Podcast appearances and mentions of Mohsin Hamid

Brea and Mallory tick off a box on the 2025 Reading Glasses Challenge: pick a book based on the title. Plus, they solve a problem about reading graphic novels in public, and recommend hopepunk books! Email us at readingglassespodcast at gmail dot com!Reading Glasses MerchRecommendations StoreSponsors -Pair Eyewearwww.paireyewear.comCODE: GLASSESZocDocwww.zocdoc.com/GLASSESLinks -Reading Glasses Facebook GroupReading Glasses Goodreads GroupAmazon Wish ListNewsletterLibro.fmromance.ioLes Mis Reading ScheduleTo join our Slack channel, email us proof of your Reading-Glasses-supporting Maximum Fun membership!Books Mentioned - Everything is Tuberculosis by John GreenWoodworking by Emily St. JamesA Beginning at the End by Mike ChenExit West by Mohsin Hamid

Join the conversation by letting us know what you think about the episode!This month's selection is The Last White Man by Mohsin Hamid. Published in 2022, The Last White Man is the fifth novel by the British Pakistani novelist and consultant Mohsin Hamid. Written as an extended allegory, it tells the story of an unnamed town in an unnamed country whose white inhabitants have all begun to change skin color from pale to brown. The novel explores themes of race and whiteness as constructs, loss and mourning, and conspiracy theories. The Last White Man is a thought-provoking and, sometimes, uncomfortable read, but it's definitely worth your time. We couldn't find out exactly why this particular book was banned but there are several obvious reasons why book banners might be keen on banning it. Read the book before passing judgement. It's slightly more than 200 pages so it's a quick read, but it'll stay with you long after the final page. Mentioned in this episode:  Velshi Banned Book Club: 'The Last White Man' by Mohsin Hamid - YouTubeSupport the showBe part of the conversation by sharing your thoughts about this episode, what you may have learned, how the conversation affected you. You can reach Raquel and Jennifer on IG @madnesscafepodcast or by email at madnesscafepodcast@gmail.com.Share the episode with a friend and have your own conversation. And don't forget to rate and review the show wherever you listen!Thanks!

Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality. Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality. Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality. Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality. Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality. Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality. Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality. Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/digital-humanities

di Matteo B. Bianchi | Dopo la bellissima esperienza live della scorsa puntata, Copertina torna in studio ma sempre con tanti ospiti, a cominciare da Serena Di Lecce della libreria Millelibri di Bari, dedicata interamente alla poesia. Andiamo a conoscere anche Nicolò S. Centemero e Mariarosa Loddo, autori e voci del podcast "Malati di letteratura", e Norman Gobetti, traduttore di autori come Philip Roth e Mohsin Hamid, ed eccezionalmente anche dell'ultimo attesissimo romanzo di Sally Rooney "Intermezzo". Infine, la scrittrice Ilaria Tuti ci dà un suo personale consiglio di lettura.  LIBRI CONSIGLIATI IN QUESTO EPISODIO: GLI ALTRI FANNO VOLUME di Angelo Calvisi, editore Piedimosca IL MALE CHE NON C'È di Giulia Caminito, Bompiani SULLE STRADE DI MIO PADRE di José Enrique Bortoluci, Iperborea CIO CHE SCRIVO NON È SCRIVERE. MODELLI DI PENSIERO, PROBLEMI DI POESIA di Paul Valéry, Argo Libri e Industria & Letteratura Collana ISOLA (microprogetto editoriale di poesia e illustrazione) I POVERI di William Vollmann, Minimumfax ALL'AMICO CHE NON MI HA SALVATO LA VITA di Hervé Guibert, GOG Edizioni EXIT WEST di Mohsin Hamid, Einaudi LA STANZA DEGLI UFFICIALI di Marc Dugain, Ponte alle Grazie Learn more about your ad choices. Visit megaphone.fm/adchoices

  In this episode, host Marcia Franklin speaks with writer Mohsin Hamid about his latest novel, The Last White Man. The story follows the transformation of a man who wakes up one day to find that his skin color has changed. Hamid, who often incorporates his own multicultural background into his work, talks with Franklin about how his life changed after the terrorist attacks of 9/11, and how he aims with his writing to “imagine the world into a better place.” Originally Aired: 12/29/2023 The interview is part of the series “Conversations from the Sun Valley Writers' Conference” and was taped at the 2023 conference. Since 1995, the conference has been bringing together some of the world's most well-known and illuminating authors to discuss literature and life.

Rita Bullwinkel, Mohsin Hamid and Téa Obreht

  Conversations From the Sun Valley Writers' Conference is back for a 16th season! In this episode, host Marcia Franklin speaks with writer Mohsin Hamid about his latest novel, The Last White Man. The story follows the transformation of a man who wakes up one day to find that his skin color has changed. Hamid, who often incorporates his own multicultural background into his work, talks with Franklin about how his life changed after the terrorist attacks of 9/11, and how he aims with his writing to “imagine the world into a better place.” Originally Aired: 12/29/2023 The interview is part of the series “Conversations from the Sun Valley Writers' Conference” and was taped at the 2023 conference. Since 1995, the conference has been bringing together some of the world's most well-known and illuminating authors to discuss literature and life.

