Podcasts about Denver Quarterly

If you missed our main show #1126 - Monday Morning LIVE with Shonda's talk with author Claire Polders, here it is by itself for you to enjoy!! Claire Polders is a Dutch author of fiction and nonfiction. Her latest of five books is A Whale in Paris (Atheneum, Simon & Schuster), a historical novel for younger readers. Her short prose has been widely published in literary journals, including TriQuarterly, Prairie Schooner, Tin House, Electric Literature, Denver Quarterly, and Fiction International. She's currently finishing a memoir about elder abuse in Florida and revising a multi-generational novel about the dark Dutch colonial past. Her flash fiction collection Woman of the Hour: Fifty Tales of Longing and Rebellion is forthcoming from Vine Leaves Press in July 2025. Check out Claire's webpage for further information: www.clairepolders.com  Thanks again to Claire for sharing with us! You can find other Author Highlights on our webpage at www.theoldmanspodcast.com.  Later Gators!! *Get everything you need to start your own successful podcast on Podbean here: https://www.podbean.com/tomspodcastPBFree *Visit our webpage where you can catch up on Current / Past Episodes: www.theoldmanspodcast.com     *Contact us at: theoldmanspodcast@gmail.com     Checkout and Follow the Writings of Shonda Sinclair here: Roaming the Road (of Life):https://www.shondasinclair.com/   *TOMPodcast Music Shows: https://www.mixcloud.com/TOMPodcast/

Frontier: A Memoir and a Ghost Story (Barrelhouse Inc., 2025) is a genre-bending expedition into childbirth. Seamlessly blending memoir, fiction, and research into the fraught history of birth—from midwives to Victorian-era sedation through the Natural Childbirth Movement and modern L&D suites—Frontier lays bare visceral truths that are too often glossed over, and offers an incisive look at the momentous and terrifying transformations of motherhood. As she prepared to give birth to her first child, Erica Stern envisioned the idyllic experience promised by prenatal classes and diaper commercials. But when unexpected complications arose during labor, she found herself at the threshold of life and death, a liminal space that connected her to generations of mothers before her. From the chaos of the delivery room, Frontier opens into a parallel narrative: a Wild West ghost story. There, a mother who didn't survive the ordeal of childbirth roams her old homestead, tethered to the family she left behind. In this otherworldly hybrid memoir, Stern careens between this haunted past and the present horror of the hospital as she waits for her own son to wake up in the NICU. Erica Stern's work has been published in The Iowa Review, Mississippi Review, Denver Quarterly, and elsewhere. She has received support for her writing from the Vermont Studio Center and the Virginia Center for Creative Arts. A New Orleans native, she lives with her family in Evanston, Illinois. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Frontier: A Memoir and a Ghost Story (Barrelhouse Inc., 2025) is a genre-bending expedition into childbirth. Seamlessly blending memoir, fiction, and research into the fraught history of birth—from midwives to Victorian-era sedation through the Natural Childbirth Movement and modern L&D suites—Frontier lays bare visceral truths that are too often glossed over, and offers an incisive look at the momentous and terrifying transformations of motherhood. As she prepared to give birth to her first child, Erica Stern envisioned the idyllic experience promised by prenatal classes and diaper commercials. But when unexpected complications arose during labor, she found herself at the threshold of life and death, a liminal space that connected her to generations of mothers before her. From the chaos of the delivery room, Frontier opens into a parallel narrative: a Wild West ghost story. There, a mother who didn't survive the ordeal of childbirth roams her old homestead, tethered to the family she left behind. In this otherworldly hybrid memoir, Stern careens between this haunted past and the present horror of the hospital as she waits for her own son to wake up in the NICU. Erica Stern's work has been published in The Iowa Review, Mississippi Review, Denver Quarterly, and elsewhere. She has received support for her writing from the Vermont Studio Center and the Virginia Center for Creative Arts. A New Orleans native, she lives with her family in Evanston, Illinois. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Frontier: A Memoir and a Ghost Story (Barrelhouse Inc., 2025) is a genre-bending expedition into childbirth. Seamlessly blending memoir, fiction, and research into the fraught history of birth—from midwives to Victorian-era sedation through the Natural Childbirth Movement and modern L&D suites—Frontier lays bare visceral truths that are too often glossed over, and offers an incisive look at the momentous and terrifying transformations of motherhood. As she prepared to give birth to her first child, Erica Stern envisioned the idyllic experience promised by prenatal classes and diaper commercials. But when unexpected complications arose during labor, she found herself at the threshold of life and death, a liminal space that connected her to generations of mothers before her. From the chaos of the delivery room, Frontier opens into a parallel narrative: a Wild West ghost story. There, a mother who didn't survive the ordeal of childbirth roams her old homestead, tethered to the family she left behind. In this otherworldly hybrid memoir, Stern careens between this haunted past and the present horror of the hospital as she waits for her own son to wake up in the NICU. Erica Stern's work has been published in The Iowa Review, Mississippi Review, Denver Quarterly, and elsewhere. She has received support for her writing from the Vermont Studio Center and the Virginia Center for Creative Arts. A New Orleans native, she lives with her family in Evanston, Illinois. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Welcome to the first episode of Literary Screening, a new series that invites Page Count guests to discuss films or television shows with a literary connection. First up is American Fiction, the 2023 adaptation of Percival Everett's novel Erasure. Laura is joined by Matt Weinkam and Michelle Smith of Literary Cleveland to consider how the film satirizes the publishing industry and academia, what it has to say about race and the depiction of Black families in film, comparisons between the book and film adaptation, and a lot more.   Literary Cleveland is a nonprofit organization and creative writing center that empowers people to explore other voices and discover their own. Learn more about the 2025 Cleveland Poetry Festival, which takes place April 25-27 with a theme of The Body Politic; the Inkubator, one of the largest free writing festivals in the country; and more, including dozens of classes and programs for writers of all levels.   Matt Weinkam is the Executive Director of Literary Cleveland. His work has been published in HAD, Denver Quarterly, Sonora Review, New South, DIAGRAM, Jellyfish Review, Split Lip, and Electric Literature. He holds an MA in creative writing from Miami University, an MFA in fiction from Northern Michigan University, and he has taught creative writing as far away as Sun Yat-sen University in Zhuhai, China.   Michelle R. Smith is the Programming Director at Literary Cleveland, as well as a writer, poet, educator, cultural facilitator, and native Clevelander. She is the author of the poetry collections Ariel in Black (2015) and The Vagina Analogues (2020), and the creator of BLAX MUSEUM, an annual performance showcase dedicated to honoring notable Black figures in American history and culture.   Be sure to check out Michelle and Matt's writing. And hey, give us a call if you need to revive a sentence.   Page Count is produced by Ohio Center for the Book at Cleveland Public Library. For full show notes and an edited transcript of this episode, visit the episode page. To get in touch, email ohiocenterforthebook@cpl.org (put “podcast” in the subject line) or follow us on Instagram or Facebook.

