Podcast appearances and mentions of fanny brawne

rWotD Episode 2807: Fanny Brawne Welcome to Random Wiki of the Day, your journey through Wikipedia’s vast and varied content, one random article at a time.The random article for Thursday, 9 January 2025 is Fanny Brawne.Frances "Fanny" Brawne Lindon (9 August 1800 – 4 December 1865) is best known as the fiancée and muse to English Romantic poet John Keats. As Fanny Brawne, she met Keats, who was her neighbour in Hampstead, at the beginning of his brief period of intense creative activity in 1818. Although his first written impressions of Brawne were quite critical, his imagination seems to have turned her into the goddess-figure he needed to worship, as expressed in Endymion, and scholars have acknowledged her as his muse.They became secretly engaged in October 1819, but Keats soon discovered that he was suffering from tuberculosis. His condition limited their opportunities to meet, but their correspondence revealed passionate devotion. In September 1820, he left for the warmer climate of Rome, and her mother agreed to their marrying on his projected return, but he died there in February 1821, aged twenty-five.Brawne drew consolation from her continuing friendship with Keats' younger sister, who was also called Fanny. Brawne later married and bore three children, whom she entrusted with the intimate letters Keats had written to her. When these were published in 1878, it was the first time the public had heard of Brawne, and they aroused interest among literary scholars. But they attracted much venom from the press, which declared her to have been unworthy of such a distinguished figure. This may have been exacerbated by the fact that none of Brawne's letters to Keats have survived, also giving rise to her reputation as a cold and unfeeling personage among earlier Keats scholars. By contrast, the later publication of Brawne's letters to Fanny Keats showed her in a more favourable light, greatly improving her reputation.This recording reflects the Wikipedia text as of 00:35 UTC on Thursday, 9 January 2025.For the full current version of the article, see Fanny Brawne on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Brian.

From Merchant Ivory's classic adaptations of E. M. Forster novels to the BBC's beloved rendition of Jane Austen's “Pride and Prejudice,” the greatest period dramas are the ones that succeed in translating the emotional experience of another era for a modern audience. On this episode of Critics at Large, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss their personal favorites—namely Greta Gerwig's take on “Little Women” and Jane Campion's “Bright Star,” which chronicles the star-crossed love affair between the poet John Keats and Fanny Brawne—and how the genre is changing. Often, the pleasure of these stories lies in their rigorous depictions of the mores and customs of the past. But recent hit series, including “Dickinson,” “Bridgerton,” and “The Great,” have adopted a marked ahistoricism, evident in the dialogue, soundtracks, and the treatments of race and sexuality. The hosts consider how “The Buccaneers,” on Apple TV+, departs from the Edith Wharton novel on which it's based by skipping over the sociopolitical details that form the backbone of Wharton's story. Do contemporary flourishes accentuate the appeal of the genre, or dilute it? “The strangeness of the past is precisely what makes it amazing when we find out that it is relatable to us,” Cunningham says. “If you make everything relatable, you've eliminated the thrill of discovery.” Read, watch, and listen with the critics: “A Room with a View” (1985) “Bridgerton” (2020-22) “Bright Star” (2009) “Crouching Tiger, Hidden Dragon” (2000) “Dickinson” (2019-21) “Hamlet” (2000) “Howards End” (film, 1992; miniseries, 2017) “Little Women” (2019) “Mansfield Park,” by Jane Austen (film, 1999) “Marie Antoinette” (2006) “Memoirs of a Geisha,” by Arthur Golden (film, 2005) “Napoleon” (2023) “Pride and Prejudice,” by Jane Austen (miniseries, 1995; film, 2005) “The Buccaneers,” by Edith Wharton (series, 2023) “The Custom of the Country,” by Edith Wharton “The Great” (series, 2020-23) New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Marcelo Guaita, Alberto Bianco, Diego Guedes, Marcelo Moreno, Sergio Astelli, Eduardo Parisse, Mica Mendelevich y Daniel Pedercini nos comparten sus textos elegidos. ¿Qué entendemos por “Rapsodia”? ¿Y por “Lovecraftiano”? ¿Qué es el “Tono de Autor”? ¿Cuál es el significado de “Cesura”? John Keats le envía a Fanny Brawne, una carta dramática contándole las penurias que estaba atravesando Refrescamos poemas y narrativas de los autores Miguel de Unamuno, Vinicius de Moraes, Roberto Bolaño, Rodolfo Walsh, Marguerite Yourcenar, Martín Kohan y Jesús Sasturain. Además, ¿Qué conceptos discutían Nietzsche y Antonio Machado sobre el clásico “Así habló Zaratustra” ¿Qué otras actividades tenía el cantautor Vinicius de Moraes? ¿Cuáles eran las excentricidades a las que comúnmente recurría Lord Byron? ¿Qué pensaba Borges sobre la gran obra de Joyce, el “Ulisses”? ¿Cuál es el origen de la literatura de terror norteamericana? ¿Por qué razón Tennesse Williams decidió adoptar ese nombre? ¿Cuál es uno de los temas fundamentales que aparece en la obra de Sor Juana Inés de la Cruz? Nos detenemos a pensar las letras de las canciones de artistas Lito Nebia, Gal Costa, The Magic Numbers y Rosario Bléfari, entre otros Como siempre, escuchamos las voces de nuestros oyentes quienes nos acercan sus propios textos o aquellos que escogieron de otros, para seguir creando este infinito collage sonoro de lecturas compartidas. POESIA 1110: Un espacio para pensar y resonar el acto poético en todas sus formas; la poesía de todas las cosas

