Holding Up The Ladder

I can't think of a better way to end season 4 and the never before heard conversations from my archive, than my conversation between friends, Zadie Smith and Devonté Hynes. I'd been badgering Zadie for a while to let me interview her and when she agreed, the day before our conversation was scheduled, she emailed to ask if she could bring her friend Dev? I of course said yes, scrambled to find another microphone and when we had a last minute cancellation of the recording venue, we had to do it at my house. And the room with the best soundproofing, my bedroom!We talk about how we're all storytellers; about music; about the power of live music; about the myth of the 10,000 hours; about Prince; about whether we should define ourselves as 'artists'; about authenticity and consciousness; about knowing and unknowing and about being students forever. I've produced almost 60 podcast episodes and this is one of my favourites. Because, for me, there is nothing more fulfilling than sitting around with creative people talking about music and making and process - it's why this podcast exists. I hope you enjoy it as much as I do.Guests: Zadie Smith & Devonté HynesTitle: I would never call myself an artistMusic: Lil Nas X, Industry Baby; Arctic Monkeys, There'd Better Be a Mirrorball; Maggie Rogers, That's Where I Am; Knucks, Alpha HouseLinksDevonté Hynes IG and WebsiteZadie Smith WebsiteZadie interview on latest book, The Fraud - BBC Sounds, This Cultural LifeFind out ways to support the Israel-Palestine project click herePodcast WebsitePodcast IG Hosted on Acast. See acast.com/privacy for more information.

Welcome to part 2 of I've been thinking about...friendship. I talk about the importance of friendship and how pivotal it's been in my creative practice. Holding up the Ladder links:Find out ways to support the Israel-Palestine project click herePodcast WebsitePodcast IG Hosted on Acast. See acast.com/privacy for more information.

Welcome back to part 2 of my conversation with Francis Fuster. We pick up our conversation in London in the 1980's. Francis is playing percussion for Hugh Masekela, he's touring with Paul Simon and that huge record, Graceland. We talk about playing in South Africa post apartheid and a short stint in jail - it was self-defense! Guest: Francis FusterTitle: You gotta be readyMusic: Bach, Handel, Miles Davis and John ColtraneMusic linksHugh Masekela, SekunjaloGeraldo Pino and the Heartbeats, Maria Lef for WakaHugh Masekela, Don't go lose it babyHugh Masekela, Bring Him Back Home (Nelson Mandela)Francis Fuster, NajesuehOther linksShango-Ja Martial Arts AcademyFind out ways to support the Israel-Palestine project click herePodcast WebsitePodcast IG Hosted on Acast. See acast.com/privacy for more information.

You're in for a treat today! And a little interruption from conversations from my archive. I recently did a gig at London's Jazz Cafe playing keys and singing for a special concert in honour of South Africa Freedom Day and the late great South African trumpeter, Hugh Masekela. The person leading the band was his percussionist and friend of nearly 50 years, Francis Fuster.Born in Sierra Leone to a Liberian mother and Swiss father. Now 81 (but looks more like a man in his 60's!) a 7th Dan black belt in karate, upright and sharp as a tack. We talk about his journey from dancing, to drumming, to teaching, to percussion. About being a member of the band described as the Beatles of Africa, Gerald Pino and The Heartbeats.We talk about his close friendship with icon and disruptor musician Fela Kuti, also the reason he started learning karate. How he went from Sierra Leone to Liberia, to Ivory Coast, to Ghana, to Nigeria, ending up in New York and the wildness of that period. We talk about playing with Paul Simon and the huge record that was Graceland. And his close professional and personal relationship with Hugh Masekela.This was a joyous interview (what was meant to be an hour long conversation, was closer to 2!) So it's divided into 2 parts.Guest: Francis FusterTitle: You gotta be readyMusic: Bach, Handel, Miles Davis and John ColtraneMusic linksGeraldo Pino and the Heartbeats, Maria Lef for WakaHugh Masekela, Don't go lose it babyHugh Masekela, Bring Him Back Home (Nelson Mandela)Francis Fuster, NajesuehOther linksShango-Ja Martial Arts AcademyFind out ways to support the Israel-Palestine project click herePodcast WebsitePodcast IG Hosted on Acast. See acast.com/privacy for more information.

Today's episode of 'I've been thinking about' is a 2-parter and it's all about friendship and how it has impacted my practice. We talk about how much our families impact our lives, but not so much our friendships. Yet since we choose our friendships they are deeply significant - I explore why.Holding up the Ladder links:Find out ways to support the Israel-Palestine project click herePodcast WebsitePodcast IG Hosted on Acast. See acast.com/privacy for more information.

Welcome back to the 2nd part of my conversation with Rich Harless. We caught up last month, and kick off our convo talking about how NFTs are no longer the hot topic, but the shift is to AI. And for context, the 2 artists Rich refers to are Sam Ryder who was runner up on the Eurovision song contest and Marc Rebillet who performs in the street.And if you haven't done so already, I recommend listening to Part 1 to get a full picture.Guest: Rich HarlessTitle: It's like skywriting in a hurricaneMusic: Depeche Mode, David Bowie, Purple Disco MachineLinks:Rich Harless on LinkedinFeather agencyFind out ways to support the Israel-Palestine project click herePodcast WebsitePodcast IG Hosted on Acast. See acast.com/privacy for more information.

In this week's episode we're talking tech, marketing, AI and the music industry with entrepreneur, Rich Harless.Rich Harless is a Berlin-based, US-born entrepreneur and the founder of Feather, a company pioneering AI-powered brand measurement for digital advertisers. Prior to launching Feather, Rich held leadership roles at leading music and media companies such as AOL, Shazam, and Digitalstage.io, where he collaborated with some of the world's largest streaming platforms, record labels, and a diverse range of independent artists. With over two decades of experience across digital advertising, emerging technology, and the creative industries, Rich has worked at the intersection of AI, blockchain, and augmented reality, helping brands and media platforms navigate technological shifts.We talk about old vs. new music; the disconnect between art and business; about streaming platforms. The role of social media for independent artists, as Rich says it's good for discovery but not for monetisation.And because this is a never before heard conversation from my archive and the tech space changes so rapidly, Rich very kindly came back on the pod to chat with me about what he's up to now and the latest changes in the tech space. For example, the first time we spoke it was centred around web 3 and NFTs and now the focus has shifted to AI. I decided to keep it in, because Rich explains things so clearly it helps provide a kind of technological arc, so to speak, to understand where things are at now. So this is a 2-parter. Tune in next week Wednesday to hear the follow-up conversation we had just last month.Guest: Rich HarlessTitle: It's like skywriting in a hurricaneMusic: Depeche Mode, David Bowie, Purple Disco MachineLinks:Rich Harless on LinkedinFeather agencyTed Gioia - Is Old Music Killing New Music?Find out ways to support the Israel-Palestine project click herePodcast WebsitePodcast IG Hosted on Acast. See acast.com/privacy for more information.

What makes an artist great, how does an artist become great? In today's episode of I've been thinking about, I explore the idea of maturity, ageing and process.It seems to me that maturity, ageing in the Arts is actually beneficial. Unlike other professions where ageing is synonymous with decline, with cognitive or physical impairment - people in sports have an early retirement age for that reason, Or former US president Biden wasn't he forced to step down because of his cognitive decline due to his age? That doesn't seem to apply to artists. When it comes to the Arts, age and maturity actually have the opposite effect - we can keep getting better. And there are many examples of this: Irish writer Edna O'Brien lived to 93. French writer Annie Ernaux now 84, won the Nobel prize for literature at the age of 82. Classical pianists only seem to get better with age, they have all the technique of years of practice without the need for showmanship that you sometimes see in younger pianists. I think about artists like Sonia Boyce who represented Britain at the Venice Biennale in her 60s or figurative painter Claudette Johnson also in her 60s. What about American abstract painter Stanley Whitney still making beautiful work at 79 or Indian artist, Arpita Singh. Now 87, I recently went to her solo exhibition at London's Serpentine and her work took my breath away, her use of colour and composition, I felt like I was seeing an entirely new interpretation of artistic expression.I mean as long as you can pick up a paintbrush or pencil, or a camera, the work doesn't and shouldn't stop. And I'm not saying that we have to wait until we're in our 80s to produce works that's meaningful. I'm saying that our process produces the sound and the deeper the process the richer the sound. Music Refs:Ray LaMontagne, JoleneJoni Mitchell, Both Sides Now from 1969Joni Mitchell, Both Sides Now from 2000 Holding up the Ladder links:Find out ways to support the Israel-Palestine project click herePodcast WebsitePodcast IG Hosted on Acast. See acast.com/privacy for more information.

In the latest never before heard conversation from my archive, we're talking about America. You may be feeling over saturated with America at the moment as the loudest, brashest voice in the geopolitical room. I know I definitely feel like that these days, especially given everything that's going on all over the world. But I want to promise you that you're in for a refreshing, insightful, through-provoking treat with my guest today, Carri Twigg.Carri Twigg is the co-founder and head of development for Culture House media, a Black, Brown, women-owned, premium film and TV production company that specialises in storytelling about the cultural questions that shape society, politics, and identity. They're responsible for series including Netflix Top Ten series, Ladies First: A story of Women in Hip Hop, The Hair Tales for Hulu and OWN and Growing Up for Disney+.Before her pivot to entertainment, Carri served in the Obama White House as Special Assistant to the President and Director of Public Engagement for then Vice President Biden. Carri spent over 10 years working at every level of American politics and government. And in 2022, was appointed by then President Biden to the President's Advisory Committee on the Arts and the Kennedy Center board.We talk about growing up in Ohio with mixed heritage, the relationship between culture and politics. We talk about self-censorship, should we for example keep content in films that are racist is it harmful and if so why?I have to say this is the best exegesis of what I'd call ‘Americanness' I've ever heard and really contextualises the kind of ‘soup' that is US politics and culture. Carri now has a politics and culture podcast with Brad Jenkins called Twigg & Jenkins, a continuation of her engagement in US politics. She's also written a fantastic piece for Rolling Stone magazine about what she describes as ‘Trump's cultural capture', very much reasserting much of our conversation.Guest: Carri TwiggTitle: Sometimes culture really pushes politics and sometimes politics pushes culture'Music: Amanda Jones, Rodney Chrome, Meshell Ndegeocello - The Hair TalesYussef Dayes & Tom Misch, What Kinda MusicLinksCulture House ; IG & SubstackCarri Twigg IGTwigg & Jenkins podcast websiteFind out ways to support the Israel-Palestine project click herePodcast WebsitePodcast IG Hosted on Acast. See acast.com/privacy for more information.

