previously done work in audio drama as a narrator and character actor for The NoSleep Podcast, Congeria, Mandible Judy, Calling Darkness, The Grey Rooms, Destructive Criticism and many more. In addition she can be heard in several video games including Devour, Noch, Simulacra 2, Seeking Dawn, Stifled and the upcoming Brok the Investigator. Outside of voice work, Erin also hunts ghosts, writes short horror stories and has been to every Disney park in the world. To find her other work you can visit her website at ErinLillis.com or follow her on Twitter/Instagram at @Ravie13. Mary Murphy - MadisonMary is an actor/voice-over artist. She loves the world of audio drama and is thrilled to join the cast of Newfield.  A few of her most recent credits include the one-woman play An Evening With Lola Montez that originally premiered at Capital Fringe, multiple roles inIt's A Wonderful Life at Arkansas Rep, the film Never No More, and the audio-immersive piece Did You Hear Her Voice? As a voice actor she can currently be heard on the animated series Octonauts, Past/Present, Muzzy, Scampr, LeapFrog, Kinetic Light's Descent, Mouth Media, and voicing various characters on Fireside Mystery Theatre, The NoSleep Podcast, and The Wicked Library.Graham Rowat- Finn, JudgeGraham is a New York based actor working in film, television, and stage, most recently appearing in the Broadway production of Steve Martin's, Meteor Shower. He's an award winning audiobook narrator and a regular guest on such podcast audio dramas as NoSleep, The Grey Rooms, Copperheart, Among the Stars and Bones, and The SCP Archives. While in high school, Graham was briefly suspended from performing the morning announcements because of “inappropriate sounds”. Erika Sanderson - Colonial Ladies, Mrs. HarrisErika trained at the Royal Central School of Speech and Drama in London, UK. She works as an actor, director, and voice actor. A highly versatile character actress, Erika's stage career spans over 3 decades in which she has created a myriad of roles in a variety of genres from children's theatre to classical plays and musicals. Since 2015 she has appeared in several audio dramas and is an award-winning voice actor. She has become known as "The Woman of a 1,000 Voices" for her work on The NoSleep Podcast.

When Jane Barnes moves to her father's affluent New England hometown for her senior year of High School, she soon discovers that the quaint village has a strange effect on her, especially when she steps into its ancient cemetery, where one of the stones marks the grave of another Jane Barnes – accused of witchcraft almost 400 years before. Jane's search into the past puts her on a collision course with Newfield's history when it becomes clear her namesake ancestor was at the center of some of the town's darkest days.Roaring Box ProductionsRoaring Box Productions is an adventurous fictional podcast, audiobook and radio-play laboratory which explores new ways to create and share audio stories and experiences which are devised and executed by the form's most talented artists. Created by Tracy Brigden and Mike DelGaudio, Roaring Box plans to create a menu of uniquely theatrical and immersive audio experiences for the listener.Tracy Brigden - Writer, ProducerTracy Brigden has spent over 30 years in the theatre developing, producing and directing new work for the stage. She was Artistic Director of City Theatre in Pittsburgh for 16 years where she directed and/or produced almost 200 new plays and musicals as well as directing theatre across the country and in New York. Tracy received her MFA in Dramatic Writing from Point Park University in 2019. Her play, I Know You Are, But What Am I? had its premiere in 2019 and she has had two immersive theatre plays, Road to Independence and Legends and Hauntings produced through the Fairfield History Center.  Her play Stage Struck about Bram Stoker, author of Dracula, was recently awarded first place in Pittsburgh Playlabs Script Competition. In addition to her work on scripted podcats, he is currently writing a feature film about Qanon.  Eric Shimelonis - Original MusicEric Shimelonis is a composer, conductor, and multi-instrumentalist.  His genre-defying score work has been heard on everything from the big screen to the small stage, and his classical compositions have been performed at Carnegie Hall, The Kennedy Center, Tanglewood, and Harvard's Center for Hellenic Studies.  