Podcasts about nightboat books

Mylo Lam was born in Vietnam and lives in Los Angeles. He and his family are refugees from Cambodia. Mylo's work has been published or is forthcoming in The Margins, Beloit Poetry Journal, Nightboat Books, and elsewhere. His multimedia work won Palette Poetry's Brush & Lyre Prize, his poetry won Blood Orange Review's Emerging Writers Contest, and his chapbook AND NOT/AND YET was published by Quarterly West. He is currently pursuing his MFA in Poetry at Randolph College. And Not / And Yet comprises a series of poems exploring death, foreignness, ancestry, and form through the lens of Buddhist scripture, specifically texts that detail a person's harrowing journey as they transition away from the realm of the living.

Working across and among languages, media, and art forms, Caroline Bergvall's writing takes form as published poetic works and performance, frequently of sound-driven projects. Her interests include multilingual poetics, queer feminist politics and issues of cultural belonging, commissioned and shown by such institutions as MoMA, the Tate Modern, and the Museum of Contemporary Arts in Antwerp, and won numerous awards. Ragadawn is a multimedia performance that explores ideas of multi-lingualism, migration, lost or disappearing languages, and how language and place intersect. Ragadawn is performed with two live voices and recorded elements, outdoors, at dawn, which means the start and end times are location specific. It features song composed by Gavin Bryars, sung by Peyee Chen.   Ragadawn premiered at the Festival de la Bâtie (Geneva) and at the Estuary Festival (Southend) in 2016. You can find more work(s) by Caroline Bergvall at: http://carolinebergvall.com Also on Soundcloud: https://soundcloud.com/carolinebergvall/ohmyohmy and Vimeo: https://vimeo.com/carolinebergvall/videos Her publications include: ·      Éclat, Sound & Language, 1996 ·      Fig: Goan Atom 2, Salt, 2005 ·      Middling English, John Hansard Gallery, 2010 ·      Meddle English: New and Selected Texts, Nightboat Books, 2011 ·      Drift, Nightboat Books, 2014 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Working across and among languages, media, and art forms, Caroline Bergvall's writing takes form as published poetic works and performance, frequently of sound-driven projects. Her interests include multilingual poetics, queer feminist politics and issues of cultural belonging, commissioned and shown by such institutions as MoMA, the Tate Modern, and the Museum of Contemporary Arts in Antwerp, and won numerous awards. Ragadawn is a multimedia performance that explores ideas of multi-lingualism, migration, lost or disappearing languages, and how language and place intersect. Ragadawn is performed with two live voices and recorded elements, outdoors, at dawn, which means the start and end times are location specific. It features song composed by Gavin Bryars, sung by Peyee Chen.   Ragadawn premiered at the Festival de la Bâtie (Geneva) and at the Estuary Festival (Southend) in 2016. You can find more work(s) by Caroline Bergvall at: http://carolinebergvall.com Also on Soundcloud: https://soundcloud.com/carolinebergvall/ohmyohmy and Vimeo: https://vimeo.com/carolinebergvall/videos Her publications include: ·      Éclat, Sound & Language, 1996 ·      Fig: Goan Atom 2, Salt, 2005 ·      Middling English, John Hansard Gallery, 2010 ·      Meddle English: New and Selected Texts, Nightboat Books, 2011 ·      Drift, Nightboat Books, 2014 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Working across and among languages, media, and art forms, Caroline Bergvall's writing takes form as published poetic works and performance, frequently of sound-driven projects. Her interests include multilingual poetics, queer feminist politics and issues of cultural belonging, commissioned and shown by such institutions as MoMA, the Tate Modern, and the Museum of Contemporary Arts in Antwerp, and won numerous awards. Ragadawn is a multimedia performance that explores ideas of multi-lingualism, migration, lost or disappearing languages, and how language and place intersect. Ragadawn is performed with two live voices and recorded elements, outdoors, at dawn, which means the start and end times are location specific. It features song composed by Gavin Bryars, sung by Peyee Chen.   Ragadawn premiered at the Festival de la Bâtie (Geneva) and at the Estuary Festival (Southend) in 2016. You can find more work(s) by Caroline Bergvall at: http://carolinebergvall.com Also on Soundcloud: https://soundcloud.com/carolinebergvall/ohmyohmy and Vimeo: https://vimeo.com/carolinebergvall/videos Her publications include: ·      Éclat, Sound & Language, 1996 ·      Fig: Goan Atom 2, Salt, 2005 ·      Middling English, John Hansard Gallery, 2010 ·      Meddle English: New and Selected Texts, Nightboat Books, 2011 ·      Drift, Nightboat Books, 2014 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Working across and among languages, media, and art forms, Caroline Bergvall's writing takes form as published poetic works and performance, frequently of sound-driven projects. Her interests include multilingual poetics, queer feminist politics and issues of cultural belonging, commissioned and shown by such institutions as MoMA, the Tate Modern, and the Museum of Contemporary Arts in Antwerp, and won numerous awards. Ragadawn is a multimedia performance that explores ideas of multi-lingualism, migration, lost or disappearing languages, and how language and place intersect. Ragadawn is performed with two live voices and recorded elements, outdoors, at dawn, which means the start and end times are location specific. It features song composed by Gavin Bryars, sung by Peyee Chen.   Ragadawn premiered at the Festival de la Bâtie (Geneva) and at the Estuary Festival (Southend) in 2016. You can find more work(s) by Caroline Bergvall at: http://carolinebergvall.com Also on Soundcloud: https://soundcloud.com/carolinebergvall/ohmyohmy and Vimeo: https://vimeo.com/carolinebergvall/videos Her publications include: ·      Éclat, Sound & Language, 1996 ·      Fig: Goan Atom 2, Salt, 2005 ·      Middling English, John Hansard Gallery, 2010 ·      Meddle English: New and Selected Texts, Nightboat Books, 2011 ·      Drift, Nightboat Books, 2014 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Art critic and journalist Kaelen Wilson-Goldie joins us for a sweeping look at the life, writing, and art of singular Lebanese author-artist Etel Adnan (1925-2021). Kaelin Wilson-Goldie's Etel Adnan is available from Lund Humphries.Adnan's Time, translated by Sarah Riggs, is available from Nightboat Books.The Beauty of Light, a collection of interviews with Laure Adler, is available from Nightboat Books in Ethan Mitchell's translation. It was initially published in French, as "La beauté de la lumière, entretiens," by Éditions de seuil, in 2022.An excerpt from Adnan's “Jebu” is available in the single issue of the magazine Tigris, hosted on ArabLit.Sitt Marie Rose is available in Georgina Kleege's English translation from the Post-Apollo Press.Adnan's essay “On Small Magazines,” where she writes of meeting Abdellatif Laâbi, is available on Bidoun.Adnan's “To Write in a Foreign Language” describes her journey with and through languages.All the images used in promotion of this episode are courtesy of the Sfeir-Semler Gallery. Hosted on Acast. See acast.com/privacy for more information.

Kit Schluter celebrates the publication of "Cartoons," (City Lights) & Garrett Caples celebrates the publication of "Proses: Incomparable Parables! Fabulous Fables! Cruel Tales!" (Wave Books). Purchase "Cartoons:" https://citylights.com/city-lights-published/cartoons/ Purchase "Proses:" https://citylights.com/general-fiction/proses-incomparable-parables-fabulous/ About "Cartoons:" Set in the uncanny valley between Bugs Bunny & Franz Kafka, "Cartoons" is an explosive series of outrageous, absurdist tales. "Cartoons" proposes itself as a genre of imaginary writing in opposition to the realism of most contemporary U.S. fiction, aligning itself with the French symbolism & Latin American fabulism its author is known to translate. A giant cricket with a tiny Kit Schluter in a jar, an umbrella who confuses the words porpoise and purpose in its quest for self-fulfillment, a pair of slugs go on a bender, these are just a few denizens of its pages, suffused with a fairy tale-like animism. A microwave oven decries microaggressions. A beer bottle is filled with regret. An escalator mechanic's shoe conceals a terrible secret. Kit Schluter's recent work has appeared in Boston Review, BOMB, & Brooklyn Rail. He is author of the poetry collection "Pierrot's Fingernails" (Canarium Books) as well as numerous chapbooks & artist editions of poems & stories. Schluter is included in the latest edition of "Best American Experimental Writing" (Wesleyan UP, 2020), edited by Carmen Maria Machado, Joyelle McSweeney, Jesse Damiani & Seth Abramson. He has translated widely from French & Spanish, including works by Rafael Bernal (New Directions), Marcel Schwob (Wakefield Press), & Olivia Tapiero (Nightboat Books). He recently illustrated Sebastian Castillo's novel "SALMON." Kit coordinates production & design for Nightboat Books and lives in Mexico City. About "Proses:" In the grand tradition of poet's fiction, "Proses: Incomparable Parables! Fabulous Fables! Cruel Tales!" is a collection of nine phantasmagorical stories by poet & City Lights editor, Garrett Caples. Turning its back on the ethos of traditional narrative, "Proses" draws on Marcel Schwob, magical realism, & speculative fiction for inspiration, projecting worlds dominated by dream logic & impossible dimensions. Spectral nuns, xenobots, explosive phraseology, & even Ringo Starr are some of the unexpected dilemmas confronting the various protagonists. Poets such as Andrew Joron, Kit Schluter, & Claude Grind make cameo appearances. While each story is a standalone, the collection amounts to an intricate whole, as themes, objects, & characters recur, encouraging readers to enjoy the book sequentially. Regardless of how it's enjoyed, "Proses" is both a satire of the world of contemporary poetry & a celebration of that world's fantastic, infinite imagination. Garrett Caples is the author of "Lovers of Today" (Wave Books, 2021), "Power Ballads" (Wave Books, 2016), "Complications" (2007), & "The Garrett Caples Reader" (1999), a collection of outtakes, "The Rise & Fall of Johnny Volume" (2020), & a bilingual selection, "Noches Apátridas" (Unstated Nights, 2019). He's also written a book of essays, "Retrievals" (2014), & a pamphlet, "Quintessence of the Minor" (2010). He's the editor of Philip Lamantia's "Preserving Fire: Selected Prose" (2018), Samuel Greenberg's "Poems from the Greenberg MSS" (2019), & Michael McClure's "Mule Kick Blues and Last Poems" (2021), as well as the co-editor of "The Collected Poems of Philip Lamantia" (2013), "Particulars of Place" (2015) by Richard O. Moore, "Incidents of Travel in Poetry: New and Selected Poems" (2016) by Frank Lima, & "Arcana: A Stephen Jonas Reader" (2019). He is an editor at City Lights Books, where he curates the Spotlight Poetry Series. Originally broadcast from City Lights' Poetry Room on Thursday, May 22, 2024. Hosted by Peter Maravelis. Made possible by support from the City Lights Foundation. citylights.com/foundation