Joanne and Bernadette Fareown are raised on their family farm in rural Illinois, keenly affected by their parents' volatile relationship and mounting financial debt, haunted by the cursed history of the women in their family. Largely left to their own devices, the sisters educate themselves on Greek mythology, feminism, and Virginia Woolf, realizing they must find unique ways to cope in these antagonistic conditions, questioning the American Dream as the rest of the country abandons their community in crisis. As Jo and Bernie's imaginative solutions for escape come up short against their parents' realities, the family leaves their farm for Chicago, where Joanne--free-spirited, reckless, and unable to tame her inner violence--rebels in increasingly desperate ways. After her worst breakdown yet, Jo goes into exile in Deadhorse, Alaska, and it is up to Bernadette to use all she's learned from her sister to revive a sense of hope against the backdrop of a failing world. With her debut novel, Nora Lange has crafted a rambunctious, ambitious, and heart-rending portrait of two idiosyncratic sisters, determined to persevere despite the worst that capitalism and their circumstances has to throw at them. Nora Lange's debut novel Us Fools is a finalist for the National Book Critics Circle Award in Fiction, named a best book of 2024 by The Boston Globe and NPR, a Los Angeles Times bestseller, and a New York Times Editors' Choice. An earlier iteration of it was shortlisted for The Novel Prize, a prize to recognize novels that explore and expand the possibilities of the form. Nora's writing has appeared in BOMB, Hazlitt, Joyland, American Short Fiction, Denver Quarterly, and elsewhere. She has received fellowships from Brown University and is a fellow at USC's Los Angeles Institute of the Humanities. She recently moved to Salt Lake City with her family. And look for Nora's in The Believer. Recommended Books: Miranda July, All Fours Svetlana Alexievich, Secondhand Time  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Joanne and Bernadette Fareown are raised on their family farm in rural Illinois, keenly affected by their parents' volatile relationship and mounting financial debt, haunted by the cursed history of the women in their family. Largely left to their own devices, the sisters educate themselves on Greek mythology, feminism, and Virginia Woolf, realizing they must find unique ways to cope in these antagonistic conditions, questioning the American Dream as the rest of the country abandons their community in crisis. As Jo and Bernie's imaginative solutions for escape come up short against their parents' realities, the family leaves their farm for Chicago, where Joanne--free-spirited, reckless, and unable to tame her inner violence--rebels in increasingly desperate ways. After her worst breakdown yet, Jo goes into exile in Deadhorse, Alaska, and it is up to Bernadette to use all she's learned from her sister to revive a sense of hope against the backdrop of a failing world. With her debut novel, Nora Lange has crafted a rambunctious, ambitious, and heart-rending portrait of two idiosyncratic sisters, determined to persevere despite the worst that capitalism and their circumstances has to throw at them. Nora Lange's debut novel Us Fools is a finalist for the National Book Critics Circle Award in Fiction, named a best book of 2024 by The Boston Globe and NPR, a Los Angeles Times bestseller, and a New York Times Editors' Choice. An earlier iteration of it was shortlisted for The Novel Prize, a prize to recognize novels that explore and expand the possibilities of the form. Nora's writing has appeared in BOMB, Hazlitt, Joyland, American Short Fiction, Denver Quarterly, and elsewhere. She has received fellowships from Brown University and is a fellow at USC's Los Angeles Institute of the Humanities. She recently moved to Salt Lake City with her family. And look for Nora's in The Believer. Recommended Books: Miranda July, All Fours Svetlana Alexievich, Secondhand Time  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Joanne and Bernadette Fareown are raised on their family farm in rural Illinois, keenly affected by their parents' volatile relationship and mounting financial debt, haunted by the cursed history of the women in their family. Largely left to their own devices, the sisters educate themselves on Greek mythology, feminism, and Virginia Woolf, realizing they must find unique ways to cope in these antagonistic conditions, questioning the American Dream as the rest of the country abandons their community in crisis. As Jo and Bernie's imaginative solutions for escape come up short against their parents' realities, the family leaves their farm for Chicago, where Joanne--free-spirited, reckless, and unable to tame her inner violence--rebels in increasingly desperate ways. After her worst breakdown yet, Jo goes into exile in Deadhorse, Alaska, and it is up to Bernadette to use all she's learned from her sister to revive a sense of hope against the backdrop of a failing world. With her debut novel, Nora Lange has crafted a rambunctious, ambitious, and heart-rending portrait of two idiosyncratic sisters, determined to persevere despite the worst that capitalism and their circumstances has to throw at them. Nora Lange's debut novel Us Fools is a finalist for the National Book Critics Circle Award in Fiction, named a best book of 2024 by The Boston Globe and NPR, a Los Angeles Times bestseller, and a New York Times Editors' Choice. An earlier iteration of it was shortlisted for The Novel Prize, a prize to recognize novels that explore and expand the possibilities of the form. Nora's writing has appeared in BOMB, Hazlitt, Joyland, American Short Fiction, Denver Quarterly, and elsewhere. She has received fellowships from Brown University and is a fellow at USC's Los Angeles Institute of the Humanities. She recently moved to Salt Lake City with her family. And look for Nora's in The Believer. Recommended Books: Miranda July, All Fours Svetlana Alexievich, Secondhand Time  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Episode 134: Tidbits & Trolls  Join us for a conversation about new poems by Kelly Egan and a discussion about line breaks, image systems, and the surprise turns poems make. Keep your eyes and ears open, Slushies, the landscape is full of lore. Egan has us pondering possibilities. Once upon a time folks believed in Selkies, shapeshifting seals who make folks fall in love with them in their human form. Who knew it's bad luck to open the door on Christmas Eve for fear trolls will maraud your house? You've been warned. Check out Danish artist Thomas Dambo's mammoth sculpted trolls hidden in plain sight. And if you want to deep dive into another legendary landscape – aka a brick-and-mortar bookstore – be sure to check out Parker Posey's documentary The Booksellers.    At the table: Kathleen Volk Miller, Marion Wrenn, Samantha Neugebauer, Dagne Forrest, Lisa Zerkle, Divina Boko, Jess Fielo (sound engineer)    Kelly Egan writes from dream, reverie, and long drives. She is the author of two chapbooks—Millennial, from White Stag, and A Series of Septembers, from Dancing Girl Press. Her poems can also be found in Maiden Magazine, Interim, Colorado Review, Laurel Review, RHINO, Denver Quarterly, and elsewhere. Kelly has an MFA from Saint Mary's College of CA and has participated in writing residencies in Iceland and the Peruvian Amazon. She lives in California's Bay Area. Find her at kellyjeanegan.com.  

Queer poet and writer Cass Donish was born and raised in the Greater Los Angeles Area. They are the author of the poetry collections Beautyberry and The Year of the Femme, winner of the Iowa Poetry Prize, as well as the nonfic­tion chapbook, On the Mezzanine. Their work has appeared in The American Poetry Review, Denver Quarterly, The Gettysburg Review, Guernica, The Iowa Review, The Kenyon Review, Poem-a-Day, VICE, and elsewhere. Donish received an MA in cultural geography from the University of Oregon, an MFA in poetry from Washington University in St. Louis, and a PhD in English and creative writing from the University of Missouri. They live in Columbia, Missouri. A trigger warning. Please note that this interview, because of the subject matter and themes of Cass' new book, touch on suicide. If you are having suicidal thoughts please reach out for support resources in your area. --- Support this podcast: https://podcasters.spotify.com/pod/show/viewlesswings/support

Craig Arnold, born November 16, 1967 was an American poet and professor. His first book of poems, Shells (1999), was selected by W.S. Merwin for the Yale Series of Younger Poets. His many honors include the 2005 Joseph Brodsky Rome Prize Fellowship in literature, the Amy Lowell Poetry Travelling Scholarship, a Hodder Fellowship, and fellowships from the Fulbright Program, the National Endowment for the Arts, and MacDowell. He taught poetry at the University of Wyoming. His poems have appeared in anthologies including The Best American Poetry 1998 and The New American Poets: A Bread Loaf Anthology, and in literary journals including Poetry, The Paris Review, The Denver Quarterly, Barrow Street, The New Republic and The Yale Review. Arnold grew up in the United States, Europe, and Asia. Arnold's Made Flesh won the 2009 High Plains Book Award and the 2008 Utah Book Award.In 2009, Arnold traveled to Japan to research volcanoes for a planned book of poetry. In April of that year, he disappeared while hiking on the island of Kuchinoerabujima. In the New York Times, the poet David Orr mourned the loss of Arnold, but noted it would “be a mistake to think of him as a writer silenced before his prime... His shelf space may be smaller than one would wish, but he earned every bit of it.”-bio via Copper Canyon Press and Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Amish Trivedi is the author of three books. His most recent is FuturePanic (Co•Im•Press, 2021). His poems have appeared in The American Poetry Review, Denver Quarterly, Tupelo Quarterly, and others. Trivedi earned an MFA from Brown University and a PhD in English and Critical Theory from Illinois State University. He's an assistant professor in the Department of English at the University of Delaware.Links:Read this episode's poems (along with several others):"Green Boots" at The Brooklyn Rail"Watch the Corners" at Black Sun Lit"Number Nine" and "Dying" at The Kenyon ReviewAmish Trivedi's websiteAmish Trivedi above/ground press AWP offsite reading 2023

Amish Trivedi is the author of three books. His most recent is FuturePanic (Co•Im•Press, 2021). His poems have appeared in The American Poetry Review, Denver Quarterly, Tupelo Quarterly, and others. Trivedi earned an MFA from Brown University and a PhD in English and Critical Theory from Illinois State University. He's an assistant professor in the Department of English at the University of Delaware.Links:Read this episode's poems (along with several others):"Green Boots" at The Brooklyn Rail"Watch the Corners" at Black Sun Lit"Number Nine" and "Dying" at The Kenyon ReviewAmish Trivedi's websiteAmish Trivedi above/ground press AWP offsite reading 2023

On today's episode of The Lives of Writers, Teresa Carmody interviews Kristen E. Nelson.Kristen E. Nelson is a queer writer, performer, and community builder. In addition to In the Away Time (Autofocus Books, 2024), she is the author of the length of this gap (Damaged Goods, August 2018) and two chapbooks: sometimes I gets lost and is grateful for noises in the dark (Dancing Girl, 2017) and Write, Dad (Unthinkable Creatures, 2012). She has published creative and critical writing in Feminist Studies, Bombay Gin, Denver Quarterly, Drunken Boat, Tarpaulin Sky Journal, Trickhouse, and Everyday Genius, among others. Kristen is the founder of Casa Libre en la Solana, a non-profit writing center in Tucson, Arizona, where she worked as the Executive Director for 14 years and the co-founder of Four Queens with Selah Saterstrom. Kristen is currently a Ph.D. student and graduate student instructor at the University of California – Santa Cruz in the Literature Department's creative/critical writing concentration.Teresa Carmody's writing includes fiction, creative nonfiction, inter-arts collaborations, and hybrid forms. She is the author of three books and four chapbooks, including Maison Femme: a fiction (2015) and The Reconception of Marie (2020). Her work has appeared in The Collagist, LitHub, WHR, Two Serious Ladies, Diagram, St. Petersburg Review, Faultline, and was selected for the &NOW Awards: The Best Innovative Writing and by Entropy for its Best Online Articles and Essays list of 2019. Carmody is co-founding editor of Les Figues Press, an imprint of LARB Books in Los Angeles, and director of Stetson University's MFA of the Americas. Her forthcoming book A Healthy Interest in the Lives of Others is out early next year with Autofocus Books.____________Full conversation topics include:--  the first event for In the Away Time--  imperfect queer and trans narratives -- calling in community-- projects conceived in love--other voices in In the Away Time-- getting a PhD later in life-- hybridity and divinations-- the limits of the body-- constraint and the autobiographical-- the timescape of In the Away Time-- the roles we play in our own disasters-- autotheory and autoethnography-- knowing when the form is the form____________Podcast theme music provided by Mike Nagel, author of Duplex and Culdesac. Here's more of his project: Yeah Yeah Cool Cool.The Lives of Writers is edited and produced by Michael Wheaton, author of Home Movies.

