Podcast appearances and mentions of christine daa

"O Fantasma da Ópera", um romance gótico de Gaston Leroux, publicado em 1910, é ambientado na opulenta Ópera de Paris durante o século XIX. A história gira em torno de um triângulo amoroso complexo, envolvendo a bela soprano Christine Daaé, seu amigo de infância e pretendente, o Visconde Raoul de Chagny, e o misterioso e deformado Fantasma, que habita os labirínticos subterrâneos do teatro. "O Fantasma da Ópera" é um clássico da literatura gótica que continua a fascinar leitores e espectadores de todo o mundo. Sua adaptação para o teatro musical, composta por Andrew Lloyd Webber, é um dos maiores sucessos da história do teatro, levando a história do Fantasma a um público ainda maior. A história atemporal do amor, obsessão e redenção continua a ressoar com o público, garantindo que "O Fantasma da Ópera" permaneça vivo por gerações. Apresentação: @liviamulder Edição: Lívia Leão Email: lihnumlivro@hotmail.com

Soprano, actress and producer Amy Manford has delighted audiences young and old with her gorgeous voice and magnetic stage presence. Audiences will recall her highly acclaimed run as Christine Daaé in The Phantom of the Opera at the Sydney Opera House and Melbourne Arts Centre, having already played the role in the West End. She's performed with Andrea Bocelli and for the British Royal Family. She's also quite the arts entrepreneur, having co-founded MM Creative Productions. Their production, Disney in Concert, is back by popular demand, returning to the Sydney Opera House and the Melbourne Arts Centre in March. Amy spent her early childhood not as a singer, but as a gymnast, until a knee injury changed her trajectory. Her natural talents took her to the Royal College of Music in London, and she hasn't looked back since. Amy shares the challenges and opportunities of running a production company, and being part of one of the world's most famous entertainment brands. She introduces some of her own recordings, including one of her own compositions.

Eve is currently performing as the alternate Christine Daaé in Phantom of The Opera in London's West End.  She is another member of the GSA family, having graduated in 2022 and gone straight into the West End as one of the most celebrated roles in musical theatre. Catch her on Tuesday and Friday nights every week at His Majesty's Theatre.  Eve discusses her time at GSA, her early inspirations to become a performer, as well as the rigorous audition process she went through to land a role in Phantom. Together we break down who Christine is, how Eve found her own interpretation of her, looking after your voice for a demanding role and how to be on call in case you're needed at a moments notice.  To see more about what a typical working day for her is, check out her YouTube channel (@EveShanuWilson) for her weekly vlogs about a typical working day for her both pre and post showtime: https://www.youtube.com/@eveshanuwilson Please Like, Download and Subscribe!  Oliver Gower Spotlight Link: https://www.spotlight.com/9097-9058-5261 Instagram: @goweroliver For enquiries and requests: olliegower10@gmail.com

In this captivating episode, hosts Bobby and Steffan sit down with the immensely talented Scottish-born actress and singer, Kelly Mathieson, whose remarkable career has taken her from the West End to the world's most prestigious stages. Best known for her unforgettable performance as Christine Daaé in Phantom of the Opera at Her Majesty's Theatre, Kelly's journey in musical theatre is nothing short of extraordinary.

International icon Sarah Brightman began her stage career at the age of just 13, and never looked back. She's best known for creating the role of Christine Daaé in The Phantom of the Opera both in the West End and on Broadway, the cast album of which is the highest selling cast album in history. She went on to a stellar recording career, having released dozens of albums. She's now in Australia, ready for her close up, performing the role of Norma Desmond in Andrew Lloyd-Webber's Sunset Boulevard. Sarah revisits the early days of her career development. We hear about her breakthrough in Cats, the success of The Phantom of the Opera, plus her subsequent recording career which includes iconic performances with Andrea Bocelli and José Carreras. Sarah also tells about training to be an astronaut! Sarah Brightman stars as Norma Desmond in Sunset Boulevard from 28 August to 1 November at the Sydney Opera House.

From Broadway to classics, on stage and in concert, Lisa Vroman has established herself as one of America's most versatile voices. She starred on Broadway, LA and SF as Christine Daaé in The Phantom of the Opera and garnered theater critics' awards for her portrayal. Her Broadway debut was in Aspects of Love and she was the first to play both Fantine and Cosette in Les Misérables. She has starred in major productions as Marian Paroo in The Music Man, Lili Vanessi in Kiss Me Kate, Birdie in Regina, Josephine in HMS Pinafore, Anna 1 in The Seven Deadly Sins, Rosalinde in Die Fledermaus, Laurey in Oklahoma, Anna Leonowens in The King and I, Mary Turner in Of Thee I Sing and Rosabella in The Most Happy Fella. Lisa appeared on PBS as Johanna in the Emmy Award winning production of Sweeney Todd and was featured in the London Royal Gala, Hey! Mr. Producer. She has played, sang and danced opposite Dick Van Dyke as Mary Poppins at the Hollywood Bowl Disney's 75th, and played the role of Maria Callas in Terence McNally's award-winning play, Master Class. Lisa is a frequent guest with symphonies including SF, Nashville, Philadelphia, Dallas, Utah, St. Louis, Houston, Pacific, Atlanta, Hong Kong, Cleveland, National, Florida, Cleveland, BBC Concert Orchestra, Boston Pops, Philly Pops, and the NY Pops. She is a graduate of the Crane School of Music, SUNY Potsdam (BM, Hon. Dr. of Music, Minerva Award), Carnegie-Mellon University (MFA), and is a George London Competition winner. Lisa has become an active mentor and sought-after clinician with many colleges and universities across the country and around the world. She has acted as a judge in both the Lotte Lenya Competition for the Kurt Weill Foundation and UCLA's Walter Jurmann Competition, and regularly performs Weill's music with symphonies throughout the country. Recent performances have included symphony concerts celebrating the music of George Gershwin, and her 2024 Bistro Award-winning cabaret, “Ingénue…Ingé-not-so-new!”, in NY. www.lisavroman.com Lisa also gave us the scoop on the upcoming "Broadway and Beyond" benefit for the Richmond/Ermet Aid Foundation. It's happening on July 14th at the Marines Memorial Theater, and it's set to be a night filled with incredible talent and heartwarming performances, all for a good cause. Trust me, you won't want to miss this intimate look into Lisa's world and the wonderful community she's part of. Head over to reef-sf.org for more details on the event. Let's support the arts together! Contact Ray at Green Room on Air: greenroomonair@gmail.com Leave a review on Apple Podcasts (iTunes) Visit Green Room On Air website: http://greenroomonair.com Connect with us on Facebook: https://www.facebook.com/raysgreenroom/

Tras convencer a crítica y público durante su primera temporada en Madrid, 'El Fantasma de la Ópera', con libreto de Andrew Lloyd Webber, recala en el Teatro Arriaga del 14 de agosto al 15 de septiembre. Amor, terror y drama se dan de la mano en este clásico del teatro musical, que llega a Bilbao envuelto en una producción más fresca y actual y con un gran despliegue de talento actoral y vocal. Hablamos con Gerónimo Rauch y Talía del Val, quienes interpretan al Fantasma Erik y a Christine Daaé....

"Le Fantôme de l'Opéra" de Gaston Leroux, publié en 1910, est une œuvre emblématique du genre du roman gothique. Il présente l'histoire énigmatique du Fantôme, un personnage masqué qui hante l'Opéra de Paris et tombe amoureux de la jeune chanteuse Christine Daaé. Cette histoire fascinante explore les thèmes de l'amour obsessionnel, de la beauté et de la laideur, ainsi que de la solitude et du désir de reconnaissance. Le Fantôme incarne une dualité similaire à celle de Dr. Jekyll et Mr. Hyde, où le masque social dissimule une nature sombre et tourmentée. Ensemble, ces deux œuvres offrent une profonde réflexion sur les aspects les plus sombres de l'âme humaine et la lutte entre le bien et le mal.Immersion sonore : MoyenneMonstresProduction : Aurélien Hérault, Damien Maric, Chloé LuizardChargée de production : Agathe LedeinAuteur : Arnold PetitComédien : Emmanuel KarsenStudio : Load StudioHabillage Sonore : Phauneradio Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Cheryl Esposito welcomes Sandra Joseph, a history-making Broadway star turned author and speaker. For nearly a decade, she played one of the best-known roles in Broadway history: Christine Daaé in The Phantom of the Opera. Her new book is Unmasking What Matters: 10 Life Lessons from 10 Years on Broadway. Sandra's extraordinary journey includes transforming her own life from being too afraid to sing in public (yes, really!) to becoming the longest-running leading lady in Broadway's longest-running show. When asked, ‘How did you overcome the fear?' she says, “…I really never did. I learned how to work with it. …I had to master walking into fear. Making friends with that feeling is my path to awakening.” Are you ready to know who you are beyond the roles you play, to choose love over fear, to live an unmasked life that is fueled by meaning, joy, and purpose? Join Cheryl Esposito & Sandra Joseph to see what life can be like when you choose to live beyond the fear.

