Podcasts about sir thomas more

The Witch of Edmonton by Thomas Dekker, John Ford & William RowleyRecorded live at the White Bear Theatre on Tuesday 21st October at 7.30pmCW: Below the cast listCast:Aliki Chapple - Old BanksRobert Crighton – JusticeTobias Deacon - Sir ArthurBrian Eastty - Old ThorneyPamela Flanagan - Third Clown / Constable / First CountrymanAlex Kapila - Winifred / SawgutEmma Kemp – SusanSusan Kyd – Mother SawyerNat Kennedy – Cuddy BanksRoel Fox – WarbeckLiza Graham - Second Morris / Second MorrisAisling Groves-McKeown - Prologue / First Morris / Third Countryman / AnnKeith Hill - Old CarterAlexandra Kataigida - Katherine / Spirit / HamlucOliver Maynard - Somerton / Fourth Morris / RatcliffeKit McGuire – DogSimon Nader Mirza – Frank ThorneyMusic by Roel FoxLive Show Technical Manager – Valentina VinciCompany Text Coach – Liza GrahamContinuity – Dennis CaoukiProduced by Robert CrightonCW: Violence, misogyny, murder, stabbing, injustice, demonic creatures. Our patrons received the rough mix of this episode in November 2025 - about 9 months early!The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on social media @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Beyond is sponsored by The Malone Society: The permanent utility of original textsThis week it's a discussing episode where I chat with Dr Shirley Bell about her book Music and Emotion on the Caroline Stage - available now!The book examines the relationship between music and emotion in the Caroline theatre. Music could be ravishing, it could be unsettling, it could be used as a way of depicting madness itself or of treating that madness. This book explores the many ways in which emotions were provoked, controlled and directed through music and its impact on the theatre audience in a range of Caroline drama. Music allows characters to express their emotions in ways that speech does not; it can be ironic, it can undermine the characters' dialogue, and it can affect the audience in many ways. This book brings together major recent work on emotions and synthesises this work with scholarship on music to demonstrate how music and emotions are intimately linked on the Caroline stage.Shirley Bell is an associate lecturer and researcher in English at Sheffield Hallam University, UK, specialising in early modern literature, drama, and culture. Her doctoral thesis explored the use of instrumental music and song in the works of Richard Brome, James Shirley, and Ben Jonson's ‘late plays' to determine how much of an impact the music had on a holistic understanding of the plays in performance. @drshirleybell on Bluesky, Instagram and TikTok.The book can be bought here. There is a 20% discount with this code: PALAUTOur patrons received a mix of this episode in June 2026 - 1 month in advance.The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Beyond is sponsored by The Malone Society: The permanent utility of original textsWelcome to more university silliness! It's Gown, Hood and Cap – which survives in a manuscript at the Folger library. Like our recently released Band, Cuff and Ruff, this is a short skit written by students at Cambridge.Gown, Hood and Cap is less conflict driven that Work for Cutlers, or Band, Cuff and Gown, and is more about bants between different students and the things they get up to – the elements of clothing indicators of different levels of academic achievement. An academic hood, trimmed with fox fur, which hangs behind – the academic Gown open – and the academic cap. These are, of course, merely a delivery system for puns on hoodwinking, different cap puns, and the state of ones gown. If you are unsure what the punchline means, assume it's a pun.In Gown, Hood and Cap by the UnknownHood was played by Robert Crighton, Gown by Benjamin Finch and Cap by Song Marshall.The text coach for the production was Liza Graham.Technical presentation by Robert Crighton.Our patrons received this episode in June 2026 - about a month early!The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

FAN MAIL--We would love YOUR feedback--Send us a Text MessageA 78-year-old man sits in solitary confinement in Hong Kong with a 20-year sentence hanging over him. He could have left. He could have said the words that would have set him free. Jimmy Lai refused to lie, and that single act of conscience explains why authoritarian power reacts so fiercely to one person who won't be bought or frightened into agreement. We trace Lai's story from his rise as a self-made publisher and founder of Apple Daily to the convictions that made him a political prisoner, then widen the lens to a timeless pattern: rulers don't only want silence, they want affirmation. To make the point vivid, we bring in Robert Bolt's A Man for All Seasons and the example of Sir Thomas More, whose quiet “no” threatened a king more than any army ever could. From there, we get personal. Tyranny's business model depends on getting good people to say things they don't believe, and most of the time the pressure arrives in small, ordinary moments. A boss, a crowd, or an algorithm nudges you toward the easy line instead of the true one, and repetition slowly erases your ability to resist. You'll leave with one clear action step for the week, a sharper understanding of why free speech and freedom of the press matter, and a reason to take courage seriously before it costs more than you think. Key Points from the Episode:• the weight of “20 years” for a 78-year-old man and why it reads like a life sentence  • the Thomas More parallel from A Man for All Seasons and the danger of quiet refusal  • who Jimmy Lai is, why he founded Apple Daily, and why he stayed  • why regimes punish unbought people and make examples of them  • conscience as an antidote to tyranny and the everyday pressures to comply  • a simple action step for the next moment you feel pushed to say the comfortable lie  • a warning about treating communism as abstract and a call to sober attention at home  • prayer for Jimmy Lai and others imprisoned for refusing to bow  Want to go deeper?Watch the documentary on Jimmy Lai's story and the fall of Hong Kong: The Hong Konger — freejimmylai.comGo back and listen to where this story started — our 2022 episode: LM #21 — Two Iron Ladies: The Hong KongerAnd keep Jimmy Lai in your prayers tonight, along with every man and woman sitting in a cell right now simply for refusing to lie.Want to leave a review? Click here, and if we earned a five-star review from you — high five and knuckle bumps — we appreciate it greatly, thank you so much!Keep fighting the good fight.Links?

Beyond is sponsored by The Malone Society: The permanent utility of original texts The History of the Damnable Life and Deserved Death of Doctor John Faustus, is the book that is the source for Christopher Marlowe's play. Chapter by chapter we will wander through the twists and turns of this story.Chapter Twenty-Eight: Faustus was asked a question concerning thunder. Our patrons also get an exploring session looking in detail at the text - join our chat here.Thunder sfx thanks to zapsplat.comOur patrons received this episode in December 2024 - approx. 18 months early. They have also already received the next 19 chapters and exploring sessions!The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama. 

