Podcast appearances and mentions of joseph o'neill

‘Novelas inspiradas en el 11 de setiembre'. Revive este especial de Letras en el tiempo donde Patricia del Río nos recuerda el impacto que una fecha como el 11-S tuvo para la humanidad. Dos escenarios distintos, dos contextos de terror: la caída de las Torres gemelas de Nueva York en 2001 producto de un atentado terrorista; y el golpe de estado de 1973 en Chile, protagonizado por el Gral. Augusto Pinochet y el saldo de miles de muertos y desaparecidos. Las novelas que nos remontan a estos acontecimientos son ‘Terrorista', de John Updike; ‘Netherland', de Joseph O"Neill, una de las mejores novelas que se han escrito sobre el tema; ‘El fundamentalista reticente', del escritor pakistaní Mohsim Hamid; y ‘Windows on the world', del francés Frédéric Beigbeder. La novela ‘Allende y el museo del suicidio', del escritor chileno Ariel Dorfman y gran amigo de Salvador Allende, retrata hasta los últimos instantes de vida del expresidente socialista. Al respecto, se han producido muchas películas inspiradas en el 11-S, pero hay una que merece nuestra especial recomendación: ‘United 93', candidata a dos premios Óscar, sobre el antes y después del cuarto avión secuestrado que se estrelló contra contra un campo casi desierto en Pensilvania. En la entrevista de la semana recibimos a la periodista y escritora Rosario Yori, quien comenta en una emotiva historia sobre las dudas que su personaje enfrenta sobre la maternidad y su edad biológica para concebir. Canciones inspiradas en el 11-S: ‘New York, New York', Liza Minelli; ‘On that day', Leonard Cohen; ‘Paradise', Bruce Springteen; ‘Him', Lily Allen; ‘You're missing', Bruce Springteen; ‘Where were you', Alan Jackson; ‘Yo pisaré las calles nuevamente', Pablo Milanés y Silvio Rodríguez. Todo esto y mucho más lo puedes escuchar en el podcast de Letras en el tiempo desde rpp.pe y otras plataformas. Edición de audio: Andrés Rodríguez ||| Episodio 33 – Cuarta temporada 2023.

‘Novelas inspiradas en el 11 de setiembre'. Revive este especial de Letras en el tiempo donde Patricia del Río nos recuerda el impacto que una fecha como el 11-S tuvo para la humanidad. Dos escenarios distintos, dos contextos de terror: la caída de las Torres gemelas de Nueva York en 2001 producto de un atentado terrorista; y el golpe de estado de 1973 en Chile, protagonizado por el Gral. Augusto Pinochet y el saldo de miles de muertos y desaparecidos. Las novelas que nos remontan a estos acontecimientos son ‘Terrorista', de John Updike; ‘Netherland', de Joseph O"Neill, una de las mejores novelas que se han escrito sobre el tema; ‘El fundamentalista reticente', del escritor pakistaní Mohsim Hamid; y ‘Windows on the world', del francés Frédéric Beigbeder. La novela ‘Allende y el museo del suicidio', del escritor chileno Ariel Dorfman y gran amigo de Salvador Allende, retrata hasta los últimos instantes de vida del expresidente socialista. Al respecto, se han producido muchas películas inspiradas en el 11-S, pero hay una que merece nuestra especial recomendación: ‘United 93', candidata a dos premios Óscar, sobre el antes y después del cuarto avión secuestrado que se estrelló contra contra un campo casi desierto en Pensilvania. En la entrevista de la semana recibimos a la periodista y escritora Rosario Yori, quien comenta en una emotiva historia sobre las dudas que su personaje enfrenta sobre la maternidad y su edad biológica para concebir. Canciones inspiradas en el 11-S: ‘New York, New York', Liza Minelli; ‘On that day', Leonard Cohen; ‘Paradise', Bruce Springteen; ‘Him', Lily Allen; ‘You're missing', Bruce Springteen; ‘Where were you', Alan Jackson; ‘Yo pisaré las calles nuevamente', Pablo Milanés y Silvio Rodríguez. Todo esto y mucho más lo puedes escuchar en el podcast de Letras en el tiempo desde rpp.pe y otras plataformas. Edición de audio: Andrés Rodríguez ||| Episodio 33 – Cuarta temporada 2023.

