Podcast appearances and mentions of Kate Durbin

Amaranth Borsuk's work focuses on textual materiality—from the surface of the page to the surface of language. Her most recent projects are the chapbook W/SH: Initial Contact (Above/Ground, 2021), a speculative ecopoetic collaboration with Terri Witek; The Book: 101 Definitions (Anteism, 2021), a collection of definitions of the book by artists, writers, scholars, librarians, and book artists; and Curt Curtal Sonnet Corona (QPL, 2020), a printable chapbook of computer-generated curtal sonnets. Borsuk is also the author of The Book (MIT Press, 2018), a brief introduction to the book as object, content, idea, and interface published in the MIT Press Essential Knowledge series. Her books of poetry include Pomegranate Eater (Kore Press, 2016),  Handiwork (Slope Editions, 2012), selected by Paul Hoover for the 2011 Slope Editions Poetry Prize; and Tonal Saw (The Song Cave, 2010), a chapbook-length erasure. Abra (1913 Press, 2016), a book of mutating poems created with Kate Durbin, received an NEA-sponsored Expanded Artists' Books grant from the Center for Book and Paper Arts at Columbia College Chicago and was released as a limited-edition book with a free iPad / iPhone app created by Ian Hatcher. The collaboration As We Know (Subito Press, 2014), selected by Julie Carr for the Subito Prize, reshapes 60 entries from Andy Fitch's summer diary into a collective confessional/constructivist collage that foregrounds the tensions of authorship. Collaboration and materiality are central to Borsuk's practice. Together with Brad Bouse, she created Between Page and Screen (Siglio Press, 2012; Springgun Press, 2016), a book of augmented-reality poetry. It has been featured on Salon.com, BrainPickings, Wired, and other media sites and has been exhibited widely. Through a grant from CT@Work and SiteProjects, Inc., Borsuk and Bouse completed Whispering Galleries (2014), a site-specific interactive text work for the New Haven Free Public Libraries that uses the Leap gestural controller to invite visitors to brush the dust from a historic diary, revealing poems hidden within it. Borsuk's other digital collaborations include Wave Signs, an immersive sound installation with Carrie Bodle; and The Deletionist, an erasure bookmarklet created with Nick Montfort and Jesper Juul. Borsuk is currently an Associate Professor in the School of Interdisciplinary Arts and Sciences at the University of Washington, Bothell, where she also serves as Associate Director of the MFA in Creative Writing and Poetics.  The book mentioned at the end of the interview was by Renee Gladman: Houses of Ravicka Pomegranate Eater (Kore Press, 2016) The Book (MIT Press, 2018)

Kate Durbin is the author of the poetry collection Hoarders, available now from Wave Books. Durbin is a Los Angeles-based artist and author of four books of poetry. Her art and writing have been featured in The New York Times, The Atlantic, Art Forum, Art in America, The Believer, BOMB, and elsewhere. She is the winner of the international 2017 Turn on Literature Prize for Electronic Literature for her poetry app, Abra. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Launched in 2011. Books. Literature. Writing. Publishing. Authors. Screenwriters. Etc. Support the show on Patreon Merch www.otherppl.com @otherppl Instagram  YouTube Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Kate Durbin is a visual artist, filmmaker, and writer from Los Angeles, California (USA), whose artworks are nervous, unnerving, and playful explorations of the human condition in a time of constant screens, globalism, and late capitalism. Her work draws on a wide-range of popular culture references: Disneyland, reality TV shows, fast food, horror movie characters, and Hello Kitty are just some of the recurring figures and references that populate her work. In Hoarders, her third book of poetry, Durbin deftly traces the associations between hoarding and collective US traumas rooted in consumerism and the environment. Each poem in the book is a prismatic portrait of a person and the beloved objects they hoard, from Barbies to snowglobes to vintage Las Vegas memorabilia to rotting fruit to plants. Using reality television as a medium, Durbin conjures an uncanny space of attachments that reflects a cultural moment back to the reader in ways that are surreal and tender and surprising.  Like Beckett or Kafka, in the absurdist tradition, Hoarders ultimately embraces with sympathy the difficulty and complexity of the human condition. Order Hoarders directly from Wave Books and enjoy 30% off by using the promo code WAKE_ISLAND --- Send in a voice message: https://anchor.fm/wake-island/message Support this podcast: https://anchor.fm/wake-island/support

Love it or hate it, reality television has been one of the defining forces of pop culture over the last two decades. Kate Durbin is a prize-winning poet who is creating works inspired by those shows and by social media. In her works, Durbin explores how those worlds reflect and change our everyday lives. She's also one of Arts Queensland's poets-in-residence for 2020.