Join hosts J.D. Barker, Christine Daigle, Kevin Tumlinson, and Dick Wybrow as they discuss the week's entertainment news, including the Romance Writers of America filing for bankruptcy, Polis Books, and how Costco plans to stop selling books year round. Then, stick around for a chat with Carol LaHines! Carol LaHines: For me, the most affecting stories are those that are leavened with a sardonic sensibility.  Italo Calvino, one of my favorite writers, notes “th[e] particular connection between melancholy and humor,” speaking of how great writing “foregrounds [with] tiny, luminous traces that counterpoint the dark catastrophe.”  I've always veered toward the great literary comic writers—from Cervantes to Laurence Sterne to Pynchon, with a particular reverence for Nabokov, who believed that the best writing places the reader under a spell. My debut novel, Someday Everything Will All Make Sense, was a finalist for the Nilsen Prize for a First Novel and an American Fiction Award. My second novel, The Vixen Amber Halloway, is forthcoming in 2024 (Regal House). My fiction has appeared in journals including Fence, Denver Quarterly, Hayden's Ferry Review, Cimarron Review, The Literary Review, The Laurel Review, South Dakota Review, North Dakota Quarterly, The South Carolina Review, The Chattahoochee Review, The Nebraska Review, North Atlantic Review, Sycamore Review, Permafrost, redivider, Literary Orphans, and Literal Latte. My story, “Papijack,” was selected by judge Patrick Ryan as the recipient of the Lamar York Prize for Fiction. My short stories and novellas have been nominated for a Pushcart Prize and been finalists for the David Meyerson Fiction Prize, the Mary McCarthy Prize, the New Letters short story award, and the Disquiet Literary Prize, among others. My nonfiction includes “New York est une ville a part,” appearing in chantier d'ecriture (Mémoire d'encrier, A. Heminway, ed.). I am a graduate of New York University, Gallatin Division, and of St. John's University School of Law. My teachers include Rick Moody, Phil Schultz, and Sheila Kohler. --- Support this podcast: https://podcasters.spotify.com/pod/show/writersink/support

Carol LaHines' debut novel, Someday Everything Will All Make Sense, was a finalist for the Nilsen Prize for a First Novel and an American Fiction Award. Her fiction has appeared in literary journals including Fence, Hayden' s Ferry Review, Denver Quarterly, Cimarron Review, The Literary Review, The Laurel Review, North Dakota Quarterly, South Dakota Review, The South Carolina Review, The Chattahoochee Review, Sycamore Review, Permafrost, redivider, Literary Orphans, and Literal Latte. She lives in New York City. Killer Women is copyrighted by Author on the Air Global Radio Network #podcast #author #interview #authors #KillerWomen #KillerWomenPodcast #authorsontheair #podcast #podcaster #killerwomen #killerwomenpodcast #authors #authorsofig #authorsofinstagram #authorinterview #writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers #writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #daniellegirard #daniellegirardbooks #carollahines

Carol LaHines' debut novel, Someday Everything Will All Make Sense, was a finalist for the Nilsen Prize for a First Novel and an American Fiction Award. Her fiction has appeared in literary journals including Fence, Hayden' s Ferry Review, Denver Quarterly, Cimarron Review, The Literary Review, The Laurel Review, North Dakota Quarterly, South Dakota Review, The South Carolina Review, The Chattahoochee Review, Sycamore Review, Permafrost, redivider, Literary Orphans, and Literal Latte. She lives in New York City. Killer Women is copyrighted by Author on the Air Global Radio Network #podcast #author #interview #authors #KillerWomen #KillerWomenPodcast #authorsontheair #podcast #podcaster #killerwomen #killerwomenpodcast #authors #authorsofig #authorsofinstagram #authorinterview #writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers #writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #daniellegirard #daniellegirardbooks #carollahines

Carol LaHines' debut novel, Someday Everything Will All Make Sense, was a finalist for the Nilsen Prize for a First Novel and an American Fiction Award. Her fiction has appeared in literary journals including Fence, Hayden' s Ferry Review, Denver Quarterly, Cimarron Review, The Literary Review, The Laurel Review, North Dakota Quarterly, South Dakota Review, The South Carolina Review, The Chattahoochee Review, Sycamore Review, Permafrost, redivider, Literary Orphans, and Literal Latte. She lives in New York City. Killer Women is copyrighted by Author on the Air Global Radio Network #podcast #author #interview #authors #KillerWomen #KillerWomenPodcast #authorsontheair #podcast #podcaster #killerwomen #killerwomenpodcast #authors #authorsofig #authorsofinstagram #authorinterview #writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers #writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #daniellegirard #daniellegirardbooks #carollahines

In this edition of Madison Book Beat, host Andrew Thomas speaks with poet Daniel Khalastchi about hist new collection The Story of Your Obstinate Survival (2024, University of Wisconsin Press).The Story of Your Obstinate Survival is a propulsive collection. It's very funny, uncannily mundane and starkly surreal. The poems are a collision of juxtapositions and images, each one brimming with a vigor and vitality that demands re-reading, reading aloud, and maybe even setting to music. The lyrical wordplay will stop you in your tracks, either with laughter or with an appreciation for the delightfully weird scenes unfolding before you. The poems speak to an obstinate persistence, to enduring beyond a routinely felt sense of an ending.Daniel Khalastchi is an Iraqi Jewish American. A graduate of the Iowa Writers' Workshop and a former fellow at the Fine Arts Work Center in Provincetown, he is the author of four books of poetry—Manoleria (Tupelo Press), Tradition (McSweeney's), American Parables (University of Wisconsin Press, winner of the Brittingham Prize in Poetry), and The Story of Your Obstinate Survival (University of Wisconsin Press). His work has appeared in numerous publications, including The American Poetry Review, The Believer Logger, Colorado Review, Denver Quarterly, Electric Lit, Granta, The Iowa Review, Poetry Northwest, and Best American Experimental Writing. Daniel has taught advanced writing, literature, and publishing courses at Augustana College, Marquette University, and the University of Iowa, most recently as a Visiting Assistant Professor at the Iowa Writers' Workshop. He currently lives in Iowa City where he directs the University of Iowa's Magid Center for Writing. He is the cofounder and managing editor of Rescue Press.Author photo courtesy of University of Wisconsin Press

Weekly Shoutout: My Bad Poetry Podcast! -- Hi there, Today I am so excited to be arts calling Court Ludwick! (www.courtlud.com). About our guest: Court Ludwick is the author of These Strange Bodies (ELJ Editions, 2024) and the founding editor-in-chief of Broken Antler Magazine. Her writing has been nominated for Best of the Net and the Pushcart Prize, and can be found in Denver Quarterly, Stonecoast Review, Necessary Fiction, Oxford Magazine, Full House Literary, West Trade Review, and elsewhere. Court's art has shown at the Louise Hopkins Underwood Center for the Arts, and she has visual work forthcoming in Zaum Magazine, Bleating Thing Magazine, and body fluids. She is the recipient of a 2024 Sioux Falls Arts Council Artist Grant, and she has taught workshops on hybrid writing and experimental form, most recently for The Dakota Writing Project and Vermillion Literacy Project. Court has an MA from Texas Tech University and is a current PhD student at the University of South Dakota, where she teaches literature and composition. Find Court on socials @courtludwick. Find more of Court's writing and art on www.courtlud.com. Socials: https://www.instagram.com/courtludwick https://twitter.com/courtludwick https://www.brokenantlermag.com THESE STRANGE BODIES, A memoir-in-fragments, is forthcoming from ELJ Editions in September 2024: https://elj-editions.com/these-strange-bodies About THESE STRANGE BODIES: Court Ludwick's These Strange Bodies is an intimate account of two tumultuous years and a clarifying dissection of how the female body exists in public and social spaces that are rooted in gendered and sexual violence. Composed of essays, prose poems, and the occasional experiment, this memoir-in-fragments navigates sexual assault, a mother's arrest, a panic disorder diagnosis, a breakup, a stream of new lovers, a flirtation with stimulant drugs, and the ups and downs of trying to let it all go. As the collection grapples with memory's fragmentary nature, past and present collide on the page. And as Ludwick charts the difficulty of filling in the gaps, threads blending cultural critique, human anatomy, poetry, and personal narrative expose the strange acts historically forced on bodies, the estrangement one can experience from their body, and the strangeness that is felt when trying to find a way through all this chaos, through all this strange. Thanks for this wonderful conversation, Court! All the best! -- Arts Calling is produced by Jaime Alejandro (cruzfolio.com). If you like the show: leave a review, or share it with someone who's starting their creative journey! Your support truly makes a difference! Go make a dent. Much love, j

Elisa Gabbert and Michael Joseph Walsh join Catherine Nichols to discuss Rainer Maria Rilke's 1910 novel The Notebooks of Malte Laurids Brigge. They talk about the ways the book echoes the life and mind of its author--and how it doesn't, as well as the details of the text: the eeriness of hands and masks, the differences between childhood and adult consciousness, and the appeal of encountering horrors on purpose. Since the book has been translated from the German many times, they compare several translations. Elisa Gabbert is the author of six collections of poetry, essays, and criticism. She writes the On Poetry column for the New York Times. Her next collection of nonfiction, Any Person Is the Only Self, will be out in 2023 from FSG. Michael Joseph Walsh is a Korean American poet and translator. He is the author of Innocence (CSU Poetry Center, 2022) and co-editor of APARTMENT Poetry. His poems, reviews, and translations have appeared in the Brooklyn Rail, Denver Quarterly, DIAGRAM, Guernica, FOLDER, Fence, jubilat, and elsewhere. He lives in Denver. Learn more about your ad choices. Visit megaphone.fm/adchoices