Cheryl Esposito welcomes Sandra Joseph, a history-making Broadway star turned author and speaker. For nearly a decade, she played one of the best-known roles in Broadway history: Christine Daaé in The Phantom of the Opera. Her new book is Unmasking What Matters: 10 Life Lessons from 10 Years on Broadway. Sandra's extraordinary journey includes transforming her own life from being too afraid to sing in public (yes, really!) to becoming the longest-running leading lady in Broadway's longest-running show. When asked, ‘How did you overcome the fear?' she says, “…I really never did. I learned how to work with it. …I had to master walking into fear. Making friends with that feeling is my path to awakening.” Are you ready to know who you are beyond the roles you play, to choose love over fear, to live an unmasked life that is fueled by meaning, joy, and purpose? Join Cheryl Esposito & Sandra Joseph to see what life can be like when you choose to live beyond the fear.

We celebrate a book that book marries art and science with a new and exciting collaboration between one of the world's leading creativity scholars and an internationally renowned musical theatre composer. This book will help readers tap into their creativity and unleash their own creative potential as they start their careers. Blending cutting-edge research, juicy anecdotes, lived experience, hands-on activities, and gentle advice, authors James C. Kaufman and Dana P. Rowe take readers on a journey to explore and enhance their own creativity. Each chapter addresses a key aspect of creativity, from how to overcome blocks to understanding one's personal strengths all through the lens of Musical Theatre characters along with insights from those within the industry. Kaufman and Rowe shatter creativity myths (such as the tormented artist or having one big break) that may be harming the reader's potential growth. Probing questions, fun quizzes, and engaging exercises will help the reader reflect on the material and develop strategies for their next step. All throughout, the readers can learn from the tales of Sweeney Todd, Maria Von Trapp, Alexander Hamilton, Christine Daaé, and countless others to inspire their own creativity. This book is ideal for aspiring theatre professionals, students of performing arts, and theatre and creativity scholars.

Anna O'Byrne has established an international career spanning opera, theatre, concert and film.  Well known for her performance as Eliza Doolittle in Opera Australia's My Fair Lady, Anna received the 2017 Helpmann Award for Best Leading Actress in a Musical.  Andrew Lloyd Webber cast Anna as Christine Daaé in Love Never Dies, his sequel to The Phantom of the Opera. Anna made her West End debut as Christine in The Phantom of the Opera at Her Majesty's Theatre, London.  Subsequent West End credits include The Woman in White, Strangers on a Train, Kings of Broadway, and A Little Night Music.  Anna debuted with English National Opera in Sweeney Todd the Demon Barber of Fleet Street, starring Emma Thompson.  She recently completed the Australian Tour of Agatha Christie's The Mousetrap and touring with her one-woman show Becoming Eliza. The show reflects on her unique experience and shares stories about working intimately with internationally adored icon Julie Andrews.  Anna takes the show to Melbourne for a very special performance on August 26th. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Mira Ormala is a musical theatre and classical crossover soprano. Having graduated from the royal academy of music she made her west end debut understudying and playing Christine Daaé in Andrew Lloyd Webber's original production of Love Never Dies' at the Adelphi theatre starring Ramin Karimloo and Sierra Boggess and as Christine in the Norwegian premiere of 'The Phantom of the Opera', directed by Stephen Barlow. Mira also release her album ‘Dreaming' in November 2022.

Eryn LeCroy is currently playing Martha Jefferson & Dr. Lyman Hall in the highly anticipated Broadway Revival of 1776 directed by Diane Paulus and Jeffrey L. Page in association with Harvard University's American Repertory Theatre Company and Roundabout Theatre Company. Prior to her Broadway debut in the iconic role of Christine Daaé in The Phantom of the Opera, Eryn made her Off-Broadway debut in two back-to-back Stephen Sondheim productions in New York City - Assassins with the New York City Center Encores Off-Center! under the direction of Anne Kauffman, followed by portraying the role of Johanna in the critically acclaimed immersive production of Sweeney Todd at the Barrow Street Theatre. Other career highlights include the World Premiere in Toronto of Sousatzka as Young Sousatzka (Dir. Adrian Noble and Choreographer Graciela Daniele), Brigadoon as Fiona with the Pittsburgh CLO, and the National Tour of Jekyll and Hyde as Emma Carew. As a concert artist, Eryn has performed with the Rochester Philharmonic, the Oklahoma City Philharmonic, and the Ocean City Pops in addition to touring internationally in Israel with Isaac Sutton and Broadway Israel. Follow @ErynLeCroy for the latest! Engineered by Jeremiah McPadden Produced by @onairwithQ

Behold! This week's episode of The Art of Costume Blogcast is about the 2004 musical film based on Andrew Lloyd Webber's 1986 musical of the same name, The Phantom of the Opera. *Cue the organ music* Join our cohosts as they visit the opera house for an episode full of costumes designed by Alexandra Byrne. Topics include a masquerade ball, the over-the-top wardrobe of Carlotta Giudicelli (played by Minnie Driver), Christine Daaé, and a creepy guy who lives in the basement of an opera house. The Phantom of the Opera is there, inside your mind! Want more episodes of The Art of Costume Blogcast? Become an official costume maven at our Patreon for exclusive episodes and highlights just for Patreon members: Patreon.com/TheArtOfCostume Podcast Merch Store: TheArtOfCostume.com/PodStore Follow Us on Instagram: @TheArtofCostumePod --- Send in a voice message: https://anchor.fm/theartofcostume/message Support this podcast: https://anchor.fm/theartofcostume/support

Behold! This week's episode of The Art of Costume Blogcast is about the 2004 musical film based on Andrew Lloyd Webber's 1986 musical of the same name, The Phantom of the Opera. *Cue the organ music* Join our cohosts as they visit the opera house for an episode full of costumes designed by Alexandra Byrne. Topics include a masquerade ball, the over-the-top wardrobe of Carlotta Giudicelli (played by Minnie Driver), Christine Daaé, and a creepy guy who lives in the basement of an opera house. The Phantom of the Opera is there, inside your mind! Want more episodes of The Art of Costume Blogcast? Become an official costume maven at our Patreon for exclusive episodes and highlights just for Patreon members: Patreon.com/TheArtOfCostume Podcast Merch Store: TheArtOfCostume.com/PodStore Follow Us on Instagram: @TheArtofCostumePod --- Send in a voice message: https://anchor.fm/theartofcostume/message Support this podcast: https://anchor.fm/theartofcostume/support

On this episode of Conversations with Changemakers, we speak with Eryn LeCroy. She is heading back to Broadway to play Martha Jefferson & Dr. Lyman Hall in the highly anticipated Broadway Revival of 1776 directed by Diane Paulus and Jeffrey L. Page. Prior to her Broadway debut in the iconic role of Christine Daaé in The Phantom of the Opera, Eryn made her Off-Broadway debut in two back-to-back Stephen Sondheim productions: Assassins with the New York City Center Encores and Sweeney Todd at the Barrow Street Theatre.  I wanted to have Eryn on to speak about service through entertainment and education. We end up talking about politics and spirituality. There's so much in this episode… enjoy! Click here to access bonus resources from this episode. Connect with Eryn LeCroy Website Instagram Facebook YouTube Connect with Tony Howell: Website Instagram YouTube Twitter Facebook Episode Credits: Art by Tony Howell + Gertrude Pillena Editing by Unapologetic Amplified Hosting by Broadway Podcast Network If you enjoyed this episode, leave a review on Apple Podcasts. Be sure to check out our past conversations and subscribe for next month's special guest! Learn more about your ad choices. Visit megaphone.fm/adchoices

