Podcast appearances and mentions of Peter Gabriel

Send a textCharles and Graham interview Kate and Ellen from Badapple Theatre about their show, Crumbs.Graham reports on Field Music's new Doors tribute live act, which is going down a (riders in the) storm and reveals the Peter Gabriel album picked for the return of Vinyl Sessions in Harrogate next month.Keep in touch with Two Big Egos in a Small Car:X@2big_egosFacebook@twobigegos

Clownvis rolled into the studio looking like Elvis' chaotic cousin and immediately turned our funny morning show into a full circus (in the best way). He's performing love songs at City Museum tonight, King Scott (who's middle name is Danger) is still rocking the Austin Powers punishment outfit thanks to a Super Bowl bet gone wrong, and somehow we spiraled into Insane Clown Posse Christmas shows, Bozo the Clown lore, and Nickelback rock-throwing incidents. Just a normal day for this comedy show, obviously.But wait — we also dove into AI creating a fake Brad Pitt vs. Tom Cruise fight scene that looks WAY too real. Is Hollywood cooked? Are writers panicking? Is Scott's Austin Powers outfit technically AI at this point? Plus: Ryan Gosling hosting SNL, Kid Rock fighting ticket scalpers, Galentine's Day movie rankings, Peter Gabriel birthday jams, and the most chaotic “Crap On Celebrities” you've heard all week.If you like your daily podcast packed with weird news, pop culture chaos, and just enough sarcasm to question your life choices, congrats — you found your people.Subscribe for more clips from your favorite funny show, and don't forget to hit that bell so you never miss the daily nonsense.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

National Cheddar Day.  Entertainment from 2017  The great Lego spill of 1997, Jesse James robbed his first bank, 2 miles of sewer exploded in Louisville.  Todays birthdays - Tennessee Ernie Ford, Kim Novak, George Segal, Peter Tork, Stodckard Channing, Peter Gabriel, David Naughton, Mena Suvari.  Waylon Jennings diedIntro - God did good - Dianna Corcoran  Dianna on SpotifyCheddar Cheese song - National TreasureBad & Boujee - Migos    Lil Uzi VertBetter man - Little Big TownBirthdays - In da club - 50 Cent     https://www.50cent.com/ 16 Tons - Tennessee Ernie FordWe're the Monkees - The MonkeesWorse things I could do - Stockard Channing in movie GreaseSledgehammer - Peter GabrielDr. Pepper tv commercialLuchanbach Texas - Waylon JenningsExit - A little less alone - Derryl Perry    https://www.derrylperry.com/countryundergroundradio.comHistory & Factoids about today websitecooolmedia.com

Think the Grammys always reward the biggest voices? We put that idea on trial. From Luke Combs and Blake Shelton to Eric Church and Martina McBride, we map the stunning list of country heavyweights with multiple nominations and zero wins—and ask what those numbers really say about merit, timing, and taste. Then we widen the lens: Jelly Roll's breakout sweep, Zac Top's historic Traditional Country win, and how a single new category can rewrite a career's story overnight.We keep the momentum with a packed news slate: Lainey Wilson's cryptic “Can't Sit Still” teasers and possible Netflix tie‑in, Hardy's cinematic multi‑generational collab featuring Tim McGraw, Eric Church, and Morgan Wallen, Tim McGraw's Pawn Shop Guitar tour routing through Fenway Park, and The Voice's two‑hour season launch after the Winter Games. Along the way, we talk performance versus polish, the role of auto‑tune in modern crossovers, and why some artists soar on stage even if the trophies never land.Our community brings the heat with the Question of the Day: name an artist who left a famous band and built a real solo legacy. From Michael Jackson, Phil Collins, Stevie Nicks, and Peter Gabriel to Darius Rucker and Peter Cetera, your picks fuel a rapid-fire tour through rock, country, pop, and beyond. We balance it with a transparent look at the business: do labels still help, or are they just advances with branding? Is touring truly profitable for rising acts in vans and trailers? And how do indie artists build durability when playlist spikes fade?We round it out with a sharp chart rundown—main and indie—plus a 2006 flashback to Carrie Underwood, Rascal Flatts, Keith Urban, Sugarland, Miranda Lambert, and George Strait, showing how yesterday's storytelling still shapes today's sound. If you love country music, industry strategy, and a lively back-and-forth that doesn't hedge, this one's for you.Enjoyed the show? Subscribe, share it with a friend, and leave a review with your pick for the greatest solo career after a famous band—we'll feature favorites next week.Episode LinksTom Harding: https://jayfranze.com/episode30/Dalila Mya: https://jayfranze.com/episode102/Mark Badolato: Send a text Support the showLinks Jay Franze: https://jayfranze.com/ JFS Country Countdown: https://jayfranze.com/countdown/ Contact Contact: https://jayfranze.com/contact/ Socials Instagram: https://www.instagram.com/jayfranze TikTok: https://www.tiktok.com/@jayfranze X: https://x.com/jayfranze YouTube: https://youtube.com/@jayfranze Services Services: https://jayfranze.com/services/ Books Books: https://jayfranze.com/books/ Merchandise Merchandise: https://jayfranze.com/merchandise/ Support Support: https://jayfranze.com/support/ Sponsor the Show: https://jayfranze.com/sponsor/

In Episode 346 of History in Five Songs with Martin Popoff, Martin traces the parallel career arcs of Kate Bush and Peter Gabriel, comparing their conservative early albums, synchronized creative peaks, shared technologies and collaborators, commercial high points, and eventual semi-retirement marked by long gaps, home studios, and artistic mystique. Peter Gabriel – “Modern Love” Kate Bush – “Delius” Peter Gabriel – “Mercy Street” Kate Bush – “Snowed in at Wheeler Street” Peter Gabriel – “Intruder” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 344 of History in Five Songs with Martin Popoff, Martin explores how famously British and international bands—from Yes and Black Sabbath to Bowie, Foreigner, and Peter Gabriel—gradually absorbed American members, not to “become American,” but through creative instinct, convenience, touring realities, and fresh energy that subtly reshaped their sound and identity. Yes – “Cut from the Stars” Foreigner – “Lonely Children” Sepultura – “Unconscious” Rainbow – “Freedom Fighter” Peter Gabriel – “The Family and the Fishing Net” Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the Now Spinning Magazine Podcast, I'm joined by Joe Nally — bassist and vocalist from London heavy metal force URNE.We dive deep into URNE's new album Setting Fire To The Sky: how the songs were written (including a brilliant “Tesco riff” moment), the band's surprisingly broad influences (from Metallica and Priest to soul music, Toto and Peter Gabriel), and how Joe approaches vocals in the studio vs surviving the demands of touring.Joe also shares the meaning behind the album title (with a nod to Ronnie James Dio and Ritchie Blackmore), the story behind the epic closing tracks, working with Troy Sanders, and why heavy metal can be a genuinely spiritual, uplifting force.If you love modern metal with real heart, huge production, and riffs for days — this one's for you.Thank you for all your supportPhilBecome a Patron (free trial -cancel anytime)https://www.patreon.com/nowspinningNow Spinning Magazine Storehttps://burningshed.com/store/now-spinning-magazineVisit the Now Spinning Magazine Merch Shophttps://nowspinningmagazine.co.uk/

