Podcasts about love it to death

Join us in this episode of ImVibes Podcast as we dive headfirst into the early music of the iconic Alice Cooper with none other than Charlotte's very own tribute band, Love It To Death. Kelsey and Steve, the dynamic duo behind Love It To Death, take us on a wild ride through the captivating world of Alice Cooper's early discography. From the raw energy of "Love It to Death" to the theatrical brilliance of "School's Out," they unveil the essence of Cooper's groundbreaking sound. But that's not all - get ready to experience the magic firsthand as Kelsey and Steve share insights into their mesmerizing live shows. From the spine-chilling theatrics to the larger-than-life props, they give us a glimpse into the immersive experience that is Love It To Death's tribute to Alice Cooper. Kelsey and Steve also gifted us with our very first ever live performance on ImVibes Podcast. And for those hungry for knowledge, Eric steps in to break down the timeline of Alice Cooper's music catalog, taking us on a journey through the evolution of his sound up to the 1990s. From the gritty beginnings of garage rock to the experimental heights of glam metal, Eric unveils the layers of innovation that define Alice Cooper's enduring legacy. Tune in as we unravel the mysteries behind Alice Cooper's early music, fueled by the passion and expertise of Love It To Death. Whether you're a die-hard fan or a newcomer to Cooper's captivating world, this episode promises to ignite your imagination and leave you craving for more. Connect with us! Facebook: https://www.facebook.com/imvibespodcast Instagram: https://www.instagram.com/imvibespodcast/ TikTok: https://www.tiktok.com/@imvibespodcast X: https://twitter.com/ImVibesPodcast About: ImVibes Podcast, the home of good music, good libations, and good vibes, is our escape valve. A place to discuss our passion, music. We will discuss all things music and vinyl. You can expect extensive conversations about one-hit wonders, music movements, music scenes, old and new music trends, albums, vinyl, etc. If it's music, we'll talk about it! https://linktr.ee/imvibespodcast --- Support this podcast: https://podcasters.spotify.com/pod/show/imvibespodcast/support

This week on Classic Vinyl Podcast, Justin and Tyler review the band Alice Coopers, third studio album Love it to Death. A very good hard rock album considered to be one of the key influences to hard rock, this album is a great offering by the band. With classic hits like I'm Eighteen, and Is it My Body, this album is a must listen for its lesser know tracks. Give the album a spin and let us know what you think. Classic Vinyl Podcast Website https://classicvinlylpodcast.podbean.com/ Support our podcast and buy us a beer https://www.buymeacoffee.com/classicvinylpod

The guys are joined by author and music fan Brian Kramp to discuss his new book about Cheap Trick called “This Band Has No Past.”  Plenty of discussion about the early days of Cheap Trick and how everyone in the 60s were in bands, Vietnam, Bob Ezrin, Beatles and Lennon, pissing off the religious right, Rolf Harris and the theatrics of Alice Cooper that stemmed from this album.Check out Alice Cooper at: https://alicecooper.com/Buy Brian's book about Cheap Trick at: https://www.amazon.com/This-Band-Has-No-Past/dp/1911036874/Check out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Stitcher, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

This week I got my friends Jon and Jordan Bowman to come over and talk about what Warboys US are up to, and what they're up to in general. We kind of go all over the place as this one was just sort of thrown together, and since their stories have already been told, we had plenty of wiggle room for what we could talk about! Expect some general musician talk, peppered with stories about turning teacher's yards into golf courses, making Dick Tracy videos at Disney World, and all kinds of other stuff!https://www.facebook.com/WarboysUS/https://warboys.bandcamp.com/https://prehistoricjon.bandcamp.com/Songs for GGHT68:Warboys US - Thrilled to See YouWarboys US - Hot BrassWarboys US - Who Ya Think Ya Foolin?Warboys US - Do It NowWarboys US - God of MischiefThis episode is brought to you by Hobo Wolfman Records. Find out how you can help HWM open up their new brick and mortar store and get something cool in return: https://gofund.me/ef195890Gabba Gabba Huh? Records & Vintage Goods: https://www.facebook.com/gghrecords/Located inside Vintage Village at Eastridge Mall (246 N New Hope Rd Gastonia, NC ), three stores down from Dillard's (south entrance)Support the show

