Podcast appearances and mentions of jeanne claude

Le 15 avril, c'est la Journée mondiale de l'art. Pour célébrer cette journée, A la folie, pas du tout met en avant des couples d'artistes qui ont marqué l'histoire. Des couples qui se sont aimés et qui se sont inspirés mutuellement. Cacher pour révéler le monde « Révéler en cachant ». Telle était la devise du duo Christo et Jeanne-Claude, rendus célèbres en empaquetant certains des plus impressionnants monuments construits par l'homme. C'est avec beaucoup de liberté qu'ils ont parcouru le monde et qu'ils ont créé ensemble. Ils ne se reconnaissaient pas dans les concepts de Land Art ou d'Art Conceptuel. Ils se décrivaient plutôt comme des architectes environnementaux. Un podcast Bababam Originals Ecrit et raconté par Alice Deroide Première diffusion : 30 avril 2021 Learn more about your ad choices. Visit megaphone.fm/adchoices

20 years ago, the late Christo and Jeanne-Claude transformed Central Park with The Gates, a temporary public art installation featuring 7,503 saffron-colored gates adorned with free-flowing fabric. After being elected as Mayor of New York City, Mike Bloomberg worked with the artists to bring their vision to life.The results? Over its 16 days on display, the public art piece drew more than four million visitors to Central Park in the middle of winter and brought an estimated $254 million in economic activity to the city.Christo and Jeanne-Claude were known for their site-specific, large-scale public artworks, which often reimagined landmarks or landscapes into surreal spaces with objects, fabrics, textures, and colors. From surrounding 11 islands in Miami's Biscayne Bay with bright pink fabric, to wrapping Paris's Pont Neuf bridge with silky, golden fabric, the pair created bold and brilliant outdoor projects that spanned the globe and garnered international acclaim for their expansiveness and originality. The point of their installations? It was simple; no deeper meaning was contained within the works, but they provided visitors with joy, beauty, and new perspectives on familiar spaces.  For a limited time, the public can experience a portion of The Gates through an augmented reality experience in Central Park powered by the Bloomberg Connects app and learn more about Christo and Jeanne-Claude's NYC projects at Christo and Jeanne-Claude: The Gates and Unrealized Projects for New York City, the latest exhibition at The Shed.On this episode of Follow the Data, Megan Sheekey sits down with Patti Harris, CEO of Bloomberg Philanthropies, and  Vladimir Yavachev, Director of Projects at the Christo and Jeanne-Claude Foundation, to dive deeper into the 20th anniversary of The Gates, the prolific life and works of Christo and Jeanne-Claude, and the critical role public art plays in cities around the world.

Seit Anfang der 70iger Jahre photographiert Wolfgang Volz alle Projekte des großen Künstler-Paares Christo und Jeanne-Claude. Seien sie nun realisiert worden (wie etwa „The Running Fences“) oder nicht realisiert worden (wie etwa „Over The River“). Der Kunsthistoriker und Museumsdirektor Werner Spies nannte Wolfgang Volz „das Auge von Jeanne-Claude“. Andreas Wrede lernte Christo und Jeanne-Claude 1994 in New York City kennen, als Chefredakteur des Magazins MAX besprach er mit den beiden eine große Geschichte zur geplanten Verhüllung des Reichstages 1995 in Berlin. Seitdem kennen sich auch Wolfgang Volz und Andreas Wrede und haben viele Geschichten mit und über Christo und Jeanne-Claude gemacht. So ist dieser Podcast, die 15. und somit letzte Folge der ersten Staffel von The Culture Tapes nicht nur ein Gespräch über das Wirken von Wolfgang Volz, sondern eben mithin unweigerlich eine Reminiszenz an das unvergleichliche und unvergessliche künstlerische Werk von Christo und Jeanne-Claude. Und weil beide Gesprächspartner, der eine in Stockholm, der andere im Hamburger Studio, diese Künstler so sehr vermissen und weiterhin vermissen werden, kullerte die eine oder andere Träne und das eine oder andere Schlucken wird hörbar. Worauf wir alle uns freuen können: Wolfgang Volz und die anderen Mitstreiterinnen und Mitstreiter von Christo und Jeanne-Claude versprechen, dass die Verhüllung des L'Arc de Triomphe nun 2021 in Paris stattfinden wird. Wie gesagt: Hommage an Christo und Jeanne-Claude: Wolfgang Volz The Culture Tapes ist ein FYEO Original von Podstars by OMR & Andreas Wrede Redaktion von Andreas Wrede, Isabel Lübbert-Rein & Podstars by OMR Produziert von Podstars by OMR und Isabel Lübbert-Rein von FYEO Gesamtleitung FYEO: Benjamin Risom, Luca Hirschfeld und Tristan Lehmann Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Based on his first-term record as the most anti-nature president in American history, Craig sees the Florida environment as a big loser of Donald Trump's second term in office.In 1983, contemporary artists Christo and Jean-Claude created a massive installation of pink fabric in Biscayne Bay titled 'Surrounded Islands.' The couple's foundation recently donated archival items related to the project to the NSU Art Museum in Fort Lauderdale which will stage an exhibition of the materials beginning in February of 2025. NSU Art Museum Director and Chief Curator Bonnie Clearwater gives us the details.

Ab17 - der tägliche Podcast mit Kathrin und Tommy Wosch. Montag bis Freitag. Morgens und AbendsKlick hier für Rabatte und Partner Aktionen: https://bio.to/Ab17shownotesWenn ihr Lust habt uns zu unterstützen, hier geht es zu unseren werbefreien Folgen und zum Special Content. Werdet Bezahlis: https://steadyhq.com/de/ab17/aboutInstagram: https://www.instagram.com/ab17podcastWhatsapp Channel: https://www.whatsapp.com/channel/0029VaBSCV98kyyQceNs4A1IAnfragen wegen Kooperationen oder Werbung gerne an: kontakt@diewoschs.deZum Wochenbeginn diskutieren Kathrin und Tommy Wosch über eine bunte Mischung aus aktuellen Ereignissen, Prominenten und politischen Themen. Zum Einstieg erzählt Tommy eine ungewöhnliche Geschichte über nordkoreanische Soldaten in der Ukraine, die mit dem westlichen Internet und neuen Freiheiten konfrontiert werden. Die Episode hält ein besonderes Highlight bereit: den 50. Geburtstag von Leonardo DiCaprio. Kathrin und Tommy sprechen über seine Karriere, seine berühmten Filmrollen und sein Leben abseits des Rampenlichts. Dabei wird DiCaprios Wunsch thematisiert, manchmal ein einfacher „Idiot“ sein zu dürfen – im Vergleich zu seinen gefeierten Freunden.Weiter geht es mit einem Blick auf die deutsche Politik, speziell die bevorstehenden Neuwahlen, die komplexe Bürokratie und die Zettelproblematik bei Wahlen. Auch die sportliche Szene kommt zur Sprache: Neben aktuellen Entwicklungen in der Fußballnationalmannschaft und der Nations League erwähnen die Hosts das Tischlerhandwerk und die Kreativität, die es bei den deutschen Meisterschaften verlangt. Kathrin und Tommy lassen die Hörer an persönlichen Erinnerungen teilhaben, sei es über vergangene Martinsumzüge oder das Verhüllen des Reichstags durch Christo und Jeanne-Claude, von dem Tommy ein Stück Stoff als Erinnerung besitzt.Eine kritische Reflexion über Karneval und die damit verbundenen Verkleidungen bietet humorvolle Einblicke in die Einstellung der beiden zu Massenphänomenen und zur Kultur. Abschließend werfen Kathrin und Tommy einen Blick auf die internationale Bühne und die Zukunftsperspektiven der USA, wobei Trumps mögliche Präsidentschaft und seine kontroversen Pläne angesprochen werden. Ein lebhafter, informativer Wochenstart mit viel Witz, Ironie und persönlichem Touch, der die Vielfalt der Themen aus Politik, Popkultur und persönlichem Alltag vereint.Inhalt00:00:00 Begrüßung und aktueller Wochenbeginn00:00:48 Nordkoreanische Soldaten in der Ukraine00:02:11 Leonardo DiCaprio will einfacher sein00:03:27 Diskurs über DiCaprios Freundeskreis00:05:50 Diskussion über Neuwahlen und Bürokratie00:07:18 Deutsche Meisterschaften im Tischlerhandwerk00:09:42 Martinstag und Traditionen in Deutschland00:12:20 Karneval und die Kölner Feierkultur00:14:03 Rückblick auf Christo und Jeanne-Claude00:15:50 Trumps mögliche Präsidentschaftspläne Hosted on Acast. See acast.com/privacy for more information.