The complete audiobook is available for purchase at Audible.com: voicesoftoday.net/odes Four Odes By John Keats Narrated by Denis Daly 1) Ode to a Nightingale 2) Ode on a Grecian Urn 3) Ode to Psyche 4) Ode on Melancholy Many of the short poems for which Keats has become famous were written in a burst of inspiration early in 1819, including these four odes. The generally melancholy and sometime elegaic quality of these poems is reflective of Keat's inevitable precooupation with his declining health. Another significant factor was his infatuation with Fanny Brawne, who returned his affection in an unfortunately non-exclusive manner.

My favorite costume dramas of last year are back with sophomore seasons, and they're the slowest of slowburns. Will Charlotte get over the loss of Sidney and finally find someone in Sanditon who appreciates her? Will Anthony Bridgerton marry for love or family? I've thrown in one of my favorite slowburn screen romances, inspired by the love of poet John Keats for artist Fanny Brawne. This is slow but incendiary love — the opposite of instalove, but sexy and romantic all the same.  (CW: film clips contain spoilers!)Many thanks to Kristina, JM and Jack for buying me a coffee and supporting the show. If you like what you hear and want to support the show, send me a little tip here.https://www.confessionsofaclosetromantic.comMovies/TV ShowsBridgerton has been a runaway hit on Netflix for good reason: excellent direction, crisp editing, emotional scripts, stunning costumes and sets, exceptional ensemble acting, incredible pop/classical music, and a wonderfully diverse cast. Oh and the wigs! Insane hairdressing. Sanditon is based on the final unfinished Jane Austen novel. It's a fresh, modern adaptation and a costume drama lover's dream. Rose Williams as Charlotte Heyward is the central jewel of the excellent ensemble cast. Her friend Georgiana Lambe, played by Crystal Clarke, really comes into her own during this season.This is a somewhat odd trailer for Bright Star. The overall mood of the film is more elegiac — stark and darkly romantic, which better suits the story. This scene, a bit longer in the film, is one of my favorites and represents the mood of the movie best to me.BooksBridgerton is based on the romance series by Julia Quinn.My college seminar instructor would rap my knuckles because Keats' poem is actually called Ode on a Grecian Urn. You can find more of his famous poems here. Keats' life was tragic but also prolific, full of romance, friendship and beauty.Support the show (https://www.buymeacoffee.com/poppyconfesses)

