Podcasts about russian museum

Sergey Nazarov from the Russian Museum of Natural History discusses the evolution of sharks, their relationship with sauries, and the importance of mesoderm in shark development.

Celebrating Holy Week and the Paschal Triduum with the Lord of the Rings - exploring Aragorn's Christ-like role as Healer, Priest, and King. We'll also talk about the Lord's Descent into Hell, the beauty of Holy Week Services (and what they entail), and the Hope that comes from a Returning King. Happy Holy Week, Happy Easter!  “For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was only a small and passing thing: there was light and high beauty for ever beyond its reach.” ― J.R.R. Tolkien, The Return of the King    “Oft hope is born when all is forlorn.” ― J.R.R. Tolkien, The Return of the King   www.bornofwonder.com Instagram @bornofwonder   Leave a review for the podcast on iTunes and leave a star rating on Spotify!    Support the podcast on Patreon: https://www.patreon.com/bornofwonder?fan_landing=true     From an Ancient Homily - Holy Saturday https://www.vatican.va/spirit/documents/spirit_20010414_omelia-sabato-santo_en.html     Late Byzantine fresco of the Harrowing of Hell (Anastasis), Chora Church in Constantinople (modern Istanbul). https://en.wikipedia.org/wiki/Harrowing_of_Hell#/media/File:Anastasis_at_Chora.jpg    Before his resurrection from the dead, Jesus Christ grants salvation to souls by the Harrowing of Hell. Fresco, by Fra Angelico, c. 1430s https://en.wikipedia.org/wiki/Harrowing_of_Hell#/media/File:Fra_Angelico_024.jpg    Christ's Descent into Limbo by Andrea Mantegna and studio, c. 1470. https://en.wikipedia.org/wiki/Harrowing_of_Hell#/media/File:MantegnaDescentLimbo.jpg    Harrowing of Hades, an icon by Dionisius, from the Ferapontov Monastery. https://en.wikipedia.org/wiki/Harrowing_of_Hell#/media/File:Descent_into_hell-Russian_Museum.jpg       Journeying through Advent with Lord of the Rings https://www.bornofwonder.com/home/journeying-through-advent-with-lord-of-the-rings    Lent Lord of the Rings https://lentenlordoftherings.wordpress.com  

https://www.patreon.com/russiantut - here you can find the PDF transcript Moscow coronavirus news / What Syria and Crimea agreed on. / Let's find out which business sectors have the most bankruptcies. / They want to ban cryptocurrencies. / By February, sweets will become more expensive. / Russian Museum is hosting an interesting exhibition for fans of the Russian avant-garde in Moscow. / Stray dogs have killed the girl and how the issue with stray animals will be resolved. / And about the weather this winter, who doesn't know, we have so much snow that I personally don't even remember how we used to live without it.

Photo:  Russian Museum, a collection of folk art. In the foreground: "Mice burying a Cat" (late XIX - early XX century). Woodcarving. Master F. D. Eroshkin (1879-1936). Bogorodskoe, Vladimir Governorate. @Batchelorshow #OzWatch: Aiding Zero-Covid Tonga.  And here come the rain-soaked waves of mice and 500 kinds of teeming cockroaches..  Jeremy Zakis, New South Wales. https://news.yahoo.com/tonga-zero-covid-island-nation-160612216.html

This year is the 200th anniversary of the return to Russia of the Bellinghausen Expedition, which discovered the Antarctic continent and was the first Russian visit to New Zealand. In this episode, we discuss the expedition and its significance with special guest Sergey Permitin. Pictures by expedition artist Pavel Mikhailov in the collection of the Russian Museum: https://rusmuseumvrm.ru/reference/classifier/author/mihaylov_pavel_nikolaevich/index.php?show=asc&p=0&page=1&ps=20&lang=en#slide-1 NZ Geographic articles on the first Russian visit to NZ: https://www.nzgeo.com/stories/from-russia-with-respect/?source=readmore-ribbon-related https://www.nzgeo.com/stories/the-day-the-russians-came/ Peaceful East 200: https://www.russia-maritime.ru/mve200