In today's episode of I've been thinking about, I explore the idea of sacred spaces. Drawing from the famous Virginia Woolf lecture, 'A Room of One's Own'. She wrote, ‘a woman must have money and a room of her own if she is to write fiction'. Although Woolf was referring to the condition of women in the 1900s, their invisibility, the misrepresentation of women in fiction and their desire for freedom and self-determination. Nonetheless, it's something that people refer to often as a space that belongs to the artist, a dedicated, private, personal, specific space.I talk about my space and I ask some of my artist friends to share their spaces. But why the word 'sacred?' Creation is a generative act. Where ideas are 'birthed' into the world - I unpack this idea further and its connection to sacredness.Holding up the Ladder links:Find out ways to support the Israel-Palestine project click herePodcast WebsitePodcast IG Hosted on Acast. See acast.com/privacy for more information.

Who is art for? And how are we to engage with it? Should art be in museums or outside in parks, town squares or on the side of buildings? Is art the province of an elite few, the private collector, with a rarefied language that excludes? And why do artists make art, is it for ourselves, do we exist because there's an audience, is it because of our ego? My guest today thinks so.eL Seed is a contemporary artist whose practice bridges painting and sculpture, developing a unique visual language inspired by the tradition of calligraphy and the energy of urban art. He uses art to explore ideas around identity, cultural heritage, creating connection and inspiring ideas of unity. About how he engages with the communities where his art is placed. Whether it be the Coptic community of Zaraeeb in Cairo or a rural community in Nepal. For eL Seed art is an amplifier, it's about humanity and that really comes through in our discussion.I remember listening to an interview with British sculptor Anthony Gormley, perhaps best known for his life size and life-like cast iron figures of men, he said that art belongs in the world, that ‘art is about life and it needs to be in life.' That it can change the way we behave, think and feel. That's exactly how I would describe eL Seed's work.Guest: eL SeedTitle: ‘Artists exist because there is an audience'Music: Eminem Stan, Booba, Fairuz, Umm KultumLinksWebsite - https://elseed-art.com/IG - https://www.instagram.com/elseed/Youtube - https://www.youtube.com/@elseedart Cairo project - https://youtu.be/g9M3HIjHuq0?si=0tfE03TxY5nxvJaE Find out ways to support the Israel-Palestine project click herePodcast WebsitePodcast IG Hosted on Acast. See acast.com/privacy for more information.

In this week's episode of IBTA I'm talking about the music that made me. About the seminal musical moments that shaped not just how I write music but who I am.Holding up the Ladder links:Find out ways to support the Israel-Palestine project click herePodcast WebsitePodcast IG Hosted on Acast. See acast.com/privacy for more information.

In today's episode of never before heard conversations from my archive, I speak with gallerist and co-founder of Addis Fine Art, Rakeb Sile.Addis Fine Art specialises in modern and contemporary art from the Horn of Africa and its diasporas. Along with co-founder Mesai Haileleul, Rakeb started the gallery to connect Ethiopian artists to the world and to spotlight underrepresented talent from the area.We talk about finding your way. About how there are so few African gallerists who are from the same place as the artists they represent. As Rakeb says, ‘we have to do the work to dismantle that'.One of things that struck me the most interviewing Rakeb is that our lives aren't linear. It's OK to pivot, to course correct, to start again. I've interviewed a number of people over the 4 seasons of this podcast and Rakeb is the first to say that she's learnt more from her failures than her successes. Guest: Rakeb SileTitle: How much of Africa do people really want to know?Music: Mereba, The Jungle is the Only Way OutLinks: Addis Fine Art Website & IG ; Rakeb Sile IGArtists mentioned:Amel BashierEngdaye LemmaSelome MuletaMerikokeb BerhanuHolding up the Ladder links:Find out ways to support the Israel-Palestine project click herePodcast WebsitePodcast IG Hosted on Acast. See acast.com/privacy for more information.

Today's IBTA is about making room for delight. Recognising that allowing space for pleasure and delight is an essential component to our practice.I also share a list of the things that bring me delight. From riding my bicycle, to dancing in the kitchen, to reading poetry out loud and my love of singer Michael Bolton!ReferencesToni Morrison, The Nation - No Place for Self-Pity, No Room for FearLinksWebsite: https://www.holdinguptheladder.com/IG: https://www.instagram.com/holdinguptheladder/Israel-Palestine project: https://www.crowdfunder.co.uk/p/holding-up-the-ladder-podcast-israel-palestine Hosted on Acast. See acast.com/privacy for more information.

In today's episode of never before heard conversations from my archive, I speak with portrait painter Christian Allison. Christian hails from Nigeria, a self-taught artist who left a career in engineering to pursue art full time.We talk about his commitment to learning, to his love of painting elderly people, how he manages to relay so much emotion through his subjects, especially the eyes. How he enjoys the solitary nature of his work, his harshest critic being his girlfriend. And we of course talk about music.One of the things that struck me the most about our conversation and why I love interviewing people from around the world, was how Christian talks about his practice. With none of the self-deprecation associated with British culture, Christian loves his work and states it as fact, without any guile or artifice.Guest: Christian AllisonTitle: There's something unique about the eyes that has to come aliveMusic: Dunsin Oyekan and Nathaniel BasseyLinksChristian's WebsiteChristian's IGHolding up the Ladder linksFind out ways to support the Israel-Palestine project click herePodcast WebsitePodcast IG Hosted on Acast. See acast.com/privacy for more information.

In this week's IBTA I talk about dreaming, pondering...day-dreaming. Why taking time out to dream is a necessary part of our work.That art and Its utility isn't measured by its function. Its utility simply is. It is because you are and you are the maker of it. LinksWebsite: https://www.holdinguptheladder.com/IG: https://www.instagram.com/holdinguptheladder/Israel-Palestine project: https://www.crowdfunder.co.uk/p/holding-up-the-ladder-podcast-israel-palestine Hosted on Acast. See acast.com/privacy for more information.

Welcome back! I'm so pleased to start this series of never before heard conversations from my archive with a dear friend of mine - photographer, artist and co-founder of menswear brand Adret, Adam Rogers.Along with his co-founder Seto Adiputra, Adret is discreetly tucked away between the high fashion luxury brands of London's New Bond Street and the bespoke tailors of Saville Row. Their tagline - ‘Smartly Tailored for Smart Relaxing.'We talk about patience, about finding your way, about imposter syndrome, about being uncompromising. About independence and the musical Singing in the Rain. And how a young man from a family of musicians, with a love for BMX bikes, who studied art and design, ended up with his own menswear brand. And of course we talk about music.Guest: Adam RogersTitle: It was the constant idea of independenceMusic: Clifford St playlist Matthew Halsall, Johnny HartmannLinks: Adret on IGOther Links:Find out more about ways to support my special limited Israel-Palestine series click herePodcast WebsitePodcast IG Hosted on Acast. See acast.com/privacy for more information.

To kick of Season 4 we start with a new segment where I share things I've been thinking about pertaining to the creative process, it's called 'I've been thinking about' (IBTA)The first IBTA is a manifesto of sorts. A reflection on my time away, why I love the Arts so much, why the Arts are important and why we need to protect artists. It's called 'I've been thinking about...Us'Website: https://www.holdinguptheladder.com/IG: https://www.instagram.com/holdinguptheladder/ Hosted on Acast. See acast.com/privacy for more information.

Welcome back, it's been a long time! Season 4 is special as I'll be sharing never before heard conversations from my archive. We've also got a new segment called 'I've been thinking about' where I share my thoughts regarding creativity, basically things I've been thinking about! Those will air on Sundays.Our first episode goes live on Sunday 6th April and then Wednesday 9th April.I'll also be sharing details of an upcoming project I've been working on that I'm really passionate about - a limited HUTL series around the events that lead up to 7th October and the ensuing crisis in Gaza. To find out more and ways to support you can click hereWebsite: https://www.holdinguptheladder.com/IG: https://www.instagram.com/holdinguptheladder/ Israel-Palestine project: https://www.crowdfunder.co.uk/p/holding-up-the-ladder-podcast-israel-palestine Hosted on Acast. See acast.com/privacy for more information.

Holding up the Ladder Salon Series IThis episode is in collaboration with Black British Art, an arts platform that focuses on championing, educating, curating and advising on all that is Black British Art. Its founder Lisa Anderson-Diffang, a curator, consultant and Interim Managing Director of The Black Cultural Archives* chairs the discussion asking the question - ‘Are we having a Black British Art Renaissance?'. Our panellists were: Bolanle Tajudeen - founder of Black Blossoms – an expanded curatorial platform showcasing contemporary Black women and non-binary artists since 2015. In 2020 Bolanle launched the Black Blossoms School of Art and Culture, an online learning platform decolonizing art education. Bernice Mulenga is a London based multidisciplinary artist, who prioritises the use of analog processes in their work. Mulenga's work also explores recurring themes surrounding their identity, sexuality, grief, family, and Congolese culture. And Dr Kimathi Donkor, Kimathi is a contemporary artist. His work re-imagines mythic, legendary and everyday encounters across Africa and its global Diasporas, principally in painting. Dr Donkor earned his PhD at Chelsea College of Arts and he is currently Course Leader for the BA (Hons) degree in Fine Art: Painting at Camberwell College of Arts. On the night we were served a bespoke menu consistent with the Black British Art theme prepared by The Future Plate, the chef was William Chilila.The episode was produced and recorded by AiAi studios*Lisa Anderson is now Managing Director of the Black Cultural ArchivesTitle: 'Are we having a Black British Art Renaissance?'LINKS:PanellistsBolanle Tajudeen: https://www.black-blossoms.online/; IG - @blackblossoms.onlineBernice Mulenga: https://www.bernicemulenga.com/; IG - @burneece Dr Kimathi Donkor: https://www.kimathidonkor.net/; IG - @kimathi.donkorChairLisa Anderson-Diffang: IG - @lisaandersonaaBlack British Art: IG - @blackbritishartBlack Cultural Archives: https://blackculturalarchives.org/FoodThe Future Plate - https://www.thefutureplate.com/ William Chilila: IG - @william_chililaSalon Series I Playlist - https://tinyurl.com/5mf5n6snFor images of the event head to the podcast website - https://www.holdinguptheladder.com/ Hosted on Acast. See acast.com/privacy for more information.