Pete Muller on Curiosity, Music, and Living in the Present | Curious Goldfish PodcastIn this episode of Curious Goldfish, host Jason English dives into an engaging conversation with Pete Muller, a multifaceted talent who excels in quantitative finance, crossword puzzle creation, philanthropy, and music. Pete shares insights on living in the present, the dangers of nostalgia, and his journey from finance to becoming a singer-songwriter. They discuss Pete's new album 'One Last Dance', his love for yoga and surfing, and the importance of staying curious and excited about the future. Pete also reveals his efforts in saving the iconic Power Station studio and supporting independent music venues across America. Tune in for a thought-provoking discussion about balancing professional success with personal passions.00:00 Introduction and the Importance of Present Excitement00:57 Welcome to Curious Goldfish01:46 Meet Pete Muller: A Multifaceted Talent05:10 Pete's Journey in Quantitative Finance09:06 Crossword Puzzles and Quantitative Finance13:34 The Art of Poker and Emotional Control15:25 Living in the Present: Yoga, Surfing, and Music21:21 Redefining Success and Personal Reflections21:43 The Antisocial Camp Experience22:56 Finding Joy in Small Moments23:37 The Journey Towards Spirituality24:47 Balancing Resources and Authenticity in Music27:13 The Challenge of Connecting with the Audience28:30 Creating Music and Personal Growth28:57 Future Plans and Goals as an Artist30:47 Recording at Peter Gabriel's Studio33:46 Supporting the Arts and Philanthropy34:48 Reviving the Iconic Power Station Studio38:46 Supporting Independent Music Venues40:41 The Magic of Live Music41:15 Closing Remarks and Holiday Wishes

During The Lamb Lies Down on Broadway Tour, Peter Gabriel informed his Genesis bandmates that he would be leaving once his touring duties were fulfilled. While this was disappointing to the band, some members of the press heralded it as the end of Genesis. However, Tony Banks, Mike Rutherford and Steve Hackett could all contribute to the songwriting as could their wily drummer, Phil Collins. So the band forged ahead and began and exhaustive search for lead singers. To make a long story short, they figured out that Phil had the kind of voice they were looking for and decided it best if he came out from behind the drum kit to be the lead singer. While sometimes replacing the lead singer can cause a revolt of hardcare fans, it actually opened up the band for greater success in the US as they found his funny, entertaining style more fun than the serious, artsy Gabriel. Their first post-Gabriel effort was A Trick of the Tail, a gathering of 8 eclectic songs that hold them to their progressive roots but also branch out into more radio friendly material. The opener Dance on a Volcano let's Hackett and Banks bounce off each other in bombastic proggy fashion while the follow up Entangled is a more lilting back and forth. And it adds a bit of humor as does Robbery, Assault and Battery which lets Collins adjust his accent for different characters. Ripples is a lovely song that would portend more like it in the coming years and Los Endos is a great way to end the album (and a concert). Of course we talk about all the politics, go track x track and discuss how this album started them on a more pop path, one that would end up with them on top of the rock /pop world 10 years later. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

The second full moon of 2026 brings with it the next release from Peter Gabriel, “Put the Bucket Down.” Will the Tabletoppers like it? Will they ever get the name right? Find out as they discuss this track from oi, and opine on the BBC Eras podcast series spotlighting Phil Collins.

After Peter Gabriel announced that he was leaving Genesis, fans worried that it was the death knell for the band. But Banks, Rutherford, Hackett and Collins proved that not only were they far from finished, but that they had some magic up their sleeves. The album, Trick of the Tail, with Phil Collins now on lead vocals, is hailed today as one of their all-time best. Randy Renaud revisits its creation for its 50th anniversary (released Feb. 2, 1976) on the Chronicles of Rock.

During The Lamb Lies Down on Broadway Tour, Peter Gabriel informed his Genesis bandmates that he would be leaving once his touring duties were fulfilled. While this was disappointing to the band, some members of the press heralded it as the end of Genesis. However, Tony Banks, Mike Rutherford and Steve Hackett could all contribute to the songwriting as could their wily drummer, Phil Collins. So the band forged ahead and began and exhaustive search for lead singers. To make a long story short, they figured out that Phil had the kind of voice they were looking for and decided it best if he came out from behind the drum kit to be the lead singer. While sometimes replacing the lead singer can cause a revolt of hardcare fans, it actually opened up the band for greater success in the US as they found his funny, entertaining style more fun than the serious, artsy Gabriel. Their first post-Gabriel effort was A Trick of the Tail, a gathering of 8 eclectic songs that hold them to their progressive roots but also branch out into more radio friendly material. The opener Dance on a Volcano let's Hackett and Banks bounce off each other in bombastic proggy fashion while the follow up Entangled is a more lilting back and forth. And it adds a bit of humor as does Robbery, Assault and Battery which lets Collins adjust his accent for different characters. Ripples is a lovely song that would portend more like it in the coming years and Los Endos is a great way to end the album (and a concert). Of course we talk about all the politics, go track x track and discuss how this album started them on a more pop path, one that would end up with them on top of the rock /pop world 10 years later. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textOn this episode we discuss the upcoming release of Van Halen's 5150 Box and all its glorious extras, the passing of Chuck Negron from Three Dog Night and remember their best songs, we hear new music from Roger Taylor of Queen and the latest Peter Gabriel offering. We play “Poorly Explained Movies” and MixTape (sorry Miss Judgeness, we're dumb!), and climb the Wall of Tunes for a band of regular dudes from South Carolina who became pop stars. #vanhalen #threedognight #hootiehttps://www.facebook.com/obrienanddoug/ https://instagram.com/obrien_and_doug

