Podcast appearances and mentions of Jonathan Safran Foer

Extremely Loud & Incredibly Close by Jonathan Safran Foer (2005)

Send us a textWelcome back to The Writing Apothecary and to another return guest and my bestie Peta Hawker, she was one of the first guests on the podcast and I love any chance I get to chat to her. Her process has changed dramatically from when we first recorded this so it's fun to revist it all. Peta's Official BioMy daily grind involves content writing and knowledge management for a large organisation. When I'm not attached to my work computer, I like to squeeze our three cats (much to their chagrin), engage in linguistic wrestling matches with my partner or roll around on my yoga mat. A degree in writing and publishing and a diploma in yoga teaching remind me that I chose to quantify my passions with expensive pieces of paper, but I have no regrets about either one. Fantasy captured my heart when I was young, and it serves as the majority of what I read and write. Let's throw in a good dash of Gabriel Garcia Marquez, a sprinkle of Jonathan Safran Foer and a pinch of Lewis Carroll and we've made a meal fit for my queendom.  Peta's Website: https://www.petahawker.com/ Peta's Social: @author.peta.hawkerWant exclusive behind the scenes and early access to episodes join up to the mailing list over here.If you're looking for a cheerleader for your writing, then head on over to https://dreamingfullyawake.com/work-with-me/ and let's have a chat about how we can work together to get your writing on track. Follow the podcast on Instragram @thewritingapothecaryFollow Mandi on all socials: @mandikont

Todo está iluminado es una odisea literaria donde el humor y el dolor coexisten en cada página. Foer construye un puente entre el pasado borrado (el shtetl arrasado) y el presente incómodo (el turismo de la memoria), demostrando que la ficción puede ser la forma más honesta de enfrentar la historia. Como dice Alex: "Somos escritores de nuestra propia vida, pero muy malos."AVISO LEGAL: Los cuentos, poemas, fragmentos de novelas, ensayos y todo contenido literario que aparece en Crónicas Lunares di Sun podrían estar protegidos por derecho de autor (copyright). Si por alguna razón los propietarios no están conformes con el uso de ellos por favor escribirnos al correo electrónico cronicaslunares.sun@hotmail.com y nos encargaremos de borrarlo inmediatamente. Si te gusta lo que escuchas y deseas apoyarnos puedes dejar tu donación en PayPal, ahí nos encuentras como @IrvingSun  https://paypal.me/IrvingSun?country.x=MX&locale.x=es_XC  Síguenos en:  Telegram: Crónicas Lunares di Sun  ⁠Crónicas Lunares di Sun - YouTube⁠ ⁠https://t.me/joinchat/QFjDxu9fqR8uf3eR⁠  ⁠https://www.facebook.com/cronicalunar/?modal=admin_todo_tour⁠  ⁠Crónicas Lunares (@cronicaslunares.sun) • Fotos y videos de Instagram⁠  ⁠https://twitter.com/isun_g1⁠  ⁠https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9lODVmOWY0L3BvZGNhc3QvcnNz⁠  ⁠https://open.spotify.com/show/4x2gFdKw3FeoaAORteQomp⁠  https://mx.ivoox.com/es/s_p2_759303_1.html⁠ https://tunein.com/user/gnivrinavi/favorites⁠ 

di Massimiliano Coccia | in collaborazione con Linkiesta | Rassegna stampa del 31 03 2025 Oggi troviamo due pezzi importanti in rassegna stampa: l'editoriale di Angelo Panebianco e l'intervista di Antonio Monda a Jonathan Safran Foer. Due modi diversi per comprendere la fase iperpopulista che viviamo e che ci dicono più di molti sondaggi sull'argomento.

Isabel Bogdans Romane sind Bestseller, werden verfilmt, haben Witz, berühren und gehen ans Herz. Viele Jahre hat sie ausschließlich als Übersetzerin gearbeitet, hat Texte von Jonathan Safran Foer, Nick Hornby oder Jane Gardam ins Deutsche übertragen. Bis sie 2016 ihren Debütroman "Der Pfau" veröffentlichte. Die Geschichte über einen Pfau, der in den schottischen Highlands sein Unwesen treibt.

Wenn sie schreibt, dann mit Erfolg. Ihre Romane sind Bestseller, werden verfilmt, haben Witz, berühren und gehen ans Herz. Isabel Bogdan nimmt es sehr genau mit den Wörtern, experimentiert und jongliert mit ihnen bis sie sitzen. Viele Jahre hat sie ausschließlich als Übersetzerin gearbeitet, hat Texte von Jonathan Safran Foer, Nick Hornby oder Jane Gardam ins Deutsche übertragen. Bis sie 2016 ihren Debütroman "Der Pfau" veröffentlichte. Die Geschichte über einen Pfau, der in den schottischen Highlands sein Unwesen treibt. Seitdem beglückt Isabel Bogdan ihr Lesepublikum mit neuen, sehr unterschiedlich anmutenden Geschichten. Jüngst erschien ihr Roman "Wohnverwandtschaften". Mit Claudia Christophersen spricht Isabel Bogdan in "NDR Kultur à la carte" über Erfolg, über das Schreiben, über Wohn- und Lebensmodelle, die womöglich auch eine Initiative gegen Einsamkeit sein könnten.

Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality. Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality. Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality. Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality. Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality. Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality. Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality. Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/digital-humanities

Die Büchermenschen treffen sich in dieser Woche in Frankfurt auf der Buchmesse, und dort hat sich Anne-Dore auch mit Isabel Bogdan verabredet. In ihrem neuen Buch "Die Wohnverwandtschaften" erzählt die Bestseller-Autorin von einer Hamburger WG: Vier Menschen zwischen Anfang 30 und Ende 60 teilen nicht nur Küche und Bad, sondern auch ihre Sorgen und wichtige Fragen des Lebens. Wer oder was ist eigentlich Familie? Ist man unkomplett, wenn man als Single in einer WG lebt? Und wie geht man damit um, wenn einer krank wird? Anne-Dore und Isabel unterhalten sich auf der ARD-Bühne über Wahlverwandtschaften, Wohnungsnot, Rollenprosa und die Rettung des Wortes "anderthalb". Das Buch von Isabel Bogdan, über das wir im Podcast reden Isabel Bogdan "Wohnverwandtschaften", 272 Seiten, Kiepenheuer & Witsch Der Ort Die Literaturbühne von ARD, ZDF und 3Sat auf der Frankfurter Buchmesse, www.buchmesse.de Die Autorin Die Übersetzerin und Autorin Isabel Bogdan wurde 1968 in Köln geboren und lebt in Hamburg. Sie hat u.a. Jane Gardam, Jonathan Safran Foer und Alice Sebold ins Deutsche übersetzt. Von ihr erschienen "Sachen machen. Was ich schon immer tun wollte" (2012), "Der Pfau" (2016) und "Laufen" (2019). "Wohnverwandtschaften" ist ihr dritter Roman.