We have come full circle and reached the end of season 3 - time really flies! I started this season expressing my desire to talk about social justice, racism and discrimination. I gave the example of the Japanese art of Kintsugi - the broken vessel that is mended to make new. And who better to talk about these Kintsugi ideals than the person who introduced me to this concept, return guest, artist Makoto Fujimura. This time he joins me with his incredible wife, lawyer and justice advocate Haejin Shim. This episode was so powerful and whilst it was recorded sometime in June, the themes remain ever-relevant. We talk about the ways in which beauty, art and justice intersect. Can beauty be found in justice, can art be used as an instrument for justice? What does justice really mean? We talk about faith and beauty. Beauty not as perfection, it's not cosmetic - but beauty as a journey - a journey into the new. And we can't talk about beauty without talking about sacrifice and suffering - suffering that leads to what Mako calls ‘generative love'. I have so much to say about this episode, so much that it's better that I just say less and you listen and draw your own conclusions.Guests: Makoto Fujimura & Haejin ShimTitle: Beauty, Art & JusticeMusic on playlist: Susie Ibarra, Walking on WaterMakoto Fujimura Links:BioWebsiteIGTwitterKintsugi AcademyCulture Care PodcastBooksHaejin Shim Links:BioIGEmbers International WebsiteEmbers International IGShim & Associates Law FirmTo Learn more about Airbnb's work with Afghan Refugeeshttps://www.airbnb.org/refugees See acast.com/privacy for privacy and opt-out information.

Have you ever asked yourself the question - what is music? Does nature around us - the birds, the trees - make music? What is music supposed to do? I had never thought of these questions (and I didn't even plan on asking them) until I spoke with my guest today, composer Alexander Liebermann.Alexander is an award-winning composer, arranger and educator who trained at Musikhochschule Hanns Eisler in Berlin, at New York's Juilliard and is currently doing his doctorate at the Manhattan School of Music. Alexander's work is wide-ranging, he writes for ensembles, choral music, orchestras, solo instruments, film scores and how I discovered him, transcribing animal sounds.We talk about Alexander's childhood raised in a household of musicians. His composition process, how his lockdown pastime of transcribing animal sounds has not only impacted his composition writing but other musicians. We talk about why a lot of his work centres around nature and climate change, but that he always desires to convey a hopeful message- that hope and positivity can be more effective tools to engage people rather than fear and cynicism.We talk about how the classical music emphasis on technique and virtuosity isn't always as important as the story or the passion a musician is trying to convey. We talk about how multi-faceted art and the artist is - as Alexander says, a line I love, 'critique is very easy, but art is difficult'. My conversation with Alexander wasn't about finding or establishing answers, for me it was - and why I love doing this podcast - about someone creating work that caused me to consider the world around me in a new way. And as this series is about creative ways to bring about social change, is it possible to do so in joyful and unburdened ways, in ways that inspire fascination and curiosity? I think Alexander has inadvertently done that. Isn't that what art can do - bypass the mind and go straight to the heart?Guest: Alexander LiebermannTitle: What is music?Music on playlist: Erwin Schulhoff, Hot - SonateAlexander's links:BioWebsiteIGFeatured music by Alexander:De PoetaCello Sonata, II, Lento (feat. Raphaël Liebermann)Erwachen follow the score hereWelcome to the AnthroproceneAnimal song:Humpback whaleUirapuru WrenSealTo Learn more about Airbnb's work with Afghan Refugeeshttps://www.airbnb.org/refugees See acast.com/privacy for privacy and opt-out information.

As we continue our conversations about the ways in which art and creativity can be used to bring about social change, I wanted to talk about how normalising the ordinary can actually be a form of activism. I'm joined by kids' fashion stylist, blogger, lecturer, start-up entrepreneur, artist, wife and mother of two, Yvadney Davis. We talk about normalising the black family, a family that is happy and healthy with children who are free to be themselves outside of the racist and burdensome tropes of anti-blackness. How raising children who are free to play and be curious - free to be children - is in fact an act of radical resistance.We talk about Yvadney's journey into styling, about the creative personality that isn't linear, that loves exploring and learning new things. We talk about how to have frank conversations with children about racism in an age appropriate way. We talk about the world of mum bloggers, that according to Yvadney is, ‘absolutely nuts' and why she wanted to set up her own blog Mum's that Slay. We talk about some of the tokenistic and profiteering responses to George Floyd's murder and how Yvadney felt compelled to speak out against the hypocrisy of it all. We talk about the creative personality. We about the tech start up she launched with her husband during the pandemic - Musingobingo - an online music bingo game, I've played it a few times it's really really fun! Yvadney is a bit of a hero of mine - as a friend, I see how she raises her kids, how she juggles all her different roles it's her realness that inspires me - there's so much pretending and curating of our lives - Yvadney is honest when it's hard, she rejoices at the small everyday wins and I watch her raise two quirky, free, unburdened black children with her husband and it inspires no end. The ordinary is for me extraordinary.Guest: Yvadney DavisTitle: My activism is showing us thrivingArtists on playlist: Alfa Mist; H.E.R.; Robert Glasper; DeBarge; Leikeli47Yvadney's links:Styling - IG: @Yvadney and Twitter: @YvadneyMum's that Slay Blog and IGYvadney's Art - YvadneyDavisArtMusingobingo - Website Instagram TwitterRadio Show - Vibes and StuffTo Learn more about Airbnb's work with Afghan Refugeeshttps://www.airbnb.org/refugees See acast.com/privacy for privacy and opt-out information.

ADVISORY: This episode contains adult themes unsuitable for younger audiencesIn this week's episode of HUTL we're talking about the idea of radical homelessness. Where do we find home? What does home mean? Is home a physical or geographical location, is it a state of being or is it both? And how does this idea of home manifest itself within the context of black queer masculinity?! To help me answer some of these complex questions, I'm joined by artist and filmmaker director, filmmaker, writer, broadcaster, and theatre practitioner Topher Campbell.Topher Campbell's practice spans broadcasting, theatre, performance, writing, experimental film and site-specific work. His focus has been on sexuality, masculinity, race, human rights, memoir and climate change. In 2000 he co-founded rukus! Federation a Black Queer arts collective with photographer Ajamu X. We talk about pro-blackness, pro-blackness that doesn't mean anti-white, it's not anti anything, it's ‘pro'. It is as he and Ajamu X sought to do with rukus! Federation moving away from the idea of black people as victims and more about redefining and repositioning themselves publicly. We interrogate the idea of home, of belonging. For Topher, belonging doesn't mean approval but rather ‘how you bear witness to your existence'. We talk about why he chose to walk through the streets of New York naked for his 2014 film Fetish. A kind of artistic response piece to the police murder of 12 year old Tamir Rice in 2014. Topher loves to walk through cities, this idea that something so mundane can be for the black body a surveilled, unsafe, violent place. How, as Topher explains, the Black body is never neutral.Guest: Topher CampbellTitle: The Black Body is never neutralArtists on playlist: Dudu Pukwana, Fela Kuti, Earthgang, Spillage VillageSupport his film EncountersFull BioIMDB page Social Media Links:IGTwitterLinks to Topher's work:rukus! Federationrukus! Federation ArticleTopher Campbell and Billy Bragg article in The IndependentSussex University Graduation SpeechFilms:The HomecomingInvisibleLearn more about Airbnb's work with housinghttps://www.airbnb.org/ See acast.com/privacy for privacy and opt-out information.

Who gets to tell stories, who gets to tell your story? How does story relate to the body? What are the stories our bodies tell? These are some of the questions I delve into through the prism of African women, tattoos and scarification, with my guests today Laurence Sessou and return guest Jessica Horn (catch Jessica in S01 Ep. 7 of HUTL) founders of The Temple of her SkinJessica and Laurence, two African women hailing from East Africa and Benin in West Africa respectively were inspired by their own tattoo and scarification journeys to create space for other African women to do the same. Moving away from either the hyper sexualised or anthropological - think National Geographic tribal woman imagery - to discover the real and complex stories of these adorned women, because well, aren't we all real and complex people? They are discovering as Jessica says ‘where tattooing and scarification sits in our varied African histories'.We talk about the tattoos that have marked significant moments in their lives. We talk about the difference between tattoos and scarification. We talk about the importance of their grandmothers in their spiritual practices and traditions. We talk about pain, pain not as something we seek after but rather as an almost unavoidable component of bringing something forth - which is why we also talk about childbirth! We of course talk a lot about the body, about understanding the body, about being connected to the body, about agency over one's body and how this agency is in fact an act of resistance. Guests: The Temple of Her SkinTitle: Our EmbodimentMusic on playlist inspired from the African continent:Sauti Sol (Kenya)Zoe Modiga - Uthando (South Africa)J.B Mpiana - Ndombolo (Congo)Ria Boss (Ghana)Sena Dagadu (Ghana)Star Number One De Dakar- Waalo (Senegal)Mpho Sebina & Pianochella (South Africa)The Temple of Her Skin Links:WebsiteIGTrailerSupport their visual documentary project Dance Divas on the BBCLearn more about Airbnb's work with housinghttps://www.airbnb.org/ See acast.com/privacy for privacy and opt-out information.