Saronik chats with Jay Shelat about the 9/11 family novel. They discuss how the attacks (re)dynamized constructions and perceptions of family. Jay refers to a few 9/11 family novels, including Burnt Shadows by Kamila Shamsie, The Reluctant Fundamentalist by Mohsin Hamid, Netherland by Joseph O’Neill, and Extremely Loud and Incredibly Close by Jonathan Safran Foer. […]

Autor: Henning, Peter Sendung: Büchermarkt Hören bis: 19.01.2038 04:14

Joseph O’Neill on his selection: I chose to read from Vladimir Nabokov’s novel, Pnin, a book I turn to very often when I need a tonic. Pnin at Bookshop.org  Music: "Shift of Currents" by Blue Dot Sessions // CC BY-NC 2.0

Joseph O’Neill reads his story from the October 5, 2020, issue of the magazine. O’Neill is the author of four novels, including “Netherland,” which won the PEN/Faulkner award in 2009, and “The Dog.” His first story collection, “Good Trouble,” came out in 2018. 

Stephanie Scott, writing across genres (Part 1): Stephanie, winner of too many awards to mention (see our website www.wedlikeaword.com), tells We’d Like A Word presenters Paul Waters & Stevyn Colgan how she fought with the help of her agent Antony Harwood to write across genres - literary fiction, romance, true crime, coming of age. Her book - what’s left of me is yours - looks at the murky world of wakaresaseya (professional marriage breaker-uppers) in Japan. Weird, shocking and interesting. Also her fascinating family background Indian/British in Singapore - with a mighty tale around the Japanese invasion of Malaya. We also talk about Joseph O’Neill’s book, Blood Dark Track. And Stephanie reads from her book, reveals the original title and her next one - and we have a good laugh. Oh, we also celebrate Pages of Hackney bookshop. We'd Like A Word is a podcast and radio show from authors Paul Waters and Stevyn Colgan. We talk with writers, readers, celebrities, talkers,  poets about books, songs, lyrics, speeches,  scripts, fiction and  non-fiction. We go out on various radio platforms at least once a fortnight and every other Wednesday on podcast. Our website is www.wedlikeaword.com -  which is where you'll find information about Paul and Steve and our  guests - and details of the radio stations that carry We'd Like A Word.  We're also on Twitter @wedlikeaword and Facebook @wedlikeaword and our email is wedlikeaword@gmail.com - and yes, we are slightly embarrassed by the missing apostrophes. We like to hear  from you - your thoughts, ideas, guest or book suggestions. Perhaps you'd like to come on We'd Like A Word in person, to chat, review, meet writers or read out passages from books. . .

Stephanie Scott, writing across genres (Part 3): Stephanie, winner of too many awards to mention (see our website www.wedlikeaword.com), tells We’d Like A Word presenters Paul Waters & Stevyn Colgan how she fought with the help of her agent Antony Harwood to write across genres - literary fiction, romance, true crime, coming of age. Her book - what’s left of me is yours - looks at the murky world of wakaresaseya (professional marriage breaker-uppers) in Japan. Weird, shocking and interesting. Also her fascinating family background Indian/British in Singapore - with a mighty tale around the Japanese invasion of Malaya. We also talk about Joseph O’Neill’s book, Blood Dark Track. And Stephanie reads from her book, reveals the original title and her next one - and we have a good laugh. Oh, we also celebrate Pages of Hackney bookshop. We'd Like A Word is a podcast and radio show from authors Paul Waters and Stevyn Colgan. We talk with writers, readers, celebrities, talkers,  poets about books, songs, lyrics, speeches,  scripts, fiction and  non-fiction. We go out on various radio platforms at least once a fortnight and every other Wednesday on podcast. Our website is www.wedlikeaword.com -  which is where you'll find information about Paul and Steve and our  guests - and details of the radio stations that carry We'd Like A Word.  We're also on Twitter @wedlikeaword and Facebook @wedlikeaword and our email is wedlikeaword@gmail.com - and yes, we are slightly embarrassed by the missing apostrophes. We like to hear  from you - your thoughts, ideas, guest or book suggestions. Perhaps you'd like to come on We'd Like A Word in person, to chat, review, meet writers or read out passages from books. . .

