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16 episodes with Hellenic studies
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3 episodes with Hellenic studies
3 episodes with Hellenic studies
3 episodes with Hellenic studies
3 episodes with Hellenic studies
2 episodes with Hellenic studies
2 episodes with Hellenic studies
2 episodes with Hellenic studies
Can we trust Roman statues to tell us about real people? What were the differences between gods and humans in art? How much of a say did the emperor have over how Roman women dressed and lived their lives? Dr. Caroline Vout answers these questions and many more in the penultimate episode of Season 2, as we learn how the Romans put bodies on display.Access full transcript and episode show notesWomen Who Went Before is written, produced, and edited by Rebekah Haigh and Emily Chesley.Music is composed and produced by Moses Sun.Sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, the Stanley J. Seeger Center for Hellenic Studies, and the Committtee for the Study of Late Antiquity at Princeton University.Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.
People groups, power, hierarchy, and othering—big themes in Homer's Odyssey and Iliad. In this episode we learn from Dr. Jackie Murray about what race was and wasn't in Ancient Greek literature. We see how gender and class intersected with race. We'll learn about a Greek novel The Aethiopica, what a metic was, and what this all has to do with some recent Hollywood controversies.Transcript and episode show notesWomen Who Went Before is written, produced, and edited by Rebekah Haigh and Emily Chesley.Music is composed and produced by Moses Sun.Sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, the Stanley J. Seeger Center for Hellenic Studies, and the Committtee for the Study of Late Antiquity at Princeton University.Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.
The struggle of many Greeks who were sent abroad as children for adoption in the aftermath of the Greek Civil War and the decades that followed is finally coming to an end as the Greek government is now paving the way for them to regain their Greek citizenship. Professor Gonda van Steen, the Koraes Chair at the Centre for Hellenic Studies and Department of Classics at King's College London and author of the book Adoption, Memory, and Cold War Greece: Kid pro quo?, joins Thanos Davelis as we look into the story of the Greek adoptees and their long and difficult homecoming.You can read the articles we discuss on our podcast here:A long and difficult homecomingGreece requests EU exemption for 2026 defense spending boostGreek FM highlights Ukraine support, regional ties at Three Seas Summit
fWotD Episode 2910: Aineta aryballos Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Wednesday, 23 April 2025, is Aineta aryballos.The Aineta aryballos is an ancient Greek aryballos (a small, spherical flask or vase), made between approximately 625 and 570 BCE in the city of Corinth in southern Greece. Approximately 6.35 centimetres (2.50 in) in both height and diameter, it was intended to contain perfumed oil or unguent, and is likely to have been owned by a high-class courtesan (hetaira) by the name of Aineta, who may be portrayed in a drawing on its handle. The vase's illegal sale to the British Museum in 1865 led to the prosecution of its seller, the Athenian professor and art dealer Athanasios Rhousopoulos, and exposed his widespread involvement in antiquities crime. The vase is inscribed with a portrait, generally agreed to be that of a woman and probably that of Aineta, who is named in the inscription on the vase. Below the portrait are the names of nine men, usually taken to be Aineta's admirers or lovers. The Aineta aryballos is likely to have been found in a grave, probably that of Aineta. According to Rhousopoulos, it was discovered in Corinth around 1852. In 1877, Panagiotis Efstratiadis, the Ephor General of Antiquities in charge of the Greek Archaeological Service, had Rhousopoulos fined for selling the vase in contravention of Greek law. Writing in 2012 for the Center for Hellenic Studies, Yannis Galanakis called the case "a milestone in the trafficking of Greek antiquities", in that it represented a relatively rare successful use of state power against the illegal trade in ancient Greek artefacts.This recording reflects the Wikipedia text as of 00:30 UTC on Wednesday, 23 April 2025.For the full current version of the article, see Aineta aryballos on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Danielle.
Brent Billings and Elle Grover Fricks investigate Jesus's teaching on oaths.“Greek Oath-Rituals” by Irene Berti — OpenEdition Books“The Greek Oath in the Roman World” by Serena Connolly — Oxford Academic“Loosing Vows and Oaths in the Roman Empire and Beyond: Authority and Interpretation” by Moshe Blidstein — De Gruyter“The Kinyradai of Paphos” by John Curtis Franklin — The Center for Hellenic Studies
CW: This episode discusses themes of sexual assault and intimate partner violence.Dr. Rhiannon Graybill shares her research on sexual violence in the Hebrew Bible and ways of reading such messy stories for then and now. We also talk about violent tropes in modern romance literature and Rome's origin stories—and what these kinds of tales do to those who read them.She says, “In our world sexual violence is often grounded in or justified by the Bible, and the Bible is used against survivors of sexual violence. And so reading biblical stories as fuzzy, messy, and icky helps us dismantle our experiences of sexual violence and of rape culture.”Access transcript and episode show notes: https://www.womenwhowentbefore.com/episodes/to-have-and-to-hold. Women Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh.The podcast's music is composed and produced by Moses Sun.This podcast is sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, the Stanley J. Seeger Center for Hellenic Studies, and the Committtee for the Study of Late Antiquity at Princeton University.Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.
We talk with Dr. Shai Secunda about the Babylonian rabbis' science of blood, breaking taboos through sex education, and menstruation as a cure for rabies.Today, taboos about menstruation keep thousands of girls from attending school. For Jewish sages in late antique Persia, such beliefs led to laws that required women to stay away from their husbands during their periods and to wash at prescribed times. (Whether women followed these laws is another question!) Blood could pollute, yet it could also purify. And practices around menstruation may have helped religious communities define their identity. Access transcript and episode show notes: www.womenwhowentbefore.com/episodes/bad-bloodWomen Who Went Before is written, produced, and edited by Rebekah Haigh and Emily Chesley.Podcast theme music is composed and produced by Moses Sun.This podcast is sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, the Stanley J. Seeger Center for Hellenic Studies, and the Committtee for the Study of Late Antiquity at Princeton University.Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.
Dr. Ada Nifosì tells us about the gymnastics of ancient Egyptian birth, why Egyptian women ate donkey balls and their cats ate penis cakes, and why the god Seth should be avoided at all costs.Childbirth was a scary time for women, and that desire for safety and comfort is reflected in their stories about their gods. The most important goddess, Isis, was enshrined in Egyptian mythology as giving birth in dangerous circumstances. Women turned to amulets, charms, midwives and wise women, their families, for assurance.Access transcript and episode show notes: www.womenwhowentbefore.com/episodes/the-pee-testWomen Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh. This episode was fact-checked by Emily G. Smith-Sangster.Podcast theme music is composed and produced by Moses Sun. This podcast is sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, the Stanley J. Seeger Center for Hellenic Studies, and the Committtee for the Study of Late Antiquity at Princeton University.Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.