I've been thinking a lot about how Black culture shapes mainstream culture so sometimes it can feel like we're everywhere - but actually when it comes to positions of leadership and ownership - female bandleaders, women producers, label or studio owners, songwriters, women of colour who are composers or arrangers, who aren't the pretty face in a band, or some kind of object of desire but behind the mixing desk - we really are few in number.It is changing - in its 2020 music diversity report, industry-funded body UK Music shared some key findings:The proportion of women in the industry is up from 45.3% in 2016 to 49.6% in 2020. Black Asian and other ethnic minorities in senior executive levels is up from 17.8% in 2018 to 19.9% in 2020. But that means only 1 in 5 people of colour are in senior exec positions. The number of older women in the industry between the ages of 45-64 drops from 38.7% in 2018 to 35% in 2020 we will still have a long way to go (although this is only UK data, I don't know what it's like in other parts of the world, especially the States) but things are slowly improving.Personally or fortunately for me I have, for the most part, been around men who love and respect women, who don't condescend, who don't have a problem being lead by a woman, who take instruction, who are safe people to be around and who also advocate for you - my guest today writer, composer, producer, publisher, A&R manager Felix Howard is one of those people.We talk about being in the music industry and for Felix, it's vey much a family business, his siblings, his father and grandfather all having careers in the industry, as he calls it ‘a severe lack of imagination'. We talk about the role of an A&R manager, about changes in the music business, about different creative approaches when working with artists, artists like Amy Winehouse. We talk about the importance of diversity and representation across the board, about allyship and tokenism.We talk about music so much that instead of having one or 2 songs on his playlist as I normally do with my guests, I created a special playlist, I've called it Felix Holds up the Ladder.Guest: Felix HowardTitle: It's all music and I love it allPlaylist: Felix Holds up the LadderSome unsigned/new acts Felix recommends:Genevieve Dawson - Carry it slowlyLady Blackbird The ClocksZach WitnessBioUK Music Diversity Report 2020Madonna - Open Your HeartMantronix - Got to have your loveLearn more about our Season 3 sponsors Airbnb and Project Lighthousehttps://www.airbnb.co.uk/against-discrimination See acast.com/privacy for privacy and opt-out information.

What do you think of when you think of shelter? Have you even thought about what it means or what it's meant to do? Is it just something that provides immediate protection from the elements? And what about architecture? Is architecture about buildings that we find aesthetically pleasing (or not!) And is there a difference between architecture and shelter? These are questions that I'd never really considered until I spoke with my guest today, architect, academic and award-winning filmmaker Dr Mark Breeze. The UN High Commission for Refugees reported that at the end of 2020 82.4 million people worldwide were forcibly displaced. The UNHCR does break down this figure into people who are internally displaced, asylum seekers, refugees that come under their mandate but it's a lot of people who aren't in their own homes. Which gets us talking about the importance of shelter and the work Mark does in this area. We talk about the role of architecture and how much it impacts our daily lives. For example, did you know that architecture is responsible for 40% of the world's CO2 emissions? Talking to Mark I realise that architecture isn't really about buildings but about creating space that allows for the intangible things - care, safety, privacy, collaboration , our culturally specific needs - not just about bricks and mortar. And in it all we do talk about music!Guest: Dr Mark BreezeTitle: Shelter is the essence of architectureMusic on playlist: Candy Walls by TR/STBioLinksSpatial Realities design research collaborativeContact: hello@spatial-realities.com Shelter Without Shelter documentary: University of Cambridge Sustainable Shelter GroupBooks:Structures of Protection? Rethinking Refugee Shelter BookForms of the Cinematic: Architecture, Science, and the Arts BookLearn more about Airbnb's work with housinghttps://www.airbnb.org/ See acast.com/privacy for privacy and opt-out information.

When is enough is enough? When is adapting no longer the appropriate response? When do people stop adapting because of their resilience and say we've had enough and we need to do something to change this? I've changed this week's programming (we were due to talk about music with A&R manager Felix Howard) because Wednesday 4th August marks the one year anniversary of the devastating port explosion in Beirut that killed 200 people, made about 300,000 people homeless and created about $15 billion worth of damage. This explosion took place in the backdrop of political and economic problems, a fire in the famous forests that hold the cedars of Lebanon, the Lebanese government placing a tax on the phone app - What's App, unemployment at almost 60% and the Lebanese revolution on 17th October 2019.So today we're heading to Lebanon to talk about the situation in Beirut with founders of Art of Change Imane Assaf and Jason Camp an organisation that curates urban art to enrich communities, supporting and promoting local artists.Guest: Art of ChangeTitle: It's the wake up call for a real revolutionArtists of playlist: Professor Z and The Chemical BrothersLinksArt of Change:WebsiteFacebookIGYoutubeAhla Fawda NGO:WebsiteIGBrady Black: IGMural of explosion victims:https://www.instagram.com/p/COc2hGzjRVO/https://www.instagram.com/p/COc5Js-j4Lp/https://www.instagram.com/p/COi0Sjmjy6o/Professor Z:IGTD StudiosLearn more about Airbnb's work with housinghttps://www.airbnb.org/ See acast.com/privacy for privacy and opt-out information.

This is the 3rd and final instalment on the series of discussions on race, class and education in the UK. It only felt right to interview the person who is the reason I am who I am, who has shaped the way I see the world - the person who literally brought me into the world, my mother, sociologist Dr Lemah Bonnick.BioLemah trained at the Institute of Education where she obtained her PhD in the Sociology of Education ‘Racial structuring of Educational Marginality'.She was a senior lecturer in sociology at St Mary's University: Twickenham. She also served as a school governor. She has presented her work in the United States - at Temple University, Ohio State University and Brown - In the Service of Neglected People: Anna Julia Cooper, Ontology, and EducationShe is currently working on a book - The Will to Know: Redemptive Tradition in theStruggle for Education among People of African Descent in America and theEnglish-Speaking CaribbeanWe talk about her journey into Sociology working with Dr Basil Bernstein considered one of the architects of the Sociology of Education. We talk about class as a component of social, cultural and economic capital and its impact on education and what my mother describes as the ‘commodification of education'.We talk about Caribbean intellectuals and their contribution to shaping discussions around Britain's colonial legacy in the UK and the Caribbean - C.L.R. James, Stuart Hall, educational psychologist Bernard Coard, Jessica Huntley, New Beacon books founder, John La Rose, Kamau Braithwaite. We talk James Baldwin, Toni Morrisson, W.E.B Dubois, Anna Julia Cooper. We talk about Windrush, about the complex relationships between minority groups. We talk about the controversial UK report on race by the Commission on Race and Ethnic Disparities and we talk about music.Guest: Dr Lemah BonnickTitle: We talk about the exception as if it's the ruleArtists on playlist: Marvin Gaye, Schubert, Ella Fitzgerald and Lionel RichieLinks:Bernard Coard - How the West Indian Child is Made Educationally Sub-normal in the British School System: The Scandal of the Black Child in Schools in Britain Jessica HuntleyJohn La Rose, New Beacon BooksKamau BrathwaiteWindrush - https://www.bl.uk/windrushhttps://www.bbc.co.uk/news/uk-43782241Akala - Natives: Race & Class in the Ruins of EmpireLearn more about our Season 3 sponsors Airbnb and Project Lighthousehttps://www.airbnb.co.uk/against-discrimination See acast.com/privacy for privacy and opt-out information.

I'm delighted to bring to you part 2 of our 3-part series on race, class and education in the UK. This week we're joined by historian Dr Michael Taylor, author of what I'm calling ‘required reading' & shortlisted for The Orwell Prize for Political Writing 2021 - The Interest, How The British Establishment Resisted the Abolition of SlaveryBioMichael Taylor is a historian of the British Empire and the British Isles in the eighteenth and nineteenth centuries. He graduated with a double first in history from the University of Cambridge, where he earned his PhD - and also won University Challenge. He has since been Lecturer in Modern British History at Balliol College, Oxford, and a Visiting Fellow at the British Library's Eccles Centre for American Studies.We talk about the political landscape of Britain in the 1810s and 20s how the split within the Tory party and Catholic emancipation in Ireland were key contributing factors to abolition. We talk reparations, reparations not as financial recompense for slave labour (because that would be impossible to quantify and impossible to pay back), but actually reparations as a form of restorative justice.It wasn't until 2015 that the UK Treasury finished paying off the loan it raised in 1835 to recompense slaveholders. To put it into context the British government at the time spent 40% of its budget - £20 million pounds - which in today's money when Michael was writing the book amounted to about £340billion pounds. And to really understand what this means for us now, the British tax payer and particularly Black Britons of Caribbean descent have essentially been ‘paying taxes to compensate those who enslaved [their] ancestors'. (p.300 of the book)We talk about the role of theology and how it framed both pro slavery and abolitionist narratives. We talk about the interconnectedness and muddiness of these historical abolitionist figures - that a person could be an abolitionist and a racist at the same time. We talk about whether or not to remove statues of slave holders. And we still make time to talk about music!Guest: Dr. Michael TaylorTitle: Abolition was not a fait accompliArtists on playlist: The Cure; Beethoven & R.E.MTwitter: @M_H_Taylor Buy the bookQuotes taken from the preface xv and pp 26 & 300CARICOM - Website Article in response to Treasury TweetsPeter Fryer book, Staying PowerLearn more about our Season 3 sponsors Airbnb and Project Lighthousehttps://www.airbnb.co.uk/against-discrimination See acast.com/privacy for privacy and opt-out information.

Today's episode is the first of a 3-part discussion on race, class and education in the UK. A 3-part conversation that really is the basis for the theme of season 3 - arts, anti racism and social change. We kick off the discussion with journalist and author of Sunday Times bestselling book Why I'm No longer to White people About Race Reni Eddo-LodgeReni's 2017 book was birthed out of a 2014 blog post of the same name sharing her experiences of what I would call almost a kind of racial emotional fatigue - which we touch on in our interview. But as you can imagine Reni has been talking about this book for a couple years which she says at this point is very much nostalgic for her. So in fact we talk more about the controversial report on race that was commissioned by UK Prime minister Boris Johnson and written by the Commission on Race and Ethnic Disparities. It was published around the time I interviewed Reni at the end of April to much public contestation and we get into that. We also talk about mental health and managing what Reni describes as soft liberal racism - as another friend mine said, navigating racism in this country is like running anti virus software all the time. We talk about how isolating racism can be and that writing this book which Reni likes to shorten to ‘Why I'm' has actually created a connectedness and has given her a global community. We talk about navigating success, how it can be a mixed blessing, the challenge of finding the creative space to make new work and we talk about Reni's eclectic taste in music! Guest: Reni Eddo-LodgeTitle: It was doomed from the startSongs on playlist: Beatles, Blackbird, DMX, Ruffryders anthem; MNEK; Rupaul's Dragrace UK; 21 seconds So Solid CrewWebsite: https://renieddolodge.co.uk/IG: @renieddolodgeTwitter: @renireniOther references by Reni:British Medical Journal response to Race ReportThe Spectator Article Mia Mingus - WebsiteIG: @mia.mingusLearn more about our Season 3 sponsors Airbnb and Project Lighthousehttps://www.airbnb.co.uk/against-discrimination See acast.com/privacy for privacy and opt-out information.

