Podcasts about radere

1) Radere al suolo, isolare e uccidere. Il piano israeliano per controllare la striscia di Gaza. (Christian Elia) 2) La Francia verso il riconoscimento dello stato palestinese. Macron vuole riportare la diplomazia francese nel vecchio solco gaullista. (Francesco Giorgini) 3) La marcia indietro di Trump sui dazi. La sospensione delle tariffe per 90 giorni mostra preoccupazione per lo scontento degli investitori. (Roberto Festa) 4) Tanzania, arrestato il leader del principale partito d'opposizione e accusato di tradimento. Si infiamma la situazione politica nel paese a 5 mesi dalle elezioni. (Andrea Spinelli Barrile - Slow News) 5) “Almas, voci di coraggio”. Al fuorisalone l'installazione del Cesvi che racconta la forza e il coraggio delle donne migranti venezuelane in Colombia. (Christian Gancitano - curatore della mostra) 6) World Music. Con un nuovo album live, torna Boubacar Traorè, l'artista maliano interprete dell'orgoglio dell'era dell'indipendenza. (Marcello Lorrai)

E' iniziato l'assalto all'Azovstal, l'acciaieria di Mariupol dove sono asserragliati assieme ai militari ucraini almeno mille civili.

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Nuovo podcast ORIGINAL! Oggi si parla di qualcosa di molto intimo... LE PALLE. Meglio rasarle o lasciarle al naturel?

Mysteries of the Deep has released its third and final compilation, rounding out the three-part seasonal series that began earlier this year. Each has been distinct and reflective of the season of its release; the first, released in spring, leaned towards the organic and ethereal. The second—a summer release—was oriented towards rhythmic vitality. And the third installment in the series, like the winter season, is deep, dark, and contemplative: a call to turn inwards. The thread that connects each track in Chapter Three is mood: each one of these tracks brings to mind the inward spaces of winter. From the smoky, ghost-like vocals of Xexzy’s “Lost” to the percussive fervor of Birds of Prey’s “Escapement,” this compilation offers a dynamic range of sounds, while remaining sonically coherent. Thomas Ragsdale’s “Kicking Ox” makes for a fitting opening, for its dark pulse and somber strings set the tone for what’s to follow. Much of this work seems to reflect the end of a long, chaotic year; often these arrangements are stark, unsettling and dystopian, like Push for Night’s tense, cinematic “Fingering the Fuse” and Israel Vines’ “Shallow Pursuits.” Elements like the ragged chords of Rafael Anton Irisarri’s “Haggard,” the steady, buried kick in Christina Giannone’s “Lapsed Contentment” or the sonic droplets of Radere’s “Harm Matrix,” lend to a sparse, wintry atmosphere. But, as within any bleak, snowy landscape, there’s the occasional sheen of light. Joachim Spieth’s “Luna,” and Rhaeticus’ “Standing on Concrete” are heightened and emotionally rich. Overall, the third and final release grounds itself in an identity that feels distinctly different from the first two chapters, and yet simultaneously completes the arc of the series, which has showcased over three dozen artists dedicated to their craft. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDCOMP003, 2020 mysteriesofthedeep.net

Mysteries of the Deep has released its third and final compilation, rounding out the three-part seasonal series that began earlier this year. Each has been distinct and reflective of the season of its release; the first, released in spring, leaned towards the organic and ethereal. The second—a summer release—was oriented towards rhythmic vitality. And the third installment in the series, like the winter season, is deep, dark, and contemplative: a call to turn inwards. The thread that connects each track in Chapter Three is mood: each one of these tracks brings to mind the inward spaces of winter. From the smoky, ghost-like vocals of Xexzy’s “Lost” to the percussive fervor of Birds of Prey’s “Escapement,” this compilation offers a dynamic range of sounds, while remaining sonically coherent. Thomas Ragsdale’s “Kicking Ox” makes for a fitting opening, for its dark pulse and somber strings set the tone for what’s to follow. Much of this work seems to reflect the end of a long, chaotic year; often these arrangements are stark, unsettling and dystopian, like Push for Night’s tense, cinematic “Fingering the Fuse” and Israel Vines’ “Shallow Pursuits.” Elements like the ragged chords of Rafael Anton Irisarri’s “Haggard,” the steady, buried kick in Christina Giannone’s “Lapsed Contentment” or the sonic droplets of Radere’s “Harm Matrix,” lend to a sparse, wintry atmosphere. But, as within any bleak, snowy landscape, there’s the occasional sheen of light. Joachim Spieth’s “Luna,” and Rhaeticus’ “Standing on Concrete” are heightened and emotionally rich. Overall, the third and final release grounds itself in an identity that feels distinctly different from the first two chapters, and yet simultaneously completes the arc of the series, which has showcased over three dozen artists dedicated to their craft. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDCOMP003, 2020 mysteriesofthedeep.net