Se där, den vänstervridna vegetarian-kärringen gör sig skyldig till folkförakt! Malin Krutmeijer tar avstamp i Han Kangs Vegetarian i sin reflektion över vad det är som stör med att inte äta djur. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Publicerad 2018-02-05.”Innan min fru blev vegetarian hade jag alltid tänkt på henne som fullständigt alldaglig i alla avseenden.”Så inleds romanen ”Vegetarianen” av den sydkoreanska författaren Han Kang, som kom på svenska i början av 2017. Mannen som talar är frustrerad: hans fogliga fru tror visst att hon är något, när den mat som de flesta äter inte duger längre.Romanen är komplex och utvecklar många teman med utgångspunkt i kvinnans beslut att inte äta kött, fisk, ägg och mjölkprodukter. Men längs vägen gör Han Kang flera pricksäkra iakttagelser just kring själva vegetarianismen, i det här fallet i form av veganism. Inte minst ringar hon in föreställningar om den, och reaktioner som den utlöser.Till exempel tar mannen med sin strikt grönsaks- och spannmålsätande fru på en middag med höjdarna på sitt jobb – och det blir genast pinsamt. Efterhand blir stämningen rent aggressiv. Vegetarianism är helt enkelt inte naturligt, säger en person vid bordet. ”Folk som godtyckligt bestämmer sig för att avstå från det ena eller det andra, trots att de inte är allergiska mot någonting, det är vad jag kallar inskränkt”, klämmer en annan i. En tredje uttrycker sitt obehag över att slurpa i sig bläckfisk inför en vegetarians ogillande blickar.Det kan verkligen vara såhär. Tro mig, som själv inte ätit kött på över 30 år. Vegetarianism, om vi nu håller oss till det ordet som ett samlingsbegrepp för alla grader av att avstå från animalier, utlöser många insinuanta och kritiska frågor. Förutom diskussionerna jag har tvingats ta om mitt kostval, så har jag följt de debatter om vegetarianism som blossat upp då och då. Och jag kan konstatera att motståndet är högljutt och ilsket.Precis som i Han Kangs roman pekas vegetarianer ofta ut som självutnämnda moralens väktare. Och faktum är att vegetarianism som moraliskt värde har historiska rötter.Från antiken och framåt var det framför allt ett religiöst val att avstå från kött. Det var ett sätt att komma närmare gud. Den grekiske filosofen och matematikern Pythagoras, som levde omkring femhundra år före Kristus, var emot dödandet av djur och åt varken kött eller fisk. Det hade med hans tro på själavandring att göra, och han samlade en del likasinnade anhängare.Så vem tror man att den där vegetarianen är, som måste tryckas ner och förlöjligas?I senare kulturer har vegetarianism praktiserats av munkar och präster, och förknippats med ett mått av helighet. Inom exempelvis buddhismen tas respekt för djuren med i beräkningen, men andra gånger handlar det snarare om försakelse och måttfullhet.Och är det något som provocerar i våra samtida, västerländska samhällen så är det väl att frivilligt försaka. Det kan passera om syftet är att vara vältränad och representativ, men att av etiska skäl överge den oreflekterade konsumtionen? Drivkraften måste nog ändå innerst inne vara att framstå som god och politiskt korrekt.Händelser som när musikfestivalen Way out west i Göteborg 2012 klargjorde att de enbart skulle sälja vegetarisk mat sände en chockvåg genom nätforum och sociala media. De politiserade festivalen, menade folk, och det var förfärligt. Tidningen GT delade ut korv och köttbullar utanför festivalområdet, så att alla skulle förstå hur löjligt det var med vegetarisk mat. Moderata ungdomsförbundet har gjort samma sak och delat ut hamburgare utanför skolor som infört en köttfri dag i veckan.Hån av det här slaget brukar tyda på ett mått av skräck. Så vem tror man att den där vegetarianen är, som måste tryckas ner och förlöjligas? I kommentarsfält och debattartiklar träder det fram en bild av en mager och bleksiktig människa, vars mörkkantade ögon brinner av obehaglig ideologisk övertygelse.Bilden liknar en variant på den religiösa asketen, som alltså har en lång historia. Men jag tror också den är präglad av 90-talets och det tidiga 2000-talets debatt om så kallade militanta veganer.I sin bok ”Veganerna” från år 2000 skriver Magnus Linton om den djurrättsrörelse som fick fart de här åren. Filosofen Peter Singer blev rörelsens ikon, med sin kritik av det han kallade speciesism, eller artism, alltså en systematisk diskriminering av andra varelser grundad på arttillhörighet. Individer ur den här djurrättsrörelsen har gjort sig skyldiga till bland annat hot och trakasserier av minkfarmare, men redan innan dess skrämde de upp opinionsbildare och politiker.Och då gick man på själva djur- och människosynen. Magnus Linton ger exempel på hur det pratades om ”politisk renlevnadsfanatism” och ”ett hat mot människan”. Här kommer kristendomen in i det hela, med sin syn på människan som guds avbild och stående över djuren. Självaste påven påstod att ”antikrist är djurrättsaktivist”.Veganerna skapade en moralpanik som inte är alldeles obesläktad med den som drabbade hårdrocken och videovåldet. Man var rädd att en ungdomsgeneration skulle förledas och något slags anarki skulle uppstå.Det finns också en idé att vegetarianen själv oftast skulle vara privilegierad medelklass.Idag har paniken runt de militanta veganerna nog lite grand fallit i glömska, men delar av den lever kvar i den kritiska bilden av vegetarianen.Numera är vegetarianen, i denna negativa föreställningsvärld, en mer allmänt vänstervriden galning som vill ta allt roligt ur livet för folk.Det finns också en idé att vegetarianen själv oftast skulle vara privilegierad medelklass. En som haft tid att tänka för mycket och har en överdrivet sentimental inställning till djur. En som inte respekterar hederliga människors enkla matvanor.Det är inte osannolikt att vegetarianen är en kvinna eller åtminstone en feminiserad man, som hatar manliga aktiviteter som jakt och glufsande av pizzor typ capricciosa.Så finner den kärringaktiga och samtidigt fanatiska vegetarianen sin motsats i en tyst föreställning om köttätaren som en rejäl, naturligt maskulin och realistisk arbetarklassman. De som exempelvis inte orkar tänka på klimatförändringar och djuren i köttindustrin, kan bekvämt skjuta denne arbetarman framför sig, som ett underförstått moraliskt imperativ. Se där, den vänstervridna vegetarian-kärringen gör sig skyldig till folkförakt!Nu har jag raljerat över fördomarna om vegetarianer. Men mat och ätande har verkligen en djupgående symbolisk betydelse i den mänskliga kulturen. Vi pratar ju om mammas mat som det bästa. Och jag har själv varma och förvånansvärt smakrika minnen av hur min pappa ställde fram en burk köttfärssås, och öppnade en påse färdigriven ost, till spaghettin de dagar i veckan då han var ensam hemma med mig och min bror när vi var små.Att äta det någon bjuder på är inte bara en trivial akt.Så när mamman i Han Kangs roman ”Vegetarianen” ställer fram sin dotters gamla favoriträtter för att få henne att äta kött är det faktiskt rörande. Hon vill ta hand om sitt barn, samtidigt som hon kräver att bli bekräftad genom maten, som människa och förälder.Att äta det någon bjuder på är inte bara en trivial akt. Mat ger liv och njutning och laddas med kärlek, vänskap och andra sociala band.Sedan har vi alla ritualer där maten står i centrum: jul, midsommar och så vidare. I sin bok ”Äta djur” skriver Jonathan Safran Foer om sin familjs mat och traditioner, från kosher till amerikanska tacksägelsemiddagar. Det är sårigt, för efter att ha utforskat köttindustrin slutar han själv att äta kött. Familjesammankomsterna blir sig inte lika, matens sammanhållande värde devalveras.Som vegetarian bryter man alltså sociala och känslomässiga kontrakt. Julskinka och kycklinggrytor framstår plötsligt inte som självklara och neutrala längre, utan som ett val. Jämte vegetarianen blir den normala människan en köttätare.Malin Krutmeijer, kulturjournalist LitteraturHan Kang: Vegetarianen, översättning Eva Johansson, Natur & kultur 2017.Magnus Linton: Veganerna – en bok om dom som stör, Atlas, 2000.Jonathan Safran Foer: Äta djur, översättning av Molle Kanmert Sjölander, Norstedts, 2011.

