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In this week's episode, we chat with Chris Pramas of Green Ronin Publishing! We hear about adapting a series of novels as a TTRPG, implementing spaceship combat without writing a physics textbook, and the importance of considering what a fantasy city would smell like. Our conversation goes deep into the lifecycle of a tabletop game, the economics of the publishing industry, and the complications of crowdfunding. Spoilers abound for The Expanse and Broken Earth novel series. Thanks to Reilly for editing out the part where Jake tried to say "Fifth Season" but accidentally said "Fifth Element".Chris Pramas is the founder and co-owner of Green Ronin Publishing. They're the publisher behind Mutants and Masterminds and Fantasy Age as well as some very in-depth adaptations. We talk about the adaptations for The Fifth Season as well as The Expanse in quite a bit of detail, but their original content like Lost Island of the Pirate Queen is also extremely fun and flavourful. This year has been their 25th anniversary, so they've been doing some cool monthly specials. Also, the bankruptcy of their physical books distributor has had them in a bit of a bind over the past few months, so possibly consider helping them out?Green Ronin Publishing also has some community sites for people interested in building their own game supplements:AGE Creators Alliance is for Adventure Game Engine supplements.Chronicle System Guild is for Sword Chronicle supplements, which is the genericized version of the A Song of Ice and Fire system.Atomic Think Tank is a forum for Green Ronin TTRPGs more broadly.Chris has some great recommendations for nonfiction history:SPQR: A History of Ancient Rome by Mary BeardThe Bright Ages: A New History of Medieval Europe by Matthew Gabriele and David M PerryReturn of a King: The Battle for Afghanistan, 1839-42 by William DalrympleWilliam Dalrymple and Anita Anand's podcast EmpireFinally, while we were putting these show notes together, we found the program for GenCon 2000, and it's an excellent examples of turn-of-the-century TTRPG graphic design. Head on over to our website to check it out. If you've enjoyed this interview, maybe go check out the first time we met Chris way back at OrcaCon 2025!For more conversations about publishing TTRPGs, go listen to our interview with David about self-publishing TTRPGs, our interview with Simon about minis (where we talk a lot about indie TTRPG publishing in the 90s), and our interview with Selius about publishing a third-party D&D supplement. For a discussion about TTRPG adaptations of sprawling fictional universes from the point of view of a GM, go listen to this episode with Jesse about playing a campaign in the Dune system.For some Flashlights where we talk about the history of Wizards of the Coast, here's the one where we talk about magazines and the birth of Paizo and here's the one where we talk about Chris Cox's tenure as Hasbro CEO. Thanks to Emmett for providing this week's intro! Emmett is one of the writers of the Heir of Smoke D&D supplement, which is extremely cool. If you like the music on the show, go check out more of Reilly's music. You can also listen to Reilly's DJ sets on Mixcloud.Follow us wherever you get your podcasts, including Spotify, Apple Podcasts, and YouTube. You can also get episodes right from the source at our RSS feed. If you enjoy Campaign Spotlight, consider subscribing to our Patreon or supporting us on Ko-Fi. A special thanks to Hannah W, Jake K, Perry C, Elvin Prince, Jason K, and Smokie Derg for supporting us on Patreon!For more on the show, including links to all our social media, visit our website. ★ Support this podcast on Patreon ★
Who was the worst Medieval monarch?Dr. Eleanor Janega teams up with the hosts of our sister podcast After Dark to delve into the lives of some of Europe's most notorious medieval monarchs..and rank them! From Pedro the Cruel of Portugal to Richard the Lionheart, and from Isabella the She Wolf of France to Vlad the Impaler, the team unravel their nefarious deeds and personal vendettas to decide who can be crowned as the worst monarch.MORERichard the LionheartListen on AppleListen on SpotifyQueen Isabella: She-Wolf of FranceListen on AppleListen on SpotifyThis episode was edited by Tim Artsall and produced by Stuart Beckwith. The senior producer was Freddy Chick.Gone Medieval is presented by Dr. Eleanor Janega. Audio editor is Amy Haddow, the senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe. Hosted on Acast. See acast.com/privacy for more information.
This month, we're tracing the origins of medieval torture, separating myth from documented history, and examining how Vlad the Impaler earned his infamous reputation... one sharpened stake at a time.We're stepping back into a world where power was enforced through fear, justice was measured in pain, and punishment was designed not just to kill, but to be remembered. Medieval Europe was an age of castles and crusades, faith and fealty… and some of the most brutal torture tactics ever devised by human hands.From iron devices meant to terrify as much as they destroyed, to methods engineered for slow, public suffering, torture was both a tool of control and a warning to anyone who dared to disobey. And no figure embodies that legacy more than Vlad III of Wallachia, known to history as Vlad the Impaler.Want to hear other Patreon-exclusive episodes? Join us on Patreon!Be sure to subscribe on Apple and leave a review, or email us at unitedstatesofmurder@gmail.comFollow us on Facebook, Instagram, and Twitter!Music by Pixabay
We're joined by Cam Gavinski
John Granger Attempts to Convince Nick (and You!) That The Hallmarked Man will be Considered the Best of the Series.We review our take-away impressions from our initial reading of The Hallmarked Man. Although we enjoyed it, especially John's incredible prediction of Robin's ectopic pregnancy, neither of us came away thinking this was the finest book in the series. For Nick, this was a surprise, as enthusiastic J. K. Rowling fan that he is other than Career of Evil every book he has read has been his favourite. Using an innovative analysis of the character pairs surrounding both Cormoran and Robin, John argues that we can't really appreciate the artistry of book number eight until we consider its place in the series. Join John and Nick as they review the mysteries that remain to be resolved and how The Hallmarked Man sets readers up for shocking reveals in Strike 9 and 10!Why Troubled Blood is the Best Strike Novel:* The Pillar Post Collection of Troubled Blood Posts at HogwartsProfessor by John Granger, Elizabeth Baird-Hardy, Louise Freeman, Beatrice Groves, and Nick JefferyTroubled Blood and Faerie Queene: The Kanreki ConversationBut What If We Judge Strike Novels by a Different Standard than Shed Artifice? What About Setting Up the ‘Biggest Twist' in Detective Fiction History?* If Rowling is to be judged by the ‘shock' of the reveals in Strike 10, then The Hallmarked Man, the most disappointing book in the series even to many Serious Strikers, will almost certainly be remembered as the book that set up the finale with the greatest technical misdirection while playing fair.* The ending must be a shock, one that readers do not see coming, BUT* The author must provide the necessary clues and pointers repeatedly and emphatically lest the reader feel cheated at the point of revelation.* If the Big Mysteries of the series are to be solved with the necessary shock per both Russian Formalist and Perennialist understanding, then the answers to be revealed in the final two Strike novels, Books Two and Three of the finale trilogy, should be embedded in The Hallmarked Man.* Rowling on Playing Fair with Readers:The writer says that she wanted to extend the shelf of detective fiction without breaking it. “Part of the appeal and fascination of the genre is that it has clear rules. I'm intrigued by those rules and I like playing with them. Your detective should always lay out the information fairly for the reader, but he will always be ahead of the game. In terms of creating a character, I think Cormoran Strike conforms to certain universal rules but he is very much of this time.* On the Virtue of ‘Penetration' in Austen, Dickens, and Rowling* Rowling on the Big Twist' in Austen's Emma:“I have never set up a surprise ending in a Harry Potter book without knowing I can never, and will never, do it anywhere near as well as Austen did in Emma.”What are the Key Mysteries of the Strike series?Nancarrow FamilyWhy did Leda and Ted leave home in Cornwall as they did?Why did Ted and Joan not “save” Strike and Lucy?Was Leda murdered or did she commit suicide?If she was murdered, who dunit?If she commited suicide, why did she do it?What happened to Switch Whittaker?Cormoran StrikeIs Jonny Rokeby his biological father?What SIB case was he investigating when he was blown up?Was he the father of Charlotte's lost baby? If not, then who was?Why has he been so unstable in his relations with women post Charlotte Campbell?Charlotte CampbellWhy did her mother hate her so much?What was her relationship with her three step-fathers? Especially Dino LongcasterWho was the father of her lost child?Was the child intentionally aborted or was it a miscarriage?What was written in her “suicide note”?Was Charlotte murdered or did she commit suicide?If she was murdered, who done it?If she committed suicide, why did she do it?What happened to the billionaire lover?What clues do we get in Hallmarked Man that would answer these questions?