Mysteries of the Deep has released its third and final compilation, rounding out the three-part seasonal series that began earlier this year. Each has been distinct and reflective of the season of its release; the first, released in spring, leaned towards the organic and ethereal. The second—a summer release—was oriented towards rhythmic vitality. And the third installment in the series, like the winter season, is deep, dark, and contemplative: a call to turn inwards. The thread that connects each track in Chapter Three is mood: each one of these tracks brings to mind the inward spaces of winter. From the smoky, ghost-like vocals of Xexzy’s “Lost” to the percussive fervor of Birds of Prey’s “Escapement,” this compilation offers a dynamic range of sounds, while remaining sonically coherent. Thomas Ragsdale’s “Kicking Ox” makes for a fitting opening, for its dark pulse and somber strings set the tone for what’s to follow. Much of this work seems to reflect the end of a long, chaotic year; often these arrangements are stark, unsettling and dystopian, like Push for Night’s tense, cinematic “Fingering the Fuse” and Israel Vines’ “Shallow Pursuits.” Elements like the ragged chords of Rafael Anton Irisarri’s “Haggard,” the steady, buried kick in Christina Giannone’s “Lapsed Contentment” or the sonic droplets of Radere’s “Harm Matrix,” lend to a sparse, wintry atmosphere. But, as within any bleak, snowy landscape, there’s the occasional sheen of light. Joachim Spieth’s “Luna,” and Rhaeticus’ “Standing on Concrete” are heightened and emotionally rich. Overall, the third and final release grounds itself in an identity that feels distinctly different from the first two chapters, and yet simultaneously completes the arc of the series, which has showcased over three dozen artists dedicated to their craft. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDCOMP003, 2020 mysteriesofthedeep.net

Mysteries of the Deep has released its third and final compilation, rounding out the three-part seasonal series that began earlier this year. Each has been distinct and reflective of the season of its release; the first, released in spring, leaned towards the organic and ethereal. The second—a summer release—was oriented towards rhythmic vitality. And the third installment in the series, like the winter season, is deep, dark, and contemplative: a call to turn inwards. The thread that connects each track in Chapter Three is mood: each one of these tracks brings to mind the inward spaces of winter. From the smoky, ghost-like vocals of Xexzy’s “Lost” to the percussive fervor of Birds of Prey’s “Escapement,” this compilation offers a dynamic range of sounds, while remaining sonically coherent. Thomas Ragsdale’s “Kicking Ox” makes for a fitting opening, for its dark pulse and somber strings set the tone for what’s to follow. Much of this work seems to reflect the end of a long, chaotic year; often these arrangements are stark, unsettling and dystopian, like Push for Night’s tense, cinematic “Fingering the Fuse” and Israel Vines’ “Shallow Pursuits.” Elements like the ragged chords of Rafael Anton Irisarri’s “Haggard,” the steady, buried kick in Christina Giannone’s “Lapsed Contentment” or the sonic droplets of Radere’s “Harm Matrix,” lend to a sparse, wintry atmosphere. But, as within any bleak, snowy landscape, there’s the occasional sheen of light. Joachim Spieth’s “Luna,” and Rhaeticus’ “Standing on Concrete” are heightened and emotionally rich. Overall, the third and final release grounds itself in an identity that feels distinctly different from the first two chapters, and yet simultaneously completes the arc of the series, which has showcased over three dozen artists dedicated to their craft. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDCOMP003, 2020 mysteriesofthedeep.net