Welcome to another episode of Not Real Art! Joining us today is conceptual artist and fellow podcaster Katherine Cooksey, aka Miss Art World. With a new show coming out in a few days, she is excited to share a bit about what the audience can expect from the show, what performance art entails, her approach to each performance and why it is the purest of all art forms. For show notes and any links to Miss Art World's work, visit: https://notrealart.com/miss-art-world From an early age, Katherine was drawn to all things feminine and got into the world of pageants, and together with her miming training, discovered the possibilities of artistic expression using her own body. But Katherine is also a feminist who communicates strong pro-feminist messages through her work, and her Miss Art World brand is the coming together of her love of art, girly things and carrying out the message of female empowerment. We talk about the important role of art education, the responsibility that teachers have in molding and encouraging kids in their artistic endeavors and why it is a problem that many artists lack basic business skills. Katherine is a phenomenal woman and a role model to aspiring artists — another brilliant episode not to be missed! Key Points From This Episode: Katherine’s experience of podcasting and switching from painting to performance art. How miming and pageants at a young age prepared her for using her body in creating art. The definition of performance art and why, for her, it is the purest form of art. What the audience can expect from her upcoming show Sentenced to Death. How she got into the world of pageants and being both feminine and a feminist. Being diagnosed with an eye disease at age eleven and dealing with her own limitations. Learning that adults can be wrong, and the responsibility involved in teaching art. The lacking funding for art programs in schools and the organizations fighting for the cause. Misconceptions around pursuing art as a career and how kids are discouraged. The need for art programs to include teaching basic business principles. The importance for artists to believe in and be able to talk about their work. Areas that she would like to work on in her own performances. Why she challenges herself to consistently show up as Miss Art World at events. And much more!   Links Mentioned in Today’s Episode:  Miss Art World — https://www.missartworld.com/ Miss Art World on Twitter — https://twitter.com/MissArtWorld Miss Art World on Instagram — https://www.instagram.com/missartworld/ Miss Art World on YouTube — https://www.youtube.com/channel/UCLXKv0NTWqoKYqkA24R6wyw?view_as=subscriber Stuck in Traffic podcast — https://www.stuckintrafficpodcast.com/ Art World Podcast — https://www.missartworld.com/art-world-podcast Pratt Institute — https://www.pratt.edu/ Americans for the Arts — https://www.americansforthearts.org/ Orbiting the Giant Hairball — https://www.amazon.com/Orbiting-Giant-Hairball-Corporate-Surviving/dp/0670879835 Kate Durbin — https://www.katedurbin.la/about Man One — http://www.manone.com/ Man One on Twitter — https://twitter.com/ManOneArt Scott “Sourdough” Power — https://www.instagram.com/sourdoughpower/ Not Real Art Conference — https://www.notrealartconference.com/ Not Real Art on Instagram — https://www.instagram.com/notrealartofficial/

The one and only Kate Durbin sits down with MissArtWorld and Lisa to discuss performance art, facebook and selfies. Don't miss this amazing and interesting episode with one of MissArtWorld's favorite artist.

Join Miss Art World and Lisa as they chat about art news and their pick for this week's featured artist Kate Durbin. Learn a little more about Miss Art World. and her insights on how artists can get into galleries. We can't forget art news especially when it is about Kylie Jenner's Condom Wall and the Sackler's family's OxyContin art donor controversy.