- Strike 8 - Greatest Hits of Strikes 1-7: compilation, concentration of perumbration in series as whole* Decima/Lion - incest* Rupert's biological father not his father of record (Dino)* Sacha Legard a liar with secrets* Ryan Murphy working a plan off-stage - Charlotte's long gameStrike about ‘Pairings' in Lethal WhiteStrike continued to pore over the list of names as though he might suddenly see something emerging out of his dense, spiky handwriting, the way unfocused eyes may spot the 3D image hidden in a series of brightly colored dots. All that occurred to him, however, was the fact that there was an unusual number of pairs connected to Chiswell's death: couples—Geraint and Della, Jimmy and Flick; pairs of full siblings—Izzy and Fizzy, Jimmy and Billy; the duo of blackmailing collaborators—Jimmy and Geraint; and the subsets of each blackmailer and his deputy—Flick and Aamir. There was even the quasi-parental pairing of Della and Aamir. This left two people who formed a pair in being isolated within the otherwise close-knit family: the widowed Kinvara and Raphael, the unsatisfactory, outsider son.Strike tapped his pen unconsciously against the notebook, thinking. Pairs. The whole business had begun with a pair of crimes: Chiswell's blackmail and Billy's allegation of infanticide. He had been trying to find the connection between them from the start, unable to believe that they could be entirely separate cases, even if on the face of it their only link was in the blood tie between the Knight brothers.Part Two, Chapter 52Key Relationship Pairings in Cormoran Strike:Who Killed Leda Strike?To Rowling-Galbraith's credit, credible arguments in dedicated posts have been made that every person in the list below was the one who murdered Leda Strike. Who do you think did it?* Jonny Rokeby and the Harringay Crime Syndicate (Heroin Dark Lord 2.0),* Ted Nancarrow (Uncle Ted Did It),* Dave Polworth,* Leda Strike (!),* Lucy Fantoni (Lucy and Joan Did It and here),* Sir Randolph Whittaker,* Nick Herbert,* Peter Gillespie, and* Charlotte Campbell-RossScripted Ten Questions:1. So, Nick, back when we first read Hallmarked Man we said that there were four things we knew for sure would be said about Strike 8 in the future. Do you remember what they were?2. And, John, you've been thinking about the ‘Set-Up' idea and how future Rowling Readers will think of Hallmarked Man, even that they will think of it as the best Strike novel. I thought that was Troubled Blood by consensus. What's made you change your mind?3. So, Nick, yes, Troubled Blood I suspect will be ranked as the best of series, even best book written by Rowling ever, but, if looked at as the book that served the most critical place in setting up the finale, I think Hallmarked Man has to be considered better in that crucial way than Strike 5, better than any Strike novel. Can you think of another Strike mystery that reviews specific plot points and raises new aspects of characters and relationships the way Strike 8 does?4. Are you giving Hallmarked Man a specific function with respect to the last three books than any of the others? If so, John, what is that exactly and what evidence do we have that in Rowling's comments about reader-writer obligations and writer ambitions?5. Nick, I think Hallmarked Man sets us up to answer the Key mysteries that remain, that the first seven books left for the final three to answer. I'm going to organize those unresolved questions into three groups and challenge you to think of the ones I'm missing, especially if I'm missing a category.6. If I understand the intention of your listing these remaining questions, John, your saying that the restatement of specific plot points and characters from the first seven Strike novels in Hallmarked Man points to the possible, even probable answers to those questions. What specifically are the hallmarks in this respect of Hallmarked Man?7. If you take those four points, Nick, and revisit the mysteries lists in three categories, do you see how Rowling hits a fairness point with respect to clueing readers into what will no doubt be shocking answers to them if they're not looking for the set-ups?8. That's fun, Nick, but there's another way at reaching the same conclusions, namely, charting the key relationships of Strike and Ellacott to the key family, friends, and foes in their lives and how they run in pairs or parallel couplets (cue PPoint slides).9. Can we review incest and violence against or trafficking of young women in the Strike series? Are those the underpinning of the majority of the mysteries that remain in the books?10. Many Serious Strikers and Gonzo Galbraithians hated Striuke 8 because Hallmarked Man failed to meet expectations. In conclusion, do you think, Nick, that this argument that the most recent Strike-Ellacott adventure is the best because of how it sets us up for the wild finish to come will be persuasive -- or just annoying?On Imagination as Transpersonal Faculty and Non-Liturgical Sacred ArtThe Neo-Iconoclasm of Film (and Other Screened Adaptations): Justin requested within his question for an expansion of my allusion to story adaptations into screened media as a “neo-iconoclasm.” I can do that here briefly in two parts. First, by urging you to read my review of the first Hunger Games movie adaptation, ‘Gamesmakers Hijack Story: Capitol Wins Again,' in which I discussed at post's end how ‘Watching Movies is a a Near Sure Means to Being Hijacked by Movie Makers.' In that, I explain via an excerpt from Jerry Mander's Four Arguments for the Elimination of Television, the soul corrosive effects of screened images.Second, here is a brief introduction to the substance of the book I am working on.Rowling is a woman of profound contradictions. On the one hand, like all of us she is the walking incarnation of her Freudian family romance per Paglia, the ideas and blindspots of the age in which we live, with the peculiar individual prejudices and preferences and politics of her upbringing, education, and life experiences, especially the experiences we can call crises and consequent core beliefs, aversions, and desires. Rowling acknowledges all this, and, due to her CBT exercises and one assumes further talking therapy, she is more conscious of the elephant she is riding and pretending to steer than most of her readers.She points to this both in asides she make in her tweets and public comments but also in her descriptive metaphor of how she writes. The ‘Lake' of that metaphor, the alocal place within her from her story ideas and inspiration spring, is her “muse,” the word for superconscious rather than subconscious ideas that she used in her 2007 de la Cruz interview. She consciously recognizes that, despite her deliberate reflection on her PTSD, daddy drama, and idiosyncratic likes and dislikes, she still has unresolved issues that her non-conscious mind presents to her as story conflict for imaginative resolution.Her Lake is her persona well, the depths of her individual identity and a mask she wears.The Shed, in contrast, is the metaphorical place where Rowling takes the “stuff” given her by the creature in her Lake, the blobs of molten glass inspiration, to work it into proper story. The tools in this Shed are unusual, to say the least, and are the great markers of what makes Rowling unique among contemporary writers and a departure from, close to a contradiction of the artist you would expect to be born of her life experiences, formative crises, and education.Out of a cauldron potion made from listening to the Smiths, Siouxie and the Banshees, and The Clash, reading and loving Val McDermid, Roddy Doyle, and Jessica Mitford, and surviving a lower middle class upbringing with an emotionally barren homelife and Comprehensive education on the England-Wales border, you'd expect a Voldemort figure at Goblet of Fire's climax to rise rather than a writer who weaves archetypally rich myths of the soul's journey to perfection in the spirit with alchemical coloring and sequences, ornate chiastic structures, and a bevy of symbols visible only to the eye of the Heart.To understand Rowling, as she all but says in her Lake and Shed metaphor, one has to know her life story and experiences to “get” from where her inspiration bubbles up and, as important, you need a strong grasp of the traditionalist worldview and place of literature in it to appreciate the power of the tools she uses, especially how she uses them in combination.The biggest part of that is understanding the Perennialist definition of “Sacred Art.” I touched on this in a post about Rowling's beloved Christmas story, ‘Dante, Sacred Art, and The Christmas Pig.'Rowling has been publicly modest about the aims of her work, allowing that it would be nice to think that readers will be more empathetic after reading her imaginative fiction. Dante was anything but modest or secretive in sharing his self-understanding in the letter he wrote to Cangrande about The Divine Comedy: “The purpose of the whole work is to remove those living in this life from the state of wretchedness and to lead them to the state of blessedness.” His aim, point blank, was to create a work of sacred art, a category of writing and experience that largely exists outside our understanding as profane postmoderns, but, given Rowling's esoteric artistry and clear debts to Dante, deserves serious consideration as what she is writing as well.Sacred art, in brief, is representational work — painting, statuary, liturgical vessels and instruments, and the folk art of theocentric cultures in which even cutlery and furniture are means to reflection and transcendence of the world — that employ revealed forms and symbols to bring the noetic faculty or heart into contact with the supra-sensible realities each depicts. It is not synonymous with religious art; most of the art today that has a religious subject is naturalist and sentimental rather than noetic and iconographic, which is to say, contemporary artists imitate the creation of God as perceived by human senses rather than the operation of God in creation or, worse, create abstractions of their own internally or infernally generated ideas.Story as sacred art, in black to white contrast, is edifying literature and drama in which the soul's journey to spiritual perfection is portrayed for the reader or the audience's participation within for transformation from wretchedness to blessedness, as Dante said. As with the plastic arts, these stories employ traditional symbols of the revealed traditions in conformity with their understanding of cosmology, soteriology, and spiritual anthropology. The myths and folklore of the world's various traditions, ancient Greek drama, the epic poetry of Greece, Rome, and Medieval Europe, the parables of Christ, the plays of Shakespeare's later period, and the English high fantasy tradition from Coleridge to the Inklings speak this same symbolic language and relay the psychomachia experience of the human victory over death.Dante is a sacred artist of this type. As difficult as it may be to understand Rowling as a writer akin to Dante, Shakespeare, Homer, Virgil, Aeschylus, Spenser, Lewis, and Tolkien, her deployment of traditional symbolism and the success she enjoys almost uniquely in engaging and edifying readers of all ages, beliefs, and circumstances suggests this is the best way of understanding her work. Christmas Pig is the most obviously sacred art piece that Rowling has created to date. It is the marriage of Dantean depths and the Estecean lightness of Lewis Carroll's Alice books, about which more later.