Dr. Julia Watts Belser talks about ancient prenups, dancing at weddings, and what the rabbis had to say about beauty. We meet an Etruscan woman named Seianti Hanunia, an Egyptian Jewish woman Tapamet, and hear the (sometimes damaging) ideas of sages Shammai and Hillel. Paying attention to disability matters because it's noticing a person's full human experience. Access transcript and episode show notes: www.womenwhowentbefore.com/episodes/blemished-bridesWomen Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh.Podcast theme music is composed and produced by Moses Sun. This podcast is sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, the Stanley J. Seeger Center for Hellenic Studies, and the Committtee for the Study of Late Antiquity at Princeton University.Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.
Dr. Lloyd Llewellyn-Jones tells us about the veil in ancient Greek culture. Many women in the distant past (as today) wore veils during their life. Veiling meant many things to many people. It could be a means of patriarchal control, a sensual turn on, or a practical choice in a hot climate. From weddings to acts of piety and expressions of grief, veils "spoke." When she chose to reveal or not hide her hair, a Greek woman expressed something to the world. Access transcript and episode show notes: https://www.womenwhowentbefore.com/episodes/veiled-but-not-hiddenWomen Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh.Podcast theme music is composed and produced by Moses Sun. This podcast is sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, the Stanley J. Seeger Center for Hellenic Studies, and the Committtee for the Study of Late Antiquity at Princeton University.Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.
Dr. Julia Kelto Lillis asks, "To whom does a woman's virginity belong?" Join her and your hosts as we dive into the world of early Christian purity culture, what wine has to do with the V-Card, and why the gods like to make babies with virgins. Like today, the concept of virginity was culturally significant in the ancient world. But unlike today, virginity as an act of devotion to God could propel a woman to the top of the social ladder. This episode we explore shifting ideas about what makes someone a virgin and the importance of virginity to the early Christian movement. Access transcript and episode show notes: https://www.womenwhowentbefore.com/episodes/virginity-and-the-hype-about-hymensWomen Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh.Podcast theme music is composed and produced by Moses Sun. This podcast is sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, the Stanley J. Seeger Center for Hellenic Studies, and the Committtee for the Study of Late Antiquity at Princeton University.Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.
In this episode, we sit down with Dr. Rebecca Flemming and talk about ancient gynecology, wandering wombs, and what agency, if any, women had over the healing of their bodies. How did medical writers in Greece and Rome describe a woman's anatomy and its inner workings? And how did those beliefs influence the treatments they prescribed? Read transcript and episode show notes: https://www.womenwhowentbefore.com/episodes/wandering-wombsWomen Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh.Podcast theme music is composed and produced by Moses Sun. This podcast is sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, the Stanley J. Seeger Center for Hellenic Studies, and the Committtee for the Study of Late Antiquity at Princeton University.Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.
In a time when society is thinking passionately about bodily rights and who gets to make decisions about women's bodies, Season 2 turns to history. Women in the ancient world mattered, and so did their bodies—maybe learning about them can give us new questions as we face our own world. In our season intro episode, meet an ancient high-priestess of Ur and the first known author in human history: Enheduanna. Climb Mount Sinai with the Christian pilgrim Egeria. These two women and the records they left behind offer a personal glimpse into embodied moments of religious experience. And they help us set the stage for the season ahead.Episode show notes: https://www.womenwhowentbefore.com/episodes/bodily-mattersWomen Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh.The podcast theme music is composed and produced by Moses Sun. Season 1 Episode 0 intro music is licensed from Krux Music Publishing Limited.This podcast is sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, the Stanley J. Seeger Center for Hellenic Studies, and the Committtee for the Study of Late Antiquity at Princeton University.Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.
174: How and Why Ancient Greece is Still Relevant Today On today's episode. Archeologist Dr. Georgios Koukovasilis joins the podcast to share how ancient Greece is everywhere in the modern world. Dr. Georgios Koukovasilis Georgios and Kiki Today's Lexi: Ancient – Αρχαίος – Archaíos In Today's Episode: During Kiki's summer visit to the Temple of Poseidon she had the great honor to meet and connect with a wonderful archologist. Dr. Koukovasilis – PhD in Classical Art and Archeology – is a wealth of education, passion and knowledge regarding the ancient word and how it is everywhere we look and how we live in the modern world. Today meet Dr. Koukovasilis and discover how do we define archeology? What drew Dr. Georgios to this field and how and why is Classical life relevant today. Can we draw conclusions about humanity and well-being by looking back? How can we move forward with progress and confidence? All this and more during episode 174. Resources: Georgios Koukovasilis | Center for Hellenic Studies in Greece (Harvard) Archaeology at Cambridge Georgios Koukovasilis on Instagram (@george_koukos__) Credits: Music: Spiro Dussias Vocals: Zabrina Hay Graphic Designer: Susan Jackson O'Leary
On a narrow street in the old Greek quarter of Alexandria, the world renowned poet and writer Constantine Cavafy created some of the masterpieces that still inspire people across the world today. As of this past May, this home in Alexandria is now open to the public. Together with the Cavafy Archive in Athens, which is home to over 2,000 digitized manuscripts, with poems and handwritten notes, Cavafy's life and work are now accessible to a global audience. Prof. Gonda Van Steen, the Koraes Chair at the Centre for Hellenic Studies and Department of Classics at King's College London and a member of the academic committee for the Alexandria Cavafy House, joins me to explore why making Cavafy widely accessible is important, and look at why his work still inspires us today.You can read the articles we discuss on our podcast here:Onassis Foundation has restored Cavafy House in AlexandriaGreek poet who inspired Forster, Hockney and Jackie Onassis emerges from the shadowsGreek PM reiterates warning to North MacedoniaCyprus-US traveler data agreement ratified