In The Refugee Aesthetic: Reimagining Southeast Asian America (Temple University Press, 2021), Timothy K. August centers Southeast Asian American writers and artists to develop a theory of refugee aesthetics as a way of considering how aesthetic forms are created and contested by refugees, nonrefugees, and institutions alike. On this episode of New Books in Asian American Studies, Timothy K. August discusses the contradictions in how refugee stories are read as arising from exceptional circumstances even as the ever-increasing number of refugees renders refugeeness a remarkably everyday experience; the importance of aesthetics as a means by which refugees are able to contest—and reimagine—the refugee narratives that have been created through institutional and bureaucratic definitions of refugees; how refugee writers reconcile demands that they explain their experiences or perform their humanity within their own art and writing; and more. The Refugee Aesthetic examines a range of literary and artistic works by refugees, including poems, novels, graphic novels, and visual art, by writers and artists including Bao Phi, Monique Truong, Viet Thanh Nguyen, Mohsin Hamid, Gia-Bao Tran, and more, to argue for the agency of refugees as cultural producers who are redefining a politically, bureaucratically produced refugee image and instead imagining a plural form of refugee aesthetics. Please note that this episode was recorded prior to the events of October 7, 2023. Timothy August is an Associate Professor of English at Stony Brook University. Jennifer Gayoung Lee is a writer and researcher based in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In The Refugee Aesthetic: Reimagining Southeast Asian America (Temple University Press, 2021), Timothy K. August centers Southeast Asian American writers and artists to develop a theory of refugee aesthetics as a way of considering how aesthetic forms are created and contested by refugees, nonrefugees, and institutions alike. On this episode of New Books in Asian American Studies, Timothy K. August discusses the contradictions in how refugee stories are read as arising from exceptional circumstances even as the ever-increasing number of refugees renders refugeeness a remarkably everyday experience; the importance of aesthetics as a means by which refugees are able to contest—and reimagine—the refugee narratives that have been created through institutional and bureaucratic definitions of refugees; how refugee writers reconcile demands that they explain their experiences or perform their humanity within their own art and writing; and more. The Refugee Aesthetic examines a range of literary and artistic works by refugees, including poems, novels, graphic novels, and visual art, by writers and artists including Bao Phi, Monique Truong, Viet Thanh Nguyen, Mohsin Hamid, Gia-Bao Tran, and more, to argue for the agency of refugees as cultural producers who are redefining a politically, bureaucratically produced refugee image and instead imagining a plural form of refugee aesthetics. Please note that this episode was recorded prior to the events of October 7, 2023. Timothy August is an Associate Professor of English at Stony Brook University. Jennifer Gayoung Lee is a writer and researcher based in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

In The Refugee Aesthetic: Reimagining Southeast Asian America (Temple University Press, 2021), Timothy K. August centers Southeast Asian American writers and artists to develop a theory of refugee aesthetics as a way of considering how aesthetic forms are created and contested by refugees, nonrefugees, and institutions alike. On this episode of New Books in Asian American Studies, Timothy K. August discusses the contradictions in how refugee stories are read as arising from exceptional circumstances even as the ever-increasing number of refugees renders refugeeness a remarkably everyday experience; the importance of aesthetics as a means by which refugees are able to contest—and reimagine—the refugee narratives that have been created through institutional and bureaucratic definitions of refugees; how refugee writers reconcile demands that they explain their experiences or perform their humanity within their own art and writing; and more. The Refugee Aesthetic examines a range of literary and artistic works by refugees, including poems, novels, graphic novels, and visual art, by writers and artists including Bao Phi, Monique Truong, Viet Thanh Nguyen, Mohsin Hamid, Gia-Bao Tran, and more, to argue for the agency of refugees as cultural producers who are redefining a politically, bureaucratically produced refugee image and instead imagining a plural form of refugee aesthetics. Please note that this episode was recorded prior to the events of October 7, 2023. Timothy August is an Associate Professor of English at Stony Brook University. Jennifer Gayoung Lee is a writer and researcher based in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Refugee Aesthetic: Reimagining Southeast Asian America (Temple University Press, 2021), Timothy K. August centers Southeast Asian American writers and artists to develop a theory of refugee aesthetics as a way of considering how aesthetic forms are created and contested by refugees, nonrefugees, and institutions alike. On this episode of New Books in Asian American Studies, Timothy K. August discusses the contradictions in how refugee stories are read as arising from exceptional circumstances even as the ever-increasing number of refugees renders refugeeness a remarkably everyday experience; the importance of aesthetics as a means by which refugees are able to contest—and reimagine—the refugee narratives that have been created through institutional and bureaucratic definitions of refugees; how refugee writers reconcile demands that they explain their experiences or perform their humanity within their own art and writing; and more. The Refugee Aesthetic examines a range of literary and artistic works by refugees, including poems, novels, graphic novels, and visual art, by writers and artists including Bao Phi, Monique Truong, Viet Thanh Nguyen, Mohsin Hamid, Gia-Bao Tran, and more, to argue for the agency of refugees as cultural producers who are redefining a politically, bureaucratically produced refugee image and instead imagining a plural form of refugee aesthetics. Please note that this episode was recorded prior to the events of October 7, 2023. Timothy August is an Associate Professor of English at Stony Brook University. Jennifer Gayoung Lee is a writer and researcher based in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In The Refugee Aesthetic: Reimagining Southeast Asian America (Temple University Press, 2021), Timothy K. August centers Southeast Asian American writers and artists to develop a theory of refugee aesthetics as a way of considering how aesthetic forms are created and contested by refugees, nonrefugees, and institutions alike. On this episode of New Books in Asian American Studies, Timothy K. August discusses the contradictions in how refugee stories are read as arising from exceptional circumstances even as the ever-increasing number of refugees renders refugeeness a remarkably everyday experience; the importance of aesthetics as a means by which refugees are able to contest—and reimagine—the refugee narratives that have been created through institutional and bureaucratic definitions of refugees; how refugee writers reconcile demands that they explain their experiences or perform their humanity within their own art and writing; and more. The Refugee Aesthetic examines a range of literary and artistic works by refugees, including poems, novels, graphic novels, and visual art, by writers and artists including Bao Phi, Monique Truong, Viet Thanh Nguyen, Mohsin Hamid, Gia-Bao Tran, and more, to argue for the agency of refugees as cultural producers who are redefining a politically, bureaucratically produced refugee image and instead imagining a plural form of refugee aesthetics. Please note that this episode was recorded prior to the events of October 7, 2023. Timothy August is an Associate Professor of English at Stony Brook University. Jennifer Gayoung Lee is a writer and researcher based in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Today Tom speaks with one of the most original and compelling voices on the literary scene today. Mohsin Hamid has written five novels and a collection of essays. Two of his previous novels, Exit West and The Reluctant Fundamentalist, were New York Times best sellers and finalists for the Booker Prize. His latest book explores the dynamics of race, and the notion of transformation. It is spare and powerful; ingenious, touching, and completely engrossing. It's called The Last White Man.  Mohsin Hamid joined us on Zoom from Lahore, Pakistan.Email us at midday@wypr.org, tweet us: @MiddayWYPR, or call us at 410-662-8780.

