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The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Steve Suminski, Los Angeles and Bay Area studio musician and freelancer. About Steve: Steven Suminski is an active freelance and studio trombonist in the Los Angeles and San Francisco Bay Areas. He currently serves as Guest Principal Trombone with the Los Angeles Chamber Orchestra and holds posts as Principal Trombone with Symphony San Jose, Opera Santa Barbara and the Riverside County Philharmonic. Steven has appeared with many premier ensembles in the area, including the Los Angeles Philharmonic, Los Angeles Opera, Hollywood Bowl Orchestra, Santa Barbara Symphony, Long Beach Symphony and Los Angeles Master Chorale.  As a studio musician he has recorded for film and television projects working with composers such as John Williams, Christophe Beck, Michael Giacchino, James Newton Howard, Ludwig Göransson and countless others. Passionate about chamber music and performing new works, he is a member of the acclaimed Modern Brass Quintet and is a founding member of the award winning group Brass Pacifica, currently working for the educational division of the Music Center of Los Angeles. Steven began playing trombone at the age of nine, eventually moving to Los Angeles to study music performance at the University of Southern California. Currently he lives in the Los Angeles area and maintains an active teaching studio at Riverside City College.

In this impactful and inspiring episode of Unstoppable Mindset, host Michael Hingson sits down with Ronald Cocking—performer, educator, and co-founder of the Looking Glass Studio of Performing Arts—to reflect on a remarkable life shaped by rhythm, resilience, and love. Ron's journey into the performing arts began at just five years old, when his passion for tap dance ignited a lifelong commitment to dance and musical theater. From his first professional role at age 15 in My Fair Lady to founding one of Southern California's most impactful arts schools, Ron's story is one of dedication, creativity, and community.   But perhaps the most moving part of Ron's story is his 49-year partnership—both personal and professional—with the late Gloria McMillan, best known as Harriet Conklin from Our Miss Brooks. Together, they created a legacy of mentorship through the Looking Glass Studio, where they taught thousands of students across generations—not just how to act, sing, or dance, but how to live with confidence and integrity.   Ron also reflects on the legacy Gloria left behind, his continued involvement in the arts, and the words of wisdom that guide his life:   “Teach a man to fish and you feed him for a lifetime.” “To find happiness, take the gifts God has given you and give them away.”   This is more than a story of a career in the arts—it's a touching tribute to passion, partnership, and purpose that will leave you inspired.   Highlights:   00:48 – Hear how early radio at home shaped a lifetime love for performance. 03:00 – Discover why drumming and tap both trained his ear for rhythm. 06:12 – Learn how a tough studio change led to ballet, jazz, and tumbling basics. 08:21 – See the “sing with your feet” method that makes tap click for students. 10:44 – Find out how a teen chorus role in My Fair Lady opened pro doors. 13:19 – Explore the drum-and-tap crossover he performed with Leslie Uggams. 15:39 – Learn how meeting Gloria led to a studio launched for $800. 18:58 – Get the long view on running a school for 44 years with family involved. 23:46 – Understand how Our Miss Brooks moved from radio to TV with its cast intact. 32:36 – See how 42nd Street proves the chorus can be the star. 41:51 – Hear why impact matters more than fame when students build careers. 43:16 – Learn what it takes to blend art and business without losing heart. 45:47 – Compare notes on marriage, teamwork, and communication that lasts. 48:20 – Enjoy a rare soft-shoe moment Ron and Gloria performed together. 56:38 – Take away the “teach to fish” approach that builds lifelong confidence.   About the Guest:   My father was a trumpet player, thus I heard music at home often in the early 50's and was always impressed and entertained by the rhythms and beats of Big Band music… especially the drummers.  Each time I would see Tap dancers on TV, I was glued to the screen.  It fascinated me the way Tap dancers could create such music with their feet!   In 1954, at age 5, after begging my Mom and Dad to enroll me in a Tap class, my Dad walked in from work and said “Well, you're all signed up, and your first Tap class is next Tuesday.  I was thrilled and continued studying tap and many other dance forms and performing and teaching dance for all of my life.     In my mid teens, I became serious about dancing as a possible career.  After seeing my first musical, “The Pajama Game” starring Ruth Lee, I new I wanted to do musical theatre.  I got my first professional opportunity at age 15 in “My Fair Lady” for the San Bernardino Civic Light Opera Association and loved every minute of it… and would continue performing for this organization well into my 30's   I met Gloria McMillan in the late 60's while choreographing a summer musical for children.  Gloria's daughter was doing the role of Dorothy in “The Wizard of Oz”.  Then, about 3 or 4 years later I would meet Gloria again and the sparks flew.  And, yes, she was Gloria McMillan of “Our Miss Brooks” fame on both radio and television.  Wow, was I blessed to have crossed paths with her.  We shared our lives together for 49 years.   On November 4, 1974, Gloria and I opened a performing arts school together named “The Looking Glass Studio of Performing Arts”.  We would teach and manage the school together for 44 years until we retired on June 30, 2018.  We moved to Huntington Beach, California and spent 3 beautiful years together until she left to meet our Lord in heaven on January 19, 2022.   Ways to connect with Ron:   Lgsparon@aol.com     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hi there, wherever you are and wherever you happen to be today. Welcome to unstoppable mindset. I'm your host, Mike hingson, and today we get to chat with Ron Cocking, who is Ron. Well, we're going to find out over the next hour. And Ron was married for many years to another person who is very famous, and we'll get to that, probably not as well known to what I would probably describe as the younger generation, but you're going to get to learn a lot about Ron and his late wife before we're done, and I am sure we're going to have a lot of fun doing it. So let's get to it. Ron, welcome to unstoppable mindset. We're glad you're here.   Ron Cocking ** 01:59 Thank you. I'm so glad to be here. Michael, this. I've been looking forward to this.   Michael Hingson ** 02:04 I have been as well, and we're going to have a lot of fun doing it.   Ron Cocking ** 02:08 Do you one note on that last name? It is cocking. Cocking, he comes right? Comes from a little townlet in the coal mining country of England called Cockington.   Michael Hingson ** 02:20 I don't know why I keep saying that, but yeah, cocky, no   02:23 problem.   Michael Hingson ** 02:24 Well, do you go up to the reps recreations at all?   Ron Cocking ** 02:28 Oh my gosh, Gloria. And I know you and Gloria, did do you still do it? I've it's on my schedule for September.   Michael Hingson ** 02:35 I'm gonna miss it this year. I've got a speech to give. So I was going to be playing Richard diamond at recreation. Well, I'll have to be Dick Powell another time, but I thought that you you were still doing   02:50 it. I'm planning on it cool.   Michael Hingson ** 02:53 Well, tell us about the early Ron cocking and kind of growing up in some of that stuff. Let's start with that.   Ron Cocking ** 02:59 Well, the early part of my story was when I was born just a little before television came in, before everyone had a TV in their home. How old are you now? If I maybe, you know, I am now 76   Michael Hingson ** 03:12 Okay, that's what I thought. Yeah, you're one year ahead of me. I'm 75   Ron Cocking ** 03:16 I was born in 49 and so my earliest remembrances my mom and dad and my brother and I lived with our grandfather, and we had no television, but we had this big it must have been about three to four foot tall, this big box on the floor in a very prominent spot in the living room. And that was the Sunday afternoon entertainment. I remember my family sitting around, and I listened and I laughed when they did, but I had no idea what was going on, but that was the family gathering. And just, I know we'll talk about it later, but I I just have this notion that at that time I was laughing, not knowing what I was laughing at, but I bet I was laughing at my future   Michael Hingson ** 04:02 wife, yes, yes, but other things as well. I mean, you probably laughed at Jack Benny and Amos and Andy and   Ron Cocking ** 04:09 yeah, I remember listening to all those folks, and it was just amazing. Then when television came about and my father was a trumpet player, and I loved his trumpet playing, and he practiced often at home. He would sit in his easy chair and play some tunes and scales and that sort of thing. But what captured my ear and my eyes when I went to on rare occasions when I could go to his engagements, it was always the drummer that just stuck out to me. I was mesmerized by the rhythms that they could produce. And when TV came about, I remember the old variety shows, and they often would have tap dancers like. Had a stair gene, Kelly, Peg Leg Bates and the Nicholas brothers, and I just, I was just taken back by the rhythms. It sounded like music to me. The rhythms just made me want to do it. And so I started putting that bug in my parents ears. And I waited and waited. I wanted to take tap dance lessons. And one day, my dad walks in the back door, and I said, Dad, have you signed me up yet? And he said, Yep, you start next Tuesday at 330 in the afternoon. So I was overjoyed, and I went in for my first lesson. And mind you, this was a private tap class. Total Cost of $1.25 and we had a pianist for music, no record player, live piano, wow. And so I, I rapidly fell in love with tap dance.   Michael Hingson ** 05:56 And so you did that when you weren't in school. Presumably, you did go to school.   Ron Cocking ** 06:00 Oh, yeah, I did go to school. Yeah, I did well in school, and I enjoyed school. I did all the athletics. I played little league, and eventually would be a tennis player and water polo and all that stuff. But all through the years, after school was on the way to the dance classes.   Michael Hingson ** 06:16 So you graduated, or I suppose I don't want to insult drumming, but you graduated from drumming to tap dancing, huh?   Ron Cocking ** 06:24 Well, I kept doing them both together. I would dance, and then when my dad would practice, I would beg him to just play a tune like the St Louis Blues, yeah, and so that I could keep time, so I pulled a little stool up in front of an easy chair, and one of the arms of the chair was the ride cymbal, and the other one was the crash cymbal, and the seat of the chair was my snare drum. I would play along with him. And eventually he got tired of that and bought a Hi Fi for my brother and I, and in the bedroom I had a Hi Fi, and I started to put together a set of drums, and I spent hours next to that, Hi Fi, banging on the drums, and I remember it made me feel good. One day, my mom finally said to me, you know, you're starting to sound pretty good, and that that was a landmark for me. I thought, wow, somebody is enjoying my drumming,   Michael Hingson ** 07:18 but you couldn't do drumming and tap dancing at the same time. That would have been a little bit of a challenge. A challenge.   Ron Cocking ** 07:23 No, I would practice that the drums in the afternoon and then head for the dance studio later. And in this case, I was a local boy. I grew up in Riverside California, and my first tap teacher was literally maybe two miles from our house. But that didn't last long. She got married and became pregnant and closed her studio, and then I she recommended that I go see this teacher in San Bernardino by the name of Vera Lynn. And which I did, I remember walking into this gigantic classroom with a bunch of really tall kids, and I was maybe seven or eight years old, and I guess it was kind of an audition class, but after that evening, I she put me in the most appropriate classes, one of which was ballet, which I wasn't too excited about, but they all told me, If you're going to be a serious dancer, even a tap dancer, you need to get the basic body placement from ballet classes. And I said, Well, I am not going to put any tights and a T shirt on. But they finally got me to do that because they told me that the Rams football team took ballet class twice a week at that time. Ah. Said, no kidding. So they got me, they they got you. They got me into ballet class, and then it was jazz, and then it was tumbling, and so I did it all.   Michael Hingson ** 08:43 I remember when we moved to California when I was five, and probably when I was about eight or nine, my brother and I were enrolled by my mother. I guess my parents enrolled us in a dance class. So I took dance class for a few years. I learned something about dancing. I did have a pair of tap shoes, although I didn't do a lot of it, but I, but I did dance and never, never really pursued it enough to become a Gene Kelly or Fred Astaire. Well, few of us do. I didn't dislike it. It just didn't happen. But that was okay, but it was fun to, you know, to do it and to learn something about that. And so I even today, I I remember it, and I appreciate it. So that's pretty cool.   Ron Cocking ** 09:32 Well, you would understand what I always told my students, that tap dancing is like singing a song with your feet. Yeah. And I would sing, I would say, you all know, happy birthday, right? So I would sing it, and they would sing it along, and then I'd said, then I would sing it again, and I would sing it totally out of rhythm. And they would wrinkle their nose and look at me and say, okay, so what are you doing? And I'd say, Well, you don't recognize it because the rhythm is not correct. So then I would. Would tap dance Happy birthday, and I'd say, you sing along in your mind and I'm going to tap dance it. And that would always ring a bell in their mind, like, Oh, I get it. The rhythm has to be right on the button, or the people aren't going to recognize   Michael Hingson ** 10:16 that was very clever to do.   Ron Cocking ** 10:18 Yeah, thank you. And they got it, yeah, they got it, yeah,   Michael Hingson ** 10:22 which is even, even more important. That's pretty clever. Well, so you did that, and did you do it all the way through high school,   Ron Cocking ** 10:30 all the way through high school? And I think when I was 15, I was, I think I was in the eighth grade, maybe ninth, but I was 15 and got my first chance to I was cast in a professional show for San Bernardino civic light opera Association. And the show was My Fair Lady, and it was my English and journalism teacher at the junior high who had been cast. He was a performer also, but something came up and he couldn't follow through, so he had given the association my name, and I was out in the backyard. My mom came out. Said, Hey, San Bernardino clo just called and they want, they want to see it tonight at seven o'clock. So I put on my dance clothes and went over, and the director, by the name of Gosh, Gene Bayless, came out, and he showed me a couple of steps. And he said, Yeah, let's do it together. And he said, Boy, you unscramble your feet pretty well there kid. And he he looked over into the costumers and said, measure this guy. Let's put him in the show. So I was beside myself. And long story short, I Gosh, I'm over the over the years, I my first show was at age 15 with them, and I participated, did shows with them, until I think my last show, I was about 38 years old, and that last show was anything goes with Leslie uggums, wow.   Michael Hingson ** 11:52 So what part did you play on my fair lady?   Ron Cocking ** 11:55 I was just a chorus kid. I remember in the opening when Eliza sings, that wouldn't it be lovely? Wouldn't it be lovely? I was a street sweeper. I remember I had a broom, and there were three of us, and we were sweeping up that street and working in and around. Eliza Doolittle, of   Michael Hingson ** 12:11 course, being really spiteful. You just said a little while ago, you were beside yourself. And the thing that I got to say to that, quoting the Muppets, is, how do the two of you stand each other? But anyway, that's okay, good in the original Muppet Movie, that line is in there. And I it just came out so fast, but I heard it. I was going, Oh my gosh. I couldn't believe they did that. But anyway, it was so cute, very funny. That's great. So and then you were, you eventually were opposite Leslie UB,   Ron Cocking ** 12:39 yes, that was one of the high points talking about dancing and drumming at the same time. In fact, I used to give a drum a basic drum summer camp where I would teach tappers the basics of music notation, quarter notes, eighth notes, 16th notes. And then we would put a tap orchestra together. Everybody had their own music stand and their own drum pad. I would conduct, and we would play little pieces, and they would they would drum a rhythm, tap, a rhythm, drum, a rhythm, tap, a rhythm. And so anyway, it came full circle. One of the highlights of my dance slash drumming career was this show I did with Leslie uggums, the director had done this prior, and he knew it would work, and so so did the conductor in the entre Act. The top of the second act, the pit orchestra starts and plays like eight measures. And then there were six of us on stage, behind the main curtain, and we would play the next 16 bars, and then we would toss it back to the pit, and then toss it back to us, and the curtain would begin to rise, and we were right into the first song that Leslie uggums sang to get into the second act. Then she wanted to add a couple of songs that she liked, and she was very popular in with the audiences in San Bernardino, so she added a couple of songs, and I got to play those songs with her and and that was just so thrilling. And I with the scene finished, I had to have my tap shoes on, on the drum set. I had to hop down from the riser, and came out, brought one of my Toms with me, and played along with another featured tap dancer that kind of took over the scene at that point. So it was, it was really cool.   Michael Hingson ** 14:31 So with all this drumming, did you ever meet anyone like buddy rip?   Ron Cocking ** 14:35 No, I never met any famous drummers except a man by the name of Jack Sperling, which was one of my drumming idols,   Michael Hingson ** 14:44 Donnie Carson was quite the drummer, as I recall,   Ron Cocking ** 14:48 yeah, he did play yeah and boy, his his drummer, Ed Shaughnessy on his on The Tonight Show was phenomenal. Yeah, he's another of my favorites, yeah,   Michael Hingson ** 14:57 well, and I remember. I guess Johnny Carson and Buddy Rich played together, which was kind of fun. They   Ron Cocking ** 15:07 played together, and so did Ed Shaughnessy and Buddy Rich did a little competition on the show one time I realized, yeah,   Michael Hingson ** 15:15 right, yeah. Well, and it's interesting to see some of the performers do that. I remember once trying to remember whether what show it was on, maybe it was also a Tonight Show where Steve Martin substituted for Johnny, but he and the steel Canyon, the Steve Canyon band, came out. Of course, he was great on the band, and then flat and Scruggs or flat came out. Or which one? Yeah, which one did the banjo flat, I think, but they, but they banjo together, which was fun?   Ron Cocking ** 15:51 Oh, wow, yeah, yeah. Steve Martin is a tremendous band. He is, Whoa, yeah. I,   Michael Hingson ** 15:56 I have a hard time imagining fingers moving that fast, but that's okay, me too. I saved my fingers for Braille, so it's okay. So where did you go to college?   Ron Cocking ** 16:07 I went to for two years to Riverside City College, Riverside Community College, and then I went for two years to San Bernardino Cal State, San Bernardino, and I was majoring in English because I thought I may want to do some writing. But in the meantime, I became married, I became a father, and so I was trying to work and study and maintain a family life, and I just couldn't do it all. So I didn't quite finish a major at Cal State San Bernardino. I continued actually a nightclub drumming career. And now, now we're getting up to where this our performing arts studio began between Gloria and I.   Michael Hingson ** 16:50 So was it? GLORIA? You married first?   