Notes and Links to Dennis Sweeney's Work        For Episode 202, Pete welcomes Dennis Sweeney, and the two discuss, among other topics, Dennis' early relationship with books and almost-averse view of nature, some formational and transformational writers and writing, DFW and his outsized footprint, the power of small press poetry and other resonant books for Dennis and his students, as well as salient themes in his poetry collection, like patriarchy, emptiness versus fullness, isolation, change, retreat and escape in the modern world.        Dennis James Sweeney is the author of You're the Woods Too and In the Antarctic Circle, as well as four chapbooks of poetry and prose, including Ghost/Home: A Beginner's Guide to Being Haunted.    His first book, In the Antarctic Circle, won the Autumn House Rising Writer Prize and was a Debut Poetry Book of 2021 in Poets & Writers, as well as a finalist for the National Poetry Series and the Big Other Book Award. His second book, You're the Woods Too, is a Small Press Distribution bestseller and a finalist for the Deborah Tall Lyric Essay Prize.    His fiction, nonfiction, and poetry have appeared in Ecotone, Ninth Letter, The New York Times, The Southern Review, and Witness, among others. Formerly a Small Press Editor at Entropy and Assistant Editor at Denver Quarterly, he has an MFA from Oregon State University and a PhD from the University of Denver.    His writing has been supported by residencies from Brush Creek Foundation for the Arts, I-Park Foundation, and Virginia Center for the Creative Arts. He is the recipient of a Fulbright grant to Malta.    Originally from Cincinnati, he lives in Amherst, Massachusetts, where he teaches at Amherst College.     Dennis' Website   Buy You're the Woods Too   “You're the Woods Too by Dennis James Sweeney Review by Xander Gershberg” for Mayday Magazine At about 2:55, Dennis talks about his early reading and writing, exploring “fantastical” worlds, and   At about 4:35, Dennis follows up on some of his early reading experiences, including reading his fellow bandana-wearer David Foster Wallace and he expands on revisionism   At about 6:50, Pete shouts out Wallace's amazing “A Supposedly Fun Thing…” and the two discuss maximalism and minimalism and Wallace's place among white male writers who have often been excused for wrongdoing   At about 8:00, Dennis talks about how some enjoyable reading differed from Wallace's    At about 12:15, Dennis talks about retreat and escape and implications   At about 13:00, Dennis shouts out some favorite contemporary writers that thrill and challenge him, including Emilia Gray and her AM PM, Lynn Xu, Sawako Nakayasu, Toni Morrison, and Billy-Ray Belcourt   At about 15:00, Dennis discusses Ingrid Rojas Contreras, Petina Gappah, and other writers whose resonates with her students   At about 16:25, Dennis responds to Pete's questions about searching for muses   At about 18:20, Pete and Dennis discuss changes in life and writing life with the advent of fatherhood   At about 20:00, Dennis breaks down the title's pronunciation and origins of the collection   At about 22:35, Pete cites Erica Berry's work and asks Dennis about the natural setting of Oregon that inspired his work   At about 23:30, Dennis expands on moss and its importance and symbolism while citing Gathering Moss by Robin Kimmerer    At about 26:00, Is Dennis a believer in birds not being real??   At about 26:20, Dennis responds to Pete's asking about any individual importance of the varied mosses that title the collection's poems    At about 28:40, Pete and Dennis talk about ideas of nature being uncontrollable and the importance of “GREEN” and the use of “we” in the collection   At about 31:20, The two discuss the cabin setting for the second poem and beyond and Dennis responds to Pete's thoughts on the pen and its significance    At about 34:20, Dennis speaks about ideas of emptiness versus fullness and their myriad meanings    At about 38:55, Pete muses on ideas of Paradise and “The Fall” and asks Dennis about ideas of God and spiritual ideas from the collection    At about 42:30, The two discuss ideas of travel and men as the exalted travelers and ideas of “theater” and who's telling the stories   At about 47:15, Pete poses questions to Dennis about any changes from the retreat charted in the collection   At about 50:30, Pete makes yet another “Everlong” reference and compares it to ideas from later poems of Dennis' and finding peace   At about 53:50, Dennis discusses exciting new writing he's been working on    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Please tune in for Episode 203 with V.V. Ganeshananthan, the author of the novels Brotherless Night, a New York Times Editors' Choice, and Love Marriage, which was longlisted for the Women's Prize and named one of the best books of the year by The Washington Post. She also co-hosts the Fiction/Non/Fiction podcast on Literary Hub. Brotherless Night is one of the most memorable books Pete has read in years, if not ever.    The episode will air on September 12.

Become a Patron of Textual Healing: https://www.patreon.com/textualhealing Dennis James Sweeney is the author of You're the Woods Too (Essay Press, 2023) and In the Antarctic Circle (Autumn House Press, 2021), as well as several chapbooks of poetry and prose, including Ghost/Home: A Beginner's Guide to Being Haunted (Ricochet Editions, 2020). Formerly a Small Press Editor of Entropy and Assistant Editor of Denver Quarterly, he has an MFA from Oregon State University and a PhD from the University of Denver. Originally from Cincinnati, he lives in Amherst, Massachusetts, where he teaches at Amherst College. Take a look at his website: https://www.dennisjamessweeney.com/ Follow Dennis on Twitter: @djsweeney Check out past episodes of Textual Healing on our website: https://textualpodcast.com/ Rate us on Apple Podcasts: https://podcasts.apple.com/us/podcast/textual-healing-with-mallory-smart/id1531379844 Follow us on Twitter: @podhealing Take a look at Mallory's other work on her website: https://mallorysmart.com/ beats by  God'Aryan

Brandon Rushton is the author of The Air in the Air Behind It (Tupelo Press, 2022), selected by Bin Ramke for the Berkshire Prize. Born and raised in Michigan, his individual poems have received awards from Gulf Coast and Ninth Letter and appear widely in publications like The Southern Review, Denver Quarterly, Pleiades, Bennington Review, and Passages North. His essays appear in Alaska Quarterly Review, Terrain.org, the critical anthology, A Field Guide to the Poetry of Theodore Roethke, and have been listed as notable by Best American Essays. After earning his MFA from the University of South Carolina, he joined the writing faculty at the College of Charleston. Since the fall of 2020, he's served as a visiting professor of Writing at Grand Valley State University in Grand Rapids, Michigan. --- Support this podcast: https://podcasters.spotify.com/pod/show/viewlesswings/support

Stephen Massimilla is a poet, professor, painter, and author, most recently of the poetry collection Frank Dark (Barrow Street Press, 2022) and the 2022 co-edited social justice poetry anthology, Stronger Than Fear. His multi-genre, co-authored Cooking with the Muse (Tupelo Press, 2016) won the Eric Hoffer Award and many others. Previous books and honors include The Plague Doctor in His Hull-Shaped Hat (SFASU Press Prize); Forty Floors from Yesterday (Bordighera Prize, CUNY); The Grolier Poetry Prize; the Van Rensselaer Prize, selected by Kenneth Koch; a study of myth in poetry; award-winning translations; etc. His work has been featured recently in hundreds of publications ranging from AGNI to Denver Quarterly to Huffpost to Poetry Daily. Massimilla holds an MFA and a PhD from Columbia University and has taught there and at many other schools, currently The New School. He is also a prolific artist. --- Support this podcast: https://podcasters.spotify.com/pod/show/viewlesswings/support

City Lights in conjunction with Naropa University and Nightboat Books present Anne Waldman with Emma Gomis, joined by Alan Gilbert, Cedar Sigo, and Eleni Sikelianos, celebrating the publication of "New Weathers: Poetics from the Naropa Archive," edited by Anne Waldman with Emma Gomis and published by Nightboat Books. This event was originally broadcast via Zoom and hosted by Peter Maravelis. You can purchase copies of "New Weathers: Poetics from the Naropa Archive" directly from City Lights here: https://citylights.com/story-anthologies/new-weathers-poetics-from-the-naropa-a/ Anne Waldman is a poet, performer, professor, literary curator, cultural activist, has been a prolific and active poet and performer many years, creating radical hybrid forms for the long poem, both serial and narrative, as with "Marriage: A Sentence," "Structure of the World Compared to a Bubble," "Manatee/Humanity," and "Gossamurmur," all published by Penguin Poets. She is also the author of the magnum opus "The Lovis Trilogy: Colors in the Mechanism of Concealment" (Coffee House Press 2011), a feminist “cultural intervention” taking on war and patriarchy which won the PEN Center 2012 Award for Poetry. Recent books include: "Voice's Daughter of a Heart Yet To Born" (Coffee House 2016) and "Trickster Feminism" (Penguin, 2018). She has been deemed a “counter-cultural giant” by Publishers Weekly for her ethos as a poetic investigator and cultural activist, and was awarded the American Book Award from the Before Columbus Foundation for Lifetime Achievement in 2015. She has also been a recipient of numerous honors for her work including The Shelley Award for Poetry (from the Poetry Society of America), a Guggenheim Fellowship and the Elizabeth Kray Award from Poets House, NYC in 2019. She was one of the founders of the Poetry Project at St Mark's Church In-the-Bowery, and its Director a number of years and then went on to found The Jack Kerouac School of Disembodied Poetics at Naropa University with Allen Ginsberg and Diana di Prima in1974 and went on to create its celebrated MFA Program. She has continued to work with the Kerouac School as a Distinguished Professor of Poetics and Artistic Director of its Summer Writing Program. During the global pandemic she and co-curator Jeffrey Pethybridge have created the online “Carrier Waves” iteration of the famed Summer Writing Program. She is the editor of "The Beat Book" and co-editor of "Civil Disobediences: Poetics and Politics in Action," and "Beats at Naropa" and most recently, "Cross Worlds: Transcultural Poetics." She is a Chancellor Emeritus of the Academy of American Poets. Emma Gomis is a Catalan American poet, essayist, editor and researcher. She is the cofounder of Manifold Press. Her texts have been published in Denver Quarterly, The Berkeley Poetry Review, The Brooklyn Rail, Entropy, and Asymptote among others and her chapbook "Canxona" is forthcoming from b l u s h lit. She was selected by Patricia Spears Jones as The Poetry Project's 2020 Brannan Poetry Prize winner. She holds an M.F.A. in Creative Writing & Poetics from Naropa's Jack Kerouac School of Disembodied Poetics, where she was also the Anne Waldman fellowship recipient, and is currently pursuing a Ph.D. in criticism and culture at the University of Cambridge. To learn more about the other participants, visit: https://citylights.com/events/on-new-weathers-poetics-from-the-naropa-archive/ This event was made possible by support from the City Lights Foundation: citylights.com/foundation