We love Mexico! We love visiting, love eating the food, love drinking the drinks, love checking out the art! We love buying examples of all of these things and we love bringing those things back home to share with our friends, to encourage them to go love Mexico! But … are we loving it to death? We question our intentions and impact in this episode of Agave Road Trip!Find extra photos and related links at agaveroadtrip.comAgave Road Trip is Powered by Simplecast.

I dagens lektion får vi lära oss massa matnyttigt när B.L. och Heidenhammer utvärderar Alice Coopers skiva nr 3 - "Love it to death" från 1971. På länk har vi även distansundervisning av ingen annan än Jonas Stålhammar (At The Gates/God Macabre/Bombs of Hades/Venus Principle etc). Låt stå!

"Alice Cooper's third album, Love It to Death, can be pinpointed as the release when everything began to come together for the band. Their first couple of albums (Pretties for You and Easy Action) were both largely psychedelic/acid rock affairs and bore little comparison to the band's eventual rip-roaring, teenage-anthem direction. The main reason for the quintet's change was that the eventually legendary producer Bob Ezrin was on board for the first time and helped the Coopers focus their songwriting and sound, while they also perfected their trashy, violent, and theatrical stage show and image. One of the band's most instantly identifiable anthems, "I'm Eighteen," was what made the album a hit, as well as another classic, "Is It My Body." But like Alice Cooper's other albums from the early '70s, it was an incredibly consistent listen from beginning to end. The garage rocker "Caught in a Dream" as well as the ass-kicking "Long Way to Go" and a pair of epics -- the Doors-esque "Black Juju" and the eerie "Ballad of Dwight Fry" -- showed that Alice was easily in league with other high-energy Detroit bands of the era (MC5, Stooges). Love It to Death was the first of a string of classic releases from the original Alice Cooper group." - Greg Prato, All MusicSupport this podcast at — https://redcircle.com/polyphonic-press1229/donations

Jerry abuses cats with choker chains, while Joseph does his best to summon the Lord with prayer, in order to take his life. Strap in for a classic album from Alice Cooper!Please visit us at http://thegrungepodcast.com.Also, find us on all social media platforms, as well as our Patreon page at http://patreon.com/thegrunge.This show is part of Pantheon Podcasts

Jerry abuses cats with choker chains, while Joseph does his best to summon the Lord with prayer, in order to take his life. Strap in for a classic album from Alice Cooper! Please visit us at http://thegrungepodcast.com. Also, find us on all social media platforms, as well as our Patreon page at http://patreon.com/thegrunge. This show is part of Pantheon Podcasts

Jerry abuses cats with choker chains, while Joseph does his best to summon the Lord with prayer, in order to take his life. Strap in for a classic album from Alice Cooper!Please visit us at http://thegrungepodcast.com.Also, find us on all social media platforms, as well as our Patreon page at http://patreon.com/thegrunge.