Vor 90 Jahren wurde das Künstlerpaar Christo und Jeanne-Claude geboren, Anlass für das Museum Würth in Künzelsau, einen Blick in deren faszinierendes Werk zu werfen.

Vor 90 Jahren wurde das Künstlerpaar Christo und Jeanne-Claude geboren, Anlass für das Museum Würth in Künzelsau, einen Blick in deren faszinierendes Werk zu werfen.

La comédienne, réalisatrice et artiste-plasticienne, âgée de 38 ans, nous reçoit chez Idem, un atelier de lithographie situé à Paris dans le 14e arrondissement, à l'occasion de la sortie en salle du film « Niki », signé Céline Sallette, dans lequel elle incarne Niki de Saint Phalle. Charlotte Le Bon évoque son enfance à Montréal, au Canada, auprès d'une mère et d'un beau-père comédiens. Elle évoque le décès de son père alors qu'elle avait 10 ans et sa passion précoce pour le dessin et le plongeon. Elle commence à la fin de l'adolescence une carrière de mannequin dont elle garde un souvenir assez sombre puis pendant une année joue les Miss Météo sur Canal +, une expérience libératrice qui la mènera ensuite à faire du cinéma. C'est aujourd'hui dans la réalisation qu'elle s'épanouit le plus, regrettant la passivité attendue souvent des comédiens. Charlotte Le Bon aborde également son travail de plasticienne, son attrait pour les aspérités et son admiration pour le travail de Stanley Donwood, Carl Gustav Jung, David Lynch, Claire Tabouret ou Christo et Jeanne-Claude. Elle revient longuement sur son admiration pour le travail de Jane Campion : « J'ai découvert récemment ses deux premiers films, “Sweetie” et “Un ange à ma table”. Ce sont de grands films. C'est tellement risqué, tellement audacieux. Et puis il y a un truc qui est génial aussi avec Jane Campion, c'est qu'on ne s'ennuie jamais. Je sens vraiment ce désir chez elle. C'est tout sauf prétentieux. »Depuis six saisons, la journaliste et productrice Géraldine Sarratia interroge la construction et les méandres du goût d'une personnalité. Qu'ils ou elles soient créateurs, artistes, cuisiniers ou intellectuels, tous convoquent leurs souvenirs d'enfance, tous évoquent la dimension sociale et culturelle de la construction d'un corpus de goûts, d'un ensemble de valeurs.Un podcast produit et présenté par Géraldine Sarratia (Genre idéal) préparé avec l'aide de Diane Lisarelli et Juliette SavardRéalisation : Guillaume GiraultMusique : Gotan Project Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

 In this podcast, we discussed the boundary-breaking work of these artists. We spoke of him and all the hardships faced whenever he wanted to install his art in certain areas. We discussed the process of creating art, contemporary art, and as well as how Christo relates to other artists.

fWotD Episode 2693: The Girl Who Lived in the Tree Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Wednesday, 18 September 2024 is The Girl Who Lived in the Tree.The Girl Who Lived in the Tree is the thirty-second collection by British fashion designer Alexander McQueen, made for the Autumn/Winter 2008 season of his eponymous fashion house. The primary inspirations were British culture and national symbols, particularly the British monarchy, as well as the clothing of India during the British Raj. The collection was presented through the narrative of a fairy tale about a feral girl who lived in a tree before falling in love with a prince and descending to become a princess. The collection's runway show was staged on 29 February 2008 at the Palais Omnisports de Paris-Bercy in Paris. The round stage was dressed in black with a black backdrop, with a large artificial tree in the centre wrapped in dark grey silk; it was inspired by the artists Christo and Jeanne-Claude, who were known for wrapping buildings and landmarks in fabric. The presentation was divided into two phases to represent the girl's story; forty-two looks were presented in total, with twenty-three in the first half and nineteen in the second. In the first phase, the ensembles were all in black and white, with most looks having a slim, tailored silhouette. The clothing from the second half was richly coloured, with luxurious materials and embellishments, representing the girl's transformation into a princess. Critical response to The Girl Who Lived in the Tree was positive, and in retrospect it is regarded as one of McQueen's best collections. Academics have analysed its inspiration and styling through various lenses. The peacock headpiece by Philip Treacy and a dress with lace peacocks attracted particular critical attention and further analysis. Garments from the collection are held by various museums and have appeared in exhibitions such as the McQueen retrospective Alexander McQueen: Savage Beauty. The 2015 semi-biographical play McQueen incorporates ideas from the collection's narrative.This recording reflects the Wikipedia text as of 00:30 UTC on Wednesday, 18 September 2024.For the full current version of the article, see The Girl Who Lived in the Tree on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Ruth.

It's a case of algorithm and blues as we look into an AI music scam, Ukraine believes it has caught a spy high in the sky, and a cocaine-fuelled bear goes on the rampage.All this and more is discussed in the latest edition of the "Smashing Security" podcast by cybersecurity veterans Graham Cluley and Carole Theriault.Warning: This podcast may contain nuts, adult themes, and rude language.Episode links:Ukrainian detained for allegedly installing CCTV cameras to aid Russian attacks - The Record.Russia calls for restrictions on surveillance cameras, dating apps in cities under attack from Ukraine - The Record.Christo and Jeanne-Claude art projects.North Carolina Musician Charged With Music Streaming Fraud Aided By Artificial Intelligence - United States Department of Justice.Man Arrested for Creating Fake Bands With AI, Then Making $10 Million by Listening to Their Songs With Bots - The Futurist.Kobo Clara BW ereader - Kobo.Cocaine Bear: Why? - The Atlantic.Cocaine Bear Official trailer - YouTube.Smashing Security merchandise (t-shirts, mugs, stickers and stuff)Sponsored by:1Password Extended Access Management – Secure every sign-in for every app on every device.Sysdig - Secure your cloud in real time. Detect, investigate, and respond to threats at cloud speed.Vanta – Expand the scope of your security program with market-leading compliance automation… while saving time and money. Smashing Security listeners get $1000 off!SUPPORT THE SHOW:Tell your friends and colleagues about “Smashing Security”, and leave us a review on Apple Podcasts or Podchaser.Become a supporter via Patreon or Apple Podcasts for ad-free episodes and our early-release feed!FOLLOW US:Follow us on Twitter at @SmashinSecurity, or

Tous les week-end, découvrez de courtes histoires d'amours, tendres ou percutantes, pour engager de vraies réflexions sur l'amour. Cacher pour révéler le monde « Révéler en cachant ». Telle était la devise du duo Christo et Jeanne-Claude, rendus célèbres en empaquetant certains des plus impressionnants monuments construits par l'homme. C'est avec beaucoup de liberté qu'ils ont parcouru le monde et qu'ils ont créé ensemble. Ils ne se reconnaissaient pas dans les concepts de Land Art ou d'Art Conceptuel. Ils se décrivaient plutôt comme des architectes environnementaux. Un podcast Bababam Originals. Date de première diffusion : 30 avril 2021 Learn more about your ad choices. Visit megaphone.fm/adchoices