Joyce Carol Oates is one of the world's greatest living writers, and is frequently cited as a candidate for the Nobel Prize in literature. It is truly a momentous occasion that Oates will visit the House of Literature, and in doing so will be visiting Norway for the very first time.Through more than one hundred books spanning most genres, the American legend writes tenderly and with precision about our societies' great questions.«The opposite of language is silence and silence for human beings is death», Oates said after receiving the prestigious National Book Award for her 1969 novel Them. The novel is considered one of her major works, and will now be available in Norwegian translation for the first time. In Them, we follow a forking class family living under harsh conditions in Detroit, from the 1930s and until the bloody race riots in 1967.Oates has also written fiction based on real events or people, such as her best-selling novel Blonde, based on Marilyn Monroe's life and death, which was adapted into a film in 2022. Her latest novel, Babysitter, is set in the aftermath of a number of unsolved child-killings in Detroit in the 1970s. Here, Oates explores racism, sexual harassment and institutional abuse in ways that make the story feel deeply relevant, even to today's society marked by MeToo and Black Lives Matter.The core of her writing, according to Oates herself, is to “be a witness” – to tell the stories of those who have no one speaking for them. She writes about racism, misogyny, violence and social injustices with a keen eye for politics and history, combined with deep psychological insight and literary precision.Oates has won a number of literary prizes for her extensive body of work. She has been a professor of creative writing at Princeton University and UC Berkeley for many years and a central literary mentor for writers such as Jonathan Safran Foer and Mohsin Hamid.When the author visits Norway and the House of Literature for the very first time, the event will take place in the University of Oslo's ceremonial hall, so that as many people as possible can take part in the event. Here, she will meet writer and journalist Karin Haugen for a conversation about a long writing life and the power of literature. Hosted on Acast. See acast.com/privacy for more information.

Joyce Carol Oates er en av verdens største nålevende forfattere og blir hyppig nevnt som favoritt til Nobelprisen i litteratur. Det er en stor begivenhet når Oates nå gjester Litteraturhuset og med det også Norge for første gang.Gjennom over hundre utgivelser i de fleste sjangre fortsetter den amerikanske nestoren å skrive ømt og sylskarpt om de store spørsmålene i samfunnet rundt oss.«Det motsatte av språk er stillhet og stillhet er døden for mennesker», sa Oates da hun ble tildelt den prestisjefylte National Book Award for romanen De der i 1969. Romanen regnes som et av hennes hovedverk, og kommer nå ut for første gang på norsk i Bente Klinges oversettelse. I De der følger vi en arbeiderfamilie som lever under fattigslige kår i Detroit, helt fra 1930-tallet til de blodige raseopptøyene i 1967.Flere ganger har Oates også skrevet skjønnlitteratur med utgangspunkt i virkelige hendelser og personer, som i den bestselgende romanen Blond om Marilyn Monroes liv og død, som ble filmatisert i 2022. Hennes siste roman, Barnevakten (oversatt av Bente Klinge), foregår i kjølvannet av en rekke uløste barnedrap i Detroit på 1970-tallet. Her skildres rasisme, overgrep i institusjoner og seksuell trakassering på en slik måte at historien føles aktuell også i en tid merket av MeToo og Black Lives Matter.Kjernen i hennes forfatterskap er, ifølge Oates selv, å «være et vitne» – å fortelle historiene til de som ikke har noen til å snakke for seg. Hun skriver om rasisme, misogyni, vold og sosial urett med politisk og historisk teft, kombinert med psykologisk innsikt og en bilderik litterær presisjon.Oates har vunnet en lang rekke litterære priser for sitt omfangsrike forfatterskap. Hun har vært professor i skrivekunst ved Princeton University og UC Berkeley, og en viktig litterær mentor for forfattere som Jonathan Safran Foer og Mohsin Hamid.Når forfatterlegenden nå gjester Norge og Litteraturhuset for første gang, skjer det i Universitetets aula for å sikre at flest mulig kan få med seg denne begivenheten. Her møter hun journalist og forfatter Karin Haugen til en samtale om et langt skriveliv og litteraturens virkningskraft. Hosted on Acast. See acast.com/privacy for more information.