Finally, after a long break, Waves Breaking returns with this interview with Kamden Ishmael Hilliard. Kam generously shares their time with me to discuss their debut book of poems, MissSettl, out last year with Nightboat Books. We go in deep to discuss their thoughts around the sentence, modes of speech, writing poems within this current era of late-stage capitalism, and teaching students. Kamden Ishmael Hilliard was born in La Jolla, CA; their fam settled on O'ahu, Hawai'i. Kamden holds a BA in American Studies from the University of Hawai'i at Mānoa and an MFA in Poetry from the Iowa Writers' Workshop. Kamden, a nonbinary Black settler who goes by Kam, works on issues of surveillance, race, queerness, contemporary art and American politics. They're thankful for support from The National YoungArts Foundation, The Davidson Institute, Sarah Lawrence College, and The UCROSS Foundation. Kam's writing appears in West Branch, The Black Warrior Review, Tagvverk, Denver Quarterly, The Columbia Review, and other publications.   Formerly, they served as an AmeriCorps VISTA, held Maytag, Teaching-Writing, and Pfluflaught Fellowships at the University of Iowa, and were the 2020-2022 Anisfield-Wolf Fellow in Publishing and Writing at the Cleveland State University Poetry Center, a reader at Flypaper Lit, and a board member at VIDA: Women In Literary Arts. Kamden's website Kamden's Instagram Go buy MissSettl! Mentioned in the interview: Joyelle McSweeney Jayson P. Smith “Poem About My Rights” by June Jordan bell hooks Hoodie Allen (I'm sorry lol) Skee-Lo Punahou School Hawaii Iowa Writers Workshop and the Cold War James Baldwin Nene (bird) The nene population is on the rebound from its endangered status Beloved by Toni Morrison Huge plug for everyone to listen to the audiobook version of Beloved read by Toni Morrison herself. Find it on Libby! Dwayne “The Rock” Johnson Who Framed Roger Rabbit? (film) My poem with Judge Doom in it is “After Saturn Ate His Own Kid” at the bottom of this page. West Side Story (film) Goodbye, Vitamin by Rachel Khong Kam's Anti-recommendations: Apocalypse Now (film) The Heart of Darkness by Joseph Conrad The Sandman (TV series) This show's Editor and Social Media Manager is Mitchel Davidovitz.  The Sound of Waves Breaking is a clip of my cousin Ian and me (fake band name: Diminutive Denizens) doing a cover of “Dig My Grave” by They Might Be Giants. It's on this cover album of Apollo 18 if you want to listen to the whole thing. There are a bunch of other covers you can listen to there for free, including a very dumb skit my friend Greg and I did for one of the “Fingertips.” Greg's the host of the excellent podcast This Might Be a Podcast which I've also guested on many times. Check it out!

In this week's episode of the Get Lit Minute, your weekly poetry podcast, we spotlight the life and work of poet, Joshua Jennifer Espinoza. Her work has been featured in Poetry, Denver Quarterly, American Poetry Review, Poem-a-Day, Lambda Literary, PEN America, The Offing, and elsewhere. Her full-length collection THERE SHOULD BE FLOWERS was published by Civil Coping Mechanisms in 2016. Source This episode includes a reading of her poem, “A Guide to Reading Trans Literature”. See more of her work in our Get Lit Anthology.“A Guide to Reading Trans Literature”We're dying and we're really sad.We keep dying because trans womenare supposed to die.This is sad.I don't have the words for my bodyso I'll say I'm a cloudor a mountainor something pretty that people enjoyso if I diepeople will be like “Oh, that's sad”.Be sad about that.It's okay to be sad.It is sad when people die.It is sad when people want to die.I sometimes want to die but I don't!I'm one of the lucky ones.You can feel happy about that.It's okay to feel happy about that.Now pretend this is very serious:History doesn't exist.My body doesn't exist.There's nothing left for you to be complicit in.It's okay for you to feel happy about that.Now pretend I am cryingright in front of you,opening that wound up just for you.Now pretend you can feel my pain.Now pretend something in youhas been moved, has been transformed.Now pretend you are absolved.Support the show

On the upcoming episode of Normalize This Sh!t, Dr. Moffitt is joined by his good friend Dr. Duncan B Barlow to talk about creativity, mental illness, and Dr. Moffitt's favorite topic: writing. About Duncan: he is the author of A Dog Between Us (Stalking Horse 2019), The City, Awake (Stalking Horse 2017), Of Flesh and Fur (The Cupboard 2016), and Super Cell Anemia (2008). His work has appeared in The Denver Quarterly, The Collagist, Banango Street, The Fanzine, Sleeping Fish, Word Riot, The Apeiron Review, Meat for Tea, Matter Press, and Masque and Spectacle. He teaches creative writing and publishing at the University of South Dakota, where he is publisher at Astrophil Press and the managing editor at South Dakota Review. He has also edited for Tarpaulin Sky and The Bombay Gin, among others. Before writing, duncan b. barlow was a touring musician who played with Endpoint, By The Grace of God, Guilt, the aasee lake, The Lull Account, Good Riddance, and many more. His interviews about music and subculture have been published in academic texts, books, and magazines such as: Straight Edge: Clean-Living Youth, Hardcore Punk, and Social Change on Rutgers University Press, We Owe You Nothing: Punk Planet Collected Interviews on Akashic, and Burning Fight on Revelation Records. Check out his website here: https://www.duncanbbarlow.com --- Support this podcast: https://anchor.fm/normalizethisshit/support

Kelly Sundberg joins Let's Talk Memoir for a conversation about sharing her story of domestic violence with the world, depicting trauma and triggering events in memoir, the alchemical value of PTSD, navigating the privacy of others, and incorporating essays in manuscripts. Also in this episode: -using direct address in memoir -the publisher's vision vs. the writer's -lyric essays and poetry for memoirists   Books and articles mentioned in this episode: Somebody's Daughter by Ashley C. Ford The Chronology of Water by Lidia Yuknavitch A Fortune for your Disaster by Hanif Abdurraqub  Bluets by Maggie Nelson “It Will Look Like a Sunset” ​​https://www.guernicamag.com/it-will-look-like-a-sunset/ “Ritchie County Mall” https://gay.medium.com/ritchie-county-mall-7b30b96731f6 “Every Line is a Scream” https://gay.medium.com/every-line-is-a-scream-3ed54c727619   Kelly Sundberg's memoir, Goodbye, Sweet Girl, was published by HarperCollins in 2018. Her essays have appeared in The New York Times Modern Love, Alaska Quarterly Review, Guernica, Gulf Coast, The Rumpus, Denver Quarterly, Slice, and many other literary and commercial magazines. Her essay “It Will Look Like a Sunset” was selected for inclusion in The Best American Essays 2015, and other essays have been listed as notables in The Best American Essays 2013, 2016, and 2018. She has a PhD in creative nonfiction from Ohio University and has been the recipient of fellowships or grants from Vermont Studio Center, A Room of Her Own Foundation, Dickinson House, and the National Endowment for the Arts. She was recently awarded a 2021 Individual Excellence Award from the Ohio Arts Council, and she is an Assistant Professor of English at Ashland University in Ashland, Ohio.    Links: https://www.amazon.com/Goodbye-Sweet-Girl-Domestic-Violence/dp/0062497685/ref=sr_1_1?crid=TOX8R2VUN9S2&keywords=goodbye%2C+sweet+girl&qid=1648689563&sprefix=goodbye%2C+sweet+girl%2Caps%2C95&sr=8-1   https://kellysundberg.com/ https://twitter.com/K_O_Sundberg https://www.instagram.com/ksundber/ -- Ronit's essays and fiction have been featured in The Atlantic, The Rumpus, The New York Times, The Iowa Review, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in both the 2021 Best Book Awards and the 2021 Book of the Year Award and a 2021 Best True Crime Book by Book Riot. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and will be published in 2022. She is host and producer of the podcasts And Then Everything Changed and The Body Myth. More about Ronit: https://ronitplank.com More about WHEN SHE COMES BACK, a memoir: https://ronitplank.com/book/ Sign up for monthly podcast and writing updates: https://bit.ly/33nyTKd   Follow Ronit: https://www.instagram.com/ronitplank/ https://twitter.com/RonitPlank https://www.facebook.com/RonitPlank   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