******Support the channel****** Patreon: https://www.patreon.com/thedissenter PayPal: paypal.me/thedissenter PayPal Subscription 1 Dollar: https://tinyurl.com/yb3acuuy PayPal Subscription 3 Dollars: https://tinyurl.com/ybn6bg9l PayPal Subscription 5 Dollars: https://tinyurl.com/ycmr9gpz PayPal Subscription 10 Dollars: https://tinyurl.com/y9r3fc9m PayPal Subscription 20 Dollars: https://tinyurl.com/y95uvkao ******Follow me on****** Website: https://www.thedissenter.net/ Facebook: https://www.facebook.com/thedissenteryt/ Twitter: https://twitter.com/TheDissenterYT This show is sponsored by Enlites, Learning & Development done differently. Check the website here: http://enlites.com/ Dr. Edward Watts is presently the Vassiliadis Professor of Byzantine Greek History at the University of California, San Diego, where he was formerly Co-Director of the Center for Hellenic Studies. His research interests center on the intellectual and religious history of the Roman Empire and the early Byzantine Empire. He is the author of several books on ancient history, including Mortal Republic: How Rome Fell Into Tyranny, The Eternal Decline and Fall of Rome: The History of a Dangerous Idea, and Hypatia: The Life and Legend of an Ancient Philosopher. In this episode, we focus on Hypatia. We first get into the social, political, and historical context where Hypatia lived, and the intellectual life in Alexandria. We then talk about her early years, how she became a philosopher and the head of a philosophy school, her main intellectual contributions, her political life and public service, and her tragic death and its aftermath. We also discuss her intellectual legacy, how she has been portrayed by artists, and what she symbolizes for modern people. -- A HUGE THANK YOU TO MY PATRONS/SUPPORTERS: PER HELGE LARSEN, JERRY MULLER, HANS FREDRIK SUNDE, BERNARDO SEIXAS, ADAM KESSEL, MATTHEW WHITINGBIRD, ARNAUD WOLFF, TIM HOLLOSY, HENRIK AHLENIUS, FILIP FORS CONNOLLY, DAN DEMETRIOU, ROBERT WINDHAGER, RUI INACIO, ZOOP, MARCO NEVES, COLIN HOLBROOK, PHIL KAVANAGH, SAMUEL ANDREEFF, FRANCIS FORDE, TIAGO NUNES, FERGAL CUSSEN, HAL HERZOG, NUNO MACHADO, JONATHAN LEIBRANT, JOÃO LINHARES, STANTON T, SAMUEL CORREA, ERIK HAINES, MARK SMITH, JOÃO EIRA, TOM HUMMEL, SARDUS FRANCE, DAVID SLOAN WILSON, YACILA DEZA-ARAUJO, ROMAIN ROCH, DIEGO LONDOÑO CORREA, YANICK PUNTER, CHARLOTTE BLEASE, NICOLE BARBARO, ADAM HUNT, PAWEL OSTASZEWSKI, NELLEKE BAK, GUY MADISON, GARY G HELLMANN, SAIMA AFZAL, ADRIAN JAEGGI, PAULO TOLENTINO, JOÃO BARBOSA, JULIAN PRICE, EDWARD HALL, HEDIN BRØNNER, DOUGLAS FRY, FRANCA BORTOLOTTI, GABRIEL PONS CORTÈS, URSULA LITZCKE, SCOTT, ZACHARY FISH, TIM DUFFY, SUNNY SMITH, JON WISMAN, WILLIAM BUCKNER, PAUL-GEORGE ARNAUD, LUKE GLOWACKI, GEORGIOS THEOPHANOUS, CHRIS WILLIAMSON, PETER WOLOSZYN, DAVID WILLIAMS, DIOGO COSTA, ANTON ERIKSSON, ALEX CHAU, AMAURI MARTÍNEZ, CORALIE CHEVALLIER, BANGALORE ATHEISTS, LARRY D. LEE JR., OLD HERRINGBONE, MICHAEL BAILEY, DAN SPERBER, ROBERT GRESSIS, IGOR N, JEFF MCMAHAN, JAKE ZUEHL, BARNABAS RADICS, MARK CAMPBELL, TOMAS DAUBNER, LUKE NISSEN, KIMBERLY JOHNSON, JESSICA NOWICKI, LINDA BRANDIN, NIKLAS CARLSSON, GEORGE CHORIATIS, VALENTIN STEINMANN, PER KRAULIS, KATE VON GOELER, ALEXANDER HUBBARD, BR, MASOUD ALIMOHAMMADI, JONAS HERTNER, URSULA GOODENOUGH, DAVID PINSOF, SEAN NELSON, MIKE LAVIGNE, JOS KNECHT, ERIK ENGMAN, LUCY, YHONATAN SHEMESH, MANVIR SINGH, PETRA WEIMANN, PEDRO BONILLA, AND CAROLA FEEST! A SPECIAL THANKS TO MY PRODUCERS, YZAR WEHBE, JIM FRANK, ŁUKASZ STAFINIAK, TOM VANEGDOM, BERNARD HUGUENEY, CURTIS DIXON, BENEDIKT MUELLER, THOMAS TRUMBLE, KATHRINE AND PATRICK TOBIN, JONCARLO MONTENEGRO, AL NICK ORTIZ, NICK GOLDEN, AND CHRISTINE GLASS! AND TO MY EXECUTIVE PRODUCERS, MATTHEW LAVENDER, SERGIU CODREANU, BOGDAN KANIVETS, ROSEY, AND GREGORY HASTINGS!
Solon is one of the seven sages of Athens, and he's credited with laying the groundwork for Athenian democracy. But most of what we know about him comes biographies written centuries after he lived. Research: Aristotle, tr. Sir Frederic G. Kenyon. “The Athenian Constitution.” https://classics.mit.edu/Aristotle/athenian_const.1.1.html Britannica, The Editors of Encyclopaedia. "Draco". Encyclopedia Britannica, 28 Feb. 2024, https://www.britannica.com/biography/Draco-Greek-lawgiver Cadoux, T. J. “The Athenian Archons from Kreon to Hypsichides.” The Journal of Hellenic Studies, vol. 68, 1948, pp. 70–123. JSTOR, https://doi.org/10.2307/626301 Cartwright, Mark. “Solon.” World History Encyclopedia. March 10, 2016. https://www.worldhistory.org/solon/ Forrest, W. G., and D. L. Stockton. “The Athenian Archons: A Note.” Historia: Zeitschrift Für Alte Geschichte, vol. 36, no. 2, 1987, pp. 235–40. JSTOR, http://www.jstor.org/stable/4436007 French, A. “Solon and the Megarian Question.” The Journal of Hellenic Studies, vol. 77, 1957, pp. 238–46. JSTOR, https://doi.org/10.2307/629363 Gill, N.S. "Solon's Reforms and the Rise of Democracy in Athens." ThoughtCo, Aug. 30, 2020, thoughtco.com/solons-reforms-democracy-121062. Hölkeskamp, Karl-Joachim. “What's in a Code? Solon's Laws between Complexity, Compilation and Contingency.” Hermes, vol. 133, no. 3, 2005, pp. 280–93. JSTOR, http://www.jstor.org/stable/4477659 Leão, Delfim F. and P.J. Rhodes. “The Laws of Solon.” I.B. Tauris & Co. Ltd. London. 2015. Linforth, Ivan Mortimer. “Solon the Athenian.” University of California Press. 1919. Accessed online: https://play.google.com/store/books/details?id=_NENAAAAIAAJ&rdid=book-_NENAAAAIAAJ&rdot=1 Plutarch, and Aubrey Stewart, MA. “Plutarch's Lives.” George Bell & Sons. London. 1894. https://www.gutenberg.org/files/14033/14033-h/14033-h.htm#LIFE_OF_SOLON Plutarch, and John Dryden. “Plutarch's Lives.” Little, Brown & Co. Boston. 1895. Accessed online: https://archive.org/details/plutarchslivest02clougoog/page/n7/mode/1up Starr, Chester G.. "Peisistratus". Encyclopedia Britannica, 1 Apr. 2024, https://www.britannica.com/biography/Peisistratus See omnystudio.com/listener for privacy information.