In collaboration with his wife Rebecca Sheir, Eric produces and scores a number of podcasts, including the children's storytelling podcast Circle Round. Kenny Neal - Sound Design Kenny Neal is a Helen Hayes Award-winning sound designer, composer and arranger. His work has been heard in theaters in the Washington DC area including The Kennedy Center, Olney Theatre Center, Signature Theatre, The Studio Theatre, and many others. He has designed sound as a teaching artist at Georgetown University, The University of Maryland, and American University, where he served as an adjunct professor in the Department of Performing Arts. He studied music history and composition at St. Mary's College of Maryland.Actors: Kate Baldwin - Jane Kate starred opposite both Bette Midler and Bernadette Peters in the 2017 Tony-winning revival of Hello Dolly! She was nominated for the 2017 Tony, Drama Desk, and Outer Critics Circle Awards for her performance as Irene Molloy. Her starring role in the 2009 Broadway revival of Finian's Rainbow drew Tony, Drama Desk, and Outer Critics Circle Award nominations. She received a Drama Desk Award nomination as Jen in Keen Company's revival of John & Jen. She starred as Sandra Bloom in Big Fish on Broadway and earned a Drama Desk Award nomination as Leslie Lyntonn Benedict in Giant at The Public Theater. Off Broadway, she drew raves in Songbird (59E59) and a Lortel Award nomination in Superhero (Second Stage). Television: “Law & Order SVU” (NBC) “Just Beyond” (Disney Plus) “Live from Lincoln Center: Stephen Sondheim's Passion” (PBS) “First You Dream: The Music of Kander and Ebb” (PBS) Mike DelGaudio – Jane's DadMike is a voice actor and producer, you can find him most often in his home studio where he produces his YouTube channel “Booth Junkie” helping new voice actors get started in their own studios. He has appeared as a narrator for the New York Times, Audible's Atlas Obscura, Montage King MMA and has been a player on The NoSleep Podcast for over 10 seasons. Recent corporate clients include Anheuser Busch, Caterpillar and Publix.  Erin Lillis - Liza  Erin Lillis is proud to be working with Newfield in the part of Liza / Elizabeth.  She has previously done work in audio drama as a narrator and character actor for The NoSleep Podcast, Congeria, Mandible Judy, Calling Darkness, The Grey Rooms, Destructive Criticism and many more. In addition she can be heard in several video games including Devour, Noch, Simulacra 2, Seeking Dawn, Stifled and the upcoming Brok the Investigator. Outside of voice work, Erin also hunts ghosts, writes short horror stories and has been to every Disney park in the world. To find her other work you can visit her website at ErinLillis.com or follow her on Twitter/Instagram at @Ravie13. Mary Murphy - MadisonGraham Rowat- Finn, JudgeGraham is a New York based actor working in film, television, and stage, most recently appearing in the Broadway production of Steve Martin's, Meteor Shower. He's an award winning audiobook narrator and a regular guest on such podcast audio dramas as NoSleep, The Grey Rooms, Copperheart, Among the Stars and Bones, and The SCP Archives. While in high school, Graham was briefly suspended from performing the morning announcements because of “inappropriate sounds”. Erika Sanderson - Colonial Ladies, Mrs. Harris Erika trained at the Royal Central School of Speech and Drama in London, UK. She works as an actor, director, and voice actor. A highly versatile character actress, Erika's stage career spans over 3 decades in which she has created a myriad of roles in a variety of genres from children's theatre to classical plays and musicals. Since 2015 she has appeared in several audio dramas and is an award-winning voice actor. She has become known as "The Woman of a 1,000 Voices" for her work on The NoSleep Podcast.

Welcome to Star Wars English Class! This week, Julia and Fern introduce themselves, discuss the Star Wars English Class curriculum, and tackle a question that's been on their minds: is Anakin Skywalker a tragic hero? In this lesson, you will learn about the history of the tragic hero as Fern and Julia trace its roots from Greek and Renaissance tragedy to contemporary fiction. How do we define tragic heroism? To what extent does a tragic hero have agency over his fate? And how does Anakin Skywalker fit into this literary tradition?On the Syllabus:Sophocles, Oedipus Rex  (c. 429 BCE) William Shakespeare, Hamlet (1600)Thomas Kyd, The Spanish Tragedy (1587)Star Wars Episode I: The Phantom Menace (1999)Star Wars Episode II: Attack of the Clones (2002)Star Wars Episode III: Revenge of the Sith (2005)“Antigone, Sophocles.” Youtube, uploaded by The Center for Hellenic Studies, 5 August2020, https://www.youtube.com/watch?v=WSnfzgN7QfA&list=PLq5ea-jR9u2ojLpe4x3suBCx1eGuXwnL2&index=21Aristotle. “Poetics.” The Norton Anthology of Theory and Criticism: Second Edition, edited by Vincent B. Leitch, W. W. Norton & Company, 2010, pp. 88-115.”Bacchae, Euripides - Reading Greek Tragedy Online.” Youtube, uploaded by The Center for Hellenic Studies, 20 April 2020, https://www.youtube.com/watch?v=ZAt1FDCF2hQ&list=PLq5ea-jR9u2ojLpe4x3suBCx1eGuXwnL2&index=6 Boas, George. “The Evolution of the Tragic Hero.” The Carleton Drama Review, vol. 1, no. 1, 1955, pp. 5–21. JSTOR, www.jstor.org/stable/1124612.Bradley, A.C. Shakespearean Tragedy. St. Martin's Press, 1985.