Ron Cocking ** 16:53 No, okay, no, Gloria was married. Gloria was a prior, prior marriage for 20 some years, or 20 years, I guess. And I had been married only two years, I think. And when we first, well, we actually met while we were both. I'll tell you the story in a minute, if you want to hear it. Sure, the first time I ever met Gloria Macmillan, I had no idea who she was, because she her name was Gloria Allen at the time that was, that was her married name that she took after the arm is Brooks TV show. Well, she took that the new name before the TV show even ended. But I was choreographing a children's summer musical, and the director came up said, hey, I want you to meet this young lady's mom. So the young lady was Gloria's daughter, her oldest daughter, Janet. And I said, Sure. So he said, This is Gloria. Allen, Gloria, this is Ron. And we shook hands, and I said, Nice to meet you. And that was it. And so the show happened. It ran for a couple of weeks, and Gloria was a wonderful stage mom. She she never bothered anyone. She watched the show. She was very supportive of her daughter. Didn't, didn't stage manage   Michael Hingson ** 18:09 whatsoever, which wasn't a helicopter mom, which is good,   Ron Cocking ** 18:12 definitely that, which was just really cool. So and so I was maybe three, four years later, so Gloria obviously knew that I could dance, because she had seen me choreographed. So I got a phone call from Gloria Allen, and I said, Okay, I remember her. She wanted to meet because she was thinking about starting an acting school and wanted someone to teach actors some dance movement. So I went over for a interview and took my little at that time, about two and a half year old, daughter, three year old, and we chatted, and oh my gosh, I just this, this beautiful woman swept me off my feet. And of course, I by the end of the conversation, I said, Gosh, you know, we talked about how we would integrate the acting and the dance, and I said, Can I have your phone number? Nope, I got the old well, we'll call you. Don't call us. And so I had to wait for a few days before I got a call back, but I got a call back, and I don't remember a lot of details, but the sparks flew really, really quickly, and we started planning our school. And if you can believe that this was 1973 when we started planning, maybe it was early 74 and we invested a whole total of $800 to get ourselves into business. We bought a record player, some mirrors, some paint, and a business license and a little shingle to hang out front. We had a little one room studio, and we. Opened on November 4, 1974 and we would close the studio on June 30, 2018 Wow.   Michael Hingson ** 20:08 Yeah. So you, you had it going for quite a while, almost, well, actually, more than 40 years. 44 years. 44 years, yes. And you got married along the way.   Ron Cocking ** 20:20 Well along the way, my my wife always said she fell in love with my daughter, and then she had to take me along with her. Yeah. Well, there you go. So we were together constantly, just running the school together. And then eventually I moved over to San Bernardino, and it was, gosh, some 1213, years later, we got married in on June 28 1987 and but nothing really changed, because we had already been living together and raising five children. GLORIA had four from a private prior marriage, and I had my little girl. So we we got all these five kids through elementary and junior high in high school, and they all went to college. And they're all beautiful kids and productive citizens, two of them still in show biz. Her son, my stepson, Christopher Allen, is a successful producer now and of Broadway shows. And our daughter, Barbara Bermudez, the baby that Gloria fell in love with. She's now a producer slash stage manager director. She does really well at big events with keynote speakers. And she'll, if they want her to, she will hire in everything from lighting and sound to extra performers and that sort of thing. And she's, she's just busy constantly all over the world, wow.   Michael Hingson ** 21:43 Well, that's pretty cool. And what are the other three doing?   Ron Cocking ** 21:47 One is a VP of Sales for it's a tub and shower company, jacuzzi, and the other one is a married housewife, but now she is a grandmother and has two little grandkids, and they that's Janet, the one that I originally had worked with in that children's show. And she and her husband live in Chino Hills, California, which is about 40 minutes from here. I live in Huntington Beach, California now,   Michael Hingson ** 22:14 well, and I'm not all that far away from you. We're in Victorville. Oh, Victorville, okay, yeah, the high desert. So the next time you go to Vegas, stop by on your way, I'll do that, since that's mainly what Victorville is probably most known for. I remember when I was growing I grew up in Palmdale, and Palmdale wasn't very large. It only had like about 20 703,000 people. But as I described it to people, Victorville wasn't even a speck on a radar scope compared to Palmdale at that time. Yeah, my gosh, are over 120,000 people in this town?   Ron Cocking ** 22:51 Oh, I remember the drive in the early days from here to Vegas in that you really felt like you could get out on the road all alone and relax and take it all in, and now it can be trafficking all all the   Speaker 1 ** 23:04 way. Yeah, it's crazy. I don't know. I still think they need to do something to put some sort of additional infrastructure, and there's got to be another way to get people to Vegas and back without going on i 15, because it is so crowded, especially around holidays, that one of these days, somebody will get creative. Maybe they'll get one of Tesla's tunnel boring tools, and they'll make a tunnel, and you can go underground the whole way, I don't know,   Ron Cocking ** 23:32 but that would be, that would be great. Something like that would happen.   Michael Hingson ** 23:38 Well, so you you started the school and and that did, pretty cool. Did, did Gloria do any more acting after our Miss Brooks? And then we should explain our Miss Brooks is a show that started on radio. Yes, it went on to television, and it was an arm is Brooks. Miss Brooks played by e vardin. Was a teacher at Madison High, and the principal was Osgood Conklin, played by Gail Gordon, who was absolutely perfect for the part. He was a crotchety old curmudgeon by any standards. And Gloria played his daughter, Harriet correct. And so when it went from radio to television, one of the things that strikes me about armas Brooks and a couple of those shows, burns and Allen, I think, is sort of the same. Jack Benny was a little different. But especially armas Brooks, it just seems to me like they they took the radio shows and all they did was, did the same shows. They weren't always the same plots, but it was, it was radio on television. So you, you had the same dialog. It was really easy for me to follow, and it was, was fascinating, because it was just like the radio shows, except they were on television.   Ron Cocking ** 24:56 Yeah, pretty much. In fact, there were a lot, there's lots of episodes. Episodes that are even named the same name as they had on the radio, and they're just have to be reworked for for the television screen,   Michael Hingson ** 25:08 yeah, but the the dialog was the same, which was so great,   Ron Cocking ** 25:13 yeah, yeah. And to see what was I going to add, it was our Miss Brooks was one of the very few radio shows that made the transition to television with the cast with the same intact. Yeah, everybody looked like they sounded. So it worked when they were in front of the camera. Yeah,   Michael Hingson ** 25:33 it sort of worked with Jack Benny, because most of the well, all the characters were in it, Don Wilson, Mary, Livingston, Dennis day, Rochester, world, yeah. And of course, Mel Blanc, yeah, oh.   Ron Cocking ** 25:49 GLORIA tells a story. She she and her mom, Hazel, were walking down the street on the way to do a radio show in the old days in Hollywood, and here comes Mel blank, he says, he pulls over. Says, Hey, where are you girls headed because I know that he probably recognized them from being at at CBS all the time, and they said, We're headed to CBS. He said, hop in. Oh, that's where I'm going. So Mel Brooks gave her a ride to the Mel Blanc, yeah, would have been   Michael Hingson ** 26:15 fun if Mel Brooks had but that's okay, Young Frankenstein, but that's another story. It is. But that's that's cool. So did they ever? Did she ever see him any other times? Or was that it?   Ron Cocking ** 26:30 No, I think that was it. That's the one story that she has where Mel Blanc is involved.   Michael Hingson ** 26:36 What a character, though. And of course, he was the man of a million voices, and it was just incredible doing I actually saw a couple Jack Benny shows this morning and yesterday. One yesterday, he was Professor LeBlanc teaching Jack Benny how to play the violin, which was a lost cause.   Ron Cocking ** 26:59 Actually, Jack Benny was not a bad view. No,   Michael Hingson ** 27:01 he wasn't violent. No, he wasn't. He had a lot of fun with it, and that stick went straight in from radio to television, and worked really well, and people loved it, and you knew what was going to happen, but it didn't matter. But it was still   Ron Cocking ** 27:16 funny, and I'm sure during the transition they there was a little bit of panic in the writers department, like, okay, what are we going to do? We got to come up with a few shows. We got to get ahead a little bit. So the writing being just a little different, I'm sure that's part of the reason why they went back and kind of leaned on the old, old script somewhat, until they kind of cut their teeth on the new this new thing called television   Michael Hingson ** 27:39 well, but they still kept a lot of the same routines in one way or another.   Ron Cocking ** 27:45 Yeah, when they work, they work, whether you're just listening or whether you're watching,   Michael Hingson ** 27:48 right, exactly what other shows made it from radio to television with the cast   Ron Cocking ** 27:53 intact? You know, I am not up on that number. I   Michael Hingson ** 27:57 know there were a couple that did. RMS, Brooks was, well, oh no, I was gonna say Abbott and Costello, but that was different, but our Miss Brooks certainly did. If   Ron Cocking ** 28:09 the Bickersons did, I forget the two actors that did that show, but that was a really, Francis   Michael Hingson ** 28:13 Langford and Donna Michi could be, but I think burns and Allen, I think, kept the same people as much as there were. Harry bonzell was still with them, and so on. But it was interesting to see those. And I'm awake early enough in the morning, just because it's a good time to get up, and I get and be real lazy and go slowly to breakfast and all that. But I watched the Benny show, and occasionally before it, I'll watch the burns and Allen show. And I think that the plots weren't as similar from radio to television on the burns and Allen show as they weren't necessarily in the Benny show, but, but it all worked.   Ron Cocking ** 28:58 Yeah, yeah. That's why they were on the air for so long?   Michael Hingson ** 29:02 Yeah, so what other kind of acting did Gloria do once? So you guys started the school   Ron Cocking ** 29:10 well after she well, when we started the school, we found ourselves, you know, raising five children. And so I continued playing nightclub gigs. I had one, one nightclub job for like, five years in a row with two wonderful, wonderful musicians that were like fathers to me. And Gloria actually went to work for her brother in law, and she became a salesperson, and eventually the VP of Sales for a fiberglass tub and shower business down here in Santa Ana. So she drove that 91 freeway from San Bernardino, Santa Ana, all the time. But in,   Michael Hingson ** 29:47 yeah, you could do it back then, much more than now. It was a little better   Ron Cocking ** 29:51 and but in, but twist in between, she managed. Her mom still did a little bit of agency. And she would call Gloria and say. Want you to go see so and so. She did an episode of perfect strangers. She did an episode with Elliot of the guy that played Elliot Ness, stack the show Robert Stack the show was called Help Wanted no see. I guess that was an in but wanted, anyway, she did that. She did a movie with Bruce Dern and Melanie Griffith called Smile. And so she kept, she kept her foot in the door, but, but not, not all that much she she really enjoyed when John Wilder, one of her childhood acting buddies, who she called her brother, and he still calls her sis, or he would call her sis, still. His name was Johnny McGovern when he was a child actor, and when he decided to try some movie work, he there was another Johnny McGovern in Screen Actors Guild, so he had to change his name to John Wyler, but he did that mini series called centennial, and he wanted Gloria for a specific role, to play a German lady opposite the football player Alex Karras. And they had a couple of really nice scenes together. I think she was in three, maybe four of the segments. And there were many segments, it was like a who's who in Hollywood, the cast of that show   Michael Hingson ** 31:28 does that was pretty cool.   Ron Cocking ** 31:32 But anyway, yeah, after Gloria finished armas Brooks, she became married to Gilbert Allen, who, who then became a Presbyterian minister. So Gloria, when you said, Did she continue acting? There's a lot of acting that goes on being a minister and being a minister's wife, and she would put together weddings for people, and that sort of thing. And she did that for 20 years. Wow. So she Gloria was a phenomenon. She did so many things. And she did them all so very well, in my   Speaker 1 ** 32:04 opinion. And so did you? Yeah, which is, which is really cool. So you, but you, you both started the school, and that really became your life's passion for 44 years. Yes,   Ron Cocking ** 32:16 we would get up in the mornings, go do a little business, come home, have a little lunch, go back about 132 o'clock, and we would normally crank up about four after the kids get out of school, and we would teach from four to nine, sometimes to 10. Go out, have some dinner. So yeah, we pretty much 24/7 and we had had such similar backgrounds. Hers on a national radio and television scale, and mine on a much more local, civic light opera scale. But we both had similar relations with our our moms after after the radio tapings and the TV things. GLORIA And her mom. They lived in Beverly Hills, right at Wilshire and Doheny, and they had their favorite chocolate and ice cream stops. And same thing for me, my mom would take me there, two doors down from the little studio where I was taking my tap classes. There was an ice cream parlor, haywoods ice cream. And that was, that was the the lure, if you go in and if you do your practicing, Ronnie, you can, I'll take it for an ice cream so that I did my practicing, had plenty of little treats on the way, so we had that in common, and we both just had very supportive moms that stayed out of the way, not, not what I would call a pushy parent, or, I think you mentioned the helicopter, helicopter, but it   Michael Hingson ** 33:37 but it sounds like you didn't necessarily need the bribes to convince you to tap dance, as you know, anyway, but they didn't hurt.   Ron Cocking ** 33:46 No, it didn't hurt at all, and it was something to look forward to, but I I just enjoyed it all along. Anyway, I finally got to to really showcase what I could do when I was cast as the dance director in the show 42nd street. Oh, wow. And I was lucky. We were lucky. San Bernardino clo was able to hire John Engstrom, who had done the show on Broadway. The earlier version that came, I think it was on Broadway in the mid or to late 70s. He had worked side by side with Gower Champion putting the show together. He told us all sorts of stories about how long it took Gower to put together that opening dance. Because everything in the opening number you you see those steps later in the show done by the chorus, because the opening number is an audition for dancers who want to be in this new Julian Marsh show. So the music starts, the audience hears, I know there must have been 20 of us tapping our feet off. And then a few seconds later, the curtain rises about two and a half feet. And then they see all these tapping feet. And then the main curtain goes out, and there we all are. And. I my part. I was facing upstage with my back to the audience, and then at some point, turned around and we did it was the most athletic, difficult, two and a half minute tap number I had ever done, I'll bet. But it was cool. There were five or six kids that had done it on Broadway and the national tour. And then during that audition, one more high point, if we have the time, we I was auditioning just like everybody else. The director had called and asked if I would audition, but he wasn't going to be choreographing. John Engstrom was so with there was probably 50 or 60 kids of all ages, some adults auditioning, and at one point, John pulled out one of the auditioners, and he happened to be one of my male tap dance students. And he said, Now I want everybody to watch Paul do this step. Paul did the step. He said, Now he said, Paul, someone is really teaching you well. He said, everybody that's the way to do a traveling timestamp so and that, you know, I'll remember that forever. And it ended up he hired. There were seven myself and seven other of my students were cast in that show. And some of them, some of them later, did the show in Las Vegas, different directors. But yeah, that, that was a high point for me.   Speaker 1 ** 36:19 I'm trying to remember the first time I saw 42nd street. I think I've seen it twice on Broadway. I know once, but we also saw it once at the Lawrence Welk Resorts condo there, and they did 42nd street. And that was a lot of that show was just a lot of fun. Anyway,   Ron Cocking ** 36:39 it's a fun show. And as John said in that show, The chorus is the star of the show.   Speaker 1 ** 36:45 Yeah, it's all about dancing by any by any definition, any standard. It's a wonderful show. And anybody who is listening or watching, if you ever get a chance to go see 42nd street do it, it is, it is. Well, absolutely, well worth it.   Ron Cocking ** 37:00 Yeah, good. Good show. Fantastic music, too. Well.   Michael Hingson ** 37:03 How did you and Gloria get along so well for so long, basically, 24 hours a day, doing everything together that that I would think you would even be a little bit amazed, not that you guys couldn't do it, but that you did it so well, and so many people don't do it well,   Ron Cocking ** 37:21 yeah, I don't know I from, from the the first time we met, we just seemed to be on the same wavelength. And by the way, I found out as time went by, Gloria was like Mrs. Humble. She wasn't a bragger, very humble. And it took me a while to find out what an excellent tap dancer she was. But when we went to the studio in the early days, we had, we just had one room. So she would teach actors for an hour, take a break. I would go in teach a tap class or a movement class or a ballet class. I in the early days, I taught, I taught it all. I taught ballet and jazz and and and and   Michael Hingson ** 38:01 tap. Well, let's let's be honest, she had to be able to tap dance around to keep ahead of Osgoode Conklin, but that's another story.   Ron Cocking ** 38:09 Yeah. So yeah, that. And as our studio grew, we would walk every day from our first studio down to the corner to a little wind chills donut shop wind chills donuts to get some coffee and come back. And about a year and a half later, after walking by this, this retail vacant spot that was two doors from our studio, we said, I wonder if that might be, you know, something for us, it had a four lease sign. So, long story short, we released it. The owner of the property loved knowing that Gloria Macmillan was that space. And so luckily, you know when things are supposed to happen. They happen as people would move out next to us, we would move in. So we ended up at that particular studio with five different studio rooms. Wow. And so then we can accommodate all of the above, acting, singing classes, all the dance disciplines, all at the same time, and we can, like, quadruple our student body. So then we made another move, because the neighborhood was kind of collapsing around us, we made another room and purchased a building that had been built as a racquetball club. It had six racquetball courts, all 20 by 40, beautiful hardwood. We made four of them, five of them into studios, and then there was a double racquetball racquetball court in the front of the building which they had tournaments in it was 40 by 40 we moved. We made that into a black box theater for Gloria. And the back wall of the theater was one inch glass outside of which the audiences for the racquetball tournaments used to sit. But outside the glass for us, we had to put curtains there, and out front for us was our. Gigantic lobby. The building was 32,000 square feet. Wow, we could it just made our heart, hearts sing when we could walk down that hallway and see a ballet class over here, a tap class over there, singers, singing actors in the acting room. It was beautiful. And again, it was just meant for us because it was our beautiful daughter, Kelly, who passed away just nine months after Gloria did. She's the one that said, you guys ought to look into that. And I said, Well, it's a racquetball court. But again, the first moment we walked in the front door, you start. We started thinking like, whoa. I think we could make this work. And it worked for another 20 years for us and broke our hearts to basically rip it apart, tear the theater down, and everything when we were moving out, because we we couldn't find another studio that was interested in in coming in, because they would have had to purchase the building. We wanted to sell the building. Yeah. So anyway, of all things, they now sell car mufflers out of there.   