Do artists have a social responsibility? Should art be «pure» and not related to ethical or political issues? What, exactly, is the role of art? These are questions that the American author Joyce Carol Oates has dealt with through a long writing life, both as an author and as a professor in creative writing at University of Princeton and UC Berkeley.Oates is a legend, and the author of more than 100 books. Known for memorable titles such as Blond, Them, Black Water, The Gravedigger's Daughter, We Were the Mulvaneys and Babysitter. She has been a consistent favorite for the Nobel Prize of literature the last 25 years, and has been a mentor to writers such as Jonathan Safran Foer and Mohsin Hamid. In this lecture, Oates talks about the role of art and that of inspiration and the wellspring of creativity, examined through the work of contemporary writers and poets. Hosted on Acast. See acast.com/privacy for more information.

Har kunstnere noe sosialt ansvar? Eller bør kunsten være «ren» og løsrevet fra etiske eller politiske spørsmål? Hva er de ulike motstridende synene på disse tingene, og hva er egentlig kunstens rolle? Dette er spørsmål den amerikanske forfatterlegenden Joyce Carol Oates har befattet seg med gjennom et langt liv, både som forfatter og som professor i skrivekunst ved blant annet Princeton University og UC Berkeley.Oates har gitt ut mer enn hundre bøker, og står bak uforglemmelige titler som Blond, De der, Natten. Søvnen. Døden. Stjernene., Svart vann, Graverens datter, og Vi var familien Mulvany. Hun har vært blant favorittene til Nobelprisen i litteratur de siste tjuefem årene, og vært en viktig litterær mentor for forfattere som Jonathan Safran Foer og Mohsin Hamid. I dette foredraget snakker hun om kunstens rolle og inspirasjon i lys av nålevende forfattere og poeter. Hosted on Acast. See acast.com/privacy for more information.

This week, Alan, Quinta, and Scott were joined by their colleague and think-tank neighbor, Russia/Ukraine expert Eric Ciaramella, to talk over the week's big news, including:“Going All (Prigozh)in.” Yevgeny Prighozin, leader of the mercenary Wagner Group, went all in this past week, marching his troops into Russia and halfway to Moscow for the stated purpose of removing Russia's military leadership, only to abruptly halt and accept exile in Belarus instead. What does this mean for the conflict in Ukraine—and future of the Putin regime?“Lost at Sea.” In a busy week of news, one story has gotten surprisingly little attention: the tragic sinking of an overcrowded smugglers' boat off the coast of Greece that claimed the lives of hundreds of migrants. What does this incident tell us about the dynamics of the migrant crisis in the Mediterranean—and how the world views it?“Moore, Moore, Moore! (How do YOU like it?)” The Supreme Court issued decisions in three major cases this past week, including addressing the much-discussed Independent State Legislature Doctrine in Moore v. Harper. What did the Court decide, and what will these decisions mean?For object lessons, Scott flagged that Lawfare has a new website, now located at www.lawfaremedia.org! Alan recommended the new sci-fi think-piece "The Mountain in the Sea" by Ray Nayler. Quinta endorsed Mohsin Hamid's book "Exit West" as a meditation on borders and crossing them. And Eric urged listeners to check out the epic guitar riffs of the Tuareg music collective Tinariwen. Hosted on Acast. See acast.com/privacy for more information.

U.S. foreign policy has long been built on a dichotomy of an irreplaceable "here" and an expendable "there." In his 2003 announcement of the military campaign in Iraq, George W. Bush declared that we would fight in the Middle East so we wouldn't have to fight "on the streets of our cities." But what do the millions of people who live over "there" have to say about U.S. interventions and the displacement they provoke? In Fighting Over There: U.S. War Making and Contemporary Refugee Literature (U Massachusetts Press, 2023), Alaina Kaus analyzes literature by and about refugees who fled Southeast Asia, Central America, the Caribbean, North Africa, and the Middle East, in the wake of U.S. military occupation and economic intervention. Narratives by authors such as Lan Cao, Viet Thanh Nguyen, Demetria Martínez, Héctor Tobar, Dave Eggers, Mohsin Hamid, and Riverbend reveal contradictions in the human rights pledges that undergird U.S. foreign policy, which promote freedom while authorizing intervention and displacement, and favor market-based solutions over social justice and racial equality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

U.S. foreign policy has long been built on a dichotomy of an irreplaceable "here" and an expendable "there." In his 2003 announcement of the military campaign in Iraq, George W. Bush declared that we would fight in the Middle East so we wouldn't have to fight "on the streets of our cities." But what do the millions of people who live over "there" have to say about U.S. interventions and the displacement they provoke? In Fighting Over There: U.S. War Making and Contemporary Refugee Literature (U Massachusetts Press, 2023), Alaina Kaus analyzes literature by and about refugees who fled Southeast Asia, Central America, the Caribbean, North Africa, and the Middle East, in the wake of U.S. military occupation and economic intervention. Narratives by authors such as Lan Cao, Viet Thanh Nguyen, Demetria Martínez, Héctor Tobar, Dave Eggers, Mohsin Hamid, and Riverbend reveal contradictions in the human rights pledges that undergird U.S. foreign policy, which promote freedom while authorizing intervention and displacement, and favor market-based solutions over social justice and racial equality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