“CHS Dialogues with Gregory Nagy | Tragedy, Anger, and Agamemnon.” Youtube, uploaded by The Center for Hellenic Studies, 5 November 2020, https://www.youtube.com/watch?v=D0Ez3HT_TJo&list=PLq5ea-jR9u2prF3fg9FCJPGEz6TJzDwH2&index=14&t=450sKrieger, Murray. “Tragedy and the Tragic Vision.” The Kenyon Review, vol. 20, no. 2, 1958, pp. 281–299. JSTOR, www.jstor.org/stable/4333856.McDonald, Russ. "Theater à la Mode: Shakespeare and the Kinds of Drama." The Bedford Companion to Shakespeare: An Introduction with Documents, 79-108.Segal, Charles. Oedipus Tyrannus: Tragic Heroism and the Limits of Knowledge. Twayne Publishers, 1993.Segal, Charles. “Charles Segal on the Greatness of Oedipus the King.” Sophocles' Oedipus Plays: A Contemporary Literary Views Book, edited by Harold Bloom, Chelsea House Publishers, 1996, pp. 73-75.Social Media:@swenglishclass on Twitter and TikTokJulia is on TikTok @juliachristine77Fern is on TikTok @alwaysfernBusiness inquiries: starwarsenglishclass@gmail.comMusic by ZapSplat.com

------------------Support the channel------------ Patreon: https://www.patreon.com/thedissenter SubscribeStar: https://www.subscribestar.com/the-dissenter PayPal: paypal.me/thedissenter PayPal Subscription 1 Dollar: https://tinyurl.com/yb3acuuy PayPal Subscription 3 Dollars: https://tinyurl.com/ybn6bg9l PayPal Subscription 5 Dollars: https://tinyurl.com/ycmr9gpz PayPal Subscription 10 Dollars: https://tinyurl.com/y9r3fc9m PayPal Subscription 20 Dollars: https://tinyurl.com/y95uvkao ------------------Follow me on--------------------- Facebook: https://www.facebook.com/thedissenteryt/ Twitter: https://twitter.com/TheDissenterYT Anchor (podcast): https://anchor.fm/thedissenter Dr. Edward Watts is presently the Vassiliadis Professor of Byzantine Greek History at UC San Diego, where he was formerly Co-Director of the Center for Hellenic Studies. His research interests center on the intellectual and religious history of the Roman Empire and the early Byzantine Empire. He is the author of several books on ancient history, the most recent one being Mortal Republic: How Rome Fell Into Tyranny. He also has a new book coming out in 2021, The Eternal Decline and Fall of Rome: The History of a Dangerous Idea. In this episode, we focus on Mortal Republic. We go through the several different political organizations that Rome had – the kingdom, the republic, and the empire -, and some of their major players, like the patricians, the Gracchi brothers (Tiberius and Gaius), and Julius Caesar. We then ask if there are any lessons we can take from the Roman Republic for modern politics, Great-Man vs. Great-Ideas theories of History, and if History really does repeat itself. -- A HUGE THANK YOU TO MY PATRONS/SUPPORTERS: KARIN LIETZCKE, ANN BLANCHETTE, PER HELGE LARSEN, LAU GUERREIRO, JERRY MULLER, HANS FREDRIK SUNDE, BERNARDO SEIXAS, HERBERT GINTIS, RUTGER VOS, RICARDO VLADIMIRO, BO WINEGARD, CRAIG HEALY, OLAF ALEX, PHILIP KURIAN, JONATHAN VISSER, ANJAN KATTA, JAKOB KLINKBY, ADAM KESSEL, MATTHEW WHITINGBIRD, ARNAUD WOLFF, TIM HOLLOSY, HENRIK AHLENIUS, JOHN CONNORS, PAULINA BARREN, FILIP FORS CONNOLLY, DAN DEMETRIOU, ROBERT WINDHAGER, RUI INACIO, ARTHUR KOH, ZOOP, MARCO NEVES, MAX BEILBY, COLIN HOLBROOK, SUSAN PINKER, THOMAS TRUMBLE, PABLO SANTURBANO, SIMON COLUMBUS, PHIL KAVANAGH, JORGE ESPINHA, CORY CLARK, MARK BLYTH, ROBERTO INGUANZO, MIKKEL STORMYR, ERIC NEURMANN, SAMUEL ANDREEFF, FRANCIS FORDE, TIAGO NUNES, BERNARD HUGUENEY, ALEXANDER DANNBAUER, OMARI HICKSON, PHYLICIA STEVENS, FERGAL CUSSEN, YEVHEN BODRENKO, HAL HERZOG, NUNO MACHADO, DON ROSS, JOÃO ALVES DA SILVA, JONATHAN LEIBRANT, JOÃO LINHARES, OZLEM BULUT, NATHAN NGUYEN, STANTON T, SAMUEL CORREA, ERIK HAINES, MARK SMITH, J.W., JOÃO EIRA, TOM HUMMEL, SARDUS FRANCE, DAVID SLOAN WILSON, YACILA DEZA-ARAUJO, IDAN SOLON, ROMAIN ROCH, DMITRY GRIGORYEV, DIEGO LONDOÑO CORREA, AND TOM ROTH! A SPECIAL THANKS TO MY PRODUCERS, YZAR WEHBE, JIM FRANK, ŁUKASZ STAFINIAK, IAN GILLIGAN, SERGIU CODREANU, LUIS CAYETANO, MATTHEW LAVENDER, TOM VANEGDOM, CURTIS DIXON, BENEDIKT MUELLER, VEGA GIDEY, AND NIRUBAN BALACHANDRAN! AND TO MY EXECUTIVE PRODUCERS, MICHAL RUSIECKI, ROSEY, AND JAMES PRATT!