[For an introduction to reading poems, plays, and stories as sacred art, that is, allegorical depictions of the soul's journey to spiritual perfection that are rich in traditional symbolism, Ray Livingston's The Traditional Theory of Literature is the only book length text in print. Kenneth Oldmeadow's ‘Symbolism and Sacred Art' in his Traditionalism: Religion in the light of the Perennial Philosophy(102-113), ‘Traditional Art' in The Essential Seyyed Hossein Nasr(203-214), and ‘The Christian and Oriental, or True Philosophy of Art' in The Essential Ananda K. Coomaraswamy(123-152) explain in depth the distinctions between sacred and religious, natural, and humanist art. Martin Lings' The Sacred Art of Shakespeare: To Take Upon Us the Mystery of Things and Jennifer Doane Upton's two books on The Divine Comedy, Dark Way to Paradise and The Ordeal of Mercy are the best examples I know of reading specific works of literature as sacred art rather than as ‘stories with symbolic meaning' read through a profane and analytic lens.]‘Profane Art' from this view is “art for art's sake,” an expression of individual genius and subjective meaning that is more or less powerful. The Perennialist concern with art is less about gauging an artist's success in expressing his or her perception or its audience's response than with its conformity to traditional rules and its utility, both in the sense of practical everyday use and in being a means by which to be more human. Insofar as a work of art is good with respect to this conformity and edifying utility, it is “sacred art;” so much as it fails, it is “profane.” The best of modern art, even that with religious subject matter or superficially beautiful and in that respect edifying, is from this view necessarily profane.Sacred art differs from modern and postmodern conceptions of art most specifically, though, in what it is representing. Sacred art is not representing the natural world as the senses perceive it or abstractions of what the individual and subjective mind “sees,” but is an imitation of the Divine art of creation. The artist “therefore imitates nature not in its external forms but in its manner of operation as asserted so categorically by St. Thomas Aquinas [who] insists that the artist must not imitate nature but must be accomplished in ‘imitating nature in her manner of operation'” (Nasr 2007, 206, cf. “Art is the imitation of Nature in her manner of operation: Art is the principle of manufacture” (Summa Theologia Q. 117, a. I). Schuon described naturalist art which imitates God's creation in nature by faithful depiction of it, consequently, as “clearly luciferian.” “Man must imitate the creative act, not the thing created,” Aquinas' “manner of operation” rather than God's operation manifested in created things in order to produce ‘creations'which are not would-be duplications of those of God, but rather a reflection of them according to a real analogy, revealing the transcendental aspect of things; and this revelation is the only sufficient reason of art, apart from any practical uses such and such objects may serve. There is here a metaphysical inversion of relation [the inverse analogy connecting the principial and manifested orders in consequence of which the highest realities are manifested in their remotest reflections[1]]: for God, His creature is a reflection or an ‘exteriorized' aspect of Himself; for the artist, on the contrary, the work is a reflection of an inner reality of which he himself is only an outward aspect; God creates His own image, while man, so to speak, fashions his own essence, at least symbolically. On the principial plane, the inner manifests the outer, but on the manifested plane, the outer fashions the inner (Schuon 1953, 81, 96).The traditional artist, then, in imitation of God's “exteriorizing” His interior Logos in the manifested space-time plane, that is, nature, instead of depicting imitations of nature in his craft, submits to creating within the revealed forms of his craft, which forms qua intellections correspond to his inner essence or logos.[2] The work produced in imitation of God's “manner of operation” then resembles the symbolic or iconographic quality of everything existent in being a transparency whose allegorical and anagogical content within its traditional forms is relatively easy to access and a consequent support and edifying shock-reminder to man on his spiritual journey. The spiritual function of art is that “it exteriorizes truths and beauties in view of our interiorization… or simply, so that the human soul might, through given phenomena, make contact with the heavenly archetypes, and thereby with its own archetype” (Schuon 1995a, 45-46).Rowling in her novels, crafted with tools all taken from the chest of a traditional Sacred Artist, is writing non-liturgical Sacred Art. Films and all the story experiences derived of adaptations of imaginative literature to screened images, are by necessity Profane Art, which is to say per the meaning of “profane,” outside the temple or not edifying spiritually. Film making is the depiction of how human beings encounter the time-space world through the senses, not an imitation of how God creates and a depiction of the spiritual aspect of the world, a liminal point of entry to its spiritual dimension. Whence my describing it as a “neo-iconoclasm.”The original iconoclasts or “icon bashers” were believers who treasured sacred art but did not believe it could use images of what is divine without necessarily being blasphemous; after the incarnation of God as Man, this was no longer true, but traditional Christian iconography is anything but naturalistic. It could not be without becoming subjective and profane rather than being a means to spiritual growth and encounters. Western religious art from the Renaissance and Reformation forward, however, embraces profane imitation of the sense perceived world, which is to say naturalistic and as such the antithesis of sacred art. Film making, on religious and non-religious subjects, is the apogee of this profane art which is a denial of any and all of the parameters of Sacred art per Aquinas, traditional civilizations, and the Perennialists.It is a neo-iconoclasm and a much more pervasive and successful destruction of the traditional world-view, so much so that to even point out the profanity inherent to film making is to insure dismissal as some kind of “fundamentalist,” “Puritan,” or “religious fanatic.”Screened images, then, are a type of iconoclasm, albeit the inverse and much more subtle kind than the relatively traditional and theocentric denial of sacred images (the iconoclasm still prevalent in certain Reform Church cults, Judaism, and Islam). This neo-iconoclasm of moving pictures depicts everything in realistic, life-like images, everything, that is, except the sacred which cannot be depicted as we see and experience things. This exclusion of the sacred turns upside down the anti-naturalistic depictions of sacred persons and events in iconography and sacred art. The effect of this flood of natural pictures akin to what we see with our eyes is to compel the flooded mind to accept time and space created nature as the ‘most real,' even ‘the only real.' The sacred, by never being depicted in conformity with accepted supernatural forms, is effectively denied.Few of us spend much time in live drama theaters today. Everyone watches screened images on cineplex screens, home computers, and smart phones. And we are all, consequently, iconoclasts and de facto agnostics, I'm afraid, to greater and lesser degrees because of this immersion and repetitive learning from the predominant art of our secular culture and its implicit atheism.Contrast that with the imaginative experience of a novel that is not pornographic or primarily a vehicle of perversion and violence. We are obliged to generate images of the story in the transpersonal faculty within each of us called the imagination, one I think that is very much akin to conscience or the biblical ‘heart.' This is in essence an edifying exercise, unlike viewing photographic images on screens. That the novel appears at the dawn of the Modern Age and the beginning of the end of Western corporate spirituality, I think is no accident but a providential advent. Moving pictures, the de facto regime artistry of the materialist civilization in which we live, are the counter-blow to the novel's spiritual oxygen.That's the best I can manage tonight to offer something to Justin in response to more about the “neo-iconoclasm” of film This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe
The chilling discovery of a medieval well in Norwich, filled with the remains of 17 Jewish adults and children, opened a window into the lived reality of historical antisemitism. What do these findings tell us about the forces that shaped Jewish life and loss in medieval England?Dr. Eleanor Janega and Matt Lewis continue their exploration of Norwich, uncovering the rich, and often heartbreaking, story of the city's once-thriving Jewish community. Dr. Oren Margolis joins Eleanor to trace the journey from the arrival of Jews after the Norman Conquest through centuries of resilience, discrimination, and ultimately expulsion in 1290.More:Antisemitism in Medieval EuropeListen on AppleListen on SpotifyJulian of NorwichListen on AppleListen on SpotifyGone Medieval is presented by Dr. Eleanor Janega and Matt Lewis. Audio editor is Amy Haddow, the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on Hosted on Acast. See acast.com/privacy for more information.
Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices
Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion
Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices
Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
Taylor McCall's The Art of Anatomy in Medieval Europe (Reaktion, 2023) is the first history of medieval European anatomical images. Richly illustrated, The Art of Anatomy in Medieval Europe explores the many ways in which medieval surgeons, doctors, monks, and artists understood and depicted human anatomy. Taylor McCall refutes the common misconception that Renaissance artists and anatomists such as Leonardo da Vinci and Andreas Vesalius were the fathers of anatomy who performed the first human dissections. On the contrary, she argues that these Renaissance figures drew upon centuries of visual and written tradition in their works. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
What if the Renaissance was powered by Arabic science?Dr. Eleanor Janega is joined by Dr. Elizabeth Drayson to uncover how figures like Constantine the African and Fibonacci transformed European learning and commerce by channelling Islamic knowledge into Latin Christendom. They dive into records from multicultural Spain and Sicily, where Islamic science, mathematics, and medicine helped forge the foundations of “Western” progress.MOREThe Rise and Fall of Al-AndalusListen on AppleListen on SpotifyThe Destruction of Charlemagne's LegacyListen on AppleListen on SpotifyGone Medieval is presented by Dr. Eleanor Janega. Audio editor is Amy Haddow, the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on Hosted on Acast. See acast.com/privacy for more information.
Taylor McCall's The Art of Anatomy in Medieval Europe (Reaktion, 2023) is the first history of medieval European anatomical images. Richly illustrated, The Art of Anatomy in Medieval Europe explores the many ways in which medieval surgeons, doctors, monks, and artists understood and depicted human anatomy. Taylor McCall refutes the common misconception that Renaissance artists and anatomists such as Leonardo da Vinci and Andreas Vesalius were the fathers of anatomy who performed the first human dissections. On the contrary, she argues that these Renaissance figures drew upon centuries of visual and written tradition in their works. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Taylor McCall's The Art of Anatomy in Medieval Europe (Reaktion, 2023) is the first history of medieval European anatomical images. Richly illustrated, The Art of Anatomy in Medieval Europe explores the many ways in which medieval surgeons, doctors, monks, and artists understood and depicted human anatomy. Taylor McCall refutes the common misconception that Renaissance artists and anatomists such as Leonardo da Vinci and Andreas Vesalius were the fathers of anatomy who performed the first human dissections. On the contrary, she argues that these Renaissance figures drew upon centuries of visual and written tradition in their works. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine
Taylor McCall's The Art of Anatomy in Medieval Europe (Reaktion, 2023) is the first history of medieval European anatomical images. Richly illustrated, The Art of Anatomy in Medieval Europe explores the many ways in which medieval surgeons, doctors, monks, and artists understood and depicted human anatomy. Taylor McCall refutes the common misconception that Renaissance artists and anatomists such as Leonardo da Vinci and Andreas Vesalius were the fathers of anatomy who performed the first human dissections. On the contrary, she argues that these Renaissance figures drew upon centuries of visual and written tradition in their works. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Taylor McCall's The Art of Anatomy in Medieval Europe (Reaktion, 2023) is the first history of medieval European anatomical images. Richly illustrated, The Art of Anatomy in Medieval Europe explores the many ways in which medieval surgeons, doctors, monks, and artists understood and depicted human anatomy. Taylor McCall refutes the common misconception that Renaissance artists and anatomists such as Leonardo da Vinci and Andreas Vesalius were the fathers of anatomy who performed the first human dissections. On the contrary, she argues that these Renaissance figures drew upon centuries of visual and written tradition in their works. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Taylor McCall's The Art of Anatomy in Medieval Europe (Reaktion, 2023) is the first history of medieval European anatomical images. Richly illustrated, The Art of Anatomy in Medieval Europe explores the many ways in which medieval surgeons, doctors, monks, and artists understood and depicted human anatomy. Taylor McCall refutes the common misconception that Renaissance artists and anatomists such as Leonardo da Vinci and Andreas Vesalius were the fathers of anatomy who performed the first human dissections. On the contrary, she argues that these Renaissance figures drew upon centuries of visual and written tradition in their works. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices
Who was the very worst of all the Medieval monarchs? No spoilers but we've got monarchs driven psychopathic by love, terrible sadists, and egos that straddled a continent. They were the worst of the worst, but who was the worst of all?Our guest today is Dr Eleanor Janega, co-host of Gone Medieval from History Hit - if you are a fan of the medieval world, you need to be listening!This episode was edited by Tim Arstall and produced by Stuart Beckwith. The senior producer was Freddy Chick.You can now watch After Dark on Youtube! www.youtube.com/@afterdarkhistoryhitSign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here.All music from Epidemic Sounds.After Dark: Myths, Misdeeds & the Paranormal is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.
Help keep our podcast going by contributing to our Patreon! This is an episode about a plague that killed up to 100 million people by the time it was done—as many as 60% of its victims. It's the first documented occurrence of a pandemic that we have, and it's the first documented outbreak of the deadlyYersinia pestis. No, we're not talking about the Black Death of Medieval Europe. We're talking about the Plague of Justinian. The Plague of Justinian was just one part of the fallout of the global volcanic eruption of 536 AD. Three eyewitness accounts have survived--and, in the grand tradition of this podcast, we decided to read them to you whilst Yule-level drunk. Buckle up. It is a wild, plague-tastic ride. Sponsors and Advertising This podcast is a member of Airwave Media podcast network. Want to advertise on our show? Please direct advertising inquiries to advertising@airwavemedia.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
(00:00:00) Every second counts when it comes to a stroke, says Lauren Swartz, Nurse Navigator with the UPMC Neurological Institute. Ahead of World Stroke Day, Swartz joined The Spark to remind listeners that knowing the warning signs—and acting fast—can save lives. (00:20:24) as spooky season approaches, historian Chrissy Senecal says that monsters were very real to people living in medieval Europe — though not always in the ways we imagine. “In fact, there were,” she said. “Spooky season is my favorite season, and I am so happy to talk about the way that medieval people thought about monsters and how they were different from maybe what we think of as monsters today.”Support WITF: https://www.witf.org/support/give-now/See omnystudio.com/listener for privacy information.