Our guest on this episode, Sandra Joseph, holds the record for being the longest running female star on Broadway after she played the role of Christine Daaé in 'Phantom of the Opera' six nights a week for nearly a decade. Now, she has an incredibly inspiring story to share, and opens up with us about her battle with crippling stage fright, her search for her 'second act', learning to choose love over fear, and how to get 'unstuck' when faced with life's inevitable challenges. She's the author of the book,  "Unmasking What Matters: Ten Life Lessons from Ten Years on Broadway". Her website is https://sandrajoseph.com/about/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Australian/American soprano, Amy Manford most recently performed the role of ‘Christine Daaé' in Andrew Lloyd Webber's original production of The Phantom of the Opera on the West End before a short stint in Greece in the same role. Prior to her West End debut, Amy had performed internationally as a soloist with the London Handel, London Cello and the Perth Symphony Orchestra's. She had also sung at iconic venues such as the Seoul Arts Center in South Korea and at Buckingham Palace for the Prince of Wales. She was especially honoured to sing the Australian Anthem for HRH Prince Harry and Ms. Meghan Markle for the 2018 Anzac Day Memorial Service in London. In 2017, Amy graduated with a Master of Performance from the prestigious Royal College of Music where she was lucky enough to perform numerous title roles with their International Opera School. Before moving to London, Amy had graduated with a Bachelor of Music at The Western Australian Academy of Performing Arts in her hometown, Perth. A diverse performer, Amy also has a unique history in rhythmic gymnastics and pole vaulting, winning gold medals at the Australian National Championships in both fields. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages). www.stagespodcast.com.au

Cheryl Esposito welcomes Sandra Joseph, a history-making Broadway star turned author and speaker. For nearly a decade, she played one of the best-known roles in Broadway history: Christine Daaé in The Phantom of the Opera. Her new book is Unmasking What Matters: 10 Life Lessons from 10 Years on Broadway. Sandra's extraordinary journey includes transforming her own life from being too afraid to sing in public (yes, really!) to becoming the longest-running leading lady in Broadway's longest-running show. When asked, ‘How did you overcome the fear?' she says, “…I really never did. I learned how to work with it. …I had to master walking into fear. Making friends with that feeling is my path to awakening.” Are you ready to know who you are beyond the roles you play, to choose love over fear, to live an unmasked life that is fueled by meaning, joy, and purpose? Join Cheryl Esposito & Sandra Joseph to see what life can be like when you choose to live beyond the fear.

Erik, the Phantom of the Paris Opera House, is one of the great icons of horror literature. This tormented and disfigured creature has made his home in the labyrinthine cellars of this opulent building where he can indulge in his great passion for music, which is a substitute for the love and emotion denied him because of his ghastly appearance.It is in the Opera House that he encounters Christine Daaé whom he trains in secret to become a great singer. Erik's passionate obsession with a beautiful woman beyond his reach is doomed and leads to the dramatic tragic finale.Gaston Leroux's novel is a marvellous blend of detective story, romance and spine-tingling terror which has fascinated readers ever since the work was first published.Translation by Alexander Teixeira de Mattos.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Erik, the Phantom of the Paris Opera House, is one of the great icons of horror literature. This tormented and disfigured creature has made his home in the labyrinthine cellars of this opulent building where he can indulge in his great passion for music, which is a substitute for the love and emotion denied him because of his ghastly appearance.It is in the Opera House that he encounters Christine Daaé whom he trains in secret to become a great singer. Erik's passionate obsession with a beautiful woman beyond his reach is doomed and leads to the dramatic tragic finale.Gaston Leroux's novel is a marvellous blend of detective story, romance and spine-tingling terror which has fascinated readers ever since the work was first published.Translation by Alexander Teixeira de Mattos.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Erik, the Phantom of the Paris Opera House, is one of the great icons of horror literature. This tormented and disfigured creature has made his home in the labyrinthine cellars of this opulent building where he can indulge in his great passion for music, which is a substitute for the love and emotion denied him because of his ghastly appearance.It is in the Opera House that he encounters Christine Daaé whom he trains in secret to become a great singer. Erik's passionate obsession with a beautiful woman beyond his reach is doomed and leads to the dramatic tragic finale.Gaston Leroux's novel is a marvellous blend of detective story, romance and spine-tingling terror which has fascinated readers ever since the work was first published.Translation by Alexander Teixeira de Mattos.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Erik, the Phantom of the Paris Opera House, is one of the great icons of horror literature. This tormented and disfigured creature has made his home in the labyrinthine cellars of this opulent building where he can indulge in his great passion for music, which is a substitute for the love and emotion denied him because of his ghastly appearance.It is in the Opera House that he encounters Christine Daaé whom he trains in secret to become a great singer. Erik's passionate obsession with a beautiful woman beyond his reach is doomed and leads to the dramatic tragic finale.Gaston Leroux's novel is a marvellous blend of detective story, romance and spine-tingling terror which has fascinated readers ever since the work was first published.Translation by Alexander Teixeira de Mattos.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A soprano and actress who has established an international career spanning opera, theatre, concert and film, Anna O'Byrne has performed with the likes of Anthony Warlow and Emma Thompson, sung for Charles and Camilla, and appeared in everything from West Side Story to Barnum, and Guys and Dolls to A Little Night Music. But her most well known role on these shores was as Eliza Doolittle in the 60th Anniversary production of My Fair Lady, at the Sydney Opera House, for which she won the Helpmann Award for Best Female Actor in a Musical. Anna appears at the Playhouse of the Sydney Opera House in her own one-woman show, Becoming Eliza, from 9-12 June. In this conversation, Anna shares stories of working with and learning from her childhood idol Julie Andrews, her remarkable start in The Phantom of the Opera, only a few weeks after finished her degree, plus being part of the recreation of the role of Christine Daaé for Love Never Dies when it got its second start in Melbourne.

On today’s episode, Matt Tamanini is in conversation with “The Phantom of the Opera’s” Viscount Raoul de Chagny John Riddle. The pair talk about John’s tenure in “Phantom” before and after the pandemic, the historic run of Emilie Kouatchou as Christine Daaé, and the similarities and differences between playing Raoul read more The post Special Episode: John Riddle on Reopening ‘Phantom’ as Old Will Forte appeared first on BroadwayRadio.

Sheinelle Jones sits down with Emilie Kouatchou — the first Black Christine Daaé in Broadway's “Phantom of the Opera.” Plus, “Law and Order” star Sam Waterston stops by Studio 1A ahead of tonight's return of the iconic show. Also, Clea Shearer and Joanna Teplin of The Home Edit are sharing their favorite organizing pics.

Hablamos con el actor Ben Crawford quien interpreta al fantasma en el musical de Broadway “El fantasma de la ópera” que celebra 34 años de dar funciones en la meca del teatro. Andrew Lloyd Webber escribió este musical en la década de los 80 basado en el libro de Gastón Leroux "Le Fantome de L'Ópera", en el que una joven bailarina y aspirante a cantante de ópera, Christine Daaé, se convierte en la musa y extraña obsesión de un fantasma en la Ópera de París. Lloyd Webber se puso en contacto con el productor Cameron Mackintosh para proponerle un musical de corte romántico. La única condición que le puso fue que su esposa en ese momento, la cantante Sarah Brightman, fuera la encargada de dar vida a Daaé. Support the show: http://cnne.com/zonapop Para conocer sobre cómo CNN protege la privacidad de su audiencia, visite CNN.com/privacidad

Meet Juliette Valle, who recently released a Christmas album titled "Joyfully, Juliette"! We chat with her about how she got into music and performing, the process of recording her album, donating her proceeds to charity and more! Show Notes and Images: https://shewillrockyou.com/2022/01/21/meet-the-artist-juliette-valle/ Visit Our Website: https://www.shewillrockyou.com Follow us on TikTok: https://www.tiktok.com/@shewillrockyoupodcast Follow us on Instagram: https://www.instagram.com/shewillrockyoupodcast Shop Our Merchandise: https://she-will-rock-you.creator-spring.com/ About Juliette: She fell in love with musical theatre with her first role as “Mary Lennox” in The Secret Garden. Although she was very seriously studying ballet, this opportunity took her in a different direction. Professional roles in shows such as Showboat, Bonnie and Clyde-the Musical, and Big River followed. In 2015, she was named “Best Actress Under 25 (Miami)” by Broadway World for her role as Young Bonnie in “Bonnie & Clyde”, and was nominated again in 2017. Her favorite role so far has to be Belle in “Beauty and the Beast”! She performed most recently in a professional production of The Best Little Whorehouse in Texas. Her dream role is to one day play “Christine Daaé” in Phantom of the Opera on Broadway! About the Show: The goal of She Will Rock You has always been to educate our listeners. Whether that is about a classic rock artist or a new and emerging artist. We want to help promote new rock artists, especially those who are women or minorities. Rock and roll is not dead, and we aim to do everything that we can to spread the love. --- Send in a voice message: https://anchor.fm/she-will-rock-you/message Support this podcast: https://anchor.fm/she-will-rock-you/support

The new leading lady of The Phantom of The Opera on smashing down barriers and making history with her casting as the beloved opera soprano Christine Daaé in Andrew Lloyd Webber and Cameron Mackintosh's revamped production, wearing her natural hair like a crown and celebrating the beautiful nuances of her black body. Plus, why she owes everything to her mother and grandmother. And why it took her rather a long time to shake off playing music icon Diana Ross after starring in Motown - The Musical. Host: William J Connolly Produced by: William J Connolly/Darren Bell Welcome to eleven. The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Follow eleven on social media via @elevenpodcast and via elevenpodcast.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Christine... Christine... We chat all things the Phantom of the Opera with Broadway's current Christine Daaé, Meghan Picerno! Meghan Picerno is an American theatre actress and coloratura soprano opera singer. She is known for her role as Christine Daaé in the US Premiere and 1st National Tour of Andrew Lloyd Webber's Love Never Dies.