Stephanie Scott, writing across genres (Part 2): Stephanie, winner of too many awards to mention (see our website www.wedlikeaword.com), tells We’d Like A Word presenters Paul Waters & Stevyn Colgan how she fought with the help of her agent Antony Harwood to write across genres - literary fiction, romance, true crime, coming of age. Her book - what’s left of me is yours - looks at the murky world of wakaresaseya (professional marriage breaker-uppers) in Japan. Weird, shocking and interesting. Also her fascinating family background Indian/British in Singapore - with a mighty tale around the Japanese invasion of Malaya. We also talk about Joseph O’Neill’s book, Blood Dark Track. And Stephanie reads from her book, reveals the original title and her next one - and we have a good laugh. Oh, we also celebrate Pages of Hackney bookshop. We'd Like A Word is a podcast and radio show from authors Paul Waters and Stevyn Colgan. We talk with writers, readers, celebrities, talkers,  poets about books, songs, lyrics, speeches,  scripts, fiction and  non-fiction. We go out on various radio platforms at least once a fortnight and every other Wednesday on podcast. Our website is www.wedlikeaword.com -  which is where you'll find information about Paul and Steve and our  guests - and details of the radio stations that carry We'd Like A Word.  We're also on Twitter @wedlikeaword and Facebook @wedlikeaword and our email is wedlikeaword@gmail.com - and yes, we are slightly embarrassed by the missing apostrophes. We like to hear  from you - your thoughts, ideas, guest or book suggestions. Perhaps you'd like to come on We'd Like A Word in person, to chat, review, meet writers or read out passages from books. . .

In what may be the last pod we record face-to-face for a while, we dig into Joseph O'Neill's wonderful 2008 novel about marriage, cricket, and 9/11. Its portrait of a man flailing about for a proper response to a world in crisis chimed eerily with the vibe in America at the moment, as we enter the first full week of social distancing to combat coronavirus. At least Hans, the book's narrator, can fall back on the comforts and rhythms of cricket, a luxury not afforded to us in this time of across-the-board cancellations of sports, including the NBA. (We move from discussing the book to discussing the suspension of the NBA season at the 54 minute mark.) Next up, the final station in our journey across the century: Jonathan Franzen's FREEDOM. Til then, stay safe and healthy, everyone.