Let’s dive deep as we explore LA’s greatest vinyl only parties, makeshift bars and other IRL gems the city has to offer. Guest: ZernellWho read an LA story? Kate Durbin

In LA, we’re naughty by nature and we like to strip down to a bare minimum. At the beach, at museums and at some very respectable establishments. Stay tuned to our next NSFW episode N is for Naked. Guest: Sienna SinclaireWho read an LA story? - Kate Durbin

Bruja (Civil Coping Mechanism) Book of Endless Sleepovers (Civil Coping Mechanism) CCM is pleased to announce Bruja by Wendy C. Ortiz, the author of the critically acclaimed Excavation: A Memoir and Hollywood Notebook. With Bruja, Ortiz continues to upend and reinvent the memoir in inventive and deeply emotional ways to better fit the terms and trajectory of her exploration.  Behold the “dreamoir”–the details from the most malleable and revelatory portions of one’s dreams, catalogued in bold detail. Ortiz has created a new literary form, a parallel plane where the cast of characters are the people that occupied one’s waking life; Bruja is a narrative that’s equal parts delicate and bold, a literary adventure through the boundaries of memoir, where the self is viewed from a position anchored into the deepest recesses of the mind.  The end result is perhaps one of the most candid expressions of personal history, the subconscious bared in full, revealing the part of oneself that is often the most difficult to see. Bruja will be released as part of the Quarter Four 2016 CCM Catalogue. We can’t wait to show you more. We’re coping.  Guests are encouraged to come dressed as a character/person/animal/object from their dreams.  Praise for Bruja  "In Bruja, Wendy C. Ortiz deftly navigates the land of dreams in what she calls a dreamoir. By telling us her dreams, by revealing her most unguarded and vulnerable self, Ortiz is, truly, offering readers the most intimate parts of herself–how she loves, how she wants, how she lives, who she is. Bruja is not just a book–it is an enigma and a wonder and utterly entrancing." -- Roxane Gay, author of Bad Feminist and An Untamed State "Bruja calls into question not only what is a memoir, but what is a life. Politics, books, mass media, random encounters, work, relationships tumble into the depths of consciousness, and the self spirals open, huge and passionate. Ortiz’s dreamoir is a multidimensional love story with the whole mess of existence. I loved it."--Dodie Bellamy, author of When the Sick Rule the World, The TV Sutras, Cunt-Ups, and many more "Wendy C. Ortiz has invented her own genre, in her sleep, no less. Bruja is at once lush and spare, funny and weird, disturbing and sometimes even beautiful in the way that dreams can be. She’s crafted an absurdly real and compelling story here, one dream at a time." - Elizabeth Crane, author of The History of Great Things Wendy C. Ortiz is the author of Excavation: A Memoir and Hollywood Notebook. Her work has been profiled or featured in the Los Angeles Times, the Los Angeles Review of Books, The Rumpus, and the National Book Critics Circle Small Press Spotlight blog. Her writing has appeared in such places as The New York Times, Hazlitt, Vol. 1 Brooklyn, The Nervous Breakdown, Fanzine, and a year-long series appeared at McSweeney’s Internet Tendency. Wendy lives in Los Angeles. Book of Endless Sleepovers Bring your favorite stuffed animal, hold it tight, and stay awake as long as you can. The Book of Endless Sleepovers tosses and turns with telepathic campfire stories, crypto-zoological memoir and Mark Twain slash fiction. It’s fourteen interconnected tales of haunted childhood identity and exploded imagination. Nobody wants to fall asleep first. Praise for Book of Endless Sleeovers “I love how Henry Hoke plays fast and loose with autobiography and genre. His Book of Endless Sleepovers is wry and finely-wrought, a philosophical fever dream studded with the pleasure of proper names and surprising turns of phrase, a lyric page-turner.”-Maggie Nelson, author of The Argonauts “In his atmospheric debut, Henry Hoke maps the wild country of adolescence, the murky realm of childhood and its mysterious stirrings, where the names of cities are always changing along with our own, as we swap them for those of our favorite characters: The Hardy Boys or Huck Finn or Peter Pan. A land where pet bunnies are eaten by owls in the night and cats change owners at their own will. The Book of Endless Sleepovers is beguiling and evocative and sometimes sad. It is not to be missed.”-Kate Durbin, author of E! Entertainment “The Book of Endless Sleepovers is hot and cool, fine and blunt, new and ancient, puzzling and cannily revealing. Hoke's sharp, funny fictions are like shards of the books I hope to find lying around in Borges' garden of forking paths.”-Mark Childress, author of Crazy in Alabama “Hoke’s book dazzles. Beneath the surface of linguistic playfulness and narrative experimentation are real truths about love and brotherhood and especially about childhood: wild and thrilling and, as all childhoods are, full of terror. Worth reading for the brilliant reimaginings of Tom Sawyer and Huck Finn alone, there is so much here that will astonish, surprise, and delight.”-Rahul Mehta, author of No Other World Henry Hoke was a child in the South and an adult in New York and California. He's the author of Genevieves (winner of the Subito Press prose contest, forthcoming 2017) and The Book of Endless Sleepovers (Civil Coping Mechanisms, 2016). Some of his stories appear in The Collagist, Gigantic, Winter Tangerine and Carve. He co-created and directs Enter>text, a living literary journal.  Ashley Perez lives, writes, and causes trouble in Los Angeles. She has a strong affinity for tattoos, otters, cat mystery books, and actual cats, but has mixed feelings about pants. She holds an MFA in Creative Writing from Antioch University Los Angeles. She runs the literary site Arts Collide and does work of all varieties for Jaded Ibis Press, and Midnight Breakfast. Iris De Anda is a Guanaca Tapatia poet who hosts The Writers Underground Open Mic at the Eastside Cafe every third Thursday of the month and the author of CODESWITCH: Fires From Mi Corazon. www.irisdeanda.com. Myriam Gurba is a writer, artist, and low key bon vivant living at the southern most tip of LA County. Her memoir Mean is forthcoming from Coffee House Press. Amanda Yates Garcia is an artist, writer, witch, healer and the Oracle of Los Angeles. Recent performance rituals include Capitalism Exorcism at Human Resources and Devouring Patriarchy at the Women’s Center for Creative Work. Her writing has been featured in publications such as Black Clock, the Rough Magick anthology, Entropy, Synema Publikationen (Cinema Magazine), and WITCH. Amanda hosts her bi-monthly show The Oracle Hour on KCHUNG radio; teaches the Magical Praxis monthly mystery school; and performs private rites of healing and empowerment at her magical studio in West Adams.

