Podcast appearances and mentions of Frank O Gehry

David K. Plotkin, AIA and Principal of WDA.David founded and operated his Tucson, Arizona firm, concentrating on envisioning and implementing commercial and residential projects built with environmentally responsible practices. He has also designed and managed projects for firms in New York, Nashville, Chicago, and Los Angeles, including Frank O. Gehry & Associates and Morphosis Architects.WBA is a people-based practice. That makes our design process fundamentally different than the norm. At WDA, everyone participates in design.WBA engages the expertise of our entire team from the start and believes that when people feel connected to their work, they care more about their contributions, pushing design to greater heights.Their byline is the modern design that lives well.For more information, you can visit: https://wdarch.com/

In 12 minuti cerco di riassumere la biografia del famoso architetto Frank O. Gehry, il suo stile architettonico decostruttivista e alcune sue opere in special modo il Guggenheim Museum di Bilbao.

Corrente architettonica che è caratterizzata da forme che rompono le tradizione di una architettura razionalista. L'inizio si può considerare nel 1988 con la mosta “Deconstructivist Architecture” a New York quando furono esposti progetti di Frank O. Gehry, Daniel Libeskind, Rem Koolhaas, Peter Eisenman, Zaha Hadid, Bernard Tschumi e del gruppo Coop Himmelb(l)au.

Join Mark Weaver of Mark Weaver and Associates with Elissa Scrafano, AIA, Principal and Founder of Scrafano Architects. Scrafano Architects is one office with two locations – Los Angeles and Chicago – and is mostly comprised of women and working mothers adjusting to the modern family paradigm, and many are also graduates of SCI-Arc. Elissa has been practicing architecture and interiors for more than 30 years. Before establishing her own firm, Elissa worked at the offices of Frank O. Gehry and Associates, Eric Owen Moss Architects, Narduli Grinstein Architects, and Landworth Debolske Architects. She serves on the SCI-Arc Alumni Council, previously served for three years on the Los Angeles Cultural Heritage Commission, and is honored to be appointed to the Los Angeles Cultural Affairs Commission by Mayor Eric Garcetti where she serves as president. To learn more about Scrafano Architects you can visit their website www.scrafano.net or follow them on Instagram @scrafanoarchitects Be sure to keep up to date on 'Designers at Home' by following @markweaverandassociates on Instagram

In this episode, Adam and Budi speak with Master Scenographer Jean Guy Lecat again.Dubbed "Monsieur Space“ by Peter Brook, from 1976 to 2000 as technical director and space designer for Peter Brook, Jean-Guy Lecat was charged particularly with researching, transforming, or creating more than 200 spaces throughout the world, many still in use such as BAM's Harvey-Majestic Theatre, Beaumont Theatre Lincoln Centre, Theatre for a New Audience with architect Frank O. Gehry and Hugh Hardy, and La MaMa in New York, The Other Place Theatre at the Royal Shakespeare Company, Teatro Azul de Almada and Teatro Trindade in Lisbon, The New Young Vic (Winner of the RIBA London Building of the Year Award) The Roundhouse and, The Unicorn Theatre in London, The Abbey Theatre in Dublin and many more.  As space designer, developer of architecture, stage designer, theater maker, Lecat devotes himself fully to the transformation of space for performance. He is untiring in his exploration of the interaction of theater and architecture, design and performance, space and storytelling.  He left Peter Brook's Company in 2000 and continued to take part in the creation or transformation of spaces at the side of directors and architects. Concurrently he began to share his experiments and discoveries by offering workshops about space around the world, for young professionals or students, theatre-makers, architects, artists, set- and light designers. Mentioned in this episode:The Man WhoCarmillaA Chorus LineJulian Beck and the Living TheaterIonesco's RhinocerosThe Resistible Rise of Arturo UiThe IslandTo submit a question, please visit http://www.speakpipe.com/theatreofothers for voice recording or submit an email to podcast@theatreofothers.com Messages may be quoted by name unless the writer stipulates otherwiseIf you enjoyed this week´s podcast, we´d love for you to leave a review on Apple Podcasts. It helps with our visibility, and the more people listen to the podcast, the more we can invest in it and make it even betterMusic credit: https://www.purple-planet.comThe Audio New Play Festival 2022 (50 Years from Now) submissions are open. Click the link to learn more