Beyond is sponsored by The Malone Society: The permanent utility of original textsPart two of our an epic (yet dinky) series looking at some fragments found in The English Treasury of Wit and Language by John Cotgrave. This is a fairly chunky opening gambit, with the preface to the book, before our usual drive by at a short bit of text.You can find a version of the text at archive.org. It's found under the section "Of Atheism, Blasphemy, Impiety, Prophaxes etc." on page 18/19. The text is performed by Aliki Chapple, the host is Robert Crighton.Our patrons received this episode in January 2025 - well over a year early!The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

This Day in Legal History: The Execution of Sir Thomas MoreOn July 6, 1535, Sir Thomas More was beheaded at Tower Hill in London, convicted of high treason against King Henry VIII. More had been one of the most powerful men in England—a lawyer, a scholar, a former Lord Chancellor, the King's own friend—and he went to the scaffold because he would not say the words the King demanded.The dispute was, at its heart, about supremacy. Henry VIII had broken with Rome and declared himself Supreme Head of the Church of England, and Parliament had passed the Act of Supremacy and an Act of Succession requiring subjects to swear an oath acknowledging the King's new status and the legitimacy of his marriage to Anne Boleyn. More refused to take the oath. Crucially, he did not denounce the King. He said nothing at all. He believed that by staying silent he stayed within the law—that under the old maxim, silence gives consent, and no court could convict a man for what he had not said.The Crown answered that theory with new law. The Treason Act of 1534, which took effect in early 1535, made it treason to “maliciously” deprive the King or Queen of their “dignity, title, or name”—and the government argued that More's conspicuous silence about the King's supremacy was itself a denial of it. More was tried on July 1, 1535, before a panel that included Anne Boleyn's father, brother, and uncle. The decisive testimony came from Richard Rich, the solicitor general, who claimed More had privately rejected the King's title in conversation in the Tower. More insisted the testimony was perjured. The jury deliberated for about fifteen minutes and found him guilty. He was sentenced to be hanged, drawn, and quartered; the King, in what passed for mercy, commuted the sentence to beheading.More's case endures in the legal imagination because it sits at the fault line between law as an instrument of power and law as a limit on power. More was a formidable lawyer who tried to use the law's own rules—the presumption that silence is not a crime, the requirement of proof—to protect his conscience, and the state simply rewrote the rules and manufactured the proof. His famous last words, that he died “the King's good servant, but God's first,” draw the line between obedience to the state and obedience to something the state cannot command. Four centuries later, we still cite More when we argue about compelled speech, about the right to remain silent, about loyalty oaths, and about what a person owes a government that has turned the machinery of law against him. He is a patron saint of lawyers precisely because he lost—because his trial shows how thin the protection of law can be when those in power decide they would rather have a conviction than a fair one.A federal appeals court has ruled that Immigration and Customs Enforcement cannot detain migrants for more than ninety days without giving them a chance to seek release at a bond hearing. In a 2-1 decision, the Fifth U.S. Circuit Court of Appeals—one of the most conservative in the country—sided against the administration, a ruling that could affect thousands of people held in detention in states like Texas and Louisiana.When the government seeks to deport someone, that process can take months or even years, and in the meantime the government often detains the person. The legal question is whether the government can simply hold someone indefinitely while the case grinds on, or whether at some point that person is entitled to a hearing where a neutral decision-maker asks whether they actually need to be locked up—whether they're a flight risk or a danger, or whether they can safely be released on bond while they wait. The administration argued that certain migrants are subject to “mandatory detention” with no such hearing at all. The Fifth Circuit said that after ninety days, that position runs into constitutional trouble.Imagine being held in a jail cell for months, not because a judge decided you were dangerous, but because a statute was read to mean nobody ever has to ask the question. The core idea the court is protecting is an old one: the government generally cannot deprive a person of physical liberty without some individualized process, some moment where a human being reviews your particular case. A bond hearing is that moment. It doesn't guarantee release—it guarantees that someone with authority has to look at you and decide.The Department of Homeland Security said it disagreed with the ruling and remained confident in its legal position on mandatory detention, which signals a likely appeal, possibly to the Supreme Court. But for now, the decision draws a line: prolonged civil detention without any bond hearing is constitutionally suspect, and the length of confinement matters. The ruling is significant not only for the thousands of detainees it directly affects, but because it comes from a court that rarely rules against this administration—a reminder that even sympathetic judges have limits when the question is indefinite detention without a hearing.Appeals court bars mandatory detention for migrants past 90 days without bond hearing | Fox NewsCourt Blocks Immigration Detention Without HearingsThe Supreme Court has refused to hear Donald Trump's appeal seeking to overturn the jury verdict finding him liable for abusing and defaming the writer E. Jean Carroll. With the Court declining to take the case, the 2023 verdict and the roughly five-million-dollar judgment against him stand.In 2023, a civil jury found that Trump sexually abused Carroll in a New York department store in the mid-1990s and later defamed her by branding her account a lie. He was ordered to pay her about five million dollars. Trump appealed and lost in the lower courts, then asked the Supreme Court to step in. Last week the Court denied that request. When the Supreme Court denies review—what lawyers call denying “certiorari”—it isn't endorsing the verdict or ruling on the merits. It's simply declining to hear the case, which leaves the lower court's decision in force. But the practical effect is the same as a loss: the judgment is final, and there are no more appeals to pursue.It helps to separate two things people often blur together. This is a civil case, not a criminal one. Carroll didn't send anyone to prison; she sued for money and for the harm to her reputation, and a jury of ordinary citizens weighed the evidence and believed her. The Supreme Court's role at this stage isn't to re-try the facts—juries find facts, and appellate courts generally don't second-guess them. The question the Court was asked was narrower and more legal, and the Court decided it wasn't worth their time to review.The significance here is partly about accountability and partly about the ordinariness of the outcome. A private citizen brought a claim, a jury sided with her, the appellate courts affirmed, and the highest court in the country let that stand—the system working exactly as it's supposed to, regardless of the defendant's power. It's also a marker of the limits of that power: the office does not come with a trapdoor out of a civil judgment. The verdict is now as final as verdicts get.Supreme Court rejects Trump effort to overturn E. Jean Carroll sexual abuse and defamation verdict | NBC NewsThe Supreme Court's next term, beginning in October, is already set to feature major cases involving gun rights, voting rules, LGBT rights, immigration detention, and corporate disputes. One of the highest-profile cases concerns whether states and local governments may ban assault-style rifles such as AR-15s, with challenges coming from Connecticut and Cook County, Illinois. Gun rights advocates argue that these weapons are commonly owned and protected by the Second Amendment, while government officials describe them as military-style firearms that pose serious public safety risks.The Court will also hear a voting rights dispute over Arizona rules that would impose stricter proof-of-citizenship requirements for voter registration and allow removal of suspected noncitizens from voter rolls. A lower court blocked parts of that law after finding that they conflicted with federal voter registration protections. Another case involves whether certain immigrants with criminal convictions can be held for long periods during deportation proceedings without receiving bond hearings. The Trump administration is asking the Court to uphold that detention policy, while a lower court found that prolonged detention without a hearing can violate due process. The Court will also consider a religious rights case from Colorado involving Catholic groups that want an exemption from nondiscrimination rules tied to a state preschool funding program. That case adds to the Court's ongoing disputes over how to balance religious liberty claims against LGBT anti-discrimination protections. The term will also include business-related cases involving ExxonMobil and Suncor, Apple and Epic Games, and PepsiCo.US Supreme Court to hear gun, LGBT, voting rights cases in next term | Reuters This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Beyond is sponsored by The Malone Society: The permanent utility of original textsThis week you're getting another university comedy! It's A Merry Dialogue between Band, Cuff and Ruff by the Unknown. It was printed in 1615 and probably performed a year or so earlier by students at Cambridge. More of this kind of thing is on the way!Band, Cuff and Ruff is about different detailing in clothing, and which is better. Ruffs being favoured by some (usually the more respectable end of the spectrum) and Bands by the more louche. Cuff stands between as arbiter, presumably as the more standard utilitarian element common to all. This is, of course, merely a delivery system for puns on fabric, clothing manufacturing and washing. If you are unsure what the punchline means, assume it's one of those three.Band was played by Liza Graham, Cuff by Alison Whismore, and Ruff by Larissa Oates.The text coach for the production was Liza GrahamTechnical presentation by Robert CrightonFor more of this type of thing, go to Preist the Barber.Our patrons received a mix of this episode in May 2026 - over a month in advance.The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Beyond is sponsored by The Malone Society: The permanent utility of original textsThis month we've discussing a new book by Eleanor Rycroft and Greg Walker - Predramatic Theatre: The Radicalism of Early British Performance. It's a book that connects strongly with our practical work on early theatre, as well as engagements with ideas of the postdramatic in some of our performances. If that sounds scary, it's not really, come in and join the chat.The book is available from Palgrave Macmillan now.Eleanor Rycroft is Associate Professor in Early Modern Performance at the University of Bristol, UK, and author of Facial Hair and the Performance of Early Modern Masculinity (2019). Her work centres on embodiment and gender in premodern performance. She has written articles for journals such as Shakespeare, Shakespeare Bulletin, and English Literary Renaissance, and is currently writing a British Academy-funded monograph on the early modern staging of walking. Greg Walker is Regius Professor of Rhetoric and English Literature at the University of Edinburgh, UK. He has published widely in the fields of late medieval and early-modern literature and theatre history. He has also been involved, with Thomas Betteridge and Eleanor Rycroft, in performance-as-research productions of Heywood's Play of the Weather (Hampton Court Palace), Lyndsay's Satire of the Three Estates (Linlithgow Palace and Stirling Castle) and Jonson's Masque of Augurs (Banqueting House, Westminster). About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Beyond is sponsored by The Malone Society: The permanent utility of original textsWelcome to our live stage recording of The Pardoner and the Friar by John Heywood. It's not designed as an audio adaptation, this is simply recorded from a distance on stage. However, it is hopefully of some use. It was recorded as part of our Entertaining Henry season on Sunday 22nd June 2025 at the Quay Theatre, Sudbury.With Simon Nader Mirza as The Friar, Robert Crighton as The Pardoner, Alexandra Kataigida as Neighbour Prat, and Roel Fox as The Parson.The Backstage Technical Manager was Valentina Vinci.Introductory sermon for the Parson by Robert CrightonMany thanks to Joe Fawcett, Tom Lagden, and everyone behind the scenes at the Quay.We have done so much on John Heywood and this play - full playlist here.The entire Entertaining Henry season was recorded, including most of the rehearsal period - all of this material can be found on our patreon feed.Our patrons received a mix of this episode in November 2025 - 6 months in advance.The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Beyond is sponsored by The Malone Society: The permanent utility of original texts The History of the Damnable Life and Deserved Death of Doctor John Faustus, is the book that is the source for Christopher Marlowe's play. Chapter by chapter we will wander through the twists and turns of this story.Chapter Twenty-Seven: How Doctor Faustus was asked a question concerning the Stars that fall from heaven.Our patrons also get an exploring session looking in detail at the text - join our chat here.Thunder sfx thanks to zapsplat.comOur patrons received this episode in November 2024 - approx. 18 months early. They have also already received the next 19 chapters and exploring sessions!The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