Welcome to Episode 25 of Products of the Mind. On this episode, I speak with author Alicia Eler. “When everything is a yes/no, left or right, there’s no room for maybe or gray area; and that I think is where actually a lot of the real vulnerability or potential relationships or friendships can occur. But the app doesn’t lend any space or time to maybe.” (On Tinderization) Today we speak with multi-talented artist and author Alicia Eler. We discuss Alicia’s recent essay The Tinderization of Feeling, which explores what Alicia calls the “emotional labor of Tinder.” What might you find at the intersection of sexuality, gender studies, queer studies, and technology? At a minimum, you’ll find some of Alicia’s amazing work and collaborative writing, which explores social sexual dynamics. Today Alicia discusses questions such as: How might persons on dating apps become players in a game; and, how might this dehumanization impact social relationships as well as our own psychology? Also on this episode with Alicia: growing up as a writer; finding herself (and her major) at Oberlin College; learning to open up and share as a writer; being drawn to L.A. by Kate Durbin; and advice for up-and-coming artists. Links and Honorable mentions from this episode: Alicia’s Site Alicia’s Instagram Alicia is @aliciaeler on Twitter What Color is Your Parachute? (Book) The Teen-Girl Tumblr Aesthetic (Essay) The Windy City Times How to Win Tinder (Essay) Lena Dunham Kate Durbin Tumblr Thanks for Checking Out Products of the Mind! If you enjoyed today’s show, please share it by using the social media buttons you see at the top and bottom of this page. Also, please consider taking the few seconds it takes to leave an honest review and rating for the podcast on iTunes. They’re very helpful when it comes to the ranking of the show and I read every one. Finally, don’t forget to subscribe to the podcast on iTunes or your favorite podcast app to get automatic updates every time a new episode goes live. Here are instructions on how to subscribe, rate, and review the show in iTunes. The Credits Products of the Mind is produced by Mana Monzavi. The theme music for this episode was provided by Le Chateau. The track name is “Bury You.” Go buy it on Soundcloud! This episode and these show notes © 2016 David Lizerbram