Libri: Langston Hughes, Mondo senza fine (trad. N. Manuppelli, Mattioli 1885); Jonathan Safran Foer, Possiamo salvare il mondo prima di cena (trad. I.A. Piccinini, Guanda). Musica: Ronin, Andrés Segovia, Banda Repubblicana, Valérie Milot, Jackson Browne, Grand Kalle et l'African Jazz.

durée : 00:28:51 - Le Feuilleton - "J'ai ouvert le cercueil. J'ai été surpris, pourtant j'aurais pas dû. J'ai été surpris que papa soit pas là. Ou alors ce qui m'a surpris c'est que ce soit si incroyablement vide. Comme si j'avais regardé la définition du vide dans le dictionnaire."

durée : 00:28:53 - Le Feuilleton - "C'est encore moi. Vous êtes là ? Allô ? Pardon si. Il commence à y avoir un peu de. Fumée. J'espérais qu'il y aurait quelqu'un. A la maison. Je ne sais pas si vous avez appris ce qui s'est passé. Je. Voulais vous dire que moi, ça va."

durée : 00:28:57 - Le Feuilleton - "C'était mon grand projet. Je passerai mes samedis et mes dimanches à aller voir tous les Black de New York pour apprendre ce qu'ils savaient de la clé dans le vase du dressing de papa. "

durée : 00:29:01 - Le Feuilleton - "Alors que le cercueil de papa était vide, son dressing était plein. Et après plus d'un an, ça sentait encore comme quand il se rasait. Ça rendait mes semelles de plomb plus légères d'être près de ses affaires. "

durée : 00:28:53 - Le Feuilleton - "Alors que c'était un jour incroyablement triste, maman était tellement, tellement belle. Elle avait mis le bracelet que j'avais fait pour elle et ça, pour moi, c'était mille dollars ! "

durée : 00:28:57 - Le Feuilleton - "C'était mon grand projet. Je passerai mes samedis et mes dimanches à aller voir tous les Black de New York pour apprendre ce qu'ils savaient de la clé dans le vase du dressing de papa. "

durée : 00:28:53 - Le Feuilleton - "Alors que c'était un jour incroyablement triste, maman était tellement, tellement belle. Elle avait mis le bracelet que j'avais fait pour elle et ça, pour moi, c'était mille dollars ! "

durée : 00:29:01 - Le Feuilleton - "Alors que le cercueil de papa était vide, son dressing était plein. Et après plus d'un an, ça sentait encore comme quand il se rasait. Ça rendait mes semelles de plomb plus légères d'être près de ses affaires. "

durée : 00:28:53 - Le Feuilleton - "C'est encore moi. Vous êtes là ? Allô ? Pardon si. Il commence à y avoir un peu de. Fumée. J'espérais qu'il y aurait quelqu'un. A la maison. Je ne sais pas si vous avez appris ce qui s'est passé. Je. Voulais vous dire que moi, ça va."

durée : 00:28:51 - Le Feuilleton - "J'ai ouvert le cercueil. J'ai été surpris, pourtant j'aurais pas dû. J'ai été surpris que papa soit pas là. Ou alors ce qui m'a surpris c'est que ce soit si incroyablement vide. Comme si j'avais regardé la définition du vide dans le dictionnaire."

In this episode of 92NY Talks, join National Book Award winner Joyce Carol Oates on her extraordinary life in letters — and her new book, Letters to a Biographer — when she sits down with author Jonathan Safran Foer, her former undergraduate writing student. Hear them discuss Oates' career, her influence, and the future of American literature.   The conversation was recorded on May 19, 2024 in front of a live audience at The 92nd Street Y, New York.