Mysteries of the Deep has released its third and final compilation, rounding out the three-part seasonal series that began earlier this year. Each has been distinct and reflective of the season of its release; the first, released in spring, leaned towards the organic and ethereal. The second—a summer release—was oriented towards rhythmic vitality. And the third installment in the series, like the winter season, is deep, dark, and contemplative: a call to turn inwards. The thread that connects each track in Chapter Three is mood: each one of these tracks brings to mind the inward spaces of winter. From the smoky, ghost-like vocals of Xexzy’s “Lost” to the percussive fervor of Birds of Prey’s “Escapement,” this compilation offers a dynamic range of sounds, while remaining sonically coherent. Thomas Ragsdale’s “Kicking Ox” makes for a fitting opening, for its dark pulse and somber strings set the tone for what’s to follow. Much of this work seems to reflect the end of a long, chaotic year; often these arrangements are stark, unsettling and dystopian, like Push for Night’s tense, cinematic “Fingering the Fuse” and Israel Vines’ “Shallow Pursuits.” Elements like the ragged chords of Rafael Anton Irisarri’s “Haggard,” the steady, buried kick in Christina Giannone’s “Lapsed Contentment” or the sonic droplets of Radere’s “Harm Matrix,” lend to a sparse, wintry atmosphere. But, as within any bleak, snowy landscape, there’s the occasional sheen of light. Joachim Spieth’s “Luna,” and Rhaeticus’ “Standing on Concrete” are heightened and emotionally rich. Overall, the third and final release grounds itself in an identity that feels distinctly different from the first two chapters, and yet simultaneously completes the arc of the series, which has showcased over three dozen artists dedicated to their craft. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDCOMP003, 2020 mysteriesofthedeep.net

Mysteries of the Deep has released its third and final compilation, rounding out the three-part seasonal series that began earlier this year. Each has been distinct and reflective of the season of its release; the first, released in spring, leaned towards the organic and ethereal. The second—a summer release—was oriented towards rhythmic vitality. And the third installment in the series, like the winter season, is deep, dark, and contemplative: a call to turn inwards. The thread that connects each track in Chapter Three is mood: each one of these tracks brings to mind the inward spaces of winter. From the smoky, ghost-like vocals of Xexzy’s “Lost” to the percussive fervor of Birds of Prey’s “Escapement,” this compilation offers a dynamic range of sounds, while remaining sonically coherent. Thomas Ragsdale’s “Kicking Ox” makes for a fitting opening, for its dark pulse and somber strings set the tone for what’s to follow. Much of this work seems to reflect the end of a long, chaotic year; often these arrangements are stark, unsettling and dystopian, like Push for Night’s tense, cinematic “Fingering the Fuse” and Israel Vines’ “Shallow Pursuits.” Elements like the ragged chords of Rafael Anton Irisarri’s “Haggard,” the steady, buried kick in Christina Giannone’s “Lapsed Contentment” or the sonic droplets of Radere’s “Harm Matrix,” lend to a sparse, wintry atmosphere. But, as within any bleak, snowy landscape, there’s the occasional sheen of light. Joachim Spieth’s “Luna,” and Rhaeticus’ “Standing on Concrete” are heightened and emotionally rich. Overall, the third and final release grounds itself in an identity that feels distinctly different from the first two chapters, and yet simultaneously completes the arc of the series, which has showcased over three dozen artists dedicated to their craft. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDCOMP003, 2020 mysteriesofthedeep.net

Mysteries of the Deep has released its third and final compilation, rounding out the three-part seasonal series that began earlier this year. Each has been distinct and reflective of the season of its release; the first, released in spring, leaned towards the organic and ethereal. The second—a summer release—was oriented towards rhythmic vitality. And the third installment in the series, like the winter season, is deep, dark, and contemplative: a call to turn inwards. The thread that connects each track in Chapter Three is mood: each one of these tracks brings to mind the inward spaces of winter. From the smoky, ghost-like vocals of Xexzy’s “Lost” to the percussive fervor of Birds of Prey’s “Escapement,” this compilation offers a dynamic range of sounds, while remaining sonically coherent. Thomas Ragsdale’s “Kicking Ox” makes for a fitting opening, for its dark pulse and somber strings set the tone for what’s to follow. Much of this work seems to reflect the end of a long, chaotic year; often these arrangements are stark, unsettling and dystopian, like Push for Night’s tense, cinematic “Fingering the Fuse” and Israel Vines’ “Shallow Pursuits.” Elements like the ragged chords of Rafael Anton Irisarri’s “Haggard,” the steady, buried kick in Christina Giannone’s “Lapsed Contentment” or the sonic droplets of Radere’s “Harm Matrix,” lend to a sparse, wintry atmosphere. But, as within any bleak, snowy landscape, there’s the occasional sheen of light. Joachim Spieth’s “Luna,” and Rhaeticus’ “Standing on Concrete” are heightened and emotionally rich. Overall, the third and final release grounds itself in an identity that feels distinctly different from the first two chapters, and yet simultaneously completes the arc of the series, which has showcased over three dozen artists dedicated to their craft. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDCOMP003, 2020 mysteriesofthedeep.net

