Podcasts about jazz baby

Today most of us don't know the name Marion Harris, but Grandma probably did when she was a teen-ager listening to that new-fangled radio in the parlor.Songs that summed up the transition from the stodgy, gaudy Gilded Age to the brave new world of The Jazz Age were often the recordings of Marion Harris. Her tunes like “Jazz Baby” and “They Go Wild, Simply Wild, Over Me,” “A Good Man is Hard to Find” and “Take Me to the Land of Jazz” were a soundtrack of the changing times.Her most enduring legacy? It was a 22-year-old Marion Harris who introduced the world to “After You've Gone,” 1919's bestselling American tune, written by the African-American vaudeville duo of Turner Layton and Henry Creamer.The pair wrote the song to bring some life to a failing road show called “So Long, Letty.” The road show continued to fail, but the song hooked audiences, taking off with a life of its own. Their HitsOne of the most frequently recorded pre-1920s jazz standards, “After You've Gone” appeared on the Top 20 charts on at least nine different occasions between 1919 and 1937. Highlighting them all were the 1927 recordings by Sophie Tucker and by Bessie Smith.And Layton and Creamer weren't finished. Three years later, they penned another beloved early-jazz standard, “Way Down Yonder in New Orleans,” which they advertised as "A Southern Song, without A Mammy, A Mule, Or A Moon." (What a dandy dig at some of the Tin Pan Alley clichés of the era!) One of that song's earliest recordings was 1927's signature rendition by Bix Beiderbecke and Frank Trumbauer.The Turner Layton OdysseyTurner Layton worked as a singer and dancer in vaudeville using original material. A Washington D.C. native, he received musical training from his father, a bass singer, music educator and hymn composer. The young man attended Howard University Dental School, then moved to New York, where he met Henry Creamer, with whom he wrote several Broadway musicals, the most successful being something called “Strut Miss Lizzie” in 1922.That same year, Layton left his partnership with Creamer to form a high-rolling cabaret act with Clarence “Tandy” Johnstone, performing in Harlem and at private parties for monied patrons like the Astor and Vanderbilt families. The pair followed their ritzy clientele from Newport in the summer to Palm Beach in the winter. It was in Florida in 1924 that the two met Lord and Lady Mountbatton, who persuaded them to move to England, where Edward, Prince of Wales, became one of their fans. Layton and Johnstone sold more than 10 million records between 1924 and 1935. Layton stayed in England until his death in 1978.Meanwhile, Marion….Marion Harris also moved to England, and the Prince of Wales became one of her fans too, especially enjoying her sets at the Café de Paris.But tragedy loomed. During World War II, the home she shared with her third husband was destroyed in 1944 by a German V1 rocket, a disaster that triggered in her a neurological disorder. Later that year while in New York to seek treatment, Harris died in a hotel room fire. She had fallen asleep while holding a lit cigarette. She was 48.Meanwhile, the song that linked their lives lives on. It became so popular, in fact, that years after its composition, the sheet music for “After You've Gone” was decorated with tiny photographs of the 45 performers who made the song famous, everyone from Paul Whiteman and Rudy Valle to Guy Lombardo and Louis Armstrong.Our Take on the TuneThis is a tune that our Flood brother Danny Cox brought to the mix. In fact, with a chuckle, he said, “I can't believe y'all weren't already doing this one.” True enough. “After You've Gone” was one that got away … until recently, when Danny corralled it and brought it to the table. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Les CAPSULES sont des fictions sonores jouées en Live sur twitch. Ici vous écoutez une rediffusion de notre deuxième édition faite en Juillet 2022. Nous sommes un collectif de comédien.nes, d'auteur.ices et de musicien.nes qui mettons toute notre énergie et notre savoir faire pour faire voyager nos viewers. Si tu as aimé ce contenu, n'hésites pas à le partager et à en parler autour de toi.   Vous pouvez retrouver tout le contenu d'IESE sur Spotify ici ! https://open.spotify.com/artist/01qxVhIMvXfziQRhLxsTWI?si=X7-spmT_SIe-lJDGOE8mZQ

The fact is… Everything today is thoroughly modern! We are back and at last, it's time to talk about Millie! We're going back to 1922 alongside the wonderful Julie Andrews and Carol Channing for Thoroughly Modern Millie! She's on the hunt for a husband - but will this Jazz Baby have Danny screaming Do It Again? Or will this Poor Butterfly by left wanting more? Tap, tap, tap, tap, tap, tap, Tapioca that link and download now! Music: Purple-Planet.com

