Podcast appearances and mentions of Peter Gabriel

Helen and Gavin chat about Sentimental Value, Hamnet, Wake Up Dead Man, and Jay Kelly and it's Week 29 of the list of Grammy Record of the Year Winners from 1987, which will be picked from Sledgehammer by Peter Gabriel, Greatest Love of All by Whitney Houston, Addicted to Love by Robert Palmer, That's What Friends Are For by Dionne Warwick and Friends, and Higher Love by Steve Winwood.

Hoy en La Gran Travesía viajamos hasta el año 1986 en un programa donde podréis escuchar a Iggy Pop, Depeche Mode, Green River, Guns N´ Roses, Police, Tesla, New Model Army, Megadeth, Talking Heads, Beastie Boys, Bon Jovi, Paul Simon, Joe Satriani, Genesis, Peter Gabriel.. También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo. Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas tiendas, Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Daen Cho, Diego Román, Tole, Raquel, Poncho C, Contell Carles, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

Good Morning, ‘Hark!' ‘Do you hear what I hear?' ‘They said there'd be snow this Christmas; they said there'd be peace on earth' ‘Do they know it's Christmas?' ‘I pray God it's our last!' Throughout the land the lyrics of Christmas songs are being piped in shopping centres and pubs and, loved or loathed, we sing along. This year's official Christmas No1 will be decided on Friday. Current favourite is Kylie, with oldies from George Michael and Slade chasing hard. As Slade's Noddy Holder sings; ‘Does your granny always tell ya that the old songs are the best.' Then, in a tradition begun by Lennon and taken up by Rage Against The Machine, there are the Christmas protest songs. This year's from Brian Eno and Peter Gabriel with ‘Lullaby', a song for Gaza, and Billy Bragg's ‘Put Christ Back Into Christmas', with Bragg asking us ‘to stand with those who need the most' and reminding us that Christmas celebrates the birth of a refugee. It seems very British to me that we are free to mix protest in with sentimentality and silliness. The Christmas story is spacious enough to contain all our hopes and fears, our joy and praise, our rage and indifference. Even our scrooge-iest revulsion. For I contend that the birth of Christ is itself a kind of cosmic protest song. The original Christmas No.1 was after all sung by angels to people at the margins of society: the young Mary and Shepherds, those far from the corridors of power and status; a startling song that announces a change to the status quo, a tune sweeter and louder than the prevailing mood music of despair, the monotonous dirge of violence and oppressive power, of one bad thing after another: ‘Do not be afraid' it declares. ‘There will be peace on earth.' It's arguable that we might never have heard this story had the message not been sung to people who were immediately in tune with it, and able to sing back in words of astonished wonder and praise: ‘he has scattered the proud, put down the mighty, exalted those of lowly degree.' Or ‘My eyes have seen your salvation.' Once you've ‘hailed the incarnate deity'; or seen the Godhead veiled in flesh, the chances are you're going to sing about it. Christmas invites the world to sing a different tune. I'd even suggest that part of the reason we still sing about it – even if we stray into sentiment - is that its core melody is like a pop tune or great carol you can't help but sing along with. ‘No. I can't get you out of my head; because God and sinners are reconciled; because mild he lays his glory by; the hopes and fears of all the years are met in thee; And so this is Christmas.'

This week on The Metro, Rev. Jeff Ivins brings you the sounds of the 80s with: Olivia Newton-John, Bow Wow Wow, Bronski Beat, Kate Pierson, Peter Gabriel, Annie Lennox, Sigue Sigue Sputnik, Violent Femmes, Adam & The Ants, David Byrne/Ghost Train Orchestra, Heaven 17, Greg Kihn, Gary Numan, and finishing off with Martika.

Green Day : Boulevard Of Broken Dreams La Reprise L'originale The Relatives : With Or Without You U2 : With Or Without You For Those I Love : I Have A Love King Crimson : Epitaph Yes : Roundabout Karnivool : Aozora Peter Gabriel : Red Rain Kanadia : I'm Falling Whitesnake : Still Of The Night La Reprise L'original Halestorm : Get Lucky Daft Punk : Get Lucky Mouth Ulcers : Western Horror Story Best Albums 1968. MC 5 : Kick Out The Jams The Jimi Hendrix Experience : All Along The Watchtower The Beatles : While My Guitar Gently Weeps The Rolling Stones : Street Fighting Man Cream : White Room Archive : Remains Of Nothing (Feat Band Of Skulls ) Public Service Broadcasting : I Was Always Dreaming (Mate Night Final Remix) Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Send us a message, so we know what you're thinking!Well, we made it! 100 episodes & still going strong!  (Except for a bit of a medical interlude for both of us.) Who'd have thought the views of a pair of opinionated Aussie music fans could have entertained so many for so long?   In this episode, we celebrate the artists, music & events we've covered over the last five years.  Mick's habit of tapping the table when he gets excited; Jeff's potty-mouth; The origin of the Globite School Bag as a staple of the program.    We look at where our listeners live – and how on Earth they find out about us!  Revisiting some of your favourite episodes shows how time has proven us right on some of our more strident opinions, such as “Roxy Music peaked in 1973”, and “Warren Zevon is one of the greatest songwriters ever”!  To top it all off, the soundtrack for five years of “Mick & The Phatman Talking Music” is awesome.  You're going to love it!!  See you next year.   Playlist:  100 EpisodesReferences: Globite Bags, music expertise, facts and experiences, “Baby, you can drive my car”, f-word, Roy & H.G., “This Sporting Life”, “Bludging on the Blind Side”, strong music opinions, accessible music, “Revolver”, Kurt Cobain's suicide, Nirvana, Far Out Magazine, 17 years old, Frankfurt, “How Good is Goodbye Yellow Brick Road”, Spandau Ballet, Elton John, Fairport Convention, Richard & Linda Thompson, Sandy Denny, Fotheringay, Robert Plant, "The Battle of Evermore", Led Zeppelin, “Bring it back!  Bring it back!”, Tommy, London Symphony Orchestra, "It's a Boy", Nick Lowe, “What's so funny about peace, love & understanding?”, "Cruel to Be Kind", "I Love the Sound of Breaking Glass",  "I Knew the Bride (When She Used to Rock 'n' Roll)", Rockpile, Dave Edmunds, Elvis Costello, Graham Parker, The Pretenders, Jarrah McCleary, Panama, Gordon Ramsay, “Supergroups”, Billy Idol. Shane McGowan's teeth, “Nick Cave - his early days”,Colin Greenwood, Rolling Stone Top 500 Songs of All Time, "Rust Never Sleeps", Neil Young, “My My, Hey Hey (Out of the Blue)", "Powderfinger"."Stranded", Roxy Music, “Futurist”, “For Your Pleasure”, The Angels, "Am I Ever Gonna See Your Face Again", "Take a Long Line", ” No Way!  Get Fucked!  Fuck Off!”, Nico, Leonard Cohen, John Cale, Sex Pistols, Siouxsie Sioux, Television, Warren Zevon, The Beatles, Coldplay, Weird Al Yankovic, Led Zeppelin, Bowie, Peter Gabriel, “Melt”, Rob Younger, Ozzy, Billy Idol, Artificial intelligence, Mick & the Phatman podcast art, 1001 Albums You Must Hear before You Die, Robert Dimery, “Machine Gun Etiquette”, The Damned 