In deze aflevering van Een Uur Cultuur gaat Nadia Moussaid in gesprek met kunstenaar Ralph Nauta (https://www.instagram.com/ralphnauta/). Ralph vormt collectief DRIFT (https://studiodrift.com/), in 2025 openen zij hun eigen museum (https://www.nrc.nl/nieuws/2023/11/01/in-2025-kun-je-varen-naar-het-nieuwe-drift-museum-in-amsterdam-a4179406) in Amsterdam. De cultuurtips van Ralph:  Boek: 1984 (https://www.eenvoudigcommuniceren.nl/1984), Utopia  (https://humanistischecanon.nl/venster/bijbels-humanisme/thomas-more-utopia/) Tentoonstelling: Olafur Eliasson - weather project (https://olafureliasson.net/artwork/the-weather-project-2003/), Sandation  Beeldende kunst: Gormley  (https://www.antonygormley.com/) Openbare kunst: Christo and Jeanne-Claude  (https://christojeanneclaude.net/) Museum: Guggenheim (https://www.guggenheim.org/), Kröller Müller (https://krollermuller.nl/?gad_source=1&gclid=CjwKCAjwydSzBhBOEiwAj0XN4NKjmLadMJipjItqmSPprpxk0uHIwlKYrlLIhSgatQu_k62DHLHCDBoCWJoQAvD_BwE), Voorlinden  (https://www.voorlinden.nl/) Opera: L'Orfeo (https://www.npoklassiek.nl/klassiek/podium/3af28cab-4778-4d30-8fa2-9be82952242f/video-l-orfeo-van-de-nederlandse-reisopera)  Theater: The War of the Worlds  (https://www.imdb.com/title/tt8001226/) Dans: 155  (https://www.eenvijfvijf.nl/) Ballet: NDT (https://www.ndt.nl/agenda/?gad_source=1&gclid=CjwKCAjwydSzBhBOEiwAj0XN4JkiHcZeNJ81pOsSCZlaqLYMXVv27Hf04HbPtNBzAhS4D_Qs9LW86xoCF2UQAvD_BwE) Muziek: Queen (https://open.spotify.com/track/78BjB6GC1JPt4LgA8O0sys?si=e3b20e9faa5646fd), Philip Glass (https://open.spotify.com/artist/69lxxQvsfAIoQbB20bEPFC?si=8Swz1TwDTKGds03PFPPi1Q), Speech Charlie Chaplin (https://www.charliechaplin.com/en/articles/29-the-final-speech-from-the-great-dictator-)  Festival: Burning Man (https://burningman.org/)  Film: The Matrix  (https://www.imdb.com/title/tt0133093/) Film (bios):  Krazy House (https://www.imdb.com/title/tt12276028/)  Kindercultuur: Knight Rider (https://www.imdb.com/title/tt0083437/)  Documentaire (online): Barely Dead (https://www.imdb.com/title/tt6073546/)  Serie: The expanse (https://www.imdb.com/title/tt3230854/)  Mail ons vooral met leuke cultuurtips: eenuurcultuur@vpro.nl

Le 15 avril 2021, c'est la Journée mondiale de l'art. Alors à cette occasion, Love Story met en avant des couples d'artistes qui ont marqué l'histoire. Des couples qui se sont aimés et qui se sont inspirés mutuellement, marquant durablement la culture, cette culture qui nous manque tant aujourd'hui. Cacher pour révéler le monde « Révéler en cachant ». Telle était la devise du duo Christo et Jeanne-Claude, rendus célèbres en empaquetant certains des plus impressionnants monuments construits par l'homme. C'est avec beaucoup de liberté qu'ils ont parcouru le monde et qu'ils ont créé ensemble. Ils ne se reconnaissaient pas dans les concepts de Land Art ou d'Art Conceptuel. Ils se décrivaient plutôt comme des architectes environnementaux. Pour découvrir d'autres récits passionnants, cliquez ci-dessous : Raël, le messager des extraterrestres : la naissance du mensonge (1/4) Raël, le messager des extraterrestres : des pratiques dérangeantes (2/4) Raël, le messager des extraterrestres : le clonage humain comme obsession (3/4) Raël, le messager des extraterrestres : la folie du gourou (4/4) Une production Bababam Originals Learn more about your ad choices. Visit megaphone.fm/adchoices

Multimediakunst von Cao Fei im Münchner Kunstbau Lenbachhaus / Drei neue Pop-Alben im Check / Barbi Markovic erhält den Carl-Amery-Literaturpreis / Werke von Christo & Jeanne Claude in Lindau

Christo and Jeanne Claude are best known for their monumental works using fabric to transform public spaces. These massive works outside of the museum or gallery context helped to bring art to the masses. Whether people wanted to or not, they were forced to reconsider the space as the building, or the coast was covered in masses of fabric. Related Episodes: Christo and Jeanne Claude | The Floating Piers (full episode) Check out my other podcasts  Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This podcast will talk about the life and work contemporary artist known as Christo and his wife Jeanne-Claude. This will also include materials and how he was able to do his works. This also features some info about Italian painter Michelangelo.

In this episode of Exploring Art Podcast, we dive deep into the works of famous artists, Christo and his wife Jeanne-Claude. We discuss the process of art and what it means for something to be called art. Through this journey, we also investigate Renaissance artist Michelangelo and what his connection could be to the contemporary artist, Christo.

 This podcast features Karla, Lucas, and Victor. The host, Karla, interviews Lucas and Victor, having them share their knowledge and ideas on the artist Christo along with his art pieces. The podcast continues with more questions and answers to learn more about the lives and works of Christo and Jeanne-Claude, different conventions of art, and past artists. With the knowledge that they have acquired through the chapters in Exploring Art, the students add their own thoughts, information, and ideas about the artists, art forms, and art pieces that are discussed in this episode. Music used for the intro: 秋の惑星 -Opening-, by Kaede and Lamp(Autumn Planet)https://open.spotify.com/track/6DlE7htdHpNPUrKgOHsED2?si=82c0373784424c12

In this episode, we discuss both Christo and Jeanne-Claude and their works. We tackle the big questions raised by their installations and public perception.

Join us in this episode as we explore the diverse practices of contemporary art, focusing on the groundbreaking installations of renowned artists Christo and Jeanne-Claude. Discover how their ambitious works, such as wrapping landscapes and transforming islands, have challenged artistic boundaries and captivated audiences worldwide. We also delve into the collaborative efforts of Christo with government and private agencies, as well as the enduring legacy of Michelangelo and the significance of Carrara marble in the art world.

In today's podcast, FIU colleagues set sail and discuss the process of art, along with the controversy as to whether this should be considered art! Join host Walter Angel along with Ashley, and Samuel as they focus on artist Christo with his concepts of contemporary art, his duo partnership with Jeanne-Claude, and how they connect with artistic mastermind Michelangelo. Listen to discussions as well about the beauties created by the duo Christo and Jeanne-Claude, like the Valley Curtains, Surrounded Islands, Pont Neuf Wrapped, and so much more. Stay tuned and enjoy the show!

Welcome to Jo's Art History Bite Size - small manageable podcast episodes which allow me to deep drive into a specific art work or artist in 10 minutes or less.. This week we are discussing the monumental installation work: The Floating Piers by Christo and Jeanne-Claude. Resource Links: https://www.josarthistory.com/post/how-to-walk-on-water https://www.youtube.com/watch?v=HG91th5SHvI Skip to 20 minutes in: https://www.youtube.com/watch?v=D_9NWujSpzU https://christojeanneclaude.net/life-and-work/ Images: https://www.theguardian.com/artanddesign/gallery/2016/jun/18/the-floating-piers Building the Pier: https://www.youtube.com/watch?v=p0SEoT2GOKY Want to connect? Email: josarthistory@gmail.com Instagram: @josarthistory Please consider supporting the podcast by buying me a book from my Wishlist - this will go towards future episodes of the podcast: https://www.amazon.co.uk/hz/wishlist/ls/FZ1XZKILJJCJ?ref_=wl_share