Michael Hingson ** 41:02 That's a little different way, way. Yeah, social shock, did any of your students become pretty well known in the in the entertainment world?   Ron Cocking ** 41:11 I wouldn't say well known, but a lot of them have worked a lot and made careers. Some of our former students are now in their 50s, middle 50s, pushing 60, and have done everything from cruise ship to Las Vegas to regional some national tours, even our son, Christopher, he did the national tour of meet me in St Louis with Debbie Boone, okay, and he's the one that is Now a successful producer. He's his latest hit. Well, his first, what can be considered legitimately a Broadway hit show was the show called shucked, and it opened about two years ago, I think, and I finally got to go back to New York and see it just a month before it closed. Very hilarious. Takes place in Iowa. The whole show is built around a county in which everybody that lives there makes their living off of corn, making whiskey. And it is a laugh, way more than a laugh a minute. But anyway, we had one of Gloria's acting students who was hired on with a Jonathan Winters TV sitcom called Davis rules. It ran for two seasons, and here he was like 16 or 17 years old, making, I think it was. He was making $8,000 a week, and he was in heaven. He looked like the Son he played, the grandson of Jonathan Winters and the son of Randy Quaid and so he, yeah, he was in heaven. And then after that, he did a very popular commercial, the 711 brain freeze commercial for Slurpee. The Slurpee, yeah, and he made the so much money from that, but then he kind of disappeared from showbiz. I don't know what he's doing nowadays,   Speaker 1 ** 43:00 but it's, it's, it's interesting to, you know, to hear the stories. And, yeah, I can understand that, that not everybody gets to be so famous. Everybody knows them, but it's neat that you had so many people who decided to make entertainment a career. So clearly, you had a pretty good influence on a lot of, a lot of kids.   Ron Cocking ** 43:20 Yes, I over the years, Gloria and I felt like we had 1000s of children of our own, that they that we had raised together. It's really a good feeling. And I still get phone calls. We got a phone call once a few years back from from one of our students who had been trying to crack the nut in New York, and she called us like 530 in the morning, because, of course, it was Yeah, but she had just signed her first national tour contract and was going to go out with the show cabaret. So fortunately, we were able to drive up to Santa not let's see, it's just below San San Jose. The show came through San Jose, and we got to see her up there. But those kinds of things are what made us keep teaching, year after year, all these success stories. Of course, we have former students that are now lawyers. Those are actors. Well, we   Michael Hingson ** 44:17 won't hold it and we understand, yeah and they are actors, by all means. How many teachers did you have in the studio when you had the big building?   Ron Cocking ** 44:26 Gosh, at one time, we had 10 or 12 teachers, teaching vocal teachers, two or three ballet teachers, jazz teachers, and you both taught as well. And we both continued teaching all through that time. We never just became managers, although that's that was part of it, and mixing business with art is a challenge, and it takes kind of a different mindset, and then what an unstoppable mindset you have to have in order to mix business with performing, because it's too. Different sides of your brain and a lot of patience and a lot of patience. And guess who taught me patience? Uh huh, Gloria Macmillan.   Michael Hingson ** 45:09 I would Conklin's daughter, yes, and I'll bet that's where she learned patience. No, I'm just teasing, but yeah, I hear you, yeah. Well, I know Karen and I were married for 40 years, until she passed in November of 2022 and there's so many similarities in what you're talking about, because we we could do everything together. We had challenges. Probably the biggest challenge that we ever had was we were living in Vista California, and I was working in Carlsbad, and the president of our company decided that we should open an office, because I was being very successful at selling to the government, we should open an office in the DC area. And so we both got excited about that. But then one day he came in and he had this epiphany. He said, No, not Virginia. I want you to open an office in New York. And Karen absolutely hated that she was ready to go to Virginia and all that.   Speaker 1 ** 46:15 But the problem for me was it was either move to New York or take a sales territory that didn't sell very much anymore. The owner wasn't really willing to discuss it, so we had some challenges over that, but the marriage was strong enough that it that it worked out, and we moved to New Jersey, and Karen made a lot of friends back there, but, you know, we always did most everything together. And then when the pandemic occurred, being locked down, it just proved all the more we just did everything together. We were together. We talked a lot, which is, I think one of the keys to any good marriages, and you talk and communicate.   Ron Cocking ** 46:56 Yes, in fact, when after we closed the studio in 2018 it took us a few more months to sell our home, and then when we moved down here, it was only about, I don't know, I don't know if it was a full year or not, but the pandemic hit and but it really didn't bother us, because we had, we had been working the teaching scene for so many years that we basically Were done. We basically walked out of the studio. We did. Neither of us have the desire to, well, let's continue in at some level, no, we cherished our time together. We have a little porch out in front of our home here, and it gets the ocean breeze, and we would sit for hours and chat. And oddly enough, not oddly, one of our favorite things to do, we have a website that we went to that had, I think, every radio show of armas Brooks ever made. And we would sit listen to those and just laugh. And, in fact, Gloria, there are some. She said, You know what? I don't even remember that episode at all. So yeah, that that was an interesting part. But yeah, Gloria and I, like your wife and you really enjoyed time together. We never talked about needing separate vacations or anything if we wanted to do something. We did it   Speaker 1 ** 48:16 together, yeah, and we did too. And you know, for us it was, it was out of desire, but also was easier for us, because she was in a wheelchair her whole life. I was I'm blind. I've been blind my whole life. And as I tell people, the marriage worked out well. She read, I pushed, and in reality, that really is the way it worked, yeah, yeah. Until she started using a power chair. Then I didn't push. I kept my toes out of the way. But still, it was, it was really did meld and mesh together very well and did everything   Ron Cocking ** 48:49 together. That's fantastic. I'm proud of you, Michael, and it really   Michael Hingson ** 48:53 it's the only way to go. So I miss her, but like, I keep telling people she's somewhere monitoring me, and if I misbehave, I'm going to hear about it. So I got to be a good kid,   Ron Cocking ** 49:04 and I'll hear I'll get some notes tonight from the spirit of Gloria McMillan too. I prayed to her before I went on. I said, please let the words flow and please not let me say anything that's inappropriate. And I think she's guided me through okay so far.   Michael Hingson ** 49:20 Well, if, if you do something you're not supposed to, she's gonna probably hit you upside the head. You know, did you two ever actually get to perform together?   Ron Cocking ** 49:30 Oh, I'm glad you asked that, because, well, it had been years since I knew that she was a darn good tap dancer. In fact, I had a tap dancing ensemble of of my more advanced kids, and if they wanted to dedicate the extra time that it took, we rehearsed them and let them perform at free of charge once they made it to that group, they they did not pay to come in and rehearse with me, because I would spend a lot of time standing there creating so. So we were doing a performance, and we wanted to spotlight, I forget the exact reason why we wanted to spotlight some of Gloria's career. Talk about radio a little bit. And I said, Gloria, would you do a little soft shoe routine? And because we had invited a mutual friend of ours, Walden Hughes, from the reps organization, and he was going to be the guest of honor, so I talked her into it. At first she wasn't going to go for it, but we had so much fun rehearsing it together. And it wasn't a long routine, it was relatively short, beautiful music, little soft shoe, and it was so much fun to say that we actually tap danced together. But the other times that we actually got to work together was at the old time radio conventions, mostly with reps, and that's really when I got to sit on stage. I was kind of typecast as an announcer, and I got to do some commercials. I got to sing once with Lucy arnazza. Oh, life, a life boy soap commercial. But when Gloria, Well, Gloria did the lead parts, and oh my gosh, that's when I realized what a superb actress she was. And if I don't know if you've heard of Greg Oppenheimer, his father, Jess Oppenheimer created the I Love Lucy shows, and so Gloria loved Jess Oppenheimer. And so Greg Oppenheimer, Jess Son, did a lot of directing, and oh my gosh, I would see he came in very well prepared and knew how the lines should be delivered. And if Gloria was not right on it, he would say, No, wait a minute, Gloria, I want you to emphasize the word decided, and that's going to get the laugh. And when he gave her a reading like that man, the next time she went through that dialog, just what he had asked for. And I thought, Oh my gosh. And her timing, after watching so many armist Brooks TV and listening to radio shows. GLORIA learned her comedic timing from one of the princesses of comedy timing is Eve Arden, right? They were so well for obvious reasons. They were so very similar. And if you have time to story for another story, do you know have you heard of Bob Hastings? He was the lieutenant on McHale's navy. McHale's Navy, right? Yeah. Well, he also did a lot of old time radio. So we went up to Seattle,   Michael Hingson ** 52:32 our two grandkids, Troy Amber, he played, not Archie. Was it Henry Aldridge? He was on,   Ron Cocking ** 52:40 I think you're right. I'm not too up on the cast of the old time radio show. Yeah, I think you're right. But anyway, he was there, and there was an actress that had to bow out. I don't know who that was, but our grandsons and Gloria and I, we walked in, and as usual, we say hi to everybody. We're given a big packet of six or eight scripts each, and we go to our room and say, Oh my gosh. Get out the pencils, and we start marking our scripts. So we get a phone call from Walden, and he said, hey, Ron Bob. Bob Hastings wants to see Gloria in his room. He wants to read through he's not sure if he wants to do the Bickersons script, because he you know, the gal bowed out and right, you know, so Gloria went down   Michael Hingson ** 53:23 couple of doors, coming   Ron Cocking ** 53:26 Yes, and she so she came back out of half an hour, 40 minutes later, and she said, well, that little stinker, he was auditioning me. He went in and she went in and he said, Well, you know, I don't know if I want to do this. It doesn't seem that funny to me. Let's read a few lines. Well, long story short, they read the whole thing through, and they were both, they were both rolling around the floor. I'll bet they laughing and so and then jump to the following afternoon, they did it live, and I was able to watch. I had some pre time, and I watched, and they were just fantastic together. I left after the show, I went to the green room, had a little snack, and I was coming back to our room, walking down the hall, and here comes Bob Hastings, and he says, oh, Ron. He said, Your wife was just fantastic. So much better than the other girl would have been. So when I told GLORIA That story that made her her day, her week. She felt so good about that. So that's my Bob Hastings story. Bob Hastings and Gloria Macmillan were great as the Bickersons.   Speaker 1 ** 54:29 Yeah, that was a very clever show. It started on the Danny Thomas show, and then they they ended up going off and having their own show, Francis Langford and Donna Michi, but they were very clever.   Ron Cocking ** 54:42 Now, did you realize when now that you mentioned Danny Thomas? Did you realize that Gloria's mom, Hazel McMillan, was the first female agent, talent agent in Hollywood? No, and that's how you know when the. They moved from from Portland, Oregon, a little city outside of Portland. They moved because Gloria's mom thought she had talent enough to do radio, and it wasn't a year after they got here to LA that she did her first national show for Lux radio at the age of five. That was in 1937 with with Edward G Robinson. I've got a recording of that show. What's what show was it? It was a Christmas show. And I don't remember the name of the of it, but it was a Christmas show. It was Walden that sent us. Sent   Michael Hingson ** 55:33 it to us. I'll find it. I've got it, I'm sure.   Ron Cocking ** 55:35 And so, yeah, so, so Gloria was a member of what they called the 500 club. There was a group of, I don't know, nine or 10 kids that by the time the photograph that I have of this club, it looks like Gloria is around 12 to 14 years old, and they had all done 500 or more radio shows. Wow, that's a lot of radio show. There's a lot of radio So Gloria did, I mean, I got a short my point was, her mom was an agent, and when Gloria was working so consistently at armas Brooks, she said, Well, I'm kind of out of a job. I don't need to take you. GLORIA could drive then. And so she came back from the grocery store, Ralph's market near Wilshire and Doheny, and she came back said, Well, I know what I'm going to do. I ran into this cute little boy at the grocery store. I'm going to represent him for television. And she that's, she started the Hazel McMillan agency, and she ran that agency until she just couldn't anymore. I think she ran it until early 1980s but she, my god, she represented people like Angela Cartwright on the Danny Thomas show and Kathy Garver on, all in the family a family affair. Family Affair. Yeah. Jane north. Jane North went in for Dennis the Menace. He didn't get the role. He came back said, Hazel, I don't think they liked me, and they didn't. They didn't call me back or anything. Hazel got on that phone, said, Look, I know this kid can do what you're asking for. I want you to see him again. He went back and they read him again. He got the part, yeah,   Michael Hingson ** 57:21 and he was perfect for it.   Ron Cocking ** 57:22 He was perfect for that part was, I'm sorry.   Michael Hingson ** 57:27 It's sad that he passed earlier this year.   Ron Cocking ** 57:29 Yeah, he passed and he had, he had a tough life, yeah,   Michael Hingson ** 57:36 well, you know, tell me you, you have what you you have some favorite words of wisdom. Tell me about those.   Ron Cocking ** 57:45 Oh, this goes back to the reason why I came across this when I was looking for something significant to say on the opening of one of our big concert programs. We used to do all of our shows at the California theater of Performing Arts in San Bernardino, it's a really, a real gem of a theater. It's where Will Rogers gave his last performance. And so I came across this, and it's, I don't know if this is biblical, you might, you might know, but it's, if you give a man a fish, you feed him for a day. If you teach a man to fish, you feed him for a lifetime. And that's what I felt like Gloria and I were trying to do. We wanted to teach these kids as as professionally. We treated our students as they were, as if they were little professionals. We we expected quality, we expected them to work hard, but again, Gloria taught me patience, unending patience. But we knew that we wanted them to feel confident when the time came, that they would go out and audition. We didn't want them to be embarrassed. We want we wanted them to be able to come back to us and say, Boy, I felt so good at that audition. I knew all the steps I was and I and I read so well it was. And thank you. Thank you. Thank you. And so that aspect of it, we felt that we were feeding them for a lifetime, but we also were creating all of these arts patrons, all these lovers of the arts, 1000s of kids now love to go to musicals and movies and plays because they've kind of been there and done that at our studio. And so anyway, that's and whether, whether or not it was their confidence in show business or whether it was their confidence we've had so many calls from and visits from parents and former students saying, Boy, I just was awarded a job. And they said my my communication skills were excellent, and I owe that to Gloria. I was on the beach the other day, and I looked over and there was this young man and his wife. I assumed it was his wife. It was they were setting. Up their beach chairs, and I looked and I say, Excuse me, is your name Brandon? And he said, No, but he said, Is your name Ron? And I said, Yes. He said, No, my name is Eric. And I said, Eric puentes. And so we reminisced for a while. He took tap from me. He took acting from Gloria, and he said, you know, he was sad to hear of Gloria's passing. And he said, You know, I owe so much to Gloria. I learned so much about speaking in front of groups. And he is now a minister. He has his own church in Redlands, California, and he's a minister. And of all the billion people on the beach, he sits next to me. So that's one of those things when it's supposed to   Michael Hingson ** 1:00:41 happen. It happens. It does. Yeah, well, and as we talked about earlier, you and Gloria did lots of stuff with reps, and I'm going to miss it this time, but I've done a few, and I'm going to do some more. What I really enjoy about people who come from the radio era, and who have paid attention to the radio era is that the acting and the way they project is so much different and so much better than people who have no experience with radio. And I know Walden and I have talked about the fact that we are looking to get a grant at some point so that we can train actors or people who want to be involved in these shows, to be real actors, and who will actually go back and listen to the shows, listen to what people did, and really try to bring that forward into the recreations, because so many people who haven't really had the experience, or who haven't really listened to radio programs sound so forced, as opposed to natural.   Ron Cocking ** 1:01:46 I agree, and I know exactly what you're saying. In fact, Walden on a couple of at least two or three occasions, he allowed us to take some of Gloria's acting students all the way to Seattle, and we did some in for the spurred vac organization Los Angeles, we did a beautiful rendition of a script that we adapted of the Velveteen Rabbit. And of all people, Janet Waldo agreed to do the fairy at the end, and she was exquisite. And it's only like, I don't know, four or five lines, and, oh my gosh, it just wrapped it up with a satin bow. And, but, but in some of our kids, yeah, they, they, they were very impressed by the radio, uh, recreations that they were exposed to at that convention.   Speaker 1 ** 1:02:37 Yeah, yeah. Well, and it's, it is so wonderful to hear some of these actors who do it so well, and to really see how they they are able to pull some of these things together and make the shows a lot better. And I hope that we'll see more of that. I hope that we can actually work to teach more people how to really deal with acting from a standpoint of radio,   Ron Cocking ** 1:03:04 that's a great idea. And I know Walden is really sensitive to that. He Yeah, he would really be a proponent of that.   Michael Hingson ** 1:03:10 Oh, he and I have talked about it. We're working on it. We're hoping we can get some things. Well, I want to thank you for being here. We've been doing this an hour already.  