In this week's episode of HUTL, we're talking art, access and representation with art historian, writer, curator and director of London's Chisenhale Gallery Dr. Zoe Whitley. We talk about the importance of seeing oneself reflected in culture and having teachers who create spaces for that exploration. We talk about Black women and their hair, about standards of beauty and representations of black women and beauty. We talk about the power of possibility having what's possible reflected back at us. We talk about access, access to the arts, particularly with respect to her co-curation of the celebrated Soul of a Nation at the Tate Gallery. We talk about the arc of black consciousness from Negro, to Black, to African American - the Black Panther's Stockley Carmichael becomes Kwame Ture - that being and becoming that Stuart Hall spoke about. We talk about the next generation of curators who are speaking to the world we're in now. We talk about learning to rest, how rest is in fact an act of radical resistance and of course, we talk about music.BioInstagram: @ZoeWhitleyGuest: Dr Zoe WhitleyTitle: Who gets to be an artist?Artists on playlist: Shameika Said, ft Fiona Apple; No Name, Rainforest; Lous and The YakuzaArtist ReferencesHarper's Bazaar Article by Zoe WhitleyVision and Justice Website Denise Murelle - Posing Modernity The Black Model from Manet and Matisse to Today NAFAD - National Association of Fashion and Accessories Designers in the National Museum of African American History and Culture SmithsonianTiona Nekkia McClodden - Website Tricia Hersey the Nap ministry - WebsiteJoy Gregory - AutoportraitWebsite Lubaina Himid - Cutting up the GuardianFaith Ringgold's Children's books Website Allison Glenn - https://www.promisewitnessremembrance.org/DiscussionWebsiteMeg Onli - Art for PhiladelphiaInstagram Languid Hands - WebsiteB.O.S.S - InstagramTurner Prize ShortlistLearn more about our Season 3 sponsors Airbnb and Project Lighthousewww.airbnb.co.uk/against-discrimination See acast.com/privacy for privacy and opt-out information.

It's great to be back and with the first episode of season 3, a season dedicated to the arts, creativity and social change. My guest today is serial entrepreneur, investor, tech executive, CEO and Founding Member of Impact X Capital Partners, Eric Collins. BioLondon-based Eric is a serial entrepreneur, investor and technology executive who has spent a career building the value of digital companies through innovative strategies.He has done this at public and private companies including AOL, TimeWarner, Tegic/Nuance Communications, MobilePosse, SwiftKey/Microsoft and most recently, Touch Surgery, where he was COO.In 2018, Eric was part of a prominent group of black European and US serial entrepreneurs, institutional investors, investment bankers, corporate leaders and entertainers to found Impact X Capital Partners.The company is a double bottom-line venture capital firm that invests in under-represented innovators in Europe, focusing on growth stage companies in three distinct sectors: digital and technology, health, education and lifestyle; and media and entertainment.Eric is also a sought-after board member and advisor in the technology space. He sits on the board of companies in San Francisco and London, including Tech Nation, and acts as an advisor to companies in the US, India and the UK.He supports civic activities. In London, he serves on the board of Autograph ABP and Southwark Cathedral's Council and, in the US, he has been a board member of Washington Performing Arts.He also donates time and resources to many other contemporary causes, including the Smithsonian Institute's Museum of African-American History and Culture; The National Museum of African Art; Toronto's Power Plant Gallery; and Philomena's Chorus (a programme that helps under-represented voices, especially young, black British women, produce films).President Obama appointed Eric to the Small Business Administration's Council on Underserved Communities and as an evaluator for White House Fellow applicants.Eric holds degrees from Princeton University and Harvard Law School.In November 2018, The Financial Times named him among the UK's top 100 BAME leaders in technology. In 2019 and 2020 he was voted one of the most influential black people in Britain on the Powerlist.Eric is the host of new Channel 4 business reality show, The Money Maker, the format of which is based on long running CNBC series The Profit.Guest: Eric CollinsTitle: We don't need permission Music on Playlist: Your Arms are too short to box with God by Vinnette Carroll and The Me Nobody Knows by Gary William FriedmanWebsite: Impact XThe Money Maker Website on Channel 4Learn more about our Season 3 sponsors Airbnb and Project Lighthousehttps://www.airbnb.co.uk/against-discrimination See acast.com/privacy for privacy and opt-out information.

Welcome to Season 3 of Holding up the LadderIn the few months between the end of season 2 and the start of season 3 it seems the world isn't calming down any time soon - in fact in many ways, it feels more intense and more far-reaching. We've had the conviction of Derek Chauvin for the murder of George Floyd, which doesn't really feel like a victory and more like a pyrrhic victory - you know where no-one really wins. All around the world - Chile, Colombia, Ethiopia, Belarus, the Israel-Palestine conflict, a surge in Asian hate crimes, the list goes on - we can't avoid it and I don't want to. What we're going to do this season, is to try and talk about it - we're going to talk about justice, about social change, anti-racism, anti-discrimination with people who know these areas really well and because this is a creative podcast, we're going to talk about how creativity and the arts speaks to justice.If you listened to last season's interview with Japanese artist Makoto Fujimura, you will have heard him talk about the art of Kintsugi - that is the art of mending to make new. A bowl or a vessel is brought with all its broken pieces, those pieces are examined and then the pieces are put together with Japanese gold lacquer - we don't fix, or hide the cracks, instead we accentuate their beauty - in the hope that what we are left with is a vessel that's more beautiful than before. But before we mend, we examine. So that's what I'm going to try and do this season - we're going to examine some of these broken ‘societal' pieces, with the hopes of finding beauty in the brokenness. And as always, I'm interviewing some really interesting creatives from around the world from diverse disciplines - we'll be talking about race and racism with writers, historians and academics, about blackness and queerness, about sheltering displaced and migrant people and how architects help with that, we'll be talking about African feminism through tattoos and scarification, we'll be talking about diversity in business and tech, not asking for a seat at the table but making our own. We'll be talking about education and class in the UK, about art and art curation, about fashion, diversity in the music industry, we'll be talking about environmental awareness through transcribing bird and animal song. We'll be talking about beauty and justice and as always we'll be talking about music!One of the reasons Airbnb is sponsoring this series is to support these conversations, so as the season progresses I'll also be sharing some of the actions Airbnb has been taking around anti racism, anti discrimination and social change so stay tuned for that. I'm really looking forward to this season, I'll see you for our first episode on Wednesday 23rd June!Airbnb Report on TravelAirbnb Summarised Report See acast.com/privacy for privacy and opt-out information.

And so we come to the end of Season 2! And what a season it's been. I would normally have another wonderful guest to come and share their process with us, but this time I wanted to do something a little different. I feel like I had some real personal awakenings that I'm going to share with you. Using excerpts of interviews from across the season, I'll be talking about the value of arts in society and why it's so important to value ourselves! There is a great line in the Jane Campion film Bright Star about the English poet John Keats where his friend, writer Charles Brown says to Keats' love interest Fanny Brawne, something along the lines of, ‘please don't disturb us if you see us lying on the grass staring into space, we're actually working'. That line resonated so much with me because so many of my ideas come from ‘lying on the grass, staring into space!' This episode is about not only giving yourself permission to do just that, it's also about why it's so important to have the space to do so!All over the world, the arts is used to give voice to our cultural, political and social histories, some are celebrated (in the Middle East, for example, poets are considered to be like rock stars, they fill stadiums) some are loathed, some are ignored, some are even killed, many are lauded posthumously. Yet if we understand the importance of art in a society that seeks flourishing over commodity, connection over capital then art and its artists become a bridge. As my guest from last week Shruti Kumar said, artists are ‘orators of our history.'So thank you to all the fabulous guests who have shared their processes with us this season - it has been a real art imitating life, imitating art for me! And a huge thank you to Suzan Kibirge who has been managing all the social media and analytics but mostly to you all for listening. Until next time!Maslow's Hierarchy of NeedsEliud Kipchoge running 26.2 in under 2hrs Guest: Yours truly! @matshidisomusicTitle: Reflections - Valuing the arts, valuing ourselvesMusic I'm listening to: Midnight Mischief, Jordan Rakei; Bach Motets by The Pygmalion Ensemble with Raphael Pichon; my Spotify playlist - 'Songs for roadtrips and daydreams'If you'd like to support the podcast click here See acast.com/privacy for privacy and opt-out information.

We talk about access to musical education, about bridging the gap between classical music and other musical genres. We talk about the role of arts in society, about creating safe spaces, safe spaces for artists, for women artists. We talk about starting musician-led spaces rather than seeking a seat at the table, about the importance and necessity of creating our own jobs. We talk about trusting your gut, trusting your ear and your own creative expression because as Shruti puts it, ‘- art is meant to be a reflection of you, not a regurgitation of what's been done before'.We talk about the future of the musical landscape in these pandemic and post-pandemic times and our mutual love of Quincy Jones.This episode was recorded just before Christmas, so you're not going to hear any references to some of the political changes that have taken place in the States like the insurrection one Capitol Hill or the inauguration of Joe Biden and Kamala Harris.Guest BioShruti is a composer/producer based in LA. Her work has spanned film/tv, pop, and concert worlds and she often finds herself in projects that mix genres and experiences. Her work has been used by/for The National Geographic, NPR, The United Nations, The Late Show with Stephen Colbert, FOX India, A24, The 2016 Summer Olympics, UNICEF, and The Nederlander Organization. She spent the majority of the past year in London doing a residency with Spitfire Audio as well as producing out of Strongroom Studios in Shoreditch working with other artists as well as weaving together several years of collected sounds from her travels around the world for her upcoming album "Nodding Terms". She is also a Dublab radio host, "Let's Shake On It” and founder of Sound Travels engaging with culture & arts advocacy as well as aiming to level the musical playing field.Guest: Shruti KumarTitle: All the doors are viable if you keep an open mind about the music you're creating Music by Shruti: Knocked for Six, Feels Good Instrumental and Peel AwayAlbums on Playlist: Nicholas Britell - If Beale St Could Talk, Bach - Goldberg Variations, Glenn Gould, Thundercat - It Is What It Is, Fiona Apple - Fetch the Bolt CuttersWebsite: https://www.shrutikumar.com/IG: @tamingoftheshrutiLet's Shake on It, Website: https://www.dublab.com/shows/lets-shake-on-itIG: @lets_shake_on_itSound Travels website: https://soundcantravel.com/ IG: @soundcantravelIf you'd like to support the podcast click here See acast.com/privacy for privacy and opt-out information.