Modern France and Britain were forged in the fires of the Hundred Years War, a century-long conflict that produced deadly English longbowmen, Joan of Arc’s heavenly visions, and a massive death toll from Scotland to the Low Countries. The traditional beginning and end of the Hundred Years' War are conventionally marked by the start of open conflict in 1337, when Edward III of England laid claim to the French throne – and France invalidated English claims to continental lands -- and its conclusion with the French victory at the Battle of Castillon in 1453, the fall of the last English holdings on the continent. But Michael Livingston, today’s guest and author of “Blood Crowns: A New History of the Hundred Years War” argues redefines the scope and length of the Hundred Years War, arguing it really lasted from 1292–1492. And it didn’t just engulf England and France, but into regions like the Low Countries, Italy, and the Holy Roman Empire. It spread to the whole European continent and, eventually, the globe as the war's end spurred European powers to pursue their imperial ambitions abroad. The Hundred Years' War was also a period of significant military innovation, particularly with the English longbow and the introduction of gunpowder Livingston revises our understanding of the Two Hundred Years War as one that set the stage for a new global imperial order with ripple effects across the centuries.See omnystudio.com/listener for privacy information.
Fantasy worlds deserve more than elves in forests and kingdoms that all feel like Medieval Europe. In this episode of The Bearded Nerd Podcast, Brian breaks down how to build unique, believable cultures that go beyond tired tropes. You'll learn how geography, religion, resources, and power structures shape entire civilizations—and how to use them to drive story and player engagement. Whether you're designing one culture or a continent's worth of nations, this episode will help you add meaning, conflict, and depth to every region of your world.
Join host Natalie Grueninger in this fascinating episode of Talking Tudors as she welcomes special guest Georgie Anderson, a PhD researcher at the University of Kent. Georgie delves into her intriguing study on race in medieval Europe, focusing on the portrayal of people of colour in chivalric romances from North Atlantic Europe. Discover how Georgie's research challenges modern conceptions of race by exploring narratives involving the Black Knight and other figures, revealing a complex tapestry of social interactions and identities from five centuries ago. The discussion includes insights into manuscript analysis, the role of popular culture in the Middle Ages, and the portrayal of race and nobility within Arthurian literature. Follow Georgie on Bluesky https://bsky.app/profile/medievalgeorgie.bsky.social Find out more about your host at https://www.nataliegrueninger.com Support Talking Tudors on Patreon
Send us a textWe look at ancient Egypt, Rome and China, Medieval Europe and Modern America to find the best leader upgrades.
Fake news about the past is fake history. Did Hugo Boss design the Nazi uniforms? Did medieval people think the world was flat? Did Napoleon shoot the nose off the Sphinx? *Spoiler Alert* The answer to all those questions is no. From the famous quote 'Let them eat cake' - mistakenly attributed to Marie Antoinette - to the apocryphal horns that adorned Viking helmets, fake history continues to shape the story we tell about who we are and how we got here. With doctored photographs, AI-generated images and false claims about the past circulating in the news and on social media, separating fact from fiction seems harder than ever before. Today I talked to Jo Hedwig Teeuwisse, better known as "The Fake History Hunter." She is on a one-woman mission to hunt down fake history and reclaim the truth for the rest of us. And she is the author of Fake History: 101 Things That Never Happened (Ebury Press, 2022). Jo Hedwig Teeuwisse is a widely-recognised historical authority for her work on social media debunking historical 'facts'. For over 20 years, Jo has studied, taught and researched history and is an expert in the daily life of Medieval Europe, life in the 1930s and 1940s, and the history of crime. She has worked as a historical consultant teaching in museums, advising on documentaries and carrying out research for films. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Fake news about the past is fake history. Did Hugo Boss design the Nazi uniforms? Did medieval people think the world was flat? Did Napoleon shoot the nose off the Sphinx? *Spoiler Alert* The answer to all those questions is no. From the famous quote 'Let them eat cake' - mistakenly attributed to Marie Antoinette - to the apocryphal horns that adorned Viking helmets, fake history continues to shape the story we tell about who we are and how we got here. With doctored photographs, AI-generated images and false claims about the past circulating in the news and on social media, separating fact from fiction seems harder than ever before. Today I talked to Jo Hedwig Teeuwisse, better known as "The Fake History Hunter." She is on a one-woman mission to hunt down fake history and reclaim the truth for the rest of us. And she is the author of Fake History: 101 Things That Never Happened (Ebury Press, 2022). Jo Hedwig Teeuwisse is a widely-recognised historical authority for her work on social media debunking historical 'facts'. For over 20 years, Jo has studied, taught and researched history and is an expert in the daily life of Medieval Europe, life in the 1930s and 1940s, and the history of crime. She has worked as a historical consultant teaching in museums, advising on documentaries and carrying out research for films. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices
Fake news about the past is fake history. Did Hugo Boss design the Nazi uniforms? Did medieval people think the world was flat? Did Napoleon shoot the nose off the Sphinx? *Spoiler Alert* The answer to all those questions is no. From the famous quote 'Let them eat cake' - mistakenly attributed to Marie Antoinette - to the apocryphal horns that adorned Viking helmets, fake history continues to shape the story we tell about who we are and how we got here. With doctored photographs, AI-generated images and false claims about the past circulating in the news and on social media, separating fact from fiction seems harder than ever before. Today I talked to Jo Hedwig Teeuwisse, better known as "The Fake History Hunter." She is on a one-woman mission to hunt down fake history and reclaim the truth for the rest of us. And she is the author of Fake History: 101 Things That Never Happened (Ebury Press, 2022). Jo Hedwig Teeuwisse is a widely-recognised historical authority for her work on social media debunking historical 'facts'. For over 20 years, Jo has studied, taught and researched history and is an expert in the daily life of Medieval Europe, life in the 1930s and 1940s, and the history of crime. She has worked as a historical consultant teaching in museums, advising on documentaries and carrying out research for films. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices
(Host: Lucy) Seasonal eating and regional eating were the variables responsible for the most widespread differences in what people ate, although then as now, wealth and class played a significant role in what was available to and prized by diners. Contrary to Hollywood myth, though, sad gruel was not the norm. This episode explores cooking, eating, and thinking about food in medieval Europe. For further reading suggestions and more, please visit: https://www.footnotinghistory.com
This episode focuses on RSJ Issue 12.1 (June 2025) a special issue on 'Material Culture and Built Heritage: Manifestations of Scotland's Royal Past, Present and Future', guest edited by Drs Lucinda H. S. Dean and Amy Hayes. The issue features six full length articles on various aspects of Scotland's rich material culture from the Stuart period ranging from the reign of James IV to considerations of the survival of the Trinity collegiate church, built by a 15th century queen, in the landscape of modern Edinburgh.Host Ellie Woodacre interviews the editors here, discussing the unique elements of Scotland's royal heritage and the big themes which have emerged in the articles of this special issueGuest Bios: Dr Amy Hayes Staff Tutor and Lecturer in History at the Open University: medieval queenship, particularly focused on socio-cultural role of Scottish queens consort. Also, elite medieval women and children, and Scottish medieval history more broadly. Upcoming monograph on Scottish queens consort with Palgrave Macmillan's Queenship and Power series. Dr Lucy Dean is senior lecturer and interim Head of the Centre for History, UHI. She researches, publishes and teaches on medieval and early modern ritual, ceremony, kingship, material culture, gender (particularly masculinity), the life cycle (especially youth and old age) and public history in Scotland and beyond. She is co-investigator on the Perth Charterhouse Project, co-author of the Routledge Exploring Monarchy in Medieval Europe, 1000-1500 (forthcoming), author of Death and the Royal Succession in Scotland, c.1214-c.1543: Ritual, Ceremony and Power (Boydell, 2024) and long-standing member of the Royal Studies Network.