Join me on the latest episode of "How I Got Here" (HIGH) as I sit down with Theo Maras - a visionary property developer and philanthropist whose contributions have significantly shaped Adelaide's landscape.
Athena Potari is a philosopher, spiritual teacher, and lineage holder of the Hellenicspiritual tradition. She is the founder of Athenoa – an Academy for Hellenic Wisdom inGreece, where Hellenism is approached as a living wisdom tradition whose coreconsists in the inextricable synthesis of scientific reason, self-inquiry and spirituality.Her work aims to revive the deeper spiritual and experiential dimensions of HellenicPhilosophy as a living spiritual lineage, combining discursive rigor, embodiedmeditative practices, and ancient spiritual practices with the aim of awakening to theever-present mystery of being – our true Self. She received her PhD from the Universityof Oxford, specializing in Political Philosophy, and her MA in Political Theory withDistinction from the London School of Economics and Political Science (LSE). She wasFellow at the Center for Hellenic Studies at Harvard University, exploring possibilitiesfor an expanded practice of Philosophy by re-integrating elements and histories of thefeminine. She is recipient of the Academy of Athens Award of Philosophy (2020),author of “A Call for a Renaissance of the Spirit in the Humanities” published by theGalileo Commission, and Member of the Galileo Commission Steering Committee. In this episode, Athena and Jacob discuss: How engaging with the Indian yogic traditions can clarify our ability to find wisdom in our own indigenous traditions. The unique energetic “field” of Oxford and how it nurtured her academic and philosophical development. The basics of the Hellenic worldview, and how it frames a spiritual path that sees the All as both One and Many. The inherently political nature of Being. The ways in which the modern university does not satisfy the deepest impulses toward eudaemonia – happiness, or fulfillment. A view of ethics not as “morality” but as “habits of energy.” Philosophy not as an “intellectual” but an “embodied” endeavor. The teachings of various ancient Greek philosophers, including Plato, Heraclitus, Plotinus, and Pythagoras. The holistic synergy between consciousness and matter. The nature of Being. Follow Athena on the Following Channels: Facebook: facebook.com/athenapotari ; facebook.com/athenoa YouTube: @athenoa Instagram: @athena_potari Webpage (finished soon): philathenea.wixsite.com/athenoa-academy See omnystudio.com/listener for privacy information.
Frank Schaeffer In Conversation with Patrick J. Deneen, exploring his work and the themes of his book, Regime Change: Toward a Postliberal Future._____LINKShttps://politicalscience.nd.edu/people/patrick-j-deneen/https://www.patrickjdeneen.comBOOKRegime Change: Toward a Postliberal Future_____Patrick J. Deneen is Professor of Political Science and holds the David A. Potenziani Memorial Chair of Constitutional Studies at the University of Notre Dame. Prior to joining the faculty of Notre Dame in 2012, he taught at Princeton University (1997-2005) and Georgetown University (2005-2012), where he held the Markos and Eleni Tsakapoulos-Kounalakis Chair in Hellenic Studies. From 2005-2007 he served as principle Speechwriter and Special Assistant to the Director of the U.S. Information Agency, Joseph Duffey. Deneen's intellectual interests and publications are ranging, including ancient political thought, American political thought, liberalism, conservatism, religion and politics and literature and politics. He has written four books and edited three others. His books include The Odyssey of Political Theory, Democratic Faith, Conserving America?, and most recently, Why Liberalism Failed, which appeared in January, 2018 with Yale University Press (paperback 2019). Why Liberalism Failed has now been translated into twenty languages, including German, French, Italian, Spanish, Portuguese, Arabic, Japanese, and Korean. He teaches across his areas of interest, and offers regular courses with titles such as "Political Theory," "Constitutionalism, Law and Politics," "LiberaliAn ex-evangelical boomer, a middle-aged gay artist, and a frazzled stay-at-home mom walk into a bar, share a table, and go deep about some of life's big questions.Join Frank, Ernie, and Erin as they share stories of love, sex, grief, religion and so much more. This is “Love in Common.”Visit LoveInCommon.org to Subscribe on your favorite Podcast platform. Support the show_____In Conversation… with Frank Schaeffer is a production of the George Bailey Morality in Public Life Fellowship. It is hosted by Frank Schaeffer, author of Fall In Love, Have Children, Stay Put, Save the Planet, Be Happy. Learn more at https://www.lovechildrenplanet.comFollow Frank on Substack, Facebook, Twitter, Instagram, Threads, and YouTube. https://frankschaeffer.substack.comhttps://www.facebook.com/frank.schaeffer.16https://twitter.com/Frank_Schaefferhttps://www.instagram.com/frank_schaeffer_arthttps://www.threads.net/@frank_schaeffer_arthttps://www.youtube.com/c/FrankSchaefferYouTube In Conversation… with Frank Schaeffer PodcastApple Podcasts: https://podcasts.apple.com/us/podcast/in-conversation-with-frank-schaeffer/id1570357787NEW: Love In Common Podcast with Frank Schaeffer, Ernie Gregg, and Erin BagwellApple Podcasts: ...
Convincing evidence that the Egyptian, Sumerian, and Dogon civilizations were founded by aliens from the Sirius star system who are now ready to return• Updated with 140 pages of new scientific evidence that solidifies the hypothesis that the KGB, CIA, and NASA attempted to suppress• An awe-inspiring work of research that calls for a profound reappraisal of our role in the universe• Over 10,000 copies sold in its first two months of release in BritainPublication of The Sirius Mystery in 1976 set the world abuzz with talk of an extraterrestrial origin to human civilization and triggered a 15-year persecution campaign against Robert Temple by the KGB, CIA, NASA, and other government agencies. Undaunted, however, Temple is back, with 140 pages of new scientific evidence that makes his hypothesis more compelling than ever.Many authors have speculated on the subject of extraterrestrial contact, but never before has such detailed evidence been presented. Temple applies his in-depth knowledge of ancient history, mythology, Pythagorean physics, chaos theory, and Greek, to a close examination of the measurements of the Great Pyramid of Giza, which was built to align directly with the star Sirius. He concludes that the alien civilization of Sirius and our own civilization are part of the same harmonic system, and are destined to function and resonate together. His findings warrant a profound reappraisal of our role in the universe.Robert Temple is a fellow of the Royal Astronomical Society, the Society for the Promotion of Hellenic Studies, the Egyptian Exploration Society, the Royal Historical Society, the Institute of Classical Studies, and the Institute of Historical Research. He is the author of nine books, including Conversations with Eternity and The Genius of China. Most recently he and his wife, Olivia, published The Complete Fables of Aesop to international acclaim. He lives in London.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2790919/advertisement
Anastasia Giannakidou, the Frank J. McLoraine Professor of Linguistics, has always been captivated by the intricacies of language. Growing up in a picturesque Greek town, she developed a deep appreciation for language's diverse meanings and structures because of Greek education. Throughout her journey from Greece, to the Netherlands to the United States, where she now teaches at the University of Chicago, she has constantly pushed boundaries by exploring new languages and undertaking exciting projects. Professor Giannakidou shares her insights on the immense value of multilingualism and how language is intertwined with various aspects of life.