The Iliad is among the oldest surviving works of literature, but for a long time The Iliad wasn’t written down. It’s a story that has influenced the world for over three thousand years, but for the ancient Greeks, it was history. One man, Homer, is credited with writing The Iliad, but it’s more likely that The Iliad was composed by many ancient storytellers—a lot of whom were women. Gregory Nagy is the Francis Jones Professor of Classical Greek Literature and Professor of Comparative Literature and Director of the Center for Hellenic Studies at Harvard University. His books include Homer: The Preclassic and The Ancient Greek Hero in 24 Hours. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod.

TORCH Book at Lunchtime webinar on Ravenna: Capital of Empire, Crucible of Europe written by Professor Judith Herrin. Date: 4 November 2020. Book at Lunchtime https://www.torch.ox.ac.uk/book-at-lunchtime is a series of bite-sized book discussions held weekly during term-time, with commentators from a range of disciplines. The events are free to attend and open to all. About the book: From 402 AD until 751 AD, Ravenna was first the capital of the Western Roman Empire, then that of the immense kingdom of Theoderic the Goth and finally the centre of Byzantine power in Italy. In Ravenna: Capital of Empire, Crucible of Europe, Judith Herrin explains how scholars, lawyers, doctors, craftsmen, cosmologists and religious luminaries were drawn to Ravenna where they created a cultural and political capital that dominated northern Italy and the Adriatic. As she traces the lives of Ravenna's rulers, chroniclers and inhabitants, Herrin shows how the city became the meeting place of Greek, Latin, Christian and barbarian cultures and the pivot between East and West. The book offers a fresh account of the waning of Rome, the Gothic and Lombard invasions, the rise of Islam and the devastating divisions within Christianity. It argues that the fifth to eighth centuries should not be perceived as a time of decline from antiquity but rather, thanks to Byzantium, as one of great creativity - the period of 'Early Christendom'. These were the formative centuries of Europe. Author Judith Herrin won the Heineken Prize for History (the 'Dutch Nobel Prize') in 2016 for her pioneering work on the early Medieval Mediterranean world, especially the role of Byzantium, the influence of Islam and the significance of women. She is the author of Byzantium: The Surprising Life of a Medieval Empire, The Formation of Christendom, A Medieval Miscellany and Women in Purple. Herrin worked in Birmingham, Paris, Munich, Istanbul and Princeton before becoming Professor of Late Antique and Byzantine Studies at King's College London until 2008, where she is now the Constantine Leventis Visiting Senior Research Fellow in the Department of Classics. Panel: Peter Frankopan is Professor of Global History at Oxford University, where he is also Senior Research Fellow at Worcester College and Stavros Niarchos Foundation Director of the Oxford Centre for Byzantine Research. He works on the history of the Mediterranean, Russia, the Middle East, Persia/Iran, Central Asia and beyond, and on relations between Christianity and Islam. His books The Silk Roads (2015) and The New Silk Roads (2018) received huge acclaim. He writes regularly for the international press, advises governments on geopolitics, and is chair of this year's Cundill History Prize. Professor Dame Averil Cameron was Warden of Keble College, Oxford from 1994-2010, and before that Professor of Late Antique and Byzantine History at King's College London where she was also the first Director of the Centre for Hellenic Studies. She has been President of CBRL (Council for British Research in the Levant) and FIEC (Fédération internationale des associations d'études classiques) and is currently President of the Society for the Promotion of Byzantine Studies. Dr Conrad Leyser is Associate Professor of History at Oxford and a Fellow and Tutor of History at Worcester College. He specialises in the religious and social history of the Latin West in late Antiquity and the early Middle Ages (300-1100). His current research project centres on celibacy and the professionalisation of the priesthood in the so-called 'unreformed' Church of the tenth century. He is the author of Authority and Asceticism from Augustine to Gregory the Great and the co-editor of England and the Continent in the Tenth Century.