In this episode of My Music, Graham Coath is joined by Atlanta-based songwriter and multi-project musician Kyle Gordon for a thoughtful, wide-ranging conversation about creativity, truth, and learning to get out of your own way.Kyle reflects on making music in a noisy, algorithm-driven world and why integrity matters more than output or attention. From pastoral soundscapes and field recordings to the value of collaboration, restriction, and trusting other musicians, this is a deep dive into what happens when ego steps aside and the music is allowed to breathe.They talk about growing up on The Beatles, early '90s hip-hop, Nirvana, and the quiet influence of nature; about why not every song needs to fit a project; and how Kyle's current work under his own name has become a space for the in-between moments — the musical equivalent of candid photographs between life's big events.There's also talk of XTC, Peter Gabriel, recording limitations, romantic comedies, churches with good acoustics, and why happiness might be the most underrated artistic goal of all.A gentle, honest conversation about music made for the right reasons — and why that still matters.

Thundercat, Brian Jackson, Nick Marks, Nate Smith, Winderman, Colman & Kimock, and Peter Gabriel were among the new, while we continued looking back a half-century ago with music from Bob James, Return To Forever, Steely Dan, and Tom Waits. Of course, there's much more to amaze and delight, so tap ‘play' and enjoy!Playlist: https://kxsf.fm/schedule/Click on Tuesday's 10-noon slot> FreeFall w/David Bassin This program has been edited from the original broadcast.

Denis Curti"Robert Mapplethorpe. Le forme del desiderio"Palazzo Reale, Milanofino al 17 maggio 2026A Palazzo Reale di Milano, la mostra Robert Mapplethorpe. Le forme del desiderio: un'ampia selezione delle opere più iconiche, potenti, anticonformiste del fotografo statunitense, arricchita da una raccolta di scatti inediti, per offrire ai visitatori di Milano, anche durante il periodo olimpico e paralimpico, la grande opportunità di incontrare l'opera di uno tra i più originali, raffinati e controversi artisti del XX secolo. Promossa da Comune di Milano-Cultura e prodotta da Palazzo Reale e Marsilio Arte in collaborazione con la Fondazione Robert Mapplethorpe di New York, l'esposizione è inserita nell'ambito dell'Olimpiade Culturale di Milano Cortina 2026, il programma multidisciplinare, plurale e diffuso che animerà l'Italia per promuovere i valori Olimpici attraverso la cultura, il patrimonio e lo sport, in vista dei Giochi Olimpici e Paralimpici Invernali che l'Italia ospiterà rispettivamente dal 6 al 22 febbraio e dal 6 al 15 marzo 2026. Curata da Denis Curti, è allestita nelle sale di Palazzo Reale fino al 17 maggio 2026. Nato a New York nel 1946 e morto a Boston a soli 42 anni, Mapplethorpe è uno degli interpreti della controcultura tra gli anni Sessanta e Ottanta, quando la creatività si fa gesto politico e le arti si fondono in nuovi linguaggi di libertà e identità. “Tutto cambia quando l'amica regista Sandy Daley regala a Mapplethorpe una polaroid  - racconta Denis Curti curatore della mostra - e con questa tra le mani, tra il 1970 e il 1971, Robert inizia un percorso legato allo studio del suo autoritratto, concentrato sulla rappresentazione del sesso omoerotico e partendo da se stesso. Nello stesso momento incontra Tom of Finland (pseudonimo di Touko Laaksonen): il primo a dare vita all'estetica omosessuale. Tra di loro nasce una grande amicizia che cambia per sempre la visione di Mapplethorpe. Entrambi esplorano il tema del feticismo, della pelle e della bellezza classica applicata al corpo maschile. Mentre Tom lo faceva con l'esagerazione del disegno, Mapplethorpe lo faceva con la precisione quasi marmorea della fotografia, ma entrambi hanno contribuito a rendere "arte" ciò che prima era considerato solo un materiale sotterraneo”. A Milano protagonista è la sua ricerca estetica, i suoi nudi sensuali che si distinguono per la perfezione formale, una mimesi greca olimpica, in cui risaltano muscolatura e tensione fisica: il corpo, scolpito dall'uso sapiente della luce e dei contrasti, è il mezzo per la sublimazione della sua indagine artistica. “Autodidatta, - continua Denis Curti - Sam Wagstaff (suo mentore e compagno) gli regala nel 1975 la prima Hasselblad, la macchina a medio formato che gli permette di ottenere quella precisione scultorea e quei bianchi e neri perfetti per cui è oggi universalmente conosciuto. L'obiettivo di questa mostra è proprio quello di ricollocare Robert Mapplethorpe nella dimensione della fotografia più alta, tra i più importanti fotografi del XX secolo, oltre la provocazione e oltre la censura”. La costruzione di un percorso espositivo così completo è stata possibile grazie alla generosa collaborazione con la Fondazione Mapplethorpe di New York, creata dallo stesso fotografo nel 1988 pochi mesi prima della sua morte, non solo a tutela del suo lavoro ma anche per finanziare la ricerca medica e i progetti legati alla lotta contro il virus e alla cura dell'HIV.La mostra si snoda infatti attraverso diverse sezioni tematiche con oltre 200 opere che ripercorrono l'intera evoluzione del linguaggio di Mapplethorpe, dagli esordi sperimentali alla maturità stilistica. I primi collage. Il percorso si apre con gli assemblaggi realizzati sul finire degli anni Sessanta. In queste opere, molto rare e poco esposte, in cui Mapplethorpe combina ritagli di riviste, disegni e feticci religiosi, indumenti e oggetti, si riflettono la ricerca sull'identità e il piacere dell'artificio, sperimentati dall'artista con l'obiettivo di creare una relazione con l'altro. Patti Smith e Lisa Lyon. Ampio spazio è dedicato in due sezioni alle muse fondamentali dell'artista. Se i ritratti di Patti Smith immortalano un legame simbiotico e vulnerabile che attraversa decenni, una vera e propria ode indelebile all'amata amica, quelli della campionessa mondiale di bodybuilding Lisa Lyon esplorano una bellezza androgina che trascende le convenzioni di genere, celebrando la potenza fisica attraverso parametri estetici neoclassici. Autoritratti e identità. La sezione degli autoritratti rivela un'introspezione dolorosa e fluida. Mapplethorpe usa la macchina fotografica come uno specchio dell'anima, documentando la propria esistenza dalle pose dandy degli anni Settanta fino alle immagini finali scavate dalla malattia.  Il ritratto. In mostra i volti di celebrità come Andy Warhol, Peter Gabriel, Yoko Ono, Isabella Rossellini. Per Mapplethorpe il ritratto in studio è un incontro tra due anime: un "altare visivo" dove la corporeità viene trasfigurata in leggenda grazie a una cura maniacale per l'equilibrio e la luce. Nudi e fiori. Nudi maschili e femminili celebrano la perfezione classica, sfidando al contempo gli schemi sociali tradizionali. Particolarmente iconiche sono le fotografie dei fiori (calle, orchidee, tulipani), ritratti come apparizioni passionali e "muscoli pulsanti", in bilico tra la sacralità della forma e allusioni delicatamente erotiche. In dialogo con l'Antico. La mostra chiude con una sezione che evidenzia il legame tra la fotografia contemporanea e la statuaria classica. Mapplethorpe usa la sua Hasselblad 500C per "sciogliere" le membra marmoree delle sculture antiche, infondendo loro una scintilla di vita e rendendo la pietra morbida come carne viva.https://marsilioarte.us14.list-manage.com/track/click?u=c47da75d8834873eb7150a10f&id=81ea925391&e=0696917494La retrospettiva Robert Mapplethorpe. Le forme del desidero è il secondo atto di una più ampia trilogia, che ha avuto inizio a Venezia nelle Stanze della Fotografia e proseguirà poi a Roma, al Museo dell'Ara Pacis, dal 29 maggio al 4 ottobre 2026. Ogni evento esplora un percorso di studio e ricerca volto ad approfondire un differente aspetto della figura di Mapplethorpe.  “In Marsilio Arte - afferma Luca De Michelis, amministratore delegato di Marsilio Editori e Marsilio Arte - crediamo che la fotografia sia il linguaggio universale del contemporaneo. Il nostro impegno si concretizza in una visione che unisce la tradizione editoriale di Marsilio alla creazione di grandi progetti espositivi: dalla valorizzazione dei patrimoni di grandi fotografi alla gestione di spazi d'eccellenza come Le Stanze della Fotografia a Venezia. Attraverso una rete culturale che connette città come Venezia, Milano e Roma, vogliamo trasformare l'esperienza di una mostra in un dialogo vivo, dove la qualità del catalogo e il rigore del progetto espositivo si fondono per restituire al pubblico la forza straordinaria dell'immagine”. Accompagnano e approfondiscono la mostra il podcast - disponibile su Spotify, Apple Music e sulle principali piattaforme - Mapplethorpe Unframed, scritto e condotto da Nicolas Ballario, e un catalogo pubblicato da Marsilio Arte, che indaga la vasta produzione e l'evoluzione del linguaggio di Mapplethorpe attraverso 257 opere.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Il vient d'annoncer non pas un mais deux albums ! Un en Mars et l'autre en Mai…En attendant, retour ensemble sur les tubes 80 de Peter Gabriel !