in this episode, i read selections from Joyelle McSweeney's work, as follows: a. "Toxic Sonnets: A Crown for John Keats" from Toxicon and Arachne, Nightboat Books, 2020. b. the poems "Black Orchid" and "The History Plays" from Arachne, as published in folder magazine c. the essay "The Toxic & The Lyric II: Hearing and Hell; Inversion as Subversion; Everyone, or The Dead; The Child-Migrant" as published on December 9, 2017 in the fanzine these selections may be found on McSweeney's website. --- Support this podcast: https://podcasters.spotify.com/pod/show/caridad-svich/support

A collected series of intertwined poetic essays written by acclaimed Japanese poet Hiromi Ito--part nature writing, part travelogue, part existential philosophy. Written between April 2012 and November 2013, Tree Spirits Grass Spirits (Nightboat Books, 2023) adopts a non-linear narrative flow that mimics the growth of plants, and can be read as a companion piece to Ito's beloved poem "Wild Grass on the Riverbank". Rather than the vertiginously violent poetics of the latter, Tree Spirits Grass Spirits serves as what we might call a phyto-autobiography: a recounting of one's life through the logic of flora. Ito's graciously potent and philosophical prose examines immigration, language, gender, care work, and death, all through her close (indeed, at times obsessive) attention to plant life. For a better understanding of this collection and the author, the following books are recommended by translator Dr. Jon Pitt: Hiromi Ito - Wild Grass on the Riverbank Hiromi Ito - The Thorn Puller Robin Wall Kimmerer - Braiding Sweetgrass Hope Jahren - Lab Girl Jeanie Shinozuka - Biotic Borders Banu Subrahmaniam - Ghost Stories for Darwin Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A collected series of intertwined poetic essays written by acclaimed Japanese poet Hiromi Ito--part nature writing, part travelogue, part existential philosophy. Written between April 2012 and November 2013, Tree Spirits Grass Spirits (Nightboat Books, 2023) adopts a non-linear narrative flow that mimics the growth of plants, and can be read as a companion piece to Ito's beloved poem "Wild Grass on the Riverbank". Rather than the vertiginously violent poetics of the latter, Tree Spirits Grass Spirits serves as what we might call a phyto-autobiography: a recounting of one's life through the logic of flora. Ito's graciously potent and philosophical prose examines immigration, language, gender, care work, and death, all through her close (indeed, at times obsessive) attention to plant life. For a better understanding of this collection and the author, the following books are recommended by translator Dr. Jon Pitt: Hiromi Ito - Wild Grass on the Riverbank Hiromi Ito - The Thorn Puller Robin Wall Kimmerer - Braiding Sweetgrass Hope Jahren - Lab Girl Jeanie Shinozuka - Biotic Borders Banu Subrahmaniam - Ghost Stories for Darwin Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

A collected series of intertwined poetic essays written by acclaimed Japanese poet Hiromi Ito--part nature writing, part travelogue, part existential philosophy. Written between April 2012 and November 2013, Tree Spirits Grass Spirits (Nightboat Books, 2023) adopts a non-linear narrative flow that mimics the growth of plants, and can be read as a companion piece to Ito's beloved poem "Wild Grass on the Riverbank". Rather than the vertiginously violent poetics of the latter, Tree Spirits Grass Spirits serves as what we might call a phyto-autobiography: a recounting of one's life through the logic of flora. Ito's graciously potent and philosophical prose examines immigration, language, gender, care work, and death, all through her close (indeed, at times obsessive) attention to plant life. For a better understanding of this collection and the author, the following books are recommended by translator Dr. Jon Pitt: Hiromi Ito - Wild Grass on the Riverbank Hiromi Ito - The Thorn Puller Robin Wall Kimmerer - Braiding Sweetgrass Hope Jahren - Lab Girl Jeanie Shinozuka - Biotic Borders Banu Subrahmaniam - Ghost Stories for Darwin Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

A collected series of intertwined poetic essays written by acclaimed Japanese poet Hiromi Ito--part nature writing, part travelogue, part existential philosophy. Written between April 2012 and November 2013, Tree Spirits Grass Spirits (Nightboat Books, 2023) adopts a non-linear narrative flow that mimics the growth of plants, and can be read as a companion piece to Ito's beloved poem "Wild Grass on the Riverbank". Rather than the vertiginously violent poetics of the latter, Tree Spirits Grass Spirits serves as what we might call a phyto-autobiography: a recounting of one's life through the logic of flora. Ito's graciously potent and philosophical prose examines immigration, language, gender, care work, and death, all through her close (indeed, at times obsessive) attention to plant life. For a better understanding of this collection and the author, the following books are recommended by translator Dr. Jon Pitt: Hiromi Ito - Wild Grass on the Riverbank Hiromi Ito - The Thorn Puller Robin Wall Kimmerer - Braiding Sweetgrass Hope Jahren - Lab Girl Jeanie Shinozuka - Biotic Borders Banu Subrahmaniam - Ghost Stories for Darwin Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A collected series of intertwined poetic essays written by acclaimed Japanese poet Hiromi Ito--part nature writing, part travelogue, part existential philosophy. Written between April 2012 and November 2013, Tree Spirits Grass Spirits (Nightboat Books, 2023) adopts a non-linear narrative flow that mimics the growth of plants, and can be read as a companion piece to Ito's beloved poem "Wild Grass on the Riverbank". Rather than the vertiginously violent poetics of the latter, Tree Spirits Grass Spirits serves as what we might call a phyto-autobiography: a recounting of one's life through the logic of flora. Ito's graciously potent and philosophical prose examines immigration, language, gender, care work, and death, all through her close (indeed, at times obsessive) attention to plant life. For a better understanding of this collection and the author, the following books are recommended by translator Dr. Jon Pitt: Hiromi Ito - Wild Grass on the Riverbank Hiromi Ito - The Thorn Puller Robin Wall Kimmerer - Braiding Sweetgrass Hope Jahren - Lab Girl Jeanie Shinozuka - Biotic Borders Banu Subrahmaniam - Ghost Stories for Darwin Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

A collected series of intertwined poetic essays written by acclaimed Japanese poet Hiromi Ito--part nature writing, part travelogue, part existential philosophy. Written between April 2012 and November 2013, Tree Spirits Grass Spirits (Nightboat Books, 2023) adopts a non-linear narrative flow that mimics the growth of plants, and can be read as a companion piece to Ito's beloved poem "Wild Grass on the Riverbank". Rather than the vertiginously violent poetics of the latter, Tree Spirits Grass Spirits serves as what we might call a phyto-autobiography: a recounting of one's life through the logic of flora. Ito's graciously potent and philosophical prose examines immigration, language, gender, care work, and death, all through her close (indeed, at times obsessive) attention to plant life. For a better understanding of this collection and the author, the following books are recommended by translator Dr. Jon Pitt: Hiromi Ito - Wild Grass on the Riverbank Hiromi Ito - The Thorn Puller Robin Wall Kimmerer - Braiding Sweetgrass Hope Jahren - Lab Girl Jeanie Shinozuka - Biotic Borders Banu Subrahmaniam - Ghost Stories for Darwin Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

A collected series of intertwined poetic essays written by acclaimed Japanese poet Hiromi Ito--part nature writing, part travelogue, part existential philosophy. Written between April 2012 and November 2013, Tree Spirits Grass Spirits (Nightboat Books, 2023) adopts a non-linear narrative flow that mimics the growth of plants, and can be read as a companion piece to Ito's beloved poem "Wild Grass on the Riverbank". Rather than the vertiginously violent poetics of the latter, Tree Spirits Grass Spirits serves as what we might call a phyto-autobiography: a recounting of one's life through the logic of flora. Ito's graciously potent and philosophical prose examines immigration, language, gender, care work, and death, all through her close (indeed, at times obsessive) attention to plant life. For a better understanding of this collection and the author, the following books are recommended by translator Dr. Jon Pitt: Hiromi Ito - Wild Grass on the Riverbank Hiromi Ito - The Thorn Puller Robin Wall Kimmerer - Braiding Sweetgrass Hope Jahren - Lab Girl Jeanie Shinozuka - Biotic Borders Banu Subrahmaniam - Ghost Stories for Darwin Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