For some reason lost to history, we totally forgot to release this episode!This episode covers the epilogue to Eastward Ho! by Ben Jonson, George Chapman and John Marston - though not necessarily in that order. First Look exploring sessions to this and the other Ho! plays are available.This epilogue is performed by Fiona Thraille, the host is Robert CrightonYou can also hear the prologue, or dive into our exploring sessions!Our patrons received a mix of this episode in November 2023 - over 2 and a half years in advance. (Though that was a bit by accident!)The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Beyond is sponsored by The Malone Society: The permanent utility of original textsWelcome to our live stage recording of Thersites attributed to Nicholas Udall, from a dialogue by Joannes Ravisius Textor. It's not designed as an audio adaptation, this is simply recorded from a distance on stage. However, it is hopefully of some use. It was recorded as part of our Entertaining Henry season on Sunday 22nd June 2025 at the Quay Theatre, Sudbury.With Alexandra Kataigida as Thersites, Roel Fox as Mulciber (a smith) Liza Graham as Mater (Thersites' mother) Simon Nader Mirza as Miles (a soldier) and Robert Crighton as Iratus Scaena Procurator.The Backstage Technical Manager was Valentina Vinci.Music by Roel FoxMany thanks to Joe Fawcett, Tom Lagden, and everyone behind the scenes at the Quay.We have a playlist of our exploring sessions and a fairly full Zoom staging of the uncut play.We have a discussion of the play with Prof. Liz Oakley-BrownThe entire Entertaining Henry season was recorded, including most of the rehearsal period - all of this material can be found on our patreon feed.Our patrons received a mix of this episode in November 2025 - 6 months in advance.The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Beyond is sponsored by The Malone Society: The permanent utility of original textsToday we're having a chat with Dr Carla Suthren about the play Jocasta translated by George Gascoigne, Francis Kinwelmersh and Christopher Yelverton from Ludovico Dolce's Giocasta, which was homeopathically connected to Euripides Phoenician Women. Performed around 1566, it was created by students of Gray's Inn. Dr Suthren is editing a modern edition, which will be published soon.If you'd like to explore our first look at the text, it can be found here.Our patrons received a mix of this episode in February 2026 - 3 months in advance.The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Beyond is sponsored by The Malone Society: The permanent utility of original textsWelcome to our live stage recording of Gentleness and Nobility by John Heywood with John Rastell (though we've probably cut most Rastell from this edit). It's not designed as an audio adaptation, this is simply recorded from a distance on stage. However, it is a fairly complete recording and hopefully of some use. It was recorded as part of our Entertaining Henry season on Saturday 21st June 2025 at the Quay Theatre, Sudbury.With Valentina Vinci as The Knight, Liza Graham as The Merchant and Robert Crighton as The PloughmanThe Backstage Technical Manager was Roel Fox.Additional Music from zapsplat.comMany thanks to Joe Fawcett, Tom Lagden, and everyone behind the scenes at the Quay.We've done a lot on John Heywood, and this play - this is the third production available on the podcast, the first a full cast audio adaptation and the second an different archive recording (with a different cut of the text). There are also exploring sessions and more. We like this play.The entire Entertaining Henry season was recorded, including most of the rehearsal period - all of this material can be found on our patreon feed.Our patrons received a mix of this episode in November 2025 - over 6 months in advance.The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Beyond is sponsored by The Malone Society: The permanent utility of original texts The History of the Damnable Life and Deserved Death of Doctor John Faustus, is the book that is the source for Christopher Marlowe's play. Chapter by chapter we will wander through the twists and turns of this story.Chapter Twenty-Six: How Faustus was asked a question concerning the Spirits that vex men. Our patrons also get an exploring session looking in detail at the text - join our chat here.Thunder sfx thanks to zapsplat.comOur patrons received this episode in October 2024 - approx. 18 months early. They have also already received the next 19 chapters and exploring sessions!The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama. 