LOOKOUT! It's one of those special days in The Batter's Box as Sierra Boggess joins us for Episode 95! For nearly a decade and a half, Boggess has cemented a standing as one of the best players in the game here on Broadway through her brilliant ability to bring iconic characters to life on stage, powerful singing voice, and inspiring disposition that embodies the good stuff in show business. Whether it was originating the role of Ariel in the Broadway production of The Little Mermaid, her portrayal of Christine Daaé in both the Broadway and London 25th Anniversary productions of The Phantom Of The Opera, or her other memorable performances in School Of Rock, It Shoulda Been You, Master Class, Lés Miserables, and Love Never Dies, her accomplishments on Broadway and The West End are on par with any hitter who's dominated in both the American and National League. Ironically, some of Boggess' success on stage is rooted in her own athletic background, as she grew up as a competitive figure skater in her native Denver. Despite having to put the skates aside in her early teens, her passion for the sport has never wavered, and the values it taught her have truly helped shape her into the All-Star actress she is today. Over the past year, she's rediscovered those skills on the ice and this week, she takes host Al Malafronte through this incredible chapter of joy and the intense work she's put into it. She also discusses some of her eventual aspirations in the sport, which may just include competing on the professional level! One of the ultimate testaments to a performer either on stage or at the stadium is their mental fortitude, and some of Boggess' stories behind her success on Broadway fully back up that notion in this conversation. Her ability to set herself apart as a star player in order to achieve her dreams is on par with anyone we've ever spoken with. One might even view her as a master "hitter" when it comes to her technique, mindfulness, and ability to evaluate scouting reports before going into an audition room. On the subject of hitters, it's fitting that Boggess views herself as a “DH” if she were to take on a position in baseball, and also has some great memories of her hometown Colorado Rockies! If you're in New York, be sure to catch Sierra Boggess in her upcoming concert series at 54 Below from September 8-11, as she helps ring in Broadway's triumphant return this fall! Tickets are available here. Connect with Sierra Boggess on her website, as well as Instagram: @officialsierraboggess Connect with Break a Bat! on Instagram: @break_a_bat_podcast Hosted by Al Malafronte Produced by the Broadway Podcast Network  Edited by Matthew Hendershot Learn more about your ad choices. Visit megaphone.fm/adchoices

Andrew Lloyd Webber's The Phantom of the Opera has captivated and delighted audiences around the world for nearly 35 years. Now with Opera Australia this classic theatre production will grace the Sydney Opera House in September before moving to Melbourne's Art Centre. The Australian production will be spearheaded by Josh Piterman and Amy Manford who play The Phantom and Christine Daaé respectively. Josh and Amy join John Stanley to share how preparation for the production is coming along and what it means to them to be a part of such an iconic story. See omnystudio.com/listener for privacy information.

Episode Summary Kristy Cates in “Performers Spotlight” tells us what it was like auditioning for the original Broadway Cast of Wicked, singing for Stephen Schwartz, and why it’s all about booking the room and not the gig. “Thank you 5” is all about why you can’t call any Broadway musical “bad.” In “Professor’s Corner” Kaitlyn Davis and Katie Travis, both former Christine Daaé’s from Phantom of the Opera, are here to give some tips to dancers for singing. Intro to this Episode In this Episode of “In The Holding Room”, we are joined by performer, Kristy Cates for “Performer Spotlight”. Kristy was a member of the original Broadway cast of Wicked (understudy to Idina Menzel). Kristy went on to open the National Tour as Elphaba and played the role for a year in the highly acclaimed Chicago sit-down production. Other Broadway roles include: Grandma Josephine in Charlie and the Chocolate Factory and Miss Bassett in Finding Neverland. In “Thank you 5” this week, I will be talking about why you can, not like a Broadway show, but you can’t call it bad. Kaitlyn Davis and Katie Travis are in “Professor’s Corner”. With many professional credits to their names, they met playing the role of Christine Daaé in Phantom of the Opera. They gave singing lessons to the dancers in the show, and the dancers gave them dance lessons. An Idea was born! They now teach “Group Singing for Dancers” and are here to give a few tips. Resources For all your audition needs including sheet music, tracks, monologues advice and so much more visit: https://www.performerstuff.com/ Engage with the Show facebook: facebook.com/InTheHoldingRoom Kristy Cates Professional Conservatory of Musical Theater at the New York Film Academy https://www.nyfa.edu/musical-theatre/ Kaitlyn Davis email: kaitlynnnicoledavis@gmail.com instagram: kaitlynnnicole_davis Katie Travis Instagram: katiejtravis Book: Thinking Shakespeare by Barry Edelstein https://intheholdingroom.com/services/

Episode Summary Kristy Cates in “Performers Spotlight” tells us what it was like auditioning for the original Broadway Cast of Wicked, singing for Stephen Schwartz, and why it’s all about booking the room and not the gig. “Thank you 5” is all about why you can’t call any Broadway musical “bad.” In “Professor’s Corner” Kaitlyn Davis and Katie Travis, both former Christine Daaé’s from Phantom of the Opera, are here to give some tips to dancers for singing. Intro to this Episode In this Episode of “In The Holding Room”, we are joined by performer, Kristy Cates for “Performer Spotlight”. Kristy was a member of the original Broadway cast of Wicked (understudy to Idina Menzel). Kristy went on to open the National Tour as Elphaba and played the role for a year in the highly acclaimed Chicago sit-down production. Other Broadway roles include: Grandma Josephine in Charlie and the Chocolate Factory and Miss Bassett in Finding Neverland. In “Thank you 5” this week, I will be talking about why you can, not like a Broadway show, but you can’t call it bad. Kaitlyn Davis and Katie Travis are in “Professor’s Corner”. With many professional credits to their names, they met playing the role of Christine Daaé in Phantom of the Opera. They gave singing lessons to the dancers in the show, and the dancers gave them dance lessons. An Idea was born! They now teach “Group Singing for Dancers” and are here to give a few tips. Resources For all your audition needs including sheet music, tracks, monologues advice and so much more visit: https://www.performerstuff.com/ Engage with the Show facebook: facebook.com/InTheHoldingRoom Kristy Cates Professional Conservatory of Musical Theater at the New York Film Academy https://www.nyfa.edu/musical-theatre/ Kaitlyn Davis email: kaitlynnnicoledavis@gmail.com instagram: kaitlynnnicole_davis Katie Travis instagram: katiejtravis Book: Thinking Shakespeare by Barry Edelstein https://intheholdingroom.com/services/

As the Broadway shutdown due to the Coronovirus outbreak passes its catastrophic year anniversary, Megan Ort reflects on being one of the world’s few employed Ensemblists in 2020. As the female swing and Christine Daaé understudy in the World Tour of The Phantom of the Opera, Ort had the distinctly rare experience of being on stage in 2020, navigating international travel, and abiding by strenuous health-code practices in order to perform for sold-out audiences throughout Asia. An experience unlike any other, Ort explains what it was like to perform amidst pandemic fears while watching her home country become devastated by the disease from afar. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sandra Joseph played the role of Christine Daaé in the “The Phantom of the Opera” for nearly a decade. Now, she is using her voice in a new way — as an author, keynote speaker and thought leader — to inspire audiences everywhere. Her new book — “Unmasking What Matters: 10 Life Lessons from 10 Years on Broadway” — launched on January 23, 2018 in step with the 30th anniversary of “The Phantom of the Opera,” which occurred on January 26th and will be celebrated all year long. https://selfdiscoverymedia.com/2018/02/05/wj-18-06-unmasking-what-matters-in-life/

Sandra Joseph is a history-making Broadway star, a #1 international Amazon bestselling author, and a keynote speaker. Her legendary run as Christine Daaé in The Phantom of the Opera spanned ten years and more than 1,300 performances. She earned the record as the longest-running leading lady in the longest-running Broadway show of all time. She has been seen on numerous national broadcasts, including The Oprah Winfrey Show, CNN, The Today Show, Dateline, The Early Show, The View, and Oprah: Where Are They Now?Sandra joins John Valencia on the Good For Others Podcast to empower people to use their voices. Sandra explains, that as a keynote speaker, she is able to inspire audiences to become world-class performers and unmask what matters most in their lives and careers.Sandra is the author of Unmasking What Matters: 10 Life Lessons from 10 Years on Broadway. She is also the co-author, with five-time New York Times best-selling author Caroline Myss, of Your Creative Soul: Expressing Your Authentic Voice. Sandra is married to her costar from The Phantom of the Opera, actor Ron Bohmer. They currently reside in Southern California.

