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Are you searching for stories that feed your creative spirit? In this solo episode, I share four incredible books by women of color essential to your summer reading list. These books feature narratives of immigration, identity, and magical realism. These reads have resonated deeply with me. I hope they may fuel your artistic journey. Join me as we explore these powerful voices in contemporary literature that promise to transport, challenge, and inspire you long after turning the last page. Chapters 00:00 Introduction to Creative Voices 00:28 Essential Summer Reads by Artists of Color 04:12 Encouragement for Support and Engagement Books Mentioned on the Episode Everything Inside by Edwidge Danticat Girl, Woman, Other by Bernardine Evaristo Ghostroots by Pemi Aguda When We Were Birds by Ayanna Lloyd Banwo Support the Show Website: Martine Severin Follow on Instagram: @martineseverin | @thisishowwecreate Subscribe to the Newsletter: Martine's Substack This podcast episode is produced and written by Martine Severin and edited by Daniel Espinosa.
On this week's episode of Local Legends, Martin is joined around the campfire by Dr Rory Waterman and Dr Anna Milon of the Lincolnshire Folk Tales Project!Rory leads the Lincolnshire Folk Tales project, and is an Associate Professor of Creative Writing and Modern & Contemporary Literature at Nottingham Trent University. Anna, meanwhile, is a postdoctoral research fellow on the Lincolnshire Folk Tales Project, having recently obtained her PhD from the University of Exeter. In term of this thing that has brought Anna and Rory together, The Lincolnshire Folk Tales Project, it's dedicated to preserving, sharing, and promoting the rich but often overlooked oral storytelling tradition of Lincolnshire, and its legacy in written and recorded literature. For over a year, the project has focused on collecting, recording, presenting, reinterpreting and discussing folk tales, legends, and myths that have been passed down through generations in the region, and this has all culminated in the first of two books, Lincolnshire Folk Tales Reimagined, which was released in February and is available to purchase right now.You can learn more about the Lincolnshire Folk Tales Project, Rory, Anna, and buy the book, through lincolnshirefolktalesproject.com – a website that is also spilling over with amazing lore and stories.For right now though, gather in close around the Three Ravens campfire and listen in to a chat about creepy little fairy men pretending to be babies, and werewolves on windswept coastal islands, fen magic, tiddy mun, and so much more, with two true Local Legends: Dr Rory Waterman and Dr Anna Milon.We really hope you enjoy it, and will be back on Monday with our brand new County Episode all about the history and folklore of Staffordshire!Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Hosted on Acast. See acast.com/privacy for more information.
What's the episode about?In this episode, hear Claire Nally on literature, Goth, Steampunk, death memoirs, representations of dead women, death positive libraries & working in academiaWho is Claire? Claire Nally is Professor of Modern and Contemporary Literature at Northumbria University, UK, where sheresearches Irish Studies, Neo-Victorianism, Gender and Subcultures. She published her first monograph, Envisioning Ireland: W. B. Yeats's Occult Nationalism, in 2009, followed by her secondbook, Selling Ireland: Advertising, Literature and Irish Print Culture 1891–1922 (written with John Strachan). She has co-edited a volume on Yeats, and two volumes on gender, as well as the international library series ‘Gender and Popular Culture' for Bloomsbury (with Angela Smith). She has written widely on a number of modern and contemporary topics, and her most recent monograph is Steampunk: Gender, Subculture and the Neo-Victorian, published by Bloomsbury in 2019. She was co-I (with Stacey Pitsillides) on the Death Positive Library Project. Her next book is entitled The Death Memoir in ContemporaryCulture.How do I cite the episode in my research and reading lists?To cite this episode, you can use the following citation: Nally, C. (2025) Interview on The Death Studies Podcast hosted by Michael-Fox, B. and Visser, R. Published 1 April 2025. Available at: www.thedeathstudiespodcast.com, DOI: 10.6084/m9.figshare.28704131What next?Check out more episodes or find out more about the hosts! Gota question? Get in touch.
In this Episode - Icelandic Translator Victoria Cribb talks about the Literary Scene in Iceland, Challenges in Translating Crime fiction, the Author Sjon and the novel 'The Blue Fox' . Victoria Cribb grew up in England. She completed a B.A at the University of Cambridge in 1987, an M.A. in Scandinavian Studies at University College London in 1990, and a B.Phil. in Icelandic as a Foreign Language at the University of Iceland in 1994. Between 1984 and 2002, she spent much of her time travelling, studying and working in Iceland, including several years as an editor at an Icelandic publishing company.She became a full-time translator after moving back to the UK in 2002. She has translated some 50 books by Icelandic authors including Sjón and Arnaldur Indriðason. Her English translations of Icelandic crime novels have been nominated for numerous prizes in the UK, winning the 2015 Petrona Prize and the 2021 Crime Writers' Association John Creasey Dagger, while her translations of Sjón's novels have been long-listed three times for the US Best Translated Book Award (Fiction), and twice for the PEN America Translation Prize, as well as being short-listed for the UK's 2012 Independent Foreign Fiction Prize and the 2013 International Dublin Literary Award. In 2017 she received the Orðstír honorary translation award from the President of Iceland in recognition of her contribution to the translation of Icelandic literature. The article that was mentioned in the podcast about Icelandic Writer Sjon is from the book - 'Critical Approaches to Sjón: North of the Sun', and it's part of the Routledge Studies in Contemporary Literature' series.Here She is talking about the beginnings of her Translation Journey - * For your Valuable feedback on this Episode - Please click the link below.https://tinyurl.com/4zbdhrwrHarshaneeyam on Spotify App –https://harshaneeyam.captivate.fm/onspotHarshaneeyam on Apple App – https://harshaneeyam.captivate.fm/onapple*Contact us - harshaneeyam@gmail.com ***Disclaimer: The views and opinions expressed by Interviewees in interviews conducted by Harshaneeyam Podcast are those of the Interviewees and do not necessarily reflect the official policy or position of Harshaneeyam Podcast. Any content provided by Interviewees is of their opinion and is not intended to malign any religion, ethnic group, club, organization, company, individual, or anyone or anything.This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp
Trauma, Memory and Silence of the Irish Woman in Contemporary Literature (Routledge, 2023) studies the manifestations of female trauma through the exploration of multiple wounds, inflicted on both body and mind and the soul of Irish women from Northern Ireland and the Republic within a contemporary context, and in literary works written at the turn of the twenty-first century and beyond. These artistic manifestations connect tradition and modernity, debunk myths, break the silence with the exposure of uncomfortable realities, dismantle stereotypes and reflect reality with precision. Women's issues and female experiences depicted in contemporary fiction may provide an explanation for past and present gender dynamics, revealing a pathway for further renegotiation of gender roles and the achievement of equilibrium and equality between sexes. These works might help to seal and heal wounds both old and new and offer solutions to the quandaries of tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Trauma, Memory and Silence of the Irish Woman in Contemporary Literature (Routledge, 2023) studies the manifestations of female trauma through the exploration of multiple wounds, inflicted on both body and mind and the soul of Irish women from Northern Ireland and the Republic within a contemporary context, and in literary works written at the turn of the twenty-first century and beyond. These artistic manifestations connect tradition and modernity, debunk myths, break the silence with the exposure of uncomfortable realities, dismantle stereotypes and reflect reality with precision. Women's issues and female experiences depicted in contemporary fiction may provide an explanation for past and present gender dynamics, revealing a pathway for further renegotiation of gender roles and the achievement of equilibrium and equality between sexes. These works might help to seal and heal wounds both old and new and offer solutions to the quandaries of tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Trauma, Memory and Silence of the Irish Woman in Contemporary Literature (Routledge, 2023) studies the manifestations of female trauma through the exploration of multiple wounds, inflicted on both body and mind and the soul of Irish women from Northern Ireland and the Republic within a contemporary context, and in literary works written at the turn of the twenty-first century and beyond. These artistic manifestations connect tradition and modernity, debunk myths, break the silence with the exposure of uncomfortable realities, dismantle stereotypes and reflect reality with precision. Women's issues and female experiences depicted in contemporary fiction may provide an explanation for past and present gender dynamics, revealing a pathway for further renegotiation of gender roles and the achievement of equilibrium and equality between sexes. These works might help to seal and heal wounds both old and new and offer solutions to the quandaries of tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Trauma, Memory and Silence of the Irish Woman in Contemporary Literature (Routledge, 2023) studies the manifestations of female trauma through the exploration of multiple wounds, inflicted on both body and mind and the soul of Irish women from Northern Ireland and the Republic within a contemporary context, and in literary works written at the turn of the twenty-first century and beyond. These artistic manifestations connect tradition and modernity, debunk myths, break the silence with the exposure of uncomfortable realities, dismantle stereotypes and reflect reality with precision. Women's issues and female experiences depicted in contemporary fiction may provide an explanation for past and present gender dynamics, revealing a pathway for further renegotiation of gender roles and the achievement of equilibrium and equality between sexes. These works might help to seal and heal wounds both old and new and offer solutions to the quandaries of tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices
Trauma, Memory and Silence of the Irish Woman in Contemporary Literature (Routledge, 2023) studies the manifestations of female trauma through the exploration of multiple wounds, inflicted on both body and mind and the soul of Irish women from Northern Ireland and the Republic within a contemporary context, and in literary works written at the turn of the twenty-first century and beyond. These artistic manifestations connect tradition and modernity, debunk myths, break the silence with the exposure of uncomfortable realities, dismantle stereotypes and reflect reality with precision. Women's issues and female experiences depicted in contemporary fiction may provide an explanation for past and present gender dynamics, revealing a pathway for further renegotiation of gender roles and the achievement of equilibrium and equality between sexes. These works might help to seal and heal wounds both old and new and offer solutions to the quandaries of tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices
Trauma, Memory and Silence of the Irish Woman in Contemporary Literature (Routledge, 2023) studies the manifestations of female trauma through the exploration of multiple wounds, inflicted on both body and mind and the soul of Irish women from Northern Ireland and the Republic within a contemporary context, and in literary works written at the turn of the twenty-first century and beyond. These artistic manifestations connect tradition and modernity, debunk myths, break the silence with the exposure of uncomfortable realities, dismantle stereotypes and reflect reality with precision. Women's issues and female experiences depicted in contemporary fiction may provide an explanation for past and present gender dynamics, revealing a pathway for further renegotiation of gender roles and the achievement of equilibrium and equality between sexes. These works might help to seal and heal wounds both old and new and offer solutions to the quandaries of tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
In this engaging conversation, the hosts discuss their strategies for unwinding on weekends, the impact of literary fiction on their reading habits, and the distinction between contemporary and classic literature. They reflect on the challenges of discovering new books in a saturated market and the importance of reading material that challenges and enriches their understanding of literature. In this conversation, the speakers delve into the challenges of standing out in a crowded literary market, the impact of transformative literature on readers, and how discussions about books can enhance reading experiences. They explore the SF Masterworks series and its significance in understanding classic science fiction, while also reflecting on the enduring legacy of 'Lord of the Rings' and its influence on modern fantasy literature. The conversation emphasizes the importance of community in reading and the value of diverse literary experiences. The hosts delve into various themes surrounding literature, including the subjective nature of book reviews, the impact of enjoyment on literary criticism, and the complexities of adapting books into television series. They explore hot takes on popular books, the challenges of rating literature, and the nuances of grimdark fantasy. The discussion emphasizes the importance of personal experience in reviews and the performative aspect of sharing opinions in the book community.Find Chris: https://www.youtube.com/@TheChronicleofChrisFind Jarrod: https://www.youtube.com/@thefantasythinkerSend us a textSupport the showPageChewing.comPAGECHEWING: Comics & Manga PodcastFilm Chewing PodcastLens Chewing on YouTubeSpeculative Speculations PodcastBuy me a coffeeLinktreeJoin Riverside.fm
In Episode Fourteen, DDSWTNP turn our attention for the first time to DeLillo's drama – and to a largely unknown work by DeLillo as playwright, a 1966 radio play and disturbing take on U.S. race relations titled Mother. We cover the circumstances of the play's original broadcasts, its re-emergence in an internet archive recording more than 50 years later, and the strange way in which this story's armchair progressives and Billie Holiday fans, Ralph and Sally, end up making a fetishizing travesty of civil rights and racial integration in the play's brief 27 minutes. Topics include the importance of radio to Mother's themes of media occlusion, moral numbness, and erasure; what DeLillo means by Ralph's “white malady” of transparency and how it reworks images from another Ralph's Invisible Man; and what this play has to do with contemporaneous issues like interracial marriage in Loving v. Virginia. We talk extensively as well about how Mother presages parts of the early novels, from jazz love in Americana to Taft in End Zone and Azarian in Great Jones Street. Before (and after) listening to our analysis, take in this troubling 27-minute play at https://archive.org/details/pra-BB3830.01 Our raffle for a hardcover Amazons has been extended to August 1 – donate and enter to win at https://buymeacoffee.com/delillopodcast Texts mentioned and discussed in this episode: James Baldwin, The Fire Next Time. Dial Press, 1963. Samuel Beckett, Endgame. 1957. Don DeLillo, The Mystery at the Middle of Ordinary Life. 2000.https://muse.jhu.edu/article/30660/pdf Ralph Ellison, Invisible Man. Random House, 1952. “The writer is driven by his conviction that some truths aren't arrived at so easily, that life is still full of mystery, that it might be better for you, Dear Reader, if you went back to the Living section of your newspaper because this is the dying section and you don't really want to be here.” (Thomas LeClair, “An Interview with Don DeLillo,” Contemporary Literature 23.1 (1982): 19-31) Eugene Ionesco, Rhinoceros. 1959. Mark Osteen. “Chronology.” In Don DeLillo, Three Novels of the 1980s. Library of America, 2022. Jean-Paul Sartre, No Exit. 1944.
Send us a Text Message.In this week's episode, I'm talking to the fabulous Caroline Magennis.Caroline is an Associate Professor in Contemporary Literature at the University of Salford. She's also an author, and her brand new book from Icon Books, which came out in May, is called Harpy: A Manifesto for Childfree Women.She lives in north-west England and is happily childfree.Topics that Caroline & I cover are:how it never really occurred to Caroline to have children;how for many people, it's a feeling rather than a decision, to not have kids;how much women's experience of the stigma varies according to their cultural and socio-economic backgrounds;how people used to tell Caroline that she would change her mind about having kids;how the people who ask the most prying questions tend to not have very much going on in their own lives;why Caroline used the word ‘Harpy' in the title of her book;the cultural messaging around childless women that motivated Caroline to write the book;the older women Caroline interviewed who didn't regret not having kids, and who had led wonderful lives;why Caroline wanted to look into the nuance of childless women's experiences;how almost all of Caroline's interviewees spoke to the freedom of not having children;how there is a pressure on childless women to ‘do something amazing', in order to justify their existence;why loneliness isn't just reserved for single, childfree women;the different ways women without kids describe themselves;why being childfree is the least interesting thing about us!how Caroline's Irish upbringing affected her experience of not having children.Follow Caroline on Instagram:@drmagennisBuy the book on Amazon UK:https://www.amazon.co.uk/Harpy-Manifesto-Childfree-Caroline-Magennis-ebook/dp/B0CT7B2JYF Support the Show.Check out my YouTube Channel:https://www.youtube.com/channel/UCSuCiCzcPlAvxzQyHDrLoag Book a FREE 30 minute coaching 'taster' session HERE: https://calendly.com/lucymeggeson/30minute Fancy getting your hands on my FREE PDF 'The Top 10 Most Irritating Questions That Single People Get Asked On The Regular...& How To (Devilishly) Respond'? Head over to: www.lucymeggeson.com Interested in my 1-1 Coaching? Work with me HERE: https://www.lucymeggeson.com/workwithme Join my private Facebook Group: https://www.facebook.com/groups/1870817913309222/?ref=share Follow me on Instagram: @spinsterhoodreimagined Follow me on Twitter: @LucyMeggeson Follow me on LinkedIn: Lucy Meggeson Email me: lucy@lucymeggeson.com And thank you so much for listening!!!