Welcome back to The Abundant Artist, the show that dispels the myth of “the starving artist” and shares how you can live an abundant life as an artist and make a living from your talent one interview at a time.   Normally this podcast features professional artists, but this week's guest has such a vast experience in the art world, we decided to shake up our usual!   Maria Brito is an Art Advisor, Art Consultant, and Curator. She has spent more than a decade working with a multitude of well-known artists as well as emerging talent, getting them in touch with her clients and building long-term relationships. She also works with corporate clients, helping foster creativity wherever she can.   She comes on the show to discuss her unique perspective on the art business, and how it intersects with the rest of the world. Cory and Maria discuss the revolutionary changes that technology has enabled, decentralizing the art practice and collectors' markets. They also touch on what artists need to succeed in the free markets as well as in the official art machinery, and how an increasingly polarized world requires open-mindedness and curiosity to move forward.   Join in for a lively discussion on the ever-evolving business of art making.   Key Takeaways: [:30] Cory welcomes Maria Brito to the podcast and dives right in with a question about failure.   [1:30] Always remember that failure is impersonal. Maria shares her perspective on the importance of self-reflection and the piecing together of clues to build future projects. She shares a personal story of learning and growth through failure.   [6:50] Maria encourages listeners to take time to review past failures and how they were used to better their practice.   [8:11] What does an art advisor do?   [11:19] From very unhappy corporate attorney to art advisor, consultant, and curator, Maria talks about how her path diverged almost 14 years ago.   [19:22] “Emergent artist” is a term that has changed meaning over time, but belongs to the official machinery of art galleries. Maria speaks about the label “outsider artists,” used for people who evolve away from those official structures.   [24:55] Many cities all over the world are brimming with art ecosystems because technology has enabled a wonderful decentralization of opportunities.   [26:20] How galleries contact Maria, and what they share as information for consideration.   [31:00] A substantial percentage of the art market originates from Instagram, close to $7.5 billion!   [33:25] The three things artists should get good at to build their following on Instagram.   [35:03] Teaching the creative process to corporate clients was years in the making, Maria shares how it came to fruition and some of what she teaches.   [40:00] The starving artist myth needs to be broken. From Picasso to O'Keefe, Maria explains why artists need to stop underestimating themselves as entrepreneurs.   [44:23] Maria's favorite art and entrepreneurship studies.   [49:00] Pursuing a career for the sake of happiness and creativity versus that of safety has nurtured in Maria a need to share her knowledge to inspire other people to follow their passion.   [53:28] The consistent habits of the creative mind as well as the counter-productive nature of anger and self-righteousness.   [1:08:12] Maria's advice for aspiring artists in a world that is rife with excellent competition: train your eye and choose your platform.   [1:15:40] Cory thanks Maria for joining the podcast and sharing so much of her knowledge!   Mentioned in This Episode: Maria Brito's website @MariaBrito_NY on Instagram @MariaBrito_NY on Twitter Maria on Facebook Hiscox Online Art Trade Report 2021 Harvard Business School: “Christo and Jeanne-Claude, The Art of the Entrepreneur” “Theaster Gates: Artist as Catalyst for Community Development” “Building an Aspirational High-End Brand through Cultural Engagement: Absolut Vodka's Love Affair with Art” The Warhol Economy: How Fashion, Art, and Music Drive New York City, by Elizabeth Currid-Halkett Paducah Kentuky art scene   Find More Episodes Over on TheAbundantArtist.com  

Heute zu Gast ist Friedhelm Hütte. Hütte hat über 30 Jahre als Leiter des Kunstbereichs der Deutschen Bank die globale Kunstförderung, die auf über 600 Standorte verteilte Kunstsammlung und sämtliche Ausstellungen des Geldinstituts verantwortet. Nach seinem Studium der Kunstgeschichte, Literatur-, Publizistik- und Kommunikationswissenschaft an der Ruhr-Universität in Bochum, kam Hütte 1986 zur deutschen Bank und steht heute mit 66 Jahren kurz vor seinem Ruhestand. Umso erfreulicher ist die Möglichkeit, sich von solch einem Urgestein des internationalen Kunstbetriebs erklären zu lassen, nach welchen Kriterien die Deutsche Bank Kunst ankauft und warum nie direkt über Kunstschaffende, sondern immer über Galerien und weshalb nicht primär zum Zwecke der Vermögenssteigerung wie man es von einem Geldinstitut erwarten würde. Außerdem haben wir über Hüttes Zusammenarbeit mit bedeutenden Kunstschaffenden wie Christo und Jeanne-Claude, Gerhard Richter und Jörg Immendorff gesprochen. Und es ging um das neue Atelier-Stipendium "MACHT KUNST!", mit dem die Deutsche Bank Kunstschaffende bis einschließlich 35 Jahre über den Zeitraum eines Jahres mit einem Zuschuss von 500 Euro monatlich unterstützen wird. Bewerbungsschluss ist der 23. April 2023. Bewerbung Künstler:innen-Stipendium: https://socialimpact.eu/atelier-stipendium Produktion & Schnitt: Sebastian Späth Foto: privat Musik: Tim-Dominik Matuschke https://art.db.com/ https://palaispopulaire.db.com/

Die Verhüllung des Berliner Reichstages durch das Künstlerehepaar Christo und Jeanne-Claude war hoch umstritten und wurde zu einem der erfolgreichsten Kunstereignisse der deutschen Geschichte.

Christo and Jeanne Claude are best known for their monumental works using fabric to transform public spaces. These massive works outside of the museum or gallery context helped to bring art to the masses. Whether people wanted to or not, they were forced to reconsider the space as the building, or the coast was covered in masses of fabric. Related Episodes: Christo and Jeanne Claude | The Floating Piers (full episode) Arts Madness Tournament links: Check out the Brackets Tell me which artist you think will win this year's tournament Give a shoutout to your favorite teacher (the teacher who gets the most shoutouts on this form by Feb 27 will get a $50 Amazon gift card) Who ARTed is an Airwave Media Podcast. Connect with me: Website | Twitter | Instagram | Tiktok Support the show: Merch from TeePublic | Make a Donation As always you can find images of the work being discussed at www.WhoARTedPodcast.com and of course, please leave a rating or review on your favorite podcast app. You might hear it read out on the show. Learn more about your ad choices. Visit megaphone.fm/adchoices

With a week of back and forth, Mars was at its closest to Earth this week, while Furyu-odori folk dances were added to UNESCO's Intangible Cultural Heritage list earlier this week. And following Monday's note on Christo and Jeanne-Claude at 21_21 DESIGN SIGHT and Wednesday's note on the late film director Yoichi Sai, today's note reviews the exhibition series Roppongi Crossing at the Mori Art Museum, reflecting the back-and-forth of a post-pandemic world with the latest edition “Coming and Going”. And with that, every note this week also reflects on events and people looking for stability amid unstable surroundings. Learn more about your ad choices. Visit megaphone.fm/adchoices