Sandra Joseph spent a decade in the Broadway production, Phantom of the Opera playing Christine Daa’e. As a keynote speaker she talks about the masks we wear in life and business and how they block us from creating the authentic connections we need to thrive.Now, here we are in a time when mask-wearing has taken on a whole new meaning. We are asked to cover our faces to take good care of each other. Yet, inwardly, it’s more important than ever to take off our masks to be real with each other. Listen to Sandra’s celebrity status stories and journey playing Christine on stage six nights a week, more than 1300 times, for 140 million people during her long run on Broadway. She’ll delve into her new message to the world—take off your mask and don’t be afraid to be seen as who you really are. PS – She married THE PHANTOM (Ron Bohmer!) You won’t want to miss this episode.TPOVS:1 - Persistence comes from your inner knowing. When you truly believe in your dream, it rarely is fulfilled like a bolt out of the blue. Do you feel it? Do you sense it? Then believe IN it. No matter how outrageous. It starts with belief in your dream and in yourself—knowing it will have obstacles. Takehold and take responsibility to keep moving forward.2 - Examine your “I could never” beliefs and question them. One of the signs you are onto something meant to be is that it often comes with a feeling that “I could never – that’s too big for me.” Don’t let that message stop you. Reexamine your beliefs and alter them enough to stop that negative voice.3 - Be willing to get out there unmasked – just be YOU. When you’re ready for a new journey, take whatever time you need to pray, meditate and think reflectively. Once you have the vision – be willing to wait for the right time. Expect to be vulnerable and even scared.4 - It’s the unmasking of ourselves that matters. When you look at what really matters in your life, you’ll see it’s more about BEING than DOING.

Cheryl Esposito welcomes Sandra Joseph, a history-making Broadway star turned author and speaker. For nearly a decade, she played one of the best-known roles in Broadway history: Christine Daaé in The Phantom of the Opera. Her new book is Unmasking What Matters: 10 Life Lessons from 10 Years on Broadway. Sandra’s extraordinary journey includes transforming her own life from being too afraid to sing in public (yes, really!) to becoming the longest-running leading lady in Broadway’s longest-running show. When asked, ‘How did you overcome the fear?’ she says, “…I really never did. I learned how to work with it. …I had to master walking into fear. Making friends with that feeling is my path to awakening.” Are you ready to know who you are beyond the roles you play, to choose love over fear, to live an unmasked life that is fueled by meaning, joy, and purpose? Join Cheryl Esposito & Sandra Joseph to see what life can be like when you choose to live beyond the fear.

On this episode I chatted with Eva about starting off in dance, her long list of choreography credits and how she attained all of them, playing Maria in West Side Story at Citadel Theatre, how Sousatzka the Musical led to her being cast as Christine Daaé, her experience on the Phantom Of The Opera Tour, and more. --- Support this podcast: https://anchor.fm/backstagewithbeccab/support

durée : 01:29:59 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - "Le Fantôme de l'Opéra" est un film radiophonique de Jean-François Hauduroy adapté en 1964 du roman de Gaston Leroux, avec Alain Cuny dans le rôle d'Erik (alias "le fantôme de l’Opéra"), Jean-Roger Caussimon dans le rôle du Persan et Danièle Ajoret dans le rôle de Christine Daaé. - réalisation : Virginie Mourthé

Gui Osinski convida a soprano Lina Mendes, que conta um pouco da sua carreira e principalmente os detalhes de sua participação no musical 'O Fantasma da Ópera', que ficou em cartaz no Teatro Renault, em São Paulo, entre 2018 e 2019. Lina comenta sua reação ao receber a notícia de que ela era a escolhida para interpretar a personagem principal da peça, Christine Daaé, os bastidores do dia a dia das apresentações, sua preparação para entregar ótimas performances e as semelhanças entre ela e a própria Christine Daaé. Planejamento, condução, narração e edição de Gui Osinski. Conecte-se comigo: Instagram: @guiosinski; Twitter: @guiosinski; Facebook: Guilherme Osinski; Site Pessoal: guilhermeosinski.com.br.

Talented Scottish performer Kelly Mathieson is currently in the role of of Christine Daaé in the Phantom of The Opera in London. Kelly chats about the pressure of performing such an iconic role, where she found inspiration while in Vienna, and how she is staying upbeat during this difficult time. www.anygivenrunway.com

INTERVIEW LIVE AVEC ALIX BENEZECH Alix Bénézech est une jeune actrice qui grandit dans une atmosphère multiculturelle et littéraire. Après de brillantes études, elle retrouve sa passion pour le Théâtre. Elle commence sa carrière au Théâtre 14 avec le rôle de Christine Daaé dans le Fantôme de L'Opéra mis en scène par Henri Lazarini, où elle joue aux côtés de Benoit Soles, et le rôle de Lucile dans Les Serments Indiscrets de Marivaux mis en scène par Anne-Marie Lazarini au Théâtre Artistic. Une metteur en scène qu'elle retrouve en 2019 pour incarner le rôle de la jeune première dansLes Rivaux de Richard Brinsley Sheridan, où elle joue notamment aux côtés de Catherine Salviat, Sociétaire Honoraire de la Comédie Française. Elle est repérée par un agent et commence quelques apparitions au Cinéma. De petits rôles comme dans Venus Noire d'Abdelatif Kechiche, La Belle Saison de Catherine Corsini, L'Odeur de la Mandarine de Gilles Legrand, Des Lendemains qui chantent de Nicolas Castro, aux seconds rôles comme dans BIS de Dominique Farrugia, Camping 3 de Fabien Ontoniente, aux rôles principaux où ses interprétations sont récompensées, notamment dansLe Quepa sur la Vilni de Yann Le Quellec présenté à la Quinzaine des Réalisateurs au Festival de Cannes, En Attendant Violette de Matthieu Maury et Warren Dupuy, et La Vie Nous Appartient d'Alex Lee, un film primé dans plusieurs Festivals internationaux. Sa carrière prend une dimension internationale en 2018 alors que Tom Cruise et Christopher McQuarrie la choisissent pour être la «frenchie » de Mission Impossible Fall Out. Le film bat tous les records aux Box Office, ile remporte plusieurs Awards et la prestation d'Alix est unanimement saluée par les professionnels, la presse et le public. Elle tourne sous la direction de Clint Eastwood dans le film The 15:17 to Paris. Alix tourne également dans des séries à succès pour la télévision française et internationale, en rôle récurrent pour Nina sur France 2 et Alice in Paris sur Amazon Prime, et en guest notamment dans Whiskey Cavalier pour ABC et TF1, Emily in Paris pour Netflix, Munch pour TF1, Cassandreet Le Sang de la Vigne pour France 3.a

Meghan Picerno steps into the Batter's Box with host Al Malafronte and producer Alan Seales, for Episode 26 of Break a Bat! Meghan is currently playing Christine Daaé in The Phantom of the Opera on Broadway, after having previously played the role in the in the show's touring production, as well as its sequel Love Never Dies. Broadway's longest running show, seeing Phantom is one of the most epic experiences you can have on The Great White Way. In this episode, Meghan talks about her transition from the opera world to the Broadway world, the athleticism behind her performance, and the Yankees' All-Star closer Aroldis Chapman --- who in 2016, carried her Chicago Cubs to their first World Series Championship in 108 years! In that postseason, he posted an impressive 3.45 ERA, multiple wins and no losses, an incredible 4 saved games, and an absolutely stunning 21 strikeouts in only 15.2 innings pitched. Tune in to hear Meghan's thoughts on Chapman's historic run, as well as how baseball and Broadway relate to each other when it comes to performance-driven leadership. Shoutout to our buddy Michael Borowski at The Publicity Office for helping put this one together. Note: This episode was recorded just a few days prior to Broadway's shutdown due to the Coronavirus outbreak. As stated in the intro, it was originally intended to be our 25th release. Hosted by Al Malafronte  Produced by the Broadway Podcast Network  Edited by Matthew Hendershot Connect with Meghan Picerno on Instagram: @meghanpicerno Connect with Break a Bat! on Instagram: @break_a_bat_podcast

The jewel in Broadway's crown talks originating in Love Never Dies and The Little Mermaid, how she's still not quite finished playing Christine Daaé in Phantom of the Opera, and why she's anything but the innocent ingénue you're used to seeing on stage. Sierra also shares wonderful memories of her friend, the late Dame Gillian Lynne. Host: William J Connolly Technical: Jordan Priestley Produced by: William J Connolly + Darren Bell Follow eleven on social media via @elevenpodcast and via elevenpodcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Who is the mysterious "Angel of Music" living underneath the Paris Opera House? And why is he obsessively fascinated with Christine Daaè and her beautiful voice? The original novel that led to the play which has become the longest-running musical on Broadway.