Season 2: Episode 5 Bob Ezrin Part 2                                This episode features the second half of our conversation with Bob Ezrin.     Few producers have had careers as Bob Ezrin has had. The award-winning producer has worked with some of rock’s biggest acts (Pink Floyd, Aerosmith, Alice Cooper, Green Day, Kiss, Rod Stewart, Jane’s Addiction, and U2).   Bob worked with Jane's Addiction on 2003's Strays album. Photo by Neil Zlowzower   In the first part of our interview, Bob talked about producing The Wall, one of the greatest concept albums in rock history. In fact, he is well known for his work on concept albums, helming such projects as Kiss’s Music From “The Elder,” Lou Reed’s Berlin, Kansas’ In the Spirit of Things, Nine Inch Nails’ The Fragile, and Alice Cooper’s Welcome To My Nightmare & Welcome 2 My Nightmare.      Bob in the studio with Kiss in 1976   According to Bob, his love for injecting a sense of theatricality into albums comes from his childhood, and his amusing explanation involves a historic record player, Sir Thomas More, and Spike Jones (the comical 1950s bandleader, not Spike Jonze the filmmaker).   Bob flanked by 2Cellos. Photo by The Canadian Press/Michelle Siu    Producing all those adventurous albums exemplify Bob’s values in record-making, among which that it’s important to see, as well as hear, the music when creating a record. A record is simply another form of theater. His work impressively has covered a broad range of genres: Americana (Jayhawks), New Wave (Berlin), Country (Johnny Reid), Celtic (Natalie McMasters), Classical (2Cellos), Folk (Murray McLauchlan), Jam Bands (Phish), Pop (Air Supply), and Soundtracks (Heavy Metal 2000).   Bob at work with the band Hanggai   The scope of his massively successful work includes recording acts from all over the world, such as Finland (Hanoi Rocks), France (Téléphone), Italy (Andrea Bocceli), Uganda (Geoffrey Oryema), Spain (Héroes del Silencio) and Mongolia (Hanggai).  He also takes on music projects with iconic musician-actors like Tim Curry, Kristen Chenoweth, Jared Leto (30 Seconds To Mars), and Johnny Depp (Hollywood Vampires).     Paul McCartney stopping by a Hollywood Vampires' recording session. Johnny Depp on the far left with Bob, Alice Cooper and Joe Perry on the right side   Bob is also familiar with mixing for live recording projects such asTaylor Swift’s Speak Now World Tour Live, The Alice Cooper Show, and Roger Daltrey’s A Celebration: The Music of Pete Townshend and The Who.   Donovan (far left) visits with Glen Buxton, Alice Cooper, and Bob, circa 1972   Bob’s latest collaboration with Alice Cooper, Detroit Stories, came out shortly after our conversation took place. This project represents a truly special aspect of Bob’s career – his long-running relationships with performers. He’s done over a dozen Alice Cooper albums, going back to 1971’s Love It To Death. His partnership with Kiss spans from 1976’s Destroyer to 2012’s Destroyer Resurrected. It also shows up in his work with Peter Gabriel (Gabriel’s 1977 solo debut and 2010’s Scratch My Back) and Pink Floyd (1979’s The Wall and 1994’s The Division Bells).   The guys behind Detroit Stories Courtesy Detroit Free Press   Notable too is Bob’s lengthy work associations with two revered rock guitarists: Dick Wagner and Steve Hunter. He met each guitarist on two of his earliest production jobs: Hunter was in the Mitch Ryder-fronted band Detroit while Wagner played in the short-lived group Ursa Major. Over the years, Bob tapped Dick and Steve for other many projects, most prominently were the times the two played guitar together in Alice Cooper’s and Lou Reed’s bands. Not surprisingly, Bob also produced solo albums for each guitarist.   Bob with Steve Hunter   In recent years, Bob has helmed two rather unique projects: working for the first time with a veteran group that hasn’t done a studio album in many years. In 2008, he produced Bauhaus’s Go Away White, their first studio album in 25 years. Then, in 2013, Bob did Now What!?!, the album Deep Purple made after an eight-year hiatus. Both projects were well received, and Bob went on to produce Deep Purple’s next two albums.   Bob produced Deep Purple's Now What?!   With his wealth of studio experience, Bob has developed some guiding principles regarding the producer’s role. One involves challenging the musicians to create something they are capable of creating, and he talks about how this “setting the bar” approach played a central role in his collaboration with Peter Gabriel on the former Genesis frontman’s first solo album.    Peter Gabriel doing the recording of his first solo album. Photo by Larry Fast   Bob producing the legendary Canadian band Lighthouse in 2017   Outside of the recording studio, Bob has been involved in many significant multi-media endeavors. Early in the 1990s, he co-founded 7th Level, a pioneering computer software company that put out educational and entertainment CD-ROMs, including many highly successful Monty Python titles. At the end of the 90s, Bob co-founded the innovative internet radio provider Enigma Digital; Clear Channel later purchased the company and Bob served as vice-chairman of Clear Channel Interactive.   Bob being honored with a star for Canada's Walk of Fame. Photo by Michelle Siu/The Canadian Press   A Toronto native, Bob is a member of both the Canadian Music Hall of Fame and the Canadian Music Industry Hall of Fame along with having a star on Canada’s Walk of Fame. Deeply believing in the importance of community service, Bob started the charity organization Music Rising with U2's The Edge and he also is a board member of the Mr. Holland's Opus Foundation, two non-profits whose work involves providing children the opportunity to make music.   Bob with his Music Rising co-founder The Edge   Louise Goffin with Bob at a MusiCares tribute to Carole King     Please enjoy Part Two of our illuminating conversation with the amazing Bob Ezrin.      