Mysteries of the Deep has released its third and final compilation, rounding out the three-part seasonal series that began earlier this year. Each has been distinct and reflective of the season of its release; the first, released in spring, leaned towards the organic and ethereal. The second—a summer release—was oriented towards rhythmic vitality. And the third installment in the series, like the winter season, is deep, dark, and contemplative: a call to turn inwards. The thread that connects each track in Chapter Three is mood: each one of these tracks brings to mind the inward spaces of winter. From the smoky, ghost-like vocals of Xexzy’s “Lost” to the percussive fervor of Birds of Prey’s “Escapement,” this compilation offers a dynamic range of sounds, while remaining sonically coherent. Thomas Ragsdale’s “Kicking Ox” makes for a fitting opening, for its dark pulse and somber strings set the tone for what’s to follow. Much of this work seems to reflect the end of a long, chaotic year; often these arrangements are stark, unsettling and dystopian, like Push for Night’s tense, cinematic “Fingering the Fuse” and Israel Vines’ “Shallow Pursuits.” Elements like the ragged chords of Rafael Anton Irisarri’s “Haggard,” the steady, buried kick in Christina Giannone’s “Lapsed Contentment” or the sonic droplets of Radere’s “Harm Matrix,” lend to a sparse, wintry atmosphere. But, as within any bleak, snowy landscape, there’s the occasional sheen of light. Joachim Spieth’s “Luna,” and Rhaeticus’ “Standing on Concrete” are heightened and emotionally rich. Overall, the third and final release grounds itself in an identity that feels distinctly different from the first two chapters, and yet simultaneously completes the arc of the series, which has showcased over three dozen artists dedicated to their craft. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDCOMP003, 2020 mysteriesofthedeep.net

Mysteries of the Deep has released its third and final compilation, rounding out the three-part seasonal series that began earlier this year. Each has been distinct and reflective of the season of its release; the first, released in spring, leaned towards the organic and ethereal. The second—a summer release—was oriented towards rhythmic vitality. And the third installment in the series, like the winter season, is deep, dark, and contemplative: a call to turn inwards. The thread that connects each track in Chapter Three is mood: each one of these tracks brings to mind the inward spaces of winter. From the smoky, ghost-like vocals of Xexzy’s “Lost” to the percussive fervor of Birds of Prey’s “Escapement,” this compilation offers a dynamic range of sounds, while remaining sonically coherent. Thomas Ragsdale’s “Kicking Ox” makes for a fitting opening, for its dark pulse and somber strings set the tone for what’s to follow. Much of this work seems to reflect the end of a long, chaotic year; often these arrangements are stark, unsettling and dystopian, like Push for Night’s tense, cinematic “Fingering the Fuse” and Israel Vines’ “Shallow Pursuits.” Elements like the ragged chords of Rafael Anton Irisarri’s “Haggard,” the steady, buried kick in Christina Giannone’s “Lapsed Contentment” or the sonic droplets of Radere’s “Harm Matrix,” lend to a sparse, wintry atmosphere. But, as within any bleak, snowy landscape, there’s the occasional sheen of light. Joachim Spieth’s “Luna,” and Rhaeticus’ “Standing on Concrete” are heightened and emotionally rich. Overall, the third and final release grounds itself in an identity that feels distinctly different from the first two chapters, and yet simultaneously completes the arc of the series, which has showcased over three dozen artists dedicated to their craft. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDCOMP003, 2020 mysteriesofthedeep.net

