Podcasts about sir thomas more

By request from Patreon supporter Peter Rogers, we're tackling A Man for All Seasons (1966), Fred Zinnemann's acclaimed adaptation of Robert Bolt's stage play. Joining Mike are Spencer Parsons and Robert Bellissimo to explore this portrait of Sir Thomas More, played with quiet defiance by Paul Scofield in an Oscar-winning performance. The film follows More's moral and political stand against King Henry VIII's divorce and remarriage, a position that would cost him his freedom—and ultimately his life. We unpack the film's legacy, its courtroom drama structure, and how it reflects shifting power, faith, and integrity during a pivotal moment in English history.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

By request from Patreon supporter Peter Rogers, we're tackling A Man for All Seasons (1966), Fred Zinnemann's acclaimed adaptation of Robert Bolt's stage play. Joining Mike are Spencer Parsons and Robert Bellissimo to explore this portrait of Sir Thomas More, played with quiet defiance by Paul Scofield in an Oscar-winning performance. The film follows More's moral and political stand against King Henry VIII's divorce and remarriage, a position that would cost him his freedom—and ultimately his life. We unpack the film's legacy, its courtroom drama structure, and how it reflects shifting power, faith, and integrity during a pivotal moment in English history.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

What does it mean to follow your conscience when everything is on the line? We're diving into A Man for All Seasons, the Oscar-winning film about Sir Thomas More's unwavering moral courage. Digital content producer Zach Jansen joins us to explore the movie's timeless themes of faith, conscience, and conviction.Like what you're hearing? Leave us a review, subscribe, and follow us on social media @practicingcatholicshow! Facebook⁠⁠ ⁠Instagram⁠⁠ ⁠YouTube⁠

Today, we journey back to Tudor England to meet a woman whose story has been overshadowed by the fame—and fate—of her father, Sir Thomas More. But make no mistake: Margaret More Roper was no mere footnote in his legacy. She was a scholar, a writer, a translator, and one of the most educated women in all of Europe at a time when women were expected to remain silent and obedient.Margaret was fluent in Latin and Greek, corresponded with Erasmus, and dared to question the boundaries placed on her intellect and her loyalty. While the men around her wielded power through politics and the church, Margaret wielded hers through the pen—and through her fierce devotion to truth, family, and justice. In a world that demanded quiet submission, Margaret More Roper spoke with a clarity and courage that still echoes centuries later.In this episode, I discuss the fascinating but often overlooked legacy of Margaret More Roper with Aimee Fleming, a historian and author of the book The Female Tudor Scholar and Writer: The Life and Times of Margaret More Roper.Source: Journey in the New World by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. Hosted on Acast. See acast.com/privacy for more information.

On this day in Tudor history, 12th June 1567, Richard Rich, 1st Baron Rich, died—and few figures in the Tudor era have earned the label "villain" quite like him. From betraying Sir Thomas More to personally torturing Protestant martyr Anne Askew, Rich's name is forever tied to some of the darkest episodes of Henry VIII's reign. But was he simply ruthless—or just a master of survival in a dangerous political landscape? In this podcast, I take a closer look at Richard Rich's life and legacy—from his legal rise and key government roles, to his shocking betrayals, opportunism, and his surprisingly charitable acts later in life. He served under Henry VIII, Edward VI, and Mary I… but not Elizabeth I. And yet, his impact on Tudor England is undeniable. Let me know in the comments—Tudor villain or savvy survivor? Don't forget to like, comment, and subscribe for more Tudor deep dives. #TudorHistory #RichardRich #AnneAskew #SirThomasMore #TudorVillains #OnThisDay #HistoryTube #16thCentury #TudorPolitics #Reformation #TudorDrama

In the second of our special episodes exploring the rise and fall of Sir Thomas More, Professor Suzannah Lipscomb and Dr. Joanne Paul chart the great Tudor statesman's demise. Despite his silence about Henry VIII's self-proclamation as Supreme Head of the Church of England, More was executed for treason on 6 July 1535. What were the events leading up to his fall from grace? How did More's position impact the King? And what can we now make of this contradictory character and his contribution to Renaissance thought?Presented by Professor Suzannah Lipscomb. The researcher is Alice Smith, edited and produced by Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcast.More:Thomas More on Film: The HIstorian's Verdict >Wolf Hall - Who's Who >Sign up to History Hit for hundreds of hours of original documentaries including Suzannah Lipscomb's series on the Dissolution of the Monasteries, plus a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on

Over 500 years ago, Sir Thomas More wrote about utopia. Since then, countless communities around the world have worked to create their own versions of a perfect world. This hour, we look at examples of utopian communities from around the world. GUESTS: Avery Trufelman: Host of the podcast Nice Try! Akash Kapur: Author of Better to Have Gone: Love, Death, and the Quest for Utopia in Auroville Samir Patel: Former editor-in-chief of Atlas Obscura Join the conversation on Facebook and Twitter. The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode. Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Colin McEnroe, Jonathan McNicol, and Cat Pastor contributed to this show, which originally aired August 18, 2021.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

We chat with Dr Joanne Paul about her new book - Thomas More: Life and Death in Tudor England. (published by Penguin in UK and Simon and Schuster in USA).Please pour yourself a cup of Countess Grey and start a drinking game on how many times Joanne and I are going to say ‘More'... when talking about one of the greatest figures of the Tudor age - Sir Thomas More…Please watch/ binge/ indulge in My Lady Jane (2024) on Amazon Prime.Find Joanne:https://joannepaul.com/https://womenalsoknowhistory.com/individual-scholar-page/?pdb=979https://www.goodreads.com/author/list/6201559.Joanne_PaulPre-Order Thomas More:https://www.penguin.co.uk/books/453261/thomas-more-by-paul-joanne/9781405953603 (UK)https://bookshop.canterbury.ac.uk/thomas-more-a-life_9781405953603 (UK)https://www.simonandschuster.com/books/Thomas-More/Joanne-Paul/9781639368792 (USA)The House of Dudley:https://www.penguin.co.uk/books/309209/the-house-of-dudley-by-paul-joanne/9781405937191 (UK)https://www.simonandschuster.com/books/The-House-of-Dudley/Joanne-Paul/9781639366125 (USA)http://www.pegasusbooks.com/books/the-house-of-dudley-9781639363285-hardcover (USA)Utopia:https://www.waterstones.com/book/utopia/thomas-more/joanne-paul/9780198860204 (UK & USA)https://blackwells.co.uk/bookshop/product/Utopia-by-Thomas-More-author-Joanne-Paul-editor/9780198860204 (UK & USA)Joanne's Other Books:https://www.hatchards.co.uk/book/counsel-and-command-in-early-modern-english-thought/joanne-paul/9781108748254https://www.hatchards.co.uk/book/thomas-more/joanne-paul/9780745692173https://www.hatchards.co.uk/book/queenship-and-counsel-in-early-modern-europe/helen-matheson-pollock/9783030083373https://uk.bookshop.org/p/books/thomas-more-a-life-dr-joanne-paul/7765640?ean=9781405953603https://www.simonandschuster.com/authors/Joanne-Paul/197500984Find Baroque:https://www.ifitaintbaroquepodcast.art/https://www.reignoflondon.com/https://substack.com/@ifitaintbaroquepodcastSupport Baroque:https://www.patreon.com/c/Ifitaintbaroquepodcast/https://buymeacoffee.com/ifitaintbaroqueIf you would like to join Natalie on her walking tours in London with Reign of London, Tudors can be found on the following walks:Saxons to Stuarts:https://www.getyourguide.com/london-l57/london-the-royal-british-kings-and-queens-walking-tour-t426011/Stuarts to Windsors:https://www.getyourguide.com/london-l57/royal-london-georgian-and-windsor-monarchs-walking-tour-t481355 .For more history fodder please visit https://www.ifitaintbaroquepodcast.art/ and https://www.reignoflondon.com/ Hosted on Acast. See acast.com/privacy for more information.

Robert Bolt's award winning drama about Sir Thomas More's crisis of conscience

00:00 9. Тертулиан 13:14 10. Климент Александрийский 35:28 11. Порфирий 1:26:30 12. Златоуст 1:50:31 13. Корнаро (Cornaro) 2:17:02 14. Томас Мор (Sir Thomas More) 2:33:52 15. Монтень (Montaigne) 2:56:52 16. Лессио (Lessio) 3:07:31 17. Гассенди (Gassendi) 3:28:08 18. Франсиск Бэкон (Francis Bacon) 3:31:54 19. Рэй (Ray) 3:36:51 20. Коулэй (Cowley) 3:39:23 21. Эвелин (Evelyn) 3:51:16 22. Мильтон (Milton) 3:56:39 23. Боссюэт (Bossuet) 4:00:34 24. Трайон (Tryon) 4:27:03 25. Эке (Hecquet) 4:42:09 26. Бернар Де Мондевиль (Bernard de Mandeville) 4:51:05 27. Гэй (Gay) 5:11:07 28. Чайн (Cheyne) 5:44:49 29. Поуп (Pope) 6:18:34 30. Томпсон (Thomson) 6:36:01 31. Гартлэй (Hartley) 6:39:35 32. Честерфильд (Chesterfield) 6:51:42 33. Вольтер (Voltaire) ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀

Sir Thomas More wrote, “A drowning man will grasp a straw.” Fear will cause us to hope in all kinds of things. In this passage from Isaiah, God gives King Ahaz a sign that reveals Ahaz's misplaced hope. But today that same sign offers us the only real hope there is: The hope of Immanuel, “God with us.”More info https://www.ebc.org or call (609.267.4755), email (office@ebc.org), DM us on Instagram or Facebook, or come see us in person at Easton Bible Church. Thank you for subscribing and sharing.#eastonbiblechurch #hainesportnj #christmas #savior #immanuel #godwithus #hope #findforgivenesslivedifferently

For the feast of Sts. Thomas More and John Fisher, Fr. Jon Tveit and Amanda are joined on the podcast by James Monti, author and historian, for a conversation on the life and example of St. Thomas More. Bibliography Header Image: A follower of Hans Holbein the Younger, Sir Thomas More (1600s) If you have … Continue reading "The Josias Podcast Episode XLIV: St. Thomas More"

A movie about a Saint! Today, Jacob and Tate review 1966's A Man for All Seasons starring Paul Scofield, Robert Shaw, and Orson Welles, a movie about England and King Henry VIII's divorce from the Catholic Church and Saint Thomas More. This movie was directed by Fred Zinnemann. GD4AM: 85/100 IMDb: 7.7/10 Metacritic: 72/100 Letterboxd: 3.8/5 RT: 89% The story of Sir Thomas More, who stood up to King Henry VIII when the King rejected the Roman Catholic Church to obtain a divorce and remarry. This movie is available for rent on most VOD platforms. NEXT MOVIE REVIEW: Wild Tales (2014), which is currently streaming on Hulu.