Carsten & Stephen take a look at the lengthy and impressive career of New Zealand-born director Jane Campion, in the wake of her tale of toxic masculinity on the open range, The Power of the Dog, emerging as a top contender at this year's Academy Awards. Her first feature film in more than a decade, the film comes after her loving look at the romance between doomed poet John Keats and the spirited Fanny Brawne in Bright Star, her lush adaptation of Henry James' The Portrait of a Lady, her Oscar-winning tale of obsessive love in the New Zealand wilderness, The Piano and much more. Follow us on twitter: @Lensmeyourears and like us on Facebook! Stephen's twitter:@NS_scooke Carsten's twitter: @FlawInTheIris

You may as well call this episode “Ode to a Whishaw” because we love that gentle gent! Fran Hoepfner joins us (and joins the Five-Timers Club!) to discuss Jane Campion's 2006 John Keats biopic “Bright Star,” a movie that prompts Griffin to wonder if he, too, would die of tuberculosis if he took a long walk in the rain in 1820. Of course we talk about Hampstead Heath (David being canonically from London), of course we wonder what the hell happened to Paul Schneider (canonically incredible in this movie), and of course Ben is obsessed with Fanny Brawne's epic Regency Era fits!   This episode is sponsored by: Brooklinen (CODE: BLANKCHECK) Mint Mobile (mintmobile.com/check) Truebill (truebill.com/check) Join our Patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram! Buy some real nerdy merch at shopblankcheckpod.myshopify.com

John Keats in Hampstead. The poet and biographer Sir Andrew Motion, former Poet Laureate, strolls around the village of Hampstead with Henry. They discuss the short life and luscious poetry of John Keats, walking on the Heath, visiting Leigh Hunt's house in the Vale of Health and finishing at Wentworth Place (now Keats House), where they meet its principal curator, Rob Shakespeare. Penguin Classics editions of Keats: Selected Poemshttps://www.penguin.co.uk/books/33867/selected-poems--keats/9780140424478.htmlhttps://apple.co/3IE3ZMC Complete Poemshttps://www.penguin.co.uk/books/33699/the-complete-poems/9780140422108.htmlhttps://apple.co/3H4pUMy Selected Lettershttps://www.penguin.co.uk/books/177598/selected-letters/9780141192796.htmlhttps://apple.co/3FUzvUxSo Bright and Delicate: Love Letters and Poems of John Keats to Fanny Brawne (introduced by Jane Campion)https://www.penguin.co.uk/books/60470/so-bright-and-delicate--love-letters-and-poems-of-john-keats-to-/9780141442471.htmlhttps://apple.co/33kffP9 Andrew Motionhttps://poets.org/poet/andrew-motion Keats by Andrew Motionhttps://www.faber.co.uk/product/9780571346660-keats/ The Invention of Dr Cake by Andrew Motionhttps://www.faber.co.uk/product/9780571216321-the-invention-of-dr-cake/Keats Househttps://www.cityoflondon.gov.uk/things-to-do/attractions-museums-entertainment/keats-house See acast.com/privacy for privacy and opt-out information.

In this episode the romantic poets assemble! Endymion aka John Keats, Bi-sshe aka Percy Shelley and the Queen of Necromancy aka Mary Shelley have to assemble to stop the evil Lord Bi-ron aka Lord Byron with the help or their friends Fanny Brawne, John Brown and a mysterious time traveller from the future. If you liked this episode please subscribe on you prefered podcast platform and rate us on Apple Podcast or Spotify and recommend us to a friend or fellow transdimensional traveller! The Podcast will come out ever two weeks and in the meantime you can find us on Instagram @jellehnsherr_official, YouTube, Tumblr or tweet us @InAliaRe_Pod The books and everything else about us you find at https://linkrr.in/J.E.L.Lehnsherr You can also write us an email jlehnsherr97@gmail.com And last but not least you can follow Mels on instagram @melslosechester or here

Inkoo Kang and Daniel Schroeder discuss Jane Campion's 2009 film Bright Star, a biopic about the love life and death of poet John Keats. We talk about how Campion handled what could've easily been a paint-by-numbers biopic, the real life John Keats and Fanny Brawne, and the fan letter campion received from Hollywood's least sentimental director.Email us at allaboutfilmpod@gmail.com.