I recently sat down for a podcast interview chat with the Podcaster and Broadcaster Graham Coath. He also runs a social media marketing company & an online community. We chatted about our work careers, people with a disability and labels, diagnosis, attitudes & stigma & also chatted about who our fave singers & musicians are like Kylie and Peter Gabriel!https://www.instagram.com/abetterwayoflifesocial/?hl=en

...y más nuevas canciones de Gorillaz, Thundercat, Peter Gabriel, Melanie Martinez, Poppy, mariagrep + Mundo Prestigio, Natalia Lacunza y Maria Arnal.Escuchar audio

Il vient d'annoncer non pas un mais deux albums ! Un en Mars et l'autre en Mai…En attendant, retour ensemble sur les tubes 80 de Peter Gabriel !

This week on The Metro, Rev. Jeff Ivins brings you the following artists to enjoy: ArcAdiA, New Order, The Flying Pickets, World Party, Tommy Tutone, The Police, Adam And The Ants, Peter Gabriel, Centerfold, Erasure, Midge Ure, The Smiths, Roky Erickson, and finishing off with Nick Straker.

Yet another three hour Prog Spectacular lined up and ready to go including a BRAND NEW track from the Progfather himself - Peter Gabriel. Click play and enjoy your day - Steve & Lou xx   Playlist   Saga – Will It Be You (Live) G3P – Leftovers Blind Ego – Numb Lost In Psalms – 3 a.m. Breakdown Genesis – Eleventh Earl Of Mar Sky Architect – Sandwalker Ozric Tentacles – Switchback Hawkwind – The Future Never Waits Porcupine Tree – Phase III (Astralasia Dream State) Steven Wilson – Impossible Tightrope Neu – E-Musik Perfect Beasts – Genie's Out The Bottle Hallas – Above The Continuum Course Of Fate – Hiding From The Light Peter Gabriel – Put The Bucket Down Ian Neal – Late States

Hoy Phil Collins cumple 75 años y queríamos recordarlo en 'Herrera en COPE' porque, según ha indicado Pilar Cisneros, "está muy muy malito".Phil Collins nació en Londres en 1951 y comenzó su carrera artística como actor infantil antes de dedicarse plenamente a la música. En 1970 se unió a Genesis como batería y, tras la salida de Peter Gabriel en 1975 asumió también el papel de vocalista (tras varias audiciones para buscar cantante) llevando al grupo a un éxito masivo en los años 80.Paralelamente, desarrolló una carrera en solitario extraordinaria, con discos icónicos En 1981 lanzó su primer disco en solitario, Face Value. Ahí apareció “In the Air Tonight” con su famoso redoble de bateríaSu estilo combinó pop, rock y soul, y vendió más de 100 millones de discos en todo el mundo. También triunfó en el cine, especialmente con la banda sonora de Tarzán, que le dio un Óscar. A partir de 2007, su salud empezó a deteriorarse debido a graves problemas de columna y ...