Join John, DanO, and the shockingly stunning Latina Turner, as they return after a Spring Break VayCay.  Enjoy DanO's first Big Gay Movie Review, and he reacts to seeing the film Funny Girl for the very first time.  Stale Easter Candy, Adult Toys, missing teeth, cantaloupe snacking in public, will all be explored in the longest episode we've ever released!  I swear it's just a cold sore and that our merchandise site is coming soon, we promise.  Write to Us:  HomoLicousPod@gmail.com What Becomes A Legend Most?  https://www.amazon.com/What-Becomes-Legend-Blackglama-Story/dp/0671250779Who the hell is Angelyne?  https://www.youtube.com/watch?v=SAG_n__T1cg Funny Girl Making of video:  https://www.youtube.com/watch?v=CztHVuPB2SM Lucky Charms are sick!  https://www.nbcnews.com/health/health-news/fda-investigates-lucky-charms-stomach-illness-reports-rcna23483Carol Channing singing Jazz Baby-https://www.youtube.com/watch?v=HR10AcvP-eM   #queercomedy#homolicioustheoddpod#gayguys 

After being tasked with overseeing the desert planet of Arrakis, House Atreides finds themselves at odds with growing tensions against House Harkonnen. Meanwhile, the son of the duke, Paul Atreides receives increasingly vivid premonitions of a war torn future. What does this mean and what is the fate that awaits him? In today's episode, I review the highly anticipated adaptation of Frank Herbert's epic novel, Dune. Does Denis Villeneuve's new take on this beloved novel bring to life of this sprawling sand and spice ridden world? Listen and find out! Other titles discussed: Morbius, The Book of Boba Fett, Lightyear Follow the show on social media for future updates, and let me know what you think about the show or what titles you'd want to be reviewed in future episodes. Be sure to also send in your own mini-reviews, and thank you for your time! INSTAGRAM https://www.instagram.com/thatsmyqueuepodcast TWITTER https://twitter.com/queuepodcast THEME SONG "Capture Soul" by J1K from the "School Daze" beat tape https://j1kmusic.bandcamp.com/album/school-daze --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/christian-ang6/support

The holidays are just around the corner, and we all know what that means: Christmas songs on the radio and holiday jingles in just about every store. But there's one kind of traditional jingle we aren't as likely to hear these days: the commercial jingle. If you used to wish you were an Oscar Mayer wiener, if the best part of waking up was Folgers in your cup, if you were ever stuck on Band-Aid brands because Band-Aid's stuck on you, then you probably grew up in the heyday of advertising jingles. So, whatever happened to those jingles? Do they still have a place in audio branding, or have the Toys R Us kids all grown up? In many ways, jingles were the first step in the history of audio branding, and they're much older than you might think. If you know the Muffin Man or can sing along to Hot Cross Buns, then you're already familiar with the jingles of the colonial era. Those rhymes started with vendors in the Middle Ages who had to find ways to make their street cries stand out and get people's attention. That meant short, simple phrases often set to music, and the fact that we can still recite some of those rhymes today shows just how well they worked. With the invention of radio came the modern jingle. Now vendors had to grab and hold the attention of millions of people, and General Mills did just that in 1926 with a barbershop song called "Have you Tried Wheaties." That one commercial turned Wheaties sales completely around in the Twin Cities market, and when the company aired the song nationwide the following year, Wheaties went from a failing brand to a household name. Want to hear the jingle that started it all? Here's a link to the original ad: https://www.youtube.com/watch?v=GLy5tANvXhY Other companies quickly caught on and started coming up with their own musical numbers, and the jingle era was born. From radio to television to the internet, jingles became pretty much synonymous with audio branding. Promoting a brand meant giving it a jingle, whether it's the Chiquita banana song, the singing Meow Mix cats or Coca Cola teaching the world to sing. But things began to change around the turn of the millennium. Those catchy earworm jingles started to disappear. In 1998, 12% of television ads featured jingles; by 2011 it was just 2.5%. But if commercials weren't using jingles, what were they using? For the most part, they were now using licensed songs. This wasn't a completely new development; those medieval street cries were often set to popular folk songs of the era, and the "Have You Tried Wheaties" jingle borrowed its tune from the 1919 song "Jazz Baby." Michael Jackson ushered in a whole new era of melding pop music and advertising with his "Pepsi Generation" commercials set to the tune of "Billy Jean," and ten years later Microsoft borrowed the Rolling Stones' "Start Me Up" as its anthem for Windows 95. What did change is that advertisers were no longer relying on famous musicians and recognizable songs. More and more often, the commercials featured smaller artists and songs that many viewers hadn't heard before. With DVR and streaming content rendering the old 30-second TV spots obsolete, the focus shifted to simply engaging the viewers and convincing them to keep watching the ad. Without a captive TV audience, advertisers needed those viewers to like and share their commercials. One way to do that is by promoting new music that might get people talking and, more importantly, watching. For a great discussion of the rise and fall of jingles, check out this Cheddar Explains video "The Unexpected Death of the Ad Jingle": https://www.youtube.com/watch?v=hUhJ3f72PRc But as new media continues to evolve, jingles are making a surprising comeback. Online ads, often just a few seconds long, have allowed companies to create musical brands that immediately stand out despite their length. Just think of McDonald's and its wildly successful "I'm Lovin' It" theme, or how State Farm's "Like a Good Neighbor" jingle has...