Season 2: Episode 4 Bob Ezrin     Episode 4 of Song Chronicles Season 2 presents the first of our two-part interview with the renowned producer Bob Ezrin. Since the 1970s, Bob has been the producer of some of the biggest albums in rock history. Here are some of  the albums he did during his first decade as a producer: KISS’s record Destroyer, Lou Reed’s Berlin, Peter Gabriel’s solo debut, Pink Floyd’s landmark record The Wall, and seven hit albums with Alice Cooper.              Bob with Alice Cooper circa 1975     A Toronto native, Bob launched his career at the age of 19 when he got a job with Jack Richardson, a top Canadian producer. In this episode, he reveals the funny circumstances involved with his first producer’s gig: Alice Cooper’s breakout record Love It To Death. The important mentorship he received from Jack was a reason behind Bob starting the Nimbus School of Recording & Media, a school he co-founded with Jack’s son, Garth. During our conversation, Bob touches on what he sees his job is as a producer, and why he feels it is vital “to keep the passion and wonder of youth for as long as you can.”   Bob in the studio with Phish's Page McConnell   Bob has produced albums for Deep Purple, Rod Stewart, Jane’s Addiction, The Deftones, The Catherine Wheel, Hanoi Rocks, The Jayhawks, Phish and more.    Bob and Deep Purple's Roger Glover    He also has made soundtrack albums, produced classical acts like 2CELLOS and the Canadian Tenors, and made opera superstar Andrea Bocelli’s first #1 album, Si.   Bob at work on Andrea Bocelli's album   In the 1990s, Bob helped start the computer software company 7th Level and the internet radio provider Enigma Digital. He co-produced the star-filled 2009 benefit The Clearwater Concert, which celebrated Pete Seeger’s 90th birthday and, more recently, was involved in the stage version of Berlin.   The stage adaptation of Lou Reed's Berlin               You will also hear some fascinating behind-the-scenes stories about the making of The Wall, including the studio technology that Bob introduced to Pink Floyd.   Bob welcomes Alice Cooper, Desmond Child and Louise to his studio. Photo by Kyler Clark   And this is just half of our entertaining interview with Bob Ezrin! You’ll hear more from him in the next edition of Song Chronicles. But for now, enjoy the first of our two episodes with the one and only Bob Ezrin.    

Aaron dives into Alice Cooper's two 1971 classic albums in celebration of their 50th anniversaries. 

In episode 44, we review The Rolling Stones, Exile on Main Street, Rod Stewart/Faces Coast to Coast: Overture and Beginners and Alice Cooper's Love it to Death. Lots of stuff to talk about with this episode, tune it and give it a listen. As usual, let us know what you think. --- Send in a voice message: https://anchor.fm/reviewsfromthecrawlspace/message

Alice Cooper’s lifelong manager Shep Gordon share stories from inside the studio as the band’s third album Love It To Death represents a pivotal point in the legendary entertainer’s career. For guest playlists, new music influenced by this album, and full show notes, go to The500podcast.com. Join the movement.