Ich steige aus dem Flieger in Phoenix und die Hitze trifft mich wie ein Blitz." Jayden Kloth über seinen ersten Moment in Arizona. Jayden Kloth verkörpert den modernen Weg deutscher Football-Talente: Geboren in Freiburg, aufgewachsen bei den Freiburg Sacristans, zog der 18-Jährige mit 15 Jahren zu seiner Großmutter nach Arizona, um seinen American Football-Traum zu verfolgen. Heute spielt der 62 (1,88m) große und 240 lbs (109kg) schwere Defensive End/Defensive Tackle am Riverside City College in Kalifornien - einem der erfolgreichsten Junior College-Programme des Landes. Riverside City College beendete die Saison 2024 mit einer ...Dieser Podcast wird vermarktet von der Podcastbude.www.podcastbu.de - Full-Service-Podcast-Agentur - Konzeption, Produktion, Vermarktung, Distribution und Hosting.Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen?Dann schaue auf www.kostenlos-hosten.de und informiere dich.Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten. kostenlos-hosten.de ist ein Produkt der Podcastbude.

„Ich steige aus dem Flieger in Phoenix – und die Hitze trifft mich wie ein Blitz." – Jayden Kloth über seinen ersten Moment in Arizona. Jayden Kloth verkörpert den modernen Weg deutscher Football-Talente: Geboren in Freiburg, aufgewachsen bei den Freiburg Sacristans, zog der 18-Jährige mit 15 Jahren zu seiner Großmutter nach Arizona, um seinen American Football-Traum zu verfolgen. Heute spielt der 6'2” (1,88m) große und 240 lbs (109kg) schwere Defensive End/Defensive Tackle am Riverside City College in Kalifornien - einem der erfolgreichsten Junior College-Programme des Landes. Riverside City College beendete die Saison 2024 mit einer beeindruckenden 10-2-Bilanz, gewann die National Southern League Championship und erreichte das SoCal Regional Final. Das Programm stellte mit durchschnittlich 53,9 Punkten, 578,8 Yards und 29,8 First Downs pro Spiel neue Offensiv-Rekorde auf. Kloth sammelte in seiner ersten JuCo-Saison bereits wichtige Erfahrungen, wurde jedoch zwischenzeitlich von einer Verletzung zurückgeworfen. Sein klares Ziel: Ein Division 1-Offer nach zwei Jahren am Junior College. Besonders interessant ist der Kontakt zu Northern Arizona University und dem deutschen Recruiting-Koordinator Tim Roschmann, der als Director of Player Personnel and Recruiting seit Mai 2024 bei den Lumberjacks tätig ist.

Ich steige aus dem Flieger in Phoenix und die Hitze trifft mich wie ein Blitz." Jayden Kloth über seinen ersten Moment in Arizona. Jayden Kloth verkörpert den modernen Weg deutscher Football-Talente: Geboren in Freiburg, aufgewachsen bei den Freiburg Sacristans, zog der 18-Jährige mit 15 Jahren zu seiner Großmutter nach Arizona, um seinen American Football-Traum zu verfolgen. Heute spielt der 62 (1,88m) große und 240 lbs (109kg) schwere Defensive End/Defensive Tackle am Riverside City College in Kalifornien - einem der erfolgreichsten Junior College-Programme des Landes. Riverside City College beendete die Saison 2024 mit einer ...+++ WERBUNG +++Ghost of Yōtei - das Action-Adventure - exklusiv für PS5 ab 2. Oktober hier erhältlich:https://www.playstation.com/de-de/games/ghost-of-yotei/Dieser Podcast wird vermarktet von der Podcastbude.www.podcastbu.de - Full-Service-Podcast-Agentur - Konzeption, Produktion, Vermarktung, Distribution und Hosting.Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen?Dann schaue auf www.kostenlos-hosten.de und informiere dich.Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten. kostenlos-hosten.de ist ein Produkt der Podcastbude.

Ich steige aus dem Flieger in Phoenix und die Hitze trifft mich wie ein Blitz." Jayden Kloth über seinen ersten Moment in Arizona. Jayden Kloth verkörpert den modernen Weg deutscher Football-Talente: Geboren in Freiburg, aufgewachsen bei den Freiburg Sacristans, zog der 18-Jährige mit 15 Jahren zu seiner Großmutter nach Arizona, um seinen American Football-Traum zu verfolgen. Heute spielt der 62 (1,88m) große und 240 lbs (109kg) schwere Defensive End/Defensive Tackle am Riverside City College in Kalifornien - einem der erfolgreichsten Junior College-Programme des Landes. Riverside City College beendete die Saison 2024 mit einer ...+++ WERBUNG +++Ghost of Yōtei - das Action-Adventure - exklusiv für PS5 ab 2. Oktober hier erhältlich:https://www.playstation.com/de-de/games/ghost-of-yotei/Dieser Podcast wird vermarktet von der Podcastbude.www.podcastbu.de - Full-Service-Podcast-Agentur - Konzeption, Produktion, Vermarktung, Distribution und Hosting.Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen?Dann schaue auf www.kostenlos-hosten.de und informiere dich.Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten. kostenlos-hosten.de ist ein Produkt der Podcastbude.

Ich steige aus dem Flieger in Phoenix und die Hitze trifft mich wie ein Blitz." Jayden Kloth über seinen ersten Moment in Arizona. Jayden Kloth verkörpert den modernen Weg deutscher Football-Talente: Geboren in Freiburg, aufgewachsen bei den Freiburg Sacristans, zog der 18-Jährige mit 15 Jahren zu seiner Großmutter nach Arizona, um seinen American Football-Traum zu verfolgen. Heute spielt der 62 (1,88m) große und 240 lbs (109kg) schwere Defensive End/Defensive Tackle am Riverside City College in Kalifornien - einem der erfolgreichsten Junior College-Programme des Landes. Riverside City College beendete die Saison 2024 mit einer ...+++ WERBUNG +++Ghost of Yōtei - das Action-Adventure - exklusiv für PS5 ab 2. Oktober hier erhältlich:https://www.playstation.com/de-de/games/ghost-of-yotei/Dieser Podcast wird vermarktet von der Podcastbude.www.podcastbu.de - Full-Service-Podcast-Agentur - Konzeption, Produktion, Vermarktung, Distribution und Hosting.Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen?Dann schaue auf www.kostenlos-hosten.de und informiere dich.Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten. kostenlos-hosten.de ist ein Produkt der Podcastbude.

It's all things automotive for the Aliens on this episode, as they are joined by California auto mechanic Angelina Alcantar, known as Ms. A, the Shop Teacher online and by her peers. A former student at Riverside City College, and now a teacher in their automotive program, Angelina discusses her early beginnings in her passion for cars, where the auto industry is moving and what prospective mechanics are learning, her collabs with Donut Media, the shop tools that are amazing to have and others that are triggering, and more!Angelina Alcantar - @ms.a_theshopteacherCheck out The Legal Aliens on all social platforms at linktr.ee/thelegalaliens.#aliens #podcast #detroit #donut #automotive #mechanic

This week we cover cases involving post-secondary education, places where young people should be able to study and live safely. Sadly, we know that's not always the case. There's always a chance for a crime to occur, accidentally, or in these cases, not. Kelsey told us Cheri Jo Bates story, which tragically ended in the 1960s at Riverside City College. A couple of cryptic letters lend it an even more sinister side. Alanna's case is the tragic tale of Amara Marluke, a shining light of hope for humanity that was also taken so suddenly and unnecessarily. We hope we did them justice. Proud Member of Darkcast Network!Birdie Personal alarm Discount: https://www.shesbirdie.com/CASTLESCRYPTIDS15Check out our socials! https://linktr.ee/castlesandcryptids

We sit down with our good friend Angelina Alcantar who is a teacher at the Riverside City College in the Automotive Dept. This is a great episode that we have been wanting to do for a while. We hope you enjoy it.

Kevin Mayse is the wind ensemble conductor, trumpet teacher, and chair of the Department of Music at Riverside City College. Even though RCC is a two year college, what Kevin has been able to accomplish has been exceptional. His wind ensemble not only performs major works but also has a vibrant commissioning program, top flight soloists, and performs to sold out, standing room audiences. So, who better to ask about how to build a strong and thriving college performing program than Kevin?We begin with a discussion of a concert I was involved in as a composer, where a piece of mine for trumpet and wind ensemble was given its premiere by Tom Hooten (principal trumpet of the Los Angeles Philharmonic Orchestra) and the RCC Wind Ensemble. We use this concert to discuss in depth how Kevin has been able to create such a strong program. This is followed by Kevin talking about his early trumpet studies, how he gradually got into conducting, being hired at RCC, and eventually becoming department chair (and his take on the role of that position.)Be sure to join us in Part 2 (Subscribers Only Content) where Kevin discusses some of his inspirations and mentors - Dave Evans, Malcolm McNab, and Bobby Shew for trumpet and Professor Jerry Junkin for conducting (specifically the four straight years that he attended a life-changing conductor's workshop in Texas.) I then ask Kevin a question that is always interesting for me: What makes a great student? We end with a story from a concert where Karel Husa's "Music for Prague 1968" was performed, and the emotional impact that great music can have.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Dr. Jess Block Nerren discusses The Cog, or Cognitive Collective, a sensory hub on the campus of Cal State University San Bernardino that advocates for neurodiversity. And Organizer Greg Russell talks about the Wild & Scenic Film Festival, April 19 at Riverside City College.

I detta avsnitt berättar vi om den mystiska dikten som hittades skriven på en bänk i ett förråd på Riverside City College. Även om hur den kan kopplas till ett annat äldre fall - ett mordförsök. 1968 gör sig seriemördaren Zodiac känd för omvärlden. Vi tittar på hans eventuella kopplingar till mordet på Cheri Jo Bates.Manus, klippning och inläsning av David Oscarsson.Vill du att Olösta mord ska fortsätta att komma ut varje vecka? Du kan påverka genom att dela podden med alla du känner som kan tänkas vara intresserade och/eller sponsra via Patreon; https://www.patreon.com/olostamord Välj valfri summa du vill sponsra med per avsnitt på Patreon.Har du teorier om vad som hänt i fallen som vi tagit upp i podden? Skicka dem till: zimwaypodcast@gmail.com så kommer vi ta upp dem i kommande avsnitt. Vill du höra ett specifikt fall i podden? Önska dina fall i det här formuläret: https://docs.google.com/forms/d/e/1FAIpQLSfDlQxf9SgZyeGS-qFPaB4BP-L59lQhs7BbZACfwk7xSs-AFw/viewform?fbclid=IwAR0astYAY_SJLcst89FwKaPIeHHV9zlfAxEz6Cmrh37bbMwvMHGc8z5cwg4Det här är en podd av Dan Hörning och David Oscarsson.Följ Dan Hörning här:Twitter: @danhorningInstagram: https://www.instagram.com/dan_horning/?hl=enYoutube: https://www.youtube.com/channel/UCV2Qb7SmL9mejE5RCv1chwgMail: zimwaypodcast@gmail.comFacebook: https://www.facebook.com/Olostamord/ Hosted on Acast. See acast.com/privacy for more information.

Marxist is a word that gets thrown around and is often misunderstood. Dr Asatar Blair studied political economy under the well known Marxist Economist Dr Richard Wolff- so who better to discuss the topic with? He currently teaches at Riverside City College. He is also the author of  Prison Labor in the United States: An Economic Analysis. Join us in conversation on political economy from a Marxist point of View. This is part one of a two part series.

Alicia Berber should be, by all rights, a hero celebrated by Riverside City College, where she played before moving on to the Pac-10, and now coaches the women's basketball team. Instead she's been forced to sue her employer over working conditions, won, and is suing again over a set of hurdles you have to hear to believe. She's here with her good friend and Riverside legend Cheryl Miller, who you might know as perhaps the greatest living player, and host Howard Megdal to talk about the latest and what's next.Photo via Berber.To help, visit this site to get your #Equalityinwomenssports shirt.Support Us By Supporting Our Sponsors!IbottaIbotta gives you cash back on hundreds of grocery items from produce to personal care to pantry goods, so you can make sure you're beating inflation no matter what you're purchasing! Go to the App Store or Google Play store and download the FREE Ibotta app and use code locked.GametimeDownload the Gametime app, create an account, and use code LOCKEDONNBA for $20 off your first purchase.BirddogsGo to birddogs.com/LOCKEDONNBA or enter promo code LOCKEDONNBA for a free water bottle with any purchase. You won't want to take your birddogs off we promise you.FanDuelThis episode is brought to you by FanDuel Sportsbook, Official Sportsbook of Locked On. Right now, NEW customers can bet FIVE DOLLARS and get TWO HUNDRED in BONUS BETS - GUARANTEED. Visit FanDuel.com/LOCKEDON to get started.FANDUEL DISCLAIMER: 21+ in select states. First online real money wager only. Bonus issued as nonwithdrawable free bets that expires in 14 days. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG (CO, IA, MD, MI, NJ, PA, IL, VA, WV), 1-800-NEXT-STEP or text NEXTSTEP to 53342 (AZ), 1-888-789-7777 or visit ccpg.org/chat (CT), 1-800-9-WITH-IT (IN), 1-800-522-4700 (WY, KS) or visit ksgamblinghelp.com (KS), 1-877-770-STOP (LA), 1-877-8-HOPENY or text HOPENY (467369) (NY), TN REDLINE 1-800-889-9789 (TN)#WNBA #NCAA #WomensBasketball #WomensBasketballCollege Learn more about your ad choices. Visit podcastchoices.com/adchoices