Join Mikey, Grae, Craig & Mezza as they take a look at Peter Gabriels 1992 album "Us", the full follow up to the highly successful "So".An in depth conversation includes, album background, a track by track review, "Secret World" tour memories, the live CD & Bluray, as well as discussing the legacy of this highly emotional record. The team will be back in 2 weeks to turn the spotlight onto Frankie Goes to Hollywood's "Welcome to the Pleasuredome".

We'd love to hear from you! Click here to send us a text. Steve is joined by special co-host Riff Royal for an in-depth review of two solo releases from New Wave icons. Together, they dive into The Ten Crowns, the latest solo album from Erasure front-man Andy Bell, and Night Mirror, the new solo album from Claudia Brücken.The episode also features a packed music news segment, covering new releases and announcements from They Might Be Giants, Morrissey, Peter Gabriel, Ian McNabb featuring R.E.M.'s Peter Buck, and more.Andy Bell: https://www.andybell.com/Claudia Brücken: https://www.claudiabrucken.co.uk/Riff Royal:  Instagram: https://www.instagram.com/riff_royale/?hl=en @riff_royaleStranger Radio website Page: https://www.strangerradio.com/riff-for-love Warrior X Radio: https://warriorxradio.org/the-happenings/ Support the show

Un peu plus de 3 ans depuis leur premier album "Equilibrium", quel bonheur de retrouver la formation initialement crée par  les frères Senizergues : POLYCHROME. D'ailleurs cette histoire de famille n'est pas sans rappeler quelques fleurons du rock progressif français tels que les tôliers Ange ou les plus contemporains Lazuli notamment. Ce tout fraîchement sorti "Someday" est fort réussi, laissant toutes les chances à ces frenchies de rejoindre la cour des grands, avec des textes qui ont du sens, à l'instar de l'extrait diffusé ce soir, traitant de la procrastination qui peut-être individuelle (je connais bien

In Episode 343 of History in Five Songs with Martin Popoff, Martin explores how famously British and international bands—from Yes and Black Sabbath to Bowie, Foreigner, and Peter Gabriel—gradually absorbed American members, not to “become American,” but through creative instinct, convenience, touring realities, and fresh energy that subtly reshaped their sound and identity. Yes – “Cut from the Stars” Foreigner – “Lonely Children” Sepultura – “Unconscious” Rainbow – “Freedom Fighter” Peter Gabriel – “The Family and the Fishing Net” Learn more about your ad choices. Visit megaphone.fm/adchoices

The first reaction video for 2026 with great new music from NMB, Big Big Train, Peter Gabriel, Einar Solberg, Karnivool, and Holosoil.

Ce mardi 20 janvier, RTL2 Pop-Rock Station propose deux heures éclectiques entre classiques, nouveautés et regards sur l'actualité musicale. La soirée s'ouvre avec Gorillaz avec un nouvel extrait de leur prochain album "The Mountain", avant de naviguer entre Björk, Steely Dan, Elvis Costello et The Clash. L'album de la semaine est "The Demise Of Planet X" de Sleaford Mods. Le duo britannique livre un disque abrasif et engagé, porté par une électro-punk radicale et des textes corrosifs, présenté ici avec le morceau-titre. Le parcours se poursuit avec Feist, Dick Dale et une nouveauté d'Archive, "Look At Us". RTL2 Pop-Rock Station enchaîne les temps forts avec la reprise du soir, "Happy House" de Siouxsie And The Banshees revisitée par Ginger Ale, la recommandation de Francis Zégut signée Hey Boby!, et plusieurs nouveautés. Yungblud s'associe aux Smashing Pumpkins sur "Zombie", tandis que la nouveauté Fresh Fresh Fresh met en lumière Dead Chic avec "The Bells And The Fist". La fin d'émission accueille Father John Misty et Peter Gabriel, qui dévoile un nouvel extrait de son projet en cours. Gorillaz (& Bizarrap & Kara Jackson & Anoushka Shankar) - Orange County The Clash - Train In Vain Linkin Park - One Step Closer Björk - Army Of Me Les Rita Mitsouko;The Sparks - Singing In The Shower Dire Straits - Private Investigations Arctic Monkeys - Do I Wanna Know Sleaford Mods - The Demise Of Planet X Steely Dan - Do It Again Feist - 1 2 3 4 Dick Dale - Misirlou Archive - Look At Us Ginger Ale - Happy House Editors - Smokers Outside The Hospital Doors Hey Bobby! - Function Of Friction T.Rex - Get It On Elvis Costello - My Mood Swings Yungblud & The Smashing Pumpkins - Zombie Aretha Franklin - Chains Of Fools Weezer - Beverly Hills Dead Chic - The Bells And The Fists Stretch - Why Did You Do It Kinobe Feat Ben & Jason - Slip Into Something AC/DC - T.N.T. Father John Misty - The Old Law Peter Gabriel - Been Undone (Dard-Side Mix) Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

The Darksiders journey comes to an end! Andre and Thrak play the last game in the series (to date), the top-down diversion known as Darksiders Genesis. Does it match the rest of series' pedigree? Will there be too many Peter Gabriel and Phill Collins jokes? Who's to say, really? Thrak Ops - https://superpodnetwork.com/podcast/call-of-duty-thrak-ops The 3DO Experience - https://superpodnetwork.com/channel/the-3do-experience-video-editions Fine Time on Bluesky - @fineti.me

Cindy Gaber, senior writer for the New York Times and entertainment columnist for the Las Vegas Review-Journal, joins Bob Sirott to talk about new music releases for 2026 and John Mayer’s tribute to Bob Weir. She also shares details about a 3-part docuseries on ABC about the history of daytime talk shows and the second […]