Zach's run away to Arkansas to avoid the group of school children who've been bullying him so now he's podcast to us from a parking lot with a bottle of vodka. This week we slip slightly further away as social distancing's grip slowly eats more and more away from us, waiting to pounce on our last few remaining social graces. We devolve in to our most animalistic of urges, to riff. Featuring: Dark Side Of The Milf by Jed The Sloth

Crown Holders Transmedia is the parent company of EDC Creations Media Group, the Sankofa Literary Society, the Black Authors Network Radio Show and Black Pearls Magazine. The Sankofa Literary Society empowers independent and/or self-published authors through mentoring programs. The popular Black Authors Network radio program offers new authors a chance to showcase their books to thousands of international readers weekly. Black Pearls Magazine, is an online literary destination for thousands bookclubs and social network fans around the globe. TONIGHT'S FEATURED SPEAKERS 8:00 pm - Swirl Girl: Coming of Race in the USA by TaRessa Stovall  8:30 pm -  Amazing Grace: A Tribute to You, The Story of Us by D. Michele Jackson   TaRessa Stovall was born a Jazz Baby in Seattle, Washington when her parents’ marriage was illegal in 16 states. An author from the age of seven, TaRessa has written several poems, books, and plays on various topics, including racial identity and the impact of colorism on People of Color. Check out her sizzling new memoir, SWIRL GIRL: Coming of Race in the USA on taressastovall.com. Connect with her on Twitter and Instagram @taressatalks.       SWIRL GIRL: Coming of Race in the USA reveals the raw truths about how a hard-headed, Mixed-race, “Black Power Flower Child” battles society—and sometimes her closest loved ones—to forger her identity on her own terms. As the USA undergoes its own racial growing pains, from the 1968 riots after Dr. Martin Luther King Jr.’s assassination, to the historic 2008 election of the nation’s first Biracially Black president, TaRessa Stovall challenges popular stereotypes and fights nonstop pressures to contort, disguise, or deny her uncomfortable journey.

If you love the Amerikan Therapy Podcast send us a text and join us on the couch. Text us at +1 (202) 800-2355 and let us know what topics you want us to cover. Be ready because we might ask you to be a guest on the show.The Amerikan Therapy team sits down with TaRessa Stovall, author of Swirl Girl a coming of age story of finding identity in America as a mixed-race person amidst rising racial tensions. TaRessa Stovall was born a Jazz Baby in Seattle, Washington. An author since the age of seven, she has written several poems, books, and plays on various topics, including racial identity. TaRessa is also an award-winning journalist and blogger whose works have been featured in USA Weekend, the Courier-Post, The Montclair Times, The Defenders Online, and several other platforms. TaRessa is the proud mother of a son and a daughter, both multi-talented writers, and creatives. She lives in Atlanta and stirs things up on social media.Purchase Swirl Girl, by TaRessa Stovall: https://taressastovall.com/Support the show (https://www.patreon.com/AMERIKANTHERAPY)

In this episode we Jazz it up and talk about whatever the hell we want. Check it out.