Alicia Berber should be, by all rights, a hero celebrated by Riverside City College, where she played before moving on to the Pac-10, and now coaches the women's basketball team. Instead she's been forced to sue her employer over working conditions, won, and is suing again over a set of hurdles you have to hear to believe. She's here with her good friend and Riverside legend Cheryl Miller, who you might know as perhaps the greatest living player, and host Howard Megdal to talk about the latest and what's next. Photo via Berber. To help, visit this site to get your #Equalityinwomenssports shirt. Support Us By Supporting Our Sponsors! Ibotta Ibotta gives you cash back on hundreds of grocery items from produce to personal care to pantry goods, so you can make sure you're beating inflation no matter what you're purchasing! Go to the App Store or Google Play store and download the FREE Ibotta app and use code locked. Gametime Download the Gametime app, create an account, and use code LOCKEDONNBA for $20 off your first purchase. Birddogs Go to birddogs.com/LOCKEDONNBA or enter promo code LOCKEDONNBA for a free water bottle with any purchase. You won't want to take your birddogs off we promise you. FanDuel This episode is brought to you by FanDuel Sportsbook, Official Sportsbook of Locked On. Right now, NEW customers can bet FIVE DOLLARS and get TWO HUNDRED in BONUS BETS - GUARANTEED. Visit FanDuel.com/LOCKEDON to get started. FANDUEL DISCLAIMER: 21+ in select states. First online real money wager only. Bonus issued as nonwithdrawable free bets that expires in 14 days. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG (CO, IA, MD, MI, NJ, PA, IL, VA, WV), 1-800-NEXT-STEP or text NEXTSTEP to 53342 (AZ), 1-888-789-7777 or visit ccpg.org/chat (CT), 1-800-9-WITH-IT (IN), 1-800-522-4700 (WY, KS) or visit ksgamblinghelp.com (KS), 1-877-770-STOP (LA), 1-877-8-HOPENY or text HOPENY (467369) (NY), TN REDLINE 1-800-889-9789 (TN) #WNBA #NCAA #WomensBasketball #WomensBasketballCollege Learn more about your ad choices. Visit podcastchoices.com/adchoices

Part 2 of a conversation with Dr. Dan Hogan, professor of English at Riverside City College in California. We talk about some of the challenges of teaching at a "secular" institution as a believer, how to think about both Christian and secular scholarship, and how we can love and lead all people to Christ no matter what our occupation might be. Welcome to Heights Baptist Church! Our mission is to love and to lead all people to a new life with Christ. Digital Connect Card: https://www.heightschurch.org/connect To watch services online: https://www.heightschurch.org/media To give online: https://www.heightschurch.org/give

This week we are joined by Dr. Dan Hogan, a professor of English at Riverside City College in California. Dan is currently teaching "The Bible as Literature." We talk about what its like to teach college, what its like to teach the Bible on a "secular" college campus, and the fascinating questions that students of the Bible have when they study it for the first time. Welcome to Heights Baptist Church! Our mission is to love and to lead all people to a new life with Christ. Digital Connect Card: https://www.heightschurch.org/connect To watch services online: https://www.heightschurch.org/media To give online: https://www.heightschurch.org/give

Ben Karikari, Linebacker from Gold Coast Stingrays, Riverside City College and Harding University Bisons joins Tmac and Danwah to talk all things growing up in Australia, making the bold move to try out in the US and balancing a College career, education and starting a business all at the same time. An inspiring story of commitment and perseverance which is not to be missed. Ben is also part of American Konnection where you can get 10% off with Code AnyGivenSunday link below. American Konnection Subscribe to get all our content

Episode 18 Cheri Jo Bates In 1966, Riverside City College student Cheri Jo Bates was viciously stabbed 42 times and nearly decapitated in an alley after leaving the school library. Police discovered that her car had been deliberately disabled, and concluded that her attacker had deliberately sabotaged it in order to get to her. The case was thoroughly investigated, but had started to cool when an anonymous confession letter arrived – claiming responsibility for the murder in great detail. Additional letters added to the mystery. And then, another killer dominated the headlines in California – a killer who also sent anonymous letters that bore marked similarities to the confession letter. Was Cheri Jo Bates the first victim of the serial killer who terrorized California in the late 1960s, who has never been identified – the Zodiac?   To support this show, and network, and listen to every episode of Campus Killings AD-FREE, plus get early-access to episodes and bonus content, consider subscribing with an AbJack Insider subscription from Apple Podcasts. Simply visit our channel page on Apple Podcasts to get started. Your AbJack Insider will give you the same VIP benefits to EVERY show on the AbJack Entertainment network of podcasts.  For news, information, and updates about Campus Killings, or to contact the show, visit our website: https://www.abjackentertainment.com/campus-killings Follow Campus Killings on Social Media. On Twitter-https://twitter.com/CampusKillings On Facebook- https://www.facebook.com/Campuskillings Campus Killings is hosted by Dr. Meghan Sacks and Dr. Amy Shlosberg. Research and Writing by Jessica Bettencourt Produced by Mike Morford of AbJack Entertainment Be sure to listen to Amy and Meghan's other podcasts: Women and Crime https://womenandcrimepodcast.com/ & Direct Appeal https://directappealpodcast.com/

Alicia Berber has endured decades of inhumane treatment. She has been abused, denied access, been overlooked, endured misogyny, sexual harassment, gas lighting, and retaliation. She's lost her home, feared for her life on many occasions, and endured more than two decades of mental anguish and post-traumatic stress. Her physical health has suffered and yet she continues to fight because she refuses to give in to the bullying, lies, and the machine. She wants to not only send a message to the Riverside Community College District and Riverside City College, but to the world, that you do not fuck with Title IX and women. This lawsuit is about Alicia. But this incredible college professor, coach, wife, mother, sister, and daughter is fighting for all the girls and women out there. She's fighting for inclusion and equality. She wants the next woman who comes into not only her position at Riverside City College but in all leadership positions that she has their backs and that the courts come to a similar conclusion. This will then make it that much easier for the next person to fight until we bridge the gap between the marginalized and the most privileged - white men. Thank you for joining me for this special edition on the amended lawsuit filed by Alicia Berber against RCCD. We hope this episode offers you some inspiration, motivation and education. Your voice matters. I started this podcast after the murder of George Floyd and I had no idea where it would lead me and I still don't, but in the meanwhile, I will continue to do my best to serve, to be an ally, and a vessel to not only create a safe space for people to share their story but to help educate and mobilize in hopes for a better tomorrow. Thanks for watching and listening and remember, it takes a village everyone. Much love...Peace. --- Send in a voice message: https://podcasters.spotify.com/pod/show/the-sports-deli/message Support this podcast: https://podcasters.spotify.com/pod/show/the-sports-deli/support

This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture. From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons & Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators. The Fantasy of the Middle Ages: An Epic Journey Through Imaginary Medieval Worlds (J. Paul Getty Museum, 2022) aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars. This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022. Larisa Grollemond is the assistant curator of manuscripts at the J. Paul Getty Museum. She received her Ph.D. in art history from the University of Pennsylvania and was a contributing editor for Book of Beasts: The Bestiary in the Medieval World (Getty Publications, 2019). Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of the global Middle Ages and fantasy medievalisms. He holds a Ph.D. from the Courtauld Institute of Art, at the University of London. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture. From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons & Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators. The Fantasy of the Middle Ages: An Epic Journey Through Imaginary Medieval Worlds (J. Paul Getty Museum, 2022) aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars. This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022. Larisa Grollemond is the assistant curator of manuscripts at the J. Paul Getty Museum. She received her Ph.D. in art history from the University of Pennsylvania and was a contributing editor for Book of Beasts: The Bestiary in the Medieval World (Getty Publications, 2019). Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of the global Middle Ages and fantasy medievalisms. He holds a Ph.D. from the Courtauld Institute of Art, at the University of London. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture. From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons & Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators. The Fantasy of the Middle Ages: An Epic Journey Through Imaginary Medieval Worlds (J. Paul Getty Museum, 2022) aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars. This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022. Larisa Grollemond is the assistant curator of manuscripts at the J. Paul Getty Museum. She received her Ph.D. in art history from the University of Pennsylvania and was a contributing editor for Book of Beasts: The Bestiary in the Medieval World (Getty Publications, 2019). Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of the global Middle Ages and fantasy medievalisms. He holds a Ph.D. from the Courtauld Institute of Art, at the University of London. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture. From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons & Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators. The Fantasy of the Middle Ages: An Epic Journey Through Imaginary Medieval Worlds (J. Paul Getty Museum, 2022) aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars. This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022. Larisa Grollemond is the assistant curator of manuscripts at the J. Paul Getty Museum. She received her Ph.D. in art history from the University of Pennsylvania and was a contributing editor for Book of Beasts: The Bestiary in the Medieval World (Getty Publications, 2019). Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of the global Middle Ages and fantasy medievalisms. He holds a Ph.D. from the Courtauld Institute of Art, at the University of London. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture. From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons & Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators. The Fantasy of the Middle Ages: An Epic Journey Through Imaginary Medieval Worlds (J. Paul Getty Museum, 2022) aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars. This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022. Larisa Grollemond is the assistant curator of manuscripts at the J. Paul Getty Museum. She received her Ph.D. in art history from the University of Pennsylvania and was a contributing editor for Book of Beasts: The Bestiary in the Medieval World (Getty Publications, 2019). Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of the global Middle Ages and fantasy medievalisms. He holds a Ph.D. from the Courtauld Institute of Art, at the University of London. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture. From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons & Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators. The Fantasy of the Middle Ages: An Epic Journey Through Imaginary Medieval Worlds (J. Paul Getty Museum, 2022) aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars. This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022. Larisa Grollemond is the assistant curator of manuscripts at the J. Paul Getty Museum. She received her Ph.D. in art history from the University of Pennsylvania and was a contributing editor for Book of Beasts: The Bestiary in the Medieval World (Getty Publications, 2019). Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of the global Middle Ages and fantasy medievalisms. He holds a Ph.D. from the Courtauld Institute of Art, at the University of London. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture. From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons & Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators. The Fantasy of the Middle Ages: An Epic Journey Through Imaginary Medieval Worlds (J. Paul Getty Museum, 2022) aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars. This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022. Larisa Grollemond is the assistant curator of manuscripts at the J. Paul Getty Museum. She received her Ph.D. in art history from the University of Pennsylvania and was a contributing editor for Book of Beasts: The Bestiary in the Medieval World (Getty Publications, 2019). Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of the global Middle Ages and fantasy medievalisms. He holds a Ph.D. from the Courtauld Institute of Art, at the University of London. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture. From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons & Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators. The Fantasy of the Middle Ages: An Epic Journey Through Imaginary Medieval Worlds (J. Paul Getty Museum, 2022) aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars. This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022. Larisa Grollemond is the assistant curator of manuscripts at the J. Paul Getty Museum. She received her Ph.D. in art history from the University of Pennsylvania and was a contributing editor for Book of Beasts: The Bestiary in the Medieval World (Getty Publications, 2019). Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of the global Middle Ages and fantasy medievalisms. He holds a Ph.D. from the Courtauld Institute of Art, at the University of London. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Episode 19 Cheri Jo BatesOn October 30, 1966, 18 year old college Freshman Cheri Jo Bates was brutally murdered on her college campus at Riverside City College in Riverside, CA. She was savagely stabbed and her throat slashed. Her murder shocked the quiet Southern CA city. Residents wondered who would kill the pretty and popular cheerleader. Police theorized that Cheri's killer disabled her VW Bug while Cheri was in the college library and when she came out to leave and found her car disabled, the killer came along acting as a good samaritan and offering help. After gaining Cheri's trust, he led her to a dimly lit alley between two abandoned homes on school property and initiated his attack. 30 days after Cheri Jo was killed, an anonymous typed letter was sent to police & the local press claiming responsibility for Cheri Jo's murder. Police initially believed that the confession letter contained details only the killer could know, but in reality, much of what was in the letter was published in AP news stories about the case. Additional letters would come in Cheri Jo's case 6 months after her murder. This time the hand scrawled letters were sent to not only to police and the press, but cruelly, also to Cheri Jo's father. The Riverside Police locked onto a suspect that they felt was a jilted suitor of Cheri Jo's. He was never identified publicly, but was given the moniker 'Bob Barnett' in online discussions of the case. For years, police were interested in this suspect, but did not have enough to build a case against him. Complicating matters, he moved out of the country. When the suspect returned to the US for a visit, police swooped in and obtained his DNA for comparison against DNA in Cheri Jo's case. It seems that the DNA collected from the suspect did not match DNA in the Bates case. But that did not stop Riverside PD from pursuing a case against their favorite suspect. In 1970, a tipster in Riverside read a story about the infamous Zodiac Killer attacks and letters happening in the SF Bay area over 400 miles North of Riverside. Feeling that Cheri's case may be connected to the Zodiac crimes, the tipster reached out to SF Chronicle reporter Paul Avery asking him to see if the cases may be connected. Avery came away convinced that Cheri Jo's case was connected to the Zodiac case. The state's top handwriting expert Sherwood Morrill agreed that writing on letters in the Bates case matched writing in the Zodiac case. Police however were split on the conclusion. While investigators in the Zodiac case were open to the possibility that Cheri Jo Bates was an early Zodiac victim, Riverside PS dismissed the idea, instead focusing on their favorite suspect. Decades later, Cheri Jo's case and the Zodiac case remain hopelessly intertwined, and both are still unsolved.Was Cheri Jo an early Zodiac victim? Or was she the victim of a jilted suitor as Riverside PD suspects? In this episode, the team dives into the clues and evidence; evidence which contains DNA that's half a century old. Can this case be solved, or is it destined to remain a mystery? Tune in to this episode to find out.To find out how to join us live as we record each new episode of Citizen Detective, follow us on Social Media.Twitter- https://twitter.com/CitizenDPodFacebook Home Page- https://www.facebook.com/CitizenDetectivePodcastFacebook Discussion group- https://www.facebook.com/groups/233261280919915Instagram- https://www.instagram.com/citizendpod/?hl=enYoutube- https://www.youtube.com/channel/UCSgvqIuf4-sEF2aDdNGip2wVisit our homepage: Citizendetectivepodcast.comTo support this podcast on Patreon and gain access to ad-free episodes, bonus content, and our after-show 'The Scrum' visit Patreon.com/CitizenDetective Continue the conversation about this case with fellow Citizen Detectives over at Websleuths: https://www.websleuths.com/forums/forums/citizen-detective-true-crime-podcast.719/The Citizen Detective team includes:Co-Hosts- Mike Morford, Alex Ralph, and Dr. Lee MellorWriting and Research- Alex RalphTechnical Producer- Andrew GrayProduction Assistant- Ashley MonroeSuzanna Ryan- DNA ExpertCloyd Steiger- Retired Seattle PD Homicide Detective

BYU quarterback Jake Retzlaff spoke with Mitch Harper and Matt Baiamonte and discussed why he signed with the Cougars from Riverside City College. Subscribe to the Cougar Tracks Podcast! Apple: https://podcasts.apple.com/us/podcast/cougar-tracks/id1146971609 Google Play: https://kslsports.com/category/podcast_results/?sid=2035&n=Cougar%20Tracks Download the KSL Sports app Google: https://play.google.com/store/apps/details?id=com.bonneville.kslsports&hl=en_US iOS: https://apps.apple.com/us/app/ksl-sports/id1435930251See omnystudio.com/listener for privacy information.