We discuss the academy award winning film A Man for All Seasons (1966) which depicts the heroic stand of Sir Thomas More against all the powers of England as King Henry VIII bends the church and state to his will. The silence and defiance of Sir Thomas paint a compelling picture of Christian conviction in a hostile culture. How can Christians be shrewd in their dealings with cultural traps? What is the role of law in defending conscience? How can Christians prepare to stand up for the truth? Watch this stirring film as a family and then join us for Reel Talk!

Sir Thomas More used to tell about a friend who was an addicted gambler.  Concerned for him and his family, More used to plead with him to stop his gambling and start supporting his family.

EPISODE 109| What's in a Name? The Shakespeare Authorship Debate Guest: Scott Jackson, Mary Irene Ryan Executive Artistic Director of Shakespeare at the University of Notre Dame, current vice president of the Shakespeare Theatre Association (STA) and incoming president, actor, director and Shakespeare scholar  William Shakespeare wrote at least 36 plays, 154 sonnets, two narrative poems and a few shorter poems - more than 884,000 words total, more than 1700 of which he invented. But just who was this guy? Was he really "the Man from Stratford", or merely a pen name for... well someone else? We look at some of the more popular Anti-Stratfordian theories and also look at why some people seem hell bent on proving that someone else, anyone else, actually wrote all that stuff. Like what we do? Then buy us a beer or three via our page on Buy Me a Coffee. #ConspiracyClearinghouse #sharingiscaring #donations #support #buymeacoffee You can also SUBSCRIBE to this podcast. Review us here or on IMDb! SECTIONS 03:02 - Upstart Crow - No evidence of his education, the First Folio, not much biographical evidence, a common hand, Bardathon 12:28 - The Ireland Shakespeare Forgeries - Compiling the First Folio, Vortigern and Rowena gets most of a performance 19:13 - The Baconian Theory - Bardolotry, Hart's The Romance of Yachting, Robert W. Jameson's "Who Wrote Shakespeare?", James Wilmot makes a bonfire 24:19 - Delia Bacon goes for the Rutland Theory, then the Groupists Theory, then all in on Bacon, travels to England, gets into codes and ciphers, loses her mind, inspires the New Historicists and cultural poetics; William Henry Smith and Nathaniel Homes kick off the Baconist Theory 30:11 - Baconist Orville Ward Owen builds a machine to find "proof", the first Mock Trial (1892-93) 33:17 - The Derbyite Theory & the Marlovian Theory - Classism, partnership with Marlowe, death and pseudonyms  39:57 - The Rutlandite Theory & More - More classism, Baconists still persist, more expeditions from Owen, schoolteacher Elizabeth Wells Gallup gets into codes, Stylometrics, the Claremont Shakespeare Authorship Clinic 44:31 - The Oxfordian Theory - John Thomas Looney fingers Edward de Vere based on spurious logic, lots jump on this bandwagon, geography in Shakespeare, "the coast of Bohemia", the media focuses on "reasonable doubt" over evidence, how plays were written back then, evidence gets lost in time 50:18 - A Single Hand - Though there is some reasonable doubt, Shakespeare probably wrote Shakespeare; Applied Shakespeare, humanity owns him, Shakespeare as a force for good (PTSD therapy, in prisons, etc.) Music by Fanette Ronjat More Info: Shakespeare Was Shakespeare by Isaac Butler on Slate Revisited Myth # 68: Shakespeare didn't write Shakespeare on History Myths Debunked The Shakespeare Index on TheatreHistory.org 20 words and phrases you didn't know Shakespeare invented Shakespeare's Words Shakespeare's Phrases Bard-a-thon at Fairbanks Shakespeare Theatre Ian McKellen performs Sir Thomas More, Act II, Scene 4 video "The Strangers' Case" Speech from Sir Thomas More with various speakers and annotations Professor Sir Stanley Wells Peter Holland, McMeel Family Chair in Shakespeare Studies at University of Notre Dame James Shapiro, playwright and Professor of English and Comparative Literature at Columbia University Stephen Greenblatt, general editor of The Norton Shakespeare, John Cogan University Professor of the Humanities at Harvard University The Shakespeare First Folio Vortigern and Rowena text The Confessions of William-Henry Ireland on WikiSource William Henry Ireland's Shakespeare Forgeries on Hoaxes.org Bardolotry on Wikipedia James Wilmot and Shakespeare's Authorship Bacon Bacon Shakespeare Spy  The Doctor Who Designed a Cipher Wheel to Decode Shakespeare Theories of identity – the alleged Shakespeare mystery  Marlowe as Shakespeare The Controversy of Shakespeare and Marlowe Christopher Marlowe Has Officially Been Credited as Co-Author of 3 Shakespeare Plays Born with Teeth by Liz Duffy Adams webpage Roger Manners, 5th Earl of Rutland on ShakespeareAuthorship.com Shakespeare by the Numbers: What Stylometrics Can and Cannot Tell Us The Claremont Shakespeare Clinic Computer Reads Shakespeare, Dismisses Authorship Candidate The Claremont Shakespeare Authorship Clinic: How Severe Are the Problems? The Globe theatre fire of 1613: when Shakespeare's playhouse burned down The Great Fire of London Finding Shakespeare - Skeptoid podcast What Shakespeare can teach us about conspiracy theories today How Shakespeare describes post-traumatic stress disorder In Shakespeare, veterans find a “tower of strength” Shakespeare and Possibility, Part 1: Shakespeare in Prisons video Shakespeare in Prisons Shakespeare Theater Association Prague Shakespeare Company (Shakespeare Summer Intensive (SSI) Follow us on social: Facebook Twitter Other Podcasts by Derek DeWitt DIGITAL SIGNAGE DONE RIGHT - Winner of a 2022 Gold Quill Award, 2022 Gold MarCom Award, 2021 AVA Digital Award Gold, 2021 Silver Davey Award, 2020 Communicator Award of Excellence, and on numerous top 10 podcast lists.  PRAGUE TIMES - A city is more than just a location - it's a kaleidoscope of history, places, people and trends. This podcast looks at Prague, in the center of Europe, from a number of perspectives, including what it is now, what is has been and where it's going. It's Prague THEN, Prague NOW, Prague LATER

Friend of the show Dr Eleanor Janega returns to talk to us about Sir Thomas More, the 15th-16th century lawyer, philosopher, statesman and Humanist, who also enjoys the distinction of being a man who posted himself to death. Support Going Medieval here, and Not So Different here! -------- PALESTINE AID LINKS As the humanitarian crisis continues to unfold in Gaza, we encourage anyone who can to donate to Medical Aid for Palestinians. You can donate using the links below. https://www.map.org.uk/donate/donate https://www.savethechildren.org.uk/how-you-can-help/emergencies/gaza-israel-conflict -------- PHOEBE ALERT Can't get enough Phoebe? Check out her Substack Here! -------- This show is supported by Patreon. Sign up for as little as $5 a month to gain access to a new bonus episode every week, and our entire backlog of bonus episodes! Thats https://www.patreon.com/10kpostspodcast -------- Ten Thousand Posts is a show about how everything is posting. It's hosted by Hussein (@HKesvani), Phoebe (@PRHRoy) and produced by Devon (@Devon_onEarth).