I denne uges udsendelse skal vi desværre til at sige farvel til noget som har eksisteret lige siden vores fødeår. Det var nemlig i 1981 at TV-kanalen MTV åbnede i USA, og den kom med det samme til at ændre den måde lyttede (eller så) musik på. For et par uger siden blev det meddelt, at man fra 2026 lukker alle MTV's kanaler i Europa, og derfor tænkte vi, at det var på tide, at vi hyldede en af de største musikalske påvirkninger i vores liv. Vi er gået i arkiverne og det betyder, at det bliver til masser af klassiske klips fra MTV-programmer som European Top 20, Most Wanted, Yo! MTV Raps, Greatest Hits, MTV Dial og MTV Unplugged. Vi kommer også til at møde nogle af de fantastiske VJ's, deriblandt de to danskere Maiken Wexø og Thomas Madvig, og så spiller vi masser af musik fra forskellige MTV-kunstnere som Madonna, Dire Straits, Pat Benetar, Michael Jackson, 2 Unlimited, The Stone Roses, a-ha, The Cars og Peter Gabriel. Derudover kigger vi på af de mest sagnomspundne øjeblikke i musikhistorien, som selvfølgelig skete til MTV's helt egen prisuddeling, MTV Video Music Awards i 1984. Vi serverer Afternoon Tea for Helle Thornings mand Stephen Kinnock, Andy viser at han er glødende Rod Stewart fan, vi afslører hvem der åndede i et glas (som man så efterfølgende kunne vinde), og så bliver det også lige til et par afstikkere til en lidt chokeret Eddie Murphy, Al Agami som gæsterapper hos Ray Cokes, alt for tynde vinterjakker, en bankmand der ligner skuespilleren Andy Serkis, forvirrende tidszoner og dyre telefonregninger. Playliste: The Buggles - Video killed the radio star Pat Benetar - You better run Rod Stewart - She wont dance with me Dire Straits - Money for nothing Ray Cokes & The Sex Gods - Simply sexy Jade - Don't walk away 2 Unlimited - Tribal dance The Stone Roses - So young King - Love & pride The Cure - Just like heaven (Live at MTV Unplugged) Electronic - For you Madonna - Like a virgin (Live at MTV Video Music Awards 1984) The Cars - You might think Youssou N'Dour & Neneh Cherry - 7 seconds Aimee Mann - I should've known Michael Jackson - Thriller a-ha - Take on me Peter Gabriel - Sledgehammer

In this episode of Working Class Audio, Matt welcomes mastering and lathe cutting engineer Natalie Bibby who works at AIR Studios in the U.K.. Natalie has worked with Kraftwerk, Bring Me The Horizon, Lola Young, Jimmy Eat World, The Vaccines, Lewis Capaldi, GIRLI, and CATTYShe's also led a world-class mastering workshop at Peter Gabriel's Real World Studios, UK.In This Episode, We Discuss:Early musical influencesStarting in recording & mixingUniversity training & goalsMetropolis internship lessonsMoving into masteringLive cuts & direct-to-discHalf-speed mastering overviewLearning & mentorship insightsJoining AIR StudiosAIR StudiosValue of attended sessionsManaging client expectationsHybrid mastering workflowsHow mastering engineers listenCommon mixing problemsMusic Producers Guild Challenges for studiosAIR's cutting reputationVinyl cutting processMastering vs. cuttingAmerican mastering mystiqueLinks and Show Notes:AIR StudiosMusic Producers GuildMatt's Rant: How we present ourselvesCredits:Guest: Natalie BibbyHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

Welcome to an extraordinary edition of the Takin’ A Walk podcast from Buzz Knight music and the “Master of Music Mayhem,” Harry Jacobs. This comprehensive look at weekly music history explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. For listeners of this weekly music history episode note the Buzz Knight music podcast replay of "Takin A Walk" with the incredible Julian Lennon. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Welcome to an extraordinary edition of the Takin’ A Walk podcast with host Buzz Knight and the self-proclaimed “Master of Music Mayhem,” Harry Jacobs. This comprehensive music history podcast episode explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

In dieser besonderen Live-Episode vom Studiosofa Podcast auf der LEaT con 2025 sprechen wir mit niemand Geringerem als Hans-Martin Buff – Grammy-Gewinner, Prince-Engineer, Peter-Gabriel-Mixer und Wegbereiter von immersiver Musikproduktion.Er berichtet über seinen Grammy für Peter Gabriels i/o Album, erklärt, warum Immersive Audio für ihn das kreativste Format unserer Zeit ist und verrät, wie er seine Karriere vom Assistenten in Minneapolis zum gefragten 3D-Audio-Mischer aufgebaut hat. Dazu teilt er ehrliche Einschätzungen zu Dolby Atmos, verrät seine Lieblings-Plug-ins und erklärt, warum „die Macht, Nein zu sagen“ sein wichtigstes Karriere-Werkzeug ist.Ein energiegeladenes Gespräch voller Insights, Humor, Ehrlichkeit und wertvollen Impulsen für Producer, Engineers und alle, die in 3D-Audio tiefer einsteigen wollen.Sound&Recording-Magazin | Studiosofa PodcastWebsite: ⁠⁠⁠soundandrecording-magazin.de⁠⁠⁠WhatsApp-Gruppe: ⁠⁠⁠soundandrecording-magazin.de/whatsapp⁠⁠⁠Instagram: ⁠⁠⁠@soundandrecording.magazin⁠⁠⁠YouTube: ⁠⁠⁠@StudiosofaPodcast⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠@soundandrecording.mag⁠⁠⁠

Born and raised in Toronto, Canada, Ryan moved to London in 1998 to pursue postgraduate studies at the London School of Economics. Shortly after graduating, Ryan co-founded his first venture, iGabriel, one of the UK's first early-stage tech venture funds backed exclusively by CEOs and entrepreneurs such as Brent Hoberman, Lord Myners, Peter Gabriel and Harvey Goldsmith. After successfully merging with Pi Capital, Ryan went on to establish the UK arm of the Realstar Group of companies, a privatelyowned Canadian property investment and management company with over $9B of assets under management. Realstar is focused on hospitality and residential rental assets. 

Peter Gabriel's So is one of the most iconic art-pop albums of the 1980s, a record that blends emotional vulnerability, ambitious production, and global musical influences into something both personal and cinematic. After years of being known as the “enigmatic” former Genesis frontman—dabbling in experimental textures, avant-rock, and political themes—Gabriel pivoted toward a more accessible yet deeply crafted sound with So. The result was a creative crossroads where pop hooks met worldbeat rhythms, and cutting-edge studio techniques met soulful songwriting.At its heart, So is an album about connection—romantic, spiritual, and human. You can hear it in the yearning “In Your Eyes,” the playful and sensual “Sledgehammer,” the haunted introspection of “Red Rain,” and the grief-stricken storytelling of “Don't Give Up,” his duet with Kate Bush. The album pairs emotional depth with sonic brilliance: meticulously layered percussion, innovative sampling, and a wide palette of instruments from horns to synthesizers to traditional African rhythms.So also marked Gabriel's breakthrough into the mainstream, supported by visually groundbreaking music videos—especially “Sledgehammer,” which became a cultural phenomenon thanks to its stop-motion innovation. But the album remains far more than its singles. Its sequencing, flow, and emotional arc make it a cohesive, immersive listen that still feels fresh decades later.In short: So is a rare achievement—an art-rock album that became a pop classic without compromising its intelligence, experimentation, or emotional honesty. If you're exploring the most enduring albums of the '80s, this one is essential.