U.S. foreign policy has long been built on a dichotomy of an irreplaceable "here" and an expendable "there." In his 2003 announcement of the military campaign in Iraq, George W. Bush declared that we would fight in the Middle East so we wouldn't have to fight "on the streets of our cities." But what do the millions of people who live over "there" have to say about U.S. interventions and the displacement they provoke? In Fighting Over There: U.S. War Making and Contemporary Refugee Literature (U Massachusetts Press, 2023), Alaina Kaus analyzes literature by and about refugees who fled Southeast Asia, Central America, the Caribbean, North Africa, and the Middle East, in the wake of U.S. military occupation and economic intervention. Narratives by authors such as Lan Cao, Viet Thanh Nguyen, Demetria Martínez, Héctor Tobar, Dave Eggers, Mohsin Hamid, and Riverbend reveal contradictions in the human rights pledges that undergird U.S. foreign policy, which promote freedom while authorizing intervention and displacement, and favor market-based solutions over social justice and racial equality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

After reading The Last White Man, Neha and Shruti had mixed feelings. In this episode, we discuss the captivating idea behind the book, its questionable execution, and different ways that authors can play with a novel's form.If you would like to hear more in-depth literary and cultural analysis, curated book recommendations, and critical commentary, subscribe to our free newsletter. You can also connect with us on Instagram or by emailing us at thenovelteapod@gmail.com.Shelf Discovery:The Last White Man by Mohsin HamidShruti - The Reluctant Fundamentalist by Mohsin HamidNeha - The Night Circus by Erin Morgenstern Hosted on Acast. See acast.com/privacy for more information.

The Last White Man is the latest novel from internationally bestselling author Mohsin Hamid. The book reimagines Kafka's Metamorphosis and taps into white anxiety about replacement in unique and enlightening ways. The British Pakistani novelist of The Reluctant Fundamentalist and Booker-Prize-nominated Exit West, talked to Osman Faruqi at Antidote 2022 about whiteness, privilege, prejudice, and the transcendent power of love. This event was recorded live at the Sydney Opera House in September 2022.-Watch talks from Antidote 2022 on Stream, the streaming platform from the Sydney Opera House. Register for free now and start watching at stream.sydneyoperahouse.com. Hosted on Acast. See acast.com/privacy for more information.

For Episode 4 of Book Chat, we travel back just a decade or so, to Mohsin Hamid's The Reluctant Fundamentalist and David Szalay's short stories in a novel, All That Man Is.We discuss Mohsin Hamid's ability to condense big ideas - what makes a fundamentalist? What biases are you bringing to the story? - into readable prose (and his other magical novels like Exit West) and David Szalay's attempt to condense modern masculinity from teen to OAP, as it roves Europe - in one book. You can get in touch bookchatpod@gmail.comSound by Joel Grove and production by Pandora SykesBooks/articles mentioned:All That Man Is and London and the South-East by David SzalayThe Reluctant Fundamentalist, Exit West and The Last White Man by Mohsin HamidGames and Rituals and Single, Carefree, Mellow by Katherine HeinyThe Spy Who Came in from the Cold by John le CarréShuggie Bain by Douglas StuartThe Rachel Papers by Martin AmisIf on a winter's night a traveller by Italo CalvinoHome Fire by Kamila ShamsieThe Runaways by Fatima Bhutto‘All That Man Is', by David Szalay, review by Christopher Tayler for the Financial Times – https://www.ft.com/content/fe2db1c4-f797-11e5-803c-d27c7117d132 'All That Man Is,' and a Lot He Is Not, in David Szalay's View, by Dwight Garner for The New York Times – https://www.nytimes.com/2016/10/07/books/review-all-that-man-is-and-a-lot-he-is-not-in-david-szalays-view.html I Pledge Allegiance, by Karen Olsson for The New York Times – https://www.nytimes.com/2007/04/22/books/review/Olsson.t.html Clip attributions:David Szalay on Radio 4 Bookclub, 2019Mohsin Hamid on Radio 4 Bookclub, 2011Subscribe to Books + Bits: https://pandorasykes.substack.com/ Our books for Ep 5:The Virgin Suicides by Jeffrey EugenidesMemorial by Bryan Washington Hosted on Acast. See acast.com/privacy for more information.

Simon and Rachel speak to the novelist Mohsin Hamid. Born in Lahore, he grew up mostly in Pakistan but spent part of his childhood in California and returned to America to attend Princeton University. He worked in New York and London as a management consultant before returning to Lahore to pursue writing full-time. Mohsin's first novel, "Moth Smoke" (2000), was published in 14 languages and won a Betty Trask Award. His second novel, "The Reluctant Fundamentalist" (2007), recounted a Pakistani man's abandonment of his life in New York in the aftermath of 9/11. Published in over 30 languages, it became a million-copy international bestseller and was shortlisted for the Booker Prize. A film adaptation followed in 2013 starring Riz Ahmed and Kate Hudson. Mohsin's other novels include "How to Get Filthy Rich in Rising Asia" in 2013, "Exit West" (2017) and most recently "The Last White Man." We spoke to Mohsin about the moving from Pakistan to America and from the corporate to the literary world, "The Reluctant Fundamentalist" and the shadow of 9/11, and his new book "The Last White Man". You can find us online at alwaystakenotes.com, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Our crowdfunding page is patreon.com/alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

This week, we're listening back to two of our favorite interviews from 2022: Brit Bennett (The Vanishing Half) and Mohsin Hamid (The Last White Man).  Stay tuned for more author interview in 2023, including chats with Grady Hendrix, C.J. Box and J. Ryan Stradal! 