Sabine speaks with Sarah Skwire about the fascinating world of Shakespeare and why there are so many lessons we can learn from a pre-enlightenment playwright about markets, politics, and the human condition.  Episode Notes: - Mike Huemer's Post on Shakespeare: https://fakenous.substack.com/p/why-i-hate-shakespeare  - "The Comedy of The Errors" https://www.folger.edu/explore/shakespeares-works/the-comedy-of-errors/read/#:~:text=Synopsis%3A,named%20Dromio%2C%20as%20their%20servants.  - Sarah on Shakespeare and Immigration: https://fee.org/articles/even-shakespeare-knew-that-kicking-out-immigrants-harms-us-all/  - Adam Smith on Human Sympathy: https://www.adamsmithworks.org/documents/smith-on-sympathy-lauren-hall-12-1  - Summary of Shakespeare's "Sir Thomas More": https://nosweatshakespeare.com/sir-thomas-more-play/  - Adam Smith's misrecollection of Othello https://www.adamsmithworks.org/speakings/skwire-smith-shakespeare-slips-end-of-othello  - Intro to "Measure for Measure": https://www.folger.edu/explore/shakespeares-works/measure-for-measure/  - Commentary on the Political Theology of First Samuel: https://www.theologyofwork.org/old-testament/samuel-kings-chronicles-and-work/from-tribal-confederation-to-monarchy-1-samuel/       

A Man for All Seasons, the 1966 film based on the life of Sir Thomas More won six Academy Awards including Best Picture, Best Director, and Best Actor. During the film, Richard Rich, an ambitious young man, is seeking More's assistance in finding a position at Court. More tells Rich that he has found him a teaching position. When More tells Rich that he might be a great teacher, Rich responds despondently “and who would know it.” More replies, “You, your pupils, your friends, God. Not a bad public that.” In a world where professional success is often scored based on income and generally meaningless awards, it is important to take time to determine what your personal vision of success in life looks like.   On today's episode Jake walks you through, the EOS Personal/Family V/TO which is a tool to help you chart your vision of the future, the person who you hope to be in 10 years. Make sure to download this tool before tunning into today's episode to get the most out of this incredibly important exercise.

June 22: Saints John Fisher, Bishop and Martyr, and Thomas More, Martyr John Fisher: 1469–1535; Thomas More: 1478–1535 Optional Memorial; Liturgical Color: Red Patron Saint of the Diocese of Rochester (Fisher) and of lawyers and politicians (More)  They would not bend to the marriage  In 1526 a German painter named Hans Holbein could not find work in Basel, Switzerland. The Reformation had come to town. It shattered the stained glass, burned the wooden statues, and sliced up the oil paintings. Protestants don't “do” great art. There were no more commissions. So Holbein went north, to Catholic England, in search of wealthy patrons for his craft. On his way, he passed through the Netherlands to procure letters of introduction from the great humanist Desiderius Erasmus. Erasmus was a friend of Sir Thomas More, an English humanist of the highest caliber. And thus it came to pass that one fine day, in England in 1527, Thomas More sat patiently while Holbein's brush worked its magic. Holbein's extraordinary portrait of Thomas More captures the man for all seasons, as one contemporary called More, at the pinnacle of his powers. More's head and torso fill the frame. There is no need for context, landscape, or a complex backdrop. More's mind is what matters. He is what matters. Nothing else. The shimmering velvet of his robes, the weighty gold chain of office resting on his shoulders, the detailed rose badge of the House of Tudor lying on his chest, all tell the viewer something important—this is not a frivolous man. He serves the King. His work is consequential. He also wears a ring. He is married and has children. He dons a cap. It is England, and he is cold. His stubble is visible. He is tired from overwork and did not have time to shave. He holds a small slip of paper—perhaps a bribe he rejected. His gaze, slightly off center, is earnest, serious, and calm. It is almost as if he is searching the room, attentive to any threat lurking behind the painter. He is watchful. The entirety of the work conveys that elusive quality that denotes great art—interior movement. The gears of More's brain are rotating. His personality has force. The viewer feels it. Saint Thomas More was the greatest Englishman of his generation. In a land with a highly educated aristocratic class, his erudition was unequalled. He was a devoted family man who carried out an extensive correspondence with his children and ensured that his daughters were as well educated as his sons. He served the English crown faithfully both at home and abroad. He charmed his many friends with a rich and engaging personality. He published scholarly works and communicated with other humanists of his era. Yet despite all of these accomplishments, the fraught times he lived in eventually overwhelmed him. He could not save his own head. More was a thoughtful and serious Catholic. He refused to bend to the will of King Henry VIII regarding divorce and Henry's self-appointment as head of the Church in England. For his silence, or lack of explicit support for Henry, More was brought to court, where a perjurer's words knifed him in the heart. More was condemned to death by beheading. This was a favor from the King, who admired More but could not brook his dissent. More had originally been sentenced to a far crueler form of capital punishment, but Henry decreed that his life end with one blow of the axe. So the unconquered Thomas More climbed a shaky scaffold on July 6, 1535, and had his head lopped off. His head was stuck on a pole on London bridge for one month afterward, a trophy to barbarity. More died a martyr to the indissolubility of marriage. Saint John Fisher was an academic who held various high positions at the University of Cambridge, one of the two universities in all of England, eventually becoming its Chancellor for life. He was a Renaissance humanist, like Thomas More, who encouraged the study of Latin, Greek, and Hebrew. Fisher was the personal tutor of Henry VIII when Henry was a boy, and he preached the funeral homily of Henry's father, Henry VII. John Fisher lived a life of extreme personal austerity and even placed a human skull on the table during meals to remind himself of his eventual end. He had many of the same qualities as More—great learning, personal uprightness, and academic accomplishments. But easy times don't make martyrs. When King Henry wanted to annul his marriage to Catherine of Aragon, Fisher became her most ardent supporter. He openly stated in court that he would die for the indissolubility of marriage, thus incurring the lasting wrath of his former pupil Henry. All the bishops of England, save Fisher and two others, lost their courage and acquiesced, without a fight, to Henry VIII's takeover of the Catholic Church in England. Their weakness brought to a sudden, crashing end a thousand years of Catholicism in England. The faith endured in some form, of course, but would never be the culture-forming force it had been for so many centuries. It is an embarrassment of Catholic history that almost all the bishops of England fell like dominoes, one after another, at one slight puff of the breath of King Henry VIII on their cheeks. After various nefarious machinations, John Fisher was imprisoned in the harshest of conditions for over a year, even being deprived access to a priest. During this time, the Pope named him a cardinal, although Henry refused him the ceremonial placing of the red hat on his head. After a brief trial with the usual perjury, Cardinal John Fisher was beheaded on June 22, 1535. In order to avoid inevitable comparisons between Cardinal Fisher and John the Baptist, King Henry moved the cardinal's execution to avoid any connection to June 24th's Feast of Saint John the Baptist. Both Johns were martyrs to marriage. But there was no silver platter for John Fisher. His head was placed on a pole on London bridge for two weeks, only to be replaced by Thomas More's head. Saints John Fisher and Thomas More were beatified in 1886 along with fifty-four other English martyrs. The two were canonized together in 1935. Saints John Fisher and Thomas More, through your intercession, give all Catholics courage to resist the pressure to conform to falsehood, to the broad way, to popular opinion. You were both thoughtful and granite-like in your resistance. Help us to be likewise when times call for such.

Join Jason Nunez and Angela Sealana on a journey through history with saints who were Dads! What can fathers gain from their example, especially for challenging times in the pilgrimage of parenthood? During this episode, you will: Meet saints who were fathers, and learn what they teach us Look at common challenges facing fathers today, and learn practical tips for overcoming them And appreciate the powerful gift of fatherhood Click here for additional resources, and take your journey to the next level. Jewel for the Journey: “By fulfilling your duty in this way you will reach the highest state of happiness.” (St. Stephen of Hungary to his son Emeric, The Admonitions) Would you like to support Journeys of Hope? Become a Missionary of Hope by sponsoring a month of Journeys of Hope 2023 Radio Broadcast & Podcast! Click here to get started. Learn more at PilgrimCenterOfHope.org/Journeys Help us spread hope! PilgrimCenterOfHope.org/Donate St. James Kisai Image Attribution: Aikaleido, CC BY-SA 4.0, via Wikimedia Commons

Sir Thomas More's 1516 book inaugurated a new genre of English literature: the utopian fantasy.  But More's own life, combined with the text's irony and narrative layering, make this a more complex prescription than you might think!Support the showPlease like, subscribe, and rate the podcast on Apple, Spotify, Google, or wherever you listen. Thank you!Email: classicenglishliterature@gmail.comFollow me on Instagram, Facebook, Twitter, Tik Tok, and YouTube.If you enjoy the show, please consider supporting it with a small donation. Click the "Support the Show" button. So grateful!Podcast Theme Music: "Rejoice" by G.F. Handel, perf. The Advent Chamber OrchestraSubcast Theme Music: "Sons of the Brave" by Thomas Bidgood, perf. The Band of the Irish GuardsSound effects and incidental music: Freesounds.org

In this week's episode you'll hear me learn about how to pronounce this week's topic correctly—it is the Huguenots (and not Huguenots as I had been saying and which you may have been tempted to say as well). This week we're exploring the arrival of Huguenots to England in Shakespeare's lifetime. During Catherine de Medici's reign as Queen consort in France, the country was anything but hospitable to Protestants. The St. Bartholomew Day's Massacre in the late 16th century saw thousands of Huguenots rounded up and slaughtered. That was only one event where Huguenots were proven unwelcome, and in danger, to remain in France. Throughout the reigns of Edward VI, Elizabeth I, and on into the 18th century reigns of James II, and beyond, England as a Protestant nation became a safe haven for refugee French Calvinists. During Shakespeare's lifetime, the impact of the arrival of Huguenots seems to have been significant, with Shakespeare writing about “strangers” over 70 times across his works, often using the term to describe someone from another country, who may not speak English, and is simultaneously in need of a welcome, and to be viewed with necessary suspicion. We see plays like Hamlet extending a hand of friendship when Hamlet says in Act I “And therefore as a stranger give it welcome.” And yet, in Love's Labour's Lost, Act V, Rosaline being much less accomodating, saying, “Since you are strangers and come here by chance, We'll not be nice“ While these references could refer to any international Immigrant, many believe that Shakespeare commented directly on the plight of the Huguenots from France, with one impassioned speech about how to treat so called Strangers, that is given in the historical play Sir Thomas More. Furthermore, we know that William Shakespeare had direct personal connections to Huguenots, having lived for a time as a lodger in London with Christopher and Mary Mountjoy, a French Huguenot couple. Here today to tell us more about the plight of refugee French Calvinists in the life of William Shakespeare is our guest and Fellow of the Huguenot Society of Great Britain and Ireland, Joyce Hampton.   Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

In the summer of 1483 Edward and Richard, sons of the deceased King Edward IV, disappeared from the Tower of London, where they were being held by the recently crowned Richard III. There are countless theories about their fate. Some believe that were secretly whisked away and survived into adulthood. Some are convinced that Richard III had them murdered, a theory perpetuated by Sir Thomas More and William Shakespeare. But other suspects linger in the background as well.My guest, M.J. Trow, believes he knows who killed the Princes in the Tower, and he shares his thoughts on this week's episode of Most Notorious. His book is called "The Killer of the Princes in the Tower: A New Suspect Revealed".For more on M.J. Trow's books, visit his Amazon page here.