All eyes are trained on the middle east this year. The FIFA World Cup 2022 in Qatar is finally underway, while November marks the 100th anniversary of the British archaeologist Howard Carter breaking open the tomb of King Tutankhamen near the Egyptian city of Luxor. This year a Japanese research team concluded an iron dagger found in the tomb had, in fact, been forged from a meteorite. Meanwhile, west of Luxor and east of Qatar, the largest and only permanent artwork is being designed for the Abu Dhabi desert: The Mastaba, a project conceived in 1977 by Christo and Jeanne-Claude, the duo known for their environmental installations. Their final project is now on display at 21_21 DESIGN SITE at Tokyo Midtown until February 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paolo RepettoChristo e Jeanne Claude ProjectsCastello di Miradolo15 ottobre 2022 - 16 aprile 2023A poco più di due anni dalla scomparsa di Christo Vladimirov Javacheff, il Castello di Miradolo dedica a Christo e Jeanne-Claude, la coppia che ha rivoluzionato il concetto di opera d'arte e il suo processo di realizzazione, la mostra Christo e Jeanne-Claude. Projects, che espone disegni, collages, fotografie e video delle loro opere più famose, insieme ad opere di alcuni artisti del Nouveau Réalisme e della Land Art che hanno influenzato la loro produzione artistica e il loro pensiero.Curata da Francesco Poli, Paolo Repetto e Roberto Galimberti, con il coordinamento generale di Paola Eynard, la mostra, realizzata grazie alla collaborazione con la Christo and Jeanne-Claude Foundation di New York, presenta circa sessanta opere accompagnate da un'ampia sezione fotografica e dalla proiezione dei video che documentano la realizzazione delle monumentali installazioni artistiche. Le opere di Christo e Jeanne-Claude, tanto inedite, quanto ardite e monumentali, fecero sempre molta fatica ad essere approvate ed accettate. Nel 1966 il permesso per il progetto Wrapped Trees, concepito per il parco adiacente al Saint Louis Art Museum, in Missouri, fu negato. Nel 1969 gli artisti immaginarono il progetto Wrapped Trees, Project for Avenue des Champs- Élysées and the Rond Point des Champs-Élysée a Parigi, anch'esso mai realizzato. Il progetto Wrapped Trees per Riehen (Comune alle porte di Basilea) è stato infine completato nel 1998 ed è il risultato di 32 anni di sforzi e attese. Nel parco intorno alla Fondation Beyeler, 178 alberi, alti da 2 a 25 metri, sono stati avvolti con 23 chilometri di corda e con 55mila metri quadrati di tessuto in poliestere intrecciato.Al 1968 risalgono i primi due edifici impacchettati: entrambi musei. Si tratta della Kunsthalle di Berna e del Museum of Contemporary Art di Chicago. Nello stesso anno, in occasione della quarta edizione di Documenta, la quinquennale esposizione internazionale che si svolge a Kassel, in Germania, Christo e Jeanne-Claude realizzano davanti al palazzo del Friedericianum, sede della mostra, 5.600 Cubicmeter Package, una gigantesca scultura gonfiabile alta circa 85 metri. Nel 1974 a Roma il critico Achille Bonito Oliva organizza la grande rassegna “Contemporanea” a cui partecipano tutti i maggiori artisti internazionali. Christo e Jeanne-Claude realizzano una delle loro opere urbane più straordinarie: The Wall-Wrapped Roman Wall, che vede una sezione di ben 250 metri delle Mura Aureliane interamente coperta da tessuto di polipropilene legato da corde in Dacron. Nel 1985, undici anni dopo, The Pont Neuf Wrapped segna un nuovo intervento urbano che ha come protagonista il più antico ponte di Parigi, la cui architettura – in costante evoluzione - ha rispecchiato per secoli il carattere trasformista della città. L'intervento di Christo e Jeanne-Claude conferisce al Pont Neuf una nuova dimensione scultorea, continuandone dunque la tradizione della metamorfosi architettonica, trasformandolo per 14 giorni in un'opera d'arte.Wrapped Coast, One Million Square Feet (1969) nella Little Bay di Sydney in Australia, Valley Curtain (1972) a Rifle in Colorado, Ocean Front (1974) a Newport, Rhode Island a sud di Boston, Running Fence (1976) nelle Contee di Sonoma e Marin in California, sono tutte opere di dimensioni colossali, dove enormi teli in polipropilene o nylon hanno celato, per alcune settimane, vasti spazi, ora di costa, ora di acqua, ora di cielo. Valley Curtain, il grande telo arancione disteso come una immensa diga tra gli estremi di due colline, richiese 28 mesi di preparazione e durò solo 28 ore poiché forti raffiche di vento, fino a 100 km all'ora, resero necessaria una tempestiva disinstallazione. Running Fence, lunga quasi 40 chilometri e alta 5,5 metri, si estendeva da est a ovest, a nord di San Francisco, sulle proprietà di 59 allevatori di bestiame. Per 14 giorni l'alta “recinzione” di nylon bianco, come una inedita muraglia cinese, ma più elegante e leggera, seguiva l'andamento sinuoso delle colline per poi scomparire, immergendosi nell'oceano Pacifico, a Bodega Bay. L'idea arcaica della grande muraglia, come recinzione e difesa, delimitazione politica e confine, nella concezione dei due artisti si trasforma in un sinuoso nastro di luce che anziché separare, unisce, riaffermando ed esaltando così le caratteristiche coloristiche e luminose del contesto naturale catturato in una precisa frazione di tempo. Wrapped Fountain and Wrapped Medieval Tower (1968) sono le prime opere pubbliche realizzate da Christo e Jeanne-Claude in Italia. In occasione del Festival dei Due Mondi di Spoleto impacchettano una torre medievale e la Fontana del Mascherone del XVII secolo. Per i dieci anni dalla fondazione del movimento del Nouveau Réalisme, Christo e Jeanne-Claude impacchettarono con un tessuto in propilene bianco e con corde arancio due dei principali monumenti scultorei di Milano: quello di Vittorio Emanuele II in piazza del Duomo e quello di Leonardo da Vinci in piazza della Scala. Wrapped Monument to Leonardo e Wrapped Monument to Vittorio Emanuele II (1970) ebbero entrambi vita breve: rispettivamente due e sette giorni.Wrapped Reichstag (1995), l'impacchettamento dello storico palazzo del parlamento tedesco a Berlino, ha visto Christo e Jeanne-Claude impegnati in un travagliato processo di approvazione del loro progetto durato oltre due decenni. Per la forte pregnanza simbolica dell'edificio questo è forse l'intervento urbano più significativo degli artisti ed è tra quelli che ha avuto la maggiore risonanza e il più forte impatto a livello mondiale. La facciata, le torri e il tetto sono stati ricoperti con 100mila metri quadrati di tessuto in polipropilene color alluminio legati con ben 16,6 chilometri di corde blu. Il lavoro è stato compiuto da 70 alpinisti professionisti e da 120 operai installatori.A differenza degli esponenti della Land Art americana, che hanno privilegiato lontani territori desertici incontaminati e difficilmente raggiungibili, Christo e Jeanne-Claude hanno sempre voluto realizzare le loro opere in luoghi facilmente accessibili, anche nel caso degli interventi in spazi naturali. La componente fondamentale dei loro progetti era la presenza umana in forma di rapporto che una comunità di individui sviluppa con il contesto in cui vive e al contempo di interazione e coinvolgimento diretto nella creazione dei progetti stessi. Con Surrounded Islands (1983) nella Biscayne Bay di Miami, 11 delle isole situate nella baia furono circondate da oltre 600mila metri quadrati di tessuto fluttuante in polipropilene rosa che ricopriva la superficie dell'acqua e si estendeva per 61 metri da ciascuna isola nella baia. All'alba del 9 ottobre 1991, alla presenza di Christo e Jeanne-Claude, furono aperti i 3.100 ombrelli alti 6 metri e con un diametro di circa 8,5 metri, a Ibaraki e in California. The Umbrellas (1991) intendeva indagare le somiglianze e le differenze nei modi di vivere e nell'uso dello spazio in due valli interne, una lunga 19 chilometri in Giappone e l'altra 29 chilometri negli Stati Uniti. In Giappone, la valle si trova nella prefettura di Ibaraki e comprende le proprietà di 459 proprietari terrieri privati e di agenzie governative. Negli Stati Uniti, la valle si trova a poco meno di 100 chilometri a nord di Los Angeles, nelle proprietà del Tejon Ranch, appartenenti a 25 proprietari terrieri privati e agenzie governative. Con The Floating Piers (2016) per 16 giorni, dal 18 giugno al 3 luglio, il Lago d'Iseo è stato reinventato. Centomila metri quadrati di tessuto giallo dalia scintillante, fissati a un sistema modulare di pontili galleggianti composto da 220mila cubi di polietilene ad alta densità, ondeggiavano con il movimento dell'acqua, appena sopra la superficie del lago. The Gates (2005) è un cammino lungo 37 chilometri a Central Park, a New York: 7.503 “cancelli” alti quasi 5 metri e distanti tra loro circa tre metri e mezzo.Tutte le opere ambientali di Christo e Jeanne-Claude sono sempre state interamente finanziate dagli artisti stessi, attraverso la vendita dei disegni, dei collage e dei modelli in scala dei progetti in essere o passati. Tutti i progetti sono sempre stati liberamente accessibili al pubblico in maniera gratuita.IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.it/

Du 20 au 23 octobre 2022, la nouvelle foire internationale d'art contemporain "Paris + par Art Basel" se tient à Paris. C'est l'occasion de découvrir les nouveautés du secteur. Dans cet épisode, on revient sur des œuvres d'art contemporain qui ont fait polémique. Si la critique est facile, l'art est difficile… Enfin, ça dépend. Quand on parle d'art contemporain, on entend souvent cette phrase : "ma petite sœur de 5 ans pourrait faire la même chose". Si on en attend toujours les preuves, il est vrai que l'art contemporain suscite de vives réactions. Par exemple, on pense à l'Arc de Triomphe emballé par les artistes Christo et Jeanne Claude, une performance pourtant temporaire qui a hérissé les poils de certains. Mais pourquoi l'art contemporain divise-t-il autant ? Quel est le message derrière ces œuvres d'art ? Quels sont les exemples les plus marquants ? Écoutez la suite dans cet épisode de "Maintenant vous savez - Culture". Un podcast écrit et réalisé par Jonathan Aupart. À écouter aussi : Quel est le film le plus rentable de tous les temps ? Quel avenir pour l'univers DC au cinéma ? Qu'est-ce que c'est le rococo ? Learn more about your ad choices. Visit megaphone.fm/adchoices

In unserer Reihe Wasserstand sprechen die drei KAP Kapitäne Birgit, Nicola und Sarah Lili über vergangene Podcast-Folgen und das Zeitgeschehen aus der Welt der Kultur, Wissenschaft und KAP. Heute: Glashausarchitektur, Paris und die Anfänge von Christo und Jeanne-Claude.