In this episode, Adam speaks with Master Scenographer Jean Guy Lecat. Dubbed "Monsieur Space“ by Peter Brook, from 1976 to 2000 as technical director and space designer for Peter Brook, Jean-Guy Lecat was charged particularly with researching, transforming, or creating more than 200 spaces throughout the world, many still in use such as BAM's Harvey-Majestic Theatre, Beaumont Theatre Lincoln Centre, Theatre for a New Audience with architect Frank O. Gehry and Hugh Hardy, and La MaMa in New York, The Other Place Theatre at the Royal Shakespeare Company, Teatro Azul de Almada and Teatro Trindade in Lisbon, The New Young Vic (Winner of the RIBA London Building of the Year Award) The Roundhouse and, The Unicorn Theatre in London, The Abbey Theatre in Dublin and many more.  As space designer, developer of architecture, stage designer, theater maker, Lecat devotes himself fully to the transformation of space for performance. He is untiring in his exploration of the interaction of theater and architecture, design and performance, space and storytelling.  He left Peter Brook's Company in 2000 and continued to take part in the creation or transformation of spaces at the side of directors and architects. Concurrently he began to share his experiments and discoveries by offering workshops about space around the world, for young professionals or students, theatre-makers, architects, artists, set- and light designers. Mentioned in this episode:DallasEdward Gordon CraigJean Claude CarriereUmm KulthummTo submit a question, please visit http://www.speakpipe.com/theatreofothers for voice recording or submit an email to podcast@theatreofothers.com Messages may be quoted by name unless the writer stipulates otherwiseIf you enjoyed this week´s podcast, we´d love for you to leave a review on Apple Podcasts. It helps with our visibility, and the more people listen to the podcast, the more we can invest in it and make it even betterMusic credit: https://www.purple-planet.comhttp://www.theatreofothers.comThe Audio New Play Festival 2022 (50 Years from Now) submissions are open. Click the link to learn more

Frank O. Gehry ha, come architetto, un passato poco ortodosso, nutrito di passioni non convenzionali per l'arte e per la vita, progressivamente riflesse nell'espressione di una maniera fortemente estremizzata. Affascinata dalla “sporcizia” visiva della città. L'architettura delle sue case è stata il grido liberatorio di una guerriglia estetica che ha celebrato il brutto. L'ordinario. Il banale. Come ingredienti di una bellezza cheap. Come il fascino di una Cenerentola grunge vestita di stracci. - Cit. Fulvio Irace

Vorrei parlarvi di architetti che stanno tutt'ora scrivendo la storia dell'architettura contemporanea come Zaha Hadid, Frank O. Gehry, Daniel Libeskind, Rem Koolhaas e altri... ma prima devo introdurli parlando dell'Architettura Decostruttivista che è il comune denominatore.

Douglas Hanson, AIA launched his Los Angeles based firm, HansonLA, in 2010. He has worked with some of the world’s leading architectural firms designing major cultural, commercial, and residential projects in Asia, Europe, and North America. In Hanson’s current role as President of HansonLA, he is the Design Principal on various residential and commercial projects, and the Master Plan Architect for City Market of Los Angeles, a 10 acre, mixed-use development in the Fashion District, and the Mail Order District, located in Boyle Heights. He has established a reputation for integrating innovative design with the functional and technical requirements of each project in addition to having extensive experience in all phases of design, from research through construction, with cultural, commercial, and residential projects of all scales and magnitudes. Early in his career at Skidmore Owings and Merrill, Hanson collaborated on major European projects from design through construction. In Barcelona, Hanson managed Vila Olimpica, a collaboration between SOM and Frank O. Gehry & Associates. Hanson then joined Frank O. Gehry & Associates in 1992 as a Senior Associate and Project Architect for the Guggenheim Museum Bilbao. He has an appreciation of architecture as a societal art and endeavors to advance the worlds of his projects with thoughtful and engaging design and he will continue to not only define skylines but transform communities.For more show notes and all links mentioned in the episode, go to https://davidjfrangioni.com/podcast/douglas-hanson

If you can name one living architect, it's probably Frank Gehry. Gehry has designed some of the world's most recognizable and beloved buildings... buildings that are surprising and playful, like the Guggenheim Museum in Bilbao and the Walt Disney Concert Hall in Los Angeles. In this episode, Gehry talks about what compelled him to put the art back in architecture. He explains his obsession with fish and motion and curvilinear forms. And he remembers the professor who told him he'd never make it in architecture.

In this episode we cover a huge amount of topics: Algoma Blue by Llewelyn Davies, Frank O. Gehry's Gugenheim in Bilbao, Serra's UN Square entrance piece, Maya Lin's Vietnam Memorial, amongst a few. As usual, our conversation meanders to what we've done and liked. I have since found what the pick up stick game is called, it's called Mikado sticks! That's what Algoma Blue looks like! Although Isabelle laughs at Mark's red paintings, she actually loves them. Enjoy and don't forget to comment!

Machen Sie heute mit uns einen Ausflug ins Feld der modernen Museumsarchitektur. Und: Hören Sie außerdem von der Arbeit der Museumsexpertin Verena Formanek zwischen Zeitzonen und Kontinenten. Die Idee des "Kulturtainments" wird auf der arabischen Halbinsel zur Perfektion getrieben. Auf Saadiyat Island in Abu Dhabi, Vereinigte Arabische Emirate, entsteht derzeit ein ganzer Kulturbezirk inklusive gigantischer Kunst-Stätten mit Namen von Weltrang. Eine davon ist das gewaltige Guggenheim Abu Dhabi, entworfen – wie schon in Bilbao – von Frank O. Gehry, geplante Eröffnung: 2014. Die Konstruktion aus gestauchten und ineinander geschobenen Quadern, Prismen und Kegeln nimmt Anleihen aus der traditionellen regionalen Architektur auf und interpretiert sie modern. Die international erfahrene Museumsexpertin Verena Formanek ist Senior Project Manager für die Museumsneugründung.