Mysteries of the Deep has released its third and final compilation, rounding out the three-part seasonal series that began earlier this year. Each has been distinct and reflective of the season of its release; the first, released in spring, leaned towards the organic and ethereal. The second—a summer release—was oriented towards rhythmic vitality. And the third installment in the series, like the winter season, is deep, dark, and contemplative: a call to turn inwards. The thread that connects each track in Chapter Three is mood: each one of these tracks brings to mind the inward spaces of winter. From the smoky, ghost-like vocals of Xexzy’s “Lost” to the percussive fervor of Birds of Prey’s “Escapement,” this compilation offers a dynamic range of sounds, while remaining sonically coherent. Thomas Ragsdale’s “Kicking Ox” makes for a fitting opening, for its dark pulse and somber strings set the tone for what’s to follow. Much of this work seems to reflect the end of a long, chaotic year; often these arrangements are stark, unsettling and dystopian, like Push for Night’s tense, cinematic “Fingering the Fuse” and Israel Vines’ “Shallow Pursuits.” Elements like the ragged chords of Rafael Anton Irisarri’s “Haggard,” the steady, buried kick in Christina Giannone’s “Lapsed Contentment” or the sonic droplets of Radere’s “Harm Matrix,” lend to a sparse, wintry atmosphere. But, as within any bleak, snowy landscape, there’s the occasional sheen of light. Joachim Spieth’s “Luna,” and Rhaeticus’ “Standing on Concrete” are heightened and emotionally rich. Overall, the third and final release grounds itself in an identity that feels distinctly different from the first two chapters, and yet simultaneously completes the arc of the series, which has showcased over three dozen artists dedicated to their craft. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDCOMP003, 2020 mysteriesofthedeep.net

Mysteries of the Deep has released its third and final compilation, rounding out the three-part seasonal series that began earlier this year. Each has been distinct and reflective of the season of its release; the first, released in spring, leaned towards the organic and ethereal. The second—a summer release—was oriented towards rhythmic vitality. And the third installment in the series, like the winter season, is deep, dark, and contemplative: a call to turn inwards. The thread that connects each track in Chapter Three is mood: each one of these tracks brings to mind the inward spaces of winter. From the smoky, ghost-like vocals of Xexzy’s “Lost” to the percussive fervor of Birds of Prey’s “Escapement,” this compilation offers a dynamic range of sounds, while remaining sonically coherent. Thomas Ragsdale’s “Kicking Ox” makes for a fitting opening, for its dark pulse and somber strings set the tone for what’s to follow. Much of this work seems to reflect the end of a long, chaotic year; often these arrangements are stark, unsettling and dystopian, like Push for Night’s tense, cinematic “Fingering the Fuse” and Israel Vines’ “Shallow Pursuits.” Elements like the ragged chords of Rafael Anton Irisarri’s “Haggard,” the steady, buried kick in Christina Giannone’s “Lapsed Contentment” or the sonic droplets of Radere’s “Harm Matrix,” lend to a sparse, wintry atmosphere. But, as within any bleak, snowy landscape, there’s the occasional sheen of light. Joachim Spieth’s “Luna,” and Rhaeticus’ “Standing on Concrete” are heightened and emotionally rich. Overall, the third and final release grounds itself in an identity that feels distinctly different from the first two chapters, and yet simultaneously completes the arc of the series, which has showcased over three dozen artists dedicated to their craft. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDCOMP003, 2020 mysteriesofthedeep.net

Mysteries of the Deep has released its third and final compilation, rounding out the three-part seasonal series that began earlier this year. Each has been distinct and reflective of the season of its release; the first, released in spring, leaned towards the organic and ethereal. The second—a summer release—was oriented towards rhythmic vitality. And the third installment in the series, like the winter season, is deep, dark, and contemplative: a call to turn inwards. The thread that connects each track in Chapter Three is mood: each one of these tracks brings to mind the inward spaces of winter. From the smoky, ghost-like vocals of Xexzy’s “Lost” to the percussive fervor of Birds of Prey’s “Escapement,” this compilation offers a dynamic range of sounds, while remaining sonically coherent. Thomas Ragsdale’s “Kicking Ox” makes for a fitting opening, for its dark pulse and somber strings set the tone for what’s to follow. Much of this work seems to reflect the end of a long, chaotic year; often these arrangements are stark, unsettling and dystopian, like Push for Night’s tense, cinematic “Fingering the Fuse” and Israel Vines’ “Shallow Pursuits.” Elements like the ragged chords of Rafael Anton Irisarri’s “Haggard,” the steady, buried kick in Christina Giannone’s “Lapsed Contentment” or the sonic droplets of Radere’s “Harm Matrix,” lend to a sparse, wintry atmosphere. But, as within any bleak, snowy landscape, there’s the occasional sheen of light. Joachim Spieth’s “Luna,” and Rhaeticus’ “Standing on Concrete” are heightened and emotionally rich. Overall, the third and final release grounds itself in an identity that feels distinctly different from the first two chapters, and yet simultaneously completes the arc of the series, which has showcased over three dozen artists dedicated to their craft. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDCOMP003, 2020 mysteriesofthedeep.net