3100 blaue und gelbe Schirme, jeder sechs Meter hoch, 200kg schwer, mit einem Durchmesser von neun Metern, die zeitgleich in zwei Tälern in Japan und den USA geöffnet wurden. "Umbrellas" war ein spektakuläres Kunstprojekt. Von Andrea Schwyzer.

Bekannt wurden Christo und Jeanne-Claude vor allem durch Verhüllungen von Architekturen und Landschaften. Das Düsseldorfer Museum Kunstpalast zeigt nicht nur das, sondern vor allem die spannende Pariser Phase ab Ende der 50er Jahre. Autor: Jörg Mayer Von Jörg Mayer.

Im zweiten Teil der Doppelfolge sprechen wir über die Inszenierung von Kunst in den sozialen Medien.  Wir gehen aus von einem Post von @iamcardib, in dem sie vor dem von Christo und Jeanne-Claude verhüllten L‘Arc de Triomphe posiert und gehen über zu der bildenden Künstlerin @chloewise und den Strategien der Selbstinszenierung von jungen Künstler:innen bei Instagram. Wir besprechen das reziproke Verhältnis von Kunst und Mode, analysieren die Schnittstellen der Sozialfiguren „Künstler:in“ und „Influencer:in“ und hinterfragen die Argumentation von Kunst als Investment. Mit Jasper Landmann!

Riding With Death has Chris and Beth trapped in the back of a tractor trailer, as they talk about white dots, invisible men, unexpected charisma, tasty knishes, and flying dreams. (Also there's some important news about the show!)SHOW NOTES.Riding With Death: IMDB. MST3K Wiki. Trailer. The Gizmoplex has softly launched!White Dot.Our big episode on Manos.Our episode on Jack Frost.Baking soda or vinegar.H.G. Wells: The Invisible Man.The Invisible Man (1933) [trailer].H.G. Wells: Apropos of Dolores. The Time Machine. The Island of Doctor Moreau.Our episode on Village of the Giants.Gemini Man and The Invisible Man.Jim Stafford: Swamp Witch. Spiders and Snakes. Cow Patti. A Hunting Man.Jean-Michel Basquiat: Riding With Death.Alan Oppenheimer.Our episodes on Night of the Blood Beast and The Painted Hills.Deuterium.A knish guide.Christo and Jeanne-Claude.Kelly Flinn.This American Life on Superpowers.It's hard to find a clean copy of the theme song, but you can here it at the beginning of this video.Support It's Just A Show on Patreon and you can hang out with us on a members-only Slack where we chat during the live episode premieres!

En este verano que acaba de culminar, uno de los grandes acontecimientos fue la inauguración del Museo de Arte Contemporáneo Atchugarry ( MACA), en la zona de Manantiales, departamento de Maldonado. Todos quienes lo recorrimos salimos impresionados, por el diseño arquitectónico de Carlos Ott, tanto exterior como el interior, y por las primeras propuestas culturales, por ejemplo la retrospectiva de Christo y Jeanne Claude, que confirmaron el objetivo de colocar a Uruguay “en el mapa de las grandes exhibiciones internacionales”. El MACA es la culminación del proyecto que la Fundación Pablo Atchugarry viene desarrollando desde hace 15 años en su predio de la ruta 104 y que incluye otros dos pabellones de exposiciones, un auditorio al aire libre, la capilla con La Pietà, el taller donde trabaja el dueño de casa mientras está en Uruguay y el gran Parque de las Esculturas, que sigue creciendo, en extensión, en cantidad y calidad de las obras y en el despliegue de su jardinería. ¿Qué dejó la experiencia de estos dos primeros meses del MACA? ¿Cómo sigue la actividad allí, ahora que llegó el otoño? ¿Cuáles son los próximos planes? Hoy En Perspectiva lo hablamos con el escultor (y gestor cultural) Pablo Atchugarry.

For those who enjoy exploring the visual arts in an audio medium, this week we focused on Christo and Jeanne-Claude. You can see an image of The Floating Piers at the website www.WhoARTedPodcast.com My guest for this week was the one and only Tim Bogatz. He is a tremendous veteran art teacher and host of Art Ed Radio from The Art of Education University. It was great to get to talk to him and hear his insights into this unique bit of art history. He was also nice enough to have me record an episode for his show, so be sure to check out Art Ed Radio.   June 18 - July 3, 2016 Christo and his assistants used 100,000 square meters of bright yellow fabric to transform Lake Iseo in Italy. The fabric floated on top of floating dock system comprised of 220,000 polystyrene cubes. The fabric floated just above the surface moving with the water. There was no need for tickets or reservations. It was free for everyone to walk on as Christo said it was an extension of the street. The piers provided a walkway on the water connecting a small island to the mainland. Estimates are 72k-100k people visited per day, around 1.2 million people total over the 16 days. Christo and Jeanne-Claude had the idea for the floating piers in 1970. This was his first large-scale project since her death in 2009. If you are concerned about the environmental impacts of polystyrene on the water, after the exhibition, all of the material was gathered and recycled. Still not as eco friendly as Goldsworthy, but not as bad a Exxon. This week is the start to my annual Arts Madness tournament. I would love to have as many people as possible join in the fun of judging a diverse collection of artists and works. Over 6 weeks, we will go from 64 great artists down to 1 ultimate Arts Madness champion. More information is on the Arts Madness page of my website. Vote for your favorites in the Round 1 Matchups before March 5. If you would like to support the show, I recently partnered with Ko-Fi to be able to accept donations to cover the costs of production. You can buy me a coffee at https://ko-fi.com/whoarted Because I do not want disruptive ads and I put nothing behind a paywall, listener donations are my only means of defraying the costs. I greatly appreciate your support.  

Drew Brockington comes back on the podcast to talk more about his fatherhood journey. Next, we talk about his new book, Waffles and Pancake Planetary YUM. Drew shares how this book came to be and how this book is a prequel to his book series that people love to read together as a family. Lastly, we finish the interview with the Fatherhood Quick Five.  About Drew Brockington Drew graduated from Kalamazoo College with a degree in Art and Art History, and soon found himself in Central Park working for Christo and Jeanne Claude on “The Gates” artwork installation in the winter of 2005. He went on stay in New York as a graphic designer, using his illustration talents to help create custom logos and stationery pieces. In his spare time, he continued to doodle in his sketchbook, as well as, participated in cheese eating contests. In late 2012, Drew and his wife relocated to Minneapolis, where he refocused his efforts into writing and illustration. He currently draws in his home studio, while his dog, Leroy, snores next to him. Drew and his wife are blessed with two kids.  About Waffles and Pancake Planetary YUM  One very special Saturday, Dad-Cat decides to take Waffles and his sister Pancake to the big city to go to the science museum! While they're there, the kittens see extraordinary things, like dino-cats, hairballs in 4D, and even the planetarium. But as the kittens learn about constellations and Neil Pawstrong, they get separated from Dad-Cat. Will the kittens be able to find their (possibly invisible) Dad-Cat? Or will they get stuck living in the museum and eating star tots and tuna melts fur-ever?! This early graphic novel series is chock-full of educational facts about space—perfect for young readers. About The Art of Fatherhood Podcast  The Art of Fatherhood Podcast follows the journey of fatherhood. Your host, Art Eddy talks with fantastic dads from all around the world where they share their thoughts on fatherhood. In addition, you get a unique perspective on fatherhood. You hear from guests like Joe Montana, Kevin Smith, Danny Trejo, Jerry Rice, Jeff Foxworthy, Patrick Warburton, Jeff Kinney, Paul Sun-Hyung Lee, Kyle Busch, Dennis Quaid, Dwight Freeney and many more.