Morgan Talty live-comments on his own Goodreads review, then discusses his debut novel, Fire Exit, as well as why he enjoys interacting with his online reviewers, the expectations people bring to indigenous fiction, being an objective reader of his own work, building emotion around an idea, balancing darkness with tenderness, Alice Munro, writing from the perspective of a white man, and more! Morgan Talty is a citizen of the Penobscot Indian Nation. His debut short story collection, Night of the Living Rez, won the PEN/Robert W. Bingham Prize, the American Academy of Arts & Letters Sue Kaufman Prize, the National Book Critics Circle John Leonard Prize, the New England Book Award, the National Book Foundation's 5 Under 35 Honor, and was a Finalist for the Barnes & Noble Discover Great New Writers Award, the Andrew Carnegie Medal for Excellence in Fiction, the 2023 Mark Twain American Voice in Literature Prize, and The Story Prize. His writing has appeared in The Georgia Review, Granta, Shenandoah, TriQuarterly, Narrative, Lit Hub, and elsewhere. Talty is an assistant professor of English in Creative Writing and Native American and Contemporary Literature at the University of Maine, Orono, and he is on the faculty at the Stonecoast MFA in Creative Writing as well as the Institute of American Indian Arts. He lives in Levant, Maine. Learn more about your ad choices. Visit megaphone.fm/adchoices
Morgan Talty is the author of the debut novel Fire Exit, available from Tin House. Talty is a citizen of the Penobscot Indian Nation. His debut short story collection, Night of the Living Rez, won the PEN/Robert W. Bingham Prize, the American Academy of Arts and Letters Sue Kaufman Prize, the National Book Critics Circle John Leonard Prize, the New England Book Award, the National Book Foundation's 5 Under 35 Honor, and was a finalist for the Barnes & Noble Discover Great New Writers Award, the Andrew Carnegie Medal for Excellence in Fiction, the Mark Twain American Voice in Literature Award, and The Story Prize. His writing has appeared in The Georgia Review, Granta, Shenandoah, TriQuarterly, Narrative, Lit Hub, and elsewhere. Talty is an assistant professor of English in Creative Writing and Native American and Contemporary Literature at the University of Maine, Orono, and he is on the faculty at the Stonecoast MFA in Creative Writing as well as the Institute of American Indian Arts. He lives in Levant, Maine. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram TikTok Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
Pod45 returns after a hiatus with a bumper episode responding to Contemporary Literature from the Classroom, a recent cluster edited by Rebecca Roach - available now at post45.org/contemporaries. Today's episode is a departure from our usual format. We begin as we always do, with a rich and wide-ranging roundtable discussion building on the cluster at hand: Contemporaries co-editor Michael Docherty hosts; his guests are cluster editor Rebecca Roach, and cluster contributors John Roache (no relation) and Tim Lanzendörfer. But in the second half we bring you something different: a very special conversation between Rebecca and Adrienne Ghaly, co-creator of Read for Action, also known as the Humanitarian Book Club. Thanks for sticking with us at Pod45: we've got exciting plans afoot to start bringing you episodes on a more regular and reliable basis. If you're enjoying the episodes, please tell friends and colleagues, and don't forget to rate and review us on your podcast platform of choice. https://post45.org/sections/contemporaries-essays/contemporary-literature-from-the-classroom/ https://x.com/AtPost45 https://www.readforaction.org/
Red pill-ers! Trad gender roles! Manly men, rawr! With an introduction like that, you'd be forgiven for thinking that Anne and I had joined the manosphere. No worries there. Instead, Anne has found a male ally who is making modest but meaningful inroads with cishet dudes, specifically the ones prone to tumbling down rabbit holes of toxic masculinity and misogyny. And his tool of choice is peer-reviewed, evidence-based research. Meet Neil Shyminsky. By day, he's an English professor at a community college in Canada. But by night. Professor Neil, as he's known on most socials, is a content creator focusing on social theory and masculinity. GUEST BIO Neil Shyminsky (he/him) is an English professor at a community college by day, currently teaching courses on Contemporary Literature and Human Sexuality. By night, he's a content creator who talks mostly about social theory and masculinity, specializing in refuting the misogynist arguments coming out of the Manosphere. Celebrate our Anne-iversary and Win! We are celebrating Anne Remy's one-year anniversary as co-host of the show. Join us by leaving a review for Conversations With a Wounded Healer on Apple Podcasts. Tell us how and why you appreciate Anne's contributions to the show and you will be entered to win a drawing for a 1-on-1 session with Sarah or Anne. Sarah is offering the choice between business coaching or Reiki. Anne is offering the choice between yoga or travel consulting. Here's How: 1. Go to https://ratethispodcast.com/woundedhealer 2. Click the link for Apple Podcasts and follow the instructions. 3. Take a screenshot of your review. 4. Email the screenshot to sarah@headhearbiztherapy.com between March 6 - April 24, 2024. 5. We will do a drawing and email the winners the week of April 24, as well as announce on social media May 1, 2024. Groups for Wounded Healers We're currently running one cohort of the Burnt Out Practice Owner support group and Authentic Leaders group. Please join the waitlists to be updated about future groups: Burnt Out Practice Owner Support Group Waitlist and Authentic Leaders Group - Fall 2024 Waitlist SUPPORT THE SHOW Conversations With a Wounded Healer Merch Join our Patreon for gifts & perks Shop our Bookshop.org store and support local booksellers Share a rating & review on Apple Podcasts *** Let's be friends! You can find us in the following places… Sarah's Website: www.headheartbiztherapy.com/podcast Facebook: https://www.facebook.com/HeadHeartBizTherapy/ Instagram: @headheartbiztherapy Anne's Website: www.spareroomwellness.com Instagram: @spareroomwellness
On episode 110 hosts Andre Goulet and Gennie Pimentel welcome Shanna Tan, translator of the smash hit book WELCOME TO THE HYUNAM-DONG BOOKSHOP by Hwang Bo-reum.In this conversation Shanna explains why a slice of life novel about a high-flying career woman in Seoul who leaves a life of burnout and marital misery to open a book shop outside of the city has become a massive international success in a conversation exploring the barbarity of life under late capitalism and the changing face of contemporary South Korean literature.Find the book at your local library or independent bookstore and support this podcast at patreon.com/thekoreafile
Ep. 51 DuEwa interviewed author Courtney Thorsson about her new book, The Sisterhood: How a Network of Black Women Writers Changed American Culture (2024). Visit Courtney's website at www.CourtneyThorsson.com. Follow Nerdacity on IG @nerdacitypodcast and DuEwa IG @drduewawrites. www.duewaworld.com Tweet and follow on X @nerdacitypod1. Fan/follow Nerdacity on Facebook. Donate to Paypal.me/duewaworld Bio Courtney Thorsson is an associate professor at the University of Oregon, where she teaches, studies, and writes about African American literature. Her first book Women's Work: Nationalism and Contemporary African American Women's Novels argues that Toni Cade Bambara, Paule Marshall, Gloria Naylor, Ntozake Shange, and Toni Morrison reclaim and revise cultural nationalism in their novels of the 1980s and 90s. Her writing has appeared in publications including Callaloo; African American Review; MELUS; Gastronomica; Contemporary Literature; Legacy; and Public Books. Her new book, The Sisterhood: How a Network of Black Women Writers Changed American Culture tells the story of how a remarkable community of Black women writers and intellectuals transformed political, literary, and academic cultures. She is the recipient of a Public Scholars Award from the National Endowment for the Humanities in support of the research and writing of The Sisterhood. --- Support this podcast: https://podcasters.spotify.com/pod/show/duewafrazier/support
The ideal of ‘conversation' recurs in modern thought as a symbol and practice central to ethics, democratic politics, and thinking itself. Interweaving readings of fiction and philosophy in a ‘conversational' style inspired by Stanley Cavell, Fiction, Philosophy and the Ideal of Conversation (Edinburgh UP, 2023) clarifies this lofty yet vague ideal, while developing a revitalizing model for interdisciplinary literary studies. It argues that conversation is key to exemplary responses to sceptical doubt in ordinary language and political philosophy – where scepticism threatens ethics and democratic politics – and in works of British fiction spanning from Jane Austen through Ali Smith. It shows that for these writers, conversation can shift attention from metaphysical doubts regarding our capacity to know ‘reality' and other people, to ethical, democratic, and aesthetic action. The book moreover proposes – and models – ‘conversational criticism' as a framework linking literary studies to broader political and ethical commitments, while remaining responsive to aesthetic form. Erin Elizabeth Greer is an Assistant Professor of Literature at the University of Texas at Dallas. She teaches and writes about modern and contemporary British and Anglophone literature, ordinary language philosophy, political philosophy, feminist theory, and critical new media studies. Her work has appeared or is forthcoming in Contemporary Literature, JML, Camera Obscura, Salmagundi, and Stanley Cavell and Aesthetic Experience. Tong He is Lecturer of English at Central China Normal University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The ideal of ‘conversation' recurs in modern thought as a symbol and practice central to ethics, democratic politics, and thinking itself. Interweaving readings of fiction and philosophy in a ‘conversational' style inspired by Stanley Cavell, Fiction, Philosophy and the Ideal of Conversation (Edinburgh UP, 2023) clarifies this lofty yet vague ideal, while developing a revitalizing model for interdisciplinary literary studies. It argues that conversation is key to exemplary responses to sceptical doubt in ordinary language and political philosophy – where scepticism threatens ethics and democratic politics – and in works of British fiction spanning from Jane Austen through Ali Smith. It shows that for these writers, conversation can shift attention from metaphysical doubts regarding our capacity to know ‘reality' and other people, to ethical, democratic, and aesthetic action. The book moreover proposes – and models – ‘conversational criticism' as a framework linking literary studies to broader political and ethical commitments, while remaining responsive to aesthetic form. Erin Elizabeth Greer is an Assistant Professor of Literature at the University of Texas at Dallas. She teaches and writes about modern and contemporary British and Anglophone literature, ordinary language philosophy, political philosophy, feminist theory, and critical new media studies. Her work has appeared or is forthcoming in Contemporary Literature, JML, Camera Obscura, Salmagundi, and Stanley Cavell and Aesthetic Experience. Tong He is Lecturer of English at Central China Normal University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