Lorenzo Zino"L'amore difficile"Le parole della vita offesaEdizioni ETSwww.edizioniets.comNon è l'amore a essere difficile, ma lo sono gli interpreti, coloro ai quali l'esperienza dell'amore è comunque dedicata. Ma un analista ascolta come l'amore sia difficile - o lo è stato, o lo è nel presente, o si scorgono ampie premesse perché possa esserlo nel futuro, compresa la paura di incontrarlo ancora. A tutto questo Lorenzo Zino ha dedicato il proprio Seminario del 2021-2022, ora pubblicato. Con Freud, Leopardi, Pirandello, Emily Dickinson, Jonathan Safran Foer, Antonia Pozzi e Nadia Fusini, in questo libro l'autore affronta le difficoltà dell'amore, attraversandone le promesse e le delusioni, gli impeti e le rinunce, le parole che turbano e seducono, quelle che avvicinano o allontanano. Con sullo sfondo sempre la condizione umana abituata a temerlo mentre lo desidera sopra ogni altra cosa. «Più una persona arriva ad essere vicina a se stessa e più sarà in grado di donarsi appieno all'altro. Se ci si dona veramente, è possibile che qualcuno si interessi davvero a noi. Non è facile innamorarsi di persone col freno a mano tirato. Non è facile innamorarsi di persone che mettono una serie mirabolante di steccati. Non è facile innamorarsi di qualcuno che in qualche modo non abbia a cuore la parola e ciò che la parola può provocare».Lorenzo Zino, psicanalista, lavora dal 1980 a Firenze e Massa. Fin dal 1993 il suo Seminario abita nella tradizione di Jacques Lacan e di Aldo Rescio. Ha pubblicato nelle Edizioni ETS L'esperienza della psicanalisi. Scritti 1982-2006 (2007), La Seduzione. Letture di psicanalisi (2008), Un bambino che ha paura. Infanzia e psicanalisi (2008), La Gelosia. Letture di psicanalisi (2010), Il Desiderio. Letture di psicanalisi (2012), Amore mio. Psicanalisi e possesso (2016), La distanza e l'amore. La psicanalisi al tempo del contagio (2022).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Casting out Shame & Self Loathing.By Tx Tall Tales – Listen to the ► Podcast at Steamy Stories. I was standing over the pool at 9:00 am on the dot. I'd gone to bed so early, I'd woken up at 7:00 and couldn't get back to sleep. A McDonald's Egg McMuffin was percolating in my belly, and I felt refreshed and renewed.The pool was full, and the hoses were still going. I quickly turned them off, and rolled the hoses back up. Then I started the filter running. The sun was warm already. It was going to be a hot one. I peeled my shirt off and tossed it to the side, helping myself to some of Amy's sun-tan lotion, covering my shoulders and face.I went out to my car and got the chemicals out. Time for the magic. I walked the perimeter of the pool, adding stabilizer, algaecide, clarifier, and finally shock. I hauled out four 50 pound bags of salt, and started pouring the fine salt into the water, one bag at a time. I was working on the last bag when I happened to glance over at the porch and saw Amy there, leaning against the door watching me. She had on a robe, and an odd little smile.I finished emptying the bag, and headed her way. "Good morning, beautiful."Her smile looked forced. "Morning pool boy.""What's wrong?" I asked, moving closer to her."Nothing. Everything. I don't know.""You're breaking my heart, morning Goddess," I teased."Please. Enough of the Goddess. I'm nobody's Goddess. Slut is more like it.""Don't," I said firmly."It's true!""Don't."She covered her face with her hands. "How can you even look at me after the way I behaved yesterday?"I pulled her close and held her. She was stiff at first, then slowly melted into my arms, crying, tears running down my bare chest."Have you seen your pool yet?" I asked when the sobs had almost disappeared.She shook her head."C'mon then. It's time to see the fruits of your labor." I took her hand in mine and walked over to the pool."What do you think?"She smiled. "A miracle. You saved my ass, Alex.""Quite a nice ass to save, if you don't mind my saying."She snorted, quite unladylike. "You should know. You've seen more of it than anybody else has outside of my doctor.""Are you mad at me, Amy?" I asked."Mad at you? Hardly.""Then what is it?"She leaned her head back with a sigh. "I...I'm not who I thought I was. Amy Dixon would never have behaved like she did yesterday. I never thought I could be such a tramp." She crossed her arms over her chest, turning to face the pool. "How desperate am I, that I would drag you into my backyard and blow you, with my husband sitting watching TV fifty feet away? That I'd let you finger me while laying out next to my friend, and almost beg for more when you left me hanging."She turned to face me. "I'm such a whore. I'm letting you do whatever you want to me, just so I can get my pool cleaned on the cheap. Hell, I practically begged you to spank me and came as hard as I'd ever come in my life, with your finger buried in my ass, God help me. Is this anyway for a married woman to behave? My mother would be so proud."I was lost for words. What could I say to her?I took her hand in mine, and walked her over to the covered porch. "Sit," I told her, at the end of our favorite lounge chair.She sat down stiffly, and I moved behind her, sitting with her between my legs. I wrapped my arms around her and held her. "I don't have any answers Amy. I don't know your situation. I barely know you. You've been a mysterious fantasy for me ever since I was old enough to appreciate a woman. And in the last few days, you seemed like a happy girl, looking for a little excitement in her life, and willing to work for it. There's a wild, playful and extremely sexy woman inside you, looking to get out. I saw her. And I adore her."Amy sniffed loudly. "She's a filthy little slut."I eased my hand inside of her robe, and found nothing but soft flesh. I cupped her bare breast in my hand. "She's my naughty little slut, and she's amazing.""How can you say that? I should disgust you."I squeezed her tightly. "You are every man's dream come true. An Angel in public and a Devil in the bedroom.""Right. I'm no Devil in the bedroom. I'm a boring lay, who can't even keep her man.""That's crazy talk, woman.""It's true. My sex life is miserable. I mean, we do it, more than most, from what I hear. But it's a couple of minutes of sweaty thrusting a few times a week, and that's it. If it wasn't for my shower massage, I wouldn't come more than once a year.""That may be the saddest thing I ever heard. Keep it up, and you're going to see a grown man cry.""It's true!" she snapped.I held her, rocking her back and forth just a little. "What do you want out of life, Amy? You're young, you're beautiful, and your whole life is ahead of you. What do you want?""I wish you'd quit saying I'm beautiful.""Not going to happen. You are, without a doubt, the most beautiful woman I've ever seen in person. Let's face it. Teens fantasize about movie stars and TV icons. I've fantasized about you forever. So much better than any celebrity, prettier and real. I've probably come into a dirty sock mumbling your name at least a thousand times over the years. God strike me dead, if I'm lying.""And I'm not young. I'm 26 years old."My hand was caressing her soft breast, toying with her hardening nipple. "Oh my God, 26! I thought you were 25. You are old! Hell you probably only have 70 or 80 years ahead of you. When I'm 91 years old, you'll be 98! What was I thinking?"She poked my leg. "Don't make fun of me, Alex." She twisted around and glared at me.I laid back on the lounger, and opened my arms for her. "Come here, and let's talk. Let's really talk.""No way. I lay down with you, the slut takes over, and I walk away bowlegged.""Not this time. Come here."She sighed dramatically before turning and crawling over me. I reached up. opening her robe, and saw she wasn't quite naked. She was wearing plain white panties.She caught me looking. "One word about the panties, and you'll walk away a eunuch.""Let me hold you," I urged her, my hands inside her robe, pulling her down.She stretched out against me, resting her head on my shoulder. I felt her legs shift, and her hips pressed against me. "What? No hardon? Tired of me already?""Silly. One look from you, one touch, and I'd be busting my shorts and you damn well know it.""Really?" She nibbled on my shoulder, grinding her hips against me. I reached down for her ass, and pushed up against her, squeezing her soft ass cheeks. It was only a few seconds before she felt my hardness pressing against her belly.She giggled. "That's oddly comforting.""Think I'm tired of you?"She squeezed me in her arms. "No.""We're going to play a game, you and I. A variation on Truth or Dare. I ask a question, and you tell me the absolute truth.""And?""And nothing. That's it. Ready?""That's not a game!" she argued.My hand was stroking the soft skin of her back. "Ok, how do you want to play it?""Regular Truth or Dare, except the first three rounds can only be Truth.""Alright. Now are you ready?""Who says you get to go first?""Do you want to go first?"She gave me a poke. "Damned straight. Truth or truth?""Truth.""When you came over the second day, and agreed to do the work, what was the absolute minimum I could have gotten away with offering?""Expenses. When you agreed to cover the material cost, it was a go. When you asked for it as a personal favor I couldn't say no. The only real problem was I didn't have the money to cover the parts. Once Mom said I could use her credit card, and pay it off in 30 days, it was a done deal."She leaned in and bit me on the shoulder. "Ow!""You little bastard! You left me out there worried you were going to turn me down, and I'd have to go crawling to Dale to get some contractors in here. That was mean.""Sorry. I didn't think of it that way. You were the one who sent me away the first day. Any counter-offer that covered the costs would have closed the deal.""Fine. But someday, you're going to pay for that one.""Ok, Truth or Truth?"She giggled. "Just ask the question already.""What is the absolute most I could have gotten away with asking for.""Everything.""Everything? Everything what?"She sighed. "Everything you asked for on the first day, and more. All that night I couldn't sleep, thinking of doing those things to you. Meeting you at the door on my knees each morning. Having you bend me over a table and using me for your pleasure whenever you needed a break. Being your play thing." She giggled. "I mean, it takes a lot of nerve to tell a woman you want a BJ from her every morning. I soaked my panties the moment those words left your lips.""Now who's the mean one?" I teased."You. You could have pressed the issue, and had me totally at your mercy, but no. Meanie."She raised her head, and gave me a sweet little kiss. "Thanks for getting hard for me." She ground her hips against me for emphasis.I smiled. "Anytime.""Truth or truth.""Truth." Like I had any option."Why? Why do you care? Why do you care about anything other than me willingly servicing you?"I took a moment to phrase my answer. It was a tough question. "I'm not sure I know. I want you to be happy. I don't know why, but it's as true as anything in my life. It must be the Neanderthal in me, or maybe Grandpa's Southern Gentleman upbringing. I want to protect you, defend you, and make sure you are as happy as you can possibly be. Anything I can possibly do to make that true is a small enough price to pay for one of your smiles. I want your heart to practically burst with joy.""Funny. Beating my ass until it's red doesn't seem to jive with that," she teased."Really? Remind me, how hard did you come for me?""You are a beast sir, and hardly a gentleman at all, to ask me such a personal question.""Beast or gentleman, whatever it takes to make you happy, I'll gladly fill the role."She was quiet after that, holding me tight, while my hands caressed her sweet ass cheeks. "It's too much, Alex. You can't make yourself responsible for my happiness. It doesn't work that way.""Too late, beautiful. I'm a slave to your joy. Accept it."When she didn't answer, I continued our game. "Truth or truth, my morning Goddess.""Truth, B

Emmy-winning TV journalist and CNN Chief Climate Correspondent, Bill Weir, spoke to me about finding his beat, seeking “hope in a changing world,” and his debut, Life as We Know It (Can Be). Bill Weir is a veteran anchor, writer, producer, and host who joined CNN in 2013 after a decade of award-winning journalism at ABC News. After writing and hosting four seasons of the primetime CNN Original Series “The Wonder List with Bill Weir,” he was named the first Chief Climate Correspondent in network news in 2019. His debut book is Life as We Know It (Can Be): Stories of People, Climate, and Hope in a Changing World, described as a “... positive and unabashed approach to exploring the science, politics, and human behavior that must be addressed to solve our most pressing problems.” New York Times bestselling author and CNN anchor Jake Tapper said of the book, “Bill Weir provides insightful, alarming, but ultimately hopeful coverage of the climate crisis. His new book is a gorgeous love letter to his son but also to Earth and humanity,” and New York Times bestselling author Jonathan Safran Foer called it, “... a clear-eyed, heartfelt argument against despair.” [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Bill Weir and I discussed: How he incorporates the math and physics of storytelling into his journalism The “crappy elf” method of writing and penning letters to his kids in the future Why connection is more important than ever in the “golden age of distraction” The difference between writing for the screen and the page When he decided to focus on the dreamers and the doers And a lot more! Show Notes: Bill Weir CNN Chief Climate Correspondent Life as We Know It (Can Be): Stories of People, Climate, and Hope in a Changing World by Bill Weir (Amazon) Bill Weir on Facebook Bill Weir on Instagram Bill Weir on Twitter Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Martha and author Jonathan Safran Foer share a deep interest in raising awareness about the harms of factory farming. They met years ago around that cause and then reconnected recently during a photo shoot at his home. Listen to them catch up about his latest books, visiting the Pope to talk about climate change, and how reducing meat and animal products in one's diet can impact the environment.See omnystudio.com/listener for privacy information.