Send us a textIt is wife swap time once again on Nerdery and Murdery. Geoffrey jumps into the Nerdery seat and goes full fan mode with a deep dive into the world of Peter Gabriel, his music, his influence, and the sound that shaped a generation. Then Zig takes over the Murdery side and brings the powerful story of the Battle of Blair Mountain, one of the most important and explosive labor uprisings in American history. Nerd out. Murd up. Let's go!Support the show

In this episode of the XS Noize Podcast, Mark Millar is joined by legendary producer Steve Lillywhite — the Grammy-winning studio mastermind behind iconic records by U2, The Rolling Stones, Talking Heads, The Smiths, The Killers, Peter Gabriel, and many more. Steve talks about the release of a brand-new 4-track EP featuring a completely unreleased live version of "Fairytale of New York" — recorded at Glasgow Barrowlands in December 1987. This historic performance captures the first time The Pogues ever played the song live, and the first time Kirsty MacColl performed it onstage with the band. The EP is released on 12 December. Recorded by Steve himself — producer of the original version and then-husband of Kirsty MacColl — the Barrowlands tape offers a rare window into the early live life of what has become the UK's favourite Christmas song for over a decade. Originally charting at No. 2 in 1987, "Fairytale of New York" has returned to the UK Top 20 every year since 2005. Steve reflects on the making of the classic track, the energy of that unforgettable night in Glasgow, and key moments from across his remarkable career. Listen to Steve Lillywhite discuss the new EP, the legacy of Fairytale of New York, and the stories behind his legendary productions — exclusively on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

The Police - Can't Stand Losing You The Temptations - Get Ready Curtis Harding - Need Your Love The Rolling Stones - Jumpin' Jack Flash Two Door Cinema Club - What You Know The Kinks - You Really Got Me (Darren Flinders remix) Bronski Beat - Why Peter Gabriel - Sledgehammer Robbie Williams - SupR.E.M.e Alphaville - Big In Japan The Kaiser Chiefs - Ruby Harry Styles - Watermelon Sugar Ed Sheeran - Shape Of You Sombr - 12 To 12 The Weeknd - Open Hearts Foster The People - Lost In Space Scissor Sisters - Only The Horse Machine Gun Kelly Feat. Blackbear - My Ex's Best Friend Freddie Mercury - Living On My Own Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour tous ceux qui ont connu le début des années 80, le nom de Simple Minds occupe sûrement une place particulière. Évidemment, on n'était pas des milliers en mars 82 et 84 à l'Ancienne Belgique, alors le temple de la New Wave avec le Beursschouwburg. Mais l'ambiance y était. Par contre, on était des dizaines de milliers en 83 à Torhout et Werchter. Les examens étaient finis et les vacances commençaient avec U2, l'après-midi, et Simple Minds qui concluaient la soirée, juste avant la tête d'affiche, Peter Gabriel. Les Minds n'avaient alors jamais joué devant un public aussi nombreux, et c'était chez nous. Jim Kerr ne portait pas encore les pantalons comme des oreilles d'éléphant qu'il allait arborer deux ans plus tard sur la scène du Live Aid, le plus grand festival de tous les temps. Il était alors la plus crédible incarnation du nouveau David Bowie, celui que toute la New Wave imitait de Depeche Mode à Duran Duran, en passant par Gary Numan. Mais Jim Kerr n'imitait pas Bowie. Il adoptait une attitude particulière sur scène, tous les yeux étaient focalisés sur lui, un charisme dingue, on n'avait plus vu ça … ben, depuis David Bowie.Et il faut bien ça. Car autant U2 est un groupe dont on identifie très bien depuis le début, ses quatre membres, autant on s'y perd avec Simple Minds. Ils changent de personnel quasiment à chaque album, voire single. Et comme ils ont sorti sept 33 Tours en l'espace de six ans, ça fait du mouvement. Non, vraiment, de Simple Minds on ne retient que Jim Kerr, et puis le guitariste Charlie Burchill, le seul à être aussi présent depuis le début. Mais bon, ça le fait d'avoir un poster de Simple Minds dans sa chambre ou son kot, au début des années 80. Ce nom étrange et ces images insolites qui servent de pochette à leurs 30 cm, ça vous pose un max devant les copains et les copains des copains. C'est branché, Simple Minds ! Alors comme à l'époque, il n'y a pas internet, y a des gars qui prétendent que ça veut dire les “simples d'esprits”. Sauf qu'en anglais on place l'adjectif avant le nom, et donc, ça fait “esprits simples”.OK, ça reste pas beaucoup plus valorisant. Sauf que, et on y revient, ça vient d'une chanson de David Bowie. Oui, dans Jean Genie, époque Ziggy Stardust … et dans le contexte, ça correspond tellement bien à la mentalité des Ecossais qu'ils sont. C'est vrai, quand vous entrez dans un pub en Ecosse, vous ne restez pas seuls, on vit ensemble, et on chante à tue-tête le vendredi soir avec le gars qui vient jouer avec sa guitare pour mettre l'ambiance. Sept ans après avoir choisi ce nom, les Simple Minds sont bien loin de l'arrière-salle de leur pub de Glasgow, ils sont sur le toit du monde parmi les groupes britanniques qui vendent le plus de disques, avec Dire Straits, Queen et Duran Duran …

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get ad-free episodes, early release, and bonus shows⁠ At last we come to the thrilling conclusion of our listener Meghan's story, wherein she finds someone to mentor her in the ways of the paranormal and she begins to dispel the spirits which have haunted her her entire life. Also on this episode: Peter Gabriel deep dives, the kids have forgotten JCVD, and the dreams that lied.Huge thanks to Meghan for sharing her experiences with us! We're honoured to be part of your story. Full shownotes @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠GhostStoryGuys.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this electrifying episode of Live From the Grotto, Greg Hanna and Neil Haley sit down with two powerhouse creators in the music industry: Jimmy McGorman and Robb Vallier, the brilliant duo behind the new band Flight to London.After decades of shaping hits for iconic artists — including Goo Goo Dolls, Sabrina Carpenter, Dave Stewart, Weezer, and more — the pair finally stepped from behind the curtain to create their own artistic vision.Their upcoming debut album, Instructions for Losing Control, represents:• A return to 80s-inspired, emotionally rich, intellectual pop• A fusion of nostalgia and modern production• A creative project free of industry pressure• A collaboration 30 years in the makingJimmy and Robb unpack how their careers, friendship, and shared musical DNA led them to finally build a band of their own — and why now is the perfect time for creators to launch their own projects.They discuss:• How Flight to London began during a songwriting trip in Napa• The role of letting go, not chasing hits, and trusting instinct• Why nostalgia + innovation = the new wave of pop music• Their influences (Tears for Fears, Peter Gabriel, Scritti Politti)• Collaborating with legendary musicians from The Who, Foo Fighters, and Tim McGraw's band• Making music without industry gatekeepers• The upcoming album release and live showThis is a must-listen for fans of modern synth-pop, 80s soundscapes, artistic reinvention, and the creative journey.• Reconnected after years of industry work• Writing trip in Napa Valley sparked the inspiration• “Why aren't we doing this for ourselves?”• A promise to finally finish what they'd started decades ago• Met in the 90s at Berklee College of Music• Shared musical tastes, but careers pulled them apart• Reunited 13+ years ago — and the spark returned instantly• “Nostalgia-pop” meets modern production• Inspired by Tears for Fears, Peter Gabriel, 80s intellectual pop• Guardrails: strict creative boundaries to maintain cohesion• No chasing hits — only making honest, cinematic music• Why the title reflects modern life• Letting go vs. losing control• Embracing uncertainty, risk, and creative freedom• Writing songs they couldn't write for other artists• No more gatekeepers• Social media = direct-to-fan access• Artists can start at any age• “It's the best time ever to create art”World-class session legends contributed, including:• John Button – Bassist for The Who• David Levita – Guitarist for Tim McGraw & Faith Hill• Members of the Foo Fighters• Saxophone contributions from Australia• Additional production support from Dr. Mix (Europe)A global creative collaboration — pulled together by genuine friendships.Robb:• Learning to let go• Stop forcing everything• Choose battles wisely• Peace comes from surrender, not controlJimmy:• “This too shall pass”• It's better to finish than be perfect• Ask: “Will this matter in 5 years?”• Always chase what makes you feel aliveWebsite: flighttolondonmusic.comSpotify / Apple Music: Flight to LondonDebut Single Available Now: “No One's Forgiven”Full Album Release: November 21Album Release Performance: November 22 – Westlake Village, CAThe music video for “No One's Forgiven” (featuring unforgettable puppets) is available on YouTube.“Letting go changed my life — it changed how I sleep, how I work, and how I create.” — Robb Vallier“We didn't chase hits this time. We chased what felt true.” — Jimmy McGorman“Nobody cares how old you are. People just want great music.” — Jimmy McGorman“It's the creator's time. Corporations don't control creativity anymore.” — Neil HaleyJimmy McGorman – Guitarist, songwriter, producer, and longtime touring member of Goo Goo Dolls.Robb Vallier – Multi-instrumentalist, producer, and songwriter with decades of studio and touring credits.Together, they form Flight to London — a modern synth-pop act with deep roots in classic 80s artistry.