Welcome to the first episode of Season 4 of The Sports Deli Podcast. This historic podcast brings together some of the most influential and historic women in the history of women's professional and intercollegiate sports. We are joined by Judy Sweet, the first female President in the history of the NCAA along with 1999 Women's Basketball Hall-of-Fame inductee Ann Meyers Drysedale - four-time All-American at UCLA who led the Bruins to the National Championship in 1978. She was an integral member of the 1976 Olympic team, played professionally in the original W, the WBL, the Women's basketball League and in case you we're interested she was born the same day as Diana Ross and had 10 brothers and sisters growing up. She was a broadcaster and is fierce advocate of not only Alicia but of Title IX. We are also joined again by the Greatest Of All Time (G.O.A.T.) - Cheryl Miller - 1995 Naismith Memorial Basketball Hall-Of-Fame inductee, former Phoenix Mercury and Southern Cal Head Coach, broadcaster, friend and huge supporter of Alicia. Also joining us today is the writer of the Los Angeles Times article on 1/16/23, chronicling Alicia Berber, Title IX, Billie Jean King, Tara VanDerveer, and Cori Close - Steve Henson, Assistant Sports Editor at the Los Angeles Times. President of the Legends of the Ball, Elizabeth Galloway McQuitter, former player in the original W also, joins us along with Alicia Berber, Head Women's Basketball Coach at Riverside City College who is embroiled in her second lawsuit against the college. Daniel Kolodziej, Esq. (Bar No. 170595) - attorney for Alicia also joins us today. --- Send in a voice message: https://anchor.fm/the-sports-deli/message Support this podcast: https://anchor.fm/the-sports-deli/support

Alicia Berber, Head Women's Basketball Coach at Riverside City College continues to fight the injustices, harassments, Title IX violations and unbearable conditions that have been going on for over 20 years. She updates us in this part 3 of our ongoing chronicling of her fight for women and girls everywhere. Join Alicia and I along with Judy Sweet, the first female President in the history of the NCAA and former Athletic Director at UCSD, Cheryl Miller, the G.O.A.T. of women's college and professional basketball, Mary Azzarto Ciampa, founder of WomenX along with Tiffany Bullock, Chief Operating Officer of WomenX, Doug Feinberg from The Associated Press, Jim Stroesser, co-founder and co-owner of Cali-Strong, Elizabeth Galloway-McQuitter, President of The Legends of the Ball, and Carol Stiff, former Vice President of Women's Sports Programming at ESPN where she worked for 31 years and is now an advisor to the newly formed, Women's Sports Network. Please don't remain silent about this. Please call or email, the California Community College Chancellor, Daisy Gonzales (her bio is here): https://www.cccco.edu/About-Us/Chancellors-Office/Meet-the-Chancellor and Riverside City College and demand that the President, Chancellor, and Athletic Director protect Alicia and her players under the law. Thank you so much for watching and listening. #TitleIX #TheSportsDeliPodcast #NotAnyMore #EqualityInWomensSports #Equality #CCCAA #NCAA --- Send in a voice message: https://anchor.fm/the-sports-deli/message Support this podcast: https://anchor.fm/the-sports-deli/support

THE SPORTS DELI PRESENTS: Cheryl Miller, The G.O.A.T., Judy Sweet, The First Female In The History of the NCAA, along with Flo Luppani From Santa Ana College, Paul DeBolt from Napa Valley College and attorney, Daniel Kolodziej Join Hoot in Support of Alicia Berber, Head Women's Basketball Coach at Riverside Community College whose endured 20+ Years of Abuse and Violations of Title IX. FIND ALL THE VIDEO AND AUDIO EPISODES HERE: https://linktr.ee/mikehootner TO READ THE LAWSUIT GO TO: WWW.THESPORTSDELIPODCAST.COM and Click the TITLEIX Link. #thesportsdelipodcast #TheGoat #TitleIX #TitleIX50 #riverside #riversidecalifornia #cccaa University of Southern California USC Trojans #UCSD #equality National Womens Law Center The New York Times espnW ESPN Los Angeles Times Washington Post Yahoo Sports WNBA #WNBA #LosAngelesTimes #WashingtonPost #yahoosports#nytimes #ESPN NBC GMA News #NightlyNews NBC Nightly News with Lester Holt #usctrojans WomenSport International Women supporting women. --- Send in a voice message: https://anchor.fm/the-sports-deli/message Support this podcast: https://anchor.fm/the-sports-deli/support

Susan Straight, author of the novel, Mecca, which Michael Connelly called "a masterpiece," talks with Barbara DeMarco-Barrett about her new novel and how it came to be. Susan Straight was born in Riverside, CA, and still lives there with her family. She's passionate about home, California, the Santa Ana River, the foothills and the deserts, and has been writing about southern California and the inland area for forty years. From her kitchen window, she can see the hospital where she was born, which her three daughters find kind of hilarious and pathetic; most days, she walks her dog Angel beside the Santa Ana River as she has since childhood, and then past the classrooms at Riverside City College, where she wrote her first short story, at 16, which is also kind of hilarious, but hopeful. She has written about the people of California for her new memoir, In the Country of Women, based on women's stories told for five generations to Straight and her daughters, in driveways and trucks, at parks and funerals. She's published that memoir, eight novels, and two books for children. Her short stories and essays have been published everywhere from The New Yorker, The New York Times, The Los Angeles Times, and The Guardian to Alta, The Believer, McSweeneys, Zoetrope, Reader's Digest, Real Simple, and Family Circle. She's been awarded a Guggenheim Fellowship, the Lannan Prize for Fiction, a California Gold Medal for Fiction, and the Kirsch Award for Lifetime Achievement from the Los Angeles Times Book Prizes. Download audio. (Recorded on July 12, 2022) Music and sound design by Travis Barrett Support the show on Patreon! Barbara DeMarco-Barrett: www.penonfire.com Marrie Stone: www.marriestone.com Travis Barrett: https://travisbarrett.mykajabi.com

This edition of the Life of Fitz podcast features host Tim Fitzgerald calling former Kansas State basketball coach Jim Wooldridge in Dallas, Texas, where he and his wife, Anne, recently moved. Wooldridge coached the Wildcats from 2000 until being let go by athletics director Tim Weiser after losing in the Big 12 Tournament to end the 2005-06 season. Wooly was born in Oklahoma City and played basketball at Lousiana Tech. He landed his first head coaching job at Central Missouri State in 1985, coaching there for six seasons before moving to Southwest Texas State (now Texas State) and then to his alma mater. Wooldridge won 73% of his game at CMSU but never found that level of success again. When K-State looking for a new basketball coach after firing Tom Asbury, Wooly was serving as an assistant for the Chicago Bulls under good friend Tim Floyd. Wooly's program went 83-90 in his six seasons, and his final roster was the foundation for Bob Huggins' one season in Manhattan. After leaving K-State, Coach Wooldridge went on to coach at Cal-Riverside, then became the school's athletic director and then he completed his career during a fulfilling five-year run as the AD at Riverside City College. He retired from athletics two years ago and is now 66 years old. *** Tim Fitzgerald is a sports journalist who writes, does TV, radio and is a long-time podcaster. He has served as publisher of GoPowercat.com, a website that focuses on Kansas State sports, for nearly 25 years. Fitz also has stage four prostate cancer, so during the initial stages of the pandemic, his doctors have advised him to stay home and lay low. Now, Fitz is healthy and in remission, but his podcast lives on. Welcome to his life and the Life of Fitz podcast. Sign up for GoPowercat VIP access and get your first month for just $1! Want the latest Kansas State headlines sent to your inbox? Click to sign up for GoPowercat's daily newsletter!  Make sure you subscribe to Life of Fitz at your favorite podcast provider, including Apple, Spotify or Amazon. Follow @LifeofFitz To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

"Life is going to have ebbs and flows. When we start to get doubtful, we start to make rash decisions. If you can see the path clearly, stick to it. If you can't, figure out the unclear parts. Chances are if you're a developmental athlete, you're pretty low on your developmental path. It takes a lot work to be far along on that path. So if you are low, there's a lot of things you can pick at to get better. If you just think that it's going to take care of itself or you're falling back on the place that you're at, it's kind of being lazy. If you want to be as good as these other people, you can't assume it was handed to them. You're better off assuming they trusted the process, they were analytical – that's how they got to that place. Their path could've started years earlier than you but it's better to assume everybody is working hard and you need to be working hard too. Trust in that hard work." Two-time Olympic triple jumper and training partner Chris Benard kicks back to share a bit about his career path from Riverside City College to Arizona State to two Olympic Games. Benard also dives into the mindfulness practice that has helped him stay focused in some of the biggest national and global stages. ▶ Follow Jasmine: Twitter | Instagram ▶ Follow Chris: Twitter | Instagram

Kelly is joined by returning guest Dr. Asatar Bair a Professor of Economics at Riverside City College in California.  Topics discussed include the Uyghurs in China, the Chinese one child policy, North Korea, current situation with Ukraine and Russia an...

Asatar Bair is a professor of economics at Riverside City College. In this interview we discuss Julian Assange's extradition case, the Great Resignation, austerity, low wages, rising debt, inflation, negative interest rates, speculative bubbles, Bitcoin, automation, UBI, and how partisan politics is a lot like professional wrestling.Join the conversation! Submit questions to guests by becoming a PRIMO RADICAL patron for only $1 a month on Patreon: https://patreon.com/primoradicalSubscribe to PRIMO RADICAL on YouTube, Spotify, and iTunes!https://primoradical.com/ https://facebook.com/primoradical/ https://twitter.com/primoradical/ https://instagram.com/primoradical/https://youtube.com/c/primoradical/Support the show (https://www.patreon.com/primonutmeg)

In this weekend edition: This month we're taking a look at apprenticeships as an alternative to a four-year college education. Proponents of apprenticeships say the model can help California workers who lack the resources for outside training advance in their careers. The LVN to RN apprenticeship program is a collaboration between Riverside City College, the state prison health care system, and SEIU Local 1000, the union that represents state employees.  Support the show: https://support.laist.com/laistnav

Angelina Alcantar is a seasoned automotive instructor at Riverside City College in California. She brings over 8 years of experience as an auto technician in dealerships, shops, and hot rod/performance shops. Her passion lies in learning as much as possible about the automotive field and then sharing it with her students so they can be successful wherever they choose to be in the industry. Join us in this episode as Angelina shares her wisdom around following your calling, showing your qualifications through your skills, and dealing with sexual harassment at work. You won't want to miss this one! Angelina's Contact Info-- Instagram: @ms.A_theshopteacher YouTube: "Ms. A--The Shop Teacher" I am excited to connect with you. I'd love for you to text me at ‪(614) 636-2240 with your feedback‬. The Femcanic audience drives the show! What is the Femcanic Garage community all about? Go check us out! You can visit our website at https://femcanic.com/ You can find us on Facebook, Instagram, and LinkedIn by searching for Femcanic Garage. Don't forget to subscribe and rate the Femcanic Garage Podcast.

On Halloween morning, 1966, the body of Cheri Jo Bates was discovered on the grounds of Riverside City College in California. To this day the case remains UNSOLVED. There are theories that this murder was committed by ZODIAC.  This episode explores the case and visits key locations involved in the case

Roya Carreras is an Iranian-Hispanic artist, choreographer, and educator who works within commercial, film, and theatrical settings from New York City to Los Angeles. On stage, Carreras' work has been presented at the CURRENT SESSIONS, Dixon Place, Baruch Performing Arts Center, and The Green Building in New York City; in California, she has presented at The Odyssey, Highways Performance Space, Electric Lodge Theater, Glenn Wallichs Theatre, Diavolo, Brockus Project Space, and BRAVA. She was a resident choreographer for Columbia Ballet Collaborative of Columbia University in 2015 and in 2018 participated in the MANCC residency funded by the National Endowment for the Arts. She has taught ballet, contemporary, and improvisation at Harlem School of the Arts, New Canaan Dance Academy, American Musical and Dramatic Academy, Peridance, Riverside Ballet Arts, Riverside City College, Pasadena Dance Theater, Norwalk Metropolitan Youth Ballet, East Pointe Dance, and Brockus Conservatory. As a performer, she has worked closely with Barak Marshall at BodyTraffic, Bryan Arias, Danielle Russo Performance Project, and Lux Boreal Danza Contemporanea in Tijuana, Mexico. Carreras holds a BFA in Dance with Honors from UC Irvine's Claire Trevor School of the Arts, with additional training from The Ailey School and Springboard Danse Montreal. Her most recent work "Naneh," premiered inJanuary 2020, set on the L.A. Contemporary Dance Company.

Nate and Trent were joined by Eddie Cornejo. Eddie Cornejo completed his second season as assistant coach and recruiting coordinator to the CSUN Baseball team in 2020-21. Cornejo has helped coach the Matadors to a 31-24 over the past two seasons. CSUN would finish in fourth place in the Big West this past season and posted its fourth winning conference record since joining the league. The Matadors got off to their best start in 27 seasons in Cornejo's first year with the program as CSUN started 7-0. In the shortened-season, the Matadors finished 10-5 with the second-best record in the Big West. A nationally-recognized recruiter, Cornejo spent one season as an assistant coach and recruiting coordinator at San Jose State in 2019 before joining the Matadors. Prior to San Jose State, Cornejo served as the recruiting coordinator at UC Santa Barbara from 2012-17 where he helped recruit five nationally-ranked classes including the 2016 class which ranked No. 9 in the nation by Collegiate Baseball. D1Baseball.com recognized Cornejo as the Top Recruiter in the Big West Conference in 2016. Cornejo helped coach the Gauchos to the 2013 and 2015 NCAA Regionals and team's first-ever berth in the College World Series in 2016. With Cornejo on the bench, the Gauchos broke their school record of wins against Division I opponents (40) and hosted their first-ever regional during the 2015 campaign. A year later, he helped UCSB break its Division I win record again with 43 victories as the Gauchos marched deep into the postseason. During the team's magical 2016 season, the Gauchos won the Nashville Regional before stunning Louisville with a two-game sweep in the Super Regional round. He recruited and developed 39 Major League Baseball draft picks while with the Gauchos. The team set a new program record with 10 selections in 2015, which ranked second-best in the nation. Cornejo also worked as an assistant coach at UC Riverside in 2011 and interim head coach at Riverside City College in 2010. He would guide the recruitment of all 10 sophomores to NCAA and NAIA schools while at Riverside CC. Before venturing into coaching, Cornejo was an all-american shortstop at Riverside City College where he helped the Tigers win two-straight state titles in 2000 and 2001. He went on to play two seasons at the University of Oklahoma, earning All-Midwest Region and All-Big 12 Conference honors as a second baseman in 2003. Cornejo was selected in the 13th round of the 2003 MLB First-Year Player Draft by the Oakland Athletics. He went on to play six professional seasons in the Oakland and Colorado Rockies organizations, eventually advancing to the Triple-A ranks in 2008. Cornejo has a master's degree in education from Cal State San Bernardino and a bachelor's degree in sociology from the University of Oklahoma. www.troskyranch.com https://troskybaseball.com/ https://coachmongero.com/   Thanks to our sponsors at: https://soldiersports.us/ https://winreality.com https://www.jaegersports.com/ https://qualityatbats.com/  

Longtime Inland Empire journalist and KVCR news contributor Cassie MacDuff and KVCR's Rick Dulock review some of the big Inland Empire news stories from the past week: 1- Rep. Ken Calvert has agreed to stop blocking his critics on his social media accounts. 2- The only candidate for Riverside City College student body president is a registered sex offender. 3- The Temecula councilwoman who compared herself to Rosa Parks for refusing to wear a mask is defending her comments. 4- The Inland Empire has lost two longtime civic leaders. We remember them. THIS SEGMENT IS MADE POSSIBLE BY THE SOUTHERN CALIFORNIA NEWS GROUP, PUBLISHER OF THE PRESS-ENTERPRISE , SAN BERNARDINO SUN , INLAND VALLEY DAILY BULLETIN , AND OTHER SOUTHERN CALIFORNIA NEWSPAPERS.

Jules speaks with Dr. Asatar Bair about the Uyghur population in Xinjiang, China. Dr. Bair is a professor of economics and statistics at Riverside City College. Additional Links Below… Follow Dr. Asatar Bair on Twitter and YouTube Prison Labor in the United States: An Economic Analysis by Dr. Asatar Bair Six Basic Problems with the Uyghur Genocide Narrative by Dr. Asatar Bair Image of US Military Bases in the Pacific Who are the Uyghurs? China's Belt and Road Initiative Who is Adrian Zenz? There were 3,800 anti-Asian racist incidents, mostly against women, in past year U.S., allies announce sanctions on China over Uyghur ‘genocide’ China detaining millions of Uyghurs? Serious problems with claims by US-backed NGO and far-right researcher ‘led by God’ against Beijing Daughter of a late senator goes off on anti-Asian screed Outro Music: "Godking" by Welcome Home Morning Star Permanent Links Below… --- Follow us on Social Media: Twitter Facebook Medium Patreon --- Join the discussion: https://www.reddit.com/r/noeasyanswerspodcast --- Send in a voice message: https://anchor.fm/noeasyanswers/message --- Visit our Patreon: https://www.patreon.com/noeasyanswers --- Hang out with us on Discord: https://discord.gg/4RHEEhdxy5 --- One-off Contribution: https://www.paypal.com/paypalme/julestaylormusic --- Comments, concerns, criticisms, and vitriol: noeasyanswerspodcast@gmail.com --- Music provided by: Self-Taut --- Support this podcast: https://anchor.fm/noeasyanswers/support