Beyond is sponsored by The Malone Society: The permanent utility of original textsAnd this month it's a chat about our sponsors, The Malone Society, and their work. If you're a free subscriber to our Patreon then you can be entered into our monthly giveaway of a free Malone Society edition each month!The Malone Society publishes editions of early printed and manuscript texts of plays, plus collections of documentary material relating to the performance and reception of early drama. In addition to the annual volumes distributed to members, we support scholarship through fellowships and research grants, prizes, symposia and a range of bibliographically inspired t-shirts.New members receive a copy of the current annual volume and a volume from our backlist of their choice, and new student members receive three free volumes from the backlist. Membership is available for purchase in a variety of currencies, and we offer discounted membership rates to students and scholars who are precariously, contingently, or independently employed.To join the society, please go to our website: malonesociety.com.Lucy Munro is Professor of Shakespeare and Early Modern Literature at King's College London. Her most recent book is Shakespeare in the Theatre: The King's Men, and she has published on the uses of archaic theatrical forms in Sir Thomas More. She is currently writing a book about the Globe and Blackfriars playhouses.Our patrons received a mix of this episode relatively recently, but usually it's months, occassionally years in advance.The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Surprisingly, the forces that drove the most dramatic changes in England, were born, cultivated and found expression within London. The Story reaches a moment of grand political crisis- Chancellors fall, parliament flexes its muscles, the capricious King makes up arguments as he goes along, and London carries on, providing intellectual and emotional fuel for it all. And while this happens, Thomas More, the judge from Milk Street, ascends the highest position in all the land, while still presiding over cases of London criminality, and being the face of the kings sudden desire to start killing heretics… welcome to the open salvos of the Reformation.Cover includes a detail of the portrait of Sir Thomas More, by Hans Holbein the Younger (1527),

Beyond is sponsored by The Malone Society: The permanent utility of original textsWelcome to our live stage recording of The Temptation of Christ in the Wilderness by John Bale. It's not designed as an audio adaptation, this is simply recorded from a distance on stage. However, it is a fairly complete recording and hopefully of some use. It was recorded as part of our Entertaining Henry season on Saturday 21st June 2025 at the Quay Theatre, Sudbury.With With Simon Nader Mirza as Jesus, Alexandra Kataigida as Satan, and Roel Fox and Liza Graham as Angels.The Backstage Technical Manager was Valentina Vinci.Music by Roel FoxMany thanks to Joe Fawcett, Tom Lagden, and everyone behind the scenes at the Quay.The entire Entertaining Henry season was recorded, including most of the rehearsal period - all of this material can be found on our patreon feed.Our patrons received a mix of this episode in November 2025 - 6 months in advance.The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Thomas More lived by the mantra, 'I am the King's good servant, but God's first'. He would also die by it. His defiance at Henry VIII's break with Rome would be his salvation, and his destruction.  In this episode of our series on Henry VIII's ministers, Tracy Borman is joined by historian Dr Joanne Paul to examine the truth behind Thomas More's legacy.   Was he a saintly man of conscience in a court filled with grasping politicians, or a self-righteous heretic hunter? And what does his story tell us about Henry VIII?  Watch this episode on YouTube to see Tracy and Joanne in the Great Hall of Hampton Court Palace.  Read more about Sir Thomas More's life and legacy. 

Immigration, labor tensions, and social unrest were pressing realities in Shakespeare's England—and few events capture that strain more vividly than the 1517 uprising known as Evil May Day. In this week's episode, historian Shannon McSheffrey joins us to unpack the economic frustrations, guild restrictions, and growing immigrant communities that fueled this riot in Tudor London. From the role of the city's "liberties" to the political response of Henry VIII and the event's lasting legacy in chronicles and drama like Sir Thomas More, we explore how this moment of unrest shaped the world Shakespeare knew—and how its echoes can still be felt in the plays today.