This week we get our first Peter Gabriel tune, "Mercy Street"!Wanna be part of the insanity? Join our Patreon!You can follow us on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@PodcastWillRock⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, Facebook at ⁠⁠And The Podcast Will Rock⁠⁠ and you can check out our website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.podcastwillrock.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Proud member of The Deep Dive Podcast Network, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepdivepodcastnetwork.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For more of Corey's nonsense check out the CMPU! Hosted on Acast. See acast.com/privacy for more information.

Comme promis il y a quelques semaines après avoir constaté qu'un monument du rock progressif américain n'était pas assez souvent programmé ici, on se régale d'un extrait du tout nouvel album de STYX, "Circling From Above" sorti cet été. Bien qu'il s'agisse du 18ème album de ce groupe de Chicago, vétéran du genre outre-atlantique malgré quelques scissions dans les années 80 et 90, force est de constater que l'inspiration et la qualité de production reste d'un haut niveau !  Toujours sur le sol américain, plus contemporain et empruntant une voix plus psychédélique avec des influences jazz latino : THE POINT.  Originaire du Texas (Austin), fallait tomber dessus, ce qui m'est arrivé (sans me faire de mal au contraire !!) grâce à notre Caroline Crozat nationale que les fans de Ange connaissent bien puis qu'elle y était chanteuse dans la 1ère décennie de ce siècle, merci Caro pour cette pépite ! A découvrir, leur nouvel album "Maldito Animal" !            Encore l'Amérique, ils revendiquant l'influence des plus grands artistes du genre des 70's, veuillez jeter une oreille attentive à "MYTH OF LOGIC" élevés aux sons de ELP, Genesis, Yes, Saga ou encore Rush. Sorti la semaine dernière, leur 4ème album ""The Memory Of After" est basé sur un concept fort bien développé dont je vous invite à prendre connaissance sur leur site ou page BANDCAMP afin de mieux vous imprégner de cette belle histoire mais un peu longue à résumer ici... Ça tombe bien, deux groupes d'influences de nos amis américains sont également de la partie dans cette émission ! D'abord leurs voisins canadiens de RUSH avec un extrait de l'excellent "Hemispheres" paru en 1978. Rush qui avait mis fin à ses activités il y a 10 ans suite à l'état de santé de son batteur et auteur Neil Peart qui décédera malheureusement peu de temps après. S'agissant d'une rare formation à trois n'ayant pas été modifiée depuis 1974, s'étant particulièrement montrée soudée tout au long de sa belle carrière et sans l'apport des textes de Neil, il n'était pas raisonnable de penser à une éventuelle reprise d'activité. Or, les deux survivants de la bande Geddy Lee et Alex Lifeson ont décidé de partir en tournée pour rendre hommage à leur pote. Une percussionniste allemande (Anika Nilles) a donc été recrutée et le tio s'apprête à donner une série de concert en Amérique du Nord, au plus grand bonheur des fans du groupe auquel la plateforme ARTE a mis en ligne un excellent et émouvant documentaire à ne pas rater !  L'autre groupe diffusé ayant inspiré nos jeunes américains : GENESIS. Extrait dans cet émission de l'album "We Can't Dance", ultime enregistrement studio avec Phil Collins paru en 1991. Je sais que ce groupe a toujours divisé les fans, certains ne jurant que par la période Peter Gabriel. Pour votre serviteur, c'est surtout après le départ de Steve Hackett que la musique est devenue globalement moins intéressante malgré quelques pépites en cherchant bien dans les productions des 80"s. Mais je considère (sans aucunement vouloir le comparer à la période des 70's) que cet album était d'un niveau supérieur à ceux de la précédente décennie, jouissant d'une excellente production et regorgeant de véritables perles. A redécouvrir peut-être ? ... Pour les purs et durs de la période Gabriel, l'actu du groupe c'est bien sur la réédition avec un nouveau mastering de "The Lamb Lies Down On Broadway" !  Puisque nous sommes sur les terres d'Albion, profitons en pour faire un petit pas de côté sur la piste (cela dit bien large !) du rock progressif avec FLEETWOOD MAC  (alors encore anglais) et un extrait de "Bare Trees". Faut dire qu'à l'époque le genre inspirait beaucoup de musiciens à l'instar de Danny Kirwan qui signe l'extrait instrumental diffusé dans ce numéro pour son ultime collaboration avec le groupe avant que ses excès de consommation d'alcool ne le rende erratique et irascible avec ses camarades... En revanche, s'il fallait vraiment des étiquettes, pas de discussion sur leur appartenance au genre qui nous réunit chaque jeudi : GENTLE GIANT ! Retour ici sur cet album concept autour d'une interview fictive qui se voulait sarcastique vis à vis des médias et de l'industrie musicale de l'époque, le fabuleux "In'terview" paru en 1976. TALE CUE est le groupe italien de l'étape avec un album tardif car si la formation remonte aux années 80 (à Milan pour être précis), elle n'aura pas donné suite à son premier projet avant aujourd'hui...Si on peut le regretter en constatant la qualité, le sens de la mélodie de cette nouvelle galette "Eclipse Of The Midnight Sun",  croisons les doigts pour que cette fois Tale Cue soit sur les rails et à défaut d'être sur la RAÏ , il sera avec bonheur sur SUN ! (voir aussi la bio du groupe sur le site du spécialiste Louis De Ny )  Cinq années de sont écoulées depuis la dernière production de Mariusz Duda alias LUNATIC SOUL mais le bassiste/chanteur de Riverside est bien excusé car il nous livre un excellent double album ("The World Under Unsen" ), le constat du temps de retrouvé pour l'inspiration et une production soignée ! La preuve en extrait dans cet épisode !  Rares sont les numéros d'Amarok sans la french touch ! Deux générations se côtoient dans ce numéro, d'abord (priorité aux aînés ! ) JEAN-LUC PONTY, le violoncelliste normand élevé au jazz puis s'orientant vers la fusion à force de fréquenter des individus comme Franck Zappa ! Retour sur son album "Civilized Evil" en 1980, une galette sans doute plus vendue à l'international qu'ici même, à (re) découvrir absolument ! Et puis le prog contemporain représenté par EDENYA dont je ne sais plus comment vous dire du bien, notamment de cet excellent nouvel opus "The Secret Destination You Are Looking For" à écouter comme on ferait un voyage au travers de différents courants du genre  :  rock, folk, ambiants...Le tout servi par la voix de la nouvelle recrue Ingrid  : écoutez voir !  Thierry Joigny Chaque jeudi, à 20h Suivez Amarok sur Facebook également sur Instagram    