Ol' Matty is kicking back after some well earned dishonourably discharged R&R when he realises that the demon bear terrorising Paris might be somewhat his fault. When a wise cricket tries to give him advice, Ol' Matty heeds by destroying the plane and landing in the Paris Opera, toppling a chandelier into an innocent and aiding a kidnapping in one less-than-heroic swing. Realising that Gaston Leroux's famous alleged Opera Ghost has turned the Opera into a deadly extension of their devious self, Ol' Matty follows the Phantom to his lair hoping to find the bear, in truth, under the pale mask, and, if not, at the very least bust some ghosts. Ol' Matty finds adventure, torture, taverns, and barrels of fun with a pinch of gunpowder. And, of course, he might just find a Delicious Word Sandwich.Published in 1910 by Gaston Leroux, a renowned investigative journalist, travel writer and sensational crime solver, The Phantom of the Opera became a surprise smash, blending sweeping melodrama and comic-book tier iconography with hard-boiled pulp and gothic literature styles that like a Phantom would haunt popular culture for better or worse evermore. It is a methodical novel rich with characterisations and goofy hyperbole that is ultimately more obsessed with the criminally insane and obsession itself than in heroic Parisian romances, which in spite of modern adaptations is its greatest asset according to Ol’ Matty.Flying in his very own WW2 Bombing plane, Ol’ Matty rids himself of a pestering cricket by firing his pistol from inside the cockpit. You killed Jiminy and yourself in one shot. Not a hole in one, but certainly a hole in done. As in, you’re done. You get it. Needless to say, Ol’ Matty abandons the plane to crash wherever it may and finds himself falling into the lap of Paris, which is now under the dictating control of our hero’s arch-nemesis: Jim Pawsby, the Nazi, human handed, M16 wielding, unicycling demon bear. He’s a lot.Swinging into action, quite literally, at the gilded end of a swashbuckler’s rope (a goddamn chandelier), Ol’ Matty causes it to fall on a patron, killing them, and finds his bloody entrance has called a ripe distraction for the infamous Opera Ghost to steal away with a beloved opera singer, Christine Daaé.Feeling inexplicably partially responsible (“PARTIALLY”!?), Ol’ Matty pays homage to the almighty Bill Murray and prepares to go Opera Ghostbusting, although it is very, very possible that this devilish death’s headed spectre is really Jim Pawsby in disguise. After all, the plot is absurd enough to be perpetuated by a demon bear. Teaming up with the fine wine drinking Gaston Leroux, who really likes his name “Gaston”, a dork named Raoul, a mysterious figure known only as the Persian, and NOT Jiminy Cricket because he bloody shot the little guy, Ol’ Matty ventures to the lair of the Phantom to find the truth, justice and a slice of the redemption he doesn’t even know he needs.All the same, Ol' Matty has created a delightfully devilish and delicious word sandwich with all the anger, obsession and defiance of Leroux’s iconic antihero, deciphering the ramblings of the hard drinking, gambling and brawling Gaston to find just how this pulp mystery gumshoed through the centuries (bread), venturing on a katabasis into introspective and sometimes cruel story (meat), meeting a complicated, tormented yet brilliant vengeful sociopath (cheese), tearing away the mask to discover the deathly themes (sauce) and then whatever damn well pleases fits with those ingredients He ain’t a chef. I think it’s his way of making sure he adds salad. Well, this time he had no interest in making friends on this adventure, let alone best friends, so I suppose that’s growth, too. Don’t get stuck in catacombs again, Ol’ Matty. The last time had pacing issues.Love stories? Love hearing about the tales of old with Ol' Matty but want to know them yourself? Want to join the Book Club Sandwich but don't have the time or desire to sit down and read? Well, you dolt, check out Audible, where you can drive to your destination and faraway lands all at once. P.S. Audible, please sponsor me.For more short stories like the one featured here, The Poltroon Husband by Joseph O’Neill see The New Yorker either online or subscribe to have the magazine delivered for those delectable morning reads. You sponsor me too, New Yorker.I have only ever read the book with my own eyeballs so I can't personally vouch for any version on Audible, however it is available.Adaptations of the Phantom of the Opera are a whole discussion. Thankfully this discussion has been had in TWO PARTS by the wondrous genius that is Lindsay Ellis in her “Loose Canon” about the series and merits of the adaptations of the Phantom of the Opera. I will say I enjoy the musical, for all my things against it, but do not treat it as a true adaptation. For my money, the silent film of 1925 with Lon Chaney in the title role captures this book the best, thus far.Until next time, my Quixotes!Ol' Matty's sources:https://www.youtube.com/watch?v=6srPCZhecOY – Lindsay Ellis, “Loose Canon” The Phantom of the Opera Part 1.https://www.litcharts.com/lit/the-phantom-of-the-opera/characters/erik-the-phantom-of-the-opera-the-ghost-the-voicehttp://www.online-literature.com/leroux/http://www.supersummary.com/the-phantom-of-the-opera/summary/https://www.gradesaver.com/the-phantom-of-the-opera/study-guide/themeshttps://www.newyorker.com/magazine/2018/03/12/the-poltroon-husband - The Poltroon Husband by Joseph O’Neillhttps://www.youtube.com/watch?v=TUamUHcxMVY – Literally the entire 1925 adaptation of The Phantom of the Opera. Public domain, y’all. Get innit.Find us on FACEBOOK, TWITTER, or EMAIL us on deliciouswordsandwichpodcast@gmail.comwww.thatsnotcanonproductions.com

Joseph O’Neill reads his story from the November 11, 2019, issue of the magazine. O’Neil is the author of four novels, including “Netherland,” which won the PEN/Faulkner Award for Fiction in 2009, and “The Dog.” His first story collection, “Good Trouble,” was published last year. 

Joseph O'Neill joins Deborah Treisman to read and discuss "The Pet," by Nadine Gordimer, from a 1962 issue of the magazine. O'Neill's four novels include "The Dog" and "Netherland." His most recent book, the story collection "Good Trouble," was published last year.