Ryan speaks with Edith Hall about why she wants to open up Aristotle's works to the world at large, how Aristotle defined what a human being is and how one can be happy, the importance of doing what you're good at and enjoying what you're doing so long as it's good for the social good, and more.Edith Hall, FBA is a British scholar and professor of classics at Durham University, specializing in ancient Greek literature and cultural history, and professor in the Department of Classics and Centre for Hellenic Studies at King's College, London, as well as a Fellow of the British Academy. Her research and writings have been influential in three distinct areas: (1) the understanding of the performance of literature in the ancient theater and its role in society, (2) the representation of ethnicity; (3) the uses of Classical culture in European education, identity, and political theory. She has written and been a part of many publications about Greek classics, including Aristotle's Way: How Ancient Wisdom Can Change Your Life (2018), Sophocles and the Greek Tragic Tradition (2009), and Inventing the Barbarian: Greek Self-Definition through Tragedy (1989). ✉️ Sign up for the Daily Stoic email: https://dailystoic.com/dailyemail
Join us for a wonderful chat with the amazing Maria Behrakis. Maria is a first generation Greek American community activist focused on education and Greek-American philanthropy. A mother of three children, Maria, along with her husband, Drake, is active with the National Hellenic Society which is dedicated to perpetuating, celebrating and passing on our Hellenic heritage. She is also a member of Leadership 100, a Greek-American service organization committed to preserving Hellenism and Orthodoxy in America. Maria and Drake are active supporters of the Behrakis Family Endowment at Boston College which was founded in 2001 for the advancement of Hellenic Studies and the promotion of travel abroad to Greece. Maria has served on the Board of Trustees of Anatolia College in Thessaloniki Greece since 2012. She is passionate about mental wellness efforts in school communities and instilling a focus on the whole student… mind, body and soul, and is actively involved in developing such a comprehensive program for the Anatolia community at all school levels. In her previous professional career, she was with Putnam Investments and Fidelity Investments (1990- 1997). Maria received a B.A in Economics with a minor in Computer Science from Brandeis University (1990). Maria enjoys playing tennis, spending time with friends and family, and traveling, especially to Greece! Learn more about Anatolia College and the amazing programs it offers or contact Maria with any questions.
On the Season 1 finale we talk with Dr. Deborah Lyons about ancient Greek myths, breaking cultural boxes, and why we should all strive to be killjoys. Pandora's box, Penelope's gifts, Helen's beauty in Sappho's poetry, and more. Why does it matter that Pandora didn't actually have a box in the earliest versions of the myth? How were objects and the practice of gift-giving gendered in Classical Greece? What rituals did ancient Greek women participate in, and what did they produce? As we study ancient women, what strategies can we turn to for unearthing hope?Shownotes: https://www.womenwhowentbefore.com/out-of-pandoras-box-recovering-hope/ Women Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh.The music is composed and produced by Moses Sun.Sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, and the Stanley J. Seeger Center for Hellenic Studies at Princeton UniversityViews expressed on the podcast are solely those of the individuals, and do not represent Princeton University.
In the penultimate episode of season 1, “In Her Own Words: Ancient Women Authors,” we talk with historian and classicist Dr. Kate Cooper about gatekeeping, the privilege of individualism, and those rare surviving moments when women wrote for themselves. The famous Greek poet Sappho, who wrote of love and loss. Faltonia Betitia Proba, the elite Roman woman who adapted Virgil to tell Christian history. The pilgrim Egeria who described her tour of the Holy Lands to her circle of female friends back home. And of course we revisit Perpetua, the martyr from Carthage we first met in Episode 0.Shownotes: https://womenwhowentbefore.com/in-her-own-words/Women Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh.The music is composed and produced by Moses Sun.Sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, and the Stanley J. Seeger Center for Hellenic Studies at Princeton UniversityViews expressed on the podcast are solely those of the individuals, and do not represent Princeton University.
Christina A. Clark, Ph.D., serves as the Chief Academic Officer at Marywood University, providing leadership in all academic matters and working collaboratively with the deans, faculty, staff, students, and administration to further Marywood's mission and vision. Prior to her appointment at Marywood University, Dr. Clark served as Dean of the School of Design, Arts, and Humanities at Marymount University [Arlington, Va.], where she also was a tenured professor of literature and languages. Dr. Clark's academic administration skills include strategic planning, program assessment, recruitment and retention, curricular development, shared governance, university advancement, partnership development, and grant writing, among other issues of critical focus in higher education. She has had extensive leadership development experience, particularly at Marymount and Creighton Universities. Currently participating in the Council of Independent College's Executive Leadership Academy, she previously participated in Leadership Arlington and CASE Advanced Development for Deans and Academic Leaders. Committed to action enabling diversity, equity, and inclusion, she currently serves as chair of the Society for Classical Studies' Committee on Diversity in the Profession and has served on the Council of Colleges of Arts and Sciences' Committee on Cultural Diversity. Dr. Clark's professional specialty is in classics. As a scholar, Dr. Clark focuses on the representation of gender and nonverbal behavior in ancient Greek and Roman poetry and her professional contributions and research include peer-reviewed books, book chapters, articles, papers, and reviews. Dr. Clark has been recognized for her accomplishments and contributions with the Gamma Phi Beta's Shine (Teaching) Award at Creighton University and “Iggy” Award for Outstanding Freshmen Mentors, Role Models, and Advocates, also at Creighton. A member of the Eta Sigma Phi and Phi Kappa Phi honor societies, Dr. Clark also was a Junior Fellow at Harvard University's Center for Hellenic Studies.. Previously, Dr. Clark served as director of the world literature program and the health administration and policy program at Creighton University [Omaha, Neb.], where she also chaired the Classical and Near Eastern Studies department and served as a professor. She has served internationally as an associate professor at the Intercollegiate Center for Classical Studies [Rome, Italy] and has taught in the United States at Iowa State University [Ames, Iowa]; Bowdoin College [New Brunswick, Maine]; Gustavus Adolphus College [St. Peter, Minn.]; Florida State University [Tallahassee, Fla.], and the University of Wisconsin-Madison [Madison, Wisc.]. Growing up in a military family and living in many different areas of the United States as well as the Philippines, Dr. Clark earned a BA in Classics from Georgetown University and a MA and PhD in Classics from the University of Wisconsin-Madison. During her undergraduate education, Dr. Clark spent her junior year abroad at Trinity College [Dublin, Ireland].