The dust has barely settled in Verde Park — and the souls (not deaths, legally) are still being counted. Whisp Turlington and Geoff “The Angry Man” Garlock return to the air after Whispstock 25, the ill-fated eight-day music festival that celebrated Whisp… and possibly ended civilization.Whisp defends the festival, claiming the “482 deaths” were actually “souls captured and sent home courtesy of Whisp Turlington.”John Mellencamp stops by to explain his time working the funnel cake stand — and why you should never finger John Mellencamp.Geoff delivers a Good Rock Fact about Alfred Hitchcock nearly directing a Peter Gabriel movie.Whisp reveals his new liquor line, Turlington Cognacs, co-founded with George Clooney.Geoff and Whisp salute the ending of Greg Lemonsour's legendary podcast, "WTDG."There's confusion, regret, and a Zamboni that somehow killed both people and animatronic bears.Do you want 108.9 The Hawk to do better in the ratings? Give ‘em a hand!Subscribe to the podcast on Apple, Spotify, YouTube — or whatever app you use. Your choice!Join the Rock Battalion: sign up for our mailing list at 1089thehawk.com.Patreon keeps the lights on (and the Food Gulch ads rolling): patreon.com/1089thehawk.YouTube is where you'll find clips, video episodes and yelling: youtube.com/@1089thehawk.Follow us everywhere: Instagram, TikTok, Bluesky, Facebook, Threads Hosted on Acast. See acast.com/privacy for more information.

01. Peter Gabriel - Growing Up 02. Peter Gabriel - No Way Out  03. Peter Gabriel - The Barry Williams Show  04. Peter Gabriel - More Than This 05. Peter Gabriel - Burn You Up Burn You Down 06. Peter Gabriel - Down to Earth 07. Peter Gabriel - Panopticom (Bright-Side Mix)  08. Peter Gabriel - The Court (Bright-Side Mix)  09. Peter Gabriel - Road to Joy (Bright-Side Mix) 10. Peter Gabriel - This Is Home (Bright-Side Mix)

Master violinist/vocalist/composer L. Shankar (aka Shenkar) has spent the past four decades developing a personal style that ranges from strict Indian classical music to Western instrumental pop although usually he lands somewhere in the middle. Since playing his first solo concert at the age of seven, he has gone on to accompany many of South India's leading vocalists and become a major soloist. Schooled in voice, violin, and the drums, he has composed new ragas and folk songs, and played with countless other master musicians. In the 1970s, with John McLaughlin, Zakir Hussain, Vikku Vinayakram, and Ramnad Raghavan, he co-founded the legendary Indo-jazz group Shakti. In the 1980s, he introduced a custom-made 10-string double violin capable of covering the whole range of the orchestra's string section from violin to double bass. He has collaborated with Frank Zappa and Peter Gabriel and has continued to expand the international audience for Indian music, often combining North Indian (Hindustani) and South Indian (Carnatic) styles, (Robert Browning Associates program notes, 2022). L. Shankar performs original works, in-studio.Set list: 1. Ananda Nadamadum Tillaj Sankara 2. Ganapathiye Varuvaai  3. Shamudu

The knives come out over whether we've found the perfect love song as we look at another classic episode. The Book Of Love, originally by The Magnetic Fields, covered by Peter Gabriel, and by Gavin James. Outro music is In Spite Of Ourselves, by John Prine with iris DeMent.

Ce 10 novembre, Marjorie Hache ouvre une nouvelle semaine de Pop-Rock Station avec deux heures entre rock intemporel et nouveautés. Pink Floyd, Queen, Sonic Youth et Editors côtoient les riffs de Kasabian et le punk californien de NOFX. L'album de la semaine est signé des Londoniens de Sorry avec "Cosplay", un troisième opus pop psyché et décalé dont est extrait "Candle". Parmi les découvertes, on retrouve aussi les Australiens de The Southern River Band avec "All Over Town" et les Écossais de The Twilight Sad, de retour après sept ans d'absence avec "Waiting For The Phone Call", en collaboration avec Robert Smith de The Cure. La reprise du jour est "Solsbury Hill" de Peter Gabriel, revisitée par Lou Reed. Pop-Rock Station célèbre également les 50 ans du mythique "Horses" de Patti Smith avant de conclure la soirée avec Florence + The Machine, Led Zeppelin et Genesis. Kasabian - Hippie Sunshine Editors - An End Has A Start Patti Smith - Gloria U2 - Vertigo NOFX - Linoleum Queen - Crazy Little Thing Called Love Elvis Presley - Jailhouse Rock Sorry - Candle Placebo - Battle For The Sun Police - Wrapped Around Your Finger Pink Floyd - Wish You Were Here Foo Fighters - Asking For A Friend Lou Reed - Solsbury Hill Amy Winehouse - Back To Black The Southern River Band - All Over Town The Animals - House Of The Rising Sun Muse - Muscle Museum Florence + The Machine - Everybody Scream Led Zeppelin - Immigrant Song Sonic Youth - Bull In The Heather The Twilight Sad- Waiting For The Phone Call Depeche Mode - Little 15 Townes Van Zandt - Waiting Around To Die Travis - Side Genesis - The Cinema ShowHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Dan, Manny, & Billy talk about the recent shutting down of MTV music channels in the UK and what that means for the future of MTV, while putting some iconic music videos that aired on MTV in the 80s and 90s to the ultimate test—THE NOSTALGIA TEST! “MTV created culture.” -Manny After hearing about MTV music channels being shut down in the UK after 40 years, the guys had to call an audible and to talk about what they think this means for the future of MTV, music videos, and the cultural impact that MTV had on pop-culture. They also talk about what this means for MTV in the US? The episode then dives into a celebration of iconic music videos that aired in MTV from the 80s and 90s, like Michael Jackson's “Thriller,” Beastie Boys' “Sabotage,” Peter Gabriel's “Sledgehammer,” and Duran Duran's “Hungry Like the Wolf.” There's also the classic Nostalgia Test Podcast tangents, Billy's hot take about Pearl Jam, and so much more. This is part 1 of a series on MTV, so stay tuned for episodes on TRL and Carson Daly, MTV2, Beavis & Butthead, and everything else MTV.   Email us (thenostalgiatest@gmail.com) your thoughts, opinions, and topics for our next Nostalgia Test! Suggest A Test & Be Our Guest! We're always looking for a fun new topic for The Nostalgia Test. Hit the link above, tell us what you'd like to see tested, and be our guest for that episode!   Approximate Rundown 00:00 MTV Shuts Down in UK and Europe 01:07 Corporate Restructuring and Layoffs 03:44 MTV's Shift to Reality TV 05:11 The Decline of Music Videos 06:33 Nostalgic Memories of MTV 09:25 Impact of Technology on Social Interaction 11:29 Driving and Navigation in the Digital Age 15:05 The Evolution of Music Videos 20:30 Iconic Music Videos and Their Legacy 36:10 MTV Music Awards and Controversies 47:16 Hilarious Movie Quotes and Intro Discussion 48:04 Running Out of Gas Stories 49:59 Michael Jackson's Transformation and Movie Theater Scene 54:41 Iconic Music Videos and Their Impact 01:15:09 MTV's Influence on Culture and Reality TV 01:28:29 Conclusion and Future Episodes   Book The Nostalgia Test Podcast Bring The Nostalgia Test Podcast's high energy fun and comedy on your podcast, to host your themed parties & special events!  The Nostalgia Test Podcast will create an unforgettable Nostalgic experience for any occasion because we are the party! We bring it 100% of the time! Email us at thenostalgiatest@gmail.com or fill out the form at this link. LET'S GET NOSTALGIC!     Keep up with all things The Nostalgia Test Podcast on Instagram | Substack | Discord | TikTok | Bluesky | YouTube | Facebook   The intro and outro music ('Neon Attack 80s') is by Emanmusic. The Lithology Brewing ad music ("Red, White, Black, & Blue") is by PEG and the Rejected