This week's guest is Paul Strathern, who is something of a Renaissance Man himself. He's written a new book detailing the 'Other Renaissance', the one that took place north of the Alps in France, the German states, the Low Countries and England.Paul talks about Martin Luther and Protestantism, Sir Thomas More & Henry VIII, Capernicus and the solar orbit, Gutenberg and the printing press, and Catherine de Medici.Paul Strathern LinksThe Other RenaissanceThe FlorentinesThe History of Economics

The Worthy boys are going through all the seasons to break down the 1966 Best Picture winner, "A Man For All Seasons". Ben and Jon open the episode discussing dialogue-heavy films and how they translate on to screen. The Worthy hosts also look back at the 39th Academy Awards and the films honored from 1966! The film "A Man For All Seasons" centers on the trial of Sir Thomas More and his defiance against the crown of England during the 1500s. The Worthy boys look at the film's script, cinematography, and acting performances from some of the biggest names among British actors.  Is A Man For All Seasons worthy of the Best Picture award of 1966? Tell us how we're wrong at worthysubmissions@gmail.com

In today's "The Tudors in their own words", historian Claire Ridgway shares some words Sir Thomas More spoke regarding his master, King Henry VIII, words that show he knew the king incredibly well.

Our plans for the immediate future are to write 901 theses on every topic imaginable, with many of them focusing on how much utopias suck and how bad tattoos will look in the future! Along with this, we discuss humanism in the fifteenth century, looking at how various thinkers valued education and classical literature in order to argue for peace and the importance of the common person. We discuss one of the first feminist authors, Christine de Pizan, the somewhat crazy Pico della Mirandola, the great thinkers Erasmus and Sir Thomas More, and conclude with Montaigne. Humanism brings up many great questions, such as the importance of pacifism, how we can bring together all forms of knowledge to find the truth, and monarchy being the best form of government.  Follow us on Twitter! @UlmtdOpinions

Part 2 of our Halloween series. This episode features Gracie Cota. Let's get the answer from the last episode about the dead and learn the truth about Halloween. ***this topic is personally held dearly to my heart because of my recent deceased little brother. This can be a sensitive topic for some. so, I ask that you prayerfully listen and bear with me as we go through scriptures for answers. 2 Timothy 3:16 Colossians 2:8 Genesis 2:7 1 Corinthians 15:45 Acts 27:37 Psalm 104:29 Ecclesiastes 3:18-21 Ecclesiastes 12:7 Hebrew word for spirit "ruwach" wind, breath, of heaven, breath of air, "the breath of life", spirit Greek word for spirit "pneuma" a current of air, breath (blast) or breeze. "Breath of God", spirit James 2:26 Job 27:3 Job 12:10 Ezekiel 18:4; 18:20 Revelation 16:3 Matthew 10:28 1 Timothy 6:16 Romans 2:7 Genesis 3:4 John 8:44 The New Catholic Encyclopedia, 1967, art. "Soul, Human, Immortality of" Catechism of the Catholic Church, Part One, Section 2, Chapter 1, Article 1, Paragraph 6, Part II, line 366: William Tyndale, An Answer to Sir Thomas More's dialogue, Parker's 1850 reprint, Bk. 4, Ch 4, pg. 180,181 Job 17:13 Job 7:8-10 Job 16:22 Job 14:11-14 2 peter 3:10-13 Isaiah 66:17-22 Revelation 16:15 1 Corinthians 15:50-55 Job 14:21 Ecclesiastes 9:5-6, 10 Psalm 6:5; 115:17 Psalm 146:4 Acts 2:29-35 John 20:17 *John 11:11* Matthew 9:24 Psalm 13:3 1 kings to 2 chronicles 1 kings 2:10 1 kings 11:43 --- Support this podcast: https://podcasters.spotify.com/pod/show/elijahministires/support

Merriam-Webster's Word of the Day for October 28, 2022 is: utopia • yoo-TOH-pee-uh • noun The word utopia refers to “a place of ideal perfection,” with the perfection in question often pertaining to laws, government, and social conditions. // Her vision of utopia was a world where no one ever went hungry or lived in fear of war. See the entry > Examples: “This year's Essence Festival activation plans to be bigger, more immersive, and further integrated than ever before. Centered around the idea of a Black utopia, Afrotropolis 3.0 will be an innovative 360-degree wonderland curated to intersect Black culture, creativity, artistry and technology with exciting opportunities for festival attendees to discover, explore, and further build their network.” — Black Enterprise, 5 July 2022 Did you know? There's quite literally no place like utopia. In 1516, English humanist Sir Thomas More published a book titled Utopia, which compared social and economic conditions in Europe with those of an ideal society on an imaginary island located off the coast of the Americas. More wanted to imply that the perfect conditions on his fictional island could never really exist, so he called it “Utopia,” a name he created by combining the Greek words ou (“not, no”) and topos (“place”). The earliest generic use of utopia was for an imaginary and indefinitely remote place. The current use of utopia, referring to an ideal place or society, was inspired by More's description of Utopia's perfection.

Merriam-Webster's Word of the Day for October 28, 2022 is: utopia • yoo-TOH-pee-uh • noun The word utopia refers to “a place of ideal perfection,” with the perfection in question often pertaining to laws, government, and social conditions. // Her vision of utopia was a world where no one ever went hungry or lived in fear of war. See the entry > Examples: “This year's Essence Festival activation plans to be bigger, more immersive, and further integrated than ever before. Centered around the idea of a Black utopia, Afrotropolis 3.0 will be an innovative 360-degree wonderland curated to intersect Black culture, creativity, artistry and technology with exciting opportunities for festival attendees to discover, explore, and further build their network.” — Black Enterprise, 5 July 2022 Did you know? There's quite literally no place like utopia. In 1516, English humanist Sir Thomas More published a book titled Utopia, which compared social and economic conditions in Europe with those of an ideal society on an imaginary island located off the coast of the Americas. More wanted to imply that the perfect conditions on his fictional island could never really exist, so he called it “Utopia,” a name he created by combining the Greek words ou (“not, no”) and topos (“place”). The earliest generic use of utopia was for an imaginary and indefinitely remote place. The current use of utopia, referring to an ideal place or society, was inspired by More's description of Utopia's perfection.

Having watched the second Elizabethan era draw to a close in recent weeks, it is fitting that in this episode we are going back to the beginning of the first Elizabethan era – the moment when Mary Tudor died leaving the throne to her younger half-sister. These two queens, the first women to rule England in their own right, were divided by their faith. The greatest challenge facing Elizabeth on her accession was to unite a country which was polarised by religion, having passed from hard-line Protestantism under Edward VI back to Catholicism with Mary. Our learned guide on this journey is Dr Lucy Wooding whose masterful new book, Tudor England, gives a rich, detailed vision of the period. Wooding's book is not simply limited to the big political moments but takes the reader right into the lives of ordinary people as well. Dr Lucy Wooding is Langford Fellow and Tutor in History at Lincoln College, Oxford. She is an expert on Reformation England, its politics, religion and culture, and the author of Henry VIII. Tudor England by Lucy Wooding is out now. Show notes Scene One: 17 November 1558, London. In the early morning, Mary I lies dying at St James's Palace. By evening, the Archbishop of Canterbury, Cardinal Reginald Pole, has also died – a momentous day for Catholicism in England. Scene Two: November 1558, a few days earlier. Princess Elizabeth is at a dinner party at Brocket Hall, with the Count of Feria who has been sent by Philip II (Mary's husband) to sound out the heir to the throne. He concludes that she is, ‘'She is a very vain and clever woman', who is, ‘determined to be governed by no one'. Scene Three: Late 1557, The Works of Sir Thomas More, sometime Lord Chauncellor, wrytten by him in the Englysh tonge are published by the printer William Rastell, who was also More's nephew. Memento: The reliquary known as the ‘Tablet de Bourbon', made by one of the great Parisian goldsmiths and acquired as part of a ransom during the Hundred Years War. Worn by Mary I in the portrait by Hans Eworth. People/Social Presenter: Violet Moller Guest: Dr Lucy Wooding Production: Maria Nolan Podcast partner: Ace Cultural Tours Theme music: ‘Love Token' from the album ‘This Is Us' By Slava and Leonard Grigoryan Follow us on Twitter: @tttpodcast_ Or on Facebook See where 1558 fits on our Timeline

Mark Standriff is the Director of Beautify Fresno. However, in his spare time he enjoys going back to his roots: acting on the stage. Mark will open in A Man for All Seasons (Good Company Players) on August 19th in the role of Sir Thomas More. He stopped by to discuss the production and, more broadly, theatre in Fresno. See omnystudio.com/listener for privacy information.