#371> Sponsored by the Men's Division of Sara Schenirer.They will help you figure out your yeshiva credits, financial aid, and help you choose a degree program that leads to a successful career.They offer degrees in Accounting, Business, ABA, Psychology, Health Science, Pre-Med, Paralegal, Special Education, and Social Work. All degrees are offered through their prestigious partner colleges and their student support is first-rate.Applications are open now for the fall semester. Visit their website https://shorturl.at/YXy7i, call 917-209-8204, or email rpelberg@sarasch.com to connect with a helpful advisor today.> To purchase, "First Impressions: Sefer Hasidim and Early Modern Hebrew Printing": https://amzn.to/3TmWSj1> To purchase "Sefer Hasidim and The Ashkenazi Book in Medieval Europe" by Prof. Ivan Marcus: https://amzn.to/4eFlsFw> The Sefer Hasidim Project: https://judaic.princeton.edu/about-us/resources/sefer-hasidim-project> To join the SeforimChatter WhatsApp community: https://chat.whatsapp.com/DZ3C2CjUeD9AGJvXeEODtK> To join the SeforimChatter WhatsApp status: https://wa.me/message/TI343XQHHMHPN1> To support the podcast or to sponsor an episode follow this link: https://seforimchatter.com/support-seforimchatter/or email seforimchatter@gmail.com (Zelle/QP this email address)Support the show
Welcome to the last episode of season two! Thank you everyone for their continued support. Today we chat to one of the foremost experts on the Penitentials, Dr Elaine Pereira Farrell, who explains how these prescriptive documents list various sins and the corresponding recommended penances (e.g. fasting, prayers, fines). We learn how the Penitential texts are valuable sources to the historian as they were used by priests engaged in pastoral work and as such can be reflective of societal behaviours, attitudes, and beliefs. Further resources:https://penitentials.com/Elaine Pereira Farrell, 'Penance and Punishment in Early Medieval Ireland' Peritia (2021) 32, 57–78Rob Meens, Penance in Medieval Europe, 600–1200 (Cambridge University Press, 2014). Regular episodes every two weeks (on a Friday)Email: medievalirishhistory@gmail.comProducer: Tiago Veloso SilvaSupported by Maynooth University, especially the International Centre for Irish Cultural Heritage, the Dept of Early Irish, the Dept of Music, the Dept of History, & Taighde Éireann/Research Ireland.Views expressed are the speakers' own.Logo design: Matheus de Paula CostaMusic: Lexin_Music
Help keep our podcast going by contributing to our Patreon! This is an episode about a plague that killed up to 100 million people by the time it was done—as many as 60% of its victims. It's the first documented occurrence of a pandemic that we have, and it's the first documented outbreak of the deadlyYersinia pestis. No, we're not talking about the Black Death of Medieval Europe. We're talking about the Plague of Justinian. The Plague of Justinian was just one part of the fallout of the global volcanic eruption of 536 AD. Three eyewitness accounts have survived--and, in the grand tradition of this podcast, we decided to read them to you whilst Yule-level drunk. Buckle up. It is a wild, plague-tastic ride. Sponsors and Advertising This podcast is a member of Airwave Media podcast network. Want to advertise on our show? Please direct advertising inquiries to advertising@airwavemedia.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week Matt Seaver, Assistant Keeper of Irish Antiquities and Dr Diarmuid Ó Riain, curatorial researcher, welcomed us in to the National Museum of Ireland, Kildare St. to see the unique new exhibition: Words on the Wave. This is an incredible display of precious manuscripts from the Abbey of St Gall, Switzerland — some returning to Ireland for the first time in 1000 years — alongside spectacular objects from the Irish world from which they emerged. Running May 30th to Oct 24th. For more details see https://www.museum.ie/en-IE/Museums/Archaeology/Exhibitions/Words-on-the-Wave-Ireland-and-St-Gallen-in-Early-MExhibition Advisors: Dáibhí Ó Cróinín, Cornel Dora, Philipp Lenz, John Gillis, Bernard Meehan, Raghnall Ó Floinn, Pádraig Ó Macháin, Timothy O'Neill.Lending Institutions: Stiftsbibliotek St. Gallen; L'abbaye de Saint Maurice d'Agaune; Cork Public Museum.Lead Partners: Department of Arts, Media, Communications, Culture and Sport; Office of Public Works.Supporting Partners: Department of Foreign Affairs and Trade; The Embassy of Switzerland in Ireland; The Embassy of Ireland to Switzerland; The Houses of the Oireachtas, The Discovery Programme; The Inks and Skins Project, Department of Modern Irish, University of Cork; The Royal Irish Academy; The School of Genetics and Microbiology, Trinity College Dublin; The School of Archaeology, University College Dublin; National Monuments Service, Department of Housing, Local Government and Heritage; Department of Archaeology, University College Cork; Transport Infrastructure Ireland; Limerick County Council; Archaeological Consultancy Services Unit; Archaeology Plan; Courtney Deery Archaeology; Icon Archaeology; Archaeology Management Solutions; Vikingeskibmuseet, Roskilde; The Hunt Museum, Limerick; Eureka Secondary School (Kells, Co. Meath); Flade Klosterschulhaus (St. Gallen); Gallen Community School (Ferbane, Co. Offaly); Coláiste Muire (Ballymote, Co. Sligo).Expert Assistance: Edward Bourke, Daniel Bradley, Sadbh Carrick, Ian Doyle, James Eogan, Silvio Frigg, Fenella G. France, Anna Hoffman, Pádraig Ó Macháin, Pierre-Alain Mariaux, Ursula Mattenberger, Valeria Marriangeli, Griffin Murray, TImothy O'Neill, John Sheehan and Andrew Woods.Replicas: Potted History; Laura Quinn Design; John Nicholl; Brendan O'Neill.Regular episodes every two weeks (on a Friday)Email: medievalirishhistory@gmail.comProducer: Tiago Veloso SilvaSupported by Maynooth University, especially the International Centre for Irish Cultural Heritage, the Dept of Early Irish, the Dept of Music, the Dept of History, & Taighde Éireann/Research Ireland.Views expressed are the speakers' own.