After an opening salvo on the perils and dubious pleasures of digital technology and assembling hose systems (trust me it's more interesting than it sounds) we move on to discuss the modern phenomenon of so-called dirty camping. A symptom of our disposable culture or something more? As Corbyn gets ready to meet the leaders of the other opposition parties I reckon this is all just positioning for a snap General Election. Lesley disagrees. It's the Shetland by election on Thursday. Are the Lib Dems running scared of the SNP's Tom Wills and is there an upset on the cards? Nicola Sturgeon seems to think so, and she and other SNP big guns have been campaigning hard up there. The FM ran into criticism for being "away from the mainland" when the GERS figures were announced. We question the obsession, on all sides of the independence divide, with this annual event. As per usual there's lots of other stuff plus, with Lesley's approval, I get to talk about cricket.  

In this episode, Sam and Michelle listen to and review "Love It To Death" by Alice Cooper. Will Michelle ever like a singer Sam brings to the table? Will Sam ever not be a dickhead? Who know? Soon you will by pressing play. This episode is brought to you by "Tawny's Tongue Tied Twister Training" and AbeCo's "Feel Like Shit".

Alright, Alright, Alright! This week on the show, Damian gets to sit down with a hardcore legend & ZINE GOD: BARRY HENSSLER!!! A vocalist hero & Co-creator of one of the most expensive hardcore 7"s ever. Listen in as the two discuss Barry going from being a four year old seeing the Grateful Dead on their first tour, to being part of the first wave of hardcore punk in the godly NECROS. NOT TO BE MISSED!!! Also Touched On: Alice Cooper as first exposure Sonic Youth loving Love It To Death Stooges hearing MC5 from a friend's older brother and the older sibling cool music connection The Vertigo Records New Wave comp Seeing Pink Floyd on the first tour post Syd at age 7 Seeing the Grateful Dead at age 4 in a backyard Alice Cooper and ZZ Top Starting a band without guidance Stooges Trying to cover the Clash’s 1977 buying Spiral Scratch, The Cramps, Suicide and Electric Eels Getting your licence and driving to Drome Records Pere Abu Pagens The Making of Smega Journals The reason the Necros have never been reissued Seeing the Ramones and Johnny had beard Joe Jackson Undertones blow David Johansen PIL in Detroit The Spys and The Dry Heaves Getting the Solger 7” Meeting the DC kids Seeing Minor Threat for the first time befriending the Circle Jerks seeing Black Flag for the first time The story of Sex Drive The Ohio music debate Negative App Devo Starvation Army Guided By Voices The early east coast hardcore scene Joey Shithead unconventional touring style Minor Threat solo Kings Of Punk is the last hardcore record Haram & MUCH, MUCH MORE!!!! BROUGHT TO YOU BY VANS

The influence of Cooper's 1971 album "Love It To Death" influenced the Sex Pistols, the Ramones, the Germs and others.

For April 2018 The Sonic Collective member Alain DuPuis picked the showmanship and alternative sounds of Alice Cooper the group. You knew that Alice Cooper isn't the lead singers name right? Learn that and lots more as we review this album that influenced so many. Join us at http://thesoniccollective.com for the full review and lots of others.

Listen to why The Sonic Collective member Alain DuPuis chose this album from Alice Cooper. For the full selection details and to see all our album reviews please join us at http://thesoniccollective.com.

SIBLINGS ON RECORD #3- The Sibs take on Alice Cooper's 1971 album Love It To Death! Rock on! Contact Aaron (and Shannon) at ridiculousrockrecords@gmail.com, or on the Ridiculous Rock Record Reviews Facebook page.https://www.facebook.com/R4podcast/

Keith Morris on "Love It To Death" by Alice Cooper.