for episode 110, I've chosen to reflect upon the 487th anniversary of the death of Sir Thomas More, beheaded on this day in 1535 for his refusal to accept King Henry VIII as the head of the Church of England. From one great humanist (More) to another (me), it's difficult to reconcile that Sir Thomas was the same age as me upon his execution, however there is some solace in knowing he died doing what he loved (refusing to accept King Henry VIII as the head of the Church of England). And were I to keel over this very moment, i too, would perish doing what I truly love — playing records that would be hard to distinguish from the sound of the house's HVAC system were the former not plastic, round and in some instances obscenely expensive. To all of my friends and frenemies, as More would surely advise were his head attached , PROTECT YA NECK (and protect the Necks, while we're at it)

What you'll learn in this episode: Why the best modernist pieces are fetching record prices at auction today How “Messengers of Modernism” helped legitimize modernist jewelry as an art form The difference between modern jewelry and modernist jewelry Who the most influential modernist jewelers were and where they drew their inspiration from Why modernist jewelry was a source of empowerment for women About Toni Greenbaum Toni Greenbaum is a New York-based art historian specializing in twentieth and twenty-first century jewelry and metalwork. She wrote Messengers of Modernism: American Studio Jewelry 1940-1960 (Montréal: Musée des Arts Décoratifs and Flammarion, 1996), Sam Kramer: Jeweler on the Edge (Stuttgart: Arnoldsche Art Publishers, 2019) and “Jewelers in Wonderland,” an essay on Sam Kramer and Karl Fritsch for Jewelry Stories: Highlights from the Collection 1947-2019 (New York: Museum of Arts and Design and Arnoldsche, 2021), along with numerous book chapters, exhibition catalogues, and essays for arts publications. Greenbaum has lectured internationally at institutions such as the Pinakothek der Moderne, Munich; Academy of Arts, Architecture and Design in Prague; Yale University Art Gallery, New Haven; Cooper Hewitt Smithsonian Design Museum and Museum of Arts and Design, New York; Museum of Fine Arts, Boston; and Savannah College of Art and Design Museum of Art, Savannah. She has worked on exhibitions for several museums, including the Victoria and Albert in London, Musée des beaux-arts de Montréal, and Bard Graduate Center Gallery, New York. Additional Resources: Link to Purchase Books Toni's Instagram The Jewelry Library  Photos Available on TheJewelryJourney.com Transcript: Once misunderstood as an illegitimate art form, modernist jewelry has come into its own, now fetching five and six-figure prices at auction. Modernist jewelry likely wouldn't have come this far without the work of Toni Greenbaum, an art historian, professor and author of “Messengers of Modernism: American Studio Jewelry, 1940 to 1960.” She joined the Jewelry Journey Podcast to talk about the history of modernist jewelry; why it sets the women who wear it apart; and where collectors should start if they want to add modernist pieces to their collections. Read the episode transcript here.   Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is a two-part Jewelry Journey Podcast. Please make sure you subscribe so you can hear part two as soon as it comes out later this week.    Today my guest is art historian, professor and author Toni Greenbaum. She is the author of the iconic tome, “Messengers of Modernism: American Studio Jewelry, 1940 to 1960,” which analyzes the output of America's modernist jewelers. Most recently, she authored “Sam Kramer: Jeweler on the Edge,” a biography of the jeweler Sam Kramer. Every time I say jeweler I think I'm using the world a little loosely, but we're so glad to have you here today. Thank you so much.   Toni: I am so glad to be here, Sharon. Thank you so much for inviting me. It's been many years coming.   Sharon: I'm glad we connected. Tell me about your jewelry journey. It sounds very interesting.   Toni: Well, there's a lot you don't know about my jewelry journey. My jewelry journey began when I was a preteen. I just became fascinated with Native American, particularly Navajo, jewelry that I would see in museum gift shops. I started to buy it when I was a teenager, what I could afford. In those days, I have to say museum gift shops were fabulous, particularly the Museum of Natural History gift shop, the Brooklyn Museum gift shop. They had a lot of ethnographic material of very high quality. So, I continued to buy Native American jewelry. My mother used to love handcrafted jewelry, and she would buy it in whatever craft shops or galleries she could find.    Then eventually in my 20s and 30s, I got outpriced. Native American jewelry was becoming very, very fashionable, particularly in the late 60s, 1970s. I started to see something that looked, to me, very much like Native American jewelry, but it was signed. It had names on it, and some of them sounded kind of Mexican—in fact, they were Mexican. So, I started to buy Mexican jewelry because I could afford it. Then that became very popular when names like William Spratling and Los Castillo and Hector Aguilar became known. I saw something that looked like Mexican jewelry and Navajo jewelry, but it wasn't; it was made by Americans. In fact, it would come to be known as modernist jewelry. Then I got outpriced with that, but that's the start of my jewelry journey.   Sharon: So, you liked jewelry from when you were a youth.    Toni: Oh, from when I was a child. I was one of these little three, four-year-olds that was all decked out. My mother loved jewelry. I was an only child, and I was, at that time, the only grandchild. My grandparents spoiled me, and my parents spoiled me, and I loved jewelry, so I got a lot of jewelry. That and Frankie Avalon records.   Sharon: Do you still collect modernist? You said you were getting outpriced. You write about it. Do you still collect it?   Toni: Not really. The best of the modernist jewelry is extraordinarily expensive, and unfortunately, I want the best. If I see something when my husband and I are antiquing or at a flea market or at a show that has style and that's affordable, occasionally I'll buy it, but I would not say that I can buy the kind of jewelry I want in the modernist category any longer. I did buy several pieces in the early 1980s from Fifty/50 Gallery, when they were first putting modernist jewelry on the map in the commercial aspect. I was writing about it; they were selling it. They were always and still are. Mark McDonald still is so generous with me as far as getting images and aiding my research immeasurably. Back then, the modernist jewelry was affordable, and luckily I did buy some major pieces for a tenth of what they would get today.   Sharon: Wow! When you say the best of modernist jewelry today, Calder was just astronomical. We'll put that aside.   Toni: Even more astronomical: there's a Harry Bertoia necklace that somebody called my attention to that is coming up at an auction at Christie's. If they don't put that in their jewelry auctions, they'll put it in their design auctions. I think it's coming up at the end of June; I forget the exact day. The estimate on the Harry Bertoia necklace is $200,000 to $300,000—and this is a Harry Bertoia necklace. I'm just chomping at the bit to find out what it, in fact, is going to bring, but that's the estimate they put, at $200,000 to $300,000.   Sharon: That's a lot of money. What holds your interest in modernist jewelry?   Toni: The incredible but very subtle design aspect of it. Actually, tomorrow I'm going to be giving a talk on Art Smith for GemEx. Because my background is art history, one of the things I always do when I talk about these objects is to show how they were inspired by the modern art movements. This is, I think, what sets modernist jewelry apart from other categories of modern and contemporary jewelry. There are many inspirations, but it is that they are very much inspired by Cubism, Surrealism, Abstract Expressionism, Biomorphism, etc., depending on the artist. Some are influenced by all of the above, and I think I saw that. I saw it implicitly before I began to analyze it in the jewelry.    This jewelry is extraordinarily well-conceived. A lot of the craftsmanship is not pristine, but I have never been one for pristine craftsmanship. I love rough surfaces, and I love the process to show in the jewelry. Much of the modernist jewelry is irreverent—I use the word irreverent instead of sloppy—as far as the process is concerned. It was that hands-on, very direct approach, in addition to this wonderful design sense, which, again, came from the modern art movements. Most of the jewelers—not all of them, but most of them—lived either in New York or in Northern or Southern California and had access to museums, and these people were aesthetes. They would go to museums. They would see Miro's work; they would see Picasso's work, and they would definitely infuse their designs with that sensibility.   Sharon: Do you think that jumped out at you, the fact that they were inspired by different art movements, because you studied art history? You teach it, or you did teach it at one time?    Toni: No, just history of jewelry. I majored in art history, but I've never taught art history. I've taught history of jewelry. We can argue about whether jewelry is art or not, but history of jewelry is what I've taught.   Sharon: I've taken basic art history, but I couldn't tell you some of the movements you're talking about. I can't identify the different movements. Do you think it jumped out at you because you're knowledgeable?   Toni: Yes, definitely, because I would look at Art Smith and I would say, “That's Biomorphism.” I would see it. It was obvious. I would look at Sam Kramer and I would say, “This is Surrealism.” He was called a surrealist jeweler back in his day, when he was practicing and when he had his shop on 8th Street. I would look at Rebajes and I would see Cubism. Of course, it was because I was well-versed in those movements, because what I was always most interested in when I was studying art history were the more modern movements.   Sharon: Did you think you would segue to jewelry in general? Was that something on your radar?   Toni: That's a very interesting question because when I was in college, I had a nucleus of professors who happened to have come from Cranbrook.   Sharon: I'm sorry, from where?   