Yes that's right, them OMYAC boys are up to more mischeif tonight as we delve into the 2nd installment in our "legacy album" series with Peter Gabriel's most recent 2023 release "i/o". We also manage to find time to talk about other culturally important records like Bez's Madchester Anthems and (the other) PSB's "Ass To The World", naturally. 

In Arteetude Episode 305 – WAW Zoom Talk Part 2: Perfection, Promotion & the Power of Collaboration, host Detlef Schlich reconnects with Berlin-based musician and producer Dirk Schlömer, his creative partner in WAW – Wild Atlantic Way.Together, they continue their deep dive into The Nile's Bittersweet Song, reflecting on audience reactions, the challenges of modern promotion, and the delicate art of knowing when a piece of music is “finished.” Their discussion expands into the ethics of AI-generated music, creative authenticity, and how musicians from the '70s and '80s are navigating a digital music landscape where algorithms often replace intuition.Between stories of Peter Gabriel's perfectionism, studio anecdotes from the 1990s, and the realities of playlist submissions in 2025, Detlef and Dirk explore what it means to stay true to one's artistic voice in an AI-driven age.The episode concludes with a live version of The Nile's Bittersweet Song recorded in Ballydehob — a raw, heartfelt performance capturing the living pulse of their collaboration.Listen now on Spotify, Apple Music, or YouTube. Support WAW by streaming The Nile's Bittersweet Song and following Arteetude for weekly reflections on art, music, and technology.The Nile flows on—and so does WAW.

Marina Muhlfriedel in conversation with David Eastaugh  Vivabeat was a Los Angeles-based techno-pop band founded in 1978 and active into the mid-1980s. It is best known for being discovered by and signed to its first record deal at the request of Peter Gabriel. It became the first American band on Tony Stratton Smith's British label, Charisma Records. The band released one album for Charisma Records, Party in the War Zone. The album included one of the band's most successful songs, "Man from China." The song became a Top 20 charted dance club hit in the United States, Europe, and Asia. "Man from China" also appears on the Charisma Label/Various Masterpieces album – The Sounds Album Volume 6, released in 1980.

In this episode of Working Class Audio, Matt welcomes back engineer/producer and 3D audio geek, Hans-Martin Buff to discuss mixing Peter Gabriel's I/O as well as his own project Tearjerkers. In This Episode, We Discuss:TearjerkersPeter GabrielReal Word StudiosBinaural MixingATMOSFormat HatersLinks and Show Notes:Pure Audio Streaming:Immersive Audio Album:Link tree Album:Youtube Siren Video:Audiomovers Apple: Illusonics Neumann RimeVirtuoso: Waves NX: Matt's Rant: Focused DiscussionCredits:Guest: Hans-Martin BuffHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes back engineer/producer and 3D audio geek, Hans-Martin Buff to discuss mixing Peter Gabriel's I/O as well as his own project Tearjerkers.  In This Episode, We Discuss: Tearjerkers Peter Gabriel Real Word Studios Binaural Mixing ATMOS Format Haters Links and Show Notes: Pure Audio Streaming: Immersive Audio Album: Link tree Album: Youtube Siren Video: Audiomovers Apple:  Illusonics  Neumann Rime Virtuoso:  Waves NX:  Matt's Rant: Focused Discussion Credits: Guest: Hans-Martin Buff Host/Engineer/Producer: Matt Boudreau WCA Theme Music: Cliff Truesdell The Voice: Chuck Smith

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Americana, Roots, Folk, Blues and Country music. Featured Artists . New and Classic tracks.Episode includes Brandi Carlile, John Prine, Eric Church, Valerie June and Peter Gabriel.A SPECIAL ON TRIBUTE ALBUMS.

"Orange skies, Carnivals and Cotton Candy and youAnd I love you too, you know I do"Featured on this week's journey are Harold Melvin & The Blue Notes, ,Blondie, Billy Cobham, Jackie Wilson, Peter Gabriel, The Rascals, Isley Brothers, David Bowie, Phil Collins, Aretha Franklin, Beach Boys, Neil Young, Bob Dylan, Chic, James Brown, Donna Summer, The Cyrkle, Crosby Stills & Nash, Pat Metheny   and Love.This week's Whole ‘Nuther Thing is now available for Listening On Demand or Downloading to a PC, Mac or Mobile Device. Click on Link to Listen or Download. Please feel free to share with all that love "Music Without Boundaries". It's “Radio The Way It Ought To Be!"

As teenagers, The Wolf & Action Jackson dreamed of seeing Led Zeppelin live. However, the boys came of age in the 1980s after the band had broken up following the death of John Bonham. They were forced to live with ill-fated one-off reunions like Live Aid, Atlantic Records 40th and Knebworth. While they jumped at the chance to see Page/Plant in the mid-90s doing reworked versions of Zeppelin classics, they knew it would never be the same as a proper Led Zeppelin concert back in the day. On this 27th edition of First Concert Memories, the monthly sidecast from the hosts of The Ugly American Werewolf in London Rock Podcast, the boys are psyched to speak with Tony Michaelides. Tony had the rare privilege to see Led Zeppelin as a teenager in Manchester right before they blasted their way to superstardom. He tells the story of Robert Plant inviting him backstage to meet the rest of the guys in the band after the show and how having a signed Zeppelin poster made him the talk of the school yard that next week. However, this was actually just the beginning of Tony going backstage and interacting with artists as he would eventually have a 4 decade career in the music biz working with such luminaries as David Bowie, Peter Gabriel, Steve Winwood and more. Tony has gone on to write books about his experience in the industry and hosts a podcast, Moments That Rock, which share some of his amazing stories from over the years. We may not always be able to keep him on point but we do talk a bit about the show, Zeppelin's place in history and how the industry has changed over the years. A fun chat with a true rock veteran! Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Frizz and Bob take the other road in the Genesis breakup and following Peter Gabriel straight into So - the bold, bizarre, and beautiful album that turned an avant-garde art rocker into an unexpected pop icon. Frizz is sipping Ardnamurchan AD Single Malt and Bob's pouring a glass of Uncle Boojie's Double Oaked as we track Gabriel's transformation from inflatable stage props and silent retreats to chart-topping soul bangers, groundbreaking drum sounds, and the most iconic music video of the MTV era. This is Peter Gabriel at his most human, strange, spiritual, and romantic - and it might just be the weirdest way anyone's ever taken over the world.