Welcome to The Academic Life! In this episode you'll hear about: How the Common got started What is involved in running a literary journal Why grants and institutional support matter so much in the literary arts The importance of finding mentors and building a network How the Common creates community Our guest is: Jennifer Acker , who is the founder and editor in chief of The Common, and author of the debut novel The Limits of the World, a fiction honoree for the Massachusetts Book Award. Her memoir “Fatigue” is a #1 Amazon bestseller, and her short stories, essays, translations, and reviews have appeared in Oprah Daily, Washington Post, Literary Hub, n+1, and The Yale Review, among other places. Acker has an MFA from the Bennington Writing Seminars and teaches writing and editing at Amherst College, where she directs the Literary Publishing Internship and LitFest. She lives in western Massachusetts with her husband. Our guest is: Elizabeth Witte, who is a writer and editor based in western Massachusetts. She is a recipient of the Massachusetts Cultural Council's Artist Fellowships in Poetry and author of the chapbook, Dry Eye (Dancing Girl Press); her work appears in a variety of journals, including Prelude, Word For/ Word, and Denver Quarterly. She is Associate Editor of The Common and directs the journal's education program The Common in the Classroom. Our host is: Dr. Christina Gessler, the co-creator and co-producer of the Academic Life. She is a historian of women and gender. Listeners to this episode might also be interested in: Fatigue, by Jennifer Acker Amherst College The Bennington Writing Seminars https://www.bennington.edu/writing-seminars The Common More about the Common in the Classroom can be found here The Common in the Classroom, The Common Young Writers Program A podcast from The Common magazine on The New Books Network “This is the Place” Amherst College LitFest The Whiting Literary Magazine Prize Learn more about The Alternative Press conversation with co-founder Ken Mikolowski (courtesy of Centre For Print Research, UWE Bristol); and the Press's Multiple Originals project The Poetry Foundation You are smart and capable, but you aren't an island and neither are we. We reach across our mentor network to bring you experts about everything from how to finish that project, to how to take care of your beautiful mind. Wish we'd bring on an expert about something? DM us on Twitter: The Academic Life @AcademicLifeNBN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Welcome to The Academic Life! In this episode you'll hear about: How the Common got started What is involved in running a literary journal Why grants and institutional support matter so much in the literary arts The importance of finding mentors and building a network How the Common creates community Our guest is: Jennifer Acker , who is the founder and editor in chief of The Common, and author of the debut novel The Limits of the World, a fiction honoree for the Massachusetts Book Award. Her memoir “Fatigue” is a #1 Amazon bestseller, and her short stories, essays, translations, and reviews have appeared in Oprah Daily, Washington Post, Literary Hub, n+1, and The Yale Review, among other places. Acker has an MFA from the Bennington Writing Seminars and teaches writing and editing at Amherst College, where she directs the Literary Publishing Internship and LitFest. She lives in western Massachusetts with her husband. Our guest is: Elizabeth Witte, who is a writer and editor based in western Massachusetts. She is a recipient of the Massachusetts Cultural Council's Artist Fellowships in Poetry and author of the chapbook, Dry Eye (Dancing Girl Press); her work appears in a variety of journals, including Prelude, Word For/ Word, and Denver Quarterly. She is Associate Editor of The Common and directs the journal's education program The Common in the Classroom. Our host is: Dr. Christina Gessler, the co-creator and co-producer of the Academic Life. She is a historian of women and gender. Listeners to this episode might also be interested in: Fatigue, by Jennifer Acker Amherst College The Bennington Writing Seminars https://www.bennington.edu/writing-seminars The Common More about the Common in the Classroom can be found here The Common in the Classroom, The Common Young Writers Program A podcast from The Common magazine on The New Books Network “This is the Place” Amherst College LitFest The Whiting Literary Magazine Prize Learn more about The Alternative Press conversation with co-founder Ken Mikolowski (courtesy of Centre For Print Research, UWE Bristol); and the Press's Multiple Originals project The Poetry Foundation You are smart and capable, but you aren't an island and neither are we. We reach across our mentor network to bring you experts about everything from how to finish that project, to how to take care of your beautiful mind. Wish we'd bring on an expert about something? DM us on Twitter: The Academic Life @AcademicLifeNBN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Welcome to The Academic Life! In this episode you'll hear about: How the Common got started What is involved in running a literary journal Why grants and institutional support matter so much in the literary arts The importance of finding mentors and building a network How the Common creates community Our guest is: Jennifer Acker , who is the founder and editor in chief of The Common, and author of the debut novel The Limits of the World, a fiction honoree for the Massachusetts Book Award. Her memoir “Fatigue” is a #1 Amazon bestseller, and her short stories, essays, translations, and reviews have appeared in Oprah Daily, Washington Post, Literary Hub, n+1, and The Yale Review, among other places. Acker has an MFA from the Bennington Writing Seminars and teaches writing and editing at Amherst College, where she directs the Literary Publishing Internship and LitFest. She lives in western Massachusetts with her husband. Our guest is: Elizabeth Witte, who is a writer and editor based in western Massachusetts. She is a recipient of the Massachusetts Cultural Council's Artist Fellowships in Poetry and author of the chapbook, Dry Eye (Dancing Girl Press); her work appears in a variety of journals, including Prelude, Word For/ Word, and Denver Quarterly. She is Associate Editor of The Common and directs the journal's education program The Common in the Classroom. Our host is: Dr. Christina Gessler, the co-creator and co-producer of the Academic Life. She is a historian of women and gender. Listeners to this episode might also be interested in: Fatigue, by Jennifer Acker Amherst College The Bennington Writing Seminars https://www.bennington.edu/writing-seminars The Common More about the Common in the Classroom can be found here The Common in the Classroom, The Common Young Writers Program A podcast from The Common magazine on The New Books Network “This is the Place” Amherst College LitFest The Whiting Literary Magazine Prize Learn more about The Alternative Press conversation with co-founder Ken Mikolowski (courtesy of Centre For Print Research, UWE Bristol); and the Press's Multiple Originals project The Poetry Foundation You are smart and capable, but you aren't an island and neither are we. We reach across our mentor network to bring you experts about everything from how to finish that project, to how to take care of your beautiful mind. Wish we'd bring on an expert about something? DM us on Twitter: The Academic Life @AcademicLifeNBN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Welcome to The Academic Life! In this episode you'll hear about: How the Common got started What is involved in running a literary journal Why grants and institutional support matter so much in the literary arts The importance of finding mentors and building a network How the Common creates community Our guest is: Jennifer Acker , who is the founder and editor in chief of The Common, and author of the debut novel The Limits of the World, a fiction honoree for the Massachusetts Book Award. Her memoir “Fatigue” is a #1 Amazon bestseller, and her short stories, essays, translations, and reviews have appeared in Oprah Daily, Washington Post, Literary Hub, n+1, and The Yale Review, among other places. Acker has an MFA from the Bennington Writing Seminars and teaches writing and editing at Amherst College, where she directs the Literary Publishing Internship and LitFest. She lives in western Massachusetts with her husband. Our guest is: Elizabeth Witte, who is a writer and editor based in western Massachusetts. She is a recipient of the Massachusetts Cultural Council's Artist Fellowships in Poetry and author of the chapbook, Dry Eye (Dancing Girl Press); her work appears in a variety of journals, including Prelude, Word For/ Word, and Denver Quarterly. She is Associate Editor of The Common and directs the journal's education program The Common in the Classroom. Our host is: Dr. Christina Gessler, the co-creator and co-producer of the Academic Life. She is a historian of women and gender. Listeners to this episode might also be interested in: Fatigue, by Jennifer Acker Amherst College The Bennington Writing Seminars https://www.bennington.edu/writing-seminars The Common More about the Common in the Classroom can be found here The Common in the Classroom, The Common Young Writers Program A podcast from The Common magazine on The New Books Network “This is the Place” Amherst College LitFest The Whiting Literary Magazine Prize Learn more about The Alternative Press conversation with co-founder Ken Mikolowski (courtesy of Centre For Print Research, UWE Bristol); and the Press's Multiple Originals project The Poetry Foundation  You are smart and capable, but you aren't an island and neither are we. We reach across our mentor network to bring you experts about everything from how to finish that project, to how to take care of your beautiful mind. Wish we'd bring on an expert about something? DM us on Twitter: The Academic Life @AcademicLifeNBN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life

Today, I have the pleasure of interviewing J.L. Torres. J.L. is the author of a novel, The Accidental Native, as well as the short collection The Family Terrorist and Other Stories, a collection of poetry, Boricua Passport, and Migrations, a short story collection that won the inaugural Tomás Rivera Book Prize.  He has published stories and poems in numerous journals and magazines including The North American Review, Denver Quarterly, Hayden's Ferry Review, Eckleburg Review, Puerto del Sol, Las Americas Review, and the anthology Growing Up Latino.  Born in Puerto Rico, raised in the South Bronx, he currently lives in Plattsburgh, New York. In addition to the Ph.D., he also holds an M.F.A. in creative writing from Columbia University.  He co-founded the Saranac Review and served as its Editor for many years. On a more personal note has no known hobbies, has never been in prison or any gangs, has never had quirky and funky jobs and is notoriously inept with tools.   In this episode J.L. Torres and I discuss: Writing for two audiences and how world building plays a major role in that process. What factors he considers when selecting the order of stories for a collection. His definition of “voice” and why it is so important in keeping readers engaged.   Plus, his #1 tip for writers. For more info and show notes: diymfa.com/389

Plastic is everywhere, and it lasts forever. But humans have a hard time grasping “forever”— the scope is far greater than our comprehension. That's precisely the problem that Allison Cobb explored in her new book, Plastic: An Autobiography. Cobb aimed to give shape to behemoths like climate change, nuclear technologies, and racism, using plastic waste as the thread that connects them all. She insisted that the current design of manufacturing and retail, which relies on a cycle of consuming and discarding, obstructs our view of the humans who actually create objects. It's a design that's intentional; because if consumers truly knew how things were made and who was making them, could we continue living the way that we do on this planet? Allison Cobb is the author of four books: Plastic: an Autobiography, Green-Wood, After We All Died, and Born2. Her work has appeared in Best American Poetry, Denver Quarterly, Colorado Review, and many other journals. She was a finalist for the Oregon Book Award and National Poetry Series; has been a resident artist at Djerassi and Playa; and received fellowships from the Oregon Arts Commission, the Regional Arts and Culture Council, and the New York Foundation for the Arts. Allison works for the Environmental Defense Fund and lives in Portland, Oregon. Clayton Aldern is a writer and data scientist interested in science and society. His writing has been published by The Atlantic, The Economist, Scientific American, Logic, and Grist, among others. Based in the Pacific Northwest, he is currently working on a book about the effects of climate change and environmental degradation on neurochemistry, behavior, decision-making, and mental and emotional health. Buy the Book: Plastic: An Autobiography (Paperback) from Elliott Bay Books Presented by Town Hall Seattle and Grist.

Read: Kasey Jueds' poem "Kittatinny," which she reads on the episode.Kasey Jueds a poet living in the Catskill Mountains in New York. Kasey poems have appeared or are forthcoming in publications including American Poetry Review, Beloit Poetry Journal, Bennington Review, Cave Wall, Cincinnati Review, Colorado Review, Crazyhorse, Denver Quarterly, Narrative, Ninth Letter, Pleiades, Provincetown Arts, River Styx, Salamander, The Southampton Review, Tinderbox, and Waxwing.Kasey has been a resident at the Vermont Studio Center, Virginia Center for the Creative Arts, Soapstone, and the Ucross Foundation; and a visiting poet at the University of Pennsylvania, LaSalle College, and the University of Northern Colorado. Kasey's first book Keeper first book, won the Agnes Lynch Starrett Prize from the University of Pittsburgh Press, and was published by Pitt in fall, 2013. Kasey's second book, The Thicket, is has just been published by Pittsburg Press this month, November, 2021.Purchase: The Thicket by Kasey Jueds (UPitt Press, 2021).