The Oscar-winning writer and director talked to Eleanor in 2009 about Bright Star, her movie about the 19th-century Romantic poet John Keats and his young neighbour, Fanny Brawne.

In this episode, I'm talking about Jane Campion's 2009 film, "Bright Star." It's about the brief but beautiful love story between the poet John Keats and a young woman named Fanny Brawne. John Keats is considered one of the greatest poets who ever lived but he died young, before he and Fanny could create a life together. Their romance was marked by distance and the ever-present shadow of death but his passionate letters to her--which are featured throughout the film--reveal how deeply he was in love with Fanny and how much she meant to him. I talk about the relationship between Keats and Fanny, how the film shows the precarious life of a writer and explores the importance of poetry in our lives, and much more.Consider making this podcast sustainable by supporting it on Patreon.Subscribe to the Her Head in Films Newsletter.Follow me on Facebook, Twitter, Tumblr, and Instagram.Original logo by Dhiyanah Hassan Full Show Notes:My episode on Jane Campion's The PianoMy episode on Jane Campion's In the CutBright Star bookLove Letters: Vita and VirginiaViolet to Vita : The Letters of Violet Trefusis to Vita Sackville-West, 1910-1921Open Me Carefully: Emily Dickinson's Intimate Letters to Susan Huntington Gilbert DickinsonKate Zambreno interview with The MillionsAll My SourcesBright Star DVDJohn Keats biography (Poetry Foundation) 

John Keats died 200 years ago this week. Ursula and Jon read some favourite pieces and discuss his life, work, and the not entirely complimentary description of his love, Fanny Brawne, that he sends to his brother in a letter.

Let's commemorate the 200th anniversary of John Keats' untimely death with a conversation with Anahid Nersessian, author of Keats' Odes: A Lover's Discourse (University of Chicago). We get into how she read Keats' letters to Fanny Brawne at WAY too young an age, how she's lived with his poems since childhood and how they've changed for her over the years, and why it kills her that no one has disinterred Fanny's final letters to Keats (which he never read and are buried with him). We talk about her relationship to the western canon, the implicit (and explicit) sexual violence of Ode on a Grecian Urn, her harassment by a Latin teacher in high school and how it affected her career path, Keats' radicalist, proto-Marxist tones and the benefits of reading The Communist Manifesto in funny voices as a 7th grader. We also discuss what it's like to have a couple of strict old-school Freudians for parents, why she doesn't have time for social media (and why she didn't go overboard integrating her personal experiences into the book), the thread of Keats' Odes that has led to her next book on the Cato Street Conspiracy, and more. More info at our site • Support The Virtual Memories Show via Patreon or Paypal