A collected series of intertwined poetic essays written by acclaimed Japanese poet Hiromi Ito--part nature writing, part travelogue, part existential philosophy. Written between April 2012 and November 2013, Tree Spirits Grass Spirits (Nightboat Books, 2023) adopts a non-linear narrative flow that mimics the growth of plants, and can be read as a companion piece to Ito's beloved poem "Wild Grass on the Riverbank". Rather than the vertiginously violent poetics of the latter, Tree Spirits Grass Spirits serves as what we might call a phyto-autobiography: a recounting of one's life through the logic of flora. Ito's graciously potent and philosophical prose examines immigration, language, gender, care work, and death, all through her close (indeed, at times obsessive) attention to plant life. For a better understanding of this collection and the author, the following books are recommended by translator Dr. Jon Pitt: Hiromi Ito - Wild Grass on the Riverbank Hiromi Ito - The Thorn Puller Robin Wall Kimmerer - Braiding Sweetgrass Hope Jahren - Lab Girl Jeanie Shinozuka - Biotic Borders Banu Subrahmaniam - Ghost Stories for Darwin Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

City Lights LIVE! presents "Found in Translation: Adventures in Language." As part of its 70th Anniversary programming, City Lights celebrates literature in translation with a discussion moderated by Olivia E. Sears, featuring Gabriela Alemán, Dick Cluster, Gillian Conoloy, Elaine Katzenberger, Emilie Moorehouse, and Mark Schafer. City Lights was conceived as an international project. From the very beginning, from Lawrence Ferlinghetti's own translations of Jacques Prévert , and on to some of the exciting authors City Lights publishes today, the world in translation has been at the core of the City Lights mission. Spend an evening with the editors and translators who have helped shape the translation program at City Lights. Dick Cluster is a writer and translator living in Oakland, California. He translated Gabriela Alemán's “Poso Wells” and “Family Album: Stories.” Gillian Conoloy is a poet, editor, and translator. Her new collection is “Notes from the Passenger,” released from Nightboat Books in May 2023. Conoley's translations of three books by Henri Michaux, including “Thousand Times Broken,” appeared in English for the first time, with City Lights Books. Elaine Katzenberger is the executive director of City Lights and the publisher of City Lights Books. Emilie Moorehouse is a teacher, writer, translator, and environmentalist. She translated “Emerald Wounds: Selected Poems” by Joyce Mansour for City Lights Books. Mark Schafer is a literary translator, a visual artist, and a senior lecturer at the University of Massachusetts Boston, where he teaches Spanish. City Lights recently published his translations of Belén Gopegui's “Stay This Day and Night with Me” (2023) and “The Scale of Maps “(2010), a novel by Alberto Ruy Sánchez entitled “Mogador: The Names of the Air” (2004), and “Dawn of the Senses: Selected Poems,” an anthology of poems by Alberto Blanco. This event was made possible with the support of the Center for the Art of Translation/Two Lines Press and the City Lights Foundation. To learn more about Center for the Art of Translation visit: https://www.catranslation.org/. To learn more visit: https://citylights.com/foundation/.

Join Quenton Baker and special guests for a celebration of and conversation on their new book ballast. This event occurred on April 26, 2023. Ballast is a poetic sequence using the 1841 slave revolt aboard the brig Creole as a lens through which to view the vitality of Black lives and the afterlife of slavery. In 1841, the only successful, large-scale revolt of American-born enslaved people erupted on the ship Creole. 135 people escaped chattel slavery that day. The event was recounted in US Senate documents, including letters exchanged between US and British consulates in The Bahamas and depositions from the white crew on the ship. There is no known record or testimony from the 135 people who escaped. Their story has been lost to time and indifference. Quenton Baker's ballast is an attempt at incomplete redress. With imagination, deep empathy, and skilled and compelling lyricism, Baker took a black marker to those Senate documents and culled a poetic recount of the Creole revolt. Layers of ink connect readers to Baker's poetic process: (re)phrasing the narrative of the state through a dexterous process of hands-on redactions. Ballast is a relentless, wrenching, and gorgeously written book, a defiant reclamation of one of the most important but overlooked events in US history, and an essential contribution to contemporary poetry. Poets: Quenton Baker is a poet, educator, and Cave Canem fellow. Their current focus is black interiority and the afterlife of slavery. Their work has appeared in The Offing, jubilat, Vinyl, The Rumpus, and elsewhere.They are a two-time Pushcart Prize nominee and the recipient of the2018 Arts Innovator Award from Artist Trust. They were a 2019 Robert Rauschenberg Artist in Residence and a 2021 NEA Fellow. They are the author of This Glittering Republic (Willow Books, 2016) and we pilot the blood (The 3rd Thing, 2021). Marwa Helal was born in Al Mansurah, Egypt. She is the author of Ante body (Nightboat Books, 2022), Invasive species (Nightboat Books, 2019), the chapbook I AM MADE TO LEAVE I AM MADE TO RETURN (No Dear, 2017) and a Belladonna chaplet (2021). Helal is the winner of BOMB Magazine's Biennial 2016 Poetry Contest and has been awarded fellowships from the Whiting Foundation, New York Foundation of the Arts, Jerome Foundation, Poets House, Brooklyn Poets, and Cave Canem, among others. She has presented her work at the Museum of Modern Art (MoMA), the Studio Museum in Harlem, the Brooklyn Museum, and the Guggenheim Museum. Douglas Kearney has published seven collections, including Optic Subwoof (2022), the 2022 Griffin Poetry Prize-winning Sho (2021), Buck Studies (2016), winner of the Theodore Roethke Memorial Poetry Award, the CLMP Firecracker Award for Poetry, and California Book Award silver medalist (Poetry). M. NourbeSe Philip calls Kearney's collection of libretti, Someone Took They Tongues (2016), “a seismic, polyphonic mash-up.” Kearney's Mess and Mess and (2015), was a Small Press Distribution Handpicked Selection that Publisher's Weekly called “an extraordinary book.” WIRE magazine calls Fodder (2021), a live album featuring Kearney and frequent collaborator, Val-Inc., “Brilliant.” Natasha Oladokun is a Black, queer poet and essayist from Virginia. She earned a BA in English from the University of Virginia, and an MFA in creative writing from Hollins University. She holds fellowships from Cave Canem, the Virginia Center for Creative Arts, the Jackson Center for Creative Writing, Twelve Literary Arts, and the University of Wisconsin-Madison, where she was the inaugural First Wave Poetry fellow. Watch the live event recording: https://youtube.com/live/Sp7hlQNb2FE?feature=share Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

On today's episode of The Lives of Writers, Jeff Alessandrelli interviews Kazim Ali.Kazim Ali is a poet, novelist, and essayist. His most recent book is Sukun: New and Selected Poems, which draws from his six previous full-length collections, and includes 35 new poems. He's also published novels, translations, anthologies, and a memoir. He was a founding editor of Nightboat Books.Jeff Alessandrelli is the author of several books, including the poetry collection Fur Not Light. He is also the director and co-editor of the small presses Fonograf Editions and Bunny Presse.____________PART ONE, topics include:--the Kinkos era of indie publishing-- looking back at 25 years of work for SUKUN: New & Selected Poems-- finding the echoes in a body of work-- the LP as poetic book form-- also putting out a New & Selected with Harper Collins India-- revising early poems and Dickenson's alternate wordings-- the new book within the new book____________PART TWO, topics include:-- starting out as a reader and writing-- varying Englishes and language that crosses borders-- working as an organizer for student organizations-- the many genres in Kazim's body of work-- not changing just to achieve a marker of success-- founding Nightboat Books or small presses in general-- always working on something creative____________PART THREE, topics include:-- the beginnings and evolution of Nightboat Books-- the small press experimental writing landscape then and now-- spirituality and faith ____________Podcast theme music provided by Mike Nagel, author of Duplex. Here's more of his project: Yeah Yeah Cool Cool.The Lives of Writers is edited and produced by Michael Wheaton.

City Lights LIVE presents Brandon Shimoda and Emily Luan reading from their books,“Hydra Medusa” and “In 回 / Return,” published by Nightboat Books. “Hydra Medusa” by Brandon Simoda takes us through the poet's day-to-day life as he works five jobs and raises his child. His collection of poems and essays touches on the realities of living on the US-Mexico border. Shimoda documents the realities and oftentimes horrors of living in the desert as he encounters his own past and ancestry as a Japanese American individual. Brandon Shimoda is a poet and author of eight books of poetry and prose. He teaches at Colorado College. “In 回 / Return” by Emily Luan is rooted in the classical tradition of the Chinese “reversible” poem. "In 回 / Return” is engaged in the act of looking back—toward an imagined homeland and a childhood of suburban longing, through migratory passages, departures, and etymologies, and into the various holes and voids that appear in the telling and retelling of history. Emily Luan is a former Margins Fellow at the Asian American Writers' Workshop. You can purchase copies of "Hydra Medusa” and “In 回 / Return” at https://citylights.com/.