Today, we're talking about the future - about creating a world we haven't yet seen and a future that hasn't yet been imagined. We're talking about outside the box thinking, dreaming, playing, experimenting. I'm talking AI, living on Mars, the Elon Musks, the Will. I. Ams, my guest earlier this season, Beatie Wolfe who uses technology to push what's possible in our musical experiences (she sent her music to space, and has contributed to pioneering Dementia research). At times they may seem eccentric to us but actually there's something they've tapped into that we haven't understood yet - what's that phrase, ‘it seems impossible until it's done'.And in the realm of sustainability and renewable materials in architecture and design there's my guest today, Elora Hardy who is pushing the realms of possibility with bamboo.I first learnt about Elora Hardy and the work she does with design and architecture firm she founded Ibuku on Apple TV series Home - these breathtaking, otherworldly cities made entirely out of bamboo. Born in Toronto, Canada but grew up in Bali, Elora has a background in Fine Art and used to work for fashion designer Donna Karen. We talk about how not having any formal architectural training actually helped Elora to work outside the traditional confines of architecture, yet with a respect for craft, study and skill and how this helped to push the envelope of what's possible in architectural design.We talk about the qualities of bamboo, bamboo as a new form of renewable material and replacement for fossil fuels. We talk about the process that goes in to designing these other worldly structures in the lush Balinese landscape, about serving materials and the surrounding environment rather than using these materials to serve us. We talk about shelter and space and our interconnectedness with nature and each other. We also talk about her 5 year old son's love of loud instrumental rock music! Guest: Elora Hardy Title: It's not going to look the way people imagine because it hasn't been imagined yetArtists on playlist: Led Zeppelin, Daft Punk, Red Hot Chili Peppers, Steve VaiIbuku Bali Website: https://ibuku.com/ IG: @ibukubali Apple TV Home Trailer - https://youtu.be/l2n5DcNXJ8YBambooU website: https://www.bamboou.com/IG: @bambooubali Green School Bali website: https://www.greenschool.org/baliIG: @greenschoolbali If you'd like to support the podcast click here See acast.com/privacy for privacy and opt-out information.

In this special bonus episode of Holding up the Ladder, we're talking money! Money and the music industry. I've brought in some formidable women to talk about these issues and made a point of including not just artists but people who work in what I call the administrative side of the industry - law, label management etc. So, let me introduce you to my guests:Producer, songwriter, composer and singer, Alev LenzMusic and media lawyer, Honey Onile-EreCreative business consultant, Sam CampbellComposer/Producer, Shruti KumarWe talk about how to navigate the vastly complex and amorphous world of the music industry and how to do it as women and also women of colour. We talk about how to self advocate, how to negotiate, how knowing your value has a direct impact on the price you place on your work. We talk about allies and creating strong networks. We talk about the role that art generally and music more specifically plays in society - how do we quantify the value of music, not the person making the music but the music itself? We talk about the importance of protecting and therefore valuing the arts at a governmental level, how this impacts the value we place on artists and how all of this connects to money.Guests: Alev Lenz, Honey Onile-Ere, Sam Campbell & Shruti KumarTitle: Money Talks - Navigating the Music IndustryGuest bios:Alev LenzAlev Lenz is a German-Turkish producer, songwriter, composer and singer. Alev released her first album in 2009 Storytelling Piano Playing Fräulein, her sophomore record Two-Headed Girl came out in 2016 and her latest album 3 came out at the end of 2019. Her music has featured on critically acclaimed TV shows, Netflix series Dark, Black Mirror and the third season of The Rain. Alev has been working in close collaboration with Anoushka Shankar, featuring on her Grammy-nominated album ‘Land of Gold' as well as writing and co-producing for Anoushka Shankar's EP 'Love Letters' which culminated in a Grammy-nomination. Alev has also worked in close collaboration with Spitfire Audio creating an interactive sound library.Website: https://www.alevlenz.com/IG: @alev_lenz Honey Onile-EreHoney is a qualified lawyer, with several years of music and media legal and business affairs experience. Honey was Head of Legal & Business Affairs at Warner/Chappell Music Publishing for 10 years, after which she was Director of Legal & Business Affairs at BMG Rights Management. Prior to taking up her role at AMRA, Honey worked as a freelance Business Affairs consultant, working with a wide range of media businesses, from major labels / publishers (such as Universal Music and what was then EMI Records) to independents, including Imagem Music (now Concord) and Perfect Songs. Honey has also consulted for a range of businesses focused on the development of the music business in emerging territories, with a particular emphasis on West Africa, working with both labels and publishers, as well as collecting societies in the region.Website: https://www.amra.com/LinkedIn: https://www.linkedin.com/in/honey-onile-ere-57973135/Sam CampbellSam is a creative business consultant, consultant music publishing manager and consultant label manager with an MBA from Imperial College Business School. With over 25 years music industry experience, Sam creates monetisation models for independent artists and SMEs. She also develops and structures revenue streams for creative individuals.Website: https://www.cdasoundldn.com/Instagram: @cdastylelondonLinkedIn: https://www.linkedin.com/in/sam-campbell-mba-8552bb26Shruti KumarShruti is a musician, composer/producer based in LA. Her work has spanned film/tv, pop, and concert worlds and she often finds herself in projects that mix genres and experiences. Her work has been used by/for The National Geographic, NPR, The United Nations, The Late Show with Stephen Colbert, FOX India, A24, The 2016 Summer Olympics, UNICEF, and The Nederlander Organization. She spent the majority of the past year in London doing a residency with Spitfire Audio as well as producing out of Strongroom Studios in Shoreditch working with other artists as well as weaving together several years of collected sounds from her travels around the world for her upcoming album "Nodding Terms". She is also a Dublab radio host, "Let's Shake On It” and founder of Sound Travels engaging with culture & arts advocacy as well as aiming to level the musical playing field.Website: https://www.shrutikumar.com/IG: @tamingoftheshruti Radio show, Let's Shake on It: Website: https://www.dublab.com/shows/lets-shake-on-it & IG: @lets_shake_on_itSound Travels: Website: https://soundcantravel.com/ IG: @soundcantravelReports:UK MusicPRS Billboard Music Week/Sunday Times Rich List If you'd like to support the podcast click here See acast.com/privacy for privacy and opt-out information.

I've probably said this before but the thing I love most about music, apart from the music itself is who you get to meet through it, the relationships that are forged - I've made friends whom I now consider my extended family. One of those people is the reason I know today's guest. His name was Richard Antwi (he unfortunately passed away a few years ago). He was a lawyer and my manager and became a really good friend - he was instrumental in the careers of many artists, he signed the likes of Adele to her record deal, he also put some of the UK's grime artists on the map, think Lethal Bizzle, Boy Better Know and Wretch 32. He also managed my guest today, singer Daley. Hailing from Manchester in England Daley has one of those voices, so soulful and a falsetto that's as clear as a bell. If you think I'm exaggerating, Quincy Jones and Stevie Wonder also agree - he has sung with both of them at their request - Daley even told me after we ended our interview that he was at Stevie Wonder's house for Thanksgiving last year!I met Daley soon after he got signed and became his piano teacher. I was fortunate enough to hear some of his songs before they were released. Since then he has gone on to record 3 full length albums, worked with Pharell, sung with the likes of Jessie J, Marsha Ambrosius of the band Floetry, Jill Scott, Maxwell, Angie Stone and as I mentioned the legend that is Stevie Wonder.We talk about Daley's journey into music, the UK music industry's approach to RnB & Soul artists compared to the States, about signing to a major label. We talk about hindsight, about finding your voice. We talk about career highlights, being creative in a pandemic and trusting your instincts even if it goes against the dominant voices in the room.Guest: Daley Title: Don't second guess your gut feelingFeatured songs by Daley:Slow BurnThose Who WaitAlone Together ft. Marsha AmbrosiusTry (The Line) ft. Bad Fruit Music on Daley's playlist: Phantom Thread (original motion picture soundtrack) - Jonny GreenwoodRoisin Machine - Roisin MurphyMusic I mention:If Beale Street Could Talk (original motion picture score) - Nicholas BritellA Room with a View (motion picture soundtrack) - Richard RobbinsLieder ohne Worte (songs without words) Felix Mendelssohn - Daniel BarenboimWebsite: https://www.daley.tv/Instagram:@daleyYoutube: @daleyofficialTwitter: @daleymusicIf you'd like to support the podcast click here See acast.com/privacy for privacy and opt-out information.

In this week's special bonus episode of Holding up the Ladder, we're talking value systems and building creative community. I'll be sharing some of the lessons I've learned/am learning over the past 8-10 years building my music production company. I'm joined by my good friend Ramona Harris- she is global head of language services at Hogarth, the world's leading creative production partner for many brands and agencies including Coca-Cola, Nespresso, Dyson.She is extremely pragmatic and has a gift for taking bigs ideas and knowing how to practically implement them - I run a lot ideas past her. Hopefully you'll see what I mean during the course of our discussion. We come from very different worlds but I strongly believe in working with people and having friends who hold similar values but very different perspectives, if done right I think they actually help take you further than if you're only interacting with people with similar thinking.And here are the ‘Principles' for building creative community that we speak about:What are you trying to building, knowing your whyValuing the people you work withBe kind to peoplePaying it forwardPrinciple of reciprocityLearning when and when not to compromise Finding your tribe/your community Just do it!Guest: Ramona HarrisTitle: Building Creative Community - Establishing value systems with Ramona HarrisLinks to some of the things we refer to:Book - Impact Capital by Sir Ronald CohenFilm - Brooklyn BohemePodcast episode about my friend Ian Toothill who inspired principle No. 8, Just do it!If you'd like to support the podcast click here See acast.com/privacy for privacy and opt-out information.