And so we come to the end of Season 2! And what a season it's been. I would normally have another wonderful guest to come and share their process with us, but this time I wanted to do something a little different. I feel like I had some real personal awakenings that I'm going to share with you. Using excerpts of interviews from across the season, I'll be talking about the value of arts in society and why it's so important to value ourselves! There is a great line in the Jane Campion film Bright Star about the English poet John Keats where his friend, writer Charles Brown says to Keats' love interest Fanny Brawne, something along the lines of, ‘please don't disturb us if you see us lying on the grass staring into space, we're actually working'. That line resonated so much with me because so many of my ideas come from ‘lying on the grass, staring into space!' This episode is about not only giving yourself permission to do just that, it's also about why it's so important to have the space to do so!All over the world, the arts is used to give voice to our cultural, political and social histories, some are celebrated (in the Middle East, for example, poets are considered to be like rock stars, they fill stadiums) some are loathed, some are ignored, some are even killed, many are lauded posthumously. Yet if we understand the importance of art in a society that seeks flourishing over commodity, connection over capital then art and its artists become a bridge. As my guest from last week Shruti Kumar said, artists are ‘orators of our history.'So thank you to all the fabulous guests who have shared their processes with us this season - it has been a real art imitating life, imitating art for me! And a huge thank you to Suzan Kibirge who has been managing all the social media and analytics but mostly to you all for listening. Until next time!Maslow's Hierarchy of NeedsEliud Kipchoge running 26.2 in under 2hrs Guest: Yours truly! @matshidisomusicTitle: Reflections - Valuing the arts, valuing ourselvesMusic I'm listening to: Midnight Mischief, Jordan Rakei; Bach Motets by The Pygmalion Ensemble with Raphael Pichon; my Spotify playlist - 'Songs for roadtrips and daydreams'If you'd like to support the podcast click here See acast.com/privacy for privacy and opt-out information.

The Reel Poets review 2009 British film, Bright Star, with Guest Poet: Danielle Metzinger. Bright Star tell the story of short love affair of Poet John Keats and Fanny Brawne. We discuss the Landscape, enchanted scenes and the cast.  We discuss the life of Fanny and John separately & together.  Plus, We rant and compare TV shows like The Greats and Bridgerton to the movie. Snap Judgement  5.5 out of 12 Snaps Social MediaDanielle - Divametz (IG)Marvin - Starvinmarvin09 (IG)Auntie Vice - Auntie Vice (Social Media)CharRon - Iambiczine (social Media) 

Tuvieron un primer encuentro cordial y divertido, lejos de la expectativa de lo que la atracción inicial era para los cánones románticos. Fanny era inteligente y amante de la moda, disfrutaba de la compañía del poeta cuando estaba de buen humor, pero eso no era siempre.

Daily Quote The best way to find out if you can trust somebody is to trust them. (Earnest Hemingway) Poem of the Day 归园田居其一 陶渊明 Beauty of Words John Keats to Fanny Brawne

Daily Quote The pain of parting is nothing to the joy of meeting again. (Charles Dickens) Poem of the Day 鹊桥仙 秦观 卜算子 李之仪 Beauty of Words John Keats to Fanny Brawne

John Keats In Tennyson's Lady of Shalotte, the metaphor is buried by the story. In La Belle Dame sans Merci, the story is the metaphor. The narrative is as straightforward as a fairy tale, though it also reads like a nightmare.  There are several suggestions as to what the story ‘means': La Belle Dame is tuberculosis, Infatuation, Fanny Brawne, male fear of the feminine. You can take your pick. What Keats thought it meant is a different matter.  The poem first appeared in a long letter he wrote to George and Georgina Keats. At the end of the poem he wrote: Why four kisses-you will say-why four because I wish to restrain the headlong impetuosity of my Muse-she would have fain said ‘score' without hurting the rhyme-but we must temper the Imagination as the Critics say with Judgement. I was obliged to choose an even number that both eyes have fair play: and to speak truly I think two a piece quite sufficient-suppose I had said seven: there would have been three and a half a piece-a very awkward affair, and well got out of on my side-  Which doesn't sound like he was taking it or himself too seriously. The poem is also a candidate for the prize for worst editing of a poem by the person who wrote it. When Keats published the poem in The Indicator, he changed the first line to:  Ah what can ail thee wretched wight… Which is awful.  His defenders claim that by this time his illness was so advanced his judgement was impaired. The poem, even more so than The Lady of Shalotte, appealed to painters in the 19th century.

Este es un fragmento de una de las tantas cartas de amor que el poeta dedicó a su amada entre 1818 y 1821. Es en Londres donde conoce el amor de su vida: Fanny Brawne. Ella quedó impresionada con la sensibilidad y los poemas de Keats, poco a poco fueron enamorándose en secreto y ella se convirtió en la musa inspiradora de sus poemas y cartas románticas.