Beyond is sponsored by The Malone Society: The permanent utility of original textsAnd this week it's a chat about one of our favourite plays with Isobel Strevens - Tancred and Gismunda by... well, a lot of people. We're oddly fascinated by this very bloody play - BUT do read the content warning below. And there are a lot of spoilers, if you've not encountered the play before.Exploring playlist for much of our work on the texts.Isobel is a PhD student at the University of Bristol. Her research focuses on dismemberment on the early modern stage, exploring how both the rise of dissection and the influence of classical reception shaped the depiction of violence in the drama of the period. To see what else she gets up to, follow her Instagram account: @izzidoesacademiaCW: we'll be discussing violence, injury detail, structural misogyny, suicide, self harm, and death.Our patrons received a mix of this episode in January 2026 - 4 months in advance.The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Beyond is sponsored by The Malone Society: The permanent utility of original textsWelcome to our live stage recording of The World and the Child, or Mundus et Infans by the Unknown. It's not designed as an audio adaptation, this is simply recorded from a distance on stage. However, it is a fairly complete recording and hopefully of some use. It was recorded as part of our Entertaining Henry season on Friday 20th June 2025 at the Quay Theatre, Sudbury.With Robert Crighton as the World, Roel Fox as the Child, Alexandra Kataigida as Conscience, Liza Graham as Folly, and Simon Nader Mirza as Perseverance.The Backstage Technical Manager was Valentina Vinci.Additional Music by Roel FoxMany thanks to Joe Fawcett, Tom Lagden, and everyone behind the scenes at the Quay.The entire Entertaining Henry season was recorded, including most of the rehearsal period - all of this material can be found on our patreon feed.For more on The World and the Child, visit our playlists - with background and spoilersOur patrons received a mix of this episode in November 2025 - 5 months in advance.The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Beyond is sponsored by The Malone Society: The permanent utility of original texts The History of the Damnable Life and Deserved Death of Doctor John Faustus, is the book that is the source for Christopher Marlowe's play. Chapter by chapter we will wander through the twists and turns of this story.Chapter Twenty-Five:  A question put forth to Doctor Faustus concerning the stars. Our patrons also get an exploring session looking in detail at the text - join our chat here.Thunder sfx thanks to zapsplat.comOur patrons received this episode in October 2024 - approx. 18 months early. They have also already received the next 19 chapters and exploring sessions!The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton. About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Beyond is sponsored by The Malone Society: The permanent utility of original textsIt's the first of an epic (yet dinky) 18 part series looking at some fragments found in The English Treasury of Wit and Language by John Cotgrave. This is a fairly chunky opening gambit, with the preface to the book, before our usual drive by at a short bit of text.You can find a version of the text at archive.org. It's found under the section "Of Atheism, Blasphemy, Impiety, Prophaxes etc." on page 18/19. The text is performed by Aliki Chapple, the host is Robert Crighton.Our patrons received this episode in January 2025 - well over a year early!The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Beyond is sponsored by The Malone Society: The permanent utility of original textsThis is a simpler live mix of the show, with a few edits and some additional sound effects, but without the addition of too much soundscaping. This was partly a response to the recording I had in play, but also it meant I could clear it a bit sooner. Content warnings below.Recorded live at the White Bear Theatre on Thursday 14th December 2023.Alexandra Kataigida - Alice ArdenKeith Hill - Thomas ArdenSimon Nader Mirza - MosbieLynsey Beauchamp – FranklinPamela Flanagan - ShakebagKit McGuire - Black WillSojourner Hazelwood-Connell - Greene / SailorLiza Graham – BradshawRoel Fox – MichaelEmma Kemp - Susan / Prentice / A FerrymanSarah Blake - Adam / Lord CheinyRobert Crighton - Clarke / Mayor of FavershamValentina Vinci – Live Show Technical OperatorMusic by Roel FoxDirected by Sarah BlakeContent warning: murder, violence, threats of murder and violence, misogyny, racialised language, injustice, judicial violence.A full playlist of all our Winter Revels 2023 season, including all the rehearsals and BTS material, can be accessed via our patreon for £10.Our patrons received a rough mix of this play in August 2024 - over 18 months early, and this edit in February, 2 months early. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Beyond is sponsored by The Malone Society: The permanent utility of original textsWelcome to this chat with Dr Andrea Smith, author of Sh********e on the Radio: A Century of BBC Plays, where we discuss elements of her book and dance more generally about the challenges in producing audio drama, radio drama, and adapting the early modern stage for sound. We had a lot of fun chatting, and I hope you have the same listening.(The book is rather good btw, and gives an excellent overview of the way drama was produced on BBC radio.)Dr Andrea Smith - https://www.uos.ac.uk/people/dr-andrea-smith/ After nearly thirty years in journalism, a long-held love of literature and a desire to help young people pursue their dreams led Andrea to change career and move into university teaching. Her research focuses on radio drama, specifically Shakespeare and his contemporaries, and how texts intended for the stage can be translated into an audio-only medium. She's based at the University of Suffolk – before that she worked for two local newspapers and the BBC, as well as setting exams for the National Council for the Training of Journalists. She is an occasional contributor to programmes on BBC Radio and a passionate advocate for access to Higher Education.The book - https://edinburghuniversitypress.com/book-shakespeare-on-the-radio.html - use the code: EVENT30 to get 30% offOur patrons received this episode in early October 2025 - over 5 months early!The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Join us at https://www.crisisinvesting.com The hosts revive a "day in history" segment highlighting William Tyndale's 1523 English Bible translation and argue that Sir Thomas More, though revered as a saint, used authorities to hunt down and execute Tyndale. They then discuss the speaker's recent luncheon talk in Argentina for Rand Paul during his visit, where he said Javier Milei's election is historically important but criticized Milei for not acting like an anarcho-capitalist, citing failures such as not abolishing the central bank, moving Argentina's gold abroad, buying used F-16s, seeking NATO/Ukraine/Israel ties, and keeping foreign exchange controls. They note a $96 homemade MANPADS prototype as evidence of democratized warfare, then assess the US-Iran conflict's changing warfare dynamics, vulnerability of carriers, and risks from Strait of Hormuz disruptions, UAE and Houthi escalation, and attacks on Russian facilities, warning of recession/depression amid rising rates, private credit stress, an AI/data-center bubble, and overvalued markets, while remaining bullish but cautious on gold, gold stocks, and select oil stocks. 00:00 This Day in History Returns 00:24 Tyndale and English Bible 02:48 Saint Thomas More Exposed 04:35 Speech for Rand Paul 05:31 Milei Not Walking Talk 06:45 Gold and Central Bank 08:11 F-16s and NATO Drift 10:52 DIY Manpad and Weapons 12:44 Iran War Lessons 14:21 Carriers and Tankers Vulnerable 15:06 Trump Hegseth and War Spin 19:54 Why War Won't End 20:43 War Versus Energy Shock 22:03 UAE Escalation Risks 23:24 Houthis and Red Sea Chokepoints 24:31 Ukraine Strikes and Blowback 25:48 Iranian Resolve and Retaliation 27:15 Israel and Nuclear Escalation 29:32 Oil Flow and Debt Spiral 31:28 Private Credit and AI Bubble 35:40 Markets in Denial 38:54 Gold and Oil Positioning 40:33 Democratized Warfare Ahead 41:28 Wrap Up and Next Episode

Sir Thomas More is one of the most famous men of the 16th century. A figure of colossal significance at the court of King Henry VIII, a figure who stood up to the king, always remaining loyal but unable to accept the royal supremacy, a decision which would cost him his life. Today, I am pleased to welcome back onto the podcast historian Dr Joanne Paul for a discussion on Thomas More, following the recent release of Joanne's incredible book, Thomas More, A Life and Death in Tudor England. From Thomas's early life to his own involvement in the torture and burning of protestants through to his trial and how he was set up by Richard Rich, all will be discussed, so settle in as we explore the life of the man who's last words were "I die the kings good servant and gods first".