Frank, conversational, and darkly funny, Gravitas examines the tendency of MFA programs to teach women that their lives aren't worth writing about. These poems bear witness not only to alienation but also to the bittersweet joy of being forced to invent alternative ways of living and writing. Amy Berkowitz is the author of Gravitas (Éditions du Noroît / Total Joy, 2023) and Tender Points (Nightboat Books, 2019). She lives in San Francisco, where she co-hosts the Light Jacket Reading Series. She's working on a novel that she likes to call Untitled Bisexual Jumpsuits Project. Anna Zumbahlen lives in Albuquerque and works in book marketing and publicity at the University of Chicago Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On today's episode of The Lives of Writers, Jeff Alessandrelli interviews Brandon Shimoda.Brandon Shimoda is a yonsei poet/writer, and the author of eight books of poetry and prose, including Portuguese, The Desert, The Grave on the Wall, and most recently Hydra Medusa, which is out now from Nightboat Books. He is also the curator of the Hiroshima Library, an itinerant reading room/collection of books on the atomic bombings of Hiroshima and Nagasaki. He teaches at Colorado College.Jeff Alessandrelli is the author of several books, including the poetry collection Fur Not Light. He is also the director and co-editor of the small presses Fonograf Editions and Bunny Presse.____________PART ONE, topics include:-- parenting small children-- sibling relationships-- growing up with a frustrated artist-- living on the moon-- writing while in motion-- the bus as residency____________PART TWO, topics include:-- working five jobs in pandemic lockdown-- negative optimism-- more leading to more-- Brandon's new book Hydra Medusa-- travel-mania  and/or material-seeking-- the MFA -> publish three books -> visiting professor -> tenure track pipeline-- messiness and non-messiness-- Brandon's previous book The Desert-- corresponding with other writers-- Brandon's blurb stance____________PART THREE, topics include:-- more about Hydra Medusa-- writing about dreams-- orderly language-- feeling like a piece of hardware-- waking up in the morning-- the writing coming before the book-- the book coming before the writing-- writing poetry and/or prose-- the forthcoming A Book on the Afterlife of Japanese-American Incarceration-- putting a rectangle around a river-- editing an anthology as creative act____________Podcast theme music provided by Mike Nagel, author of Duplex. Here's more of his project: Yeah Yeah Cool Cool.The Lives of Writers is edited and produced by Michael Wheaton.

City Lights presents Gillian Conoley in conversation with Norma Cole, celebrating the publication of "Notes from the Passenger" by Gillian Conoley, published by Nightboat Books. This live event was held in the Poetry room and simultaneously broadcasted via Zoom. This event was hosted by Peter Maravelis of City Lights. You can purchase copies of "Notes from the Passenger" directly from City Lights here: https://citylights.com/general-poetry/notes-from-the-passenger/ Gillian Conoley is a poet, editor, and translator. Her collection, A LITTLE MORE RED SUN ON THE HUMAN: NEW AND SELECTED POEMS, with Nightboat Books, won the 39th annual Northern California Book Award in 2020. Conoley received the Shelley Memorial Award from the Poetry Society of America, and was also awarded the Jerome J. Shestack Poetry Prize, a National Endowment for the Arts grant, and a Fund for Poetry Award. Conoley's translations of three books by Henri Michaux, THOUSAND TIMES BROKEN, is with City Lights. Conoley has taught as a Visiting Poet at the University of Iowa Writers' Workshop, the University of Denver, Vermont College, and Tulane University. A long–time resident of the San Francisco Bay Area, Conoley is currently Professor of English and Poet–in–Residence at Sonoma State University where she edits VOLT. Conoley has collaborated with installation artist Jenny Holzer, composer Jamie Leigh Sampson, and Buhto dancer Judith Kajuwara. Norma Cole is a member of the circle of poets around Robert Duncan in the '80s, and a fellow traveler of San Francisco's language poets, Cole is also allied with contemporary French poets like Jacques Roubaud, Claude Royet-Journoud, and Emmanuel Hocquard. Her translations from the French include Hocquard's "This Story Is Mine" (Instress, 1999), "Crosscut Universe: Writing on Writing from France" (Burning Deck, 2000), Danielle Collobert's Notebooks 1956-1978 (Litmus, 2003), and Fouad Gabriel Naffah's "The Spirit God and the Properties of Nitrogen" (Post-Apollo, 2004). She has taught at many schools, including the University of San Francisco and San Francisco State. During winter 2004/05, Cole could be seen inhabiting a 1950s living room as part of the California Historical Society's Collective Memory installation series. More recently, she curated a show by Marina Adams at the Cue Arts Foundation in NYC. This event was made possible by support from the City Lights Foundation: citylights.com/foundation

Many of us bereaved by suicide find ourselves as Frank Campbell describes in a “Canyon of Why”. Our world assumptions are shattered.What happens to a family with multiple losses by suicide?In this interview I speak to Juliet Patterson, a poet and the author of the book “Sinkhole: A Legacy of Suicide.” Juliet grew up in the shadows of multiple family members deaths by suicide and wondered too — “Will I die this way?” Instead, she has come to find poetry and other forms of storytelling are helping her make meaning.About Juliet PattersonJuliet Patterson is the author of Sinkhole: A Legacy of Suicide (Milkweed Editions, September 2022) and two full-length poetry collections, Threnody, (Nightboat Books 2016), a finalist for the 2017 Audre Lorde Poetry Award, and The Truant Lover, (Nightboat Books, 2006), winner of the Nightboat Poetry Prize and a finalist for the 2006 Lambda Literary Award. A recipient of a Arts & Letters Susan Atefat Prize in non-fiction, and a Lynda Hull Memorial Poetry Prize, she has also been awarded fellowships from the Jerome Foundation, the Minnesota State Arts Board, and the Minneapolis-based Creative Community Leadership Institute (formerly the Institute for Community and Creative Development). She teaches creative writing and literature at St. Olaf College and is also a faculty member of the college's Environmental Conversations program. for more information on this episode go to https://www.sallyspencerthomas.com/hope-illuminated-podcast/118

City Lights in conjunction with Naropa University and Nightboat Books present Anne Waldman with Emma Gomis, joined by Alan Gilbert, Cedar Sigo, and Eleni Sikelianos, celebrating the publication of "New Weathers: Poetics from the Naropa Archive," edited by Anne Waldman with Emma Gomis and published by Nightboat Books. This event was originally broadcast via Zoom and hosted by Peter Maravelis. You can purchase copies of "New Weathers: Poetics from the Naropa Archive" directly from City Lights here: https://citylights.com/story-anthologies/new-weathers-poetics-from-the-naropa-a/ Anne Waldman is a poet, performer, professor, literary curator, cultural activist, has been a prolific and active poet and performer many years, creating radical hybrid forms for the long poem, both serial and narrative, as with "Marriage: A Sentence," "Structure of the World Compared to a Bubble," "Manatee/Humanity," and "Gossamurmur," all published by Penguin Poets. She is also the author of the magnum opus "The Lovis Trilogy: Colors in the Mechanism of Concealment" (Coffee House Press 2011), a feminist “cultural intervention” taking on war and patriarchy which won the PEN Center 2012 Award for Poetry. Recent books include: "Voice's Daughter of a Heart Yet To Born" (Coffee House 2016) and "Trickster Feminism" (Penguin, 2018). She has been deemed a “counter-cultural giant” by Publishers Weekly for her ethos as a poetic investigator and cultural activist, and was awarded the American Book Award from the Before Columbus Foundation for Lifetime Achievement in 2015. She has also been a recipient of numerous honors for her work including The Shelley Award for Poetry (from the Poetry Society of America), a Guggenheim Fellowship and the Elizabeth Kray Award from Poets House, NYC in 2019. She was one of the founders of the Poetry Project at St Mark's Church In-the-Bowery, and its Director a number of years and then went on to found The Jack Kerouac School of Disembodied Poetics at Naropa University with Allen Ginsberg and Diana di Prima in1974 and went on to create its celebrated MFA Program. She has continued to work with the Kerouac School as a Distinguished Professor of Poetics and Artistic Director of its Summer Writing Program. During the global pandemic she and co-curator Jeffrey Pethybridge have created the online “Carrier Waves” iteration of the famed Summer Writing Program. She is the editor of "The Beat Book" and co-editor of "Civil Disobediences: Poetics and Politics in Action," and "Beats at Naropa" and most recently, "Cross Worlds: Transcultural Poetics." She is a Chancellor Emeritus of the Academy of American Poets. Emma Gomis is a Catalan American poet, essayist, editor and researcher. She is the cofounder of Manifold Press. Her texts have been published in Denver Quarterly, The Berkeley Poetry Review, The Brooklyn Rail, Entropy, and Asymptote among others and her chapbook "Canxona" is forthcoming from b l u s h lit. She was selected by Patricia Spears Jones as The Poetry Project's 2020 Brannan Poetry Prize winner. She holds an M.F.A. in Creative Writing & Poetics from Naropa's Jack Kerouac School of Disembodied Poetics, where she was also the Anne Waldman fellowship recipient, and is currently pursuing a Ph.D. in criticism and culture at the University of Cambridge. To learn more about the other participants, visit: https://citylights.com/events/on-new-weathers-poetics-from-the-naropa-archive/ This event was made possible by support from the City Lights Foundation: citylights.com/foundation