Stephanie Ellis Schlaifer is a poet and installation artist in St. Louis. She is the author of the poetry collections Well Waiting Room (Fordham University Press, fall 2021) and Cleavemark (BOAAT Press, 2016) and the children's book The Cloud Lasso (Penny Candy Books, 2019). Her poems and art have appeared in Bomb, Bennington Review, Georgia Review, Harvard Review, Iowa Review, AGNI, Washington Square, At Length, The Offing, Denver Quarterly, LIT, Colorado Review, and on PoetryNow and the Poetry Foundation website, among others. She frequently collaborates with other artists, most recently with Cheryl Wassenaar on the installation The Cabinet of Ordinary Affairs at the Des Lee Gallery. Her work can be viewed at stephanieschlaifer.com. “The Archive of the Interior,” from The Cabinet of Ordinary Affairs. A collaborative, multimedia installation with Cheryl Wassenaar. Installation view, The Cabinet of Ordinary Affairs. A collaborative, multimedia installation with Cheryl Wassenaar. Installation view, The Cabinet of Ordinary Affairs. A collaborative, multimedia installation with Cheryl Wassenaar.

As contemporary as they come, these poets explore current landscapes, tangled legacies, and the debts we owe through language that digs deep, holds fast, and can't soon be forgotten.Panelists:Adam Clay was born and raised in Mississippi. He is the author of four book of poems. His most recent collection, To Make Room for the Sea, was published by Milkweed Editions in 2020. His poems have appeared in Ploughshares, Denver Quarterly, Tin House, Bennington Review, Georgia Review, Boston Review, Iowa Review, and elsewhere. He is a recipient of a fellowship from the Mississippi Arts Commission. He directs the Center for Writers at The University of Southern Mississippi, where he teaches creative writing and edits Mississippi Review.Ashley M. Jones holds an MFA in Poetry from Florida International University, and she is the author of Magic City Gospel and dark / / thing. Her poetry has earned several awards, including the Rona Jaffe Foundation Writers Award, the Silver Medal in the Independent Publishers Book Awards, the Lena-Miles Wever Todd Prize for Poetry, a Literature Fellowship from the Alabama State Council on the Arts, the Lucille Clifton Poetry Prize, and the Lucille Clifton Legacy Award. She teaches at the Alabama School of Fine Arts, she co-directs PEN Birmingham, and she is the founding director of the Magic City Poetry Festival.Catherine Pierce is the author of four books of poems: Danger Days (2020), The Tornado Is the World (2016), The Girls of Peculiar (2012), and Famous Last Words (2008), winner of the Saturnalia Books Poetry Prize. Each of her last three books received the Mississippi Institute of Arts and Letters Poetry Prize. She is a two-time Pushcart Prize winner and the recipient of fellowships from the National Endowment for the Arts and the Mississippi Arts Commission. Pierce's work has appeared in The Best American Poetry, The New York Times, American Poetry Review, The Nation, The Southern Review, the Academy of American Poets' Poem-a-Day series, and elsewhere. She is professor of English and co-director of the creative writing program at Mississippi State University.Richard Boada is the author of the poetry collections: We Find Each Other in the Darkness, The Error of Nostalgia, and Archipelago Sinking. He is the recipient of the 2020 Mississippi Arts Commission Poetry Fellowship and has been nominated for the Mississippi Institute of Arts and Letters Poetry Award in 2013, 2015, and 2021. He is a graduate of the Center for Writers at the University of Southern Mississippi. His poetry appears in The Southern Poetry Anthology, Urban Voices: 51 Poets / 51 Poems, Rhino, Crab Orchard Review, Poetry East, North American Review, and Third Coast, among others. Currently, he teaches creative writing at the West Virginia Wesleyan College MFA Low Residency Program. Sandra Beasley is the author of four poetry collections-Made to Explode, Count the Waves, I Was the Jukebox, which won the 2009 Barnard Women Poets Prize, and Theories of Falling-as well as Don't Kill the Birthday Girl: Tales from an Allergic Life, a disability memoir and cultural history of food allergies. She served as the editor for Vinegar and Char: Verse from the Southern Foodways Alliance. Honors for her work include the 2019 Munster Literature Centre's John Montague International Poetry Fellowship, a 2015 NEA fellowship, and five DC Commission on the Arts and Humanities fellowships. She lives in Washington, D.C.Moderator:Derrick Harriell is the author of Stripper in Wonderland (LSU Press, 2017). He is an Associate Professor of English and African American Studies at the University of Mississippi. See acast.com/privacy for privacy and opt-out information.

J.L. TORRES: Writer; Professor; Puerto Rican Gadfly; USC, PhD (English Language, Lit) CONVERSATIONS WITH CALVIN WE THE SPECIES CELEBRATING ONE YEAR & 103 INTERVIEWS PLEASE SUBSCRIBE YouTube: http://bit.ly/3mSXWJQ ** J.L. TORRES: Writer; Professor; Puerto Rican Gadfly; USC, PhD (English Language, Lit) YouTube: https://www.youtube.com/watch?v=ud7Pnyz3Wxs ** CONTACT: Author Page: https://jltorreswriter.com/ Blog: https://post-barrio-universe.com/ Twitter: https://twitter.com/Rican_Writer Facebook: https://www.facebook.com/RicanWriter Goodreads Author Page: https://www.goodreads.com/author/show/2811795.J_L_Torres Instagram: https://www.instagram.com/rican_writer/ BIO: J.L. Torres is author of short story collection, Migrations, inaugural winner of Tomas Rivera Book Prize (LARB Libros, June, 2021). His other publications include The Family Terrorist & Other Stories (Arte Publico, 2008), & novel, The Accidental Native (Arte Publico) & poetry collection, Boricua Passport (2Leaf Press/U. of Chicago P, Spring, 2014). He has also published stories & poems in many journals and magazines, among them the Hayden Ferry Review, Doctor T.J. Eckleburg Review, No American Review, Denver Quarterly, Puerto del Sol, Crab Orchard Review, The Connecticut Review, The Bilingual Review, & The Tulane Review. He is also Co-Editor, along with Carmen H. Rivera, of Writing Off the Hyphen: New Critical Perspectives on Literature of Puerto Rican Diaspora (U. of Washington P, 2008). Born in #PuertoRico raised in the South Bronx, he taught #Americanliterature & creative writing for 40 years, and received a Fulbright to teach in Barcelona. His last position was with #SUNYPlattsburgh where he taught for 20 years & co-founded and edited the Saranac Review. Besides the PhD, he holds an M.F.A. in creative writing from Columbia Univ.

Julie Poole is the author of the poetry collection Bright Specimen, available now from Deep Vellum. Poole was born and raised in the Pacific Northwest. She received a BA from Columbia University and an MFA in poetry from The New Writers Project at The University of Texas at Austin. She has received fellowship support from the James A. Michener Center, the Helene Wurlitzer Foundation, The Corsicana Artist and Writer Residency, and Yaddo. In 2017, she was a finalist for the Keene Prize for Literature. Her poems and essays have appeared in Borderlands: Texas Poetry Review, CutBank, Denver Quarterly, Poet Lore, Cold Mountain Review, Porter House Review, HuffPost, and elsewhere. Her arts and culture writing has appeared in Publishers Weekly, the Ploughshares Blog, Sightlines, The Texas Observer, Texas Monthly, Scalawag, and Bon Appétit. She lives in Austin, Texas, with her growing collection of found butterflies. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Launched in 2011. Books. Literature. Writing. Publishing. Authors. Screenwriters. Etc. Support the show on Patreon Merch www.otherppl.com @otherppl Instagram  YouTube Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Inner Moonlight is the poetry reading series for the Wild Detectives in Dallas! Join us the second Wednesday of every month for reading and conversation with one brilliant writer. In this episode, host Logen Cure talks to award-winning poet Lauren Berry. Lauren Berry received a BA in Creative Writing from Florida State University and an MFA from the University of Houston where she won the Inprint Verlaine Prize and served as poetry editor for Gulf Coast. From 2009 to 2010, she held the Diane Middlebrook Poetry Fellowship at the Wisconsin Institute. Her work has appeared in magazines such as Agni, Silk Road, The Adroit Journal, Denver Quarterly, and Iron Horse Literary Review. Terrance Hayes selected her first collection, The Lifting Dress (Penguin, 2011), to win the National Poetry Series prize. Her second collection, The Rented Altar, won the C&R Press Award in poetry (C&R Press, 2020) and the 2021 gold medal from the Independent Publisher Book Awards. She teaches AP English Literature at YES Prep Public Schools, a charter school that provides college preparatory education to Houston's most underserved communities. Additionally, Lauren leads poetry workshops for local non-profits, Inprint and Grackle and Grackle. Connect with her at poetlaurenberry.com

Kim Chinquee is the author of seven collections, most recently Snowdog, due out in January 2021 with Ravenna Press. She is the recipient of two Pushcart Prizes and has published in several joumals and anthologies including Noon, Denver Quarterly, Fiction, Story, StoryQuarterly, New Miro: Exceptionally Short Fiction, Buffalo Noir, Conjunctions, The Best Small Fiction 2019 and others. She is Senior Editor for New World Writing, and an associate professor of English at SUNY-Buffalo State.

In this final episode of Season One of Community Conversations, Nick Sturm, NEH Postdoctoral Fellow in Poetics at Emory's Fox Center for Humanistic Inquiry, does a deep dive into small press publishing with Maureen Owen, legendary publisher of Telephone Books and Telephone Magazine in New York from 1969-1983, bringing many then-unknown poets' books into the world, including Susan Howe, Patricia Spears Jones, and Yuki Hartman. The Raymond Danowski Poetry Library, a part of the Rose Library's literary and poetry collections, recently acquired several Telephone books and magazine issues, which completes the collection, and is the only educational institution to house the complete run.Maureen Owen, former editor and chief of Telephone Magazine and Telephone Books, is the author of Erosion's Pull from Coffee House Press, a finalist for the Colorado Book Award and the Balcones Poetry Prize. Her title American Rush: Selected Poems was a finalist for the L.A. Times Book Prize and her work AE (Amelia Earhart) was a recipient of the prestigious Before Columbus American Book Award. She has taught at Naropa University, both on campus and in the low-residency MFA Creative Writing Program, in Naropa's Summer Writing Program, and co-edited Naropa's on-line zine not enough night through 19 issues. Her newest title Edges of Water is available from Chax Press. She has most recently had work in Blazing Stadium, Positive Magnets, Posit, and The Denver Quarterly. Click here to learn about her  Poets on the Road Tour with Barbara Henning. She can be found reading her work on the PennSound website. Her manuscript titled Let the Heart hold Down the Brakage  Or The Caregiver's Log is forthcoming from Hanging Loose Press.