Beyond is sponsored by The Malone Society: The permanent utility of original textsThis is hot off the press this week, as it's a quick chat about an upcoming production of Edward II by Christopher Marlowe, performing at the Brockley Jack and produced by Alex Pearson Productions in association with Glass Splinters. This chat is with Natalie Harper and Alex Pearson.Tickets can be bought here! https://brockleyjack.co.uk/jackstudio-entry/edward-ii/Show info: "After the death of the King's father,  Gaveston is hastily summoned back from exile on the whim of the reckless new monarch, Edward II, to a claustrophobic court filled with increasing unrest, intrigue and perpetual distrust.Edward and  Gaveston's love is the catalyst that threatens not just to destroy Court life – but the very foundations of England itself.When you have no choice but to live under the relentless glare of the public eye, is it possible to keep any piece of yourself intact? Is love truly worth the risk?As royalty clashes with the nobility, all seems set to disintegrate, Edward II explores the conflict between personal desire, political duty and legacy.Alex Pearson Productions, in association with Glass Splinters, is thrilled to be bringing a fresh take on this classic tale of love, violence, and what it means to live a life under the spotlight.Alex Pearson Productions focuses on telling established stories in contemporary and intuitive ways; bringing classic tales to a modern-day audience that emphasises clear story-telling and making it accessible and enjoyable for all. APP is a company that strives for inclusivity and shredding new light on stories that have been forgotten, ignored or misrepresented."The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Beyond is sponsored by The Malone Society: The permanent utility of original textsThe History of the Damnable Life and Deserved Death of Doctor John Faustus, is the book that is the source for Christopher Marlowe's play. Chapter by chapter we will wander through the twists and turns of this story.Chapter Twenty-Four: Of a certain comet that appeared in Germany, and how Doctor Faustus was desired by certain friends of his to know the meaning thereof. Our patrons also get an exploring session looking in detail at the text - join our chat here.Thunder sfx thanks to zapsplat.comOur patrons received this episode in October 2024 - approx. 17 months early. They have also already received the next 19 chapters and exploring sessions!The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Beyond is sponsored by The Malone Society: The permanent utility of original textsAnd Scene! This is random scene from James the Fourth by Robert Greene, recorded live at our Revels season on Thursday 14th December 2023. Enter a Lawyer, a Merchant, and a Divine, to ask questions of current affairs – current affairs of the world of the play, and presumably of around 1590, when Greene wrote the play.With Roel Fox as the Lawyer, Emma Kemp as the Merchant, and Sojourner Hazelwood-Connell as the Divine.For more from Robert Greene.For more from the play, go to our Exploring Sessions!Our patrons received the scene within this episode in early 2024 - over 2 years early!The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Beyond is sponsored by The Malone Society: The permanent utility of original texts Welcome to our live stage recording of The Interlude of Youth by the Unknown. It's not designed as an audio adaptation, this is simply recorded from a distance on stage. However, it is a fairly complete recording and hopefully of some use. It was recorded as part of our Entertaining Henry season on Friday 20th June 2025 at the Quay Theatre, Sudbury.With Alexandra Kataigida as Youth, Roel Fox as Charity, Simon Nader as Riot, Robert Crighton as Pride, and Liza Graham as Lady Lechery and Humility. The Backstage Technical Manager was Valentina Vinci.Many thanks to Joe Fawcett, Tom Lagden, and everyone behind the scenes at the Quay.The entire Entertaining Henry season was recorded, including most of the rehearsal period - all of this material can be found on our patreon feed.Our patrons received a mix of this episode in November 2025 - 4 months in advance.The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

 Beyond is sponsored by The Malone Society: The permanent utility of original texts This is a chat with Dr Jeff S. Dailey who produced the play The Interlude of Youth (1513) in New York in August 2025. As we also produced the play in the summer of 2025, we had a good natter about the challenges of making this play work. We're in the middle of archiving our work on the play and the rest of the Entertaining Henry season from June on our patreon feed - rehearsal audio for £5 tier, and both audio and video for £10 tiers. But free to all are our exploring session videos.And there is also a video of the discussed production of The Interlude of Youth from the John Cullum Theatre at the American Theatre of Actors, New York in August 2025, directed Dr. Jeff S. Dailey. There's information about the production, and a video of it online.Our patrons received a rough mix of this episode in September 2025 - 5 months in advance.The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama. 

Beyond is sponsored by The Malone Society: The permanent utility of original textsPlay of the Saxons by the Unknown - a fragment of probably not dialogue from a probably lost play. It is perhaps more accurately described as an heckling incident.This fragment can be found in the REED Bristol volume, and on the Lost Plays Database. If you'd like more on the Wine Street Theatre there is Callan Davies book What is a Playhouse. Additional material sourced from volume seven of Wiggin's British Drama catalogue.The fragment was performed by Ailbhe Casey as Kendal, and Aliki Chapple as John Brittan. The host was Robert CrightonOur patrons received the scene within this episode in July 2025 - 8 months early!The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

As complex figures go, you can't get much more complex than Sir Thomas More. Was he a Saint? Was he a Sinner? Was he simply a man of his time? Dr Joanne Paul seeks to answer these questions in her book ‘Thomas More. A Life and Death in Tudor England' which explores More's roles as a statesman, scholar, and martyr, and understand how his beliefs, actions, and the historical context shaped his enduring reputation.(WE WILL BE COVERING JOANNE'S BOOK IN BOOK CLUB ON 24TH MAY - JOIN IN AT PATREON.COM/BRITISHHISTORY)In my interview with Joanne, filmed at the Harvington History Festival 2025, I asked her about Thomas More's multifaceted identity, his role in Henry VIII's court, his religious beliefs and persecution of heretics, and his influence on political and religious history.Chapters00:00 Introduction to Thomas More and his significance01:45 Different ways people encounter Thomas More02:40 Was Thomas More as complex as his legacy suggests?03:46 The importance of understanding his life in context05:46 More's family and personal beliefs07:53 The roots of his religious fervor and fear08:54 His stance on heretics and persecution10:53 His beliefs about society and community12:55 The impact of the Reformation on his views13:46 Where to find more about Joanne Paul and her workBuy the book at Blackwells for Worldwide Delivery - Click Here If you've enjoyed this please follow and rate this podcast.Hi! I'm Philippa, welcome to the British History Channel. Thank you for listening to this episode, I hope you enjoyed it. There are many more here for you to browse through including over 50 fantastic historian interviews with people such as Tracy Borman OBE, Gareth Russell, Helen Carr and many more. Buy books from these incredible historians, shipped worldwide from Blackwells - click here (This is an affiliate link. I get a commission on books sold via this link but they are at no extra cost to you).Join my Patreon - click here and enjoy ad-free extended interviews with bonus content, Historical Book Club, early access to content, exclusive blogs, discounts on British History Events and more for all for £5/month.You can also give me one off support by donating at www.buymeacoffee.com/PhilippaYou can support me for free by commenting and rating this episode. Visit British History Tours for full details of history tours and events.⚔️⚔️⚔️⚔️⚔️About PhilippaPhilippa is a Historian and the founder of British History Tours and British History Events.Receive weekly history news (including links to new historian interviews) from Philippa by subscribing to my Substack I'd really appreciate your help in making this show the best it can be. I know time is precious but if you do have 10 minutes you can spare to fill out this anonymous listener survey, I'd be really grateful - http://bit.ly/britishhistorypodcast-surveyPhilippa founded award-winning Historic Tour Operator British History Tours in 2014. Find out about these luxury, fully-escorted, immersive historical experiences at BritishHistoryTours.com Hosted on Acast. See acast.com/privacy for more information.