Mysteries of the Deep has released its third and final compilation, rounding out the three-part seasonal series that began earlier this year. Each has been distinct and reflective of the season of its release; the first, released in spring, leaned towards the organic and ethereal. The second—a summer release—was oriented towards rhythmic vitality. And the third installment in the series, like the winter season, is deep, dark, and contemplative: a call to turn inwards. The thread that connects each track in Chapter Three is mood: each one of these tracks brings to mind the inward spaces of winter. From the smoky, ghost-like vocals of Xexzy’s “Lost” to the percussive fervor of Birds of Prey’s “Escapement,” this compilation offers a dynamic range of sounds, while remaining sonically coherent. Thomas Ragsdale’s “Kicking Ox” makes for a fitting opening, for its dark pulse and somber strings set the tone for what’s to follow. Much of this work seems to reflect the end of a long, chaotic year; often these arrangements are stark, unsettling and dystopian, like Push for Night’s tense, cinematic “Fingering the Fuse” and Israel Vines’ “Shallow Pursuits.” Elements like the ragged chords of Rafael Anton Irisarri’s “Haggard,” the steady, buried kick in Christina Giannone’s “Lapsed Contentment” or the sonic droplets of Radere’s “Harm Matrix,” lend to a sparse, wintry atmosphere. But, as within any bleak, snowy landscape, there’s the occasional sheen of light. Joachim Spieth’s “Luna,” and Rhaeticus’ “Standing on Concrete” are heightened and emotionally rich. Overall, the third and final release grounds itself in an identity that feels distinctly different from the first two chapters, and yet simultaneously completes the arc of the series, which has showcased over three dozen artists dedicated to their craft. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDCOMP003, 2020 mysteriesofthedeep.net

Mysteries of the Deep Podcast, Chapter CI. A Visit to the Parliament of Trees by Radere. Cover photo courtesy of Candace Price. Deep within the Green, our memories rest. May they dream. Recorded at home, April 2019. Tracklist: 1. Robert Rich + B. Lustmord, “Synergistic Perceptions” 2. David Toop, “Unspeakable Within It” 3. Stephen Cornford, “Untitled” 4. Environments, “Dusk in the Okefenokee Swamp” 5. Crys Cole + Oren Ambarchi, “Francis Debacle (Uno)” 6. Stine Janvin Motland, “The Day After” 7. Beatriz Ferreyra, “Demeures Aquatiques” 8. Michael Redolfi, “Palm Canyon” 9. Harry Bertoia, “Clear Sounds” 10. Nathan Bowles + Scott Verrastro, “Asymptotic Gravity I” 11. Alvin Curran, “Crystal Aires” 12. David Toop, “Dry Keys Echo in the Dark and Humid Early Hours” 13. Deep Listening Band, “Landgrove” 14. Duane Pitre, “Bayou Electric” 15. Environments, “Dawn in the Okefenokee Swamp” 16. McCoy Tyner, “His Blessings” https://soundcloud.com/radere

RADERE (CELE, Full Spectrum / Denver) Radere (@radere) is the alias of Carl Ritger – a guitarist and synthesist currently based in Denver, Colorado. His work primarily explores the shadowy gulf that exists between drone and noise, blurring traditional instrumentation, electronics, and location recordings into densely textured sonic monoliths. Radere’s recordings have found their way to light via a slew of independent labels, including Full Spectrum Records, Moodgadget Records, basic_sounds (RIP), and futuresequence. He also conducts ongoing collaborations with Sun Hammer, offthesky, Ten and Tracer, Cody Yantis, and Anduin; as well as John Templeton, alongside whom he comprises the experimental techno vehicle Coward. This mix is a recreation of a set he delivered at the New Romanticks launch party in Denver, Colorado on Labor Day. The city was bathed in the smoke of the burning American West. It choked the lungs and burned the eyes as oppressive heat rose from the dust. What was meant to be a fond farewell to summer 2k17 instead devolved into an endurance challenge of Herzogian proportions, befitting the funereal tenor of these selections. Existential hymns for a doomed desert caravan. Artwork by Chris Cole Stream / download all Deep Club Podcasts here: soundcloud.com/deepclubdenver/sets/deep-club-podcasts TRACKLIST: 01. Moonraker - "Ianuc" 02. Lino Capra Vaccina - "Echi Armonici (Parte 2)" 03. Robert Aiki Aubrey Lowe - "Untitled" 04. Kassel Jaeger, Jim O'Rourke - "Wakes On Cerulean A" 05. Bernard Xolotl - "Cometary Wailing (Valley Plateau)" 06. Alice Coltrane - "Er Ra" 07. Kenji Kawai - "Ghosthack" 08. Don Cherry - "Tibet" 09. Luc Ferrari - "Petit Symphonie Intuitive Pour Un Paysage De Printemps" 10. Andrew Pekler - "Theme From Tristes Tropiques / Avian Modulations / Life In The Canopy" 11. Virtual Forest - "Angel Of The Abyss" 12. Westov Temple - Messiah Drugs" 13. Claudio Rocchi - "Ritmi" 14. En - "Hall Of Mirrors" 15. John Abercrombie - "Timeless"