The ideal of ‘conversation' recurs in modern thought as a symbol and practice central to ethics, democratic politics, and thinking itself. Interweaving readings of fiction and philosophy in a ‘conversational' style inspired by Stanley Cavell, Fiction, Philosophy and the Ideal of Conversation (Edinburgh UP, 2023) clarifies this lofty yet vague ideal, while developing a revitalizing model for interdisciplinary literary studies. It argues that conversation is key to exemplary responses to sceptical doubt in ordinary language and political philosophy – where scepticism threatens ethics and democratic politics – and in works of British fiction spanning from Jane Austen through Ali Smith. It shows that for these writers, conversation can shift attention from metaphysical doubts regarding our capacity to know ‘reality' and other people, to ethical, democratic, and aesthetic action. The book moreover proposes – and models – ‘conversational criticism' as a framework linking literary studies to broader political and ethical commitments, while remaining responsive to aesthetic form. Erin Elizabeth Greer is an Assistant Professor of Literature at the University of Texas at Dallas. She teaches and writes about modern and contemporary British and Anglophone literature, ordinary language philosophy, political philosophy, feminist theory, and critical new media studies. Her work has appeared or is forthcoming in Contemporary Literature, JML, Camera Obscura, Salmagundi, and Stanley Cavell and Aesthetic Experience. Tong He is Lecturer of English at Central China Normal University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language
The ideal of ‘conversation' recurs in modern thought as a symbol and practice central to ethics, democratic politics, and thinking itself. Interweaving readings of fiction and philosophy in a ‘conversational' style inspired by Stanley Cavell, Fiction, Philosophy and the Ideal of Conversation (Edinburgh UP, 2023) clarifies this lofty yet vague ideal, while developing a revitalizing model for interdisciplinary literary studies. It argues that conversation is key to exemplary responses to sceptical doubt in ordinary language and political philosophy – where scepticism threatens ethics and democratic politics – and in works of British fiction spanning from Jane Austen through Ali Smith. It shows that for these writers, conversation can shift attention from metaphysical doubts regarding our capacity to know ‘reality' and other people, to ethical, democratic, and aesthetic action. The book moreover proposes – and models – ‘conversational criticism' as a framework linking literary studies to broader political and ethical commitments, while remaining responsive to aesthetic form. Erin Elizabeth Greer is an Assistant Professor of Literature at the University of Texas at Dallas. She teaches and writes about modern and contemporary British and Anglophone literature, ordinary language philosophy, political philosophy, feminist theory, and critical new media studies. Her work has appeared or is forthcoming in Contemporary Literature, JML, Camera Obscura, Salmagundi, and Stanley Cavell and Aesthetic Experience. Tong He is Lecturer of English at Central China Normal University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Happy 87th birthday, Don DeLillo. In Episode 5: The Lives of DeLillo (1), the first in a planned series about biography, DDSWTNP offer long-time and first-time readers alike new avenues into his work by discussing the first 30 years of his life, as he grew from the son of Italian immigrants and student of Jesuit scholars to the writer of his first published stories. This episode's many topics include teenage DeLillo reading the modernist canon in a New York park, his time as “failed ascetic” during college at Fordham, the weight of the Bronx on his earliest fiction, his pivotal copywriting work under advertising guru David Ogilvy, and how the eventual author of Libra reacted on the day JFK was shot. #mythologyofamerica #spaghettiandmeatballs #howtowriteabiography #catholicritual #quittingtowrite #dregsofhiswork We also announce in this episode our call for recorded contributions from our listeners! Be a part of our end-of-2023 tribute to our favorite DeLillo passages by heading to Speakpipe and recording yours, in two minutes or less. Deadline is December 10. Go to https://www.speakpipe.com/delillopodcast Critical texts, stories, and essays referred to in this episode: Don DeLillo, “The River Jordan,” Epoch 10.2 (Winter 1960): 105-120. ---, “Take the ‘A' Train,” Epoch 12.1 (Spring 1962): 9-25. ---, “Spaghetti and Meatballs,” Epoch 14.3 (Spring 1965): 244-250. ---, “Coming Sun. Mon. Tues.,” Kenyon Review 28.3 (June 1966): 391-394. ---, “Baghdad Towers West,” Epoch 17.3 (Spring 1968): 195-217. ---, “A History of the Writer Alone in a Room.” Acceptance speech for the Jerusalem Prize for the Freedom of the Individual in Society, 1999. DeRosa, Aaron, “Don DeLillo, Madison Avenue, and the Aesthetics of Postwar Fiction,” Contemporary Literature 59.1 (Spring 2018): 50-80. Veggian, Henry. Understanding Don DeLillo. Columbia: University of South Carolina Press, 2014. Interviews with DeLillo referred to in this episode: Tom LeClair (1979) and Anne Arensberg (1988):Collected in Thomas DePietro, ed., Conversations with Don DeLillo, University Press of Mississippi, 2005. Vince Passaro (1991):https://www.nytimes.com/1991/05/19/magazine/dangerous-don-delillo.html Gordon Burn (1991):“Wired Up and Whacked Out,” The Sunday Times (London), August 25, 1991 (magazine): 6-39. Adam Begley (1993): https://www.theparisreview.org/interviews/1887/the-art-of-fiction-no-135-don-delillo Mark Binelli (2007): https://www.guernicamag.com/intensity_of_a_plot/ PEN (2010): https://pen.org/an-interview-with-don-delillo/ Robert McCrum (2010):https://www.theguardian.com/books/2010/aug/08/don-delillo-mccrum-interview Finally, a great source for interview excerpts and so many other things DeLillo:Don DeLillo's America: http://perival.com/delillo/delillo.html
Five centuries after the forced conversion of Spanish and Portuguese Jews to Catholicism, stories of these conversos' descendants uncovering long-hidden Jewish roots have come to light and taken hold of the literary and popular imagination. This seemingly remote history has inspired a wave of contemporary writing involving hidden artifacts, familial whispers and secrets, and clandestine Jewish ritual practices pointing to a past that had been presumed dead and buried. The Converso's Return: Conversion and Sephardi History in Contemporary Literature and Culture (Stanford UP, 2020) explores the cultural politics and literary impact of this reawakened interest in converso and crypto-Jewish history, ancestry, and identity, and asks what this fascination with lost-and-found heritage can tell us about how we relate to and make use of the past. Dalia Kandiyoti offers nuanced interpretations of contemporary fictional and autobiographical texts about crypto-Jews in Cuba, Mexico, New Mexico, Spain, France, the Ottoman Empire, and Turkey. These works not only imagine what might be missing from the historical archive but also suggest an alternative historical consciousness that underscores uncommon convergences of and solidarities within Sephardi, Christian, Muslim, converso, and Sabbatean histories. Steeped in diaspora, Sephardi, transamerican, Iberian, and world literature studies, The Converso's Return illuminates how the converso narrative can enrich our understanding of history, genealogy, and collective memory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Five centuries after the forced conversion of Spanish and Portuguese Jews to Catholicism, stories of these conversos' descendants uncovering long-hidden Jewish roots have come to light and taken hold of the literary and popular imagination. This seemingly remote history has inspired a wave of contemporary writing involving hidden artifacts, familial whispers and secrets, and clandestine Jewish ritual practices pointing to a past that had been presumed dead and buried. The Converso's Return: Conversion and Sephardi History in Contemporary Literature and Culture (Stanford UP, 2020) explores the cultural politics and literary impact of this reawakened interest in converso and crypto-Jewish history, ancestry, and identity, and asks what this fascination with lost-and-found heritage can tell us about how we relate to and make use of the past. Dalia Kandiyoti offers nuanced interpretations of contemporary fictional and autobiographical texts about crypto-Jews in Cuba, Mexico, New Mexico, Spain, France, the Ottoman Empire, and Turkey. These works not only imagine what might be missing from the historical archive but also suggest an alternative historical consciousness that underscores uncommon convergences of and solidarities within Sephardi, Christian, Muslim, converso, and Sabbatean histories. Steeped in diaspora, Sephardi, transamerican, Iberian, and world literature studies, The Converso's Return illuminates how the converso narrative can enrich our understanding of history, genealogy, and collective memory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Five centuries after the forced conversion of Spanish and Portuguese Jews to Catholicism, stories of these conversos' descendants uncovering long-hidden Jewish roots have come to light and taken hold of the literary and popular imagination. This seemingly remote history has inspired a wave of contemporary writing involving hidden artifacts, familial whispers and secrets, and clandestine Jewish ritual practices pointing to a past that had been presumed dead and buried. The Converso's Return: Conversion and Sephardi History in Contemporary Literature and Culture (Stanford UP, 2020) explores the cultural politics and literary impact of this reawakened interest in converso and crypto-Jewish history, ancestry, and identity, and asks what this fascination with lost-and-found heritage can tell us about how we relate to and make use of the past. Dalia Kandiyoti offers nuanced interpretations of contemporary fictional and autobiographical texts about crypto-Jews in Cuba, Mexico, New Mexico, Spain, France, the Ottoman Empire, and Turkey. These works not only imagine what might be missing from the historical archive but also suggest an alternative historical consciousness that underscores uncommon convergences of and solidarities within Sephardi, Christian, Muslim, converso, and Sabbatean histories. Steeped in diaspora, Sephardi, transamerican, Iberian, and world literature studies, The Converso's Return illuminates how the converso narrative can enrich our understanding of history, genealogy, and collective memory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies
Five centuries after the forced conversion of Spanish and Portuguese Jews to Catholicism, stories of these conversos' descendants uncovering long-hidden Jewish roots have come to light and taken hold of the literary and popular imagination. This seemingly remote history has inspired a wave of contemporary writing involving hidden artifacts, familial whispers and secrets, and clandestine Jewish ritual practices pointing to a past that had been presumed dead and buried. The Converso's Return: Conversion and Sephardi History in Contemporary Literature and Culture (Stanford UP, 2020) explores the cultural politics and literary impact of this reawakened interest in converso and crypto-Jewish history, ancestry, and identity, and asks what this fascination with lost-and-found heritage can tell us about how we relate to and make use of the past. Dalia Kandiyoti offers nuanced interpretations of contemporary fictional and autobiographical texts about crypto-Jews in Cuba, Mexico, New Mexico, Spain, France, the Ottoman Empire, and Turkey. These works not only imagine what might be missing from the historical archive but also suggest an alternative historical consciousness that underscores uncommon convergences of and solidarities within Sephardi, Christian, Muslim, converso, and Sabbatean histories. Steeped in diaspora, Sephardi, transamerican, Iberian, and world literature studies, The Converso's Return illuminates how the converso narrative can enrich our understanding of history, genealogy, and collective memory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Five centuries after the forced conversion of Spanish and Portuguese Jews to Catholicism, stories of these conversos' descendants uncovering long-hidden Jewish roots have come to light and taken hold of the literary and popular imagination. This seemingly remote history has inspired a wave of contemporary writing involving hidden artifacts, familial whispers and secrets, and clandestine Jewish ritual practices pointing to a past that had been presumed dead and buried. The Converso's Return: Conversion and Sephardi History in Contemporary Literature and Culture (Stanford UP, 2020) explores the cultural politics and literary impact of this reawakened interest in converso and crypto-Jewish history, ancestry, and identity, and asks what this fascination with lost-and-found heritage can tell us about how we relate to and make use of the past. Dalia Kandiyoti offers nuanced interpretations of contemporary fictional and autobiographical texts about crypto-Jews in Cuba, Mexico, New Mexico, Spain, France, the Ottoman Empire, and Turkey. These works not only imagine what might be missing from the historical archive but also suggest an alternative historical consciousness that underscores uncommon convergences of and solidarities within Sephardi, Christian, Muslim, converso, and Sabbatean histories. Steeped in diaspora, Sephardi, transamerican, Iberian, and world literature studies, The Converso's Return illuminates how the converso narrative can enrich our understanding of history, genealogy, and collective memory. Learn more about your ad choices. Visit megaphone.fm/adchoices
(00:02) Introduction to Christina Kramer(00:39) Journey as a Language Learner(04:31) Teaching Career(07:26) Introduction to Macedonian Language(08:49) Work on Macedonian Grammar(09:58) Contemporary Literature and Writing in Macedonian(11:57) Christina's Transition from Linguist to Translator(15:34) Translation Workflow and Challenges(16:55) 'Freud's Sister'(19:54) 'Bai Ganyo, Incredible Tales of Modern Bulgarian'(23:03) 'Fear of Barbarians'(27:57) Translation Choices and Challenges(30:45) Current Translation ProjectsChristina E. Kramer is a professor emerita at the University of Toronto, Canada. She has published numerous articles relating to Balkan linguistics and Macedonian grammar. She has translated several novels from Macedonian, including A Spare Life by Lidija Dimkovska, Freud's Sister by Goce Smilevski, and Fear of Barbarians by Petar Andonovski. She has held two grants from the National Endowment of the Arts, and her translations have been included among notable works, long-listed for best-translated work, and a Lois Roth Honorary Mention. In this conversation, she talks about her journey as a language learner and her expertise in Macedonian, Bulgarian, and Russian languages. She discusses her teaching career, where she taught Russian, Macedonian, and Slavic linguistics. She spoke about her translated work, her collaborative projects, and the challenges she has faced with linguistic complexities. Macedonian.To Buy the book - https://bit.ly/47paBKT* For your Valuable feedback on this Episode - Please click the below linkhttps://bit.ly/epfedbckHarshaneeyam on Spotify App –http://bit.ly/harshaneeyam Harshaneeyam on Apple App –http://apple.co/3qmhis5 *Contact us - harshaneeyam@gmail.com ***Disclaimer: The views and opinions expressed by Interviewees in interviews conducted by Harshaneeyam Podcast are those of the Interviewees and do not necessarily reflect the official policy or position of Harshaneeyam Podcast. Any content provided by Interviewees is of their opinion and is not intended to malign any religion, ethnic group, club, organization, company, individual, or anyone or anything.This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrpChartable - https://chartable.com/privacy
Mark Blacklock is Lecturer in Modern and Contemporary Literature at Birkbeck College, University of London. He is the author of the cultural history The Emergence of the Fourth Dimension, and his most recent novel Hinton was longlisted for the Walter Scott Prize for Historical Fiction in 2021. In this episode we discuss 'J.G. Ballard Selected Nonfiction 1962-2007' Book link: https://mitpress.mit.edu/9780262048323/selected-nonfiction-19622007/ --- Become part of the Hermitix community: Hermitix Twitter - https://twitter.com/Hermitixpodcast Support Hermitix: Patreon - https://www.patreon.com/hermitix Donations: - https://www.paypal.me/hermitixpod Hermitix Merchandise - http://teespring.com/stores/hermitix-2 Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLK Ethereum Donation Address: 0x31e2a4a31B8563B8d238eC086daE9B75a00D9E74
Daphne Kalotay discusses the first pages of her award-winning short story, “Relativity,” from her recently released collection The Archivists. We talk about using humor in otherwise heavy material, the power of blending stories, how language frames a character's mindset and personal tragedies, and how fiction conveys powerful truths, often above and beyond that of nonfiction. Kalotay's first pages can be found here.Help local bookstores and our authors by buying this book on Bookshop.Click here for the audio/video version of this interview.The above link will be available for 48 hours. Missed it? The podcast version is always available, both here and on your favorite podcast platform.Daphne Kalotay is the author of the fiction collections Calamity and Other Stories, shortlisted for the Story Prize, and The Archivists, winner of 2021 The Grace Paley Prize, as well as three award-winning novels: the national and international bestseller Russian Winter, which won the Writers' League of Texas Fiction Award; Sight Reading, winner of the New England Society Book Award in Fiction, and Blue Hours, a Massachusetts Book Awards "Must Read." Daphne received her M.F.A. from Boston University's Creative Writing Program, where her stories won the Florence Engel Randall Fiction Prize and a Transatlantic Review Award from the Henfield Foundation, before earning her Ph.D. in Modern and Contemporary Literature. She has received fellowships from the Christopher Isherwood Foundation, Yaddo, Bogliasco, and MacDowell and has taught literature and creative writing at Princeton University, Middlebury College, Boston University, and Harvard University. She lives in Somerville, Massachusetts.Thank you for reading The 7am Novelist. This post is public so feel free to share it. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com