On the morning of Halloween, 1966, a groundskeeper at Riverside City College discovered the body of a young woman, sprawled face-down on a gravel drive-way between two campus buildings. The victim was Cheri Jo Bates, an 18-year-old freshman who had spent the previous evening studying at the campus library. Her killer had stabbed her several times in the back and chest; slit her throat; and disappeared into the night. The search for Cheri Jo Bates’s killer stalled until 1970, when her murder was linked to a series of killings committed in the San Francisco Bay Area by a man who proclaimed himself “the Zodiac.” For more than 50 years, the elusive Zodiac has been pursued by state and federal law enforcement agencies, journalists, and even amateur sleuths. He has been the subject of best-selling books and Hollywood films. Yet, the Zodiac has never been apprehended, and the murders he took credit for remain unsolved. The Zodiac has never been definitively linked to Cheri Jo Bates’s murder, but to this day, many remain convinced that she was the Zodiac’s first victim. Others believe that Cheri Jo’s killer was someone she knew. His identity remains unknown, and Cheri Jo Bates’s murder remains unsolved. The investigation into the murder of Cheri Jo Bates remains active. If you have any information that could aid investigators in their search for Cheri Jo’s killer, please contact the Riverside Police Department.RPD (Non-Emergency): 951-354-2007 RPD (General Information): 951-826-5700Anonymous We Tip Hotline: 800-472-7766Send us an email at feedback@ccspod.com! And follow us on Twitter, @theccspod!Our recommendations for this episode:-the book Booze and Vinyl https://amzn.to/2Nh2uNl -The Twitter account @ratemyskyperoom Sources:-AP, “Coed Slain on California Campus.” Salt Lake Tribune, 1 November 1966. https://bit.ly/3sdQLOh -AP, “Is Riverside Killing Connected to Zodiac?” Santa Cruz Sentinel, 17 November 1970. https://bit.ly/3qEJuqn -Chuck Buck, “High-School Filmmaking with a Mystery Ending.” RACmonitor, 7 May 2020. https://bit.ly/3uiwb13 -Robert Graysmith, Zodiac. Berkley, 1986. -Suzanne Hurt, “After 50 years, Zodiac hunters, police still seeking Cheri Jo Bates’ killer.” Press Enterprise, 6 November 2016. https://bit.ly/3sdjEtP -Henry Mendoza, “Zodiac Linked to Woman’s Murder.” San Bernardino Sun, 17 March 1971. https://bit.ly/3pAaR3D -Valerie Osier, “Coed’s 1966 slaying still a mystery.” Press Enterprise, 30 November 2013. https://bit.ly/3pEmpmg -UPI, “Riverside Police Continue Investigation.” Redlands Daily Facts, 2 November 1966. https://bit.ly/37v06t2 -A little history of the town of Riverside https://bit.ly/3bp1H4S -“Coed Stabbed to Death on Riverside College Campus.” Los Angeles Times, 1 November 1966. https://bit.ly/3qEwzVv - “Findings Point to White Male as Coed Slayer.” San Bernardino Sun, 9 November 1966. https://bit.ly/3kfOwr2 -Photos of the typed “Confession” letter from 1966, the handwritten notes from 1967, and other official documents and photos related to the case https://bit.ly/3budsal -“Riverside Coed Slain on Campus.” San Bernardino County Sun, 1 November 1966. https://bit.ly/3k6xbkd -The Cheri Jo Bates Memorial Endowed Scholarship at RCC https://bit.ly/2Zy4ao7 -The newspaper write-up about Ross Sullivan and Chuck Buck’s student film https://bit.ly/37yfxk2 -History Channel series from 2017, “The Hunt for the Zodiac Killer.” Available on YouTube: https://bit.ly/3uiHkyU -Tenderfoot TV and HowStuffWorks, “Monster: The Zodiac Killer.” https://bit.ly/3aBIptF

Dr Asatar Blair studied political economy under Dr Richard Wolff. He currently teaches at Riverside City College. He is also the author of Prison Labor in the United States: An Economic Analysis. Join us in conversation on political economy from a Marxist point of View. This is part one of a two part series. See acast.com/privacy for privacy and opt-out information.

The team at That’s Strange sits down to discuss the horrifying and almost unbelievable story of the Zodiac Killer. Come with us back to the Bay Area in the late 60’s and early 70’s as we breakdown all the nefarious acts committed by the still unknown killer. The Zodiac tormented the San Francisco area with his violent crimes and constant taunting of those trying to catch him. Sending letters to police, media, and even a local lawyer one thing is for sure, the Zodiac craved attention. He went above and beyond to terrify the community. From his horrific murders to the way he taunted police in the letters and ciphers he would send during his active years. You can see all the letters that Zodiac sent here. Sifting throughout the various forms of communication he used will put you in the mind of the killer. While his crimes have become infamous, the Zodiac case remains unsolved. Thousands of suspects were under suspicion while many of them fizzled out, a few remain in the limelight of the Zodiac case. Below you can see some of the suspects that we either didn’t cover or covered briefly. Ross Sullivan became a person of interest through the possible link between the Zodiac Killer and the murder of Cheri Jo Bates in Riverside. Sullivan was a library assistant at Riverside City College and was suspected by colleagues who said that he went missing for several days after the murder. Sullivan resembled sketches of the Zodiac and wore military-style boots like the footprints found at the Lake Berryessa crime scene. Sullivan was hospitalized multiple times for bipolar disorder and schizophrenia. Kathleen Johns, who claimed to have been abducted by the Zodiac Killer, later recognized U.S. Navy veteran Lawrence Kane in a photo lineup. Patrol officer Don Fouke, who possibly observed the Zodiac Killer following the murder of Paul Stine, said that Kane closely resembled the man he and Eric Zelms encountered. Kane worked at the same Nevada hotel as possible Zodiac victim Donna Lass. Kane was diagnosed with impulse-control disorder after suffering brain injuries in a 1962 accident. He was arrested for voyeurism and prowling. Police informants accused U.S. Navy veteran Richard Reed Marshall(born Joe Don Dickey) of being the Zodiac Killer, claiming that he privately hinted at being a murderer. Marshall lived in Riverside in 1966 and San Francisco in 1969, close to the scenes of the Bates and Stine murders. He was a silent film enthusiast and projectionist, screening Segundo de Chomón’s The Red Phantom (1907), a name used by the author of a possible 1974 Zodiac letter. Detective Ken Narlow said that “Marshall makes good reading but [is] not a very good suspect in my estimation.” Ted Kaczynski, also known as the Unabomber, was investigated for possible connections to the Zodiac Killer in 1996. Kaczynski worked in northern California at the time of the Zodiac murders, and like the Zodiac had an interest in cryptography and threatened the press into publishing his communications.[98] Kaczynski was ruled out by both the FBI and SFPD based on fingerprint and handwriting comparison, and by his absence from California on certain dates of known Zodiac activity. Bruce Davis, a member of Charles Manson’s Manson Family cult and a convicted murderer, was investigated, but no evidence linking him to the Zodiac murders was discovered. A 1970 report by the California Bureau of Criminal Identification and Investigation stated that all male members of the Manson Family had been investigated and eliminated as Zodiac suspects. In 2007, a man named Dennis Kaufman claimed that his stepfather Jack Tarrance was the Zodiac. Kaufman turned several items over to the FBI including a hood similar to the one worn by the Zodiac. According to news sources, DNA analysis conducted by the FBI on the items was deemed inconclusive in 2010. In 2014, Gary Stewart published a book, The Most Dangerous Animal of All, in which he claimed his search for his biological father, Earl Van Best, Jr., led him to conclude Van Best was the Zodiac Killer. In 2020, the book was adapted for FX Network as a documentary series. We hope you all enjoy this episode on the Zodiac killer. The case remains unsolved to this day. You can head over to thatsstrange.net to keep up to date on everything we have coming up! -That’s Strange

The team at That’s Strange sits down to discuss the horrifying and almost unbelievable story of the Zodiac Killer. Come with us back to the Bay Area in the late 60’s and early 70’s as we breakdown all the nefarious acts committed by the still unknown killer. The Zodiac tormented the San Francisco area with his violent crimes and constant taunting of those trying to catch him. Sending letters to police, media, and even a local lawyer one thing is for sure, the Zodiac craved attention. He went above and beyond to terrify the community. From his horrific murders to the way he taunted police in the letters and ciphers he would send during his active years. You can see all the letters that Zodiac sent here. Sifting throughout the various forms of communication he used will put you in the mind of the killer. While his crimes have become infamous, the Zodiac case remains unsolved. Thousands of suspects were under suspicion while many of them fizzled out, a few remain in the limelight of the Zodiac case. Below you can see some of the suspects that we either didn’t cover or covered briefly. Ross Sullivan became a person of interest through the possible link between the Zodiac Killer and the murder of Cheri Jo Bates in Riverside. Sullivan was a library assistant at Riverside City College and was suspected by colleagues who said that he went missing for several days after the murder. Sullivan resembled sketches of the Zodiac and wore military-style boots like the footprints found at the Lake Berryessa crime scene. Sullivan was hospitalized multiple times for bipolar disorder and schizophrenia. Kathleen Johns, who claimed to have been abducted by the Zodiac Killer, later recognized U.S. Navy veteran Lawrence Kane in a photo lineup. Patrol officer Don Fouke, who possibly observed the Zodiac Killer following the murder of Paul Stine, said that Kane closely resembled the man he and Eric Zelms encountered. Kane worked at the same Nevada hotel as possible Zodiac victim Donna Lass. Kane was diagnosed with impulse-control disorder after suffering brain injuries in a 1962 accident. He was arrested for voyeurism and prowling. Police informants accused U.S. Navy veteran Richard Reed Marshall(born Joe Don Dickey) of being the Zodiac Killer, claiming that he privately hinted at being a murderer. Marshall lived in Riverside in 1966 and San Francisco in 1969, close to the scenes of the Bates and Stine murders. He was a silent film enthusiast and projectionist, screening Segundo de Chomón’s The Red Phantom (1907), a name used by the author of a possible 1974 Zodiac letter. Detective Ken Narlow said that “Marshall makes good reading but [is] not a very good suspect in my estimation.” Ted Kaczynski, also known as the Unabomber, was investigated for possible connections to the Zodiac Killer in 1996. Kaczynski worked in northern California at the time of the Zodiac murders, and like the Zodiac had an interest in cryptography and threatened the press into publishing his communications.[98] Kaczynski was ruled out by both the FBI and SFPD based on fingerprint and handwriting comparison, and by his absence from California on certain dates of known Zodiac activity. Bruce Davis, a member of Charles Manson’s Manson Family cult and a convicted murderer, was investigated, but no evidence linking him to the Zodiac murders was discovered. A 1970 report by the California Bureau of Criminal Identification and Investigation stated that all male members of the Manson Family had been investigated and eliminated as Zodiac suspects. In 2007, a man named Dennis Kaufman claimed that his stepfather Jack Tarrance was the Zodiac. Kaufman turned several items over to the FBI including a hood similar to the one worn by the Zodiac. According to news sources, DNA analysis conducted by the FBI on the items was deemed inconclusive in 2010. In 2014, Gary Stewart published a book, The Most Dangerous Animal of All, in which he claimed his search for his biological father, Earl Van Best, Jr., led him to conclude Van Best was the Zodiac Killer. In 2020, the book was adapted for FX Network as a documentary series. We hope you all enjoy this episode on the Zodiac killer. The case remains unsolved to this day. You can head over to thatsstrange.net to keep up to date on everything we have coming up! -That’s Strange

In this episode we talk with Dr. Asatar Bair.  I get hip to Dr. Bair from show economist Arash Kolahi. For the newly radicalized, Dr. Bair and I have a discussion on the importance of learning theory.  We also talk about his book on the slave nature of prison labor as well.   Dr. Asatar Bair is an activist, professor, teacher, and author of “Prison Labor in the US: An Economic Analysis” (Routledge, 2008). He teaches economic theory at Riverside City College in southern CA. He has written over 200 articles for the Boursen-Kourier, Austria's oldest weekly financial newspaper. He has a Youtube channel with his lectures on economic theory: www.youtube.com/asatarbair. In addition to economics, Dr. Bair also teaches meditation and served as the Executive Director of the Institute for Applied Meditation.   Thank you again for taking the time to check this show out.  To continue to produce content such as this we rely solely on the support of people like you.  If you'd like to continue to support independent media such as this, and you can afford it, please become a patron.  You'll get bonus content from many of the shows, as well getting the shows early.  We're also producing some patron only content and livestreams with guests!    Become a Patron https://www.patreon.com/BitterLakePresents   Please follow, like, share, and subscribe to the show on the following platforms:   YouTube https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg   Facebook https://www.facebook.com/Thisisrevolutionpodcast   Twitch https://www.twitch.tv/thisisrevolutionpodcast   Twitter @TIRShowOakland   Instagram @thisisrevolutionoakland   Medium https://medium.com/@jasonmyles/they-dont-really-care-about-us-e2f1703ca39e

Roland Betancourt is a Professor of Art History at the University of California, Irvine, whose forthcoming book with Princeton University Press is entitled, Byzantine Intersectionality: Sexuality, Gender, and Race in the Middle Ages. Bryan C. Keene is assistant professor of art history at Riverside City College and formerly associate curator of manuscripts at the Getty Museum; his 2019 edited volume is Toward a Global Middle Ages: Encountering the World through Illuminated Manuscripts.

This episode features a little bit about Riverside CC Tradition, Dennis Rogers and how he built up his players and coaches, and how Coach Rudy Arguellas has seamlessly taken over as the program's skipper.

Sam Lopez is a potter living and working in San Diego, California. Sam teaches ceramics as an adjunct instructor at Riverside City College and makes pots in his home studio.

Karin has been an artist her whole life, from drawing as a child to, more recently, creating an eight foot tall work combing aspens and redwoods with a women with a fractured face. Her solo show opens at Joshua Tree Art Gallery (JTAG) on February 9, 2019. She's been creating art for 44 years.   In this episode Karin talks about living in Detroit and Canada and moving to California in the 1970's. Her art career started with drawings of fashion, some of which still informs her art today.   Karin worked as an art instructor at Riverside City College and at Norco (CA) for twenty years and at some points got involved in the nitty-gritty of administration and the politics of academia, which didn't leave much room for her to do her own work.   Her initial impressions of the desert were not flattering and left her wondering who would want to live here. Later, a trip to the national park with her beau Robert, proved to be a game-changer, "there was just this feeling that this was an important place for me to be" Karin says.   Karin and her husband, Robert, a musician, collaborated on a performance piece in 2003 call 'Scrubscapes' - sort of an ode to the desert - combining Karin's art pieces, some video installations with music and spoken word. Karin admits it was a bit of a stretch for her. While lecturing on art history to a room of students came easy, live performance, especially singing, was a different story. The collaboration yielded four successful performances.   Her upcoming exhibition was inspired in part by "The Overstory" a book of interlocking stories, centered on trees, by Richard Powers.   With a studio in Joshua Tree, Karin has 'office hours' for herself and her art, but stays creative at home in Yucca Valley making jewelry in her spare time.     www.karenskiba.com   www.joshuatreeartgallery.com

In this episode, FavyFav and Babelito interview video producer Emmanuel Ramos-Barajas, and they get into everything, from food in Boyle Heights to the golden age of Mexican cinema. Emmanuel tells us about his journey from being a student in Riverside City College to his life as an artist, graphic designer and YouTube personality. Emmanuel also discusses the dynamics of working with his parents since he has been producing videos with his mom, who is better known as Rosa Mamá, for almost three years. What is the difference between classical and popular Mexican Cinema? Who has the best tacos in Boyle Heights? Who has the best beans, Taco Bell or Del Taco? Find out and stick around for some great movie recommendations. And as always remember to send your questions to AskLWLPod@gmail.com and we might read them on a future episode! #supportbrownpodcasts #supportyourlocaltaquero #supportlatinxpodcasts

Yolanda Mangrum, DDS, MAGD has been a practicing dentist since 1997 and practice owner since 1999. She is the founder of Plan For Heath (PFH), co-founder of Virtual Training Innovation (VTI) and the owner/CEO Petaluma Dental Group (PDG). Plan For Health is a wellness membership plan for dental offices. It was created as a patient/ practice win-win to fill the gaps of dental insurance. The need to create Virtual Training Innovation came from her desire to stop repeating herself in training. She says "Keeping my team on track with training, culture, goals and protocols has seemed like a never-ending frustrating task. I needed to create a way to stop this cycle and win." Throughout her practicing years, she has strived to create protocols that would achieve repeatable results and lay the groundwork for inspiring individual growth. She has consistently shared her best practices with her dental colleagues, inspired new dentists and participated in organized dentistry to improve the dental profession. Yolanda began her dental career in 1989 when she received on-the-job training to become a licensed Registered Dental Assistant. While working as a dental assistant, she completed her Bachelor's in Biology at University of California, Riverside and completed Riverside City College's Dental Laboratory Technician Certificate. Having worked in every position of dentistry gives her personal experience of what it is like to “walk in the team and doctors shoes.” At University of California, San Francisco, School of Dentistry, she was an active student leader and student teacher. After graduation, she received a faculty position as Assistant Clinical Professor. Teaching and learning has remained a passion for Yolanda. She began her service in organized dentistry in 1994, and held local and state positions, culminating as President of the California AGD in 2008. In 2001, she earned her Fellowship in AGD and received the prestigious award of Masters in AGD in 2007. Dr. Mangrum opened her first dental practice in 1999 in Sonoma from scratch, one patient at a time. Ten years later she purchased her second practice, Petaluma Dental Group. She built a team of dedicated health care professionals in both practices. In 2011, she sold her Sonoma practice to focus on her multi-specialty Petaluma practice. Today, Petaluma Dental Group has five general dentists, an Orthodontist, an Oral Surgeon, Endodontist and a Periodontist. In 2014, Yolanda co-authored “Hire to Inspire: What Great Leaders Do To Consistently Achieve Winning Results.” This book is how she created a team of “leaders leading leaders.” She no longer has employee’s only partners/ stakeholders. Being a strong leader is important to her and she enjoys unlocking greatness in every individuals. It is her belief that individuals have limitless potential for growth.   Join the private FFS Dentistry Facebook group at www.ffsdentist.com