In Episode 8 our hosts talk with Dr. Elizabeth Shanks Alexander about whether women can keep track of their own periods, religious law as a boys' club, and why ancient rabbis cared about witchery. Episode show notes: https://womenwhowentbefore.com/suffering-witches-to-live.Women Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh. The music is composed and produced by Moses Sun.Sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, and the Stanley J. Seeger Center for Hellenic Studies at Princeton UniversityViews expressed on the podcast are solely those of the individuals, and do not represent Princeton University.
A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt. The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium's profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day. Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium's ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination. Nathanael Aschenbrenner is a lecturer at the University of California San Diego in the department of history. His research and publications explore empire and ideology in the medieval and early modern Mediterranean, as well as Byzantium's imperial legacy after 1453. Jake Ransohoff is a Hellenisms Past & Present, Local and Global Postdoctoral Fellow at the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University. He holds a BA from the University of Chicago, and defended his PhD dissertation in History at Harvard University in June, 2022. His current research focuses on the intersection between power, political legitimacy, and attitudes toward the body in the Byzantine world—especially the disfigured and disabled body. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt. The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium's profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day. Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium's ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination. Nathanael Aschenbrenner is a lecturer at the University of California San Diego in the department of history. His research and publications explore empire and ideology in the medieval and early modern Mediterranean, as well as Byzantium's imperial legacy after 1453. Jake Ransohoff is a Hellenisms Past & Present, Local and Global Postdoctoral Fellow at the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University. He holds a BA from the University of Chicago, and defended his PhD dissertation in History at Harvard University in June, 2022. His current research focuses on the intersection between power, political legitimacy, and attitudes toward the body in the Byzantine world—especially the disfigured and disabled body. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt. The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium's profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day. Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium's ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination. Nathanael Aschenbrenner is a lecturer at the University of California San Diego in the department of history. His research and publications explore empire and ideology in the medieval and early modern Mediterranean, as well as Byzantium's imperial legacy after 1453. Jake Ransohoff is a Hellenisms Past & Present, Local and Global Postdoctoral Fellow at the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University. He holds a BA from the University of Chicago, and defended his PhD dissertation in History at Harvard University in June, 2022. His current research focuses on the intersection between power, political legitimacy, and attitudes toward the body in the Byzantine world—especially the disfigured and disabled body. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt. The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium's profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day. Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium's ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination. Nathanael Aschenbrenner is a lecturer at the University of California San Diego in the department of history. His research and publications explore empire and ideology in the medieval and early modern Mediterranean, as well as Byzantium's imperial legacy after 1453. Jake Ransohoff is a Hellenisms Past & Present, Local and Global Postdoctoral Fellow at the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University. He holds a BA from the University of Chicago, and defended his PhD dissertation in History at Harvard University in June, 2022. His current research focuses on the intersection between power, political legitimacy, and attitudes toward the body in the Byzantine world—especially the disfigured and disabled body. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices
A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt. The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium's profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day. Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium's ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination. Nathanael Aschenbrenner is a lecturer at the University of California San Diego in the department of history. His research and publications explore empire and ideology in the medieval and early modern Mediterranean, as well as Byzantium's imperial legacy after 1453. Jake Ransohoff is a Hellenisms Past & Present, Local and Global Postdoctoral Fellow at the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University. He holds a BA from the University of Chicago, and defended his PhD dissertation in History at Harvard University in June, 2022. His current research focuses on the intersection between power, political legitimacy, and attitudes toward the body in the Byzantine world—especially the disfigured and disabled body. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices
A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt. The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium's profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day. Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium's ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination. Nathanael Aschenbrenner is a lecturer at the University of California San Diego in the department of history. His research and publications explore empire and ideology in the medieval and early modern Mediterranean, as well as Byzantium's imperial legacy after 1453. Jake Ransohoff is a Hellenisms Past & Present, Local and Global Postdoctoral Fellow at the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University. He holds a BA from the University of Chicago, and defended his PhD dissertation in History at Harvard University in June, 2022. His current research focuses on the intersection between power, political legitimacy, and attitudes toward the body in the Byzantine world—especially the disfigured and disabled body. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt. The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium's profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day. Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium's ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination. Nathanael Aschenbrenner is a lecturer at the University of California San Diego in the department of history. His research and publications explore empire and ideology in the medieval and early modern Mediterranean, as well as Byzantium's imperial legacy after 1453. Jake Ransohoff is a Hellenisms Past & Present, Local and Global Postdoctoral Fellow at the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University. He holds a BA from the University of Chicago, and defended his PhD dissertation in History at Harvard University in June, 2022. His current research focuses on the intersection between power, political legitimacy, and attitudes toward the body in the Byzantine world—especially the disfigured and disabled body. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies
Dr. Caryn Tamber-Rosenau explains how two lethal women perform gender in the Hebrew Bible. Judith and Jael were talented Jewish heroines who skillfully played their hands (and bodies) to save their people from invading armies.How might the stories about Clytemnestra and the Ugaritic goddess Anat have shaped these biblical narratives? How does the book of Judith intersect with Judas Maccabee and the Maccabean Revolt? How is virginity a sexual orientation? Gender performance, queer theory, and femmes fatales join with Agatha Christie's murder mysteries and the Renaissance painter Artemisia Gentileschi to understand how gender is play acted and subverted in ancient texts. CW: This episode also discusses themes of sexual assault.Women Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh. The music is composed and produced by Moses Sun.Episode show notes: https://womenwhowentbefore.com/women-get-a-head/Sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, and the Stanley J. Seeger Center for Hellenic Studies at Princeton University Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.
Dr. Solange Ashby teaches us about Nubian warrior queens, Hollywood stereotypes about Egyptian women, and why you shouldn't trust Wikipedia.Meet the powerful, voluptuous queens of Meroe—Amanirenas, Amanitore, Amanishakheto. While Roman noblewomen were supposed to stay hidden at home, these queens were ruling and leading their troops into battle. Hear how Nubian families tracked filiation through their mothers. Learn about color consciousness in the biblical story of Moses' Kushite wife. And along the way, discover what Cleopatra and Wonder Woman have in common.Show notes and sources: womenwhowentbefore.com/african-warrior-queensWomen Who Went Before is written, produced, and edited by Rebekah Haigh and Emily Chesley.The theme music was composed and produced by Moses Sun. The podcast is sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, and the Stanley J. Seeger Center for Hellenic Studies at Princeton University.Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.