Solzhenitsyn emerges from the secret concentration camps sprinkled throughout Communist Russia with the same message as Viktor Frankl. Firstly, evil is a human thing, not a race, class or nationality thing. Secondly, suffering is an opportunity for both corruption and redemption. The choice is yours. These truths can be traced back to Jesus, who taught that God uses suffering to draw us closer to Himself.Episode NotesThe featured painting is an oil on canvas by Boris Kustodiev called “Celebration Marking the Opening of the 2nd Congress of the Comintern on Uritsky Square in Petrograd on 19 June 1920.” It was painted in 1921.  It is on display at the Russian Museum in St. PetersburgThe featured piece is by Sergey Rachmaninov, a Russian composer of the 20th century. The piece is called Piano Concerto #2 in C Minor, Op. 18. Rachmaninov escaped Russia after the socialist revolution of 1918 and settled in the United States. It seemed fitting to select a Russian composer who fled Russia following the socialist revolution. Plus, it is my favorite piece of all time.LinksVisit our website: https://www.wellreadchristian.comCheck our our blog: https://www.wellreadchristian.com/blogFacebook: https://www.facebook.com/wellreadchristianInstagram: https://www.instagram.com/wellreadchristianTwitter: https://www.twitter.com/WellReadChrist1Youtube: https://www.youtube.com/channel/UCfGxz4OH1-hVD0fL9AWR4Xg

Groupthink is when you inherit the ideas of the masses without thinking them through for yourself. Although Solzhenitsyn was a true Communist until his party betrayed and enslaved him for cheap labor, some underwent a similar fate and never changed changed their minds about Communism because they were terrified of existential exile. Solzhenitsyn discovered that humility and the ability to listen to others can keep you from Groupthink and set you on your own journey towards individuality and truth.The featured painting is an oil on canvas by Boris Kustodiev called “Celebration Marking the Opening of the 2nd Congress of the Comintern on Uritsky Square in Petrograd on 19 June 1920.” It was painted in 1921.  It is on display at the Russian Museum in St. Petersburg.Episode NotesThe featured painting is an oil on canvas by Boris Kustodiev called “Celebration Marking the Opening of the 2nd Congress of the Comintern on Uritsky Square in Petrograd on 19 June 1920.” It was painted in 1921.  It is on display at the Russian Museum in St. PetersburgThe featured piece is by Sergey Rachmaninov, a Russian composer of the 20th century. The piece is called Piano Concerto #2 in C Minor, Op. 18. Rachmaninov escaped Russia after the socialist revolution of 1918 and settled in the United States. It seemed fitting to select a Russian composer who fled Russia following the socialist revolution. Plus, it is my favorite piece of all time.

Aleksander Solzhenitsyn (1918-2008) is one of the most important writers of the 20th century for his extensive writings which exposed the lies of the Soviet Union with courage, conviction and character. From the warfront for the motherland, to the slave labor camps, and then into exile, Solzhenitsyn absorbed the experience of an entire nation and documents the atrocities committed in the name of overthrowing class oppressors. Along the way, he learns that good and evil runs not between party lines, class, or race, but through the middle of each human heart.Episode NotesThe featured painting is an oil on canvas by Boris Kustodiev called "Celebration Marking the Opening of the 2nd Congress of the Comintern on Uritsky Square in Petrograd on 19 June 1920." It was painted in 1921.  It is on display at the Russian Museum in St. PetersburgThe featured piece is by Sergey Rachmaninov, a Russian composer of the 20th century. The piece is called Piano Concerto #2 in C Minor, Op. 18. Rachmaninov escaped Russia after the socialist revolution of 1918 and settled in the United States. It seemed fitting to select a Russian composer who fled Russia following the socialist revolution. Plus, it is my favorite piece of all time. 

Angélica de Moraes nasceu em Pelotas, Rio Grande do Sul, Brasil, em 1949. É curadora, crítica de arte e jornalista cultural. Formada em Jornalismo pela PUC- RS, está radicada em São Paulo desde 1986. No jornal O Estado de S. Paulo e por mais de uma década exerceu a crítica do circuito nacional e internacional de arte contemporânea. Organizou exposições para diversas instituições e participou de publicações com seus textos. Seu trabalho curatorial se faz tanto em individuais de nomes relevantes da arte contemporânea quanto em coletivas onde destaca o diálogo entre a história da arte e os meios digitais. [Angélica de Moraes was born in Pelotas, Rio Grande do Sul, Brazil, in 1949. She is a curator, art critic and cultural journalist. She holds a bachelor in Journalism from the Catholic University of Rio Grande do Sul and lives in São Paulo since 1986. At the newspaper O Estado de S. Paulo and for more than a decade she worked as an art critic in the field of national and international contemporary art. She organized exhibitions in many institutions and participated in many publications with her texts. Her curatorial work is given in solo exhibitions of important names of contemporary art and also in group shows where she bolds the dialogue between art history and the digital media]. ///imagens selecionadas|selected images: Regina Silveira, "Flash", 2010 + Lygia Pape, "Ttéia 3C", 2009 + imagem de São Nicolau vista no Museu Russo, São Petersburgo [image of Saint Nicholas, Russian Museum, St. Petersburg], 2012. fotografia da curadora [photo by the curator]/// [entrevista realizada em 07 de dezembro de 2020|interview recorded on december 7th, 2020] [link para YouTube: https://www.youtube.com/watch?v=17R5iUvOWUw]