You jump straight into the deep end with Richie Castellano as you explore what happens when preparation collides with opportunity. You follow his path from mixing weddings to standing behind massive analog rigs, wrangling six guitar channels, chasing down mysterious hums, and learning fast that the gremlins always show up when you least expect them. When the call comes to go from being Blue Oyster Cult’s sub sound engineer to bass player in four days with 21 songs to learn, the lesson is clear: play something you know, rehearse smart, and build a Just In Case bag that saves the gig. Success is not luck. It is preparation meeting the moment, and you are either ready or you are not. In order to Always Be Performing you need to Always Be Preparing! As the conversation deepens, you learn how adaptability gets and keeps gigs, from joining the culture of a band to solving problems so painlessly you become indispensable. Richie breaks down the craft of learning, teaching, and arranging vocal harmonies, including Yes music at the highest level, where not nailing the vocals means the whole thing falls apart. You hear why simplifying is sometimes the smart move, how spreadsheets can ease rehearsals, and why blending matters more than showing off. The episode closes with practical wisdom on collaboration with front of house, constant communication inside the band, and surrounding yourself with people on the same mission. This is a masterclass in being prepared, predictable, drama-free, and trusted when it counts. 00:00:00 Gig Gab 516 – Monday, January 12th, 2026 January 12th: National Hot Tea Day Guest co-host: Richie Castellano NAMM coming up! GG Coverage Sponsor: Ultimate Ears Pro! 00:01:40 From mixing weddings to arenas overnight Called to sub as Blue Oyster Cult's sound engineer Steve “Woody” La Cerra “Make them sound like a big bad rock band” 00:06:53 The differences doing sound in a big room? Six channels of guitar for 3 guitar players! Where's the cowbell?!? 00:10:28 Arriving ten minutes before downbeat with the biggest system of my life And it's analog! What's that low hum 00:12:49 The Gremlins That Run Around On Stage When You're Not Looking Play something you know 00:17:46 SPONSOR: Squarespace. Check out https://www.squarespace.com/GIGGAB to save 10% off your first purchase of a website or domain using code GIGGAB. 00:19:10 From sound to…playing bass in four days! Here's 18 songs… I mean 21 songs. Be ready to play this by Friday Success is when preparation meets opportunity. Here's the opportunity. Now you have to prepare for it! Buck Dharma on Gig Gab First gig was canceled… But that led to a rehearsal Time to talk about the JustInCase…aka the Idiot Bag! Plugged into the TV to rehearse 00:22:39 “If you can do this five times in a row, this will be your gig.” 00:25:02 Do you just want me to join the band? If you solve a problem for someone painlessly, you're not likely to be replaced. Be Prepared and Predictable And No Drama 00:28:41 Joining the culture of a band Matt Beck on guitar for the recent Jon Anderson tour fit perfectly Being adaptable gets and keeps gigs 00:33:22 Learning and teaching harmonies Learning how to soften and blend 40th Anniversary of Agents of Fortune A trick: learn how to do impressions. “Sing this like Peter Gabriel”, “Sing this like Michael McDonald” 00:39:51 Arranging Harmonies for Yes music Don't be afraid to simplify, folks Use a spreadsheet! Get it to “the best WE can do it” Then ask “how can we make this blend better?” 00:45:13 If we don't nail the vocals, we suck! 00:48:29 The collaboration between band and front of house Ask front of house engineer: What do you need from me to sound good? End sound check with an a capella vocal moment 00:52:24 Talk to your bandmates and continually tweak things “Why does your snare drum sound different today?” 00:54:11 Surround yourself with bandmates who are on the same mission 00:59:58 When bands write vocal harmonies 01:04:18 Gig Gab 514 Outtro Follow Richie Castellano Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Be Prepared and Predictable: How Richie Castellano Stays Gig-Ready — Gig Gab 516 appeared first on Gig Gab.

Black Sabbath's Geezer Butler explains why he's using AI vocals on his demos for his new upcoming solo album, Alex Van Halen reveals he's digging into the Van Halen vaults and working with Toto's Steve Lukather on a new musical project, David Bowie's childhood home in southeast London will be open to the public as a museum starting in 2027, Peter Gabriel's new album will be released with a schedule based on the phases of the moon; releasing individual singles every month, and we'll watch the viral video of a stage dive fail of a fan literally ‘bound for the floor' at a Local H show in Wisconsin… PLUS ‘This Week in Rock & Roll History Trivia', Rock Birthdays, ‘The Best & Worst Rock Album Artwork of the Week' & much more!All of our links are up at www.rocknewsweekly.com every Monday, where you canCheck it out on 8 different platforms (including Amazon Audible & Apple/Google Podcasts)Watch us LIVE, chat with us & more…Every Sunday around 2pm PST @ https://www.twitch.tv/rocknewsweeklyWatch all of our videos, interviews & subscribe at Youtube.com/@rocknewsweeklyFollow us online:Instagram.com/rocknewsweeklyFacebook.com/rocknewsweeklyTwitter.com/rocknewsweeklyTikTok.com/@rocknewsweekly#GeezerButler #DavidBowie #AlexVanHalen #PeterGabriel #LocalHStageDive #Rock #News #RockNews #RockNewsWeekly #RockNewsWeeklyPodcast #Podcast #Podcasts #Metal #HeavyMetal #Alt #Alternative #ClassicRock #70s #80s #90s #Indie #Trivia #RockTrivia #RockBirthdays #NewMusic #NewMusicReleases