One of the most beautiful love letters ever written, from John Keats to Fanny Brawne, was composed on this date in 1819.

Fanny Brawne loves John Keats though he's ill, and Rochester can't break Jane Eyre's will.  This spells ROMANCE for Liz & Miranda in Bright Star & Jane Eyre.   inner.demons.podcast on instagram

John Keats was an English poet active throughout the early 19th century, and while his life and brief career were cut short when he was just twenty-five years old, Keats is considered one of the greatest Romantic poets of all time. That does not mean, however, that Keats was remotely appreciated while he was alive – instead, he was outcasted by literary critics because of the unconventional tone of his work, and also because he wasn’t born into a well to do family. At a very young age, Keats and his younger siblings were orphaned, and for most of his life poverty was something that plagued John, though fortunately he was so beloved by his friends and colleagues, when things were truly in dire straits he was able to coast along with their generosity. Along with poverty, the curse of Keats’ family seemed to be tuberculosis, which his two brothers, mother, and later he himself died from (though let’s be honest here, TB was a curse to everyone back then). Towards the end of his life, Keats became engaged to a young woman named Fanny Brawne, and that relationship changed Keats in many good and bad ways – while we know how Keats felt about her, Fanny is somewhat of a mystery, and historians and scholars have very mixed emotions about her. And on that note, let’s go ahead and dive right in, shall we?

Quinta lettera scritta da John Keats a Fanny Brawne dalla raccolta "Leggiadra stella" Archinto Editore.Lettura di Marco Palagi.

Quinta lettera scritta da John Keats a Fanny Brawne dalla raccolta "Leggiadra stella" Archinto Editore.Lettura di Marco Palagi.

Quinta lettera scritta da John Keats a Fanny Brawne dalla raccolta "Leggiadra stella" Archinto Editore.Lettura di Marco Palagi.

Quarta lettera scritta da John Keats a Fanny Brawne dalla raccolta "Leggiadra stella" Archinto Editore.Lettura di Marco Palagi.

Quarta lettera scritta da John Keats a Fanny Brawne dalla raccolta "Leggiadra stella" Archinto Editore.Lettura di Marco Palagi.

Quarta lettera scritta da John Keats a Fanny Brawne dalla raccolta "Leggiadra stella" Archinto Editore.Lettura di Marco Palagi.

Terza lettera scritta da John Keats a Fanny Brawne dalla raccolta "Leggiadra stella" Archinto Editore.Lettura di Marco Palagi.

Terza lettera scritta da John Keats a Fanny Brawne dalla raccolta "Leggiadra stella" Archinto Editore.Lettura di Marco Palagi.

Terza lettera scritta da John Keats a Fanny Brawne dalla raccolta "Leggiadra stella" Archinto Editore.Lettura di Marco Palagi.

Seconda lettera scritta da John Keats a Fanny Brawne dalla raccolta "Leggiadra stella" Archinto Editore.

Seconda lettera scritta da John Keats a Fanny Brawne dalla raccolta "Leggiadra stella" Archinto Editore.

Seconda lettera scritta da John Keats a Fanny Brawne dalla raccolta "Leggiadra stella" Archinto Editore.

Prima lettera scritta da John Keats a Fanny Brawne dalla raccolta "Leggiadra stella" Archinto Editore.

Prima lettera scritta da John Keats a Fanny Brawne dalla raccolta "Leggiadra stella" Archinto Editore.

Prima lettera scritta da John Keats a Fanny Brawne dalla raccolta "Leggiadra stella" Archinto Editore.

Bright Star is Jane Campion's dramatization of the love affair between the young Romantic poet John Keats and his younger neighbor, Fanny Brawne. The production is modest in physical scale, mostly reserved in tone and touchingly simple in design (aside from Fanny's dazzling wardrobe, which is justified by her gifts as a seamstress.) But the effect is exhilarating and deeply pleasurable...