We interview Dr. Thomas A. J. McGinn about Roman prostitution, marriage laws, and a strange Cinderella story. What was a paterfamilias and how did they determine a woman's life? Were prostitutes merely doing their civic duty? Why did early Christians call the Roman government the pimp-in-chief?Autonomy and agency are the overarching themes of this episode. We explore them in laws governing Roman women, how prostitution was legislated and profited from in Ancient Rome, why sex work isn't the right term for the Roman world, and why even empresses weren't immune from slander. Imperial Japan's “comfort women,” Marie Antoinette, and Iran's headscarf laws are part of this story too. But we start with an actress named Theodora.CW: This episode discusses themes of rape and sexual exploitation.Women Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh.The music is composed and produced by Moses Sun. Episode show notes: womenwhowentbefore.com/the-oldest-profession/.Sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, and the Stanley J. Seeger Center for Hellenic Studies at Princeton University.Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.
We talk to Dr. Susan Ashbrook Harvey about how gender shaped ancient thinking about God, women's church choirs, and the complex web of metaphors for the divine within Syriac Christianity.Women Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh.The music is composed and produced by Moses Sun. This episode was fact-checked by Jillian Marcantonio and George Kiraz.Show notes: womenwhowentbefore.com/two-breasts-of-the-father/Sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, and the Stanley J. Seeger Center for Hellenic Studies at Princeton UniversityViews expressed on the podcast are solely those of the individuals, and do not represent Princeton University.
Dr. Elaine Pagels joins us to talk about manic pixie dream girls, lost Gnostic texts like Thunder, Perfect Mind, and why being a heretic might not be so bad. Stereotypes about women aren't solely a modern phenomenon. Two pervasive archetypes in early Christian writings were the devil's gateway and bride of Christ . Where did these labels come from? And what were some alternative perspectives among gnostic texts like the Gospel of Mary and Thunder, Perfect Mind? Where did Eve go wrong? Who were the leaders Eustochium, Junia, and Marcellina? How do the Pauline and deuteropauline letters differ in their takes on women? Women Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh. This episode was fact-checked by Jillian Marcantonio. The music is composed and produced by Moses Sun. Episode show notes: womenwhowentbefore.com/fall-girlSponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, and the Stanley J. Seeger Center for Hellenic Studies at Princeton UniversityViews expressed on the podcast are solely those of the individuals, and do not represent Princeton University.
We explore ancient Jewish fan fiction, why makeup made the angels fall, and the ever-present problem of ghostwriting with Dr. Annette Yoshiko Reed in Season 1 Episode 2, "Ghostwriting the Daughters of Men: Whose Writing Is it Anyway?" You've heard of the human fall story in Genesis 3, but what about the angelic fall stories in Genesis 6, 1 Enoch, and the Testament of Reuben? How did the Third Sibylline Oracle try to one-up Homer? Does the male gaze operate the same way in ancient texts as in our modern world? And is the misogyny we find in ancient texts always misogyny? These questions and more!Women Who Went Before is written, produced, and edited by Rebekah Haigh and Emily Chesley. The music is composed and produced by Moses Sun.Episode show notes:https://womenwhowentbefore.com/ghostwriting-daughters-of-men/ Sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, and the Stanley J. Seeger Center for Hellenic Studies at Princeton UniversityViews expressed on the podcast are solely those of the individuals, and do not represent Princeton University.
The Iliad is among the oldest surviving works of literature, but for a long time The Iliad wasn't written down. It's a story that has influenced the world for over three thousand years, but for the ancient Greeks, it was history. One man, Homer, is credited with writing The Iliad, but it's more likely that The Iliad was composed by many ancient storytellers—a lot of whom were women. Gregory Nagy is the Francis Jones Professor of Classical Greek Literature and Professor of Comparative Literature and Director of the Center for Hellenic Studies at Harvard University. His books include Homer: The Preclassic and The Ancient Greek Hero in 24 Hours. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
We talk to Dr. Sarit Kattan Gribetz about history's nameless faces, the news negativity bias, and how to raid ancient texts to find women. How were women named and anonymized in Jewish and Christian texts? When did bene Yisra'el mean "sons of Israel" in the Hebrew Bible, and when did it include the daughters too? What do we know about female scribes in antiquity? Who was Rav Hisda's daughter? And how do biases shape what scholars find? Episode show notes: womenwhowentbefore.com/invisible-womenWomen Who Went Before is written, produced, and edited by Emily Chesley and Rebekah Haigh. The music is composed and produced by Moses Sun.Sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, and the Stanley J. Seeger Center for Hellenic Studies at Princeton UniversityViews expressed on the podcast are solely those of the individuals, and do not represent Princeton University.
The Iliad is among the oldest surviving works of literature, but for a long time The Iliad wasn't written down. It's a story that has influenced the world for over three thousand years, but for the ancient Greeks, it was history. One man, Homer, is credited with writing The Iliad, but it's more likely that The Iliad was composed by many ancient storytellers—a lot of whom were women. Gregory Nagy is the Francis Jones Professor of Classical Greek Literature and Professor of Comparative Literature and Director of the Center for Hellenic Studies at Harvard University. His books include Homer: The Preclassic and The Ancient Greek Hero in 24 Hours. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
The Iliad is among the oldest surviving works of literature, but for a long time The Iliad wasn't written down. It's a story that has influenced the world for over three thousand years, but for the ancient Greeks, it was history. One man, Homer, is credited with writing The Iliad, but it's more likely that The Iliad was composed by many ancient storytellers—a lot of whom were women. Gregory Nagy is the Francis Jones Professor of Classical Greek Literature and Professor of Comparative Literature and Director of the Center for Hellenic Studies at Harvard University. His books include Homer: The Preclassic and The Ancient Greek Hero in 24 Hours. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices
In our season intro we ask: Why aren't women in our ancient history textbooks? What is antiquity? How were women imagined in ancient Mediterranean societies? And why does women's history matter? Meet the North African woman Perpetua, whose prison diary from Carthage is one of the few surviving literary texts written by an ancient woman. And meet your podcast hosts, Rebekah Haigh and Emily Chesley. Women Who Went Before is written, produced, and edited by Rebekah Haigh and Emily Chesley. The music is composed and produced by Moses Sun.Episode show notes: https://womenwhowentbefore.com/missing-presumed-absent/ Sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, and the Stanley J. Seeger Center for Hellenic Studies at Princeton UniversityViews expressed on the podcast are solely those of the individuals, and do not represent Princeton University.