Toni: Cranbrook School of Art.   Sharon: O.K., Cranbrook.   Toni: I actually took a metalsmithing class as an elective, just to see what it was because I was so interested in jewelry, although I was studying what I call legitimate art history. I was so interested in jewelry that I wanted to see what the process was. I probably was the worst jeweler that ever tried to make jewelry, but I learned what it is to make. I will tell you something else, Sharon, it is what has given me such respect for the jewelers, because when you try to do it yourself and you see how challenging it is, you really respect the people who do it miraculously even more.    So, I took this class just to see what it was, and the teacher—I still remember his name. His name was Cunningham; I don't remember his first name. He was from Cranbrook, and he sent the class to a retail store in New York on 53rd Street, right opposite MOMA, called America House.   Sharon: Called American House?   Toni: America House. America House was the retail enterprise of the American Craft Council. They had the museum, which was then called the Museum of Contemporary Crafts; now it's called MAD, Museum of Arts and Design. They had the museum, and they had a magazine, Craft Horizons, which then became American Craft, and then they had this retail store. I went into America House—and this was the late 1960s—and I knew I had found my calling. I looked at this jewelry, which was really fine studio jewelry. It was done by Ronald Pearson; it was done by Jack Kripp. These were the people that America House carried. I couldn't afford to buy it. I did buy some of the jewelry when they went out of business and had a big sale in the early 1970s. At that time I couldn't, but I looked at the jewelry and the holloware, and I had never seen anything like it. Yes, I had seen Native American that I loved, and I had seen Mexican that I loved. I hadn't yet seen modernist; that wasn't going to come until the early 1980s. But here I saw this second generation of studio jewelers, and I said, “I don't know what I'm going to do with this professionally, but I know I've got to do something with it because this is who I am. This is what I love.”    Back in the late 1960s, it was called applied arts. Anything that was not painting and sculpture was applied art. Ceramics was applied art; furniture was applied art; textiles, jewelry, any kind of metalwork was applied art. Nobody took it seriously as an academic discipline in America, here in this country. Then I went on to graduate school, still in art history. I was specializing in what was then contemporary art, particularly color field painting, but I just loved what was called the crafts, particularly the metalwork. I started to go to the library and research books on jewelry. I found books on jewelry, but they were all published in Europe, mostly England. There were things in other languages other than French, which I could read with a dictionary. There were books on jewelry history, but they were not written in America; everything was in Europe. So, I started to read voraciously about the history of jewelry, mostly the books that came out of the Victoria & Albert Museum. I read all about ancient jewelry and medieval jewelry and Renaissance jewelry. Graham Hughes, who was then the director of the V&A, had written a book, “Modern Jewelry,” and it had jewelry by artists, designed by Picasso and Max Ernst and Brach, including things that were handmade in England and all over Europe. I think even some of the early jewelers in our discipline were in that book. If I remember correctly, I think Friedrich Becker, for example, might have been in Graham Hughes' “Modern Jewelry,” because that was published, I believe, in the late 1960s.    So, I saw there was a literature in studio jewelry; it just wasn't in America. Then I found a book on William Spratling, this Mexican jeweler whose work I had collected. It was not a book about his jewelry; it was an autobiography about himself that obviously he had written, but it was so rich in talking about the metalsmithing community in Taxco, Mexico, which is where he, as an American, went to study the colonial architecture. He wound up staying and renovating the silver mines that had been dormant since the 18th century. It was such a great story, and I said, “There's something here,” but no graduate advisor at that time, in the early 70s, was going to support you in wanting to do a thesis on applied art, no matter what the medium. But in the back of my mind, I always said, “I'm going to do something with this at some point.”    Honestly, Sharon, I never thought I would live to see the day that this discipline is as rich as it is, with so much literature, with our publishers publishing all of these fantastic jewelry books, and other publishers, like Flammarion in Paris, which published “Messengers of Modernism.” Then there's the interest in Montreal at the Museum of Fine Arts, which is the museum that has the “Messengers of Modernism” collection. It has filtered into the Houston Museum of Fine Arts, Dallas, obviously MAD. So many museums are welcoming. I never thought I would live to see the day. It really is so heartening. I don't have words to express how important this is, but I just started to do it. In the early 1970s or mid-1970s—I don't think my daughter was born yet. My son was a toddler. I would sit in my free moments and write an article about William Spratling, because he was American. He went to Mexico, but he was American. He was the only American I knew of that I could write about. Not that that article was published at that time, but I was doing the research and I was writing it.   Sharon: That's interesting. If there had been a discipline of jewelry history or something in the applied arts, if an advisor had said, “Yes, I'll support you,” or “Why don't you go ahead and get your doctorate or your master's,” that's something you would have done?   Toni: Totally, without even a thought, yes. Because when I was studying art history, I would look at Hans Holbein's paintings of Henry VIII and Sir Thomas More, and all I would do was look at the jewelry they were wearing, the chains and the badges on their berets. I said, “Oh my god, that is so spectacular.” Then I learned that Holbein actually designed the jewelry, which a lot of people don't know. I said, “There is something to this.” I would look at 18th century paintings with women, with their pearls and rings and bracelets, and all I would do was look at the jewelry. I would have in a heartbeat. If I could have had a graduate advisor, I would have definitely pursued that.   Sharon: When you say you never thought you'd live to see the day when modernist jewelry is so popular—not that it's so surprising, but you are one of the leaders of the movement. When I mentioned to somebody, “Oh, I like modernist jewelry,” the first thing they said was, “Well, have you read ‘Messengers of Modernism?'” As soon as I came home—I was on a trip—I got it. So, you are one of the leaders.   Toni: Well, it is interesting. It is sort of the standard text, but people will say, “Well, why isn't Claire Falkenstein in the book? She's so important,” and I say, “It's looked upon as a standard text, but the fact is it's a catalogue to an exhibition. That was the collection.” Fifty/50 Gallery had a private collection. As I said before, they were at the forefront of promoting and selling modernist jewelry, but they did have a private collection. That collection went to Montreal in the 1990s because at that time, there wasn't an American museum that was interested in taking that collection. That book is the catalogue of that finite collection. So, there are people who are major modernist jewelers—Claire Falkenstein is one that comes to mind—that are not in that collection, so they're not in the book. There's a lot more to be said and written about that movement.   Sharon: I'm sure you've been asked this a million times: What's the difference between modern and modernist jewelry?   Toni: Modern is something that's up to date at a point in time, but modernist jewelry is—this is a word we adopted. The word existed, but we adopted it to define the mid-20th century studio jewelry, the post-war jewelry. It really goes from 1940 to the 1960s. That's it; that's the time limit of modernist jewelry. Again, it's a word we appropriated. We took that word and said, “We're going to call this category modernist jewelry because we have to call it something, so that's the term.” Modern means up to date. That's just a general word.   Sharon: When you go to a show and see things that are in the modernist style, it's not truly modernist if it was done today, it wasn't done before 1960.   Toni: Right, no. Modernist jewelry is work that's done in that particular timeframe and that also subscribes to what I was saying, this appropriation of motifs from the modern art movement. There was plenty of costume jewelry and fine jewelry being done post-war, and that is jewelry that is mid-20th century. You can call it mid-20th century modern, which confuses the issue even more, but it's not modernist jewelry. Modernist jewelry is jewelry that was done in the studio by a silversmith and was inspired by the great movements in modern art and some other inspirations. Art Smith was extremely motivated by African motifs, but also by Calder and by Biomorphism. It's not religious. There are certainly gray areas, but in general, that's modernist jewelry.    Sharon: I feel envious when you talk about everything that was going in on New York. I have a passion, but there's no place on the West Coast that I would go to look at some of this stuff.   Toni: I'll tell you one of the ironies, Sharon. Post-war, definitely through the 1950s and early 1960s, there must have been 13 to 15 studio shops by modernist jewelers. You had Sam Kramer on 8th Street and Art Smith on 4th Street and Polo Bell, who was on 4th Street and then he was on 8th Street, and Bill Tendler, and you had Jules Brenner, and Henry Steig was Uptown. Ed Wiener was all over the place. There were so many jewelers in New York, and I never knew about them. I never went to any of their shops. I used to hang out in the Village when I was a young teenager, walked on 4th Street; never saw Art Smith's shop. He was there from 1949 until 1977. I used to walk on 8th Street, and Sam Kramer was on the second floor. I never looked up, and I didn't know this kind of jewelry existed. In those days, like I said, I was still collecting Navajo.