Finally, after a long break, Waves Breaking returns with this interview with Kamden Ishmael Hilliard. Kam generously shares their time with me to discuss their debut book of poems, MissSettl, out last year with Nightboat Books. We go in deep to discuss their thoughts around the sentence, modes of speech, writing poems within this current era of late-stage capitalism, and teaching students. Kamden Ishmael Hilliard was born in La Jolla, CA; their fam settled on O'ahu, Hawai'i. Kamden holds a BA in American Studies from the University of Hawai'i at Mānoa and an MFA in Poetry from the Iowa Writers' Workshop. Kamden, a nonbinary Black settler who goes by Kam, works on issues of surveillance, race, queerness, contemporary art and American politics. They're thankful for support from The National YoungArts Foundation, The Davidson Institute, Sarah Lawrence College, and The UCROSS Foundation. Kam's writing appears in West Branch, The Black Warrior Review, Tagvverk, Denver Quarterly, The Columbia Review, and other publications.   Formerly, they served as an AmeriCorps VISTA, held Maytag, Teaching-Writing, and Pfluflaught Fellowships at the University of Iowa, and were the 2020-2022 Anisfield-Wolf Fellow in Publishing and Writing at the Cleveland State University Poetry Center, a reader at Flypaper Lit, and a board member at VIDA: Women In Literary Arts. Kamden's website Kamden's Instagram Go buy MissSettl! Mentioned in the interview: Joyelle McSweeney Jayson P. Smith “Poem About My Rights” by June Jordan bell hooks Hoodie Allen (I'm sorry lol) Skee-Lo Punahou School Hawaii Iowa Writers Workshop and the Cold War James Baldwin Nene (bird) The nene population is on the rebound from its endangered status Beloved by Toni Morrison Huge plug for everyone to listen to the audiobook version of Beloved read by Toni Morrison herself. Find it on Libby! Dwayne “The Rock” Johnson Who Framed Roger Rabbit? (film) My poem with Judge Doom in it is “After Saturn Ate His Own Kid” at the bottom of this page. West Side Story (film) Goodbye, Vitamin by Rachel Khong Kam's Anti-recommendations: Apocalypse Now (film) The Heart of Darkness by Joseph Conrad The Sandman (TV series) This show's Editor and Social Media Manager is Mitchel Davidovitz.  The Sound of Waves Breaking is a clip of my cousin Ian and me (fake band name: Diminutive Denizens) doing a cover of “Dig My Grave” by They Might Be Giants. It's on this cover album of Apollo 18 if you want to listen to the whole thing. There are a bunch of other covers you can listen to there for free, including a very dumb skit my friend Greg and I did for one of the “Fingertips.” Greg's the host of the excellent podcast This Might Be a Podcast which I've also guested on many times. Check it out!

Tuck speaks with poet and drag artist Wo Chan (they/them), who performs as the Illustrious Pearl. Topics include:  Re-evaluating the narrative of your book after starting psychoanalysis Combining poetry and drag performance into… PowerPoint drag! Creating art out of testimonials from your family's deportation proceedings Learning to share without oversharing — and without judging yourself for oversharing Plus: Ostrich feathers, Cantopop, loneliness, poop poems, and the stage as a sacrificial altar.  This Week in Gender: We recap the US midterm elections and discuss the concept of “Queering Congress” (lol lmao) Find Wo on Instagram @theillustriouspearl. Togetherness is available now from Nightboat Books. Join our Patreon (patreon.com/gender) to get access to our monthly bonus podcast, weekly newsletter, and other fun perks. Browse our nonprofit merch shop at bit.ly/gendermerch. Find episode transcripts at genderpodcast.com. We're also on Twitter and Instagram @gendereveal. Submit a piece of Theymail: a small message or ad that we'll read on the show. Today's messages were from Quail Hill Farm and Better Days. Associate Producer: Ozzy Llinas Goodman Logo: Ira M. LeighMusic: Breakmaster CylinderAdditional Music: “Mr Graves,” “Turning to You” & “Lady Marie” by Blue Dot Sessions Sponsors: Queer Candle Co. (promo code: GENDER10)

Chris and Courtney sit down with Kazim Ali, Editor/Founder of Nightboat Books, and Department Chair for Literature at UC San Diego, about all things passions, process, pitfalls, poetry... and Choose Your Own Adventure! KAZIM ALI was born in the United Kingdom and has lived transnationally in the United States, Canada, India, France, and the Middle East. His books encompass multiple genres, including the volumes of poetry Inquisition, Sky Ward, winner of the Ohioana Book Award in Poetry; The Far Mosque, winner of Alice James Books' New England/New York Award; The Fortieth Day; All One's Blue; and the cross-genre texts Bright Felon and Wind Instrument. His novels include the recently published The Secret Room: A String Quartet and among his books of essays are the hybrid memoir Silver Road: Essays, Maps & Calligraphies and Fasting for Ramadan: Notes from a Spiritual Practice. He is also an accomplished translator (of Marguerite Duras, Sohrab Sepehri, Ananda Devi, Mahmoud Chokrollahi and others) and an editor of several anthologies and books of criticism. After a career in public policy and organizing, Ali taught at various colleges and universities, including Oberlin College, Davidson College, St. Mary's College of California, and Naropa University. He is currently a Professor of Literature at the University of California, San Diego. His newest books are a volume of three long poems entitled The Voice of Sheila Chandra and a memoir of his Canadian childhood, Northern Light. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this episode, I spoke with Cody-Rose Clevidence about their latest publication, Aux Arc / Trypt Ich, out with Nightboat Books. We dug into language, exploring motif, grief, love—all that good stuff.  Cody-Rose Clevidence is the author of BEAST FEAST (2014) and Flung/Throne (2018), both from Ahsahta Press, Listen My Friend This is the Dream I Dreamed Last Night from The Song Cave and Aux Arc / Trypt Ich as well as several handsome chapbooks (flowers and cream, NION, garden door press, Auric).  They live in the Arkansas Ozarks with their medium sized but lion-hearted dog, Birdie and an absolute lunatic cat.   Cody-Rose's Instagram Buy Aux Arc / Trypt Ich! Poets, books, etc. mentioned in this episode: Cody-Rose Clevidence's BEAST FEAST  Turquoise waters of the Ozarks "Apophatic" was the word I was trying to remember! I can't read this work because of the paywall, but it seems like it might be useful in exploring Manley Hopkins's contemplations of God.  H.D. Homer Algernon Charles Swinburne William Wordsworth English literature's Romanticism  Gerard Manley Hopkins Stephen Taylor's Building Thoreau's Cabin Jerome Rothenberg (editor), Technicians of the Sacred  Jerome Rothenberg (editor), Shaking the Pumpkin: Traditional Poetry of the Indian North Americas Guy Deutscher's The Unfolding of Language Guy Deutscher's Through the Language Glass: Why the World Looks Different in Other Languages George Lakoff and Mark Johnson's Metaphors We Live By   Editor and Social Media Manager: Mitchel Davidovitz Host and Producer: Avren Keating Sound of Waves Breaking: "Arkansas" by John Linnell. At last, one half of TMBG makes it onto the pod.

Land and sea meet in a dance of littoral literature on this week's episode, in which two writers train their minds on overlooked expanses. Gillian Osborne considers the American lawn, a private buffer expressing our nostalgia for common spaces. Leanne Shapton takes us into open water, where swimmers find vulnerability, wonder, and a sense of scale. They examine how great writers have drawn inspiration from the outdoors and crafted lyrical prose that unsettles the barriers between humans and nature, past and present, death and life. First, Harper's Magazine web editor Violet Lucca speaks with Leanne Shapton about the work of the writer, activist, and filmmaker Roger Deakin, which Shapton reviewed in the August issue of Harper's. Like Deakin, Shapton is an experienced swimmer (she once participated in two Olympic tryouts), and she uses her marine inclinations to understand Deakin's travel memoir Waterlog: A Swimmer's Journey Through Britain, as well as his life and politics. Only a lucky few can swim regularly from a young age, and Shapton discusses her desire that the experience of open-water swimming—as one means of being “with” nature, rather than “in and on it”—might be made available to people of all ages and cultural backgrounds. Next, Lucca speaks with Gillian Osborne. Last month, Nightboat Books published Osborne's first essay collection, Green Green Green, which was excerpted in the July issue of Harper's. Osborne declares that the color green's “layering of possible meanings is uncanny,” then launches into a poetic history of the American lawn. As she testifies in her conversation, she is interested in the lawn's ability to evoke absence or emptiness—a quality she also finds in great short poetry. For Osborne, who seeks to make space for “responsive” rather than merely “responsible” reading, the experience of literature is always entwined with what writers and readers are not presently looking at—the vibrant vegetal world in which they sit. Read Shapton's review: https://harpers.org/archive/2021/08/writ-in-water-roger-deakin-waterlog/ Read the excerpt of Osborne's essay collection: https://harpers.org/archive/2021/07/green-green-green-gillian-osborne/ This episode was produced by Violet Lucca and Andrew Blevins.

Erica Hunt and Michael Palmer, reading from their new works: Hunt reading from her new collection "Jump The Clock," published by Nightboat, and Palmer reading from "Little Elegies for Sister Satan," published by New Directions. This event was originally broadcast via Zoom and hosted by Josiah Luis Alderete. Erica Hunt is a poet and essayist, author of Local History, Arcade, Piece Logic, Veronica: A Suite in X Parts, and Jump the Clock: New and Selected Poems, published by Nightboat Books in November 2020. Her poems and essays have appeared in BOMB, Boundary 2, Brooklyn Rail, The Los Angeles Review of Books, Poetics Journal, Tripwire, Recluse, In the American Tree, and Conjunctions. With Dawn Lundy Martin, Hunt is the editor of an anthology of new writing by Black women, Letters to the Future. Hunt has received awards from the Foundation for Contemporary Art, the Fund for Poetry, and the Djerassi Foundation and is a past fellow of Duke University/University of Capetown Program in Public Policy. She teaches at Brown University. Michael Palmer is an American born in New York City in 1943 and long resident in San Francisco, nearly all of Palmer's poetry is published by New Directions: At Passages (1995); The Lion Bridge: Selected Poems 1972–1995 (1998); The Promises of Glass (2000); Codes Appearing: Poems 1979–1988 (2001); Company of Moths (2005); and most recently, Thread (2011). He is the translator of works by Emmanuel Hocquard, Vicente Huidobro, and Alexei Parshchikov, among others, and the editor of "Code of Signals: Recent Writings in Poetics." For over thirty years he has collaborated with the Margaret Jenkins Dance Company. Sponsored by the City Lights Foundation.