Get to know Chef Babette Davis, a survivor who shares how she moved from a meat-eater who suffered from many health ailments including eczema, acne, digestive issues and drug addiction to become a plant-based lifestyle icon. Today, she thrives as a vivacious and beautiful woman in her 70s who looks as though she stopped the clock in her 40s when she went full vegan. Chef Babette even opened a vegan restaurant in her hometown of Inglewood, California in East Los Angeles area. She didn't go vegan for any ethical reason, at least not in the beginning. Today, she speaks for animals, against our cruel food systems, and operates as a willing spokesperson for Mercy For Animals, and even spoke at an event on their behalf in fall of 2022. She has made it her personal mission to help people reach optimal health by eating "something alive" in every meal they consume. We discuss the recent Netflix documentary that featured a twin-study performed at Stanford University, "You Are What You Eat: A Twin Experiment". If you watch the video version of this podcast, you will see Chef Babette in all her glory, a woman in her 70s who has had no difficulty maintaining muscle mass as a vegan and fitness enthusiast. You will also receive simple and actionable recommendations for how you can make a bigger impact by reducing your consumption overall, and even consider following Jonathan Safran Foer's recommendation of going "vegan before dinner". About Guest:Chef Babette is a world-known vegan chef, fitness enthusiast, and motivational speaker. She runs a successful restaurant, “Stuff I Eat”, which was the first plant-based restaurant in Inglewood. Not only does Chef Babette have a massive fan base on social media but she participates in global health and wellness speaking engagements on a yearly basis. Fresh off her 73rd birthday, she truly is a force of nature who can do it all.Becoming a self-taught chemist in the kitchen, Babette has perfected eating healthy while keeping her dishes tasting out of this world. Her combination of mindful preparation of food and fitness has allowed her to enjoy the meals she loves without the guilt. Her goal is to share her knowledge with others, and be a catalyst to get people moving and eating healthy! As she so eloquently says, "It's important to not only have longevity, but to live a life of quality." Guest Website: https://www.stuffieat.com/ Guest Social:https://instagram.com/chefbabette https://www.youtube.com/@chefbabette441 https://www.facebook.com/babette.davis.92 https://tiktok.com/@chefbabettePlease subscribe on your favorite podcasting platform - and join the Care More Be Better Community! When you visit our website and join our email list, you'll receive a FREE 5-Step Guide To Unleash Your Inner Activist!Website: https://www.caremorebebetter.com YouTube: https://www.youtube.com/@caremorebebetter Instagram: https://www.instagram.com/CareMore.BeBetter/Facebook: https://www.facebook.com/CareMoreBeBetterLinkedIn: https://www.linkedin.com/company/care-more-be-betterTwitter: https://twitter.com/caremorebebettr Support Care More. Be Better: A Social Impact + Sustainability PodcastCare More. Be Better. is not backed by any company. We answer only to our collective conscience. As a listener, reader, and subscriber you are part of this pod and this community and we are honored to have your support. If you can, please help finance the show (https://www.caremorebebetter.com/donate). Thank you, now and always, for your support as we get this thing started!

What is the relationship between aesthetic presentation of thought and scientific conceptions of cognition? Torsa Ghosal's Out of Mind: Mode, Mediation, and Cognition in Twenty-First-Century Narrative (Ohio State UP, 2021) answers this question by offering incisive commentary on a range of contemporary fictions that combine language, maps, photographs, and other images to portray thought. Situating literature within groundbreaking debates on memory, perception, abstraction, and computation, Ghosal shows how stories not only reflect historical beliefs about how minds work but also participate in their reappraisal. Out of Mind makes a compelling case for understanding narrative forms and cognitive-scientific frameworks as co-emergent and cross-pollinating. To this end, Ghosal harnesses narrative theory, multimodality studies, cognitive sciences, and disability studies to track competing perspectives on remembering, reading, and sense of place and self. Through new readings of the works of Kamila Shamsie, Aleksandar Hemon, Mark Haddon, Lance Olsen, Steve Tomasula, Jonathan Safran Foer, and others, Out of Mind generates unique insights into literary imagination's influence on how we think and perceive amid twenty-first-century social, technological, and environmental changes. Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What is the relationship between aesthetic presentation of thought and scientific conceptions of cognition? Torsa Ghosal's Out of Mind: Mode, Mediation, and Cognition in Twenty-First-Century Narrative (Ohio State UP, 2021) answers this question by offering incisive commentary on a range of contemporary fictions that combine language, maps, photographs, and other images to portray thought. Situating literature within groundbreaking debates on memory, perception, abstraction, and computation, Ghosal shows how stories not only reflect historical beliefs about how minds work but also participate in their reappraisal. Out of Mind makes a compelling case for understanding narrative forms and cognitive-scientific frameworks as co-emergent and cross-pollinating. To this end, Ghosal harnesses narrative theory, multimodality studies, cognitive sciences, and disability studies to track competing perspectives on remembering, reading, and sense of place and self. Through new readings of the works of Kamila Shamsie, Aleksandar Hemon, Mark Haddon, Lance Olsen, Steve Tomasula, Jonathan Safran Foer, and others, Out of Mind generates unique insights into literary imagination's influence on how we think and perceive amid twenty-first-century social, technological, and environmental changes. Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is the relationship between aesthetic presentation of thought and scientific conceptions of cognition? Torsa Ghosal's Out of Mind: Mode, Mediation, and Cognition in Twenty-First-Century Narrative (Ohio State UP, 2021) answers this question by offering incisive commentary on a range of contemporary fictions that combine language, maps, photographs, and other images to portray thought. Situating literature within groundbreaking debates on memory, perception, abstraction, and computation, Ghosal shows how stories not only reflect historical beliefs about how minds work but also participate in their reappraisal. Out of Mind makes a compelling case for understanding narrative forms and cognitive-scientific frameworks as co-emergent and cross-pollinating. To this end, Ghosal harnesses narrative theory, multimodality studies, cognitive sciences, and disability studies to track competing perspectives on remembering, reading, and sense of place and self. Through new readings of the works of Kamila Shamsie, Aleksandar Hemon, Mark Haddon, Lance Olsen, Steve Tomasula, Jonathan Safran Foer, and others, Out of Mind generates unique insights into literary imagination's influence on how we think and perceive amid twenty-first-century social, technological, and environmental changes. Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

What is the relationship between aesthetic presentation of thought and scientific conceptions of cognition? Torsa Ghosal's Out of Mind: Mode, Mediation, and Cognition in Twenty-First-Century Narrative (Ohio State UP, 2021) answers this question by offering incisive commentary on a range of contemporary fictions that combine language, maps, photographs, and other images to portray thought. Situating literature within groundbreaking debates on memory, perception, abstraction, and computation, Ghosal shows how stories not only reflect historical beliefs about how minds work but also participate in their reappraisal. Out of Mind makes a compelling case for understanding narrative forms and cognitive-scientific frameworks as co-emergent and cross-pollinating. To this end, Ghosal harnesses narrative theory, multimodality studies, cognitive sciences, and disability studies to track competing perspectives on remembering, reading, and sense of place and self. Through new readings of the works of Kamila Shamsie, Aleksandar Hemon, Mark Haddon, Lance Olsen, Steve Tomasula, Jonathan Safran Foer, and others, Out of Mind generates unique insights into literary imagination's influence on how we think and perceive amid twenty-first-century social, technological, and environmental changes. Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