Marat Guelman is a Russian art collector, gallery owner and art manager, who has been behind some of the most important art initiatives connected to Russia in the last thirty years. Born in 1960. One of the first contemporary art dealers in the USSR — in 1990 opened one of the first private galleries of contemporary art. He arranged personal exhibitions of Andy Warhol (Alter Ego, 1994) and Joseph Beuys (“Leonardo's Diary”, 1994), supervised numerous exhibition projects in the Manezh, the Russian Museum and the Tretyakov Gallery. In 1995, together with Gleb Pavlovsky, he created the “Foundation for Effective Politics”. From June 2002 to February 2004 he was the Deputy General Director Russia's 'Pervy Kanal' television channel. In 2008, Guelman ran the exhibition Russian Povera in Perm. The exhibition included the works of the most prominent Russian artists of today. Marat is the former director of Perm Museum of Modern Art PERMM. In 2014 he moved to Montenegro for the implementation of a new cultural project. FIND MARAT ON SOCIAL MEDIA LinkedIn | Facebook | Instagram | Twitter ================================ SUPPORT & CONNECT: Support on Patreon: https://www.patreon.com/denofrich Twitter: https://twitter.com/denofrich Facebook: https://www.facebook.com/denofrich YouTube: https://www.youtube.com/denofrich Instagram: https://www.instagram.com/den_of_rich/ Hashtag: #denofrich © Copyright 2022 Den of Rich. All rights reserved.

Marat Guelman is a Russian art collector, gallery owner and art manager, who has been behind some of the most important art initiatives connected to Russia in the last thirty years. Born in 1960. One of the first contemporary art dealers in the USSR — in 1990 opened one of the first private galleries of contemporary art. He arranged personal exhibitions of Andy Warhol (Alter Ego, 1994) and Joseph Beuys (“Leonardo's Diary”, 1994), supervised numerous exhibition projects in the Manezh, the Russian Museum and the Tretyakov Gallery. In 1995, together with Gleb Pavlovsky, he created the “Foundation for Effective Politics”. From June 2002 to February 2004 he was the Deputy General Director Russia's 'Pervy Kanal' television channel. In 2008, Guelman ran the exhibition Russian Povera in Perm. The exhibition included the works of the most prominent Russian artists of today. Marat is the former director of Perm Museum of Modern Art PERMM. In 2014 he moved to Montenegro for the implementation of a new cultural project.FIND MARAT ON SOCIAL MEDIALinkedIn | Facebook | Instagram | Twitter

Salutations, SOTAns! This week Sarah interviews Jonathan Aller who is an illustrator turned oil painter who blends his background in animation drawing with classical painting approaches to create works based off conversations with the sitters. Jasa reviews the exhibition From Non-Conformism to Feminisms: Russian Women Artists from the Kolodzei Art Foundation at the Museum of Russian Art of Art in Minneapolis. She touches on some history behind the collection, exhibition design, and highlights some favorite projects such as The Museum of a Woman. In the news, we discuss how the Currier Museum of Art in Manchester, New Hampshire has made a free community program that focuses on engaging with those whose family and friends are afflicted by addiction–particularly as an effect of the opioid crisis. References: Jonathan Aller's Website From Non-Conformism to Feminisms: Russian Women Artists from the Kolodzei Art Foundation at the Russian Museum of Art The Kolodzei Art Foundation Tania Antoshina Website Museum Creates Program for Families Suffering from the Opioid Crisis- Hyperallergic --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/sota/message Support this podcast: https://anchor.fm/sota/support