Kids set the table, we need time to read!!!! This episode covers the third section of Lessons in Chemistry by Bonnie Garmus. Next week, we are reading chapters 27-34! Follow us on Instagram: @booktok_podcast Follow us on TikTok: @booktokpodcast Shop our Bookshop.org storefront: https://bookshop.org/shop/booktok --- Other books mentioned in this episode: The School for Good Mothers by Jessamine Chan The Invisible Husband of Frick Island by Colleen Oakley Looking for Alaska by John Green Carrie Soto is Back by Taylor Jenkins Reid Daisy Jones & the Six by Taylor Jenkins Reid Malibu Rising by Taylor Jenkins Reid The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid The Last White Man by Mohsin Hamid

Novelist, writer and brand consultant Mohsin Hamid joins the show to discuss his latest book, "The Last White Man," dealing with themes of loss, changing demographics, community, and how we can use novels to inspire ourselves to a better future.

Sign up for Intelligence Squared Premium here: https://iq2premium.supercast.com/ for ad-free listening, bonus content, early access and much more. See below for details. Anders wakes up one day to find that his skin has turned dark. Soon it transpires that this is happening to people all over the land, leading first to panic which then turns into an upheaval in establishment, power, and compassion. In this Kafka-esque tale, award-winning Pakistani author Mohsin Hamid explores how we as a society define the concepts and structures of race, and how much in turn we let them define us. To delve deeper into The Last White Man, Mohsin Hamid joins us on the podcast, in conversation with BBC broadcaster Razia Iqbal. … We are incredibly grateful for your support. To become an Intelligence Squared Premium subscriber, follow the link: https://iq2premium.supercast.com/  Here's a reminder of the benefits you'll receive as a subscriber: Ad-free listening, because we know some of you would prefer to listen without interruption  One early episode per week Two bonus episodes per month A 25% discount on IQ2+, our exciting streaming service, where you can watch and take part in events live at home and enjoy watching past events on demand and without ads  A 15% discount and priority access to live, in-person events in London, so you won't miss out on tickets Our premium monthly newsletter  Intelligence Squared Merch Learn more about your ad choices. Visit megaphone.fm/adchoices

Sharifah and Jenn discuss Marvel's giant slate of offerings, some weird science, a Hocus Pocus Airbnb, and their favorite recently-published reads. Follow the podcast via RSS here, Apple Podcasts here, Spotify here. The show can also be found on Stitcher here. To get even more SF/F news and recs, sign up for our Swords and Spaceships newsletter! This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. News Stay at the Hocus Pocus House [EW] Weird Science: CIA funding de-extinction of the Woolly Mammoth?? [Gizmodo] Allllllll the upcoming Marvel MCU stuff [Variety] … and some setbacks on the Blade reboot [Variety] Books Discussed The Spear Cuts Through Water by Simon Jimenez (cw: use of ableist and homophobic slurs; lots of violence; child abuse; cannibalism) Nona the Ninth by Tamsyn Muir (cw: harm to women and children) Before You Start Nona – A Reading Plan: Reread Epilogue of Gideon the Ninth Reread Chaps 32 & Epilogue of Harrow the Ninth Read “As Yet Unsent” [Tor.com] Then read Nona The Book Eaters by Sunyi Dean (cw: sexual assault; child abuse; child abduction; spousal abuse) The Last White Man by Mohsin Hamid (cw: racism; racially motivated violence; blackface) Learn more about your ad choices. Visit megaphone.fm/adchoices

Writers&Company starts its new season from Lahore, Pakistan. Mohsin Hamid was named "one of his generation's most inventive and gifted writers" by the New York Times, and with his fifth novel, The Last White Man, he lives up to his reputation. He speaks with Eleanor Wachtel about his writing and his exploration of themes of identity, anxiety and dislocation in the post-9/11 world.

Author Mohsin Hamid's voice is pleasing and clear as he narrates this novel that functions both as a reflection and as a warning. Host Jo Reed and AudioFile's Alan Minskoff discuss this Kafkaesque story. The plot is straightforward: A white man named Anders wakes one morning with brown skin. Hamid's uninflected voice lets the story unfold without melodrama. When Anders's transformation is repeated by more and more people, they become unrecognized objects of prejudice. This allegorical fiction is invigorated by Anders's close relationship with his lover Ooma and their families. Read the full review of the audiobook on AudioFile's website. Published by Penguin Audio. Find more audiobook recommendations at audiofilemagazine.com Support for AudioFile's Behind the Mic comes from BOLINDA. A world-leading audiobook and technology company, Bolinda publishes the greatest books you'll ever hear and inspire people to live their best lives through the power of storytelling. Learn more about your ad choices. Visit megaphone.fm/adchoices

Get Lit with All Of It is on the radio this summer! This month, we've been reading The Last White Man by author Mohsin Hamid. The novel tells the story of a world in which white people are suddenly waking up to find that their complexion has darkened, and their appearance has changed. Mohsin Hamid joins us to discuss, and take calls from our readers!