As teenagers, The Wolf & Action Jackson dreamed of seeing Led Zeppelin live. However, the boys came of age in the 1980s after the band had broken up following the death of John Bonham. They were forced to live with ill-fated one-off reunions like Live Aid, Atlantic Records 40th and Knebworth. While they jumped at the chance to see Page/Plant in the mid-90s doing reworked versions of Zeppelin classics, they knew it would never be the same as a proper Led Zeppelin concert back in the day. On this 27th edition of First Concert Memories, the monthly sidecast from the hosts of The Ugly American Werewolf in London Rock Podcast, the boys are psyched to speak with Tony Michaelides. Tony had the rare privilege to see Led Zeppelin as a teenager in Manchester right before they blasted their way to superstardom. He tells the story of Robert Plant inviting him backstage to meet the rest of the guys in the band after the show and how having a signed Zeppelin poster made him the talk of the school yard that next week. However, this was actually just the beginning of Tony going backstage and interacting with artists as he would eventually have a 4 decade career in the music biz working with such luminaries as David Bowie, Peter Gabriel, Steve Winwood and more. Tony has gone on to write books about his experience in the industry and hosts a podcast, Moments That Rock, which share some of his amazing stories from over the years. We may not always be able to keep him on point but we do talk a bit about the show, Zeppelin's place in history and how the industry has changed over the years. A fun chat with a true rock veteran! Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

1975 found Genesis in a time of transition. After coming off a lengthy and technically difficult tour for their 1974 album The Lamb LIes Down On Broadway, most everyone was a little burned out. Peter Gabriel ended up leaving the band to embark on a solo career (one that would land him in the Rock N Roll Hall of Fame) and the band were left with a lengthy audition process to replace him. Meanwhile, guitarist Steve Hackett had been accumulating music he'd written to keep him sane on the road during the difficult Lamb tour. But not only did Steve have pieces leftover from Genesis sessions, he'd begun to write pieces that might not make sense in the context of the band - acoustic pieces and songs written for a woman's voice. So while on a break from the band, he conjured up Voyage of the Acoylyte - his first solo record released on the same label as Genesis, Charisma. To help Steve lay down these track, he enlisted the help of bandmates Mike Rutherford and Phil Collins (who would go onto replace Gabriel as the lead singer of Genesis after dozens of singers were deemed unworthy). The opening Ace of Wands is a real showcase for Steve's guitar playing - crisp tone with technique that creates a rich soundscape. And while he does do a bit of singing on the record, he leaves the vocals to more capable collaborators like Sally Oldfield on Shadow of the Hierophant and Phil Collins on Star of Sirius. While some of this might have made sense on a Genesis album, some of the acoustic pieces or parts accompanied by his brother John Hackett on flute stand out as something different to what his band would usually produce. With a loose concept around the names of Tarot Cards, Voyage of the Acolyte takes you on a heroes journey with all sorts of incredible textures and sounds with Steve's guitar as the main focus. 50 years later, he still plays these songs live and they fit in very well with the classic Genesis songs that Steve still honors live. Check ⁠www.hackettsongs.com⁠ for tour dates Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

September 7th, 1988, marked the culmination of 11 years of toil and sweat, when a true “band of brothers” from down under became the biggest musical act on the planet by scooping the pool at the 1988 MTV Music Awards. Nominated for nine awards, INXS walked away with the top five major honors, edging out longtime rivals U2, along with music legends like George Harrison, Bruce Springsteen, and XTC, with their iconic Need You Tonight/Mediate song and groundbreaking video. By this time, the MTV Awards had already surpassed the Grammys as the preeminent music event, and INXS rightfully stood as the darlings of the international music industry. Having spent the previous decade tirelessly touring the globe and steadily building momentum, they reached a crescendo that placed them at the very center of the late-'80s musical zeitgeist. With fellow icons including Rod Stewart, Aerosmith, Depeche Mode, Guns N' Roses, Elton John, Cher, Bryan Ferry, Peter Gabriel, Cyndi Lauper, and The Bangles appearing or presenting, the night became both a peer-to-peer celebration and global recognition of INXS' remarkable achievements. Much of this impact was amplified through the vision of legendary TV producer Dick Clark, who ensured the event was broadcast around the world. So it's with great pleasure that Bee and I unpack this unforgettable night, explore the rise and history of the MTV Awards, and reflect on the lasting impact this achievement continues to hold within the INXS legacy. Love and peace ✌️ https://www.inxsaccessallareas.com/  

1975 found Genesis in a time of transition. After coming off a lengthy and technically difficult tour for their 1974 album The Lamb LIes Down On Broadway, most everyone was a little burned out. Peter Gabriel ended up leaving the band to embark on a solo career (one that would land him in the Rock N Roll Hall of Fame) and the band were left with a lengthy audition process to replace him. Meanwhile, guitarist Steve Hackett had been accumulating music he'd written to keep him sane on the road during the difficult Lamb tour. But not only did Steve have pieces leftover from Genesis sessions, he'd begun to write pieces that might not make sense in the context of the band - acoustic pieces and songs written for a woman's voice. So while on a break from the band, he conjured up Voyage of the Acoylyte - his first solo record released on the same label as Genesis, Charisma. To help Steve lay down these track, he enlisted the help of bandmates Mike Rutherford and Phil Collins (who would go onto replace Gabriel as the lead singer of Genesis after dozens of singers were deemed unworthy). The opening Ace of Wands is a real showcase for Steve's guitar playing - crisp tone with technique that creates a rich soundscape. And while he does do a bit of singing on the record, he leaves the vocals to more capable collaborators like Sally Oldfield on Shadow of the Hierophant and Phil Collins on Star of Sirius. While some of this might have made sense on a Genesis album, some of the acoustic pieces or parts accompanied by his brother John Hackett on flute stand out as something different to what his band would usually produce. With a loose concept around the names of Tarot Cards, Voyage of the Acolyte takes you on a heroes journey with all sorts of incredible textures and sounds with Steve's guitar as the main focus. 50 years later, he still plays these songs live and they fit in very well with the classic Genesis songs that Steve still honors live. Check www.hackettsongs.com for tour dates Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Artist, songwriter, and producer Ivory Layne joins us to talk about her new EP 'Part-Time Jobs Near Me', music discovery through Pandora, and the greatest song she's ever heard in her entire life, "In Your Eyes" by Peter Gabriel! Plus, Scott and Katherine chat about the new Jade album THAT'S SHOWBIZ BABY! and other music we've been listening to.   Find Ivory Layne on instagram @ivorylayne and listen to her music wherever you listen to music! @gr8songpod on instagram @ScottInterrante on instagram @Katherinethegr8 on instagram Theme music: "Kratos In Love" by Skylar Spence

This week, Frizz is sipping Great Glen's Yuzu Gin and Bob's got a glass of Ardnahoe's Inaugural Release Single Malt Scotch as we dive into Invisible Touch - the sleek, synth-driven album that launched Genesis into full-blown pop superstardom. We unpack how a band that started with prog epics and fox masks ended up dominating MTV, topping charts, and soundtracking an entire decade. From political puppets and breakup ballads to keytar solos and stadium-sized hooks, this is Genesis at their most confident, polished, and unexpectedly iconic.