St. Josemaria would be moved deeply when he said with faith that part of the Creed, that produced a pause, when he prayed: Et unam, sanctam, catholicam et apostolicam Ecclesiam! I believe in one Holy, Catholic and apostolic Church. — I can understand why you pause to relish your prayer: I believe in the Church, one, holy, Catholic and apostolic.. (The Way 517) It is as though he wanted to savour something to taste its beauty. Savour it, like a good wine. To re-acknowledge the mystery, which he well understood that he did not understand. Today is feast of Thomas More and John Fisher. Both are stellar examples of love and fidelity to the Church, during times of great confusion in the 16th century. Preached by Fr. Eric Nicolai at Lyncroft Centre in Toronto, June 22, 2022. Music: Franz Schubert Impromptu no. D899 by Chiara Bertoglio. Thumbnail: Hans Holbein, The Younger, Sir Thomas More 1527 Frick Collection(Google Art Project) For more meditations, check my channel: https://www.youtube.com/c/EricNicolai/videos www.ernescliff.ca www.opusdei.ca

June 22: Saints John Fisher, Bishop and Martyr, & Thomas More, MartyrJohn Fisher: 1469–1535; Thomas More: 1478–1535Optional Memorial; Liturgical Color: RedPatron Saint of the Diocese of Rochester (Fisher) and of lawyers and politicians (More) They would not bend to the marriage In 1526 a German painter named Hans Holbein could not find work in Basel, Switzerland. The Reformation had come to town. It shattered the stained glass, burned the wooden statues, and sliced up the oil paintings. Protestants don't “do” great art. There were no more commissions. So Holbein went north, to Catholic England, in search of wealthy patrons for his craft. On his way, he passed through the Netherlands to procure letters of introduction from the great humanist Desiderius Erasmus. Erasmus was a friend of Sir Thomas More, an English humanist of the highest caliber. And thus it came to pass that one fine day, in England in 1527, Thomas More sat patiently while Holbein's brush worked its magic.Holbein's extraordinary portrait of Thomas More captures the man for all seasons, as one contemporary called More, at the pinnacle of his powers. More's head and torso fill the frame. There is no need for context, landscape, or a complex backdrop. More's mind is what matters. He is what matters. Nothing else. The shimmering velvet of his robes, the weighty gold chain of office resting on his shoulders, the detailed rose badge of the House of Tudor lying on his chest, all tell the viewer something important—this is not a frivolous man. He serves the King. His work is consequential. He also wears a ring. He is married and has children. He dons a cap. It is England, and he is cold. His stubble is visible. He is tired from overwork and did not have time to shave. He holds a small slip of paper—perhaps a bribe he rejected. His gaze, slightly off center, is earnest, serious, and calm. It is almost as if he is searching the room, attentive to any threat lurking behind the painter. He is watchful. The entirety of the work conveys that elusive quality that denotes great art—interior movement. The gears of More's brain are rotating. His personality has force. The viewer feels it.Saint Thomas More was the greatest Englishman of his generation. In a land with a highly educated aristocratic class, his erudition was unequalled. He was a devoted family man who carried out an extensive correspondence with his children and ensured that his daughters were as well educated as his sons. He served the English crown faithfully both at home and abroad. He charmed his many friends with a rich and engaging personality. He published scholarly works and communicated with other humanists of his era. Yet despite all of these accomplishments, the fraught times he lived in eventually overwhelmed him. He could not save his own head.More was a thoughtful and serious Catholic. He refused to bend to the will of King Henry VIII regarding divorce and Henry's self-appointment as head of the Church in England. For his silence, or lack of explicit support for Henry, More was brought to court, where a perjurer's words knifed him in the heart. More was condemned to death by beheading. This was a favor from the King, who admired More but could not brook his dissent. More had originally been sentenced to a far crueler form of capital punishment, but Henry decreed that his life end with one blow of the axe. So the unconquered Thomas More climbed a shaky scaffold on July 6, 1535, and had his head lopped off. His head was stuck on a pole on London bridge for one month afterward, a trophy to barbarity. More died a martyr to the indissolubility of marriage.Saint John Fisher was an academic who held various high positions at the University of Cambridge, one of the two universities in all of England, eventually becoming its Chancellor for life. He was a Renaissance humanist, like Thomas More, who encouraged the study of Latin, Greek, and Hebrew. Fisher was the personal tutor of Henry VIII when Henry was a boy, and he preached the funeral homily of Henry's father, Henry VII. John Fisher lived a life of extreme personal austerity and even placed a human skull on the table during meals to remind himself of his eventual end. He had many of the same qualities as More—great learning, personal uprightness, and academic accomplishments.But easy times don't make martyrs. When King Henry wanted to annul his marriage to Catherine of Aragon, Fisher became her most ardent supporter. He openly stated in court that he would die for the indissolubility of marriage, thus incurring the lasting wrath of his former pupil Henry. All the bishops of England, save Fisher and two others, lost their courage and acquiesced, without a fight, to Henry VIII's takeover of the Catholic Church in England. Their weakness brought to a sudden, crashing end a thousand years of Catholicism in England. The faith endured in some form, of course, but would never be the culture-forming force it had been for so many centuries. It is an embarrassment of Catholic history that almost all the bishops of England fell like dominoes, one after another, at one slight puff of the breath of King Henry VIII on their cheeks.After various nefarious machinations, John Fisher was imprisoned in the harshest of conditions for over a year, even being deprived access to a priest. During this time, the Pope named him a cardinal, although Henry refused him the ceremonial placing of the red hat on his head. After a brief trial with the usual perjury, Cardinal John Fisher was beheaded on June 22, 1535. In order to avoid inevitable comparisons between Cardinal Fisher and John the Baptist, King Henry moved the cardinal's execution to avoid any connection to June 24th's Feast of Saint John the Baptist. Both Johns were martyrs to marriage. But there was no silver platter for John Fisher. His head was placed on a pole on London bridge for two weeks, only to be replaced by Thomas More's head. Saints John Fisher and Thomas More were beatified in 1886 along with fifty-four other English martyrs. The two were canonized together in 1935.Saints John Fisher and Thomas More, through your intercession, give all Catholics courage to resist the pressure to conform to falsehood, to the broad way, to popular opinion. You were both thoughtful and granite-like in your resistance. Help us to be likewise when times call for such.

In this episode we discuss the thirty-ninth Best Picture winner, A Man for All Seasons, the AFTRA union strike that almost stopped the ceremony from being broadcast, director Fred Zinneman's many contributions to the film industry, and Paul Scofield's stirring Tony and Oscar winning performance as Sir Thomas More! -- Instagram: https://www.instagram.com/thanktheacademypodcast Twitter: https://www.twitter.com/thankacademypod Email us your thoughts: thanktheacademypod@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/thank-the-academy/support

Douglas Murray is a British writer and commentator, primarily for The Spectator, and his latest book is The War on the West. It’s a powerful narrative of the past couple of decades, in which a small minority waged ideological war on the underpinnings of Western civilization: reason, toleration, free speech, color-blind racial politics. You can listen to the episode right away in the audio player embedded above, or right below it you can click “Listen in podcast app,” which will connect you to the Dishcast feed. For two clips of our conversation — on the seductive power of ressentiment and the case for gratitude, and on many Americans’ ignorance of history outside the US — head over to our YouTube page.My convo with Murray complements the one I had with Roosevelt Montás, the great defender of the humanities at Columbia University and beyond — his episode is now available as a full transcript.As far as last week’s episode with Bari Weiss, an addendum: she used our conversation for her own podcast, “Honestly,” and her version includes at least a half hour of conversation you won’t find in the Dishcast version — namely on the early marriage movement and my role in it. Here’s a snippet from that section:This listener liked the episode:You and Bari addressed the (increasingly popular) argument that if the illiberal left has taken the gloves off, then its opponents should do the same. I thought your response was commendable, and it reminded me of something Hitch said during a debate on free speech many years ago. He referred to the scene from A Man for All Seasons in which Sir Thomas More argues with Roper over whether a man should be arrested for breaking God’s law. It’s a marvellous exchange that I have often reflected upon in recent years:Roper: So now you'd give the Devil benefit of law!More: Yes. What would you do? Cut a great road through the law to get after the Devil?Roper: I'd cut down every law in England to do that!More: Oh? And when the last law was down, and the Devil turned 'round on you, where would you hide, Roper, the laws all being flat? This country's planted thick with laws from coast to coast — man's laws, not God's — and if you cut them down — and you're just the man to do it — do you really think you could stand upright in the winds that would blow then? Yes, I'd give the Devil benefit of law for my own safety's sake.Someone at Reason — Peter Suderman, I think — observed last year that politics is becoming outcomes-based rather than process-based, which expresses much the same point, I think. All of which is a long-winded way of saying that I’m glad you and Bari are willing to stand up for liberalism when so many of your peers have come to view it with disdain.I love that section from A Man For All Seasons. It’s why I chose Thomas More as my confirmation saint. But it’s difficult to know the best way to stand up for liberalism when it comes to gender ideology in schools, as Bari and I discuss in this clip:Another fan of the Bari episode gets more personal:I am the mother of a trans-identifying child — now 23 years old. (I can’t give my name for fear of alienating her.) You captured the rollercoaster of emotions many parents going through this feel — the fear that she has adopted this ideology as a coping mechanism to deal with underlying mental health issues and that she will do irreparable harm to her body. And that we are politically homeless. I can’t vote for anyone who would support Trump. But Biden and his team have it wrong when they quote the lie of “better a trans son than dead daughter.” I agree with DeSantis on many aspects of the so-called “don’t say gay” bill. I don’t think it’s appropriate to discuss sexual orientation and gender ideology with young children. I also don’t think it’s appropriate to review the periodic table with them. That doesn’t mean I'm anti-chemistry. What I wish for my daughter is that she not be beholden to gender stereotypes, that she be comfortable in her own body and that she avoid a lifetime of medical intervention with life-long negative consequences (including infertility) which cannot ultimately transform her into a man. If she were anorexic, we’d have support and options to return her to health. Because her coping mechanism is trans ideology, we get no support from medical or psychiatric professionals, from schools or from most liberals.You captured all that in the podcast. Thanks for getting the word out.Another listener points to another trans story:I saw this interview with an ex-transgender woman and thought you might find it interesting:I found particularly interesting the parts where he indicates that he found a group of “activists” that encouraged him to transition when what he really needed was therapy and sobriety. It’s also interesting that young men/woman fleeing the labels and baggage of “gay” or “lesbian“ may pursue gender reassignment, rather than unwrapping their trauma and accepting themselves for who they are.I just wish all the nuances of this were better aired. Another fan of the Dish anticipated our coverage this week with a “pre-emptive email”:I wonder whether the Supreme Court leak has caused you to reconsider your stance on the culture wars and whether it was the woke who are really the big enemy here. After all, while certain elements on the far left do much damage to themselves and to their own cause, their biggest achievements seem to be about gender-neutral toilets and pronouns, while it is the reactionary right that actively tries to curtail hard-won rights such as the right to vote, or the right to legal and safe abortion. Is it only a culture war when the left does it? Even when you have admitted that both sides are guilty, there seems to be a grudging reluctance to accept that one side is significantly more dangerous than the other, or to pretend as if it was the left’s fault all along and the right was merely reacting to it. Following on from January 6th and the wave of right-wingers across the globe currently dominating our news agenda (Putin, Trump, Bolsonaro, Orban, Le Pen, et al), it seems evident that there is a radical asymmetry in the scale of the threat that each side poses. Yes, there is much on the left that deserves to be called out, but it is nothing like as dangerous or as damaging as the very real risk that our liberal democratic norms are overturned by reactionaries in the name of a kind of Theocratic Nationalism. An approach that says “A plague on both your houses” seems to me the height of fatuity. Who is the bigger threat here, Donald Trump, or Bernie Sanders? There seems to be a skewed kind of moral equivalency going on. It reminds me of those US conservatives who used to say “Yes the Tea Party is terrible and there is real racism, but Obama is just as guilty for stirring them up.” This simply will not do. From the Tories and Brexit, to Putin and Ukraine, Republicans and abortion, is it not clear that everywhere you look at the moment, it is the right — the conservative, reactionary, radical right — that poses a greater and more urgent threat to our democratic way of life? There’s a balance to be struck here — and I’m not saying it’s easy. But the way in which the far left empowers the far right and vice-versa is an important part of the toxic dynamic. I’ll just note that, when push came to shove, I voted for Biden. There is no conceivable scenario in which I would vote for a deranged wannabe-tyrant like Trump. Next up, “a looong-time reader who discovered you in the early aughts”:After a discussion this evening with my housemate I was inspired to look for your It's So Personal threads.  I don't seem to see them in the Substack, and it looks like your dish.andrewsullivan.com site is no longer active. Can you make this thread available to revisit? The whole thread is compiled here. How I framed it at the time:Perhaps the best posts of 2009 were penned by readers, and the most illuminating, gripping and emotional posts were related to late-term abortion, in the wake of the assassination of the abortion doctor George Tiller. I’ve never seen the power of this blog medium so clearly and up-close: one personal account caused a stream of others. How could old-school reporting have found all these women? How could any third-person account compete with the rawness and honesty and pain of these testimonials? It was a revelation to me about what this medium could do.Another listener looks ahead:David French just wrote the op-ed, “A conservative Christian quietly battles against right-wing hysteria,” and he would be an excellent podcast guest.”David is actually scheduled to record a Dishcast later this month, so stay tuned. Another suggestion:Hope you are weathering Covid ok and are feeling better. Suggestion: check out the staggeringly brilliant new essay by N.S. Lyons, “The World Order Reset: China’s Ukraine Catastrophe, the Rise of Trans-Atlantis, and a New Age of Power.” You’ve linked to one of his essays previously, saying it depressed you for a week. You should try to interview this mystery person. Everybody is wondering who Lyons really is. It would be a real coup for your podcast/Substack.Thanks for the suggestion. We’ve actually been in touch. You can send your own guest idea here: dish@andrewsullivan.com. Lastly, because we ran out of room this week in the main Dish for the new VFYW contest photo (otherwise the email version would get cut short), here ya go:Where do you think it’s located? Email your guess to contest@andrewsullivan.com. Please put the location — city and/or state first, then country — in the subject line. Proximity counts if no one gets the exact spot. Bonus points for fun facts and stories. The winner gets the choice of a VFYW book or two annual Dish subscriptions. If you are not a subscriber, please indicate that status in your entry and we will give you a free month subscription if we select your entry for the contest results (example here if you’re new to the contest). Happy sleuthing! Get full access to The Weekly Dish at andrewsullivan.substack.com/subscribe