Beyond is sponsored by The Malone Society: The permanent utility of original textsThe History of the Damnable Life and Deserved Death of Doctor John Faustus, is the book that is the source for Christopher Marlowe's play. Chapter by chapter we will wander through the twists and turns of this story.This was a tricky episode to record, as I had made a decision to use a specific version of the text with very odd versions of place names - I lost all ability to say these places in any comprehensible way, but hopefully it isn't too weird.CW: Early modern racial languageChapter Twenty-Three: How Faustus had a sight of Paradise Our patrons also get an exploring session looking in detail at the text - join our chat here.Thunder sfx thanks to zapsplat.comOur patrons received this episode in September 2024 - approx. 17 months early. They have also already received the next 19 chapters and exploring sessions!The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Beyond is sponsored by The Malone Society: The permanent utility of original textsAnd Scene! This is random scene from Fair Em, the Miller's Daughter of Manchester by the Unknown, though recently attributed to Thomas Kyd – make of that what you will. It was recorded live at our Winter Revels season on Thursday 14th December 2023. It is a dialogue between the Miller, with his daughter Fair Em, about this cruel and unforgiving world. With Roel Fox as the Miller, and Emma Kemp as Fair Em.For more from the play, go to our Exploring Sessions!Our patrons received the scene within this episode in January 2024 - over 2 years early!The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton. About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Beyond is sponsored by The Malone Society: The permanent utility of original textsIt's finally here, the full cast audio adaptation of Dido, Queen of Carthage by Christopher Marlowe and Thomas Nashe* It was recorded live, so there are some technical issues, but otherwise it has mixed reasonably well. There are some minor cuts, but we have endeavoured to retain most of the text.Sojourner Hazelwood-Connell – DidoKit McGuire – AeneasKarim Kronfli - IarbusAlex Kapila - AnnaPamela Flanagan - AscaniusLynsey Beauchamp - IlioneusSarah Blake - Venus / NurseKeith Hill - Jupiter / AchatesAlexandra Kataigida - CloanthusEmma Kemp - CupidLiza Graham - Juno / HermesSimon Nader - Sergestus / LordGanymede - Robert CrightonMusic by Roel FoxTechnical operator for the live show was Valentina VinciProduced by Robert CrightonThe play was recorded live at The White Bear Theatre on Tuesday 12th December 2023.If you'd like more on this play, there are exploring sessions galore on the YouTube. All our rehearsals, dress run, and rough live mix are on the patreon feed from £5 tier or above.CW: Discussion of war trauma, deaths, and graphic descriptions of injury detail, issues of consent, racialised language, multiple suicides, fire.*That's what it says on the title page, discuss in your own time.Our patrons received this episode in January 2025 - 1 month early!The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Beyond is sponsored by The Malone Society: The permanent utility of original textsBecause we thought you just didn't have enough on A Game at Chess from this podcast, here's a chat about a staged reading of A Game at Chess with Annie Charlton and Elizabeth Elsworth of York S********** Project.You can find out more about their work at https://www.yorkshakespeareproject.org/For anyone interested in forthcoming events, but also in opportunities for acting, directing or backstaging, sign up to their mailing list:  http://eepurl.com/DrIJ For any general enquiries: info@yorkshakespeareproject.org and can be found on Facebook and InstagramA Game at Chess - additional materials from us...YouTube playlist of readings of the play.Podcast playlist on the play.Patreon box set of this show.The Legacy of Thomas Middleton discussing episode.Webpage covering the play. Our patrons received a rough mix of this episode in January 2025 - a month in advance.The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Two announcements today, our new sponsor, and a little bit more detail about our Sir Thomas More event - tickets for which are now on general sale!Beyond Shakespeare is proud to announce our sponsor for the coming year is the Malone Society, whose works help keep alive the plays we work on. The Malone Society regularly publishes volumes of early plays which otherwise might not be available, and so aligns with our core belief that no play should be left behind and should have an outlet – from the manuscript or printed page, to performance and beyond. Over the course of their generous sponsorship we will be giving away a volume each month, as well as producing a special event assisted by one of their most celebrated publications, W.W. Greg's edition of The Book of Sir Thomas More. For more on the sponsorship and giveaway, go to our sponsorship webpage.Go to malonesociety.com for more information about the society.For more information about the Sir Thomas More event go to: https://beyondshakespeare.org/the-book-of-sir-thomas-more-piece-by-piece/The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on various social media @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton. 

It's the end of another year - so much has happened! Entertaining Henry, our Wyrd Revels, so many things... and I cram them into this short episode! Future things links - Live shows, not much I can announce year but next year, we'll be performing live at  the Thomas Nashe and Voice conference (Friday 9th January) - doing Pierce Penniless It is part of a two-day conference on the writings of Thomas Nashe (1567-c.1601)– and they commissioned a staged reading of Pierce Penniless from us – recordings will of course follow. Please register for the conference at  https://docs.google.com/forms/d/e/1FAIpQLSdIz0iL-BbOEXKlIFw30m7Wlou4x7ZeQYqkoTYRFS0ezyuMQQ/viewform And the big live show is Sunday 12th April - All Day Event, London, looking at Sir Thomas More in detail. SAVE THE DATE - priority tickets list, sign up here!  Our patrons received this episode... well, the other day actually, but it is the end of the year round up, so whatcha gonna do? But everything else we do goes to them weeks, months - occasionally years - in advance! The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton. 