Alejandro Miguel Justino Crawford, Ian Hatcher & Sophia Le Fraga Readings Friday, October 16, 7pm Artists Space Books & Talks 55 Walker Street “Performance is a bothersome word for writerly poets” writes poet Nathaniel Mackey in his essay “Sight-Specific, Sound-Specific…” from 2005. Despite twentieth century poetry’s rich tradition of performance, Mackey notes that in poetry there is often an expectation for words do the performing, as opposed to people or things. Yet, language exists beyond just words, and functions in tandem with images, gestures, bodies and technologies. In this series of readings, distinctions between the language of performance and the performance of language are blurred. Foregrounded are writerly poets who embrace images, gestures, bodies and technologies in the presentation of their poetry – as elements that don’t overshadow their poetics, but are embraced as part of its liveliness, and of reading as a social experience. The series is structured via themes of sound, the body, technology, theater and comedy. These themes offer different formal histories for poets to explore the presentation of poetic language. Juliana Huxtable and LaTasha N. Nevada Diggs both experiment with the effects of audio distortion and sampling. Sophia Le Fraga, Ian Hatcher and Alejandro Miguel Justino Crawford all utilize different digital technologies to question the ground of their poetry. Whitney Claflin and Corina Copp present relational and formal theatrical environments from which their poetics unfold. There is an invisible architecture often supporting the surface of the poem, interrupting the progress of the poem. It reaches into the poem in search for an identity with the poem, its object is to possess the poem for a brief time, even as an apparition appears. writes Barbara Guest in her poetic essay, “Invisible Architecture” (2000). In this she understands the formal and historical context of the poem as a material that contributes to its meaning – as both apart from and a part of poetic language. Reading functions similarly; it is not a neutral action, but contributes to the meaning of the text presented. In a moment when language and presentation of self alike are understood as multiple, and bound within wider, connected systems, performance becomes a means of making the “invisible architecture” of the poem visible, and activating it as a poetic material in itself. Ian Hatcher is a writer, programmer, and sound artist whose work explores cognition in context of digital systems. He is the author of Prosthesis (Poor Claudia 2015) and The All-New (Anomalous 2015). With Amaranth Borsuk and Kate Durbin, he is co-creator of Abra, a conjoined analog (artist's book) + digital (iOS app) poetry instrument/spellbook. >> ianhatcher.net For more information click here http://artistsspace.org/programs/crawford-hatcher-le-fraga

Amaranth Borsuk's most recent book is As We Know (Subito Press, 2014), a collaboration with Andy Fitch. She is the author of Handiwork, and, with Brad Bouse, Between Page and Screen. Abra, a collaboration with Kate Durbin forthcoming from 1913 Press, recently received an NEA-sponsored Expanded Artists’ Books grant from the Center for Book and Paper Arts at Columbia College Chicago and will be issued as an artist’s book with an iPad app created by Ian Hatcher this year. Amaranth is an Assistant Professor of Interdisciplinary Arts and Sciences at the University of Washington, Bothell, where she also teaches in the MFA in Creative Writing and Poetics. Andy Fitch’s most recent books are Sixty Morning Walks, Sixty Morning Talks, and (with Amaranth Borsuk) As We Know (Subito Press, 2014). Ugly Duckling Presse soon will release his ebook Sixty Morning Walks. With Cristiana Baik, he is currently assembling the Letter Machine Book of Interviews. He has dialogic books forthcoming from 1913 Press and Nightboat Books. He edits Essay Press and teaches in the University of Wyoming’s MFA program.

Kate Durbin is the guest. She is a writer, curator, and performance artist whose books include The Ravenous Audience and E! Entertainment. Kate also happens to be a huge fan of Disneyland.  We talk about that.  She grew up in Southern California.  Loves it.  Is unapologetic about loving it.  We talk about that, too.  What else?  We talk about our shared love of Gwen Stefani.  We talk about religion, family stuff, love, marriage, divorce.  We get into things. Monologue topics: airplanes.  Mostly I talk about my trip to Louisiana and my return flight home and I try to build a morality tale out of something that happened in the lavatory.  It's unnecessary.  Enjoy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Scarecrone (Publishing Genius Press) E! Entertainment (Wonder Press) In Scarecrone, Melissa Broder deepens her self-aware and dark brand of poetry, which The Chicago Tribune says “risks the divine” and Flavorwire calls “unbelievable and overwhelming for its imaginative power alone.” Publishers Weekly says her work is "as funny and hip as it is disturbing." The full-length version of Kate Durbin's E! Entertainment sparkles with the static of TV personalities, the privileged dramas of MTV's The Hills and Bravo's Real Housewives, the public tragedies of Amanda Knox and Anna Nicole Smith.Kate Durbin traces the migratory patterns of the flightiest members of our televised demimonde, from the vacant bedrooms of the Playboy Mansion to the modern gothic set of Kim Kardashian's fairytale wedding, rendering a fabulous, fallen world in a language of diamond-studded lavishness. A recent transplant from Brooklyn, Melissa Broder now lives in Los Angeles, CA where she continues her work as assistant director of publicity and social media at Penguin Random House. Broder's poems appear or are forthcoming in Guernica, Fence, The Iowa Review, The Missouri Review, et al. Her previous books are Meat Heart and When You Say One Thing But Mean Your Mother. Kate Durbin is a Los Angeles based writer and artist. She is the author of The Ravenous Audience (Akashic), and co-author of Abra, an artist's book and interactive iPad app created with the help of a NEA grant from Center for Book and Paper Arts at Columbia College Chicago. Durbin is founding editor of the online pop cultural criticism journal, Gaga Stigmata; her tumblr project, Women as Objects, archives the teen girl tumblr aesthetic. 