The conversation you're about to hear, “The Positive Twist,” was held between Allison Cobb, Sarah Riggs and Jérémy Robert. Cobb starts by reading the preface to Plastic: An Autobiography, the book she published with Nightboat Books in 2021, where she describes plastic as the epitome of the Anthropocene, and its damages on a personal and global level. She elaborates on her relationship with genres and her environmental engagement. She talks about the togetherness of lived experiences when she documented her failure to communicate with the inhabitants Mossville, Louisiana, once dubbed “the most toxic town” in the United States. She walks us through the three stages of apology, the creative meanderings of fiction and imagination, as well as the joyous and sustainable strength that can stem from our understanding of the plastic tragedy, and how literature, in its own way, can fend off resentment and help locate the strength to take action.

What is the relationship between the poet and her audience? What is the "green ribbon" that we all have around our throats? What is it like to go to a gay bar with Reed Brice? All of these questions, plus more, to be answered by this week's guest: Pushcart Prize nominated author Muriel Leung is here to speak about the publication of her third book, a collection of essays-in-verse called, "Imagine Us, the Swarm" by Nightboat Books. She is also here to discuss the short story "The Husband Stitch" from fiction writer Carmen Maria Machado's"Her Body and Other Parties" (The selection can be accessed here in its entirety, please do read beforehand if you want that book club experience!) (Content Warning: Non-gratuitous mention of violence, sex and sexuality, misogynistic violence, racism, transphobia and homophobia.)

Plastic: An Autobiography (Nightboat Books, 2021) explores how technology, sprung from desire, draws all beings into its net, and asks how to live justly within its grasp. In Plastic: An Autobiography, Allison Cobb’s obsession with a large plastic car part leads her to explore the violence of our consume-and-dispose culture, including her own life as a child of Los Alamos, where the first atomic bombs were made. The journey exposes the interconnections among plastic waste, climate change, nuclear technologies, and racism. Using a series of interwoven narratives ― from ancient Phoenicia to Alabama ― the book bears witness to our deepest entanglements and asks how humans continue on this planet. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Plastic: An Autobiography (Nightboat Books, 2021) explores how technology, sprung from desire, draws all beings into its net, and asks how to live justly within its grasp. In Plastic: An Autobiography, Allison Cobb’s obsession with a large plastic car part leads her to explore the violence of our consume-and-dispose culture, including her own life as a child of Los Alamos, where the first atomic bombs were made. The journey exposes the interconnections among plastic waste, climate change, nuclear technologies, and racism. Using a series of interwoven narratives ― from ancient Phoenicia to Alabama ― the book bears witness to our deepest entanglements and asks how humans continue on this planet. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Plastic: An Autobiography (Nightboat Books, 2021) explores how technology, sprung from desire, draws all beings into its net, and asks how to live justly within its grasp. In Plastic: An Autobiography, Allison Cobb’s obsession with a large plastic car part leads her to explore the violence of our consume-and-dispose culture, including her own life as a child of Los Alamos, where the first atomic bombs were made. The journey exposes the interconnections among plastic waste, climate change, nuclear technologies, and racism. Using a series of interwoven narratives ― from ancient Phoenicia to Alabama ― the book bears witness to our deepest entanglements and asks how humans continue on this planet. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science

Plastic: An Autobiography (Nightboat Books, 2021) explores how technology, sprung from desire, draws all beings into its net, and asks how to live justly within its grasp. In Plastic: An Autobiography, Allison Cobb’s obsession with a large plastic car part leads her to explore the violence of our consume-and-dispose culture, including her own life as a child of Los Alamos, where the first atomic bombs were made. The journey exposes the interconnections among plastic waste, climate change, nuclear technologies, and racism. Using a series of interwoven narratives ― from ancient Phoenicia to Alabama ― the book bears witness to our deepest entanglements and asks how humans continue on this planet. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this Queers at the End of the World Presents, poet Holly Raymond joins us to read from her work in We Want it All: An Anthology of Radical Trans Poetics, published by Nightboat Books in 2020. We get to nerd out about poetry, goblins, slicing cold cuts at Wawa and fan translations of Final Fantasy with Holly, and she shares a bit of new work too. ALSO We Want It All is the only anthology to contain writing by both Sylvia Rivera and your co-host Nat Mesnard, who's gonna read one of their poems as well! Edited by Andrea Abi-Karam and Kay Gabriel, find it here: https://nightboat.org/book/we-want-it-all/ --- Support this podcast: https://anchor.fm/queerworlds/support

Brooklyn poet Asiya Wadud reads from her new book "No Knowledge Is Complete Until It Passes Through My Body" from Nightboat Books. She discusses her influences, and the interdisciplinary inspiration she takes from a variety of art forms. Get your copy of No Knowledge Is Complete Until It Passes Through My Body, here: https://nightboat.org/book/no-knowledge-is-complete-until-it-passes-through-my-body/ SUBMIT TO THE OPEN MIC OF THE AIR!: www.poetryspokenhere.com/open-mic-of-the-air Visit our website: www.poetryspokenhere.com Like us on facebook: facebook.com/PoetrySpokenHere Follow us on twitter: twitter.com/poseyspokenhere (@poseyspokenhere) Send us an e-mail: poetryspokenhere@gmail.com

Andrea Abi-Karam joined for an episode to talk about WE WANT IT ALL: An Anthology of Radical Trans Poetics – Andrea co-edited the anthology with Kay Gabriel.  The anthology includes work by intergenerational trans poets against capital and empire.  Andrea read one of their pieces on this episode; we also touched on the ways this year has shifted and impacted creativity and focus.  Andrea also shared their love of rollerblading that has emerged! The book, coming out in November, is available for pre-order from Nightboat Books! Follow Andrea on IG @wolf_hour

JOON OLUCHI LEE lives and writes in femininity and feminism, whose latest novel is "Neotenica," published by Nightboat Books in June. The author of two other works of fiction, "94" (2015) and "Lace Sick Bag" (2013), both published by Publication Studio, as well as various essays on queer theory, feminism, and fiction writing, including "The Joy of the Castrated Boy," and the blog "lipstickeater," Joon is Associate Professor of Gender Studies and Creative Writing at Rhode Island School of Design. He lives in Brooklyn with his partner Roderick Schrock and their rescue dog Nella. Neotenica Lambda Literary Interview LITQB Podcast: This is a podcast about the barriers to embodiment and how our collective body stories can bring us back to ourselves. This is a podcast for people who identify as queer or for people who might think of their relationship between their body and confining social narratives as queer. This can feel like an isolating experience. Our wounded bodies need spaces to talk about struggles with nourishment/disordered eating, body image issues, dysphoria, racism, heterosexism, transphobia, xenophobia, substance use/abuse, chronic pain/disability, body changes in parenthood, intergenerational trauma, the medical/wellness/therapy industrial complex and its lack of inclusion of queer bodies and much more. Hopefully this podcast can illustrate the connections, and resonant pain points, that we have with one another. Livinginthisqueerbody.com @livinginthisqueerbody The Host: Asher Pandjiris is a Psychotherapist/ Podcaster/ Group Facilitator SUPPORT https://www.patreon.com/livinginthisqueerbody Sound Editing: Barry Orvin www.talkbox.studio Music: Ethan Philbrick and Helen Messineo-Pandjiris --- Send in a voice message: https://anchor.fm/asher-pandjiris/message

In this discussion, the third in a series on the relation between catastrophe and narrative, Homer scholar Dr. James Porter and poet Gillian Conoley will discuss how disaster and catastrophe have found narrative expression from Ancient Greece to the present day. Unbeknownst to itself, the Western tradition is founded on violent catastrophe, and the wounds of this history are deeply embedded in its cultural memory. Homer's poems, "The Iliad" and "The Odyssey," commemorate a war that led to the capture and obliteration of an ancient city called Troy. Looming behind Troy lies a much larger catastrophe, the massive "systems collapse" that swept across the Aegean and Mediterranean East sometime around 1200 BCE and that wiped out Bronze Age palaces on the Greek mainland, on Crete, Cyprus, in the Levant and Asia Minor, and that threw these civilizations back into a prehistoric state, a truly "Dark Age," for half a millennium. How such massive changes could have come about in so many places at once and in so short a time—seemingly in a blink of the eye, though it probably took less than a century—is one of the great mysteries of the ancient world. Warfare was involved, but the evidence points primarily to destruction by natural and not human forces, earthquakes and fires first and foremost, while a host of further factors have been conjectured, from droughts and floods to drastic climate changes. Homer's epics preserve a distorted memory of this collapse: they encode this trauma in their narrative form and substance, which complicates their understanding as celebrations of heroic glory. This presentation will unravel some of the mysteries that haunt Homeric Troy, in addition to rereading the poems as an invitation to deep ethical and aesthetic discomfort and reflection, not glorification. A short excerpt from Smoke, Ashes, Fable, a film montage that formed part of an exhibition from 2002 by the South African multi-media artist William Kentridge, will help us think through the broader question of what it means to live with the present and imminent realities of our own massive systems collapse today. Gillian Conoley received the 2017 Shelley Memorial Award for lifetime achievement from the Poetry Society of America. Her most recent collection is A Little More Red Sun on the Human: New and Selected Poems, published with Nightboat Books. She is the author of seven previous books, including PEACE, an Academy of American Poets Standout Book and a finalist for the Los Angeles Times Book Prize. Conoley's translations of three books by Henri Michaux, Thousand Times Broken, appeared in 2014 with City Lights. Conoley is poet-in-residence and professor of English at Sonoma State University, where she edits Volt. In association with Townsend Center for the Humanities at the University of California Berkeley Learn more about your ad choices. Visit megaphone.fm/adchoices

"It tastes and smells just like Go Gurt" "I sound like I'm talking about Avatar the Airbenders" Beer: Fallen Down Gose from Ferus Artisan Ales (Trussville, AL) Poetry: "In Praise of Fragments" by Meena Alexander Girl crush: Yaa Gyasu, author of "Homegoing" In Episode 27, Alyx and Eric talk about the "trick in your mouth" that is lactose in beer, specifically in one of the Fallen Down Goses by Ferus Artisan Ales. Then they talk about translocational fragments in poetry by reading the posthumous book called "In Praise of Fragments" recently out by Nightboat Books, by Meena Alexander. Cheers!