Taiwan Literature in the 21st Century: A Critical Reader (Springer, 2023) is an anthology of research co-edited by Dr. Chia-rong Wu (University of Canterbury) and Professor Ming-ju Fan (National Chengchi University). This collection of original essays integrates and expands research on Taiwan literature because it includes both established and young writers. It not only engages with the evolving trends of literary Taiwan, but also promotes the translocal consciousness and cultural diversity of the island state and beyond. Focusing on the new directions and trends of Taiwan literature, this edited book fits into Taiwan studies, Sinophone studies, and Asian studies. Chia-rong Wu is an Associate Professor in the Department of Global, Cultural and Language Studies at the University of Canterbury in New Zealand. Dr. Wu received his Ph.D. in Comparative Literature from the University of Illinois at Urbana-Champaign, USA. He specializes in Sinophone literature and film through the lens of postcolonial theories, indigenous studies, diaspora, and ecocriticism. Dr. Wu is the author of Supernatural Sinophone Taiwan and Beyond (Cambria Press, 2016) and Remapping the Contested Sinosphere: The Cross-cultural Landscape and Ethnoscape of Taiwan (Cambria Press, 2020) and has published in such academic journals as the British Journal of Chinese Studies, Sun Yat-sen Journal of Humanities, Journal of Chinese Cinemas, and American Journal of Chinese Studies. Ming-ju Fan is a Distinguished Professor of Graduate Institute of Taiwanese Literature at the National Chengchi University in Taiwan. She is the author of Spatial/Textual/Politics, Literary Geography: Spatial Reading of Taiwanese Fiction, Chronological Searches of Taiwanese Women's Fiction and Critic Artisan, Like a Box of Chocolate: Criticism on Contemporary Literature and Culture; Co-Editor of The Columbia Sourcebook of Literary Taiwan. Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Taiwan Literature in the 21st Century: A Critical Reader (Springer, 2023) is an anthology of research co-edited by Dr. Chia-rong Wu (University of Canterbury) and Professor Ming-ju Fan (National Chengchi University). This collection of original essays integrates and expands research on Taiwan literature because it includes both established and young writers. It not only engages with the evolving trends of literary Taiwan, but also promotes the translocal consciousness and cultural diversity of the island state and beyond. Focusing on the new directions and trends of Taiwan literature, this edited book fits into Taiwan studies, Sinophone studies, and Asian studies. Chia-rong Wu is an Associate Professor in the Department of Global, Cultural and Language Studies at the University of Canterbury in New Zealand. Dr. Wu received his Ph.D. in Comparative Literature from the University of Illinois at Urbana-Champaign, USA. He specializes in Sinophone literature and film through the lens of postcolonial theories, indigenous studies, diaspora, and ecocriticism. Dr. Wu is the author of Supernatural Sinophone Taiwan and Beyond (Cambria Press, 2016) and Remapping the Contested Sinosphere: The Cross-cultural Landscape and Ethnoscape of Taiwan (Cambria Press, 2020) and has published in such academic journals as the British Journal of Chinese Studies, Sun Yat-sen Journal of Humanities, Journal of Chinese Cinemas, and American Journal of Chinese Studies. Ming-ju Fan is a Distinguished Professor of Graduate Institute of Taiwanese Literature at the National Chengchi University in Taiwan. She is the author of Spatial/Textual/Politics, Literary Geography: Spatial Reading of Taiwanese Fiction, Chronological Searches of Taiwanese Women's Fiction and Critic Artisan, Like a Box of Chocolate: Criticism on Contemporary Literature and Culture; Co-Editor of The Columbia Sourcebook of Literary Taiwan. Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
Taiwan Literature in the 21st Century: A Critical Reader (Springer, 2023) is an anthology of research co-edited by Dr. Chia-rong Wu (University of Canterbury) and Professor Ming-ju Fan (National Chengchi University). This collection of original essays integrates and expands research on Taiwan literature because it includes both established and young writers. It not only engages with the evolving trends of literary Taiwan, but also promotes the translocal consciousness and cultural diversity of the island state and beyond. Focusing on the new directions and trends of Taiwan literature, this edited book fits into Taiwan studies, Sinophone studies, and Asian studies. Chia-rong Wu is an Associate Professor in the Department of Global, Cultural and Language Studies at the University of Canterbury in New Zealand. Dr. Wu received his Ph.D. in Comparative Literature from the University of Illinois at Urbana-Champaign, USA. He specializes in Sinophone literature and film through the lens of postcolonial theories, indigenous studies, diaspora, and ecocriticism. Dr. Wu is the author of Supernatural Sinophone Taiwan and Beyond (Cambria Press, 2016) and Remapping the Contested Sinosphere: The Cross-cultural Landscape and Ethnoscape of Taiwan (Cambria Press, 2020) and has published in such academic journals as the British Journal of Chinese Studies, Sun Yat-sen Journal of Humanities, Journal of Chinese Cinemas, and American Journal of Chinese Studies. Ming-ju Fan is a Distinguished Professor of Graduate Institute of Taiwanese Literature at the National Chengchi University in Taiwan. She is the author of Spatial/Textual/Politics, Literary Geography: Spatial Reading of Taiwanese Fiction, Chronological Searches of Taiwanese Women's Fiction and Critic Artisan, Like a Box of Chocolate: Criticism on Contemporary Literature and Culture; Co-Editor of The Columbia Sourcebook of Literary Taiwan. Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Taiwan Literature in the 21st Century: A Critical Reader (Springer, 2023) is an anthology of research co-edited by Dr. Chia-rong Wu (University of Canterbury) and Professor Ming-ju Fan (National Chengchi University). This collection of original essays integrates and expands research on Taiwan literature because it includes both established and young writers. It not only engages with the evolving trends of literary Taiwan, but also promotes the translocal consciousness and cultural diversity of the island state and beyond. Focusing on the new directions and trends of Taiwan literature, this edited book fits into Taiwan studies, Sinophone studies, and Asian studies. Chia-rong Wu is an Associate Professor in the Department of Global, Cultural and Language Studies at the University of Canterbury in New Zealand. Dr. Wu received his Ph.D. in Comparative Literature from the University of Illinois at Urbana-Champaign, USA. He specializes in Sinophone literature and film through the lens of postcolonial theories, indigenous studies, diaspora, and ecocriticism. Dr. Wu is the author of Supernatural Sinophone Taiwan and Beyond (Cambria Press, 2016) and Remapping the Contested Sinosphere: The Cross-cultural Landscape and Ethnoscape of Taiwan (Cambria Press, 2020) and has published in such academic journals as the British Journal of Chinese Studies, Sun Yat-sen Journal of Humanities, Journal of Chinese Cinemas, and American Journal of Chinese Studies. Ming-ju Fan is a Distinguished Professor of Graduate Institute of Taiwanese Literature at the National Chengchi University in Taiwan. She is the author of Spatial/Textual/Politics, Literary Geography: Spatial Reading of Taiwanese Fiction, Chronological Searches of Taiwanese Women's Fiction and Critic Artisan, Like a Box of Chocolate: Criticism on Contemporary Literature and Culture; Co-Editor of The Columbia Sourcebook of Literary Taiwan. Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies
An episode I've been waiting for from the beginning: Andrew Epstein joins the podcast to talk about John Ashbery, one of the most important poets of the last hundred years, and his beautiful and haunting poem of mid-career, "Street Musicians."Andrew is Professor of English at Florida State University and the author of three books: Beautiful Enemies: Friendship and Postwar American Poetry (Oxford UP, 2009), Attention Equals Life: The Pursuit of the Everyday in Contemporary Poetry and Culture (Oxford UP, 2016), and The Cambridge Introduction to American Poetry since 1945 (Cambridge UP, 2022). He blogs about the poets and artists of the New York School at Locus Solus and his essays and articles have appeared in such publications as the New York Times Book Review, Contemporary Literature, LARB, American Literary History, The Wallace Stevens Journal, Comparative Literature Studies, Jacket2, and Raritan. You can follow Andrew on Twitter.As always, please rate and review the podcast if you like what you hear, make sure you're following it to get new episodes automatically uploaded to your feed, and share an episode with a friend. You can also subscribe to my Substack, where you'll get (eventually!) a newsletter to go with each episode.
In-depth, frank, and fascinating exploration of contemporary literature's response to current environmental crises, with Scottish writer Martin MacInnes, author of the recently published novel, In Ascension. Martin believes literature is profoundly implicated in the crises, and that it has a responsibility to challenge certain assumptions regarding the human and the non-human; he shares his interest in exploring how the novel might do this. He suggests literature should not be limited to traditional forms and structures but should explore new ways of storytelling, for example by using non-linear narratives or multiple perspectives to explore environmental themes, creating compelling stories that challenge readers' assumptions and encourages them to think critically about their relationship with the living world.Martin MacInnes is a writer of experimental and science fiction novels. He won the Somerset Maugham Award for his debut novel, Infinite Ground (2016. His second novel, Gathering Evidence, was published in 2020 and earned him a place on the Guardian/British Council's list of ten writers shaping the UK's future. His latest novel, In Ascension, which came out recently, is a exploration of some of the deep philosophical questions of our time, delving into the secrets of the ocean and the cosmos, and our relationship with the living world.
In 1957 Stevie Smith published a poetry collection called Not Waving But Drowning – and its title poem gave us a phrase which has entered the language. Its success has overshadowed her wider work as the author of more than half a dozen collections of poetry and three novels, mostly written while she worked as a secretary. Her poems, printed with her pen and ink sketches, can seem simple and comical, but often beneath the surface lurk themes of melancholy, loneliness, love and death. With Jeremy Noel-Tod Associate Professor in the School of Literature, Drama and Creative Writing at the University of East Anglia Noreen Masud Lecturer in Twentieth Century Literature at the University of Bristol and Will May Professor of Modern and Contemporary Literature at the University of Southampton The photograph above shows Stevie Smith recording her story Sunday at Home, a finalist in the BBC Third Programme Short Story competition in 1949.