******Support the channel******Patreon: https://www.patreon.com/thedissenterPayPal: paypal.me/thedissenterPayPal Subscription 1 Dollar: https://tinyurl.com/yb3acuuyPayPal Subscription 3 Dollars: https://tinyurl.com/ybn6bg9lPayPal Subscription 5 Dollars: https://tinyurl.com/ycmr9gpzPayPal Subscription 10 Dollars: https://tinyurl.com/y9r3fc9m ******Follow me on******Website: https://www.thedissenter.net/The Dissenter Goodreads list: https://shorturl.at/7BMoBFacebook: https://www.facebook.com/thedissenteryt/Twitter: https://x.com/TheDissenterYT This show is sponsored by Enlites, Learning & Development done differently. Check the website here: http://enlites.com/ Dr. Laura Betzig is a Ph.D. in anthropology at Northwestern University; she's held research and teaching positions at Northwestern, the University of California, and the University of Michigan Museum of Natural History. Her latest book is The Badge of Lost Innocence: A History of the West. In this episode, we focus on The Badge of Lost Innocence. We first discuss how to understand human history as natural history, hunter-gatherer societies, and celibates and sterile castes in Neolithic societies. We then delve into the Roman empire, and talk about the role of eunuchs, emperors and their concubines, and the lives of slaves. We also talk about Medieval Europe, the roles of unmarried and celibate people in the Holy Roman Empire, what happened to bastards, Women's rooms in royal estates, the role of the Church, and the crusades. We discuss Magna Carta and the parliament in England, and how unmarried women were treated in England. We then explore the decline in promiscuity, and people writing against celibacy, as well as colonization and migration. Finally, we discuss what all of this tells us about the history of inequality, and the social role of monogamy.--A HUGE THANK YOU TO MY PATRONS/SUPPORTERS: PER HELGE LARSEN, JERRY MULLER, BERNARDO SEIXAS, ADAM KESSEL, MATTHEW WHITINGBIRD, ARNAUD WOLFF, TIM HOLLOSY, HENRIK AHLENIUS, FILIP FORS CONNOLLY, ROBERT WINDHAGER, RUI INACIO, ZOOP, MARCO NEVES, COLIN HOLBROOK, PHIL KAVANAGH, SAMUEL ANDREEFF, FRANCIS FORDE, TIAGO NUNES, FERGAL CUSSEN, HAL HERZOG, NUNO MACHADO, JONATHAN LEIBRANT, JOÃO LINHARES, STANTON T, SAMUEL CORREA, ERIK HAINES, MARK SMITH, JOÃO EIRA, TOM HUMMEL, SARDUS FRANCE, DAVID SLOAN WILSON, YACILA DEZA-ARAUJO, ROMAIN ROCH, DIEGO LONDOÑO CORREA, YANICK PUNTER, CHARLOTTE BLEASE, NICOLE BARBARO, ADAM HUNT, PAWEL OSTASZEWSKI, NELLEKE BAK, GUY MADISON, GARY G HELLMANN, SAIMA AFZAL, ADRIAN JAEGGI, PAULO TOLENTINO, JOÃO BARBOSA, JULIAN PRICE, HEDIN BRØNNER, DOUGLAS FRY, FRANCA BORTOLOTTI, GABRIEL PONS CORTÈS, URSULA LITZCKE, SCOTT, ZACHARY FISH, TIM DUFFY, SUNNY SMITH, JON WISMAN, WILLIAM BUCKNER, PAUL-GEORGE ARNAUD, LUKE GLOWACKI, GEORGIOS THEOPHANOUS, CHRIS WILLIAMSON, PETER WOLOSZYN, DAVID WILLIAMS, DIOGO COSTA, ALEX CHAU, AMAURI MARTÍNEZ, CORALIE CHEVALLIER, BANGALORE ATHEISTS, LARRY D. LEE JR., OLD HERRINGBONE, MICHAEL BAILEY, DAN SPERBER, ROBERT GRESSIS, JEFF MCMAHAN, JAKE ZUEHL, BARNABAS RADICS, MARK CAMPBELL, TOMAS DAUBNER, LUKE NISSEN, KIMBERLY JOHNSON, JESSICA NOWICKI, LINDA BRANDIN, GEORGE CHORIATIS, VALENTIN STEINMANN, ALEXANDER HUBBARD, BR, JONAS HERTNER, URSULA GOODENOUGH, DAVID PINSOF, SEAN NELSON, MIKE LAVIGNE, JOS KNECHT, LUCY, MANVIR SINGH, PETRA WEIMANN, CAROLA FEEST, MAURO JÚNIOR, 航 豊川, TONY BARRETT, NIKOLAI VISHNEVSKY, STEVEN GANGESTAD, TED FARRIS, AND ROBINROSWELL!A SPECIAL THANKS TO MY PRODUCERS, YZAR WEHBE, JIM FRANK, ŁUKASZ STAFINIAK, TOM VANEGDOM, BERNARD HUGUENEY, CURTIS DIXON, BENEDIKT MUELLER, THOMAS TRUMBLE, KATHRINE AND PATRICK TOBIN, JONCARLO MONTENEGRO, NICK GOLDEN, CHRISTINE GLASS, IGOR NIKIFOROVSKI, PER KRAULIS, AND BENJAMIN GELBART!AND TO MY EXECUTIVE PRODUCERS, MATTHEW LAVENDER, SERGIU CODREANU, ROSEY, AND GREGORY HASTINGS!
ORIGINALLY RELEASED Dec 21, 2021 Professor Adnan Husain, Medieval European and Middle Eastern Historian and Director of the School of Religion at Queens University, joins Breht to discuss the life of St. Francis of Assisi. Together they discuss St. Francis of Assisi's legacy within Christianity, nature mysticism, Imitatio Christi, Francis's meeting with the Sultan of Egypt, medieval Europe, Islam and Christianity, Franciscan Virtues, Ecology and Creation, The Canticle of the Sun, Pope Francis, the rise of mercantilism in feudal Europe, stigmata, liberation theology, and more! Find Adnan's Podcast and YT channel here: https://www.adnanhusain.org/about ---------------------------------------------------- Support Rev Left and get access to bonus episodes: www.patreon.com/revleftradio Make a one-time donation to Rev Left at BuyMeACoffee.com/revleftradio Follow, Subscribe, & Learn more about Rev Left Radio https://revleftradio.com/
In medieval Europe, legal divorce as understood today did not exist; instead, marriages were primarily dissolved through annulments or legal separations. Annulments declared a marriage invalid from the start, while separations allowed spouses to live apart, but did not allow remarriage. In the case of Royalty this got really messy at times Learn more about your ad choices. Visit megaphone.fm/adchoices
The Boys accidentally time-travel to fuedal Europe where they meet some peasants and save a witch from burning at the stake (kinda). Then they catch up with Dave's recent experiences in a shelter-rehab, in which he tore his ACL going up for a rebound in a recreational basketball game. After that, they talk NBA playoffs, their deepest physical insecurities, the insane vissitudes and challenges of addiction, grappling with dead dreams and failures in life, cultivating hobbies you refuse to monetize, how the mind creates fear of loss in any life-context, the death of god, rejecting the late capitalist urge to optimize your productivity, and finding a dead dog on the traintracks and writing a song about it... https://www.shoelessinsouthdakota.com/
The Boys dive into their favorite chicken recipes - from beer can chicken with lime juice tricks to perfectly crispy chicken parm - before jumping into their latest woodworking projects and workshop adventures.Ross shares his creative repair solution for a customer's sentimental checkerboard, using wood glue mixed with sawdust and stain to fill gaps while preserving the original character made by the customer's father.The woodworkers debate the best approaches for repairing heirloom furniture pieces, with all agreeing that preserving original character matters more than technical perfection when dealing with sentimental items.Jess recounts his challenging "Shutter Saga" of mounting custom shutters on difficult Coquina walls (seashells embedded in stucco), requiring expensive stainless hardware and creative mounting techniques for waterfront conditions.Colton details his wedding project success creating a custom domino table that guests could carve signatures into, plus his cabinet door paint struggles that were saved by Zinsser BIN shellac-based primer.The podcast reveals professional painting secrets, including using 3/8 microfiber "hot dog" rollers for cabinets and why Zinsser BIN primer (which contains insect secretions!) is the miracle solution for difficult surfaces.Essential woodworking nugget: "Hold it up and mark it" emerged as Jess's top tip for precision, while Ross discovered that simply moving a table saw fence to the opposite side of the blade dramatically improves safety and support.Fascinating woodworking history lesson covers workbench evolution from ancient Rome through Medieval Europe to modern designs, noting how traditional Roubo and Nicholson benches are making a comeback in the hand tool renaissance.Paint technology trivia reveals Sherwin-Williams introduced latex paint in 1941, titanium dioxide provides paint opacity, and acrylic paints were first developed for artists in the 1950s before revolutionizing home painting.The podcast showcases the camaraderie of woodworkers sharing practical shop knowledge with humor and real-world solutions to common woodworking, finishing, and home improvement challenges.