Gillian Conoley and Donna de la Perrière reading from their new poetry collections. Gillian reading from A Little More Red Sun On The Human: New and Selected Poems, published by Nightboat Books; Donna de la Perrière reading from Works of Love & Terror, published by Talisman House. Gillian Conoley was awarded the 2017 Shelley Memorial Award from the Poetry Society of America. A Little More Red Sun on the Human: Selected Poems is forthcoming with Nightboat Books in Fall 2019. Her seventh poetry collection, PEACE, was named an Academy of American Poets Standout Book for 2014 and a finalist for the Los Angeles Times Book Prize. Conoley’s work has received the Jerome J. Shestack Poetry Prize, a National Endowment for the Arts grant, and a Fund for Poetry Award. Her translations of Henri Michaux, Thousand Times Broken, appeared with City Lights in 2014. Conoley is Poet-in-Residence and Professor of English at Sonoma State University, where she edits Volt. Donna de la Perrière is the author of SAINT ERASURE (2010) and TRUE CRIME (2009), both from Talisman House. The recipient of a 2009 Fund for Poetry award, she teaches in the MFA and undergraduate creative writing programs at California College of the Arts and San Francisco State University and curates the Bay Area Poetry Marathon reading series.

This episode, I had the chance to speak with Cyrée Jarelle Johnson about their book, SLINGSHOT. Cyrée Jarelle Johnson (He/They) is a poet and writer from Piscataway, NJ. His work has appeared in The New York Times, Boston Review, Wussy, The Wanderer, Vice, Rewire News, The Root, and Nat. Brut among other publications. They earned an MFA in Creative Writing from Columbia University with support from Davis Putter Scholarship Fund. SLINGSHOT, his first collection of poetry, is available now from Nightboat Books. Development of the work was supported by Astraea Foundations' Global Arts Fund, Culture/Strike Climate Change and Environmental Justice Fellowship, and Rewire News Disabled Writers Fellowship. They tweet with significant queer millenial ennui at @CyreeJarelle  Cyrée's website  Cyrée's TED Talk "What is Autism Neutrality?"  Authors and books mentioned in the episode: Leah Lakshmi Piepzna-Samarasinha's Tonguebreaker and Care Work  Kay Undlay Barrett's When the Chant Comes Britteney Black Rose Kapri's Black Queer Hoe Yanyi's Year of Blue Water  The Sound of Waves Breaking was "Natural Disaster" by @davidthomascairns  Editor, Social Media Manager: Mitchel Davidovitz Host, Producer: Avren Keating

If the prompt is “respond to a myth of Narcissus using thoughtful, meditative poems,” then jayy dodd gave us a beautiful answer. In The Black Condition Ft. Narcissus (Nightboat Books, 2019),  jayy dodd offers her own brilliant reflections on so many things: the contemporary moment, dystopia, her transition, and more. In this interview, jayy dodd shares poems from this collection, discusses the process of making the book come to light, and talks about her other projects. jayy dodd is a blxk trans womxn from Los Angeles, California who is now based in Portland, Oregon. She is a poet and a performance artist. You can also follow her on Twitter and Instagram at @deyblxk. Adrian King (pronouns: they/them/theirs) is a recently graduate of Brandies University’s Women’s, Gender, and Sexuality Studies MA program and is an incoming graduate student in University of Michigan’s American Culture PhD program. Learn more about your ad choices. Visit megaphone.fm/adchoices

If the prompt is “respond to a myth of Narcissus using thoughtful, meditative poems,” then jayy dodd gave us a beautiful answer. In The Black Condition Ft. Narcissus (Nightboat Books, 2019),  jayy dodd offers her own brilliant reflections on so many things: the contemporary moment, dystopia, her transition, and more. In this interview, jayy dodd shares poems from this collection, discusses the process of making the book come to light, and talks about her other projects. jayy dodd is a blxk trans womxn from Los Angeles, California who is now based in Portland, Oregon. She is a poet and a performance artist. You can also follow her on Twitter and Instagram at @deyblxk. Adrian King (pronouns: they/them/theirs) is a recently graduate of Brandies University’s Women’s, Gender, and Sexuality Studies MA program and is an incoming graduate student in University of Michigan’s American Culture PhD program. Learn more about your ad choices. Visit megaphone.fm/adchoices

If the prompt is “respond to a myth of Narcissus using thoughtful, meditative poems,” then jayy dodd gave us a beautiful answer. In The Black Condition Ft. Narcissus (Nightboat Books, 2019),  jayy dodd offers her own brilliant reflections on so many things: the contemporary moment, dystopia, her transition, and more. In this interview, jayy dodd shares poems from this collection, discusses the process of making the book come to light, and talks about her other projects. jayy dodd is a blxk trans womxn from Los Angeles, California who is now based in Portland, Oregon. She is a poet and a performance artist. You can also follow her on Twitter and Instagram at @deyblxk. Adrian King (pronouns: they/them/theirs) is a recently graduate of Brandies University’s Women’s, Gender, and Sexuality Studies MA program and is an incoming graduate student in University of Michigan’s American Culture PhD program. Learn more about your ad choices. Visit megaphone.fm/adchoices

If the prompt is “respond to a myth of Narcissus using thoughtful, meditative poems,” then jayy dodd gave us a beautiful answer. In The Black Condition Ft. Narcissus (Nightboat Books, 2019),  jayy dodd offers her own brilliant reflections on so many things: the contemporary moment, dystopia, her transition, and more. In this interview, jayy dodd shares poems from this collection, discusses the process of making the book come to light, and talks about her other projects. jayy dodd is a blxk trans womxn from Los Angeles, California who is now based in Portland, Oregon. She is a poet and a performance artist. You can also follow her on Twitter and Instagram at @deyblxk. Adrian King (pronouns: they/them/theirs) is a recently graduate of Brandies University's Women's, Gender, and Sexuality Studies MA program and is an incoming graduate student in University of Michigan's American Culture PhD program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

If the prompt is “respond to a myth of Narcissus using thoughtful, meditative poems,” then jayy dodd gave us a beautiful answer. In The Black Condition Ft. Narcissus (Nightboat Books, 2019),  jayy dodd offers her own brilliant reflections on so many things: the contemporary moment, dystopia, her transition, and more. In this interview, jayy dodd shares poems from this collection, discusses the process of making the book come to light, and talks about her other projects. jayy dodd is a blxk trans womxn from Los Angeles, California who is now based in Portland, Oregon. She is a poet and a performance artist. You can also follow her on Twitter and Instagram at @deyblxk. Adrian King (pronouns: they/them/theirs) is a recently graduate of Brandies University’s Women’s, Gender, and Sexuality Studies MA program and is an incoming graduate student in University of Michigan’s American Culture PhD program. Learn more about your ad choices. Visit megaphone.fm/adchoices

If the prompt is “respond to a myth of Narcissus using thoughtful, meditative poems,” then jayy dodd gave us a beautiful answer. In The Black Condition Ft. Narcissus (Nightboat Books, 2019),  jayy dodd offers her own brilliant reflections on so many things: the contemporary moment, dystopia, her transition, and more. In this interview, jayy dodd shares poems from this collection, discusses the process of making the book come to light, and talks about her other projects. jayy dodd is a blxk trans womxn from Los Angeles, California who is now based in Portland, Oregon. She is a poet and a performance artist. You can also follow her on Twitter and Instagram at @deyblxk. Adrian King (pronouns: they/them/theirs) is a recently graduate of Brandies University’s Women’s, Gender, and Sexuality Studies MA program and is an incoming graduate student in University of Michigan’s American Culture PhD program. Learn more about your ad choices. Visit megaphone.fm/adchoices