Kyle Turley is a former All-Pro NFL Offensive lineman who played eight seasons in the NFL. Kyle was Selected 7th overall by the New Orleans Saints in the 1998 NFL draft out of San Diego State.  He played five seasons for the New Orleans Saints and a year with the St. Louis Rams before a serious back injury sidelined him for the 2004 and 2005 seasons. He returned to football in 2006 as a member of the Kansas City Chiefs, where he spent the last two years of his career before announcing his retirement in December 2007. Since retiring, Kyle has focused his efforts in advocating for retired NFL players and is also an advocate for cannabis. Due to his strong belief in the medical benefits of cannabis, Kyle launched a CBD supplement company called Neuro Armor. Most recently he started coaching football at Riverside City College (Listen all the way through this episode to hear about the interesting and concerning athletic trainer situation at this school). Kyle Grew up in the rural towns of Utah.  His father, John Turley played quarterback at BYU, so football was in his blood. Kyle describes his father as an American Cowboy who drove trucks while Kyle was growing up, and eventually became a farmer. In Utah, there weren't enough kids around to field football teams, but even after his family moved to southern California when he was 10, they didn't have the money to let him play. Despite this, he remembers playing football in the parks and in gym class, and frequently had coaches telling him that he could play in the NFL one day. In high school Kyle struggled in school and that prevented him from playing football.  He was very into skateboarding and surfing at this time and excelled in both wrestling and baseball (Kyle described baseball as a "hang-out sport." This part of the interview made me laugh).  When Kyle got to his senior year his Dad mentioned that this would be his last chance to give football a try.  In addition to not having the grades to play before his senior season, Kyle was also slightly afraid of getting injured, especially being a self-described "skinny surfer skater kid" at the time.  Kyle obviously had a very successful senior year on the defensive line, which ultimately led to him receiving a scholarship to San Diego State University.  He credits his success to the skills and confidence wrestling gave him. Kyle's wrestling coach was also the d-line coach and told him told him to go get the ball and make sure your jersey shows up on film around the ball every play and he would get a scholarship.  This reminded me my interview with David Milewski in Episode 72, because its amazing what you can do as an athlete when you keep things simple and bust your ass. “There is no way to change the game, it is going to happen”  To this day the intangibles that Kyle looks for in his players at Riverside City College are positive attitudes and a willingness to learn.  Side note: I asked Kyle if he coaches football differently due to what his body has gone through and said “There is no way to change the game, it is going to happen."  That being the case, he said if he could go back, he would cut out some of the unnecessary "extracurricular" hitting he did.  Kyle embodied this mindset in his playing days and it served him well when he ended up redshirting in his freshman season at San Diego State.

Kyle Turley is a former All-Pro NFL Offensive lineman who played eight seasons in the NFL. Kyle was Selected 7th overall by the New Orleans Saints in the 1998 NFL draft out of San Diego State.  He played five seasons for the New Orleans Saints and a year with the St. Louis Rams before a serious back injury sidelined him for the 2004 and 2005 seasons. He returned to football in 2006 as a member of the Kansas City Chiefs, where he spent the last two years of his career before announcing his retirement in December 2007. Since retiring, Kyle has focused his efforts in advocating for retired NFL players and is also an advocate for cannabis. Due to his strong belief in the medical benefits of cannabis, Kyle launched a CBD supplement company called Neuro Armor. Most recently he started coaching football at Riverside City College (Listen all the way through this episode to hear about the interesting and concerning athletic trainer situation at this school). Kyle Grew up in the rural towns of Utah.  His father, John Turley played quarterback at BYU, so football was in his blood. Kyle describes his father as an American Cowboy who drove trucks while Kyle was growing up, and eventually became a farmer. In Utah, there weren't enough kids around to field football teams, but even after his family moved to southern California when he was 10, they didn't have the money to let him play. Despite this, he remembers playing football in the parks and in gym class, and frequently had coaches telling him that he could play in the NFL one day. In high school Kyle struggled in school and that prevented him from playing football.  He was very into skateboarding and surfing at this time and excelled in both wrestling and baseball (Kyle described baseball as a "hang-out sport." This part of the interview made me laugh).  When Kyle got to his senior year his Dad mentioned that this would be his last chance to give football a try.  In addition to not having the grades to play before his senior season, Kyle was also slightly afraid of getting injured, especially being a self-described "skinny surfer skater kid" at the time.  Kyle obviously had a very successful senior year on the defensive line, which ultimately led to him receiving a scholarship to San Diego State University.  He credits his success to the skills and confidence wrestling gave him. Kyle's wrestling coach was also the d-line coach and told him told him to go get the ball and make sure your jersey shows up on film around the ball every play and he would get a scholarship.  This reminded me my interview with David Milewski in Episode 72, because its amazing what you can do as an athlete when you keep things simple and bust your ass. “There is no way to change the game, it is going to happen”  To this day the intangibles that Kyle looks for in his players at Riverside City College are positive attitudes and a willingness to learn.  Side note: I asked Kyle if he coaches football differently due to what his body has gone through and said “There is no way to change the game, it is going to happen."  That being the case, he said if he could go back, he would cut out some of the unnecessary "extracurricular" hitting he did.  Kyle embodied this mindset in his playing days and it served him well when he ended up redshirting in his freshman season at San Diego State.  Kyle was brought in as a DE/OLB and was frequently helping out the team by running scout team.  Fortunately or unfortunately for Kyle, he really excelled on the scout team offensive line. After his freshman year, a new coaching regime was brought in and during our conversation, Kyle takes us through the moment that he officially moved to the offensive line.  The new o-line coach who played 17 years in the NFL was introduced at a team meeting and Kyle felt an immediate connection.  Photo : Passthemike.com While in college, Kyle dislocated his knee cap during a spring practice after getting his leg rolled onto by another player.  We talked about the mental and emotional toll this type of injury had on him, but also how he was determined to prove everyone wrong and the injury wrong.  Kyle played his senior season despite having teams think of him as a first round draft pick as a junior.  We then talked about the insurance policy top draft prospects can take out in case of future injury. After getting drafted 7th overall by the New Orleans Saints in the 1998 NFL draft, Kyle was lucky enough to remain injury free for his first 6 years in the league.  Kyle credits this health to pure luck. This streak ended when he signed with the St. Louis Rams and these injuries changed his life, not just his football career.  Specifically Kyle suffered a severe concussion, which left him unconscious and disoriented.  In this episode, Kyle takes us through the protocol, or lack thereof at that time in the NFL.  Without going into the whole story, Kyle's wife had to flag down an officer at the stadium to bring him to the hospital.  The two of them got in the back of the police car, and doctors were astonished by a blurred mass that was presented on his scan. The next day they said he was free to participate in practice and he played the next week.   "Your life is being active as an athlete, when you take that away from someone and to have pain and injuries on top of that, it's tough." This is the point where Kyle's physical and mental health began to change for the worse.  We eventually discuss what Kyle's transition to life after football was like after a nagging back injury and an ankle injury.  In addition Kyle constantly suffered from vertigo and migraines. Pills were always the go-to remedies for these ailments and Kyle largely believes they are what led to his mental health struggles, which included suicidal thoughts.  The one thing Kyle would do differently if he could go back, would be to not take all the pills because they turned him into someone that he wasn't and left him feeling like he didn't have any control.   Kyle felt like a junkie by being on all of the pills, so he began to educate himself on medical marijuana.  Although he was afraid to use marijuana while playing football, today he credits cannabis for saving his life because it helped him get off his previous prescriptions.  He feels so passionately about the benefits cannabis has to offer to the world he launched the CBD supplement company, Neuro Amour (Cognitive Therapy Evolved, CTE). Kyle was nice enough to give me a sample of the Neuro Armour Extract and I can definitely attest to sleeping more soundly throughout the night. Music has always been a part of Kyle's life. Every team he was on he would rent music equipment and he would play with his teammates during training camp.  He describes playing music as an escape from the daily grind.  Kyle recommends all athletes find a healthy escape from their sport from time to time.  When in college, he also found his escape in surfing.  Kyle dove deeper into the music world after his career, and we analyze some of the lyrics in his song "Fly'n Helmets" (Listen to his live recording below). Specifically we talk about the dynamics of the NFL and the NFL Players Association and how they treat retired players.  Kyle paints the picture of this dynamic by describing his last day in the NFL and I'm sure you will be as astounded as I was when you listen. This was a particularly special episode for me because I have hit 80 episodes and also because it proves that if you have a vision, you can make anything happen.  I came across Kyle's story when I first started the podcast, and knew I needed to get him on the show one day.  I followed him on Instagram, where Kyle always posts the epic sunsets he sees from his back yard.  I always pictured myself doing an interview at his house one day ( not in a weird super-fan way ) and it actually happened.  Athlete or not, injured or not, if you see it and you believe it, you can undoubtedly achieve it! WHERE CAN YOU learn more about CBD and Neuro Armour? WEBSITE | Instagram | FACEBOOK WHERE CAN YOU FIND Kyle turley? website | INSTAGRAM | Twitter | Music  Download Episode 80 : iTunes | Stitcher | SoundCloud Permalink

Have you ever considered searching records of incarceration to find your ancestors?  Whether researching a notorious family outlaw or a victim of early 20th century justice, there’s a good chance that you have an ancestor who has been incarcerated. Researching records of incarceration at local, state or federal penal institutions can reveal valuable family history information and also document shameful community patterns of social and economic abuse against blacks.  Join Sharon Batiste Gillins for an engaging discussion on the genealogical value of searching records of the incarcerated. Sharon Batiste Gillins is a native of Galveston, Texas with paternal ancestral roots in St. Mary Parish, Louisiana and maternal roots in Fort Bend County, Texas. A life-long interest in her family's history led to an active involvement in researching African American family history over the past 25 years. While researching her own family, she developed an in interest in unique and under-utilized record systems and record groups.  Some of her more recent work focuses on strategies researchers can use to analyze Louisiana’s Freedmen’s Bureau field office records for revealing, often personal information on freedmen ancestors. Ms. Gillins is a member of the Galveston Historical Society, National Genealogical Society, and Afro-American Historical and Genealogical Society.  A retired Associate Professor at Riverside City College, she frequently calls upon her career background as a college educator to present workshops or deliver courses at regional and national conferences and genealogical institutes.   She is also a member of the adjunct faculty at Samford Institute of Genealogy and Historical Research in Birmingham.  

With the 13th episode of our "Calls from the Clubhouse" podcast, we sat down with Dennis Rogers, longtime coach at Riverside City College in Riverside, California, to discuss his approach through the years of developing not only his players but also his assistant coaches and staff. Rogers is well-known throughout the country as a master of practice efficiency and he offers our listeners insight into his approaches to mental and visual development within his program along with enhancing baseball skills within his players. Rogers is a disciple of the legendary ABCA clinician and former Cal Poly Pomona head coach John Scolinos. Rogers provides tremendous reflections and stories from his time and sincere impact from Scolinos. Rogers has also used RCC as a breeding ground for exceptional young assistant coaches, giving them a platform to develop and hone their craft while also learning and growing himself from their influence.

With the 13th episode of our "Calls from the Clubhouse" podcast, we sat down with Dennis Rogers, longtime coach at Riverside City College in Riverside, California, to discuss his approach through the years of developing not only his players but also his assistant coaches and staff. Rogers is well-known throughout the country as a master of practice efficiency and he offers our listeners insight into his approaches to mental and visual development within his program along with enhancing baseball skills within his players. Rogers is a disciple of the legendary ABCA clinician and former Cal Poly Pomona head coach John Scolinos. Rogers provides tremendous reflections and stories from his time and sincere impact from Scolinos. Rogers has also used RCC as a breeding ground for exceptional young assistant coaches, giving them a platform to develop and hone their craft while also learning and growing himself from their influence.

With the 13th episode of our "Calls from the Clubhouse" podcast, we sat down with Dennis Rogers, longtime coach at Riverside City College in Riverside, California, to discuss his approach through the years of developing not only his players but also his assistant coaches and staff. Rogers is well-known throughout the country as a master of practice efficiency and he offers our listeners insight into his approaches to mental and visual development within his program along with enhancing baseball skills within his players. Rogers is a disciple of the legendary ABCA clinician and former Cal Poly Pomona head coach John Scolinos. Rogers provides tremendous reflections and stories from his time and sincere impact from Scolinos. Rogers has also used RCC as a breeding ground for exceptional young assistant coaches, giving them a platform to develop and hone their craft while also learning and growing himself from their influence.

Have you ever considered searching records of incarceration to find your ancestors?  Whether researching a notorious family outlaw or a victim of early 20th century justice, there’s a good chance that you have an ancestor who has been incarcerated. Researching records of incarceration at local, state or federal penal institutions can reveal valuable family history information and also document shameful community patterns of social and economic abuse against blacks.  Join Sharon Batiste Gillins for an engaging discussion on the genealogical value of searching records of the incarcerated. Sharon Batiste Gillins is a native of Galveston, Texas with paternal ancestral roots in St. Mary Parish, Louisiana and maternal roots in Fort Bend County, Texas. A life-long interest in her family's history led to an active involvement in researching African American family history over the past 25 years. While researching her own family, she developed an in interest in unique and under-utilized record systems and record groups.  Some of her more recent work focuses on strategies researchers can use to analyze Louisiana’s Freedmen’s Bureau field office records for revealing, often personal information on freedmen ancestors. Ms. Gillins is a member of the Galveston Historical Society, National Genealogical Society, and Afro-American Historical and Genealogical Society.  A retired Associate Professor at Riverside City College, she frequently calls upon her career background as a college educator to present workshops or deliver courses at regional and national conferences and genealogical institutes.   She is also a member of the adjunct faculty at Samford Institute of Genealogy and Historical Research in Birmingham.  

Join genealogist, Sharon Batiste Gillins for a discussion of Record Group 105 of the Bureau of Refugees, Freedmen, and Abandoned Lands. She will share her experiences in locating records in this rich genealogical resource available at the National Archives. The Freedmen's Bureau was established in the War Department by an act of Congress on March 3, 1865. The life of the Bureau was extended twice by acts of July 16, 1866 and July 6, 1868. The Bureau was responsible for the supervision and management of all matters relating to refugees and freedmen, and of lands abandoned or seized during the Civil War. Sharon Batiste Gillins is a native of Galveston, Texas with paternal ancestral roots in St. Mary Parish, Louisiana and maternal roots in Fort Bend County, Texas. A life-long interest in her family's history led to an active involvement in researching African American family history over the past 25 years. While researching her own family, she developed an in interest in unique and under-utilized record systems and record groups.  Some of her more recent work focuses on strategies researchers can use to analyze Louisiana’s Freedmen’s Bureau field office records for revealing, often personal information on freedmen ancestors. Ms. Gillins is a member of the Galveston Historical Society, National Genealogical Society, and Afro-American Historical and Genealogical Society.  A retired Associate Professor at Riverside City College, she frequently calls upon her career background as a college educator to present workshops or deliver courses at regional and national conferences and genealogical institutes.   She is also a member of the adjunct faculty at Samford Institute of Genealogy and Historical Research in Birmingham.  

Join genealogist, Sharon Batiste Gillins for a discussion of Record Group 105 of the Bureau of Refugees, Freedmen, and Abandoned Lands. She will share her experiences in locating records in this rich genealogical resource available at the National Archives. The Freedmen's Bureau was established in the War Department by an act of Congress on March 3, 1865. The life of the Bureau was extended twice by acts of July 16, 1866 and July 6, 1868. The Bureau was responsible for the supervision and management of all matters relating to refugees and freedmen, and of lands abandoned or seized during the Civil War. Sharon Batiste Gillins is a native of Galveston, Texas with paternal ancestral roots in St. Mary Parish, Louisiana and maternal roots in Fort Bend County, Texas. A life-long interest in her family's history led to an active involvement in researching African American family history over the past 25 years. While researching her own family, she developed an in interest in unique and under-utilized record systems and record groups.  Some of her more recent work focuses on strategies researchers can use to analyze Louisiana’s Freedmen’s Bureau field office records for revealing, often personal information on freedmen ancestors. Ms. Gillins is a member of the Galveston Historical Society, National Genealogical Society, and Afro-American Historical and Genealogical Society.  A retired Associate Professor at Riverside City College, she frequently calls upon her career background as a college educator to present workshops or deliver courses at regional and national conferences and genealogical institutes.   She is also a member of the adjunct faculty at Samford Institute of Genealogy and Historical Research in Birmingham.  

Deanna Murrell, Riverside City College counselor presents an overview of eligibility requirements, and how to apply, for FAFSA financial aid. She also covers federal grants, Californa State grants, RCC scholarship programs, student loans, and shares Web sites where students can research other available money.