In what ways can words reach across time and distance, to speak with the dead, the unborn, past selves, and future possibilities? How do poets engage in conversations that can animate and embody what is not yet or no longer here? In this episode, correspondent and Lyric World host Shin Yu Pai talks to poet Meredith Clark about her lyric book-length exploration of miscarriage, memory, and continuity. Meredith Clark is a poet and writer whose work has received Black Warrior Review's nonfiction prize and the Sonora Review nonfiction prize. Her writing has appeared or is forthcoming in Phoebe, Gigantic Sequins, Denver Quarterly, Berkeley Poetry Review, Poetry Northwest, and elsewhere. She holds an MFA in writing from the School of the Art Institute of Chicago, and a B.A. in creative writing from Oberlin College, and is the recipient of grants and residencies from Artist Trust, Art Farm Nebraska, Jack Straw, and the Vermont Studio Center. Her book, Lyrebird, is out now with Platypus Press. Shin Yu Pai is the author of ten books of poetry. Her work has appeared in publications throughout the U.S., Japan, China, Taiwan, the United Kingdom, and Canada. Her essays and nonfiction writing have appeared in Tricycle, YES! Magazine, The Rumpus, City Arts, The Stranger, Medium, and others. Lyric World: Conversations with Contemporary Poets is fiscally sponsored by Shunpike. The series is supported by a grant from the Windrose Fund. Music was created by David Ian Bickley in collaboration with musician Enrico Cogniglio. Buy the Book: https://platypuspress.co.uk/lyrebird  Presented by Town Hall Seattle. To become a member or make a donation click here. 

In this episode, Claire and Annar chat with poet and writer extraordinaire, Julie Poole. This episode airs on June 1st, 2021, which is the publication date for Julie's first full-length collection of poetry, Bright Specimen, published by fellow small Texas press, Deep Vellum.  We had an enchanting conversation with Julie about her poems in Bright Specimen, which were inspired by her exploration of the Billie L. Turner Plant Resources Center at The University of Texas at Austin, the largest herbaria in the Southwestern United States. Julie takes us on a journey into the herbarium, describing what it was like to discover that space, and how it became a sanctuary for her where her poems began to blossom and multiply into this beautiful book.  Working at a small desk in the back of the building in the tower that was a sniper's outpost in the 1966 UT mass shooting, Julie writes in her afterword that "Nature is the path forward; all of the lessons of unity are there.”  To read more about Julie and her writing, including her incredible essays published in places like HuffPost, Publisher's Weekly and The Texas Observer, visit her website https://www.juliepoolejp.com Julie Poole was born and raised in the Pacific Northwest. She received a BA from Columbia University and an MFA in poetry from The University of Texas at Austin. Her first book of poems, Bright Specimen, was inspired by the Billie L. Turner Plant Resources Center at The University of Texas at Austin and will be published by Deep Vellum on June 1st, 2021. She has received fellowship support from the James A. Michener Center, the Helene Wurlitzer Foundation, and Yaddo. In 2017, she was a finalist for the Keene Prize for Literature. Her poems and essays have appeared in Borderlands: Texas Poetry Review, CutBank, Denver Quarterly, Poet Lore, Cold Mountain Review, HuffPost, and elsewhere. Her arts and culture writing has appeared or is forthcoming in Publishers Weekly, Sightlines, The Texas Observer, and Texas Monthly. She lives in Austin, Texas, with her growing collection of found butterflies.

Brent House, a contributing editor for The Tusculum Review, is a native of Necaise, Mississippi, where he raised cattle and watermelons on his family's farm. Slash Pine Press published his first collection, The Saw Year Prophecies, and his poems have appeared in journals such as Cream City Review, Denver Quarterly, The Journal, Third Coast and Kenyon Review. He teaches creative writing at California University of Pennsylvania.

Marianne Chan is the author of ALL HEATHENS. She grew up in Stuttgart, Germany, and Lansing, Michigan. Her poems have appeared in West Branch, The Journal, Poetry Northwest, Denver Quarterly, Indiana Review, Carve Magazine, and elsewhere. She holds an MFA in Creative Writing from the University of Nevada, Las Vegas. She serves as poetry editor at Split Lip Magazine.

The Ghost In Us Was Multiplying (Noemi Press) Where does one body end and another begin? In The Ghost in Us Was Mul­tiplying, Brent Armendinger explores the relationship between ethics and queer desire, infusing meditations on public life and politics with a radical sense of intimacy. Although grounded in lyric, these poems are ever mindful of how language falls apart in us and – perhaps more im­portantly – how we fall apart in language. Armendinger asks, “What ra­tio of news and light should a poem deliver?” This book is a continuous reckoning with that question and the ways that we inhabit each other. Praise for The Ghost In Us Was Multiplying: To “multiply.” To “ devote.” To “ferment inside a hush.” Brent Armendinger writes through and from the body, recollected [contravened] at all turns by the ferocity of its accompanying landscapes, affinities and the heart itself. “How else can I survive?” writes the poet, deep inside a book that traces the index of an intense need: the kind of contact that can't be assuaged by touch alone. I was so interested in this other, longitudinal and “surpassing” touch that happened again and again in a book both measured and dreamed: the “pictogram,” for example, that's heard rather than seen; the blood that's mailed “back north”-- a “stain, my zero.” What does it mean to encounter a zero -- a “stranger”-- that doesn't diminish in repetition, but which strengthens, glitters, hurts to look at directly or feel? Brent Armendinger writes into this quality or “crucial” space with an emotional and soulful approach to the “amniotic” potential of vocabu­laries, human and otherwise. “What do the birds think?” I loved this book so much, for what it senses into as much as it expresses: a longing for radical company; studies of water and cosmic flows of all kinds. “Where will you live now,” asks the poet, “and can you hear it,/the way your voice has changed?” Brent Armendinger is a rare experimental writer who writes deeply and passion­ately from the soul. I am extremely honored to write in support of his poetry. --Bhanu Kapil, author of Ban en Banlieue The poems in Brent Armendinger's The Ghost in Us Was Multiplying are hushed, as if spoken the morning after a heavy snow. They are also admirably attentive to sadness, breath, and desire. Their speaker laments being “too permeable,” but it's precisely that translucence that matters here: it makes audible the mu­sic of his “almost way of touching,” as well as delivering the sometimes mel­ancholy, perennially essential sound of “how the heart opening always feels. —Maggie Nelson, author of The Art of Cruelty: A Reckoning Brent Armendinger was born in Warsaw, New York, and studied at Bard College and the University of Michigan. In addition to The Ghost in Us Was Multiplying, Armendinger has published two chapbooks, Undetectable and Archipelago. His work has appeared in many journals, including Aufgabe, Bateau, Bloom, Bombay Gin, Colorado Review, Denver Quarterly, Hayden's Ferry Review, LIT, Puerto del Sol, RECAPS Magazine, Volt, and Web Conjunctions. In 2013, Armendinger was awarded a residency at the Headlands Center for the Arts. He lives in Los Angeles and teaches at Pitzer College, where he is an Associate Professor of English and World Literature. Claudia Rankine is the author of five collections of poetry, including Citizen and Don't Let Me Be Lonely, and the plays, Provenance of Beauty: A South Bronx Travelogue, commissioned by the Foundry Theatre and Existing Conditions (co-authored with Casey Llewellyn). Rankine is co-editor of American Women Poets in the Twenty-First Century series with Wesleyan University Press andThe Racial Imaginary with Fence Books. A recipient of awards and fellowships from  The Academy of American Poets, The American Academy of Arts and Letters, The Lannan Foundation,  Poets and Writers and the National Endowments for the Arts, she teaches at Pomona College. 

Join us tonight for a reading from the latest issue of Santa Monica Review, one of Southern California's most revered literary journals. SMR editor Andrew Tonkovich will be introducing three of the contributors to the 2013 fall issue.  Andrew Nicholls began writing for radio, stage, syndicated cartoonists and TV in high school in Ontario, Canada. In his twenties he staffed The Tonight Show for six years, four of them as Johnny Carson's head writer and, with his writing partner Darrell Vickers, has created or staffed over 100 sitcoms, children's and animated series, thanks to which he has a 2005 memoir, Valuable Lessons, about failed television. He has recent humor in McSweeney's Internet Tendency and Los Angeles Review of Books and short fiction upcoming in Black Clock, Kugelmass and the teacher's resource site Literature For Life. g. c. cunningham, a UCLA graduate, lives in Los Angeles, sometimes working in film post-production, other times in Birmingham, Alabama, state of origin. His fiction is printed in Bat City Review, Cutbank, Denver Quarterly, Fiction International, Portland Review, Texas Review and  Western Humanities Review. Google him for selections online at Eclectica, Fringe, Potomac Review and McSweeney's. "My First Marine Corps Essay" won 2nd place in Fringe's 2012 flash fiction contest judged by Steve Almond. Ryan Ridgeis the author of the story collection Hunters & Gamblers, the poetry collection Ox, as well as the chapbooks Hey, it's American and 22nd Century Man. His work has appeared in Tin House, McSweeney's Small Chair, The Southern California Review, The Mississippi Review, The Los Angeles Review, Hobart, Consequence, and elsewhere. Managing editor at Juked Magazine, he writes and teaches in Southern California.