Let's Chat!A rotary phone rings in a frozen forest. A spiral pulses red against cement. A mirror fractures, showing not one reflection but dozens—none matching the face of the man who stands before it.In this landmark tenth episode of the Gentleman's Journey podcast, we descend into the heart of the Greenbrier mystery where Detective Walter Grayson and his partner Laura Black confront the ultimate truth about the case that has consumed them. Within an abandoned cabin at the edge of a Chicago forest, they discover ledgers filled with crossed-out names, walls that whisper secrets, and mirrors that reflect versions of themselves they refuse to recognize.But the revelation waiting at the spiral's center shatters everything they thought they knew: the Briar isn't a killer to be caught—it's a function that transfers from one vessel to another. Grayson hasn't been hunting the Briar; he has been carrying it. And now, as he disappears into the spiral, the inheritance passes to Black, continuing a cycle that began long before either of them arrived.The narrative weaves through atmospheric soundscapes featuring Peter Gabriel, Joy Division, The Smiths, and other haunting tracks that underscore the emotional weight of Grayson's final confession. "Endings don't disappear," he tells us. "They move." This isn't just his story—it's a warning about the silences we all carry and the debts we leave unpaid.We close with five reflections that turn the spiral toward you: What silence have you carried so long that it's begun to inherit you? Whose ledger are you writing without realizing it? What version of yourself smiles in the mirror when you don't? The Greenbrier waits in the rooms you've abandoned and the names you won't speak. Perhaps it's already writing your name.Remember this—you create your reality. But if you don't confront your silence, it doesn't disappear. It waits for someone else to carry it."True mastery is found in the details. The way you handle the little things defines the way you handle everything."

durée : 00:03:40 - Sous les radars - par : Sébastien LAUGENIE - Et la voix de cet homme que vous entendez c'est celle de Peter Gabriel. "Biko" titre planétaire que tout le monde connaît. Une chanson composée en 1980 en hommage à un homme emprisonné. Près d'un demi-siècle après sa mort l'ombre de Steve Biko plane toujours et encore sur ce pays. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:03:40 - Sous les radars - par : Sébastien LAUGENIE - Et la voix de cet homme que vous entendez c'est celle de Peter Gabriel. "Biko" titre planétaire que tout le monde connaît. Une chanson composée en 1980 en hommage à un homme emprisonné. Près d'un demi-siècle après sa mort l'ombre de Steve Biko plane toujours et encore sur ce pays. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

This week on The Metro, Rev. Jeff Ivins brings the following bands for your ears: Alphaville, Love and Rockets, The J Geils Band, Saga, Quarterflash, Tracey Ullman, Talking Heads, Duran Duran, Siouxsie, Rave-Ups, Peter Gabriel, Klark Kent, Jane's Addiction, and finishing up with Sydney Youngblood.

In today's episode we're thrilled to have Reeya Banerjee—writer, vocalist, voice‑over artist, and the raw, honest storyteller behind the critically‑acclaimed album The Way Up—joining host James Cox for a deep‑dive into the healing power of music.We kick things off with a quick word from our sponsor, BetterHelp, reminding listeners that affordable, flexible online therapy is just a few clicks away (and you can snag 10 % off your first month at betterhelp.com/music‑speaks).From there, James and Reeya wanders through the musical landscape that shapes her art:the Beatles' “Something,”Springsteen's “Thunder Road,”U2's “The Sweetest Thing,”Fiona Apple's “Criminal,”Peter Gabriel's “Sledgehammer,”and Eminem's “Lose Yourself.”Reeya reveals how each of these tracks inspired her own songwriting, and why certain songs—like her own “The Way Up,” “Deep Water,” and the childhood‑memory‑laden “Snow”—feel easier to say when they're sung. She also opens up about the mental‑health crisis she faced in 2019, the intensive therapy that helped her reclaim her voice, and the way music became her conduit for processing grief, insomnia, and the restless energy of a night‑owl musician.Listeners get a sneak peek at Reeya's upcoming August release “This Place,” a concept album that maps nine cities to nine core emotions, and we hear about the stories behind singles such as “Misery of Place,” “For the First Time,” “Runner,” and the soon‑to‑drop “Upstate Rust.”The conversation rounds out with playful cover‑quiz challenges, a nostalgic look at the Hudson‑Valley bar that sparked her creative community, and a heartfelt promise that when words fail, music always speaks.Stay tuned, grab your headphones, and prepare for an episode packed with candid conversation, lyrical insights, and a reminder that—no matter how dark the night—there's always a melody waiting to lift you up.And remember: when you need a mental‑health boost, BetterHelp is just a click away at betterhelp.com/music‑speaks.

In his book, “Why We Revolt,” Victor Montori decries the industrialization of healthcare.  We've become a healthcare factory, beholden to health systems motivated by profit. In particular, he laments the loss of the “care” aspect of healthcare. Clinicians are under the clock to churn through patients.  Patients are tasked with doing work outside of the clinic. Patients are tasked with hours and hours of work to self manage, obtain and manage medications, track weights and fingersticks, not to mention scheduling visits and waiting around for the visit to start. Now we have an app for that. For what, you ask? Well, for everything! Digital burden is real. Think about what we ask patients to do: charge your device, remember your password, 2 factor authentication, each interface is different, wait…where do you enter your fingersticks again? Victor is an endocrinologist who often provides care for older patients with multiple chronic conditions, polypharmacy, and complex social situations.  He's “one of us.” Some might argue that these circumstances call for incremental change.  Not Victor.  He argues that we need a revolution. In particular, he argues that the revolution must come from patients to be successful. On this podcast we discuss: Why do we need a revolution? What made him get to this point of arguing for a revolt? Why should the revolution be patient led, rather than clinician led? What role do clinicians have to play? What is minimally disruptive medicine (a term Victor coined with Carl May and Francis Mair in 2009)? How does shared decision making fit into the revolution? What's the matter with guidelines? What's the role of standardization? We suspect that most geriatrics and palliative care providers feel like they've escaped many of the issues Victor describes, trading less glamorous and remunerative work for more satisfying time spent caring for patients; focusing on what matters, goals of care, and attention to emotion and social well-being.  Are we deluding ourselves? If you'd like to join the revolution, please check out Victor's website, patientrevolution.org And I believe this is the first Peter Gabriel song request! I think Peter Gabriel's album So was the first cassette tape I purchased.  About time, 350+ podcasts in.  My son Kai turns this very non-guitar friendly song into an acoustic jam for the audio-only podcast version; you get my weaker attempt on YouTube :)  Finally, a quick plug for the Sommer Lecture series in Portland OR.  Victor and I had a terrific time bonding at this year's lecture series. While not strictly geriatrics and palliative care focused, the lectures seem targeted at a broad audience, with something for everyone.  And yes, I made them sing parody songs :) -Alex Smith  

Mario Haunts Your Dreams. Brian Reverse Cheeseburger. A Romantic Evening at PF Changs. Do It Anywhere, Do It Silently. Yes, Cooba is a Coontry. Many Many Mandalorians. Congratulations to the Blahs! Beaten by a 6 year old. Monica Isn't A Country Yet. Heebie-jeebieeeeeeeeeees! Glen Powell and Anya Taylor Joy cover Peter Gabriel's In Your Eyes. I now pronounce you blah, blah, blah. A Greece-y Honeymoon. Floating Squid Game with Tom. Free Murder Bot Recommentals W Randy and more on this episode of The Morning Stream. Hosted on Acast. See acast.com/privacy for more information.