In 1957 Stevie Smith published a poetry collection called Not Waving But Drowning – and its title poem gave us a phrase which has entered the language. Its success has overshadowed her wider work as the author of more than half a dozen collections of poetry and three novels, mostly written while she worked as a secretary. Her poems, printed with her pen and ink sketches, can seem simple and comical, but often beneath the surface lurk themes of melancholy, loneliness, love and death. With Jeremy Noel-Tod Associate Professor in the School of Literature, Drama and Creative Writing at the University of East Anglia Noreen Masud Lecturer in Twentieth Century Literature at the University of Bristol and Will May Professor of Modern and Contemporary Literature at the University of Southampton The photograph above shows Stevie Smith recording her story Sunday at Home, a finalist in the BBC Third Programme Short Story competition in 1949.
What a thrill it was to talk with Christopher Spaide about one of the great poems of this century, Terrance Hayes's "The Golden Shovel."This is a two-for-one Close Readings experience, since you can't talk about the Hayes poem without also discussing the Gwendolyn Brooks poem that his is "after," "We Real Cool."Christopher Spaide is a Junior Fellow at the Harvard Society of Fellows, where he focuses on poetry, ecopoetics, American literature, and Asian American literature. His academic writing on poetry (as well as music and comics) appears in American Literary History, The Cambridge Quarterly, College Literature, Contemporary Literature, ELH, The Wallace Stevens Journal, and several edited collections. His essays and reviews and his poems appear in The Boston Globe, Boston Review, Colorado Review, The New Yorker, Ploughshares, Poetry, Slate, The Sewanee Review, The Yale Review, and elsewhere. He has received fellowships and honors from Harvard University, the James Merrill House, and the Keasbey Foundation.As ever, if you're enjoying the podcast, please leave a rating and review, and make sure you're following us. Share Close Readings with a friend! And subscribe to the newsletter, where you'll get more thoughts from me and links to things that come up during the episodes.
Containing Matters in which the Past reaches the Present. Timestamps: introductions, Butler biography, non-spoiler discussion (0:00) spoiler plot summary (48:17) spoiler general discussion, tv show discussion (1:57:58) Bibliography: Behrent, Megan -"The Personal is Historical: Slavery, Black Power, and Resistance in Octavia Butler's Kindred", College Literature, volume 46, issue 4 (2019) Butler, Octavia E. - "Positive Obsession" in "Bloodchild and Other Stories" (1995) Donaldson, Eileen - "A contested freedom: The fragile future of Octavia Butler's Kindred" English Academy Review, volume 31, issue 2 (2014) Flagel, Nadine, “It's Almost Like Being There”: Speculative Fiction, Slave Narrative, and the Crisis of Representation in Octavia Butler's Kindred, Canadian Review of American Studies, volume 42, issue 2 (2012) Francis, Conseula (ed.) - "Conversations with Octavia Butler" (2010) Guha-Majumdar, Jishnu - "The Dilemmas of Hope and History: Concrete Utopianism in Octavia E. Butler's Kindred" Palimpsest: A Journal on Women, Gender, and the Black International, volume 6, issue 1 (2017) Hua, Linh U. - "Reproducing Time, Reproducing History: Love and Black Feminist Sentimentality in Octavia Butler's Kindred", African American Review, volume 44, issue 3 (2011) LaCroix, David - "To Touch Solid Evidence: The Implicity of Past and Present in Octavia E. Butler's Kindred", The Journal of the Midwest Modern Language Association, volume 40, issue 1 (2007) Levecq, Christine - "Power and Repetition: Philosophies of (Literary) History in Octavia E. Butler's Kindred", Contemporary Literature, volume 41, issue 3 (2000) Long, Lisa A. - "A Relative Pain: The Rape of History in Octavia Butler's Kindred and Phyllis Alesia Perry's Stigmata", College English, volume 64, issue 4 (2002) Miletic, Philip - "Octavia E. Butler's Response to Black Arts/Black Power Literature and Rhetoric in Kindred" African American Review, volume 49, issue 3 (2016) Mitchell, A. - "Not Enough of the Past Feminist Revisions of Slavery in Octavia E. Butler's Kindred", MELUS, volume 26, issue 3 (2001) Octavia E. Butler official website https://www.octaviabutler.com/ Parham, Marisa - "Saying “Yes”: Textual Traumas in Octavia Butler's Kindred", Callaloo, volume 32, issue 4 (2009) Popescu, Irina - "Empathetic Trappings: Revisiting the Nineteenth Century in Octavia Butler's Kindred", Journal of Human Rights (2017) Robertson, Benjamin - "Some Matching Strangeness: Biology, Politics, and the Embrace of History in Octavia Butler's Kindred", Science Fiction Studies, volume 37, issue 3 (2010) Rowell, Charles H. and Butler, Octavia E. - "An Interview with Octavia E. Butler", Callaloo (1997) Rushdy, Ashraf H. A. - "Families of Orphans: Relation and Disrelation in Octavia Butler's Kindred", College English, volume 55, issue 2 (1993) West, C. S. Thembile - "The Competing Demands of Community Survival and Self-Preservation in Octavia Butler's Kindred", Femspec, volume 7, issue 2 (2006)
We get into spoilers starting at 16:30. If you want to avoid spoilers, skip ahead to 1:00:12 when indicated.Links to things we talked about:Deadline: "Jeffrey Wright To Star In MRC and T-Street's Untitled Cord Jefferson Film"Erasure and Dr. No by Percival Everett The New York Times: "In a New Novel, Percival Everett Riffs Gleefully on 007" Deadline: "'The Sympathizer': Sandra Oh Among Three Cast In HBO & A24's Drama Series Adaptation" & "‘The Sympathizer': Five Join Robert Downey Jr. In HBO & A24's Drama Series Adaptation"The Sympathizer by Viet Thanh Nguyen The Bone Clocks by David MitchellOther major books in the "Mitchellverse" include: Cloud Atlas, Black Swan Green, The Thousand Autumns of Jacob de Zoet, and Utopia AvenueEd Brubaker, famed comic book writer who's name sounds like a character in this book!A Visit from the Goon Squad by Jennifer EganDark (2017-2020) by Baran bo Odar & Jantje FrieseCloud Atlas (2012) dir. by Tom Tykwer, Lana Wachowski, & Lilly WachowskiA couple books coming in our 2023 season:Gideon the Ninth by Tamsyn Muir The "First Law" books by Joe AbercrombieShepherd.com: "Five Graphic Novels Just Begging to be Brought to the Screen"Black Hole by Charles BurnsThe Prince and the Dressmaker by Jen WangSandman Mystery Theatre by Matt Wagner, Steven T. Seagle, Guy Davis, et al.I Killed Adolf Hitler by Jason Through the Woods by Emily CarrollSupport the show by buying any of the books we spoke about from our Bookshop!Follow us:Instagram and TwitterJonas:Instagram and TwitterFrançois:Instagram
Goddess characters are revered as feminist heroes in the popular media of many cultures. However, these goddess characters often prove to be less promising and more regressive than most people initially perceive. Goddesses in film, television, and fiction project worldviews and messages that reflect mostly patriarchal culture (including essentialized gender assumptions), in contrast to the feminist, empowering levels many fans and critics observe. Building on critiques of other skeptical scholars, The Goddess Myth in Contemporary Literature and Popular Culture: A Feminist Critique (University Press of Mississippi, 2022) deepens how our remythologizing of the ancient past reflects a contemporary worldview and rhetoric. Structures of contemporary goddess myths often fit typical extremes as either vilified, destructive, dark, and chaotic (typical in film or television); or romanticized, positive, even utopian (typical in women's speculative fiction). This goddess spectrum persistently essentializes gender, stereotyping women as emotional, intuitive, sexual, motherly beings (good or bad), precluded from complex potential and fuller natures. Within apparent good-over-evil, pop-culture narrative frames, these goddesses all suffer significantly. However, a few recent intersectional writers, like N. K. Jemisin, break through these dark reflections of contemporary power dynamics to offer complex characters who evince “hopepunk.” They resist typical simplified, reductionist absolutes to offer messages that resonate with potential for today's world. Mythic narratives featuring goddesses often do, but need not, serve merely as ideological mirrors of our culture's still problematically reductionist approach to women and all humanity. Mary J. Magoulick is professor of English at Georgia College and State University. Iqra Shagufta Cheema is a writer, researcher, and chronic procrastinator. When they do write, they write in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. They can be reached via email at IqraSCheema@gmail.com or Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Goddess characters are revered as feminist heroes in the popular media of many cultures. However, these goddess characters often prove to be less promising and more regressive than most people initially perceive. Goddesses in film, television, and fiction project worldviews and messages that reflect mostly patriarchal culture (including essentialized gender assumptions), in contrast to the feminist, empowering levels many fans and critics observe. Building on critiques of other skeptical scholars, The Goddess Myth in Contemporary Literature and Popular Culture: A Feminist Critique (University Press of Mississippi, 2022) deepens how our remythologizing of the ancient past reflects a contemporary worldview and rhetoric. Structures of contemporary goddess myths often fit typical extremes as either vilified, destructive, dark, and chaotic (typical in film or television); or romanticized, positive, even utopian (typical in women's speculative fiction). This goddess spectrum persistently essentializes gender, stereotyping women as emotional, intuitive, sexual, motherly beings (good or bad), precluded from complex potential and