On this day in Tudor history, 21st November 1558, a devoted servant of both Queen Mary I and her husband, Philip of Spain, died tragically young. His name was James Bassett. I'm historian and author Claire Ridgway, and in today's video, I uncover the remarkable story of this scholar, exile, courtier, diplomat, and loyal servant of a queen and a king. Born around 1526, Bassett was connected to the royal bloodline through his stepfather, Arthur Plantagenet, Viscount Lisle, an illegitimate son of Edward IV. His education was exceptional, taking him from Reading Abbey to prestigious colleges in Paris and St Omer, shaping him into a learned and refined young courtier. But loyalty came at a price. When his mentor Stephen Gardiner fell from favour under Edward VI, Bassett stood by him, even when it meant imprisonment and exile for his Catholic faith.  When Mary I ascended the throne, everything changed. Gardiner returned as Lord Chancellor, and Bassett's fortunes soared.  His personal life reflected the same devotion: he married Mary Roper, granddaughter of Sir Thomas More, forming a union steeped in faith and scholarship. Yet his promising career was tragically short.  James Bassett died on 21st November 1558 at Blackfriars, London, aged just about thirty-two. In this episode, explore: • His deep loyalty to Stephen Gardiner • His imprisonment and exile under Edward VI • His rise at the courts of Mary I and Philip of Spain • His diplomatic missions and political influence • His marriage into the family of Sir Thomas More • Why his life, though brief, reveals so much about Tudor politics and faith #TudorHistory #JamesBassett #MaryI #PhilipOfSpain #TudorCourt #OnThisDay #HistoryYouTube #TudorDynasty #StephenGardiner #SirThomasMore #ClaireRidgway #TheAnneBoleynFiles

A Man For All Seasons is a film about integrity and morality. Standing up against authoritarian that feels very relevant with what is happening tody in 2025.  The performance of Paul Scofield as Sir Thomas More is nothing short of brilliant. And with an incredibly written and thoughtfully paced script, as well as perfect direction by Fred Zinnemann, make this movie truly special.  Listen to film critic Jack Ferdman's take on it as he analyzes everything about A Man For All Seasons as well as many other films from that year, and hear which film he gives his Rewatch Oscar of 1966.Download, listen, and share ALL Rewatching  Oscar episodes.SUBSCRIBE and FOLLOW Rewatching Oscar:Website: https://rewatchingoscar.buzzsprout.comApple Podcasts/iTunesSpotifyGoogle PodcastsiHeart RadioPodchaserPodcast AddictTuneInAlexaAmazon Overcasts Podcast Addict Player FMRSS Feed: https://feeds.buzzsprout.com/1815964.rssWebsite: https://rewatchingoscar.buzzsprout.comSocial Media Links: Facebook, Twitter, LinkedIn, Instagram, BlueSkyShare your thoughts and suggestions with us through:Facebook Messenger or email us atjack@rewatchingoscar.com or jackferdman@gmail.comMusic by TurpacShow Producer: Jack FerdmanPodcast Logo Design: Jack FerdmanMovie (audio) trailer courtesy of MovieClips Classic TrailersMovie (audio) clips courtesy of YouTubeSupport us by downloading, sharing, and giving us a 5-star Rating.  It helps our podcast continue to reach many people and make it available to share more episodes with everyone.Send us a text

Merriam-Webster's Word of the Day for October 14, 2025 is: utopia • yoo-TOH-pee-uh • noun Utopia refers to an imaginary place in which the government, laws, and social conditions are perfect; a utopia is a place of ideal perfection. // It's a nice place to live, but it's no utopia. See the entry > Examples: “Despite the rest of the group arguing with and (mostly) disagreeing with him for half the evening, my colleague stuck to his guns: it would be handy to have robots writing poetry for people. … But at the heart of my colleague's provocative position was a utopian ideal: of a future in which technology was advanced enough to ‘do everything,' even write poetry, so that no one needed to work. Yet this position wasn't convincing either. His utopia sounded more than a little dull, and nobody wants to be bored out of their minds.” — Surekha Davies, Humans: A Monstrous History, 2025 Did you know? There's quite literally no place like utopia. In 1516, English humanist Sir Thomas More published a book titled Utopia, which compared social and economic conditions in Europe with those of an ideal society on an imaginary island located off the coast of the Americas. More wanted to imply that the perfect conditions on his fictional island could never really exist, so he called it “Utopia,” a name he created by combining the Greek words ou (“not, no”) and topos (“place”). The earliest generic use of utopia was for an imaginary and indefinitely remote place. The current use of utopia, referring to an ideal place or society, was inspired by More's description of Utopia's perfection.

In this episode of Chronicles, Luca is joined by Beau Dade to discuss A Man for All Seasons by Robert Bolt. They discuss the martyrdom of Sir Thomas More, and the play's themes of temptation, conscience, and faith.

By request from Patreon supporter Peter Rogers, we're tackling A Man for All Seasons (1966), Fred Zinnemann's acclaimed adaptation of Robert Bolt's stage play. Joining Mike are Spencer Parsons and Robert Bellissimo to explore this portrait of Sir Thomas More, played with quiet defiance by Paul Scofield in an Oscar-winning performance. The film follows More's moral and political stand against King Henry VIII's divorce and remarriage, a position that would cost him his freedom—and ultimately his life. We unpack the film's legacy, its courtroom drama structure, and how it reflects shifting power, faith, and integrity during a pivotal moment in English history.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

By request from Patreon supporter Peter Rogers, we're tackling A Man for All Seasons (1966), Fred Zinnemann's acclaimed adaptation of Robert Bolt's stage play. Joining Mike are Spencer Parsons and Robert Bellissimo to explore this portrait of Sir Thomas More, played with quiet defiance by Paul Scofield in an Oscar-winning performance. The film follows More's moral and political stand against King Henry VIII's divorce and remarriage, a position that would cost him his freedom—and ultimately his life. We unpack the film's legacy, its courtroom drama structure, and how it reflects shifting power, faith, and integrity during a pivotal moment in English history.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

In the second of our special episodes exploring the rise and fall of Sir Thomas More, Professor Suzannah Lipscomb and Dr. Joanne Paul chart the great Tudor statesman's demise. Despite his silence about Henry VIII's self-proclamation as Supreme Head of the Church of England, More was executed for treason on 6 July 1535. What were the events leading up to his fall from grace? How did More's position impact the King? And what can we now make of this contradictory character and his contribution to Renaissance thought?Presented by Professor Suzannah Lipscomb. The researcher is Alice Smith, edited and produced by Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcast.More:Thomas More on Film: The HIstorian's Verdict >Wolf Hall - Who's Who >Sign up to History Hit for hundreds of hours of original documentaries including Suzannah Lipscomb's series on the Dissolution of the Monasteries, plus a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on

Over 500 years ago, Sir Thomas More wrote about utopia. Since then, countless communities around the world have worked to create their own versions of a perfect world. This hour, we look at examples of utopian communities from around the world. GUESTS: Avery Trufelman: Host of the podcast Nice Try! Akash Kapur: Author of Better to Have Gone: Love, Death, and the Quest for Utopia in Auroville Samir Patel: Former editor-in-chief of Atlas Obscura Join the conversation on Facebook and Twitter. The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode. Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Colin McEnroe, Jonathan McNicol, and Cat Pastor contributed to this show, which originally aired August 18, 2021.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.