Award-winning novelist Mohsin Hamid joins this episode of The Stacks to talk about his newest book The Last White Man. We discuss what inspired the story, his exploration of how whiteness works through fiction, and the ongoing conversation between a reader and the author. We also get into Mohsin's monastic writing rituals, his elite professors, and how his writing fills a need in his understanding of life.You can find everything we discuss on today's show on The Stacks' Website: https://thestackspodcast.com/2022/08/24/ep-229-mohsin-hamidThe Stacks Book Club selection for August is How To Write An Autobiographical Novel by Alexander Chee. We will discuss the book on August 31st with Ingrid Rojas Contreras.Connect with Mohsin: WebsiteConnect with The Stacks: Instagram | Twitter | Shop | Patreon | Goodreads | SubscribeSUPPORT THE STACKSJoin The Stacks Pack on PatreonAthletic Greens - visit atheleticgreens.com/thestacks to get a free one-year supply of vitamin D and five free travel packs with your first purchase.Missing Pages - subscribe on Apple Podcasts or wherever you get your podcasts.Libro.Fm – use promo code THESTACKS to get 2 audiobooks for the price of 1 and to support your favorite independent bookstore.Purchasing books through Bookshop.org or Amazon earns The Stacks a small commission. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Mohsin Hamid is the author of five novels, including The Reluctant Fundamentalist, How to Get Filthy Rich in Rising Asia, and Exit West. All display Hamid's lyrical prose, his acute understanding of some of the most dire conflicts faced by our modern world, and his belief in the immense and near-magical power of fiction. In his newest novel The Last White Man, Hamid writes about racial metamorphosis. On August 2, 2022, Mohsin Hamid came to the Sydney Goldstein Theater in San Francisco for an on-stage conversation with Alexis Madrigal, co-host of KQED's Forum and a contributing writer at The Atlantic. 

In The Last White Man, Mohsin Hamid takes a page out of Franz Kafka's book when his own main character wakes up one day looking completely differently. Reset talks to the critically-acclaimed author about how his latest work explores race and belonging.

In his latest work, “The Last White Man,” the award-winning writer Mohsin Hamid imagines a world that is very like our own, with one major exception: On various days, white people wake up to discover that their skin is no longer white. It's a heavy premise, but one of Hamid's unique talents as a novelist is his ability to take on the most difficult of topics — racism, migration, loss — with a remarkably light touch.“How do you begin to have these conversations in a way that allows everybody a way in?” Hamid asks at one point in our conversation. “How do you talk about these things in a way that's open to everyone?” What sets Hamid apart is his capacity to do just that — both in his fiction and in our conversation. We discuss:How Hamid experienced what it was like to lose his whiteness after 9/11What happens to a society when suddenly we can't sort ourselves by raceThe origins of modern humans' fear of death — and how to overcome itWhy Hamid thinks future humans will look back at the idea of borders with moral horrorWhy Hamid believes that pessimistic realism is a “deeply conservative” worldviewHamid's process for imagining optimistic futuresWhy Hamid believes that the very notion of the self is a fictionWhy we turn to activities like sex, drugs and meditation when we get overwhelmedHow America's policies toward immigrants and refugees should challenge our “heroic” sense of national identityWhat Toni Morrison taught Hamid about how to read and writeAnd more.Mentioned:"The Metamorphosis" by Franz KafkaExit West by Mohsin HamidBook Recommendations:Beloved by Toni MorrisonFicciones by Jorge Luis BorgesThe Epic of Gilgamesh, translated by Andrew GeorgeThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.“The Ezra Klein Show” is produced by Annie Galvin and Rogé Karma; fact-checking by Michelle Harris, Mary Marge Locker and Kate Sinclair; original music by Isaac Jones; mixing by Sonia Herrero and Isaac Jones; audience strategy by Shannon Busta. Special thanks to Kristin Lin and Kristina Samulewski.

Investigator Paul Holes spent his career cracking cold cases. His work led to the arrest of the so-called Golden State Killer in 2018. He spoke with us about the case the the impact the work has had on his mental health. His memoir is Unmasked.Also, Maureen Corrigan reviews Mohsin Hamid's latest novel, The Last White Man.

Ukraine's President Zelensky has a message for Putin: not only will you not take any new Ukrainian land, we will claw back what you stole nearly a decade ago. He's talking about Crimea, the Black Sea peninsula that Russia annexed in 2014. Zelensky made the comments after the Russian air base in Crimea was hit by several explosions, though Ukraine has not said whether its forces were behind it. Correspondent David McKenzie brings us the latest.  Also in today's show: journalist and author Dana Milbank, Israeli journalist Noa Landau, author Mohsin Hamid, economist Raj Chetty.To learn more about how CNN protects listener privacy, visit cnn.com/privacy

A work of imagination asks us to see race in a new way from a novelist once again taking on magical realism in his fiction. Jeffrey Brown talks with Pakistani writer Mohsin Hamid for our arts and culture series, "CANVAS." PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

Author of The Last White Man Photo by Jillian Edelstein Links Mohsin Hamid's previous novels: The Reluctant Fundamentalist (2007) Moth Smoke (2012) How to Get Filthy Rich in Rising Asia (2013) Exit West (2017) “Mohsin Hamid Is Working Through Literature, From the Top” at The New York Times Book Review - July 31, 2022 Reviews of The Last White Man in The Washington Post, Kirkus Reviews, Publishers Weekly, Oprah Daily, Time, and New York Journal of Books. The Reluctant Fundamentalist movie (Prime Video) If you'd like brief updates on technology, books, marriage, and puppies, you can follow along with my Morning Journal flash briefing. tFrom your Echo device, just say, “Alexa, enable Morning Journal.” Then each morning say, “Alexa, what's my flash briefing?” I post a five-minute audio journal each weekday except usually by 8 a.m. Eastern Time.  Right-click here and then click "Save Link As..." to download the audio to your computer, phone, or MP3 player.