Born in Boston, Makoto Fujimura or 'Mako' the name he goes by is an artist, arts advocate, writer, thinker and filmmaker. He studied 16th & 17th century Japanese art in Japan and practices the Japanese art of Nihonga or ‘slow art'. This beautiful ‘refractive' art requires you to slow down in order to see what's happening in the painting, sometimes 10-15mins at a time and then a whole world opens up - colours that you hadn't seen before unless you slow down to look.We talk about the work he does with the organisation he founded I am Culture Care, creating a space where culture isn't fought over but rather nurtured like a garden. We talk about hearing the music in art, about art as sound. About finding genesis moments in art, creating out of darkness, out of suffering. We talk about creating communal tables that to quote Mako, ‘[e]nduring art cannot be created without a covenantal community'. We talk about the Japanese art of Kintsugi - the art of mending to make new, finding beauty in brokenness.Guest: Makoto FujimuraTitle: Mending to make new - the Japanese art of KintsugiArtist on playlist: Susie IbarraWebsiteshttps://www.makotofujimura.com/https://iamculturecare.com/fujimura-institutehttps://iamculturecare.com/ Instagram: @iamfujimuraKintsugi Instagram: @academykintsugi/CollaborationsQuartets - artistic response to T.S. Elliot's 4 Quartets New York Times Op ed pieceWriting - https://www.makotofujimura.com/writings/art-love-and-beauty-introductionhttps://www.makotofujimura.com/writings/art-love-and-beauty-on-art-lecture-1 Culture Care Podcast Culture Care bookIf you'd like to support the podcast click here See acast.com/privacy for privacy and opt-out information.

It's not everyday you get to talk to artists you admire and then they turn out to be even more wonderful in person. I've been listening to the music of today's guest for many years now and every time I return to it I'm reminded of why I love music from authentic voices.Pura Fé (meaning ‘pure faith') is a musician, songwriter and activist originally from North Carolina but raised in New York. She is in many ways the embodiment of America's rich and complex ancestral history - with her Native American Tuscarora Indian, African American (specifically Yoruba and Ebo), North Carolinian, Scottish, Puerto Rican roots - all of which is also expressed in her music.We talk about growing up in a family with 8 generations of singing sisters who sang opera, a mother who sang with the likes of Duke Ellington, how piano legend Thelonius Monk is also a relation, about falling asleep in all night church services where jazz trumpet legend Miles Davis among many others would come to play. We talk about her musical education at Lincoln Square Academy in New York and why Pura Fé chose not to sign with Sony and label exec Tommy Mottola (the person who signed and married Mariah Carey) or any major record label for that matter. We talk about singing with Anita Baker about singing at an event with Lena Horne in the audience.We talk about what is American music and particularly the story of Native American people and their music.Guest: Pura FéTitle: I think I was born with a fist in the airSongs all by Pura Fé:Great Grandpah's Banjo from the album Full Moon RisingMahk Jchi from the Ulali project bandMy People My Land Pt.2 from the album Hold the RainRed, Black on Blues from the album Full Moon RisingMy People my Land Pt 1 from the album Hold the RainLet Heaven Show from the album Hold the RainWebsite: https://www.purafe.comInstagram: @pura.fe.9Trailer of RUMBLE: The Indians That Rocked The World - https://youtu.be/hovJUoyxulcClip on the history of the banjo with Rhiannon Giddens - https://youtu.be/DkGSns7-_e0 Artist on her playlist: James BrownIf you'd like to support the podcast click here See acast.com/privacy for privacy and opt-out information.

ADVISORY: In this episode we talk about issues of domestic and sexual violenceWelcome back to the second and final part of my conversation with South African photographer Leeroy Jason. If you haven't listened to part 1 yet it's worth tuning in so you get a sense of Leeroy, his work, his values and how we ended up having our meandering conversation - meandering, not in the sense of being directionless more in the sense of the kind of conversations you have with someone when you go for a long walk, or at a long dinner when wine is flowing moving from subject to subject. I've also shamelessly added my own music in this episode but I promise, there is a context to it! In part 1 I tried to get Leeroy to tell me the music he's listening to, I did the same in this episode but to be honest I never did manage to pin him down!Guest: Leeroy JasonTitle: The more honest you are as an artist the more people relate to thatArtist on playlist: SZA, Hit DifferentLink to Singing dogSong by Matshidiso: Quiet LoveMental Health Charities & OrganisationsSouth Africahttps://genderjustice.org.za/ http://www.sadag.org/The Carroll Shaw Memorial Centre (rehabilitation for abused men) website is down but there is an email: info@csmc.org.za & tel: 011 416 6080I asked a South African psychotherapist friend who studied and trained for many years in South Africa she advised that for those who are on medical aid, you may be able to apply for up to 15 therapy sessions.UK Therapy for menhttps://www.thecalmzone.net/https://www.wearehumen.org/Therapy for men in Londonhttps://www.psychologytoday.com/gb/counselling/mens-issues/eng/londonIn South Londonhttps://www.slam.nhs.uk/about-us/who-we-are/partnership-working/maudsley-charity/Black, African & Asian mental health charityhttps://www.baatn.org.ukBlack men's mental health for 16-30yr oldshttps://www.hoodmentality.co/If you'd like to support the podcast click here See acast.com/privacy for privacy and opt-out information.

ADVISORY: In this episode we talk about issues of domestic and sexual violenceIf you've been listening to this podcast at all you'll hear me talk a lot about South Africa and you'll also know that I'm half South African. I love South Africa it is home for me as much as London is my home - yet I feel like I fully belong and I'm a foreigner all at once. I often say South Africa is a place of extremes, the good things are incredible and the bad things are terrible and it seems to me that this is the place South Africa exists, beautiful and harrowing, inspiring and exasperating. When I think about my guest today, photographer Leeroy Jason, his work so well encapsulates these tensions - beautiful painful, frightening yet you can't help but stare…an image comes to mind of a man being sprayed in the face with teargas - the image is brutal yet Leeroy captures it in such a way that the movement in the picture gives it an elegance that makes it feel like a dance.Leeroy started taking pictures at the age of 11. With a famous war photographer father who covered the apartheid struggle, the Rwandan genocide and the war in Kosovo (he's also responsible for that iconic picture of Lady Diana shaking hands with Nelson Mandela) the realities of war and the effects of PTSD turned Leeroy temporarily away from a career in photography but it would seem the pull was too strong to stay away but I'll let him tell you about that himself. Leeroy has a way of giving voice to ideas in a way I had not previously considered and then using photography to articulate those ideas. Days after our discussion I found myself revisiting some of things he said. Leeroy's photography challenges, it provokes, it causes you to question, it is art, it's also journalistic, he has a way of merging those extremes I was telling you about. We recorded this episode in September and at the time of airing, South Africa still has the highest rates of rape in the world (according to a report by the South African Medical research council 25% of SA men have admitted to raping a women and of that 25% nearly half said they have raped more than 1 woman) the numbers are disturbing especially when we know that a lot of rapes go unreported and that these aren't numbers they are real people - Leeroy's work seeks to address the issues around gender based violence or GBV not only from the perspective of South African women to quote Leeroy ‘taking their power back' but he also challenges men, African men, South African men (starting with himself) to look at their own behaviour, to reconsider their understanding of their masculinity of African masculinity and sexuality and he does so with his photography.Leeroy was open, honest, vulnerable, he got us talking about things I didn't expect. And it's why I decided to divide this conversation into 2 parts. I tried to end the conversation like I always do, talking about music, about the music he was listening to, but our conversation, steered by Leeroy took a different turn and we kind of wandered down an unexpected creative road so that Leeroy ended up interviewing me - as I said, not what I expected! You'll have to tune in to part 2 to listen to that- but for this episode know that we talk about the police and citizen responses to Covid-19, Leeroy's journey into photography, the work he explores in what is known as ‘the fall' generation and his photography series Everything must fall. We talk about trauma, about violence about masculine identity and sexuality and we try to talk about music! Guest: Leeroy JasonTitle: Everything Must FallInstagram: @darealclickclakMental Health Charities & OrganisationsSouth Africahttps://genderjustice.org.za/ http://www.sadag.org/The Carroll Shaw Memorial Centre (rehabilitation for abused men) website is down but there is an email: info@csmc.org.za & tel: 011 416 6080I asked a South African psychotherapist friend who studied and trained for many years in South Africa she advised that for those who are on medical aid, you may be able to apply for up to 15 therapy sessions.UK therapy for menhttps://www.thecalmzone.net/https://www.wearehumen.org/Therapy for men in Londonhttps://www.psychologytoday.com/gb/counselling/mens-issues/eng/londonIn South Londonhttps://www.slam.nhs.uk/about-us/who-we-are/partnership-working/maudsley-charity/Black, African & Asian mental health charityhttps://www.baatn.org.ukBlack men's mental health for 16-30yr oldshttps://www.hoodmentality.co/If you'd like to support the podcast click here See acast.com/privacy for privacy and opt-out information.

My guest on today's episode of Holding Up the Ladder is chef Pierre Thiam. Hailing from Dakar in Senegal, now residing in New York, Pierre is an author, restaurateur, social entrepreneur and culinary ambassador. He is the executive chef of awarding-winning restaurant Nok by Alara in Lagos, Nigeria; signature chef of the 5-star Pullman Hotel in Dakar; executive chef and co-owner of Teranga a fast-casual food chain in New York rooted in traditional African culinary traditions and founder of Yolélé Foods a company that advocates for small holder farmers in the Sahel, opening new markets for crops grown in Africa, particularly the super food Fonio which we talk about in detail in our interview. Chef Thiam also has a number of beautiful cookbooks celebrating Senegal and the rich culinary traditions of West Africa.We talk about Pierre's journey from a student of physics and chemistry in Dakar to the kitchens of New York. We talk about the politics of food; food justice and food deserts. We talk about sustainability, how lifestyle desires of people in the West can negatively impact farmers across the world. We talk about the far-reaching disruptive effects of colonialism on farming so that crops from as far afield as Vietnam have impacted the Senegalese diet.We talk about how Pierre's cultural heritage has shaped his work and what he values. And we attempt to settle the long-standing argument of which country in West Africa makes the best jollof rice, hint - it's not Nigeria and it's not Ghana! And we of course talk about music.Guest: Chef Pierre ThiamTitle: The best way to transcend borders is through foodLinks: Chef Thiam's website & IGYolélé Foods website & IGTeranga website & IGReport on Future 50 FoodsArtists of playlist: Randy Weston, A Tribe Called Quest, Cheikh LôIf you'd like to support the podcast click here See acast.com/privacy for privacy and opt-out information.