In 1788, a British mariner passed by the majestic, snow-covered mountains of northwest Washington - the peaks seemed the perfect dwelling place for Greek gods, so he named them the Olympic Mountains.

Hosts Eric Newman and Kate Wolf sit down with documentary filmmaker Morgan Neville to discuss his latest work, Won’t You Be My Neighbor?, which tackles the work and impact of Fred Rogers and his iconic children’s show. In a conversation that moves from Rogers’ recognition of the complex emotional life of children to his sense of television as his ministry for a more loving world, Neville outlines both the example and challenge that Rogers sets for us in an era when hatred and vitriol seem poised to engulf the nation.  Also, in recognition of The World Cup, Joseph O'Neill, author of the short story collection Good Trouble, recommends his favorite book on football, Brilliant Orange: The Neurotic Genius of Dutch Soccer by David Winner.

Co-hosts Kate Wolf and Medaya Ocher talk with author Joseph O'Neill about his new collection of stories, Good Trouble. This show is a gem, full of reflections on 21st century mores, literature, politics, and crises. A master of contemporary language, O'Neill begins by playfully challenging a description of his characters - and away we go - as he reflects upon his craft and the task of representing the inner lives of the "American educated bourgeoisie," which he describes as "still a revolutionary class" that's remaking the world. Also, Johanna Drucker returns to recommend Arthur C Clarke's sci-fi tale of Alien invasion, Childhood's End, which holds up a mirror to humanity.

Co-hosts Kate Wolf and Medaya Ocher talk with author Joseph O'Neill about his new collection of stories, Good Trouble. This show is a gem, full of reflections on 21st century mores, literature, politics, and crises. A master of contemporary language, O'Neill begins by playfully challenging a description of his characters - and away we go - as he reflects upon his craft and the task of representing the inner lives of the "American educated bourgeoisie" which he describes as "still a revolutionary class" busy remaking the world. Also, Johanna Drucker returns to recommend Arthur C Clarke's sci-fi tale of Alien invasion, Childhood's End, which holds up a mirror to humanity.

Joseph O'Neill reads his story from the July 2, 2018, issue of the magazine. O'Neill is the author of four novels, including "Netherland," which won the PEN/Faulkner Award for Fiction in 2009, and "The Dog." His first story collection, "Good Trouble," was published this month.

Award winning writer Irish writer Joseph O'Neill's 2008 novel Netherland was endorsed by American President, Barack Obama. Good Trouble is his first collection of short stories. Arcadia, the new film from the BAFTA award-winning Scottish director Paul Wright (whose debut feature For Those in Peril premiered at Cannes in 2013), explores our complex connection to the land we live in. Combining over 100 film clips from the last 100 years and a grand, expressive new score by musicians Adrian Utley from Portishead and Will Gregory from Goldfrapp it is described as a "a folk horror wrapped in an archive film." Mufaro Makubika won the Alfred Fagon Award 2017 for Shebeen for best new work by a black British playwright. Set in 1958 in the writer's hometown of Nottingham, where many of those who had arrived on the Windrush had settled, Shebeen shines a light on a community under siege on the eve of the St Ann's race riots. Shebeen is directed by Matthew Xia and is currently on at the Theatre Royal, Stratford East. Christo and Jeanne-Claude are celebrated for their ambitious sculptural works that intervene in urban and natural landscapes around the world and temporarily alter both the physical form and visual appearances of sites. This summer the Serpentine Galleries presents a major exhibition of the artists' work, which draws upon their use of barrels to create artworks. Simultaneously, Christo presents The London Mastaba, his first outdoor, public work in the UK. The sculpture takes inspiration from mastabas - benches with two vertical sides, two slanted sides and a flat top - which originated with the first ancient civilisations of Mesopotamia. It will float on The Serpentine lake in Hyde Park from 18 June to 23 September. Measuring 20m in height by 30m and 40m, the sculpture consists of 7,506 horizontally stacked barrels, specifically fabricated and painted in shades of red, white, blue and mauve. BBC 2's Japan's Secret Shame tells the moving story of 29 year-old Japanese journalist Shiori Ito, who in May 2017 shocked Japan when she went public with allegations that she was raped by a well-known TV journalist. Following Shiori over a year, the film portrays the consequences Shiori faced by speaking out in Japanese society.