This week Derek and Brad just got back from watching the web swinging wall crawler take over the MCU. Now its time to record a podcast all about Tennocon and Factories and JAzz Baby! Thanks to Kyle Landstra for the Intro/outro music! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/gamesonearth/message Support this podcast: https://anchor.fm/gamesonearth/support

Black Manhattan: Scott Joplin and James Reese Europe 's 369th Infantry Regiment Band. 1. Alessandro Simonetto “Wall Street Rag” from Joplin: Ragtimes & Waltzes (2018) 2. James Reese Europe “That Moaning Trombone” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds 3. James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band “Memphis Blues” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds 4. James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band “On Patrol In No Man's Land” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds 5. James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band “How Ya Gonna Keep 'Em Down On the Farm?” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds 6. James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band “All of No Man's Land Is Ours” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds 7. James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band “My Choc'late Soldier Sammy Boy” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds 8. James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band “Plantation Echoes” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds 9. James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band “Dixie Is Dixie Once More” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds 10. James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band “St. Louis Blues” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds 11. James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band “Jazz Baby” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds 12. James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band “Russian Rag” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds 13. James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band “Arabian Nights” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds 14. James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band “Broadway Hit Medley” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds

Anders is becoming bored with the walk so the group decides to go to a local bar for jazz night. They dance and drink and share their story with the other patrons.  John ends up drinking a bit too much and reveals his feelings to Liz and finds that his feelings may not be reciprocated.Don't forget to rate and review!Music:"White," "Autumn Day," "Relaxing Piano Music," "Poppers and Prosseco," "Daybreak," "Faster Does It," "There is Romance" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/"Jazz Baby" by Elderich T'Challa @ reverbnation.com/nemesisblack"Big Swing Band" and "Bebop 25" by Jason Shaw @ audionautix.com"Swing Has Swung" by Shane Ivers @ silvermansound.com"5 Reunited" by Dylan Mixer @ dmixmusic.com

Hear all about a brave bear named Wojtek who came to join the army in a time of war. After being released from Soviet prison camps, exiled Polish soldiers reunited under General Władysław Anders and were informally dubbed ‘Anders Army’.  This army, after evacuating the Soviet Union, traveled to the Middle East to join Allied forces. While in Iran, the Anders’ Army added an unlikely member to their ranks who played an important role in the company as he helped to boost morale, carry ammunition, and perform guard duties.  Though this soldier may appear to be rather typical, he was far from it. He was, after all, a Syrian brown bear. In this episode, our hosts John and Nitzan discuss the unbelievable story of Wojtek the bear and his legendary role in the 22nd Company of Anders’ Army. How did the army find this bear and why did they keep it, even incorporate it? How did Wojtek contribute to the military efforts? And what became of him after the war was over? Like our show? Sign up for our newsletter! Time stamps [02:10] A brief introduction to events in Poland during the Second World War [05:35] How Wojtek was introduced to the Anders’ Army [08:35] How Wojtek was incorporated into the army [11:14] How could a bear be tamed and trained as a soldier? [14:27] How did the soldiers manage to feed an animal as large as Wojtek? [15:58] How Wojtek helped his company at the Battle of Monte Cassino [17:57] What happened to Wojtek and his company following the battle [22:35] Wojtek’s impact on Polish soldiers and his legacy Further reading One Photo One Story: Wojtek the Soldier Bear / on Culture.pl Trail of Hope / a site chronicling stories from the Anders Army that went into Trail of Hope, Norman Davis' book on the subject Wojtek the Bear / on Wikipedia Norman Davies on the Trail of Anders’ Army / on Culture.pl Battle of Monte Cassino / on Wikipedia Further watching The Bear That Went to War Soldier Bear Wojtek Wojciech Narębski A life well lived @ TEDxKazimierz Thanks Wojciech Narębski / emeritus professor of the Polish Academy of Sciences and ex-soldier of the Anders' Army, who kindly allowed us to interview him and told the story of the unit Wojtek served in. Tadeusz Kaleta / professor at the Warsaw University of Life Sciences, who kindly explained how bears behave in their natural habitat.  Songs & sound clips On My Way to New Orleans / Performed by Arthur Collins and Byron G. Harlan; Issue Number: Edison Blue Amberol: 2650, Edison Record: 3744; Release year: 1915 Jazz Baby / Performed by Marion Harris; Released under Victor Records; Release year: 1919 WWII Chronicle / Film Bulletin; Produced by Signal Corps Photographic Center; Issue no 48 Air Raid Siren Sound Effect / A RNaudioproductions original recording  // Audio 2005 Writing on Paper with Pen Sound Effect / A SoundEffectsFactory original recording   SFTEW Team: Wojciech Oleksiak, Adam Zulawski, John Beauchamp, Nitzan Reisner, Michael Keller & Barbara Rogala

Luke Cage is HERE, so today we talk Cage. No we’re not just talking the new series (this is not a review. There are no spoilers for the Netflix show. Don’t you worry, pumpkin.), but we discuss the origins of… Continue Reading →