Face à la violence du monde carniste contre les autres animaux, mais aussi face à la répression sociale cherchant à réduire au silence les véganes qui affirment leur solidarité politique avec les autres animaux et s'engagent contre leur exploitation, on est souvent traversé-es par des émotions difficiles, en particulier pendant les 'fêtes' de fin d'année où le massacre est accentué et où les retrouvailles avec des proches carnistes peuvent être source d'incompréhension, de tensions voire de harcèlement et de violence... Face à ces expériences qui nous réunissent, il est d'autant plus important de rester solidaires entre véganes, de se soutenir dans les moments difficiles pour tenir le coup dans le combat contre le spécisme toute l'année. Force à nous, et je suis de tout coeur avec vous si c'est difficile... _______ ÉPISODE SPÉCIAL [Rediffusion] T'es pas seul·e, on est là, on est plein, et on va rien lâcher ! 0:00 : Intro 3:31 : Deuil 6:46 : Colère 14:00 : Résistance 19:22 : Solitude 23:31 : Lutte 27:48 : Liberté ________________________________ Références et sources citées dans l'entretien : - le site https://vegan-pratique.fr - les fiches info de Florence Dellerie : https://questionsanimalistes.com/fich... - Intervention de Virginie Despentes le 16 octobre 2020 au Centre Pompidou :   / lecture-de-virginie-despentes-ctre-pompido...   - Faut-il manger les animaux ? - Jonathan Safran Foer - "Choisir ou être libre ?" - Guillaume Carnino - "Vous êtes l'impasse d'une histoire triste. Nous sommes les lendemains qui chantent » (Hugo Partouche et Pablo Pillaud-Vivien dans leur tribune « Nous sommes ces gens-là ») : https://www.nouvelobs.com/tribunes/20... Merci beaucoup à Joseph, Catherine, José, Adrien, Thibaut, Céline et Javi pour les voix carnistes Un immense merci à Joseph Jaccaz pour la composition finale ! ________________________________ SOUTENIR : https://linktr.ee/poissonpodcast Comme un poisson dans l'eau est un podcast indépendant et sans publicité : votre soutien est indispensable pour qu'il puisse continuer à exister. Merci d'avance ! Les comptes Instagram, Twitter, Facebook et Mastodon du podcast sont également à retrouver dans le link tree ! ________________________________ CRÉDITS Comme un poisson dans l'eau est un podcast créé et animé par Victor Duran-Le Peuch. Charte graphique : Ivan Ocaña Musique : Laconisme par Maydän / Insomnia par Nomyn / Current par Meydän / Night par Kosmorider / Exhale par Nomyn / I'm Free par Waroxe / Résistance par Meydän / Sensé par Meydän / Synthwave Vibe par Meydän / Short Circuit par Meydän / I Can't Stop par PunchDeck / To the Moon par Joseph Jaccaz

The Drunk Guys' beer is extremely strong and incredibly close… to empty this week when they read Extremely Loud and Incredible Close by Jonathan Safran Foer. They will never forget: Pickle by Urban Artifact, Low Key by Talea, and Gabaghoul by KCBC. oin the Drunk Guys next Tuesday when they

EPISODE 1858: In this KEEN ON show, Andrew talks to the distinguished Israeli novelist Assaf Gavron about how the events of October 7 might be a game changer in a good way and on why we must "try again" to make peace in the Middle EastAssaf Gavron was Born in 1968, and published six novels (Ice, Moving, Almost Dead, Hydromania, The Hilltop and Eighteen Lashes), a collection of short stories (Sex in the cemetery), and a non-fiction collection of Jerusalem falafel-joint reviews (Eating Standing Up). His fiction has been translated into 12 languages. His latest English translation, The Hilltop, was published in 2014 by Scribner. Among the awards he won are the Israeli Prime Minister's Creative Award for Authors, the Israeli Bernstein Prize for The Hilltop, the DAAD artists-in-Berlin fellowship in Germany, the Buch Fur Die Stadt award in Germany for CrocAttack and the Prix Courrier International award in France for the same novel. His fiction was adapted for the stage in Habima – Israel's national theatre, and five of his novels were optioned for film or TV by Israeli and international film producers. As a translator of fiction, Gavron is responsible for the highly-regarded English-to-Hebrew translations of J.D. Salinger's Nine Stories, Philip Roth's Portnoy's Complaint and Jonathan Safran Foer's novels, among others.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.

Hello ! Thanks for reading the show notes! I will be in Iowa City this Thursday night! Come out to the show See JL Cauvin and I co Headlining City Winery In Pittsburgh PA on Oct 11 Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls. Widely respected in contemporary journalism, Franklin Foer has made a name for himself as one of America's premiere reporters. Foer offers refreshing takes on some of our most pressing topics, covering everything from politics to technology, immigration to economics, liberalism to sports, with his trademark perception and candor. A fellow at the New America Foundation, Foer served as editor for The New Republic for seven years. He became a national correspondent for The Atlantic in December 2016. In 2004, Foer published How Soccer Explains the World, a groundbreaking look at how the world's most popular sport can help us understand international relations, cultural conflicts, and the global economy. The Wall Street Journal called the book “an insightful, entertaining, brainiac sports road trip,” and The New York Times praised it as “an eccentric, fascinating exposé of a world most of us know nothing about.” The book has been translated into 27 languages and was named one of the five most influential sports books of the decade by Sports Illustrated. It remains a favorite at colleges and universities across the country. Foer's latest book, World Without Mind, delivers a blistering polemic against big tech, taking on the titanic companies that seem to run our digital age. While corporations like Amazon, Apple, Facebook, and Google boast that they are changing the world for the better, Foer explores the darker side of Silicon Valley, addressing how these very companies are undermining liberal values and violating laws that protect our privacy and intellectual property. Tracing the history of computer science—from René Descartes, to Alan Turing, to Steve Jobs—Foer concludes that we are now facing an existential crisis in the face of technology monopolists, and proposes how we can begin reining them in. ABOUT THE LAST POLITICIAN Franklin Foer tells the definitive insider story of the first two years of the Biden presidency, with exclusive access to Biden's longtime team of advisers, and presents a gripping portrait of a president during this momentous time in our nation's history. “You might love Biden or you might hate Biden, but either way, if you want to understand him, you will want to buy this book.” —Politico On January 20, 2021, standing where only two weeks earlier police officers had battled with right-wing paramilitaries, Joe Biden took his oath of office. The American people were still sick with COVID-19, his economists were already warning him of an imminent financial crisis, and his party, the Democrats, had the barest of majorities in the Senate. Yet, faced with an unprecedented set of crises, Joe Biden decided he would not play defense. Instead, he set out to transform the nation. He proposed the most ambitious domestic spending bills since the 1960s and vowed to withdraw American forces from Afghanistan, ending the nation's longest war and reorienting it toward a looming competition with China. With unparalleled access to the tight inner circle of advisers who have surrounded Biden for decades, Franklin Foer dramatizes in forensic detail the first two years of the Biden presidency, concluding with the historic midterm elections. The result is a gripping and high-definition portrait of a major president at a time when democracy itself seems imperiled. With his back to the wall, Biden resorted to old-fashioned politics: deal-making and compromise. It was a gamble that seemed at first disastrously anachronistic, as he struggled to rally even the support of his own party. Yet, as the midterms drew near, via a series of bills with banal names, Biden somehow found a way to invest trillions of dollars in clean energy, the domestic semiconductor industry, and new infrastructure. Had he done the impossible―breaking decisively with the old Washington consensus to achieve progressive goals? The Last Politician is a landmark work of political reporting—which includes thrilling, blow-by-blow insider reports of the botched withdrawal from Afghanistan and the White House's swift response to the Russian invasion of Ukraine—that is destined to shape history's view of a president in the eye of the storm.   In addition to his work at The New Republic and The Atlantic, Foer has been a contributor to Slate and New York Magazine. He was also the co-editor of the celebrated collection Jewish Jocks, winner of the 2012 National Jewish Book Award. In his talks, Foer draws on his books and his work as a journalist to break down complicated domestic and international issues. He is a popular speaker at conferences, associations, and universities. Foer is the brother of novelist Jonathan Safran Foer and journalist Joshua Foer. A Columbia University graduate, he lives in Washington D.C. Pete on Tik Tok Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe

In this episode, we read ‘We Are the Weather: Saving the Planet Begins at Breakfast' by Jonathan Safran Foer. Thanks to Ariel for buddy reading this week! https://www.youtube.com/@ArielBissett No Books on a Dead Planet is produced and presented by Leena Norms. Artwork by Gung Ho Studios. Edited by Craig Simmonds. Follow Leena's work elsewhere…YouTube: https://www.youtube.com/@leenanorms Instagram: https://www.instagram.com/leenanorms/ Poetry collection: https://linktr.ee/bargainbinromcom

For the first time in CBC history, we investigate not just one celebrity—but two. Using their email correspondence published in T Magazine as a primary source, we finally uncover the depths of intellectual flirtation between Israeli-American heartthrob Natalie Portman and noted Brooklyn dad/author Jonathan Safran Foer. From Poconos vacations to forcing your children to be pretentious, 12-course foam meals in London, wikipedia procrastinating, the return of sweetbreads, and Lily learning about Palestine—this is one rigorous discussion. You've got mail!See omnystudio.com/listener for privacy information.

In the early aughts, Jonathan Safran Foer's Everything Is Illuminated was an inescapable book, launching the young author's career (and more than a few skeptics). Naturally, the film adaptation came along, though with the unexpected pedigree of cherished actor Liev Schreiber making his director debut. Starring Elijah Wood as a fictionalized version of Foer traveling to Ukraine … Continue reading "244 – Everything is Illuminated"

0:00 -- Intro.1:30 -- Start of interview.2:12 -- Barrett's "origin story".6:11 -- His start in finance. First in Stone & Youngberg then in Lehman Brothers in SF. His first secondary market transactions in private company stock (Facebook) in 2007.8:54-- His experience working at SVB (internship with wine finance team) and Lehman Brothers (business development).12:10 -- The early days of secondary market transactions for private company stock with SecondMarket, later acquired by Nasdaq in 2015 (now Nasdaq Private Market).14:25 -- His entrepreneurial stint as CEO of Juno Company, a children's educational media company.15:56 -- His VC stint as an advisor with Maveron.17:20 -- On the founding of his firm Scenic Advisement in 2013.18:12 -- History of investment banks in SF helping founders to get liquidity (the Four Horsemen of Silicon Valley's financial community: Alex.Brown, Hambrecht & Quist, Robertson Stephens & Co. and Montgomery Securities underwrote a large number of IPO offerings, both before and during the dotcom boom.)20:36 -- The ethos and vision behind Scenic Advisement. "The opportunity was to build a bank that really was the standard bearer, establishing best practices so that [institutional investors] had a counter-party or a middleman who could speak their language and conversely, the people building great companies had a partner who they could trust, because that partner had empathy: they were ex founders, ex VCs or from the community, not some transactional banker who lives 3,000 miles away and knows nothing of the company but knows that there is a big fee to be had and a league table to be on." "Our plan was to drive hard empathy."24:17 -- On the current state of private markets. "It's been a boom marked by irrational exuberance, and then a correction, as markets do." "But I can tell you, and I do so with great thanks, that the market is thawing and we are starting to see investors come back." "I could have taken all of 2022 off, and from a stress perspective, it would have probably been beneficial, but I just didn't have a crystal ball."27:42 -- On the regulation of unicorns and private markets generally. Going dark speech by SEC Commissioner Lee (Oct 2021).33:08 -- On the Stay Private for Longer ("SPL") advice in Silicon Valley ["The worst advice" per Gurley and Rabois]. "Companies now stay private long. That's it. This is not a trend, it is a market reality at this point." "It's also totally business dependent."37:52 -- The opportunities and challenges for founders, investors and employees in private markets. "The Sequoia move to an evergreen fund structure is a brilliant idea." "The Stripe multi-billion financing was the company being really proactive to options expiry, to ensure that the most important asset at Stripe, the people, are made whole or don't loose the benefit of the bargain (that would be awful for everyone and for morale)." "We are going to see more and more of that." 39:39 -- How companies treat employees vs ex-employees on stock options: "It varies from company to company and from founder to founder. My advice typically is to be egalitarian."41:21 -- On regional differences in tech ecosystems in the US.43:47 -- The impact of the collapse of SVB and First Republic in the SF/Bay Area tech ecosytem. "I believe in diversification. I believe in selling early and often. I want to implore founders and investors to take chips off the table when you can, because you can't always and things go away. People forget that."47:40 -- Thoughts on crypto and digital assets market.49:17 -- Thoughts on Artificial Intelligence (AI) market. "It's the next major wave. Unlike crypto and digital assets, this is not a fad."51:05 --  The books that have greatly influenced his life: Everything by Philip Roth.Exodus, by Leon Uris (1958)Everything is Illuminated, by Jonathan Safran Foer (2002)51:38 -- His mentors, and what he learned from them: the most impactful mentor for him has been his mother.52:58 --  Quotes he thinks of often or lives his life by: "Have hard conversations early and often." "Empathy is a very important tool even when delivering difficult messages."53:25 --   An unusual habit or an absurd thing that he loves: sneaker collection and tequila ("it's like love in a bottle").58:14 --   The person he most admires: entrepreneurs.Barrett Cohn is the CEO and co-founder of Scenic Advisement, a San Francisco based investment bank specializing in servicing the liquidity needs of high growth, late-stage technology companies, their investors, and founders. __ You can follow Evan on social media at:Twitter: @evanepsteinLinkedIn: https://www.linkedin.com/in/epsteinevan/ Substack: https://evanepstein.substack.com/__Music/Soundtrack (found via Free Music Archive): Seeing The Future by Dexter Britain is licensed under a Attribution-Noncommercial-Share Alike 3.0 United States License

Everyone wants to be happy. In this episode of Disrupting the Drift, Baron Baptiste and David Masters answer the question: Is it possible to stop being negative and just be happy? Jonathan Safran Foer once said, “I think and think and think, I‘ve thought myself out of happiness one million times, but never once into it.” It all starts with your thoughts. Where are your thoughts coming from? How do you control them? What happens when you quit chasing happiness and remove the roadblocks to being content? Find out in this episode!Start or continue your daily meditation practice with this Meditation on Vision led by Baron Baptiste. CLICK HERE.Is there a question or topic you'd like me to address on the podcast? Send me an email at disruptingthedrift@baronbaptiste.com. I'll take your suggestions and questions into consideration when planning upcoming episodes!Listen to the episode on your favorite podcast platform. Subscribe to Disrupting The Drift with Baron Baptiste on YouTube HERE.

Ali Velshi is joined by former CIA Director John Brennan, Editor of The Maddow Blog Steve Benen, Former U.S. Attorney Joyce Vance, former Federal Judge for the U.S. Court of Appeals for the Fourth Circuit Judge J. Michael Luttig, Former U.S. Attorney Jill Wine-Banks, Founder and CEO of Translash Media Imara Jones, Author of ‘Extremely Loud & Incredibly Close' Jonathan Safran Foer.