Das nennt man Vorsehung: An genau demselben Tag, und zwar am 13. Juni 1935, kommen in Bulgarien und in Casablanca sowohl Christo als auch seine spätere kongeniale Partnerin Jeanne-Claude zur Welt. Nachdem die beiden sich im Paris der frühen 1960er Jahre ineinander verliebt hatten, verhüllten sie fortan gemeinsam für sechs Jahrzehnte Gebäude und Brücken und Täler und Inseln. Was war Ihr Ziel, was wollten Sie damit enthüllen? Das diskutieren Florian Illies und Giovanni di Lorenzo in der neuesten Folge von "Augen zu", dem Kunstpodcast von ZEIT und ZEIT ONLINE. Im Juni 1995 bescherten Christo und Jeanne-Claude mit ihrer Verhüllung des Deutschen Reichstages den Deutschen einen seltenen Moment heiterer Selbstreflexion. Indem sie das Parlamentsgebäude, das zuvor symbolisch für die Last der deutschen Geschichte stand, für zwei kurze sommerliche Wochen in unschuldiges Weiß verpackten, gelang es ihnen, das Ende der Bonner und den Beginn der Berliner Republik symbolisch einzuleiten. Im Podcast "Augen zu" erzählt die damalige Bundestagspräsidentin Rita Süssmuth, wie es in einem zähen, jahrzehntelangen Ringen gelang, eine Mehrheit im deutschen Bundestag für diesen einzigartigen Akt der Verhüllung eines staatlichen Symbols zu organisieren. Alle Verpackungen von Christo und Jeanne-Claude sind Festspiele der Vergänglichkeit, also mindestens so sehr Werke des Barock wie der Konzeptkunst. Dass sie im kollektiven Gedächtnis bleiben, verdanken wir Wolfgang Volz, dem deutschen Fotografen, der seit 1971 an Seite von Christo und Jeanne-Claude steht. Er berichtet als zweiter "Telefonjoker" in "Augen zu", wie es ihm gelang, als junger Fotografiestudent den gigantischen Vorhang in einem Tal in den Rocky Mountains zu fotografieren, bevor ihn der Wind zerfetzte. In Spätsommer 2021 vollendete sich das Œuvre von Christo und Jeanne-Claude mit der Verhüllung des Arc de Triomphe in Paris. Auch dies war, wie der "Wrapped Reichstag" ein jahrzehntelang vorbereitetes und viel diskutiertes Projekt. Als er 2021 durch weiß-leuchtende Stoffbahnen den Blicken der Gegenwart entzogen wurde, um die Fantasie zu enthüllen, da konnten dies seine Schöpfer selbst nicht mehr miterleben, da sie 2009 und 2020 gestorben waren. Die große Frage ist nun: Was bleibt von diesem Künstlerpaar, wenn nicht nur sie selbst, sondern auch ihre Werke von der Erde verschwunden sind? Genau diese Frage diskutieren Florian Illies und Giovanni di Lorenzo. Alle vier Wochen widmet sich "Augen zu" dem Lebenswerk einer großen Künstlerpersönlichkeit. Stellt die Biografie ebenso vor wie die wichtigsten Werke. In der nächsten Folge wird sich Augen zu Jan Vermeer zuwenden, der zur Zeit mit einer großen Ausstellung in Dresden gefeiert wird. Sie erreichen den Podcast mit Anregungen und Fragen über die E-Mailadresse augenzu@zeit.de.

Today's art world is driven by multimillion-dollar auctions and fancy art fairs inaccessible to most Americans — Art Basel Miami, anyone? Those who do view art spend an average of just eight seconds per work, so it's not clear that we're even meaningfully experiencing those Monet water lilies. In episode 36, Ellie and David explore the way capitalism has turned art into a commodity. From Basquiat to Banksy, even street art seems to have been devoured by capitalism's endless hunger for monetary exchange, selling aesthetics of revolution for millions of dollars at auction. How might intricate Tibetan sand paintings and even macaroni necklaces help us envision a future for art outside of commodification?Works DiscussedJohn Dewey, Art as ExperienceWalter Benjamin, “The Work of Art in the Age of Mechanical Reproduction”Hito Steyerl, Duty Free ArtTheodor Adorno, The Culture IndustryMichael Baxandall, Painting and ExperienceDiana Crane, “Reflections on the Global Art Market”Cynthia Freeland, What is Art?McKenzie Wark, “Digital Provenance and the Artwork as Derivative”Sianne Ngai, Our Aesthetic Categories: Zany, Cute, InterestingBanksy, Love is in the BinKarl Marx, 1844 ManuscriptsChristo and Jeanne-Claude, The Pont Neuf WrappedWebsite | overthinkpodcast.comInstagram & Twitter | @overthink_podEmail |  Dearoverthink@gmail.comYouTube | Overthink podcast

Alum from the Lycée Francais de New York and Graduate in Urban Design, Hadrien Cassan is a cultural mediator for the Jeanne Claude and Christo project of the Wrapped Arc de Triomple. He is spending half of his days under the monument welcoming the public. He tells us about the project from the inside. .

收听提示 1、《包裹凯旋门》是怎么回事？ 2、什么是大地艺术？ 3、当代艺术带给我们的震撼是什么？ 4、回答一些听众提问。 本集相关 《包裹凯旋门》 当地时间9月18日，《包裹凯旋门》正式向公众亮相。凯旋门是拿破仑为纪念他在军事行动中牺牲的士兵而建造的，现在这座纪念碑被约27万平方英尺的银蓝色织物所覆盖，每一片织物都被红色的绳索捆起固定，织物的表面被风吹得"一鼓一鼓"，随着不断变化的阳光而闪闪发光。法国总统马克龙周四揭幕了这个具有里程碑意义的公共艺术项目，他表示："这是一个60载梦想的完成，一个疯狂的梦想成真。"他还表示："我认为我们相信的是：疯狂的梦想一定是可能的。将一座纪念碑同时包裹在军事、历史、艺术和国家记忆库中，让法国人';格外自豪';，因为这就是艺术冒险的全部意义所在。" 艺术家夫妇Christo和Jeanne-Claude Christo出生于保加利亚，于1957年离开了自己的国家并开始四处游历，曾在多个国家生活。在抵达巴黎后，他遇到了Jeanne-Claude，两人从此携手成为艺术伙伴兼眷侣，并于1961年开始了他们大型公共艺术品的职业生涯。 《包裹凯旋门》公共艺术项目最初在1961年由Christo与妻子Jeanne-Claude首次进行构想，但直到2017年该艺术项目才正式提出实施。这个项目本来是为了配合Christo和Jeanne-Claude的2020年蓬皮杜中心展览同时进行的，但由于新冠疫情的影响而被迫推迟施工。更遗憾的是，Christo在去年5月逝世，未能看到这个项目最终实现（他的妻子Jeanne-Claude已于2009年去世）。 因此，这个项目最后交由Christo和Jean-Claude的侄子Vladimir Javacheff、蓬皮杜博物馆和法国当局共同协调完成。这个艺术项目的资金全部由出售Christo的研究、绘画等作品筹到的钱来完成，至今没有使用公共资金的支持。而在"包裹"凯旋门的过程中，团队也准备了脚手架和保护钢架设备，防止在包装过程中对凯旋门上具有重大历史价值的石雕造成任何损坏。 本集音乐 Bombino - Kammou Taliat 上集回顾 315. 《八分》回归，搬家最困难的事是什么？ 《八分》每周三、周五晚8点更新 欢迎留言说出你的问题和建议

Today in Paris marks the unveiling of the infamous CHRISTO AND JEANNE-CLAUDE'S posthumous dream project -- "L‘Arc de Triomphe, Wrapped”.  Artlaws is thrilled to present a special event interview with celebrated artist and photographer Simon Chaput who knew Christo and Jeanne-Claude intimately, as both friend and colleague.  After meeting the artist couple in New York in 1983, Simon quickly became an integral part of their life and  their work. Christo and Jeanne-Claude were an unparalleled artistic duo celebrated for their magnificent, monumental, and ephemeral environmental installations often unprecedented in scale -- such as "Running Fence" down the California coast, "The Gates" in New York's Central Park,  and "Wrapped Coast" in Australia.  Also known for wrapping architecture and natural elements in fabric -- such as “Surrounded Islands” in Miami and the “Wrapped Reichstag” in Berlin -- their poetic public works transcended traditional boundaries of painting, sculpture, and architecture.  What stands behind each work has always been a powerful call for freedom and beauty.  "L'Arc de Triomphe, Wrapped" -- a project first conceived by the artists sixty years ago -- has today been fully realized.  We spoke with Simon leading up  to and en route  to this unprecedented  event. 