Working across and among languages, media, and art forms, Caroline Bergvall’s writing takes form as published poetic works and performance, frequently of sound-driven projects. Her interests include multilingual poetics, queer feminist politics and issues of cultural belonging, commissioned and shown by such institutions as MoMA, the Tate Modern, and the Museum of Contemporary Arts in Antwerp, and won numerous awards. Ragadawn is a multimedia performance that explores ideas of multi-lingualism, migration, lost or disappearing languages, and how language and place intersect. Ragadawn is performed with two live voices and recorded elements, outdoors, at dawn, which means the start and end times are location specific. It features song composed by Gavin Bryars, sung by Peyee Chen.   Ragadawn premiered at the Festival de la Bâtie (Geneva) and at the Estuary Festival (Southend) in 2016.  You can find more work(s) by Caroline Bergvall at: http://carolinebergvall.com Also on Soundcloud: https://soundcloud.com/carolinebergvall/ohmyohmy and Vimeo: https://vimeo.com/carolinebergvall/videos Her publications include: •    Éclat, Sound & Language, 1996•    Fig: Goan Atom 2, Salt, 2005•   Middling English, John Hansard Gallery, 2010•   Meddle English: New and Selected Texts, Nightboat Books, 2011 •   Drift, Nightboat Books, 2014  Transcript [CAROLINE BERGVALL]Jigsaw of traveling languages. [ominous music plays] [CRIS CHEEK]This…is…Phantom Power. Caroline Bergvall. [CAROLINE]How does one keep one’s body as one’s own? What does this mean about the relative safety of boundaries. Could I make sure that what I called my body would remain in the transit from other languages, that it would hold this progression into English, and because I didn’t know and wasn’t sure, and since for a great number of people, for an overwhelming number of persons, for an overwhelming a large number of persons for all always growing number of persons. This is far from self evidence. This is not self evidence. This does not apply, this doesn’t even begin to figure, I never knew for sure. Some never had a body to call their own before it was taken away. Somehow the [speaks in norwegian.] Some never had a chance to feel it body as their own before it was taken away. Some never had a chance to know their body before it was taken away. [speaks in norwegian]. Some were never free to speak that body before it was taken up and taken away. [speaks in norwegian]. Some tried their body on to pleasure in it before it was taken up beaten violated taken away [speaks in norwegian] Some had their body for a time that was taken away or parts of it somehow [speaks in norwegian] Some thought they had their body safely then were asked to leave it behind the door or parts of it some little dirty trick how the [speaks in norwegian]. Some hoped they had one safely only to find it had to be left across the border or parts of it [speaks in norwegian]. Some wanted to leave their body behind and couldn’t [speaks in french]. Some could neither take it or leave it behind [speaks in norwegian]. Some are loved at, some are spat out some are dragged into the crowd [speaks in norwegian]. Some bodies are forgotten in the language compounds. Some immense pressure is applied on to the forgetting of the ecosystem some escape from. Some bodies, like languages, simply disappear. [speaks in french]. Some or many are being disappeared [speaks in norwegian]. Some or many disappear. [speaks in norwegian]. Some are many that disappeared arise and some are many of us. [speaks in norwegian]. Some arise in some of us. [speaks in norwegian]. Some arise in some of us, arise in many of us. [speaks in norwegian]. Some arise in some of us, arise in each of us. [speaks in norwegian]. [MACK HAGOOD]It’s Phantom Power. I’m Mack Hagood here with cris cheek. Cris, that was amazing. [CRIS]Unusual to hear more than one language inside a poem.  [MACK]Yeah, and there was something almost liturgical about it....

I'm back! Hello! I got to talk with Andrea Abi-Karam this time, and I had a blast catching up with them about their latest book "EXTRATRANSMISSION." Andrea Abi-Karam is an arab-american genderqueer punk poet-performer cyborg, writing on the art of killing bros, the intricacies of cyborg bodies, trauma & delayed healing. Their chapbook, THE AFTERMATH (Commune Editions, 2016), attempts to queer Fanon’s vision of how poetry fails to inspire revolution. Simone White selected their second assemblage, Villainy for forthcoming publication with Les Figues. They toured with Sister Spit March 2018 & are hype to live in New York. EXTRATRANSMISSION [Kelsey Street Press, 2019] is their first book. Andrea's Website Andrea's Twitter Spray Tan's bandcamp Rob Halpern's Music for Porn Jennifer Terry's "Significant Injury:War, Medicine, and Empire in Claudia's Case" (Andrea didn't specifically name this paper, but I felt it was relevant).  Jasbir Puar's Terrorist Assemblages: Homonationalism in Queer Times Sister Spit Tour 2018 Equine Therapy for Military Veterans  Nightboat Books  Jasmin Gibson Don't Let Them See Me Like This Wendy Travino's Cruel Fiction Mattilda Bernstein Sycamore's Sketchtasy  This episode's editor and social media manager was Mitchel Davidovitz. The "Sound of Waves Breaking" was Spray Tan's "SOLOSLUT."

Wednesday Reading Series Myung Mi Kim's books include Penury (Omnidawn), Commons (University of California Press), DURA (Sun & Moon and Nightboat Books), The Bounty (Chax Press), and Under Flag (Kelsey Street Press), winner of The Multicultural Publisher's Exchange Award of Merit. Her fellowships and honors include awards from the Fund for Poetry, the Djerassi Resident Artists Program, Gertrude Stein Awards in Innovative North American Poetry, and the State University of New York Chancellor's Award for Excellence in Scholarship and Creative Activity. Kim is a Professor of English and Director of the Poetics Program at the University at Buffalo. Juliana Spahr edits the book series Chain Links with Jena Osman and the collectively funded Subpress with nineteen other people and Commune Editions with Joshua Clover and Jasper Bernes. With David Buuck she wrote Army of Lovers. She has edited, with Stephanie Young, A Megaphone: Some Enactments, Some Numbers, and Some Essays about the Continued Usefulness of Crotchless-pants-and-a-machine-gun Feminism (Chain Links, 2011), with Joan Retallack, Poetry & Pedagogy: the Challenge of the Contemporary (Palgrave, 2006), and with Claudia Rankine, American Women Poets in the 21st Century (Wesleyan U P, 2002). Her most recent book is That Winter the Wolf Came from Commune Editions.

In today's episode we present part two of the two-part panel presentation "Poetry, Publishing, Politics, and the Art of the Book" from this fall's Philalalia Small Press & Art Fair at Temple University in Philadelphia, PA. This panel was hosted by Brian Teare and featured editors from Bloof, Belladonna*, Fact-Simile, and Nightboat Books.

In today’s episode we present part one of a two-part panel presentation called "Poetry, Publishing, Politics, and the Art of the Book," from this fall’s Philalalia Small Press & Art Fair at Temple University in Philadelphia, Pennsylvania. This panel was hosted by Brian Teare and featured editors from Bloof, Belladonna*, Fact-Simile, and Nightboat Books, discussing matters of aesthetics, politics, and poetics as they inform their practices as publishers and members of the poetry community.

Amaranth Borsuk's most recent book is As We Know (Subito Press, 2014), a collaboration with Andy Fitch. She is the author of Handiwork, and, with Brad Bouse, Between Page and Screen. Abra, a collaboration with Kate Durbin forthcoming from 1913 Press, recently received an NEA-sponsored Expanded Artists’ Books grant from the Center for Book and Paper Arts at Columbia College Chicago and will be issued as an artist’s book with an iPad app created by Ian Hatcher this year. Amaranth is an Assistant Professor of Interdisciplinary Arts and Sciences at the University of Washington, Bothell, where she also teaches in the MFA in Creative Writing and Poetics. Andy Fitch’s most recent books are Sixty Morning Walks, Sixty Morning Talks, and (with Amaranth Borsuk) As We Know (Subito Press, 2014). Ugly Duckling Presse soon will release his ebook Sixty Morning Walks. With Cristiana Baik, he is currently assembling the Letter Machine Book of Interviews. He has dialogic books forthcoming from 1913 Press and Nightboat Books. He edits Essay Press and teaches in the University of Wyoming’s MFA program.

Partially Kept (Nightboat Books) Skylight welcomes back Martha Ronk, an acclaimed poet and short story writer, to read and sign her latest book of poetry, Partially Kept. Martha Ronk is the author of 9 books of poetry, a collection of short fiction, and a fictional memoir; her most recent poetic work includes Partially Kept from Nightboat Books, Vertigo, a National Poetry Series selection, from Coffee House Books, and Glass Grapes, fiction. She received an NEA award for her work, had residencies at Djerassi and MacDowell, and last year was a visiting poet at the University of Montana. Ronk is Professor of creative writing and Renaissance literature at Occidental College. THIS EVENT WAS RECORDED LIVE AT SKYLIGHT BOOKS APRIL 13, 2013. COPIES OF THE BOOK FROM THIS EVENT CAN BE PURCHASED HERE: http://www.skylightbooks.com/book/9781937658014

Green Girl (Emergency Press) by Zambreno; E! Entertianment (Insert Press) by Durbin Kate Zambreno and Kate Durbin join forces for an event launching Zambreno's new novel Green Girl and Durbin's new chapbook, E! Entertainment. Kate Zambreno's novel O Fallen Angel won Chiasmus Press' "Undoing the Novel" contest. Her novel Green Girl was published by Emergency Press in October 2011. A book of essays called Heroines, revolving around and obsessing over the wives and mistresses of modernism, will be published by Semiotext(e)'s Active Agents series in Fall 2012. She is an editor at Nightboat Books. Kate Durbin is a Los Angeles-based writer and artist. She is author of The Ravenous Audience (Akashic Books, 2009), E! Entertainment (Blanc Press, diamond edition, forthcoming), ABRA (Zg Press, forthcoming w/ Amarant Borsuk), as well as the conceptual fashion magazine The Fashion Issue (Zg Press, forthcoming), and five chapbooks: Fragments Found in a 1937 Aviator's Boot (Dancing Girl Press, 2009), FASHIONWHORE (Legacy Pictures, 2010), The Polished You, as part of Vanessa Place's Factory Series (oodpress, 2010), and Kept Women (Insert Press, forthcoming). She is founding editor of Gaga Stigmata, which will be published as a book from Zg Press in 2012. THIS EVENT WAS RECORDED LIVE AT SKYLIGHT BOOKS NOVEMBER 5, 2011.