TORCH Book at Lunchtime webinar on Ravenna: Capital of Empire, Crucible of Europe written by Professor Judith Herrin. Date: 4 November 2020. Book at Lunchtime https://www.torch.ox.ac.uk/book-at-lunchtime is a series of bite-sized book discussions held weekly during term-time, with commentators from a range of disciplines. The events are free to attend and open to all. About the book: From 402 AD until 751 AD, Ravenna was first the capital of the Western Roman Empire, then that of the immense kingdom of Theoderic the Goth and finally the centre of Byzantine power in Italy. In Ravenna: Capital of Empire, Crucible of Europe, Judith Herrin explains how scholars, lawyers, doctors, craftsmen, cosmologists and religious luminaries were drawn to Ravenna where they created a cultural and political capital that dominated northern Italy and the Adriatic. As she traces the lives of Ravenna's rulers, chroniclers and inhabitants, Herrin shows how the city became the meeting place of Greek, Latin, Christian and barbarian cultures and the pivot between East and West. The book offers a fresh account of the waning of Rome, the Gothic and Lombard invasions, the rise of Islam and the devastating divisions within Christianity. It argues that the fifth to eighth centuries should not be perceived as a time of decline from antiquity but rather, thanks to Byzantium, as one of great creativity - the period of 'Early Christendom'. These were the formative centuries of Europe. Author Judith Herrin won the Heineken Prize for History (the 'Dutch Nobel Prize') in 2016 for her pioneering work on the early Medieval Mediterranean world, especially the role of Byzantium, the influence of Islam and the significance of women. She is the author of Byzantium: The Surprising Life of a Medieval Empire, The Formation of Christendom, A Medieval Miscellany and Women in Purple. Herrin worked in Birmingham, Paris, Munich, Istanbul and Princeton before becoming Professor of Late Antique and Byzantine Studies at King's College London until 2008, where she is now the Constantine Leventis Visiting Senior Research Fellow in the Department of Classics. Panel: Peter Frankopan is Professor of Global History at Oxford University, where he is also Senior Research Fellow at Worcester College and Stavros Niarchos Foundation Director of the Oxford Centre for Byzantine Research. He works on the history of the Mediterranean, Russia, the Middle East, Persia/Iran, Central Asia and beyond, and on relations between Christianity and Islam. His books The Silk Roads (2015) and The New Silk Roads (2018) received huge acclaim. He writes regularly for the international press, advises governments on geopolitics, and is chair of this year's Cundill History Prize. Professor Dame Averil Cameron was Warden of Keble College, Oxford from 1994-2010, and before that Professor of Late Antique and Byzantine History at King's College London where she was also the first Director of the Centre for Hellenic Studies. She has been President of CBRL (Council for British Research in the Levant) and FIEC (Fédération internationale des associations d'études classiques) and is currently President of the Society for the Promotion of Byzantine Studies. Dr Conrad Leyser is Associate Professor of History at Oxford and a Fellow and Tutor of History at Worcester College. He specialises in the religious and social history of the Latin West in late Antiquity and the early Middle Ages (300-1100). His current research project centres on celibacy and the professionalisation of the priesthood in the so-called 'unreformed' Church of the tenth century. He is the author of Authority and Asceticism from Augustine to Gregory the Great and the co-editor of England and the Continent in the Tenth Century.

Bonus Material From an interview with Dr. Joel Christensen from Brandeis University. Expertise Professor Christensen teaches courses in Greek Epic and Archaic Poetry; Rhetoric and Literary Theory; Linguistics; Mythology. Profile Joel Christensen is Associate Professor and Chair in the Department of Classical Studies at Brandeis University. He taught previously at the University of Texas at San Antonio (2007-2016). He received his BA and MA from Brandeis (’01) in Classics and English and his PhD in Classics from New York University (2007) where he also received an Advanced Certificate in Poetics and Theory. Professor Christensen has been a Fellow at the Center for Hellenic Studies (2013) and has received the Society for Classical Studies’ Award for Excellence in Teaching at the Collegiate Level (2013). In addition to articles on language, myth and literature in the Homeric epics, he has published a Beginner’s Guide to Homer (One World, 2013) and also Homer’s Thebes (CHS, 2019) with Elton T. E. barker as well as A Commentary on the Homeric Battle of Frogs and Mice (Bloomsbury, 2018) with Erik Robinson. In 2020, his "The Many-Minded Man: the Odyssey, Psychology, and the Therapy of Epic" comes out Cornell University Press.