Nous vous avions déjà parlé du couple d'artistes Christo et Jeanne-Claude, connus pour leur empaquetage de monuments. Samedi 18 septembre 2021 est inaugurée leur nouvelle œuvre : l'Arc de Triomphe emballé d'un tissu argenté. Haut de lieu de commémorations, l'Arc de Triomphe est le rêve de toute une vie de Christo (décédé en mai 2020) et de sa femme. (Re)découvrez ce couple d'artistes dans cet épisode de Love Story. Cacher pour révéler le monde « Révéler en cachant ». Telle était la devise du duo Christo et Jeanne-Claude, rendus célèbres en empaquetant certains des plus impressionnants monuments construits par l'homme. C'est avec beaucoup de liberté qu'ils ont parcouru le monde et qu'ils ont créé ensemble. Ils ne se reconnaissaient pas dans les concepts de Land Art ou d'Art Conceptuel. Ils se décrivaient plutôt comme des architectes environnementaux. Tous les épisodes de cette saison sont à découvrir ici : Sonia et Robert Delaunay : une histoire de couleurs, d'expériences et de fusion Jean-Michel Basquiat et Madonna : une histoire d'underground, de succès et de rupture Dali et Gala, une histoire de fascination, d'inspiration et de loyauté Frida Kahlo et Diego Rivera, une histoire de douleur, de mexicanité et de fidélité Suivez toutes les actualités de "Love Story" sur : https://www.instagram.com/lovestory.podcast/ Crédit photo : © WOLFGANG VOLZ Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out. Learn more about your ad choices. Visit megaphone.fm/adchoices

Le 15 avril 2021, c'est la Journée mondiale de l'art. Alors à cette occasion, Love Story met en avant des couples d'artistes qui ont marqué l'histoire. Des couples qui se sont aimés et qui se sont inspirés mutuellement, marquant durablement la culture, cette culture qui nous manque tant aujourd'hui. Cacher pour révéler le monde « Révéler en cachant ». Telle était la devise du duo Christo et Jeanne-Claude, rendus célèbres en empaquetant certains des plus impressionnants monuments construits par l'homme. C'est avec beaucoup de liberté qu'ils ont parcouru le monde et qu'ils ont créé ensemble. Ils ne se reconnaissaient pas dans les concepts de Land Art ou d'Art Conceptuel. Ils se décrivaient plutôt comme des architectes environnementaux. Tous les épisodes de cette saison sont à découvrir ici : => Sonia et Robert Delaunay : une histoire de couleurs, d'expériences et de fusion => Jean-Michel Basquiat et Madonna : une histoire d'underground, de succès et de rupture => Dali et Gala, une histoire de fascination, d'inspiration et de loyauté => Frida Kahlo et Diego Rivera, une histoire de douleur, de mexicanité et de fidélité Suivez toutes les actualités de "Love Story" sur : https://www.instagram.com/lovestory.podcast/ Crédit photo : © WOLFGANG VOLZ Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out. Learn more about your ad choices. Visit megaphone.fm/adchoices

We discuss: Corporate sponsorships of museums, her love of archives, How she choses work to purchase, the importance of building relationships between artists and collectors, her definition of emerging artists, finding new artist during covid, artist patronage, the desire to see the artistic process through videos or live stream in the studio, why to collect art, buying edition artwork, collectors often collector more than one thing, having art in the bathroom, the need for Certificate of Authenticity (COA) or provenance, how to budget for buying art   People + Places mentioned: Glenhyrst Art Gallery of Brant - https://www.glenhyrst.ca/ Jemimah Patterson - http://www.jemimahpatterson.com/ Herbert and Dorothy Vogel - https://en.wikipedia.org/wiki/Herbert_and_Dorothy_Vogel The Frick Collection, Cocktails with a Curator - https://www.frick.org/interact/miniseries/cocktails_curator Tommy Mitchell - https://www.tommymitche11.com/ Christo and Jeanne-Claude - https://www.christojeanneclaude.net/ Mannequino - https://www.mannequino.com/ Super Future Kid - https://www.instagram.com/superfuturekid/ B.D. White - https://www.bdwhite.net/ Doug Schulte - https://www.dougschulte.com/ A.J. Fries - https://ajfriesart.com/ Nicholas Wilton - https://www.nicholaswilton.com/ Hermine David Jules Pascin and the artists of Montparnasse, France Julien Sinzogan saatchi art - https://www.saatchiart.com/   https://www.instagram.com/viocio.art/   Hosted by Matthew Dols http://www.matthewdols.com

We've all seen any number of emails and Tweets and Facebook posts this week from companies supporting protests and the like. Entertainment industry firms have jumped on that bandwagon too, but The Washington Post's Alyssa Rosenberg has a different idea about how those particular players might be able to help: by shutting down all the police movies and TV shows. And: Comedian Sarah Cooper has found an elegant, perhaps surprisingly effective way to lampoon the president. She just lip syncs to his own words. And finally: The Vast of Night is the feature film debut of writer and director Andrew Patterson. He financed its $700,000 budget himself, and after its premiere at last year's Slamdance Film Festival, Amazon acquired it. The Twilight Zone-style sci-fi mystery debuted on Amazon Prime last weekend. Some other stuff that happened this week, give or take: Christo, Artist Who Wrapped and Festooned on an Epic Scale, Dies at 84Mountains, museums, bridges and Central Park were just some of what he used to make astonishing and popular art with his wife and collaborator, Jeanne-Claude. Bruce Jay Friedman, 90, Author With a Darkly Comic Worldview, DiesAn unusual case in American letters, he moved easily between literature and pop culture, including movies like "Stir Crazy" and "Splash," to great acclaim. The Remaking of Steve BuscemiSteve Buscemi has seen it all. He was hit by a car and a bus as a kid, was once stabbed in a bar fight, volunteered as a firefighter during 9/11, and somewhere along the way became one of the most accomplished film actors of his generation. And then tragedy struck: In 2019, Buscemi lost his wife of over 30 years. In a rare interview, Hollywood's most beloved misfit opens up about anxiety, loss, and the hard work of getting through it all. Why Your Local Comics Shop Matters Now More Than Ever Feeling Lucky at 90: The Clint Eastwood Passion ProjectOne of Hollywood's most enduring icons enters his 10th decade on the planet this week. After more than 50 films, 38 directed by the man himself, what's left to say about Clint Eastwood? Two fans look at old favorites and a few less heralded works to paint a picture of sustained, often unpredictable artistry. Necco Wafers make their triumphant return 2 years after the factory that made them closed its doors HBO's 'Watchmen' Was Ahead of its Time -- By 9 Months GUESTS: Mercy Quaye - Founder and principal consultant for The Narrative Project and a columnist with Hearst Connecticut Media Group Brian Slattery - Arts editor for the New Haven Independent and a producer at WNHH radio Join the conversation on Facebook and Twitter. Colin McEnroe and Cat Pastor contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Búlgarski listamaðurinn Christo Vladimirov Javacheff lést á sunnudaginn, en hann setti mark sitt á listasöguna, ásamt eiginkonu sinni og samverkakonu, Jeanne-Claude. Við sláum á þráðinn til Parísar og ræðum við Laufeyju Helgadóttur, listfræðing, um Christo og list í formi innpökkunar. Rætt verður við Birtu Guðjónsdóttur sýningarstjóra sýningarinnar Yfir Gullinbrú sem er afmælissýning Myndhöggvarafélagsins í Grafarvogi. Hanna Styrmisdóttir verður tekin tali um nýtt meistaranám í sýningargerð sem Listaháskóli Íslands ætlar að bjóða upp á á komandi vetri. Umsjónarmenn: Guðni Tómasson og Halla Þórlaug Óskarsdóttir

Nach 24 Jahren Vorbereitung ist es endlich soweit: Das Künstlerpaar Christo und Jeanne Claude verhüllt den Reichstag. Und ganz Berlin ist verzaubert von den glänzenden Stoffbahnen, die sich an den künftigen Bundestag schmiegen.