A live event all about the wonderful new collection, 'Tales from a Master's Notebook, Stories Henry James Never Wrote' http://po.st/1tAWOl Follow us on twitter: twitter.com/vintagebooksSign up to our bookish newsletter to hear all about our new releases, see exclusive extracts and win prizes: po.st/vintagenewsletterWhen Henry James died he left behind a series of notebooks filled with ideas for novels and stories that he never wrote. Now ten of our best contemporary authors and James enthusiasts have written new short stories based on these 'germs' of ideas. Differing dramatically in setting and style, these stories are modern interpretations of the richly suggestive and enticing notes that Henry James left behind, offering a fresh and original approach to a canonical literary author.Professor Philip Horne, a renowned authority on Henry James, has edited and introduced this collection, which also includes transcripts of James’s original jottings allowing readers to trace the raw ideas through to their modern-day interpretations.Contains stories by Colm Toibin, Rose Tremain, Jonathan Coe, Paul Theroux, Amit Chaudhuri, Giles Foden, Joseph O'Neill, Lynne Truss, Susie Boyt and Tessa Hadley.WITH A FOREWORD BY MICHAEL WOODRead more at https://www.penguin.co.uk/books/1111097/tales-from-a-master-s-notebook/#ogCrVtOmfckA0Ebj.99 See acast.com/privacy for privacy and opt-out information.

Joseph O’Neill reads his story "The Poltroon Husband" from the March 12, 2018, issue of the magazine. O'Neill has published four novels, including “Netherland,” which won the PEN/Faulkner Award for Fiction in 2009, and “The Dog,” which came out in 2014. He is also the author of the nonfiction family history “Blood-Dark Track.” This is his fourth story in the magazine.

Joseph O’Neill reads his story from the October 30, 2017, issue of the magazine. O’Neill has published four novels, including “Netherland,” which won the PEN/Faulkner award in 2009, and “The Dog” which came out in 2014.

Joseph O’Neill reads his story “Pardon Edward Snowden,” from the December 12, 2016, issue of the magazine.  O’Neill has published four novels, including “Netherland,” which won the PEN/Faulkner Award for Fiction in 2009, and “The Dog,” which came out in 2014.  

Joseph O’Neill joins Deborah Treisman to read and discuss Muriel Spark’s “The Ormolu Clock,” from a 1960 issue of the magazine.

Joseph O'Neill's previous novel Netherland received rapturous attention. His new book The Dog is a story of a New York Lawyer who accepts a job working for a rich college friend in Dubai, but he realises it's a very complicated role he's expected to play. Robin Wright plays a version of herself in The Congress; a live action/cartoon crossover movie directed by Ari Folman (Waltz With Bashir). But where does the fantasy end and reality begin? Jezebel is a comedy by the Dublin-based Rough Magic Theatre Company in which a couple try to spice up their sex-lives with an awkward threesome which has unforeseen consequences. Match Of The Day is celebrating its 50th birthday and we've been watching a TV programme marking this anniversary. Andrew Marr's Great Scots - Writers Who Shaped a Nation is his tribute to three writers who helped to create the modern Scottish identity through their work and lives.

Damian Barr talks to actor Guy Pearce, whose new film The Rover is set in the Australian Outback just after a great economic collapse. Joseph O'Neill discusses his new novel, The Dog, which has recently been longlisted for this year's Man Booker prize. Stephen Armstrong reports from Edinburgh on the best of this year's Fringe. And Naomi Alderman explores the current glut of television shows about geeks, including Silicon Valley and the Big Bang Theory.

Joseph O'Neill, a medical student when AIDS first appeared in San Francisco in the early 1980s, became one of the nation’s first doctors to specialize in AIDS treatment. In this excerpt from his 1995 interview, O’Neill recalls the case that changed his life.

Slate's Audio Book Club. Stephen Metcalf, Meghan O'Rourke, and Katie Roiphe discuss the novel Netherland, by Joseph O'Neill. We recommend, but don't insist, that you read the book before listening to this audio program. Learn more about your ad choices. Visit megaphone.fm/adchoices