Radere is the project of Colorado-based Carl Ritger, composing minimal soundscapes, drone, and ambient. His work primarily explores the shadowy gulf that exists between drone and noise, blurring guitars, location recordings, and electronics into densely textured sonic monoliths. Recorded at home using two Technics, a mixer, and a reverb processor, this mix dives into a curated selection of well-worn favorites and recent discoveries that have found their way into my collection. With a focus on lo-fi aesthetics and naturalistic soundscapes, these records expose the territory shared between ecological sound recording practice and the avant-garde. The end result is a deeply personal sonic journey that is at turns meditative and unsettling. For full track listing and more information about this mix, please visit headphonecommute.com

Recorded at home in Denver, Colorado. Radere's upcoming LP - 'I Can't Sleep, I Can't Wake Up' - releases later this month on Full Spectrum Records. Huerco S - Kraanvogel Joanna Brouk - Mary's Watch Part 2 Egard Varèse - Poème Electronique Suzanne Ciani - Concert At Phil Niblock's Loft Synth Sisters - I'm Calling You From A Distance M. Geddes Gengras - Threshold Bee Mask - The Story Of Keys & Locks Federico Durand - Una Ciudad Al Pie De Las Montañas Growing - Primitive Associations / Great Mass Above The Slaves - Burn Into Light Abul Mogard - Tumbling Relentless Heaps Symbol - Tracer Chi - Kuhl

Stay grounded in the liminal state between waking and dreaming with Radere this week on Sunday Morning With Coffee. Dreamy drones and ambient excursions, never wake up. Radere mumbles, "Recorded at home using 2x Technics turntables, a Rane MP2015 mixer, and Korg KP3+ effects processor." 1.Voice In XYbyLino Capra Vaccina, 2.Unicorn In ParadisebyLaraaji, 3.Rubycon - Part OnebyTangerine Dream, 4.Sehr KosmischbyHarmonia, 5.AquabyEdgar Froese, 6.West RidgebyMax Loderbauer + Jacek Sienkiewicz, 7.IntrobyVoices From The Lake, 8.Message 18.10.77byAriel Kalma, 9.No Longer Of Our TimebyJon Mueller + Duane Pitre, 10.In Den Gärten PharaosbyPopol Vuh,

Underground Heroes :: Presented by Make Mistakes :: Hosted by Roy England

A special edition of Mostly Ambient focussing on the Basic Sounds netalabel - basicsounds.ca - and beyond, with music from Bartek Kawula, Will Thomas Long, Jesse Somfray, Overcast Sound, minisystem, Joel Pryde, Radere, Area, Fingers In The Noise, Nordic Soul, Co-op, Bartek Kawula and Bing Satellites. Full tracklist and details at www.bingsatellites.com/radio/#ma003 Follow the show on Twitter @bingsatellites and #mostlyambient

Mysteries Of The Deep Podcast, Chapter XXXVIII. Blue Inferno by Radere. Cover photo courtesy of Candace Price. Tracklist: 1. Environments, “Wood Masted Sailboat” 2. Environments, “Ultimate Heartbeat” 3. Robert Curgenven, “Turner’s Tempest” 4. Jana Winderen, “Scuttling Around In The Shadows” 5. Floris Vanhoof, “De Karekiet Van Karakas” 6. Fennesz, “City Of Light” 7. Derek Rogers, “Apparent Weight” 8. Oren Ambarchi, “Quixotism Part 1” 9. Valerio Tricoli, “In The Eye Of The Cyclone” 10. Andrea Belfi, “Su Linee Rette” 11. William Fowler Collins, “I Heard Only The Eternal Storm” 12. Lawrence English, “Antarctica” 13. Rainforest Spiritual Enslavement, “In Honduras Death Caused By Being Chased By Spirits” 14. Marble Sky, “A Shining Juniper” 15. Bo Anders Persson, “Piece II” 16. Bee Mask, “Vaporware” 17. Oake, “Wuhleor Niir Peffgeeng Pfudenn” 18. Pharmakon, “Intent Or Instinct” 19. John Chantler, “November Part I” 20. Mika Vainio, “Weight” 21. Yellow Swans, “New Life” 22. Solitudes, “Heavy Surf On Rocky Point Along A Sand Spit” 23. Environments, “Ultimate Heartbeat” 24. Stephen Vitiello + Taylor Deupree, “From The Main Studio" https://soundcloud.com/radere http://candaceprice.com