Ever wondered why medieval women were out there plucking their hairlines like their lives depended on it? Join me as we dig into the bizarre beauty trend that left brows bald and foreheads freakishly high. Turns out, looking like a pious, pale ghost was peak hotness in the Middle Ages. We're talking virtue, control, and erasing yourself to fit an impossible ideal. Strap in—it's about to get weird.Are. You. Ready?***************Sources & References:The Trotula: A Medieval Compendium of Women's Medicine, ed. and trans. Monica H. Green (University of Pennsylvania Press, 2001).Karras, Ruth Mazo. Unmarriages: Women, Men, and Sexual Unions in the Middle Ages. University of Pennsylvania Press, 2012.Heller, Sarah-Grace. Fashion in Medieval France. Palgrave Macmillan, 2007.Phillips, Kim M. Medieval Maidens: Young Women and Gender in England, 1270–1540. Manchester University Press, 2003.Classen, Albrecht. “Beauty and Cosmetics in the Middle Ages.” In Handbook of Medieval Culture, 2015.Green, Monica H. “Women's Medical Practice and Health Care in Medieval Europe.” Signs, Vol. 14, No. 2 (1989).The Metropolitan Museum of Art – Heilbrunn Timeline of Art History: “Fashion in Fifteenth-Century Europe.”Images referenced: Rogier van der Weyden, Portrait of a Lady (c. 1460).Quotes from Dr. Eleanor Janega in this episode are paraphrased based on ideas discussed in her book The Once and Future Sex, her blog Going Medieval, and various interviews and media appearances.***************Leave Us a 5* Rating, it helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on Social Media & Subscribe to our YouTube Channel!TikTok:tiktok.com/@beautyunlockedthepodYouTube:@beautyunlockedspodcasthour****************Intro/Outro Music:Music by Savvier from Fugue FAME INC
Strength to Strength welcomed Stephen Russell to discuss the church during the medieval period.Medieval Europe is often seen as the Dark Ages. It was a time of great changes and turmoil. G. K. Chesterton, referring to that period, wrote in Orthodoxy, "The Church was the only thing that ever brought us out of [the Dark Ages]."Join us as we discuss the church in the medieval period, an era largely unstudied and misunderstood today.An interactive question-and-answer period follows.
Ancient DNA has completely reshaped our understanding of prehistory, but what does it offer for periods when we actually have historical texts? Dr. Pontus Skoglund, one of the world's leading aDNA researchers, joins me to talk about his recent study of Iron Age and Medieval Europe, and how genomics can reveal new things even about periods we think we know well.Patrick's book is now available! Get The Verge: Reformation, Renaissance, and Forty Years that Shook the World in hardcopy, ebook, or audiobook (read by Patrick) here: https://bit.ly/PWverge. And check out Patrick's new podcast The Pursuit of Dadliness! It's all about “Dad Culture,” and Patrick will interview some fascinating guests about everything from tall wooden ships to smoked meats to comfortable sneakers to history, sports, culture, and politics. https://bit.ly/PWtPoDListen to new episodes 1 week early, to exclusive seasons 1 and 2, and to all episodes ad free with Wondery+. Join Wondery+ for exclusives, binges, early access, and ad free listening. Available in the Wondery App https://wondery.app.link/tidesofhistoryBe the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
How should Christians engage with political power in a divided world? Contributor Andy Crouch joins Curtis Chang to trace a path from the courage of the early believers under Caesar to today's crisis-driven politics and the ruling class. Together, they dive into the rise of emergency powers, growing contempt, and the breakdown of civil discourse—and offer a hopeful vision for how the Fruit of the Spirit can reshape both Christian posture and a public life rooted in love, gentleness, and faithfulness. Resources mentioned in this episode: Explaining The Land of Israel Under Roman Rule Matthew 22:21 - "Render therefore unto Caesar..." (multiple versions and explanation) Explaining The Majesty of Herod's Temple Augustus Caesar and the the title Divi filius, “son of a god” (audio) The Holy Roman Empire: The Rise of Medieval Europe (video) Tish Harrison Warren's Prayer in the Night: For Those Who Work or Watch or Weep Fact sheet about PEPFAR Wendell Berry's The Hidden Wound Wendell Berry's ‘The Hidden Wound' at Fifty (article from 2020) Galatians 5:22 - Fruit of the Spirit (multiple versions and explanation) More from Andy Crouch: Interact with Andy's website Check out Andy's work at Praxis Read Andy's book: The Life We're Looking For Read Andy's book: The Tech-Wise Family Good Faith Live “Watch Party” Russell Moore, David French, & Curtis Chang: Trump's First 100 Days Follow Us: Good Faith on Instagram Good Faith on X (formerly Twitter) Good Faith on Facebook Sign up: Redeeming Babel Newsletter
We're back with part 2 of our interview with Dr. Eleanor Janega to discuss Demons in Medieval Europe - and a lot of that has to do with sexy sex. So… another EXPLICIT tag! Eleanor's Blog Going-MedievalEleanor's book The Once and Future SexThe Apocalypse Tapestry of Angers (The Guardian)The Apocalypse Tapestry (Wikipedia)YouTube videos with Eleanor Monty Summers translation of the Malleus Maleficarum (AMZ affiliate link)Become a supporter of this podcast: https://www.spreaker.com/podcast/monstertalk--6267523/support.
Jana Byars talks to Erika Graham-Goering of the University of Oslo about Lordship and the Decentralized State in Late Medieval Europe (Oxford University Press, 2025), which was edited by Graham-Goering, Jim van der Meulen, and Frederik Buylaert. The origins of modern European states are often traced back to the expansion of royal and princely authority in the late Middle Ages, transforming scattered power structures into centralised governments. Lordship and the Decentralised State in Late Medieval Europe rethinks state formation as a process of decentralisation, exploring how these governments willingly left power to lesser political players. It challenges the assumption that the rise of states made lordship obsolete, showing instead how distributing authority among local lords reinforced the development of new political systems. The contributors tackle this fresh perspective on lordship and state formation from two complementary angles. Detailed snapshots of lordship in France and the Low Countries assess the political significance of different aspects of lordly power. Historiographical essays discuss frameworks for understanding relationships between lordship and the state in contexts across Europe. These comparative perspectives establish an innovative approach to a key question in political history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Millennium, Chris Carter, X-Files, serial killers, cults, Y2K and the hysteria, David McGowan, Programmed to Kill, Silence of the Lambs, Se7en, industrial, Peter Christopherson, NiN, millenarianism & the different types, Lance Hendriksen, the Millennium Group as based on the Academy Group, the Behavioral Science Unit (BSU), William Blake, Red Dragon, Thomas Harris, Monster of Florence, Gladio, chivalric orders, Sovereign Order of Saint John, Order of the Garter, Knights Templar, southern France, Medieval Europe, Holy Vehm, Gehenna, sovereign citizens, Fundamentalist Mormonism, Russia, Marc DutrouxMusic by: Keith Allen Dennishttps://keithallendennis.bandcamp.com/Additional Music: J Money Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Monasteries and convents were a common sight throughout medieval Europe and beyond. But who were they for? What did they do? And how did religious life there change over the centuries? Speaking to Emily Briffett, Professor Andrew Jotischky traces the history of monastic life from its early origins in the fourth century right up to the 16th century. He explores the pivotal role these religious houses played as society's 'prayer factories', and examines the experiences of the monks and nuns who lived in them. (Ad) Andrew Jotischky is the author of The Monastic World: A 1,200-Year History (Yale University Press, 2024). Buy it now from Waterstones: https://go.skimresources.com?id=71026X1535947&xcust=historyextra-social-histboty&xs=1&url=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Fthe-monastic-world%2Fandrew-jotischky%2F9780300208566. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices
The story of the Three Wise Men has been reinterpreted since it was first written down. The gift-bearing visitors to the newborn Jesus were initially described as “Magi”, meaning Persians of a priestly caste, but by the 4th century they were given the individual names of Gaspar, Melchior and Balthazar. And in Medieval Europe they were described not as Three Wise Men, but as Three Kings. Yet there's more to the evolution of the Magi than Western ideas, in Syriac Christian traditions there are up to 24 Magi, and in the Ethiopian church they are named Hor, Karsudan, and Basanater. So how have these ideas developed over time? Listen as William and Anita are again joined by Professor Lloyd Lewellyn-Jones to discuss the evolution of the story of the Magi, and the influence of British imperialism on their symbolism… Twitter: @Empirepoduk Email: empirepoduk@gmail.com Goalhangerpodcasts.com Assistant Producers: Anouska Lewis Producer: Callum Hill Exec Producer: Neil Fearn Learn more about your ad choices. Visit podcastchoices.com/adchoices
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