Ol' Matty is kicking back after some well earned dishonourably discharged R&R when he realises that the demon bear terrorising Paris might be somewhat his fault. When a wise cricket tries to give him advice, Ol' Matty heeds by destroying the plane and landing in the Paris Opera, toppling a chandelier into an innocent and aiding a kidnapping in one less-than-heroic swing. Realising that Gaston Leroux's famous alleged Opera Ghost has turned the Opera into a deadly extension of their devious self, Ol' Matty follows the Phantom to his lair hoping to find the bear, in truth, under the pale mask, and, if not, at the very least bust some ghosts. Ol' Matty finds adventure, torture, taverns, and barrels of fun with a pinch of gunpowder. And, of course, he might just find a Delicious Word Sandwich.Published in 1910 by Gaston Leroux, a renowned investigative journalist, travel writer and sensational crime solver, The Phantom of the Opera became a surprise smash, blending sweeping melodrama and comic-book tier iconography with hard-boiled pulp and gothic literature styles that like a Phantom would haunt popular culture for better or worse evermore. It is a methodical novel rich with characterisations and goofy hyperbole that is ultimately more obsessed with the criminally insane and obsession itself than in heroic Parisian romances, which in spite of modern adaptations is its greatest asset according to Ol’ Matty.Flying in his very own WW2 Bombing plane, Ol’ Matty rids himself of a pestering cricket by firing his pistol from inside the cockpit. You killed Jiminy and yourself in one shot. Not a hole in one, but certainly a hole in done. As in, you’re done. You get it. Needless to say, Ol’ Matty abandons the plane to crash wherever it may and finds himself falling into the lap of Paris, which is now under the dictating control of our hero’s arch-nemesis: Jim Pawsby, the Nazi, human handed, M16 wielding, unicycling demon bear. He’s a lot.Swinging into action, quite literally, at the gilded end of a swashbuckler’s rope (a goddamn chandelier), Ol’ Matty causes it to fall on a patron, killing them, and finds his bloody entrance has called a ripe distraction for the infamous Opera Ghost to steal away with a beloved opera singer, Christine Daaé.Feeling inexplicably partially responsible (“PARTIALLY”!?), Ol’ Matty pays homage to the almighty Bill Murray and prepares to go Opera Ghostbusting, although it is very, very possible that this devilish death’s headed spectre is really Jim Pawsby in disguise. After all, the plot is absurd enough to be perpetuated by a demon bear. Teaming up with the fine wine drinking Gaston Leroux, who really likes his name “Gaston”, a dork named Raoul, a mysterious figure known only as the Persian, and NOT Jiminy Cricket because he bloody shot the little guy, Ol’ Matty ventures to the lair of the Phantom to find the truth, justice and a slice of the redemption he doesn’t even know he needs.All the same, Ol' Matty has created a delightfully devilish and delicious word sandwich with all the anger, obsession and defiance of Leroux’s iconic antihero, deciphering the ramblings of the hard drinking, gambling and brawling Gaston to find just how this pulp mystery gumshoed through the centuries (bread), venturing on a katabasis into introspective and sometimes cruel story (meat), meeting a complicated, tormented yet brilliant vengeful sociopath (cheese), tearing away the mask to discover the deathly themes (sauce) and then whatever damn well pleases fits with those ingredients He ain’t a chef. I think it’s his way of making sure he adds salad. Well, this time he had no interest in making friends on this adventure, let alone best friends, so I suppose that’s growth, too. Don’t get stuck in catacombs again, Ol’ Matty. The last time had pacing issues.Love stories? Love hearing about the tales of old with Ol' Matty but want to know them yourself? Want to join the Book Club Sandwich but don't have the time or desire to sit down and read? Well, you dolt, check out Audible, where you can drive to your destination and faraway lands all at once. P.S. Audible, please sponsor me.For more short stories like the one featured here, The Poltroon Husband by Joseph O’Neill see The New Yorker either online or subscribe to have the magazine delivered for those delectable morning reads. You sponsor me too, New Yorker.I have only ever read the book with my own eyeballs so I can't personally vouch for any version on Audible, however it is available.Adaptations of the Phantom of the Opera are a whole discussion. Thankfully this discussion has been had in TWO PARTS by the wondrous genius that is Lindsay Ellis in her “Loose Canon” about the series and merits of the adaptations of the Phantom of the Opera. I will say I enjoy the musical, for all my things against it, but do not treat it as a true adaptation. For my money, the silent film of 1925 with Lon Chaney in the title role captures this book the best, thus far.Until next time, my Quixotes!Ol' Matty's sources:https://www.youtube.com/watch?v=6srPCZhecOY – Lindsay Ellis, “Loose Canon” The Phantom of the Opera Part 1.https://www.litcharts.com/lit/the-phantom-of-the-opera/characters/erik-the-phantom-of-the-opera-the-ghost-the-voicehttp://www.online-literature.com/leroux/http://www.supersummary.com/the-phantom-of-the-opera/summary/https://www.gradesaver.com/the-phantom-of-the-opera/study-guide/themeshttps://www.newyorker.com/magazine/2018/03/12/the-poltroon-husband - The Poltroon Husband by Joseph O’Neillhttps://www.youtube.com/watch?v=TUamUHcxMVY – Literally the entire 1925 adaptation of The Phantom of the Opera. Public domain, y’all. Get innit.Find us on FACEBOOK, TWITTER, or EMAIL us on deliciouswordsandwichpodcast@gmail.comwww.thatsnotcanonproductions.com

The Two Show Day. CAST Rebecca Davis (Theresa) recently appeared as Christine Daaé in the Ohlone College/Stage 1 Theatre production of “Phantom of the Opera.” Other favorite credits include Eliza Doolittle in “My Fair Lady” at Contra Costa Civic Theatre, Laurey Williams in “Oklahoma!” at Altarena Playhouse, and Abigail Adams in “1776” for Tri-Valley Valley Theatre. Rebecca spends her free time hiking, playing video games, and eating all-you-can-eat Korean barbecue. John Girot* (Shultz) make his debut with LVPAC in Circle Mirror Transformation. Recent credits include A Few Good Men (Hillbarn Theatre), Fifth of July (Aurora Theatre Company), Arcadia (Jewel Theatre Company). He has worked locally with Central Works, EXIT Theatre, Berkeley Theater Project, and PlayGround. John is a proud Bay Area native and member of Actors' Equity Association. He lives in Oakland with his wife and two daughters. Emma Nelson (Lauren) is so pumped to be part of the cast and crew of Circle Mirror Transformation. She loves to act, and has been doing it since she was about eight, thanks to her encouraging parents. So far, she has been in shows in and outside of Dublin High School, and one student film. She loves strawberries, rollerblading, and the color yellow. As a senior, she is remembering to take time for these little things in life while preparing for the next steps in pursuing a career in film. Ray Renati* (James) has performed in major Bay Area and London theaters, as well as in several independent films and TV programs. Favorite stage roles include Henry Higgins in Pygmalion, Arthur in Superior Donuts and Neil in The Quality of Life, Burton in Burn This, Lee in True West, and Antonio in The Merchant of Venice. Ray studied at the Royal Academy of Dramatic Art in London where he earned a certificate in Acting Shakespeare. Ray is a co-founder of the Pear Theatre in Mountain View and a proud member of Actors' Equity. His theatre podcast is Green Room on Air (raysgreenroom.com). Rhonda Taylor (Marty) recently appeared as Jacqueline in “Don't Dress for Dinner” and Morticia in “The Addams Family Musical” both with Chanticleers Theater. Rhonda, a long time Pleasanton resident, has been active in community theater for over 20 years. Some of her favorite credits include Louise in “Always Patsy Cline,” Gloria in “Boeing, Boeing,” Evy in “The Gingerbread Lady.” Rhonda is a lead singer for The Pushbacks, a local classic-rock cover band and has her own jewelry design business called Under a Gypsy Moon.