fuller natures. Within apparent good-over-evil, pop-culture narrative frames, these goddesses all suffer significantly. However, a few recent intersectional writers, like N. K. Jemisin, break through these dark reflections of contemporary power dynamics to offer complex characters who evince “hopepunk.” They resist typical simplified, reductionist absolutes to offer messages that resonate with potential for today's world. Mythic narratives featuring goddesses often do, but need not, serve merely as ideological mirrors of our culture's still problematically reductionist approach to women and all humanity. Mary J. Magoulick is professor of English at Georgia College and State University. Iqra Shagufta Cheema is a writer, researcher, and chronic procrastinator. When they do write, they write in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. They can be reached via email at IqraSCheema@gmail.com or Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Goddess characters are revered as feminist heroes in the popular media of many cultures. However, these goddess characters often prove to be less promising and more regressive than most people initially perceive. Goddesses in film, television, and fiction project worldviews and messages that reflect mostly patriarchal culture (including essentialized gender assumptions), in contrast to the feminist, empowering levels many fans and critics observe. Building on critiques of other skeptical scholars, The Goddess Myth in Contemporary Literature and Popular Culture: A Feminist Critique (University Press of Mississippi, 2022) deepens how our remythologizing of the ancient past reflects a contemporary worldview and rhetoric. Structures of contemporary goddess myths often fit typical extremes as either vilified, destructive, dark, and chaotic (typical in film or television); or romanticized, positive, even utopian (typical in women's speculative fiction). This goddess spectrum persistently essentializes gender, stereotyping women as emotional, intuitive, sexual, motherly beings (good or bad), precluded from complex potential and fuller natures. Within apparent good-over-evil, pop-culture narrative frames, these goddesses all suffer significantly. However, a few recent intersectional writers, like N. K. Jemisin, break through these dark reflections of contemporary power dynamics to offer complex characters who evince “hopepunk.” They resist typical simplified, reductionist absolutes to offer messages that resonate with potential for today's world. Mythic narratives featuring goddesses often do, but need not, serve merely as ideological mirrors of our culture's still problematically reductionist approach to women and all humanity. Mary J. Magoulick is professor of English at Georgia College and State University. Iqra Shagufta Cheema is a writer, researcher, and chronic procrastinator. When they do write, they write in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. They can be reached via email at IqraSCheema@gmail.com or Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Goddess characters are revered as feminist heroes in the popular media of many cultures. However, these goddess characters often prove to be less promising and more regressive than most people initially perceive. Goddesses in film, television, and fiction project worldviews and messages that reflect mostly patriarchal culture (including essentialized gender assumptions), in contrast to the feminist, empowering levels many fans and critics observe. Building on critiques of other skeptical scholars, The Goddess Myth in Contemporary Literature and Popular Culture: A Feminist Critique (University Press of Mississippi, 2022) deepens how our remythologizing of the ancient past reflects a contemporary worldview and rhetoric. Structures of contemporary goddess myths often fit typical extremes as either vilified, destructive, dark, and chaotic (typical in film or television); or romanticized, positive, even utopian (typical in women's speculative fiction). This goddess spectrum persistently essentializes gender, stereotyping women as emotional, intuitive, sexual, motherly beings (good or bad), precluded from complex potential and fuller natures. Within apparent good-over-evil, pop-culture narrative frames, these goddesses all suffer significantly. However, a few recent intersectional writers, like N. K. Jemisin, break through these dark reflections of contemporary power dynamics to offer complex characters who evince “hopepunk.” They resist typical simplified, reductionist absolutes to offer messages that resonate with potential for today's world. Mythic narratives featuring goddesses often do, but need not, serve merely as ideological mirrors of our culture's still problematically reductionist approach to women and all humanity. Mary J. Magoulick is professor of English at Georgia College and State University. Iqra Shagufta Cheema is a writer, researcher, and chronic procrastinator. When they do write, they write in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. They can be reached via email at IqraSCheema@gmail.com or Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore
Varney the Vampire was a blood soaked gothic horror story serialised in cheap print over the course of a couple of years in the nineteenth century. The resulting "penny dreadful" tale spilled out of a large volume when it was finally published in book form. In spite of his comfort with crosses, daylight and garlic, Varney's capacity to reflect on his actions made him an early model for Dracula. Matthew Sweet explores why a work, so often overlooked, was so important to the development of the vampire genre. Roger Luckhurst is Professor in Modern and Contemporary Literature at Birkbeck College, University of London. He is the author of Gothic: an illustrated history and editor of The Cambridge companion to Dracula. Joan Passey is a lecturer at the University of Bristol. She is the author of Cornish Gothic and editor of Cornish Horrors. And, she is a 2022 New Generation Thinker on the scheme run by BBC Radio 3 and the Arts and Humanities Research Council to turn research into radio. Sam George is an Associate Professor at the University of Hertfordshire and is the convener of the Open Graves, Open Minds Gothic research project. Her books include: In the Company of Wolves: Werewolves, Wolves, and Wild Children and Open Graves, Open Minds, Representations of the Vampire from the Enlightenment to the Present Day. Producer: Ruth Watts
The Man in the Iron Mask - Alexandre Dumas - Book 6, Part 9 Title: The Man in the Iron Mask Overview: The d'Artagnan Romances are a set of three novels by Alexandre Dumas (1802–1870), telling the story of the 17th-century musketeer d'Artagnan. Dumas based the character and attributes of d'Artagnan on the captain of musketeers Charles de Batz-Castelmore d'Artagnan (c. 1611–1673) and the portrayal was particularly indebted to d'Artagnan's semi-fictionalized memoirs as written 27 years after the hero's death by Gatien de Courtilz de Sandras (published 1700). The Vicomte of Bragelonne: Ten Years Later (French: Le Vicomte de Bragelonne ou Dix ans plus tard) is the third and last of The d'Artagnan Romances, following The Three Musketeers and Twenty Years After. It appeared first in serial form between 1847 and 1850. In the English translations, the 268 chapters of this large volume are usually subdivided into three, but sometimes four or even six individual books. In three-volume English editions, the volumes are entitled The Vicomte de Bragelonne, Louise de la Vallière, and The Man in the Iron Mask. Each volume is roughly the length of the original The Three Musketeers (1844). Set in the 1660s and concerned with the early reign of Louis XIV, the novel has been called an "origins" story of the King, "a tale about the education of a young man who went on to rule for over 70 years and become one of France's most beloved monarchs." Naturally, in a novel about Dumas' musketeers, the characters play an important role in Louis' education. The story of d'Artagnan is completed in Louise de la Vallière in the last of the Musketeer novels and the penultimate book in the set of d'Artagnan Romances novels. Published: 1847 List: Readers' Choice Collections, The d'Artagnan Romances Series, d'Artagnan #43 Author: Alexandre Dumas Translator: William Robson Genre: Classic Literature & Fiction, Historical Novel, Adventure Novel, Contemporary Literature & Fiction, Traveler & Explorer Biographies, Historical, Romantic, Swashbuckler Episode: The Man in the Iron Mask - Alexandre Dumas - Book 6, Part 9 Part: 9 of 9 Length Part: 3:28:45 Book: 6 Length Book: 30:06:01 Episodes: 81 - 91 of 91 Predecessor: Louise de la Vallière Narrator: John Van Stan Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: Alexandre Dumas, Biography, Autobiography, True Crime, Criminology, Middle Ages, History, War, Military, Christianity, Early Modern, Historical, Fiction, Borgias, Cenci, Massacres, Deep South, Mary Stuart, Karl-Ludwig Sand, Urbain Grandier, Nisida, Desrues, La Constantin, Joan of Naples, Iron Mask, Martin Guerre, Ali Pacha, Countess de Saint-Geran, Murat, Marquise de Brinvilliers, Vaninka, Marquise de Ganges, The Three Musketeers, The Count of Monte Cristo Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #AlexandreDumas #Biography #Autobiography #True Crime #Criminology #Middle Ages #History #War #Military #Christianity #Early #Modern #Historical #Fiction #Borgias #Cenci #Massacres #DeepSouth #MaryStuart #Karl-LudwigSand #UrbainGrandier #Nisida #Desrues #LaConstantin #JoanofNaples #IronMask #MartinGuerre #AliPacha #CountessdeSaint-Geran #Murat #MarquisedeBrinvilliers #Vaninka #MarquisedeGanges #TheThreeMusketeers #TheCountofMonteCristo Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/free-audiobooks/message Support this podcast: https://anchor.fm/free-audiobooks/support
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