John Metcalfe was born in New Zealand but he's been British based for years. He's a celebrated arranger, composer, producer and violist. His music is a unique combination of classical, pop, electronica and who knows what else. He's worked with Andrea Bocelli, Blur, Peter Gabriel, George Michael, Coldplay and U2. He's a member of the classical Duke Quartet. He's also been part of the Durutti Column, a post punk outfit. He's been called “one of the UK's best, most consistently brilliant artists.”My featured song is “Ma Petite Fleur String Quartet”, my recent release. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH JOHN:www.john-metcalfe.co.uk—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Eliza Marshall is a British flute player acclaimed for her expressive multi-style playing and in this episode we're celebrating her new album “Eternal Birth” in which this award-winning flautist and composer channels over two decades of international collaboration into a bold, genre-defying album, with a rich cinematic soundscape, blending classical, folk and world traditions, with haunting flutes, whistles, bansuris, spoken word, percussion and electronics. Recorded in both the UK and Senegal, the album features an extraordinary line-up of world-class andGrammy Award-Winning musicians: Ady Thioune, Ansumana Suso, Drew Morgan , Dónal Rogers, and Lena Jonsson . Eliza shared her rich musical life: her studies with Michael Cox, her varied career including performing on the long-running West-End show The Lion King in London, touring with Peter Gabriel, and the joys and challenges of using a loop pedal. She shared insights about the importance of the folk band Ranagri in her life, her multi-disciplinary project Freedom to Roam, her love of the Hebrides Islands, the importance of re-wilding, and finding the courage to push boundaries and take risks.This episode is being released a few days before the release of Eternal Birth; you'll find the pre-order link on Eliza's website. I was really inspired to exchange ideas with Eliza about living a life rich with connection and creativity. Show notes take you to linked episodes you'll love, the video, transcript, podcast Newsletter to get access for exclusive information about upcoming guests, and support link for this independent project for which I do all the many jobs! (also podcast merch)Complete Show Notes Eliza Marshall WebsitePhoto: Jason SheldonTimestamps: (00:00) Intro(03:04) album “Eternal Birth”, Lena Jonsson, with clip of They Listen (06:29) layering textures, interest and research into music of Africa, percussionist Ady Thioune(09:13) youth Steiner Education, trip to Buea,Cameroon(11:13) about Roots Entwined, with clip of track 2(13:28) many different flutes, collaborating with Joby Talbot(17:40) about track 3, Our Times Reborn with clip(19:56) joy in composing, Reich influence, Sarah Jeffery(21:45) Michael Cox, learning different flutes and styles(26:25) Freedom to Roam project(31:32) Dónal Rogers, Ranagri, staying with projects long-term(36:08) linked episodes and buying me a coffee to keep this podcast going(37:08) Leah improv and podcast, Hebrides Islands, re-wilding(43:03) loop pedal, Linsey Pollak, getting outside your comfort zone, The Lion King job(53:45) Ansumana Suso on kora, safeguarding the fertility of the Earth, with clip of track 6 On and On(56:49) Ady Thioune, trips to Senegal (01:02:48) Rebeca Omordia, Omo Bello, my podcast(01:05:55) playing with Peter Gabriel(01:08:30) mortality with clip track 7 Dust to Dust (01:12:14) Stevie Wonder, studio work, love of film music, album cover meaning(01:16:56) Embracing our interconnectedness, with clip of track 8 Interconnected, self-care

Here we go again! Peter Gabriel is back (so soon!) with the forthcoming album, o/i, a follow-up to 2023's i/o. As before, a new track will be released each month to coincide with the full moon. The Tabletoppers discuss the first release, “Been Undone.”

To celebrate the 35th anniversary of Blood Sugar Sex Magik, the Red Not Chili Peppers are performing the album in its entirety on select tour dates this year. In further celebration of the diamond album, Greg has a new round of Viral or Eyeroll.Song: Wayne Shorter- “Black Nile”Jay has a melange of topics to bring this week in Jay's Jambalaya. Peter Gabriel has another new album coming out, the Corporation for Public Broadcasting has dissolved, and Phish's New Years Show was amazing.Song: Peter Gabriel - “Been Undone (Dark-Side Remix)”Finally, it's News with Nick! Drake is accused of RICO gambling and a stream-boosting scheme, Steven Drozd is out of the Flaming Lips, and YouTube stops sending its streaming data to Billboard.Song: Gumby's Junk - “Tender Bender”

Send us a textOn this episode we discuss Alex Van Halen teaming with Toto's Steve Lukather, the Vinnie Vincent album that will probably never be released, new music from Peter Gabriel, plus, we introduce a new segment about movies, play MixTape, and climb the Wall of Tunes for O'Brien's latest pickup at his favorite record store. #vanhalen #petergabriel #mrbighttps://www.facebook.com/obrienanddoug/ https://instagram.com/obrien_and_doug

We Sat Down With Rockstar Music Producer Bob Ezrin & Uncovered Insane Secrets! Take a masterclass in record production, creativity, and music career success with legendary producer Bob Ezrin. From working with Pink Floyd, Kiss, and Alice Cooper to embracing the rise of AI in music production, Bob shares secrets behind iconic albums, the importance of emotional intelligence in the studio, and how to nurture future music business talent. Tune in for game-changing insights into music production, mental health, and the ever-evolving music industry!

https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]

Happy New Year! To ring it in, and to celebrate 950 episodes, Desmond and Tom talk all about the influential British cosmic horror pulp hero: Professor Bernard Quatermass! In this episode, we talk about The Quatermass Xperiment (aka The Creeping Unknown), Quatermass 2 (aka Enemy from Space), Quatermass and the Pit (aka Five Million Years to Earth), and the four part TV serial The Quatermass Conclusion (aka Quatermass). Songs included: "Dead Astronauts" by The Gizmos, "Rocket Freak" by Monster Magnet, "They Came from Space" by Unto Others, "Intruder" by Peter Gabriel, "The Hippy Killers" by Bad Religion, and "Eye of Mars" by Imperial Triumphant. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

Peter Gabriel achieved his biggest solo success in 1986 with the album So. Not only did it produce some of the most memorable music videos of the decade, but it also produced some of the best songs. It took a number of years before the proper follow-up, Us, was released in 1992. By then things had changed but, in many ways, Gabriel had not. 

Nach dreiwöchiger Sounds!-Pause ist die liebste Musikshow der Nation wieder zurück. Sounds! legte zwar die Füsse hoch, die Musikindustrie war aber weiterhin fleissig: Neues von Doechii und SZA, Albumankündigung von Peter Gabriel und ein neues Projekt von Alt-J-Frontmann Joe Newman. Wir hören durch!