Opening night of Circle Mirror Transformation at Livermore arts. https://lvpac.org/event/circle-mirror-transformation/2019-11-15/ CAST Rebecca Davis (Theresa) recently appeared as Christine Daaé in the Ohlone College/Stage 1 Theatre production of “Phantom of the Opera.” Other favorite credits include Eliza Doolittle in “My Fair Lady” at Contra Costa Civic Theatre, Laurey Williams in “Oklahoma!” at Altarena Playhouse, and Abigail Adams in “1776” for Tri-Valley Valley Theatre. Rebecca spends her free time hiking, playing video games, and eating all-you-can-eat Korean barbecue. John Girot* (Shultz) make his debut with LVPAC in Circle Mirror Transformation. Recent credits include A Few Good Men (Hillbarn Theatre), Fifth of July (Aurora Theatre Company), Arcadia (Jewel Theatre Company). He has worked locally with Central Works, EXIT Theatre, Berkeley Theater Project, and PlayGround. John is a proud Bay Area native and member of Actors' Equity Association. He lives in Oakland with his wife and two daughters. Emma Nelson (Lauren) is so pumped to be part of the cast and crew of Circle Mirror Transformation. She loves to act, and has been doing it since she was about eight, thanks to her encouraging parents. So far, she has been in shows in and outside of Dublin High School, and one student film. She loves strawberries, rollerblading, and the color yellow. As a senior, she is remembering to take time for these little things in life while preparing for the next steps in pursuing a career in film. Ray Renati* (James) has performed in major Bay Area and London theaters, as well as in several independent films and TV programs. Favorite stage roles include Henry Higgins in Pygmalion, Arthur in Superior Donuts and Neil in The Quality of Life, Burton in Burn This, Lee in True West, and Antonio in The Merchant of Venice. Ray studied at the Royal Academy of Dramatic Art in London where he earned a certificate in Acting Shakespeare. Ray is a co-founder of the Pear Theatre in Mountain View and a proud member of Actors' Equity. His theatre podcast is Green Room on Air (raysgreenroom.com). Rhonda Taylor (Marty) recently appeared as Jacqueline in “Don't Dress for Dinner” and Morticia in “The Addams Family Musical” both with Chanticleers Theater. Rhonda, a long time Pleasanton resident, has been active in community theater for over 20 years. Some of her favorite credits include Louise in “Always Patsy Cline,” Gloria in “Boeing, Boeing,” Evy in “The Gingerbread Lady.” Rhonda is a lead singer for The Pushbacks, a local classic-rock cover band and has her own jewelry design business called Under a Gypsy Moon.

durée : 01:29:59 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - "Le Fantôme de l'Opéra" est un film radiophonique de Jean-François Hauduroy adapté en 1964 du roman de Gaston Leroux, avec Alain Cuny dans le rôle d'Erik (alias "le fantôme de l’Opéra"), Jean-Roger Caussimon dans le rôle du Persan et Danièle Ajoret dans le rôle de Christine Daaé. - réalisation : Virginie Mourthé

Sandra Joseph holds the record for being the longest running female star on Broadway after she played the role of Christine Daaé in 'Phantom of the Opera' six nights a week for nearly a decade.  Now, she has an incredibly inspiring story to share, and opens up with us about her battle with crippling stage fright, her search for her 'second act', learning to choose love over fear, and how to get 'unstuck' when faced with life's inevitable challenges.  She's the author of Unmasking What Matters: Ten Life Lessons from Ten Years on Broadway.

Sierra Boggess is Ruthlessly Herself All of us experience anxiety, in life and in our careers, but Sierra Boggess believes that mindset work is half the battle. She and Justin chat about auditioning for Disney, singing the role of Christine Daaé eight times a week, and realizing you aren’t that special. Sierra Boggess is an actress and singer best known for originating the role of Ariel in Broadway’s The Little Mermaid and for her multiple appearances in The Phantom of the Opera. Connect with Sierra on Instagram at @officialsierraboggess, Twitter at @sierraboggess, and at www.sierraboggess.com. People, Places & Things mentioned in this episode:Keith CarradineEncores! at New York City CenterLight Lessons by Sierra Boggess Follow Justin at @justinguarini on all social media!

Sandra Joseph is a history-making Broadway star, a #1 international bestselling author, and a keynote speaker. Her legendary run as Christine Daaé in The Phantom of the Opera spanned ten years and more than 1,300 performances, and earned her the record as the longest-running leading lady in the longest-running Broadway show of all time. She has been seen on numerous national broadcasts, including The Oprah Winfrey Show, CNN, The Today Show, Dateline, The Early Show, The View, and Oprah: Where Are They Now? Sandra is on a mission to empower other people’s voices. Her one-of-a-kind musical keynote programs inspire audiences to become world-class performers and unmask what matters most in their lives and careers. Sandra is a member of The Transformational Leadership Council, a group of 100 top thought leaders. Some of the luminaries that endorse her work are Jack Canfield, Mark Nepo, Martha Beck, Marci Shimoff, and SARK. Sandra is the author of Unmasking What Matters: 10 Life Lessons from 10 Years on Broadway. She is also the coauthor, with five-time New York Times best-selling author Caroline Myss, of Your Creative Soul: Expressing Your Authentic Voice. Sandra is married to her costar from The Phantom of the Opera, actor Ron Bohmer. They currently reside in Southern California. How does a young woman with crippling stage fright become a record-breaking Broadway star? Sandra Joseph spent nearly a decade playing Christine in “The Phantom of the Opera.” Now, she is on a mission to empower other people’s voices through her work as a keynote speaker and author of the new book, "Unmasking What Matters." Welcome, Sandra. Join in today and learn exactly how Sandra Joseph LEVELED UP and created EVERYTHING from NOTHING On this episode, you will learn: How sometimes our gifts are meant to push us out of our comfort zone Why you should embrace your voice Why our past fears don't control us

Sandra Joseph holds the record for being the longest running female star on Broadway after she played the role of Christine Daaé in 'Phantom of the Opera' six nights a week for nearly a decade.  Now, she has an incredibly inspiring story to share, and opens up with us about her battle with crippling stage fright, her search for her 'second act', learning to choose love over fear, and how to get 'unstuck' when faced with life's inevitable challenges.  She's the author of Unmasking What Matters: Ten Life Lessons from Ten Years on Broadway. Learn more about your ad choices. Visit megaphone.fm/adchoices

Charlotte began her career by studying at the Royal Academy of Music, training as a classical singer and actress. Before entering the world of musical theatre Charlotte has starred in a variety of operas as the principle lead with the Welsh National Opera, D’Oyly Carte and Carl Rosa Opera. Charlotte then joined the company of The Phantom of the Opera as Christine Daaé at Her Majesty's Theatre London and it was there that her musical theatre career began. Since then she has played Sally in Follies in France's second largest theatre; Opéra de Toulon and more recently Alice Beineke in the UK Tour of The Addams Family. As a classically trained singer that is used to performing as the leading lady, eight times a week in opera with no microphone and a full orchestra, Charlotte gives you tips on looking after and maintaining your voice. Theme music by Simon Oskarsson and Alex Cardall for ACT Music Ldn.

Today’s episode is with Ali Ewoldt! We were in the 2015 Lincoln Center Revival of The King and I together. Ali just wrapped up her time at the Phantom of the Opera where she was the 1st woman of color to play Christine Daaé! Ali generously shares her journey with the show from her first audition to her decision to leave. We chat about how Ali’s collegiate education shaped her and how she takes it with her into each role. We also tackle the beast of “comparison” and she reveals with us how she tries to overcome that inner voice. Instagram: @aliewoldt Ready, Set, Action: Ali’s 5-Step Morning Practice Think about the things you are grateful for. Set an intention for your day. Take 5 deep breaths. Smile, just because. Forgive yourself for mistakes you made the day before. This episode is sponsored by: Thomas Jones and the Paradox Process. The Paradox Process is an emotional technique that eliminates negative emotions from the past and anxieties and worries in the future-thus allowing each individual to be their best selves! Thomas is Analisa’s therapist and there are other wonderful facilitators available for in person and online sessions. Let them know you heard about them from ABA! Music by: Joel Waggoner - Unlikely Warrior  

Kaley Ann Voorhees is currently singing the music of the night as Christine Daaé full-time in The Phantom of the Opera. Voorhees was previously the alternate Christine where she became the youngest actress to play Christine in the New York production. She also appeared in the Harold Prince revue Prince of Broadway and made her opera debut this winter in New York City Opera's Candide. Follow her on Twitter at @KaleyVoo ‏and on Instagram @kaleyann_voo.