Join Liam & data specialist Andrew Andrews as they introduce you to the world of data.  Australian Open Data https://data.gov.au/ Information is Beautiful https://informationisbeautiful.net/ Covid19 Dashboard John Hopkins University https://coronavirus.jhu.edu/map.html Music 'Serenity' by Skirk.  Andrew Andrews Biography September 2020 Andrew started writing computer programs in two languages APL and BASIC on IBM mainframes in the mid seventies at age 14. He is now is a senior business technology executive with over 35 years professional experience, and has started and exited several technology businesses, he has a unique blend of skills and expertise that includes executive management, mobile app development, data warehousing, business intelligence, stakeholder engagement, ICT/Data governance, marketing, media, strategy and entrepreneurship. He has consulted extensively to Government, Not For Profit and Private sector clients across Australia and New Zealand.  Recently he was the founding Data Governance Manager at the Australian Competition and Consumer Commission(ACCC)/Australian Energy Regulator (AER), and currently leads the SA Branch of Data Management Australia (dama.org.au) and is a member of the national committee. Andrew is passionate about using international data management frameworks like Data Management Body of Knowledge (DMBoK) and Data Management Maturity Model (DMM) to assist enterprises and government agencies manage their data more efficiently. In his volunteer life he has been working in community radio for most of his adult life across various roles of producer/presenter at 3D Radio 93.7Mhz and WOWFM 100.5, cofounder of Dance100, and past chairman of board and life member of Fresh927. For last 6 years he has been a volunteer on the management committee of the Foundation for Hellenic Studies. Links to his social media accounts and volunteer community interests are found here: www.linkedin.com/in/andrewandrews https://www.instagram.com/andrew.andrews.media/ https://www.twitter.com/andrewandrews https://www.facebook.com/andrew.andrews/ https://www.facebook.com/andrew.andrews.media/ https://fresh927.com.au/staff/andrew-andrews/ https://www.facebook.com/dance100.aus https://wowfm.org/team/andrew/ https://www.dama.org.au/ https://www.facebook.com/HellenicStudies Podcasts and Videos: Podcast for The Adelaide Show on Data Ethics and Privacy March2020, link here. Meet the Mentors interview at Start-up Weekend Adelaide 2013, link to video is found here. Introduction to data podcast episode for the Auscast Network September 2020, link here. See omnystudio.com/listener for privacy information.

Join Liam & data specialist Andrew Andrews as they introduce you to the world of data.  Australian Open Data https://data.gov.au/ Information is Beautiful https://informationisbeautiful.net/ Covid19 Dashboard John Hopkins University https://coronavirus.jhu.edu/map.html Music 'Serenity' by Skirk.  Andrew Andrews Biography September 2020 Andrew started writing computer programs in two languages APL and BASIC on IBM mainframes in the mid seventies at age 14. He is now is a senior business technology executive with over 35 years professional experience, and has started and exited several technology businesses, he has a unique blend of skills and expertise that includes executive management, mobile app development, data warehousing, business intelligence, stakeholder engagement, ICT/Data governance, marketing, media, strategy and entrepreneurship. He has consulted extensively to Government, Not For Profit and Private sector clients across Australia and New Zealand.  Recently he was the founding Data Governance Manager at the Australian Competition and Consumer Commission(ACCC)/Australian Energy Regulator (AER), and currently leads the SA Branch of Data Management Australia (dama.org.au) and is a member of the national committee. Andrew is passionate about using international data management frameworks like Data Management Body of Knowledge (DMBoK) and Data Management Maturity Model (DMM) to assist enterprises and government agencies manage their data more efficiently. In his volunteer life he has been working in community radio for most of his adult life across various roles of producer/presenter at 3D Radio 93.7Mhz and WOWFM 100.5, cofounder of Dance100, and past chairman of board and life member of Fresh927. For last 6 years he has been a volunteer on the management committee of the Foundation for Hellenic Studies. Links to his social media accounts and volunteer community interests are found here: www.linkedin.com/in/andrewandrews https://www.instagram.com/andrew.andrews.media/ https://www.twitter.com/andrewandrews https://www.facebook.com/andrew.andrews/ https://www.facebook.com/andrew.andrews.media/ https://fresh927.com.au/staff/andrew-andrews/ https://www.facebook.com/dance100.aus https://wowfm.org/team/andrew/ https://www.dama.org.au/ https://www.facebook.com/HellenicStudies Podcasts and Videos: Podcast for The Adelaide Show on Data Ethics and Privacy March2020, link here. Meet the Mentors interview at Start-up Weekend Adelaide 2013, link to video is found here. Introduction to data podcast episode for the Auscast Network September 2020, link here. See omnystudio.com/listener for privacy information.