Some conversations are less about answers and more about the questions. Getting to ‘the why' of an issue. And sometimes those questions, those ‘whys' open the door to unexpected discoveries that give rise to even more questions. That's how I would describe my conversation with today's guest, artist Beatie Wolfe.I was introduced to Beatie's work at her retrospective at London's Victoria and Albert museum and to say I was blown away is an understatement. Beatie isn't solely a musician, she's a tech innovator, a scientist, an artist - she's sent her music into space, played in the quietist room on earth, she's contributed to pioneering Dementia research, she's the first person to use live 360 VR in her music, created an environmental protest piece using 800,000 yrs of Nasa data the list goes on, if I were to tell you all of it it would sound like I'm reeling off an impressive CV. Yet what I find more impressive isn't actually what she's achieved (albeit incredible) it's her curiosity and what I would call a very simple yet deeply rooted conviction about the power of music - it's those questions that I was telling you about. And it's from that questioning that Beatie has innovated, challenged, pioneered and for people like me, really inspired. We talk about the ‘why' of music, its importance, its value, its ability to heal, to connect us, what Beatie calls ‘music as medicine' and the conditions needed to ensure that it (again to quote Beatie) ‘imprints'. Guest: Beatie WolfeTitle: Music keeps us alive insideWebsite: https://beatiewolfe.com/ IG - @beatiewolfeSongs: Take me home, From Green to Red from the album Montagu SquareLittle Moth from the album Raw Space all by Beatie WolfePostcards for democracy with composer Mark Mothersbaugh IG: @postcardsfordemocracyFilm: Orange Juice for the Ears Podcast: Orange Juice for the EarsArtist on playlist: songwriter Allee Willis - September and Boogie Wonderland - Earth Wind and Fire; Friends theme tune I'll be there for youIf you'd like to support the podcast click here See acast.com/privacy for privacy and opt-out information.

Every city has its ‘scene' those spaces where groups of people with a similar aesthetic, value system or art discipline or music style find each other. Well in London the jazz, soul, session musician scene is on one hand really big yet on the other really tiny - everyone knows each other and if they don't, they'll know someone who knows someone you know. And it's through this same scene that I met today's guest, vocalist and songwriter Heidi Vogel.Heidi has toured the world opening for artists such as Erykah Badu; performed at Montreux Jazz festival for Quincy Jones; performed at many of the world's major festivals and on the finest stages including Cape Town Jazz Festival, London's Royal Albert Hall, Glastonbury, the Sydney Opera House, Coachella, Central Park Summerstage in New York, North Sea Jazz & Blue Note Jazz Festivals. She's performed and/or recorded with some incredible artists, Bobby Mcferrin, Thundercat, Isaac Hayes, Moses Sumney, Miguel Attwood Ferguson, Chick Korea, Hermeto Pascoal and some of the UK's most established artists on the scene (that seen I was telling you about) Soweto Kinch, Tawiah, Roots Manuva, Ty, Terry Walker to name a few.We talk about our love of making lists and reaching musical milestones that seem to elude us. This was a really honest conversation about what it's like being a working musician, about lifelong learning, about being too hard on yourself at times because I think artists who are really passionate about what they do live, to quote Heidi in ‘devotion to the art'.You'll hear a lot of laughter and a lot of reminiscing and hopefully you'll not only hear a beautiful voice but a generous, open and deep-thinking person.Guest: Heidi VogelTitle: I'm on a journey of who I want to become as a musicianIG: @heidilevoHeidi's songs from her album 'Turn up the Quiet': Medo De AmarDindi (feat. Austin Peralta)ModinhaBlack NarcissusArtists on playlist: Baby Rose, Thundercat, H.E.R, Summer WalkerIf you'd like to support the podcast click here See acast.com/privacy for privacy and opt-out information.

My guest on today's episode of Holding Up the Ladder is art writer, curator, advisor and founder of Black British Art, Lisa Anderson.With a background in international relations and an MA in Human Rights, Lisa's love of art and curation was sparked while at university - it's an intimate story, one that I'll leave her to share in her own words.We talk about identity, belonging, the importance of representation, of seeing oneself in the world around us, not just in our homes but in culture. We talk about London, about Britishness about Black Britishness. We talk about being part of a London ‘scene' and as always we talk about music.Guest: Lisa AndersonTitle: I've always sought art that I could see myself inWebsite: https://lisaandersonartadvisory.com/Black British Art Instagram: @blackbritishartLisa Anderson Art Advisory Instagram: @lisaandersonaaArticle linkSpotify: Broken Beat PlaylistArtists Lisa loves:Adelaide Damoah - Website & IGEnam Gbewonyo - Website & IGIrvin Pascal - Website & IGRachel Jones - WebsiteJadé Fadojutimi - Website & IGShannon Bono - Website & IGMichaela Yearwood-Dan - Website & IGArtists on Lisa's playlist:The Clark SistersHezekiah WalkerChristian ScottBlue Lab BeatsBeyonceIf you'd like to support the podcast click here See acast.com/privacy for privacy and opt-out information.

The trailer for Season 2 is here!Episode 1, Season 2 out on Friday 16th October 2020! See acast.com/privacy for privacy and opt-out information.

What a perfect way to end the first season of Holding Up the Ladder with my guest today Dr Susan Rogers. For those of you who may not know, Susan is most famous for being Prince's sound engineer - she's responsible for recording (in my opinion) some of Prince's best work, Purple Rain, Sign “O” The Times, Around the World in a Day, and Parade.Susan Rogers started off as a studio maintenance technician for Crosby Stills & Nash in Hollywood, she responded to an advert looking for a technician for Prince and got the job. I won't spoil the story, I'll let her tell you herself about her time working with Prince, but needless to say it was life changing. She then went on to engineer and produce for a diverse roster of artists including David Byrne, Bare Naked Ladies, The Jacksons, Tevin Campbell, Paul Westerberg, Geggy Tah and Tricky.Susan then moved into neuroscience and has a doctorate in psychology from McGill University in the States, where she studied music cognition and psychoacoustics. She's now a professor at Berklee in Boston and is the director of the Berklee Music Perception and Cognition Laboratory. She's currently writing a book and has completed a research paper about how we listen and respond to music and the rewards we get from it. Susan Rogers also launched along with Matthew McArthur Boston's first nonprofit recording studio, ‘The Record Company', that offers low-cost recording facilities and free music technology teaching to musicians and teens.We talk about the process of making albums, about the science and artistry of engineering, the difference between analog tape and modern music-making, about how our brains and bodies respond to music, why some people respond to one form of rhythm over another. We talk about artists that inspire us and of course we talk all things Prince!Guest: Dr Susan RogersTitle: There's a difference between knowing what you want and knowing who you areWebsite: https://www.berklee.edu/people/susan-rogersTalks on Youtube:https://youtu.be/EgBZHIUUn8Q https://youtu.be/JXcewgUup9Mhttps://youtu.be/8ON0nQCQF08 Music/producers/studios on playlist: Smokestack Lightnin' from the album Moanin' in the Moonlight by Howlin' Wolf, Rick Hall from Muscle Shoals records, Sam Phillips from Sun Studios, Chess RecordsIf you'd like to support the podcast click here See acast.com/privacy for privacy and opt-out information.

My happy place will always be talking to other musicians about music. Even with musicians I'm meeting for the first time, we start talking about music and by the end of our conversation, we're firm friends. Which leads me on nicely to tell you about today's guest songwriter, producer, musical director and composer Sarah deCourcy.We met through another musician Mr Hudson (the Mr Hudson who's collabed with Jay Z and Kanye West on Supernova & Forever Young). We started chatting about music as musicians do, kept in touch via Instagram, Sarah moved to LA (which you'll hear more about in our conversation) and now we're here and today's interview.Sarah was a child prodigy, she started playing the piano at 3, picked up the violin and was composing violin sonatas at the age of 8! We don't have the audio, but I've put a picture of the sonata manuscript in my Instagram post so you can see how prodigious she was - at 8, I was playing chopsticks!She was performing solo piano concertos at the Royal College of Music in Manchester, leading youth orchestras as a violinist, she won young composer of the year at 9 and young musician of the year at 11. She studied classical piano and film composition at The Royal Academy of Music in London and it was there that she got into contemporary music.Sarah has worked as a live musical director & producer for Kylie Minogue. For those who aren't from the UK or Australia, Kylie Minogue is like a national treasure for us - it's a big deal! She's musical directed for Nicole Scherzinger from the Pussy Cat dolls, UK pop band Little Mix and French artist Christophe Willem amongst others. She also works as a songwriter and producer, has had 12 top 10 record releases, 2 gold and 1 platinum album. She recently moved to LA to focus on film and TV composition.Sarah wears many hats, she's an engineer and built her own music studio from scratch. We talk about her foundation in classical music and how she draws upon it when writing mainstream pop music. The differences between live arena production vs studio album production and our mutual love of Justin Bieber! We talk about the importance of understanding the administrative and legal side of the music industry and knowing your worth not just as a musician, but as a female musician.Guest: Sarah deCourcyTitle: That moment changed how I could output my creativityWebsite: https://www.sarahdecourcy.com/IG: @SarahdecourcydcMusic Excerpts: ‘Terminus Elite' and ‘Barren Lands' score cues by Sarah deCourcy & Kylie Minogue's live show 'Spinning Around'To see image of solo violin sonata written when Sarah was 8 go to IG post hereAlbums on playlist: Nick Cave & Warren Ellis The Proposition, Sleep by Max Richter, Mica Levi Under the SkinIf you'd like to support the podcast click here See acast.com/privacy for privacy and opt-out information.