Art lovers flock to St Petersburg's wonderful and extensive collections in the Hermitage and of course we will look at some of the highlights to be found there. But first, a nod to the architectural styles to be found in the city, from the glorious baroque palaces of 18th century St Petersburg, via the much more Russian-influenced design of the Church on the Spilled Blood, to the designs favoured in the Stalinist era. Also, a visit to the Russian Museum, where thousands of exhibits tell the story of Russian art from the earliest icons to the twentieth century and lastly, some pointers for those wanting to see modern art Russian-style. http://www.citybreakspodcast.co.uk

Alex moves on to St Petersburg...Day 1St. Petersburg is a Russian port city on the Baltic Sea. It was the imperial capital for 2 centuries, having been founded in 1703 by Peter the Great, subject of the city's iconic “Bronze Horseman” statue. It remains Russia's cultural center, with venues such as the Mariinsky Theatre hosting opera and ballet, and the State Russian Museum showcasing Russian art, from Orthodox icon paintings to Kandinsky works.Highlights of the day include:The Mariinsky Theatre is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music theatre of late 19th-century Russia, where many of the stage masterpieces of Tchaikovsky, Mussorgsky, and Rimsky-Korsakov received their premieres. Wikipedia                                            The State Russian Museum, formerly the Russian Museum of His Imperial Majesty Alexander III, located on Arts Square in Saint Petersburg, is the world's largest depository of Russian fine art. It is also one of the largest museums in the country. WikipediaNevsky Prospect (Russian: Не́вский проспе́кт, tr. Nevsky Prospekt, IPA: [ˈnʲɛfskʲɪj prɐˈspʲɛkt]) is the main street in the city of St. Petersburg, Russia, named after the 13th-century Russian prince Alexander Nevsky. Planned by Peter the Great as the beginning of the road to Novgorod and Moscow, the avenue runs from the Admiralty to the Moscow Railway Station and, after making a turn at Vosstaniya Square, to the Alexander Nevsky Lavra.The chief sights include the Rastrelliesque Stroganov Palace, the huge neoclassical Kazan Cathedral, the Art Nouveau Bookhouse, Elisseeff Emporium, half a dozen 18th-century churches, a monument to Catherine the Great, an enormous 18th-century shopping mall, a mid-19th-century department store, the Russian National Library, the Anichkov Bridge with its horse statues, and the Singer House. WikipediaSubscribe, rate and review Travel First at any good podcatcher app, including ApplePodcasts (formerly iTunes) (featured in New & Noteworthy), Google Podcasts, Stitcher, Pocketcasts, Podbean, CastBox.fm and more.Email: travelfirst@bitesz.comFor more, follow Travel First on Facebook, twitter, Google+ and Instagram:Facebook:  @travelfirstpodcasttwitter:   @biteszHQtravelInstagram:  www.instagram.com/biteszhqtravelGoogle+:      https://plus.google.com/u/2/collection/wi0YaB If you're enjoying Travel First, please share and tell your friends. Thank you... Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

The An-sky Yiddish Heritage Ensemble -- renowned Yiddish folk singers Michael Alpert and Ethel Raim, tsimblist (hammered dulcimer player) Pete Rushefsky and violinist Jake Shulman-Ment -- celebrates the hundredth Anniversary of the historic An-sky Expedition. This 1911-1914 ethographic expedition systematically documented the Jewish folk culture of dozens of communities in Ukraine and White Russia. It is named for its leader, Yiddish writer and folklorist Semyon An-sky, pen name of Shloyme Zaynvl Rapoport (1863-1920), who is best known as the author of the groundbreaking play The Dybbuk. The An-sky materials, located at the Russian Museum of Ethnography in St. Petersburg, stand as an unparalleled record of a lost, preindustrial Jewish society that was carried out in the Yiddish language. Inspired by An-sky's work, and affiliated with the New York-based Center for Traditional Music and Dance, the An-sky Yiddish Heritage Ensemble is a supergroup of four leading performers and researchers of Yiddish music who present a diverse program of rare Yiddish folksongs and exciting klezmer instrumentals collected through field and archival research. The ensemble also performs original music rooted in the tradition, and in doing so keeps the flame of Yiddish culture alive.

Anastasia Kalyuta offers a comparative analysis of land tenure and related practices of inheritance, land distribution and exploitation among Aztec nobility on the eve of Spanish conquest and aftermath. The talk explores distinctions of elite land tenure in two main centers of Aztec empire-Tenochtitlan and Tetzcoco. Speaker Biography: Anastasia Kalyuta is a scholar with the Russian Museum of Ethnography and a Kislak Fellow in American Studies. For transcript, captions, and more information visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=5504.