Happy New Year! To ring it in, and to celebrate 950 episodes, Desmond and Tom talk all about the influential British cosmic horror pulp hero: Professor Bernard Quatermass! In this episode, we talk about The Quatermass Xperiment (aka The Creeping Unknown), Quatermass 2 (aka Enemy from Space), Quatermass and the Pit (aka Five Million Years to Earth), and the four part TV serial The Quatermass Conclusion (aka Quatermass). Songs included: "Dead Astronauts" by The Gizmos, "Rocket Freak" by Monster Magnet, "They Came from Space" by Unto Others, "Intruder" by Peter Gabriel, "The Hippy Killers" by Bad Religion, and "Eye of Mars" by Imperial Triumphant. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

- Brighteon's AI Developments and New Applications (0:00) - Creating a Song in the Style of Peter Gabriel (1:10) - AI's Role in Enhancing Human Life and Economic Disruptions (3:12) - The Great Divergence Song and Music Video (4:38) - AI Mimicry and Its Ethical Implications (12:22) - Silver Market and China's Impact (12:42) - Economic and Political Predictions for 2026 (31:18) - The American Tax Revolt Begins (57:40) - Alternative Solutions to Government Taxation (1:19:02) - Preparing for Economic Collapse and Currency Reset (1:24:39) - Mike Adams' Introduction and 2026 Outlook (1:27:45) - Dave DeCamp's Assessment of 2026 Conflicts (1:29:13) - Trump's Campaign Promises vs. Reality (1:30:21) - Impact of Trump's Loyalty to Netanyahu on Midterms (1:32:23) - Trump's Relationship with Al Qaeda Leaders (1:36:23) - Trump's Threats to Strike Iran Again (1:38:01) - Geopolitical Implications of Iran's Missile Capabilities (1:52:28) - The Role of Antiwar.com in Promoting Peace (1:52:51) - The Political Left and Right on War (1:54:53) - The Economic Cost of War (2:01:31) - The Future of Warfare and US-China Relations (2:11:14) For more updates, visit: http://www.brighteon.com/channel/hrreport  NaturalNews videos would not be possible without you, as always we remain passionately dedicated to our mission of educating people all over the world on the subject of natural healing remedies and personal liberty (food freedom, medical freedom, the freedom of speech, etc.). Together, we're helping create a better world, with more honest food labeling, reduced chemical contamination, the avoidance of toxic heavy metals and vastly increased scientific transparency. ▶️ Every dollar you spend at the Health Ranger Store goes toward helping us achieve important science and content goals for humanity: https://www.healthrangerstore.com/ ▶️ Sign Up For Our Newsletter: https://www.naturalnews.com/Readerregistration.html ▶️ Brighteon: https://www.brighteon.com/channels/hrreport ▶️ Join Our Social Network: https://brighteon.social/@HealthRanger ▶️ Check In Stock Products at: https://PrepWithMike.com

Peter Hammill has spent nearly six decades building the most devoted following imaginable – Bowie, Peter Gabriel and Mark E Smith among them. ‘Rock And Role' tells his invigorating story, beautifully illustrated with photos, cuttings, artwork and memorabilia. Author Joe Banks looks back at his life, impact and captivating way with words, and stops off at … … the value of looks and charisma in the days when labels hadn't the faintest idea of the future … how Hammill “created a world to live inside and broadcast from” … psychedelic cabaret with wolf masks and blood capsules … meeting Hammill's muse and former girlfriend Alice: “50 years later, each still think the other one left them” … “songs that ask the big questions about life” … discovering VDGG in 1984 (via Marillion) and piecing together their story in the days before the internet … public school, Gilbert & Sullivan and the Hallelujah Chorus … the influence of A Plague of Lighthouse Keepers on Genesis' Supper's Ready … his plans with Mark E Smith and how Bowie had every new album delivered to him all his life … Charisma, Tony Stratton-Smith and the freedom to experiment … the intensity of his following in Japan and Italy: “there's no such thing as a casual Hammill fan”. Order ‘Rock And Role' here: https://burningshed.com/store/kingmakerHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Peter Hammill has spent nearly six decades building the most devoted following imaginable – Bowie, Peter Gabriel and Mark E Smith among them. ‘Rock And Role' tells his invigorating story, beautifully illustrated with photos, cuttings, artwork and memorabilia. Author Joe Banks looks back at his life, impact and captivating way with words, and stops off at … … the value of looks and charisma in the days when labels hadn't the faintest idea of the future … how Hammill “created a world to live inside and broadcast from” … psychedelic cabaret with wolf masks and blood capsules … meeting Hammill's muse and former girlfriend Alice: “50 years later, each still think the other one left them” … “songs that ask the big questions about life” … discovering VDGG in 1984 (via Marillion) and piecing together their story in the days before the internet … public school, Gilbert & Sullivan and the Hallelujah Chorus … the influence of A Plague of Lighthouse Keepers on Genesis' Supper's Ready … his plans with Mark E Smith and how Bowie had every new album delivered to him all his life … Charisma, Tony Stratton-Smith and the freedom to experiment … the intensity of his following in Japan and Italy: “there's no such thing as a casual Hammill fan”. Order ‘Rock And Role' here: https://burningshed.com/store/kingmakerHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Savage Garden frontman Darren Hayes has lived quite the life.Hitting Number 1 around the world in 1997 with their debut album, he recently shared what was going on behind the scenes at that time, in his beautiful and devastating memoir, Unlovable.When he joined Zan Rowe to Take 5 back in 2024, he shared a whole new side of one of Australia's biggest stars.Peter Gabriel - 'Love To Be Loved'This is one of the Best Bits from Take 5. You can hear the full episode here: https://www.abc.net.au/listen/programs/take-5/darren-hayes-take-5-love-songs/104604586

In this episode of Working Class Audio, Matt welcomes mastering and lathe cutting engineer Natalie Bibby who works at AIR Studios in the U.K.. Natalie has worked with Kraftwerk, Bring Me The Horizon, Lola Young, Jimmy Eat World, The Vaccines, Lewis Capaldi, GIRLI, and CATTYShe's also led a world-class mastering workshop at Peter Gabriel's Real World Studios, UK.In This Episode, We Discuss:Early musical influencesStarting in recording & mixingUniversity training & goalsMetropolis internship lessonsMoving into masteringLive cuts & direct-to-discHalf-speed mastering overviewLearning & mentorship insightsJoining AIR StudiosAIR StudiosValue of attended sessionsManaging client expectationsHybrid mastering workflowsHow mastering engineers listenCommon mixing problemsMusic Producers Guild Challenges for studiosAIR's cutting reputationVinyl cutting processMastering vs. cuttingAmerican mastering mystiqueLinks and Show Notes:AIR StudiosMusic Producers GuildMatt's Rant: How we present ourselvesCredits:Guest: Natalie BibbyHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

Welcome to an extraordinary edition of the Takin’ A Walk podcast from Buzz Knight music and the “Master of Music Mayhem,” Harry Jacobs. This comprehensive look at weekly music history explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. For listeners of this weekly music history episode note the Buzz Knight music podcast replay of "Takin A Walk" with the incredible Julian Lennon. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.