In advance of the 2015 Communikey Festival — which takes place April 16-19 month in Boulder, CO — Experimental Housewife was tapped to record a Headphone Commute mix showcasing the more ambient-leaning portion of the festival programming. Bookended by a pair of tracks from the lauded Silent Season artist Segue, the mix traverses a wide range of styles, from Charles Cohen and Neel’s modular abstractions to the flickering drones of Colorado-based artist Radere and beyond. The end result is an evocative mix that is at turns friendly and creepy, calling to mind the very atmosphere of the Front Range region itself as it moves through its shadowy soundscapes. For more information about this mix, please visit headphonecommute.com

View on our site: http://bit.ly/1HAdE2w There was a sense of escape in those spaces, and I still try to visit every few years when my schedule permits. Now, I’ll take my headphones and provide my own soundtrack to the experience; but as a boy, the dull echoes of families exploring the descending walkway that took you through the Atlantic Coral Reef and Shark Alley displays created a peculiar tension which I found intoxicating. This mix was recorded using a stack of vinyl, a pair of Technics turntables, an Allen & Heath mixer, a Strymon El Capiston dTape Echo and a Moogerfooger MF-105M. I hope you enjoy it. Environments Š—“Caribbean LagoonŠ— J’_rgen M’_ller Š—“Jenseits Des Stromes (Beyond The Tide)Š— Jana Winderen Š—“Scuttling Around In The ShallowsŠ— Alvin Curran Š—“Under The Fig TreeŠ— Tomoko Sauvage Š—“Amniotic Life (2)Š— Duane Pitre Š—“Section IIŠ— Gareth Hardwick Š—“Sunday AfternoonŠ— Mike Shiflet Š—“(Sufferers)Š— Conoco Š—“VentolaŠ— Model 500 Š—“Starlight (Intrusion Dub)Š— Porter Ricks Š—“Biokinetics 2Š— Vladislav Delay Quartet Š—“Minus Degrees Pete Swanson Š—“Remote ViewŠ— Grouper Š—“Sleep (Fragment)Š

Well now...It feels like I’m back... For the last week I was 'displaced' from my home, due to hurricane Sandy (read up on my status update) and it feels like I’m back… Not really 100% in the routine, which explains why this Headphone Commute mix gets published on a Tuesday, but it’s the mix itself that allows me to fall back into the state of 'norm'. Now then... Today’s exclusive podcast comes courtesy of Sun Hammer (Jay Bodley) and Radere (Carl Ritger), two friends and artists who have recently released an album, Lotophagen on Futuresequence. This collaborative mix focuses on the duo’s influences gravitating a bit towards the drone and noise spectrum, while showcasing the elements from the album itself. There should be a lot of familiar and favorite names on this selection, plus a few previously unknown pieces that you must seek out. For full track listing and more information about this mix, please visit headphonecommute.com

Continuamos escuchando varios cortes extraídos del recopilatorio escala 2.3, un proyecto conjunto de escala netlabel y Sismógrafo donde se recogen en tres volúmenes a gran parte de los artistas más interesantes de la escena ambient drone. Hoy les toca el turno a Offthesky & Radere, Sustainer, Hakobune y Juanjo Palacios. Además en el programa de hoy os proponemos el 2º trabajo del dúo En publicado en el sello Student of Decay y lo nuevo del gran Robert Henke a.k.a Monolake titulado Ghost. Con Stephen Christopher Stamper en Runningonair Music y el techno dub de Skyscaper cuadramos nuestra entrega semanal. Playlist: Offthesky & Radere - Minor Abridge; Sustainer - Unidad; Hakobune - Shimotsuki; Juanjo Palacios - Tendal; En - Already gone; Monolake - Hitting the Surface; Stephen Christopher Stamper - Growing; Skyscaper - Atmospheric Stratification. Escuchar audio