Mohsin Hamid is one of the greatest writers of this generation.   He was born in 1971 in Lahore, Pakistan before moving to California at age 3 while his dad did a doctorate at Stanford. At age 9, in 1980, he moved back to Pakistan and remained there until he was 18 when he came back to the US to go to Princeton. He graduated summa cum laude and studied under novelists Toni Morrison and Joyce Carol Oates. Mohsin's first novel, Moth Smoke (2000), told the story of an ex-banker and heroin addict in contemporary Lahore. His second, The Reluctant Fundamentalist (2007), told the tale of a Pakistani man's abandonment of his high-flying life in New York. (This was my first Mohsin Hamid book and I can't recommend it enough.) His third novel, How to Get Filthy Rich in Rising Asia (2013), is my favorite -- it's a fascinating exploration of urbanization and global economic transformation ... wrapped in the guise of a self-help book ... written in the second person. An incredible feat. His fourth novel, Exit West (2017), his most popular, follows refugees escaping from their war-torn home through a chain of mysterious doors to foreign lands. And his fifth novel, The Last White Man, comes out on August 2, 2022 .... in just a few days. Mohsin's books have been published in over 40 languages, sold millions of copies, been turned into movies, and been shortlisted for the Pen / Hemingway Prize and Man Booker Prize multiple times. He has been named one of the world's 100 Leading Global Thinkers by Foreign Policy magazine and his writing regularly appears in, no big deal, The New York Times, The Guardian, The Financial Times, and the Paris Review.   Mohsin lives with his wife Zahra and their children in Lahore, Pakistan, where he joins us from today for our 3 Books conversation.   We discuss: the history of Pakistan and Lahore, storytelling as an antidote to nostalgia, transmuting fear into sadness, teaching children about death, what he learned from Toni Morrison as a teacher, the power of reading out loud, writing masterclass tips, Mohsin's three most formative books, and much, much more.   Let's flip the page into Chapter 108 now…   What You'll Learn: What is the history of Lahore? What are Lahoris like? What explains our need for nostalgia? What does storytelling allow us to do? What is it like to be a novelist? Why are self-help books oxymorons? Why is grappling with death so important? What are the ethical considerations of immortality? What is it like to have Toni Morrisson as a mentor? Why is it so important to read what we write out loud? How much should we edit our writing? Why is the search for truth so difficult in today's world? How do you balance writing and a job?  Why is engaging with the world so important for writers?   You can find show notes and more information by clicking here: https://www.3books.co/chapters/108   Leave us a voicemail. Your message may be included in a future chapter: 1-833-READ-A-LOT.     Sign up to receive podcast updates here: https://www.3books.co/email-list    3 Books is a completely insane and totally epic 15-year-long quest to uncover and discuss the 1000 most formative books in the world. Each chapter discusses the 3 most formative books of one of the world's most inspiring people. Sample guests include: Brené Brown, David Sedaris, Malcolm Gladwell, Angie Thomas, Cheryl Strayed, Rich Roll, Soyoung the Variety Store Owner, Derek the Hype Man, Kevin the Bookseller, Vishwas the Uber Driver, Roxane Gay, David Mitchell, Vivek Murthy, Mark Manson, Seth Godin, Judy Blume and Quentin Tarantino. 3 Books is published on the lunar calendar with each of the 333 chapters dropped on the exact minute of every single new moon and every single full moon all the way up to 5:21 am on September 1, 2031. 3 Books is an Apple "Best Of" award-winning show and is 100% non-profit with no ads, no sponsors, no commercials, and no interruptions. 3 Books has 3 clubs including the End of the Podcast Club, the Cover to Cover Club, and the Secret Club, which operates entirely through the mail and is only accessible by calling 1-833-READ-A-LOT. Each chapter is hosted by Neil Pasricha, New York Times bestselling author of The Book of Awesome, The Happiness Equation, Two-Minute Mornings, etc. For more info check out: https://www.3books.co

In the season celebrating The Exuberance of Youth, World Book Club talks to Pakistani writer Mohsin Hamid about his compelling novel, Exit West. Shortlisted for the Man Booker Prize Exit West features Nadia and Saeed, two ordinary young people, attempting to fall in love in a world turned upside down. Civil war is driving them from their homeland and they join the great outpouring of people fleeing a collapsing city, hoping against hope, to find their place in the world. Then something extraordinary happens: doors start appearing, all over the world. They lead to other cities, other countries, other lives. But once you leave there's no coming back. Readers from around the world put their questions to Mohsin Hamid about this dazzling book. (Picture: Mohsin Hamid. Photo credit: Jillian Edelstein.)

Mohsin Hamid reads his story “The Face in the Mirror,” from the May 16th, 2022, issue of the magazine. Hamid is the author of four novels, including “How to Get Filthy Rich in Rising Asia” and “Exit West,” a winner of the L.A. Times Book Prize. A new novel, “The Last White Man,” from which this story was adapted, will be published in August