On Tuesday, July 21, 2020, Dr. Dimitris Krallis from the Department of Humanities and the SNF Centre for Hellenic Studies linked up with professor Anthony Kaldellis of the Ohio State University’s Department of Classics for a free-wheeling, informal conversation on Byzantium and Modern Greece. Interested in the ways in which the history, culture, and traditions that stem (or are perceived to stem) from Byzantium make it into modern Greek public discourse and spaces the two professors navigated some two hundred years of Greek engagement with the history and culture of the Eastern Roman Empire. Dimitris Krallis was born and raised in Athens. At the University of Athens he studied political theory before he turned to the social and political history of Byzantium at Oxford. After an interruption of four years dedicated to military service and to teaching at the American College of Greece he moved to the University of Michigan for his doctorate. Upon graduation he joined the faculty at Simon Fraser University where he works at the Stavros Niarchos Foundation Centre for Hellenic Studies and the Department of Humanities maintaining a strong interest in Byzantine social, political, and intellectual history, historiography but also in questions of Byzantium's modern reception. Anthony Kaldellis grew up in Athens before he moved to the United Stated where he completed his undergraduate degree and Ph.D at the University of Michigan. He is the preeminent historian of Byzantium for his generation and has published multiple books and articles on issues that range from dissidence, historiography and classicism to Byzantine ethnicity, identity, and politics. He is also an avid translator of Byzantine texts, who has made accessible multiple primary sources from the Byzantine world to both scholars and lay readers. What is more he maintains a robust public engagement program with his popular Byzantium and Friends podcast. He has been a member of The Ohio State University's Classics Department since the early 2000s. For more information about the Stavros Niarchos Foundation Centre for Hellenic Studies and its programs, please visit our website: https://www.sfu.ca/hellenic-studies.html

Classicists Edith Hall and Barry Cunliffe explore the importance of the sea in the classical world in a discussion hosted by Rana Mitter. Pat Barker and Giles Fraser look at Tolstoy's War and Peace and Dostoevsky's The Brothers Karamazov and the depiction of faith in those novels with presenter Ian McMillan. The Ancient Greeks often preferred to take sea journeys rather than risk encounters with brigands and travelling through mountain passes inland and colonised all round the Black Sea and Mediterranean. In the writings of Xenophon and Homer, Greek heroes show skills at navigating and fighting on sea and the sea shore is a place people go to think. Sir Barry Cunliffe is Emeritus Professor of European Archaeology at the University of Oxford and the author of books including Facing the Ocean - the Atlantic and its peoples; Europe Between the Oceans; By Steppe, Desert and Ocean - the Birth of Eurasia. Edith Hall is Professor in the Department of Classics and Centre for Hellenic Studies at King's College, London. Her books include Introducing The Ancient Greeks: From Bronze Age Seafarers to Navigators of the Western Mind; Aristotle's Way - How Ancient Wisdom Can Change Your Mind; A People's History of Classics. You can find her discussing her campaign for schools across the UK to teach classics in a Free Thinking discussion called Rethinking the Curriculum https://www.bbc.co.uk/programmes/p08hq0ht Pat Barker is the author of novels including her Regeneration Trilogy, Life Class, The Silence of the Girls and Noonday. Giles Fraser is an English Anglican priest, journalist and broadcaster.

What can we learn from the ancient Greeks? And what should we probably unlearn from them? In this episode, Jen chats to Professor Helen Morales, classicist and Argyropoulos Chair in Hellenic Studies at the University of California, Santa Barbara. They chat about Helen's new book Antigone Rising: The Subversive Power of the Ancient Myths and how ancient misogyny still underpins modern society, as well as some pilgrimages to Dollywood, among other things. See acast.com/privacy for privacy and opt-out information.