She's skated down tekdis, played volleyball for her state, run through deserts and wrestled a bear with her bare hands. Ok, not the last one. Shruti Jahagirdar joins Amit Varma in episode 289 of The Seen and the Unseen to discuss women's sports in India, fitness, nutrition and a world without limits. Also check out: 1. Shruti Jahagirdar on Twitter, Instagram and LinkedIn. 2. Halomi Fitness, Shruti Jahagirdar's startup. 3. The Evolution of Cricket -- Episode 97 of The Seen and the Unseen (w Harsha Bhogle). 4. Building Sports Ecosystems -- Episode 126 of The Seen and the Unseen (w Joy Bhattacharjya). 5. The State of Indian Sport -- Episode 238 of The Seen and the Unseen (w Joy Bhattacharjya and Nandan Kamath). 6. Other episodes of The Seen and the Unseen on sport with Ram Guha, Prem Panicker, Sharda Ugra, Ayaz Memon, Snehal Pradhan and Pradeep Magazine. 7. Wait But Why by Tim Urban. 8. This Ramesh Nagdev was a blazing bat -- Makarand Waingankar. 9. Chak De! India -- Shimit Amin. 10. The Sporting Spirit — George Orwell. 11. Allah Ke Bande -- Kailash Kher. 12. Kusha Kapila and the B-Plus Baccha.. 13. Wanting — Luke Burgis. 14. Atomic Habits -- James Clear. 15. Barefoot in the Park -- Neil Simon. 16. Tiger Muay Thai. 17. Former British Boxing Champ Julius Francis knocks out troublemaker. 18. Gimme Mo -- Mohit Satyanand's newsletter. 19. The Bell Hooks quote posted by Shruti Jahagirdar. 20. Everybody Lies — Seth Stephens-Davidowitz. 21. The Mary Oliver quote posted by Shruti Jahagirdar. 22. The Case Against Sugar — Gary Taubes. 23. The Big Fat Surprise: why butter, meat, and cheese belong in a healthy diet — Nina Teicholz. 24. The Obesity Code — Jason Fung. 25. Nina Teicholz on The Joe Rogan Experience. 26. Wheat Belly -- William Davis.. 27. The Four Quadrants of Conformism -- Paul Graham. 28. Population Is Not a Problem, but Our Greatest Strength — Amit Varma. 29. The Diabetes Code -- Jason Fung. 30. Hikikomori. 31. The Confidence Gap — Katty Kay and Claire Shipman. 32. Everything is Illuminated -- Liev Schreiber, based on the novel by Jonathan Safran Foer. 33. The White Balloon -- Jafar Panahi. 34. Majid Majidi on Wikipedia and IMDb. 35. Panchayat, Season 2. 36. Schitt's Creek. 37. This is Us. 38. The Playbook- A Coach's Rules for Life. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! The illustration for this episode is by Nishant Jain aka Sneaky Artist. Check out his podcast, Twitter, Instagram and Substack.

The first ever solo episode of the Ali Kolbert show is absolute fire. Ali does Hummus Hour and talks The Summer I Turned Pretty on Netflix, her thoughts on the Chelsea Handler and Jo Koy break-up, Ben Affleck and JLo, as well as  old Natalie Portman and Jonathan Safran Foer emails. Ali takes the Kinsey Scale test and clarifies once and for all whether or not she is gay–and if so…how gay is she? Ali takes listener emails and talks about a plane fiasco with Julien.   Produced by Dear Media.

1. The moment Natalie called Abby to invite her to be part of Angel City FC–the first majority, women-owned soccer franchise. 2. How to stop people-pleasing and learn to recognize a full body YES from inside of you. 3. Why and how Natalie shows up for big projects before she's ready or qualified. (Dude Moves). 4. The best advice Natalie's ever received–and why women should “Gossip Well.” 5. How Natalie counters gender expectations by over practicing empathy with her son and decisiveness with her daughter. 6. What Natalie says when a man suggests a woman is “crazy” or “difficult.” About Natalie: Natalie Portman is an Academy award-winning actress (BLACK SWAN), director, author, and activist. In Summer 2022, Portman will be hitting the big screen, returning to the Marvel universe as ‘Jane Foster' in THOR: LOVE AND THUNDER. Previously Natalie appeared in Pablo Larraín's film, JACKIE, in which she starred as First Lady Jacqueline F. Kennedy. For the role, Portman was nominated for an Academy Award, a Golden Globe, a Screen Actors Guild Award, a BAFTA Award, and won the Critics' Choice Award. She wrote, directed, produced, and starred in A TALE OF LOVE AND DARKNESS, which made its world premiere at the 2015 Cannes Film Festival and its North American premiere at the 2015 Toronto International Film Festival. Other past film credits include Noah Hawley's LUCY IN THE SKY, Brady Corbet's VOX LUX, and Alex Garland's highly anticipated second feature, ANNIHILATION. Natalie and her producing partner Sophie Mas recently inked a first-look TV deal with Apple TV+ for their production company MounatainA. Through this deal, they are producing the Apple Original limited series LADY IN THE LAKE, which will be Natalie's TV acting debut. Natalie's other past production credits include the documentary EATING ANIMALS, which she executive produced and narrated. The film examines mankind's dietary choices and is based on Jonathan Safran Foer's memoir. In addition to her film work, Portman devotes her time to several humanitarian causes, with an emphasis on supporting women and girls. She is also a founder of National Women's Soccer League team Angel City Football Club. In Fall 2020, Portman released her debut picture book, NATALIE PORTMAN'S FABLES, which is a New York Times' Bestseller. Portman is a Harvard graduate with a degree in psychology and studied at Hebrew University in Jerusalem. IG: @natalieportman Learn more about your ad choices. Visit podcastchoices.com/adchoices

Species Unite will be back on June 2nd with a new season. Until then, we are re-sharing some of our favorite episodes. This week's is a conversation with Aaron Gross.    We all have a food story; the story that we tell ourselves about what we eat and why we eat it. It's that story that runs the show when it comes to how we shop, cook, and feed our children.  It was most often taught to us by our parents and their parents, most who thought they were passing on good values and deep traditions and were only doing what was best for their kids. But our food story is more than that. It was also passed on to our parents and to us from advertisers, marketers and a food industry that uses words like values and traditions to get us to buy into a narrative that has damaged our health, destroyed the planet, and caused endless suffering to billions of animals.  But once we come to terms with the fact that it's just a story and not something that we can't change, there's a whole new world waiting. And, like in so many other industries that are inherently broken in America and around the globe, the pandemic has exposed the gaping holes in our food system. But it's also given us the opportunity to take a deeper look into what and how we eat and decide that we can change the story.  Aaron Gross is a professor of theology and religious studies at the University of San Diego, and he's the CEO and founder of Farm Forward. Farm Forward was founded as the nation's first nonprofit devoted exclusively to ending factory farming. Recently, Aaron and the writer, Jonathan Safran Foer published a piece in the Guardian called, We Have to Wake Up: Factory Farms are Breeding Grounds for Pandemics.  There's a paragraph in there that says, "The link between factory farming and increasing pandemic risk is well established scientifically, but the political will to curtail that risk has, in the past, been absent. Now is the time to build that will. It really does matter if we talk about this, share our concerns with our friends, explain these issues to our children, wonder together about how we should eat differently, call on our political leaders, and support advocacy organizations fighting factory farming. Leaders are listening. Changing the most powerful industrial complex in the world – the factory farm – could not possibly be easy, but in this moment with these stakes it is, maybe for the first time in our lifetimes, possible.” Aaron graciously joined me from his quarantine in San Diego to talk about how we do this; how we change the story around how and what we eat and ultimately, how we change our food system. Aaron is one of the smartest guys out there and it was beyond a privilege to hear his thoughts and ideas on how we forge ahead. This conversation was enlightening, inspiring, and incredibly informative. I hope that you learn as much as I did.  We can change our food industry. As bad as most things across the planet are right now, there's real opportunity in front of us. Let's not waste it. Visit FarmForward.com Like Farm Forward on Facebook Follow Farm Forward on Twitter