Sierra Boggess is a theater actress and singer, best known for originating the role of Ariel in The Little Mermaid on Broadway and for her multiple appearances as Christine Daaé in The Phantom of the Opera. She also originated the role of Rebecca Steinberg in the 2015 Broadway production of It Shoulda Been You, and performed the role of school principal Rosalie Mullins in the Andrew Lloyd Webber musical adaptation of School of Rock. Other roles include Love Never Dies (Christine Daaé); Master Class (Sharon Graham); Les Misérables (Fantine); and Love, Loss and What I Wore (Various Characters). If you haven’t seen Sierra perform, then, well, you’ve missed out on seeing someone do exactly what they are supposed to be doing with their life. Her way with a song, a lyric, or just an introduction is as entertaining, uplifting or as heartbreaking as she wants . . . and she makes it all seem so easy. It’s no wonder why Disney tapped her for The Little Mermaid. Hear Sierra talk about all that, as well as … The big risk she took to get the role of Ariel and what put her over the edge in the room. How she stays positive when the business disappoints her, through no fault of her own. Her style of working with writers on new musicals and how that has changed over the years. (And she’s currently in Atlanta on a pre-Broadway tryout of Ever After!) Why she created “Light Lessons” for artists and everyone. (Click here to check them out. I’ve got a set on my desk.) Marketing for Performers: What’s important, necessary . . . and what isn’t. This week’s podcast is sponsored by the Heartland Brewery which opened in New York in 1995, and back then, our city was not the hotbed of brewpubs, beer bars, and beer drinking it is today. Since then, Heartland Brewery has grown into the largest group of brewpubs in the region. They’ve got locations here, in Times Square, in Midtown West, and the Empire State Building.. Visit the Heartland Brewery at heartlandbrewery.com. Keep up with me: @KenDavenportBway www.theproducersperspective.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

Unmasking What Matters: 10 Life Lessons From 10 Years on Broadway with Sandra JosephSandra Joseph is a history-making Broadway star turned inspirational keynote speaker and author of the new book, “Unmasking What Matters: 10 Life Lessons from 10 Years on Broadway.” Her legendary run as Christine Daaé in “The Phantom of the Opera” spanned 10 years, more than 1,300 performances and earned her the record as the longest-running leading lady in the longest-running Broadway show of all time. Today, Sandra is on a mission to empower other people’s voices through her work as an author, speaker and workshop facilitator. She is married to her "Phantom" costar Ron Bohmer. They currently reside in Southern California. www.SandraJoseph.com

Meghan Picerno is quickly gaining recognition for her exciting performances on opera, theatre, and concert stages both nationally and internationally. She is currently starring as Christine Daaé in the US Premiere and 1st National Tour of Andrew Lloyd Webber's LOVE NEVER DIES. Picerno has also performed in New York City Opera’s new production of CANDIDE directed by Harold Prince; in THE DREYFUS AFFAIR at BAM and in RIGOLETTO at Opera Williamsburg. She also performed the lead soprano role in MUSICALS IN MUFTI: FROM BERLIN TO BROADWAY with the York Theatre Company. Hosted by: Paul Wontorek, Ryan Lee Gilbert, Caitlyn Gallip

Find your inner voice of courage with Sandra Joseph, the famous Broadway star turned keynote speaker, singer, and author! Sandra went from a child with paralyzing stage fright to playing one of the best-known roles in Broadway history: Christine Daaé in The Phantom of the Opera. Discover the courage within your heart to keep pursuing your aspirations by listening to her story!Sandra Joseph is a Broadway performer turned keynote speaker/singer and co-author of “Your Creative Soul: Expressing Your Authentic Voice” with Caroline Myss. She's gone from playing a character on stage to sharing her life story as herself and hopes to inspire others to stay connected to their hearts and aspirations. See acast.com/privacy for privacy and opt-out information.

Hosts Briana Phipps, Timothy Rodriguez and Jacque Borowski discuss the film of The Phantom Of The Opera. The Phantom of the Opera is a 2004 British-American film adaptation of Andrew Lloyd Webber's 1986 musical of the same name, which in turn is based on the French novel Le Fantôme de l'Opéra by Gaston Leroux. It was produced and co-written by Lloyd Webber and directed by Joel Schumacher. It stars Gerard Butler in the title role, Emmy Rossum as Christine Daaé, Patrick Wilson as Raoul, Miranda Richardson as Madame Giry, Minnie Driver as Carlotta Giudicelli, and Jennifer Ellison as Meg Giry The film was announced in 1989 but production did not start until 2002 due to Lloyd Webber's divorce and Schumacher's busy career. It was shot entirely at Pinewood Studios, with scenery created with miniatures and computer graphics. Rossum, Wilson, and Driver had singing experience, but Butler had none and so had music lessons. The Phantom of the Opera grossed approximately $

Hosts Briana Phipps, Timothy Rodriguez and James Lott Jr. discuss the theatre show of The Phantom Of The Opera. The Phantom of the Opera is a musical with music by Andrew Lloyd Webber and lyrics by Charles Hart with additions from Richard Stilgoe. Lloyd Webber and Stilgoe also wrote the musical's book together. Based on the French novel Le Fantôme de l'Opéra by Gaston Leroux, its central plot revolves around a beautiful soprano, Christine Daaé, who becomes the obsession of a mysterious, disfigured musical genius living in the subterranean labyrinth beneath the Palais Garnier. The musical opened in London's West End in 1986, and on Broadway in 1988. It won the 1986 Olivier Award and the 1988 Tony Award for Best Musical, and Michael Crawford (in the title role) won the Olivier and Tony Awards for Best Actor in a Musical. It is the longest running show in Broadway history by a wide margin, and celebrated its 10,000th Broadway performance on 11 February 2012, the

October 24, 2016: Hot off Broadway's Phantom of The Opera playing the part of 'Christine Daaé', my next guest Rachel Zatcoff chats with me about her early influences, a failed attempt at trying out for The Al Abert's Showcase television show, trepidations about going into theater, getting 'the call' for her role in Phantom, the relationship between performing and teaching, and the great organization Fit For Broadway. Born and raised in Philadelphia, Rachel is a Broadway actress and classically trained soprano passionately devoted to both musical theater and opera. Rachel recently made her Broadway debut as Christine Daaé in The Phantom of the Opera.  She also recently played the role of 'Khanele' in the Drama Desk nominated The Golden Bride Off-Broadway.  

     Broadway star, Rebecca Pitcher, joins the Cringe podcast!  Rebecca is currently performing with the national touring production of the "The Sound of Music" and has starred on Broadway (and toured nationally) as Christine Daaé in "The Phantom of the Opera."  Rebecca wasn't able to appear on the previous 30th Anniversary Phantom episode due to her busy touring schedule, but during a recent break from the tour, she was nice enough to come back and let me interview her for the show.      Since this is the second "Phantom of the Opera" related episode in a row, I decided to mix it up and asked my good friend, Sarah Leer, to guest co-host this episode and discuss my conversation with Rebecca as it unfolds.  Sarah Leer is a good friend, musical theater nerd, fellow Phantom Phan, and currently serves as the Director of Children and Youth Ministries at First Presbyterian Church in Bentonville, Arkansas.

Chatting With Sherri welcomes back Mitzi Szereto to chat about her new book; PHANTOM: THE IMMORTAL!  A contemporary erotic sequel that relocates the original character from Gaston Leroux's classic novel The Phantom of the Opera to present-day Paris… While attending an auction of music memorabilia, young soprano Christine Delacroix bids on some letters written by another young soprano, Christine Daaé, who lived during the 19th century. Here she meets the handsome Compte Rezso Esterhazy, who immediately sets out to court her. Despite his attentions, Christine becomes obsessed with the Daaé letters and her namesake's mysterious “Angel of Music”—a masked man who lived beneath the Paris Opera House. Seemingly immortal and frozen in time, the Phantom is condemned to life below the opera house and in the shadows…until Christine Delacroix auditions for a minor role in Faust. Convinced the Christine from his past has been returned to him, he sets out for her to have the lead female role. He visits her in her dressing room to give her singing lessons, all the while remaining hidden from view. Insanely jealous over Christine's budding romance with the Compte, the Phantom abducts her and takes her to his underground lair, where the singing lessons continue. Only this time they are far more depraved and sexual in nature.  

The Phantom of the Opera is a 2004 film adaptation of Andrew Lloyd Webber's 1986 musical of the same name, which in turn was based on the French novel Le Fantôme de l'Opéra by Gaston Leroux. Directed by Joel Schumacher, the film was also produced and co-written by Lloyd Webber. The Phantom of the Opera stars Gerard Butler in the title role, Emmy Rossum as Christine Daaé, as well as Patrick Wilson as Raoul, Miranda Richardson as Mme Giry, Minnie Driver as Carlotta and Jennifer Ellison as Meg Giry.