Rana Mitter is joined by Edith Hall, Nandini Das and Beatrice Groves to explore the books which inspired Shakespeare from the Bible and classical stories to the writing of some of Shakespeare's contemporaries. Edith Hall is Professor in the Classics Department and Centre for Hellenic Studies at King's College London. Her books include Introducing The Ancient Greeks and has co-written A People's History of Classics with Henry Stead. Nandini Das is Professor of English Literature at the University of Oxford. She is also a New Generation Thinker on the scheme run by BBC Radio 3 and the Arts and Humanities Research Council. Beatrice Groves is Research Lecturer in Renaissance Literature at the University of Oxford and her books include Texts and Traditions: Religion in Shakespeare 1592-1604 The programme was recorded in front of an audience in BBC Radio 3's pop-up studio as part of Radio 3's Stratford residency at the Royal Shakespeare Company. Producer: Torquil MacLeod You can find a playlist of programmes exploring different aspects of Shakespeare on the Free Thinking programme website including interviews with the actors Antony Sher & Janet Suzman, writers including Jo Nesbo & Mark Ravenhill and detailed explorations of The Tempest and the Winter's Tale https://www.bbc.co.uk/programmes/p06406hm

For this episode, you need to have read through chapter one of Harry Potter and the Sorcerer's Stone/Philosopher's Stone. Our first introduction to magic is an owl that flutters by the window that nobody notices...what does that mean for our understanding of the wizarding world? Contact us on our email at FirstYearsPodcast @ gmail . com or on Twitter and Instagram at @FirstYearsPod www.authorsarahjonesdittmeier.info/firstyearspodcast First Years is a production of Matchbook. It's produced by Quinn Parker and Sarah Jones Dittmeier. Sources can be found below. Special thanks to JK Rowling, the author of the Harry Potter series. www.wizardingworld.com --> FIND OUT YOUR HOGWARTS HOUSE! Sources for this episode: Benn, James A. “Another Look at the Pseudo-Suramgama Sutra.” Harvard Journal of Asiatic Studies, Vol. 68, No. 1 (Jun., 2008), pp. 57-89. Harvard-Yenching Institute https://www.jstor.org/stable/40213652 Benson, Erin M., and Joseph M. Galloy. “Ceramic Owl Effigies From Ancient East St. Louis.” Illinois Antiquity, Volume 48, Number 3. September 1, 2013 Douglas, E. M. “The Owl of Athena.” The Journal of Hellenic Studies, vol. 32, 1912, pp.174–178. JSTOR, https://www.jstor.org/stable/624140. Forth, Gregory. “Symbolic Birds and Ironic Bats: Varieties of Classification in the Nage Folk Ornithology.”Ethnology, Vol. 48, No. 2 (Spring 2009), pp. 139-159. University of Pittsburgh- Of the Commonwealth System of Higher Education. https://www.jstor.org/stable/20754017 Homerin, T. Emil. “Echoes of a Thirsty Owl: Death and Afterlife in Pre-Islamic Arabic Poetry.” Journal of Near Eastern Studies, Vol. 44, No. 3 (Jul., 1985), pp. 165-184. The University of Chicago Press www.jstor.org/stable/544903 Lake-Thom, Bobby. Spirits of the Earth: A Guide to Native American Nature Symbols, Stories, and Ceremonies. PLUME, published by the Penguin Group, 1997 Lewis, Deane. “Owls in Mythology &Culture.” The Owl Pages. https://www.owlpages.com/owls/articles.php?a=62 Love, Presley. “Symbolic Owl Meaning.” UniverseofSymbolism.com https://www.universeofsymbolism.com/symbolic-owl-meaning.html Marshall, Joe T. and Frank Gill. “Owl.” Encyclopedia Britannica. May, 09, 2019.https://www.britannica.com/animal/owl Salmony, Alfred and Ralph Manheim. “The Owl as an Ornament in Archaic Chinese Bronzes.” Parnassus, Vol. 6, No. 2 (Feb., 1934), pp. 23-25. CAA. https://www.jstor.org/stable/770848 Stross, Brian. “Eight Reinterpretations of Submerged Symbolism in the Mayan Popol Wuj.” Anthropological Linguistics, Vol. 49, No. 3/4 (Fall-Winter, 2007), pp. 388-423. The Trustees of Indiana University on behalf of Anthropological Linguistics. https://www.jstor.org/stable/27667613 Weiss, Gerald. “Campa Cosmology.”Ethnology, Vol 11, No. 2 (Apr., 1972), pp. 157-172. University of Pittsburgh—of the Commonwealth System of Higher Education. https://www.jstor.org/stable/3773299 Wilson, Eddie W. “The Owl and the American Indian.” The Journal of American Folklore, Vol.63, No. 249 (Jul. –Sep., 1950), pp. 336-344. American Folklore Society. https://www.jstor.org/stable/536533 Von Winning, Hasso. “The Teotihuacan Owl-and-Weapon Symbol and Its Association with ‘Serpent Head X’ at Kaminaljuyu.” American Antiquity, Vol. 14, No. 2 (Oct., 1948), pp. 129-132. Cambridge University Press. https://www.jstor.org/stable/275229