Green Girl (Emergency Press) by Zambreno; E! Entertianment (Insert Press) by Durbin Kate Zambreno and Kate Durbin join forces for an event launching Zambreno's new novel Green Girl and Durbin's new chapbook, E! Entertainment. Kate Zambreno's novel O Fallen Angel won Chiasmus Press' "Undoing the Novel" contest. Her novel Green Girl was published by Emergency Press in October 2011. A book of essays called Heroines, revolving around and obsessing over the wives and mistresses of modernism, will be published by Semiotext(e)'s Active Agents series in Fall 2012. She is an editor at Nightboat Books. Kate Durbin is a Los Angeles-based writer and artist. She is author of The Ravenous Audience (Akashic Books, 2009), E! Entertainment (Blanc Press, diamond edition, forthcoming), ABRA (Zg Press, forthcoming w/ Amarant Borsuk), as well as the conceptual fashion magazine The Fashion Issue (Zg Press, forthcoming), and five chapbooks: Fragments Found in a 1937 Aviator's Boot (Dancing Girl Press, 2009), FASHIONWHORE (Legacy Pictures, 2010), The Polished You, as part of Vanessa Place's Factory Series (oodpress, 2010), and Kept Women (Insert Press, forthcoming). She is founding editor of Gaga Stigmata, which will be published as a book from Zg Press in 2012. THIS EVENT WAS RECORDED LIVE AT SKYLIGHT BOOKS NOVEMBER 5, 2011.

Amaranth Borsuk discusses her poetic practice as a multi-media writer and artist, reading selections from recent work and showing images and performance footage from current projects. What is a poetics of materiality and how does it play out across print and digital media? What does a focus on the material of language do to our constructions of authorship? Borsuk will read from Between Page and Screen, a digital pop-up book of poems, Tonal Saw, a chapbook constructed from a religious tract, and Excess Exhibit, a flip-book of conjoined poems that mutate from constraint into rapturous abundance. She will also show digital work in progress and read selections from her recently completed manuscript Handiwork, whose poems explore the relationship between torture and writing, trauma and creativity through a combination of Oulipo constraint and surreal lyricism. A poet and scholar, Amaranth Borsuk’s work focuses on textual materiality–from the surface of the page to the surface of language. She is currently a Mellon Postdoctoral Fellow in Comparative Media Studies and Writing and Humanistic Studies at Massachusetts Institute of Technology where she works on and teaches digital poetry. She has a Ph.D. in Literature and Creative Writing from the University of Southern California, where she co-founded The Loudest Voice cross-genre reading series and the Gold Line Press chapbook series. Her essays and book reviews have appeared in print and online. Poems have recently appeared in Colorado Review, Columbia Poetry Review, FIELD, Eleven Eleven, and Denver Quarterly, among other journals. She is the author of a chapbook-length poem, Tonal Saw (The Song Cave, 2010), and Excess Exhibit (ZG Press, forthcoming), a book of conjoined poems written collaboratively with poet and performance artist Kate Durbin, which includes drawings by Zach Kleyn. She has also collaboratively translated and transverted the work of Oulipo poet Paul Braffort together with Gabriela Jauregui and crafted an augmented-reality chapbook, Between Page and Screen, together with Brad Bouse. Recent collaborative work can be found in Black Warrior Review, Caketrain, New American Writing, and Action, Yes!. In addition to writing and studying poetry, Amaranth is also a letterpress printer and book artist whose fascination with printed matter informs her work on digital media.