Coined originally by Sir Thomas More for his 16th-century book, Utopia; a utopia is an imagined community or group that retains highly desirable or nearly faultless merits for its participants. Throughout history, society has strived to create a utopia in small pocket communities, or on a large scale. If utopia is truly a possibility though, what's holding us back from attaining it? Join The Wolf, Bull, and Baewolf in episode 45 as they discuss their opinions on utopia, some modern examples, and whether or not a "nearly faultless" existence can be achieved. New episodes are released weekly! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/wolf-and-the-bull-podcast/support

En una cultura polarizada y de cancelación de quienes despreciamos, la idea de aprender algo bueno de quien no nos parece tan bueno puede sonar fantástica. Sin embargo, una reciente nota editorial de Margaret Renkl, publicado por The New York Times, nos presenta la figura históricamente ambivalente de Sir Thomas More, canciller del rey Enrique VIII de Inglaterra. Para los anglicanos, More fue fanático católico sediento de sangre. Para los católicos, es literalmente un santo protector de políticos y estadistas. Así que, existe la posibilidad de que alguien no sea tan malo para ser completamente rechazado, o que no sea tan santo como para que lo aceptemos de forma total y absoluta. ¿Se podrá aprender algo bueno, de alguien malo? See omnystudio.com/listener for privacy information.

Over 500 years ago, Sir Thomas More wrote about utopia. Since then, countless communities around the world have worked to create their own versions of a perfect world. This hour, we look at examples of utopian communities from around the world. GUESTS: Avery Trufelman: Host of the podcast Nice Try! Akash Kapur: Author of Better to Have Gone: Love, Death, and the Quest for Utopia in Auroville Samir Patel: Editor-in-chief of Atlas Obscura Join the conversation on Facebook and Twitter. The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Colin McEnroe, Jonathan McNicol, and Cat Pastor contributed to this show, which originally aired August 18, 2021.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

TOPICS: Thomas Jefferson and the Declaration of Independence, debating a cashless society, & Sir Thomas MoreHost Scot Bertram talks with Matthew Spalding, Vice President of Washington Operations and Dean of the Van Andel Graduate School of Government at Hillsdale College, about how Thomas Jefferson influenced and helped shape the Declaration of Independence. New York Times bestselling author and economist James Rickards presents the current state of the cashless society. And Stephen Smith, Dean of Humanities and Professor of English at Hillsdale, discusses Sir Thomas More and his recent book, THE ESSENTIAL WORKS OF THOMAS MORE.See omnystudio.com/listener for privacy information.

The British didn't say ghost. They said haunt or spectre. If you read Chaucer, Shakespeare, or Sir Thomas More, they mention haunt. “Haint” is the Gullah dialect for "haunt”. Haint blue keeps the haints out.

Over 500 years ago, Sir Thomas More wrote about utopia. Since then, countless communities around the world have worked to create their own versions of a perfect world. This hour on the Colin McEnroe Show, we look at examples of utopian communities from around the world. GUESTS: Avery Trufelman - Host of the podcast Nice Try! Akash Kapur - Author of Better to Have Gone: Love, Death, and the Quest for Utopia in Auroville Samir Patel - Editor-in-chief of Atlas Obscura Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Today's episode of the Alchemy of Art podcast features a chat about the history of Sir Thomas More's book Utopia and the lessons to be learned from Utopian ideals. On the Alchemy of Art podcast we chat about the creative process and philosophy.  Each episode includes stories, dreams and reflections to inspire you and keep you going.  Hosted by Vita, a contemporary impressionist painter, art teacher, author and public speaker.  Find out more at https://studioalchemy.art/. Take online creativity classes at:  https://the-alchemy-of-painting.teachable.com/courses

This Sunday's episode of Catholic Life Lessons explains the Catholic view of conscience through the example of Sir Thomas More.

A Man for All Seasons is the true story of Sir Thomas More, Chancellor to King Henry VIII who was executed in 1535 for his refusal to sign the Supremacy Act. Bolt's play was adapted for the screen by Fred Zinnemann in 1966. The film, featuring Paul Scofield as Thomas More, won 6 Academy Awards, including Best Picture, Best Director, and Best Actor (Scofield). It's a thrilling tale of conscience, politics, friendship, faith, and love. Make sure to listen to the episode, and then watch the movie!

In the 1966 film adaptation of Robert Bolt's A Man for All Seasons, the indelible Paul Schofield, who played Sir Thomas More, then Lord Chancellor of England, roared like a lion during his exchange with his young son-in-law, William Roper. The subject of their contention – Richard Rich, the man who would later betray Sir Thomas and become Lord Chancellor himself – asked the incorruptible Sir Thomas if he would employ him under his charge. Sensing Rich's lack of moral fortitude, he denies the request, and the eager Roper implores him to arrest Rich before he becomes an interloper at Court. Having committed no crime as of yet, Sir Thomas says that he shall let him go until he broke a law, even if Rich was the Devil himself.

On this episode, we discuss the thirty-ninth Best Picture Winner: “A MAN FOR ALL SEASONS.”"A Man for All Seasons" is a British biographical drama based on Robert Bolt's play of the same name and adapted for the big screen by Bolt himself. When the highly respected British statesman Sir Thomas More refuses to pressure the Pope into annulling the marriage of King Henry VIII and his Spanish-born wife, More's clashes with the monarch increase in intensity. A devout Catholic, More stands by his religious principles and moves to leave the royal court. Unfortunately, the King and his loyalists aren't appeased by this, and press forward with grave charges of treason, further testing More's resolve.  Directed by Fred Zinnemann, the film stars Paul Scofield as Thomas More, Wendy Hiller as Alice, Leo McKern as Cromwell, Robert Shaw as Henry VIII, Orson Welles as Cardinal Wolsey, Susannah York as Margaret, John Hurt as Rich, Corin Redgrave as Roper, Nigel Davenport as Duke of Norfolk, and Vanessa Redgrave as Anne Boleyn.Here on The Envelope, we discuss & review every Best Picture Winner in the Academy Awards History. We are a Cinema Squad Production, presented on the Cinema Squad Podcast Channel. You can reach anyone here at TheCinemaSquad.com – Just go there to email us, check our bios, and keep up with the latest episode.