Alexander the Great's untimely death at Babylon in 323 BC triggered an unprecedented crisis across his continent-spanning empire.Within a couple of days, the very chamber in which he died witnessed a gore-soaked showdown between his previously united commanders and soldiers. Within a fortnight, Babylon saw the first siege of the post-Alexander age.In this special explainer episode to mark the anniversary of Alexander's death, Tristan brings to life the imperial implosion that was the immediate aftermath of the Macedonian king's death - a subject he knows one or two things about, seeing as he's written a book on it!Tristan's book The Perdiccas Years, 323-320 BC (Alexander's Successors at War) is available on Amazon here.This episode was produced by Elena Guthrie and mixed by Aidan Lonergan. It contains translations of contemporary speeches by JC Yardsley & music from Epidemic Sound.If you'd like to learn more, we have hundreds of history documentaries, ad-free podcasts and audiobooks at History Hit - subscribe today! To download the History Hit app please go to the Android or Apple store.Further Reading - Primary Sources Arrian Events After Alexander 1.1–1.9A.Curtius 10.5–10.10.Diodorus Siculus 18.1–18.6.Justin 13.1–13.4.Plutarch Life of Eumenes 3.Secondary Sources Anson, E. (1992), ‘Craterus and the Prostasia', Classical Philology 87 (1), 38–43.Anson, E. (2015), Eumenes of Cardia, Leiden, 58–77.Bosworth, A. B. (2002), The Legacy of Alexander: Politics, Warfare, and Propaganda under the Successors, New York, 29–63.Errington, R. M. (1970), ‘From Babylon to Triparadeisos: 323–320 bc', The Journal of Hellenic Studies 90, 49–59.Meeus, A. (2008), ‘The Power Struggle of the Diadochoi in Babylon, 323bc', Ancient Society 38, 39–82.Meeus, A. (2009), ‘Some Institutional Problems concerning the Succession to Alexander the Great: “Prostasia” and Chiliarchy', Historia 58 (3), 287–310.Mitchell, L. (2007), ‘Born to Rule? Succession in the Argead Royal House', in W. Heckel., L. Tritle and P. Wheatley (eds.), Alexander's Empire: Formulation to Decay, California, 61–74.Worthington, I. (2016), Ptolemy I: King and Pharaoh of Egypt, New York, 71–86 See acast.com/privacy for privacy and opt-out information.
David Lorimer's Guest today is Dr Athena D. Potari, Fellow at the Center for Hellenic Studies at Harvard University (2022/23). She received her PhD from the University of Oxford, specializing in Political Philosophy, and holds an MA in Political Theory summa cum laude from the London School of Economics and Political Science (LSE). In 2020, she was the youngest female scholar to receive the prestigious Academy of Athens Award of Philosophy. She has previously taught at the Universities of Oxford, University of Patras and University of Toulouse 1-Capitol (Athens branch). In 2019 she founded Atheonoa - a school of philosophy based in Greece devoted to the study of Ancient Hellenic Philosophy as an experiential path to the lived realization of non-dual awareness (gnosis) and eudaimonia, combining rigorous textual study with meditation and other embodied practices inspired by the ancient scriptures. She is a Member of the Galileo Commission Steering Group and the author of “A Call for a Renaissance of the Spirit in the Humanities” published by the Galileo Commission.Imaginal Inspirations is hosted by David Lorimer, Programme Director of the Scientific and Medical Network and Chair of the Galileo Commission, an academic movement dedicated to expanding the evidence base of a science of consciousness. Imaginal cells are responsible for the metamorphosis of the caterpillar into a butterfly, which is the Greek symbol for the soul. These cells are dormant in the caterpillar but at a critical point of development they create the new form and structure which becomes the butterfly.scientificandmedical.net galileocommission.orgbeyondthebrain.org Works and links mentioned:Papers by Athena Potari https://harvard.academia.edu/DespoinaAthenaPotarihttps://uk.bookshop.org/books/1605839924_shining-light-on-transcendence-the-unconventional-journey-of-a-neuroscientist/9781786771070Plato: The Republic https://uk.bookshop.org/books/the-republic-9780008480080/9780008480080Kahlil Gibran: The Prophet https://uk.bookshop.org/books/the-prophet/9781513263229Yogananda Paramahansa: Autobiography of a Yogi https://uk.bookshop.org/books/autobiography-of-a-yogi-9788189535513/9788189535513 Production: Martin RedfernArtwork: Amber HaasMusic: Life is a River, by Magnus Moone
The Viking hero Starkad / Starkaðr was a warrior-poet with extra arms who was blessed by the god Odin. This aristocratic transgressive lone wolf character is actually a prehistoric Indo-European archetype equivalent to Hercules in Greece, Suibhne in Ireland and Krishna's cousin Siśupāla of Chedi from the Hindu religion of India. In this video I explain who Starkad was and how his myths parallel other Indo-European stories of a Sigma male outsider who loves kings, hates the lower classes, is rude to women and goes into mad rages of extreme violence against his enemies. Do you have the traits of the Indo-European sigma male warrior-poet?This channel depends on your support:SubscribeStar: https://www.subscribestar.com/survive-the-jiveSources:-Compton, T., ‘Victim of the Muses: Poet as Scapegoat, Warrior and Hero in Greco-Roman and Indo-European Myth and History' Washington, DC: Center for Hellenic Studies (2006).-Cohen, D. “Suibhne Geilt.” Celtica 12:113–124. (1977).-Dumézil ‘Aspects de la fonction guerrière chez les Indo-Européens' (1956).-Hui, J ‘'Svá segir Starkaðr': Manipulating Memoralisation in Gautreks saga' (2015).-Puhvel, J., ‘Comparative Mythology' (1987). https://amzn.to/3xJVdHb
Dr. Anastasia Giannakidou, a professor of linguistics at the University of Chicago, joins Lexie to discuss how the movie “Arrival” is really quite accurate in its portrayal of linguistic theory, the benefits of bilingualism, which language between Modern and Ancient Greek is more important to learn now, and how to keep dying languages alive. So tuck in your togas and hop aboard Trireme Transit for this week's exciting odyssey! Learn more about Dr. Giannakidou: https://linguistics.uchicago.edu/anastasia-giannakidou Check out Dr. Giannakidou's most recent book: https://www.barnesandnoble.com/w/truth-and-veridicality-in-grammar-and-thought-anastasia-giannakidou/1137907672 Find the latest news from the UChicago Center for Hellenic Studies: https://hellenicstudies.uchicago.edu Support us on Patreon: https://www.patreon.com/TheOzymandiasProject Custom music by Brent Arehart of Arehart Sounds. Get exclusive bonus content (ad free episodes, early releases, and experimental content) on Patreon! Hosted on Acast. See acast.com/privacy for more information.
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