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en este episodio de Dirección Coral Online te cuento cómo la colaboración entre Eisenstein y Prokofiev en Alexander Nevsky se convirtió en un hito del cine y la música coral, exploramos el montaje como lenguaje musical, los desafíos de la filmación, la creación conjunta de la partitura, su transformación en cantata y cómo los vaivenes políticos de la Segunda Guerra Mundial impactaron en la película y en la vida del propio Eisenstein.anotate en mi newsletter gratuita: https://www.dopplerpages.com/gusespada-D9EA4/Form6-62234
An extraordinary recording from the hill at the top of Tallinn's Old Town. At 5pm the carillon of bells at Alexander Nevsky cathedral rings out. The cathedral has eleven bells cast in Saint Petersburg, the largest of which weighs about 16 tons, more than the other ten combined, and sounds incredible. Following the carillon, we head inside and catch a session of rhythmic, sung orthodox prayers. UNESCO listing: Historic Centre (Old Town) of Tallinn Recorded by Cities and Memory. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
Jem looks into Soviet Cinema and Alexander Nevsky.Support this show http://supporter.acast.com/condensed-histories. Hosted on Acast. See acast.com/privacy for more information.
Gabriel Hardman and I sit down with Action star Alexander Nevsky and actor Director Joe Cornet to talk aaaabout their new western Two From Rio Bravo streaming exclusively now for free on XUMO
Swiss singer Nemo has won the Eurovision Song Contest in Sweden, with their song The Code. The contest in Malmo Sweden has been marred by protests about the Israel Gaza conflict threatened to derail the event. Emily Buchanan gets an update rom BBC reporter Sophie Yardley and Dr Paul Jordan, an expert on Eurovision whose thesis, The Eurovision Song Contest: nation branding and nation building, examined the political changes in the competition.For the fifth time, Vladimir Putin took the oath of office and was sworn in as Russia's president for a new six-year term in the Kremlin Palace before being blessed by Patriarch Kirill in the Cathedral of Christ the Saviour. Where he was likened to Alexander Nevsky - known for fighting off raids of Teuton knights. Patriarch Kirill claimed “God himself entrusted the service of Russia to you". How do these events shape the identity of the Russian Orthodox Church? Sunday programme hears from Katharine Kelaidis, Director of Research and Content at the National Hellenic Museum.Litany is a made to measure clothing small business in New York. Driven by their faith, Co-creators Veronica and Olivia started their business to provide women with garments that are worthy of wearing. Emily Buchanan hears from co-founder Veronica, about how her Christian faith inspires her fashion brand.Presenter: Emily Buchanan Producers: Bara'atu Ibrahim & Linda Walker Production Coordinator: David Baguley Editor: Jonathan Hallewell
This week Harrison will be discussing "Alexander Nevsky (1938)" #alexandernevsky #nikolaycherkasov #sergeieisenstein #reelyoldmovies Theme Song: "The Good For Nothing" starring Charlie Chaplin Released 1914 https://youtu.be/3RKsuoX_bnU Social Media Links: https://linktr.ee/reelyoldmovies --- Send in a voice message: https://podcasters.spotify.com/pod/show/reelyoldmovies/message
John Milius's 1984 film Red Dawn has a reputation as being a jingoistic conservative fever dream, but we talk with Nat Hansen, who argues that its political outlook is more complex and more interesting. Along the way, we also discuss the film's portrayal of masculinity, the toll of war, the film's many references, from The Battle of Algiers to Alexander Nevsky. Follow us on Twitter: @cowspod Buy a t-shirt or mug: cowspod.threadless.com
A frozen Lake Peipus played host to a dramatic fight between 2,000 Catholic Crusaders and 6,000 Orthodox Christians on 5th April, 1242. The invading forces were the Teutonic Knights, armed with spears and swords to ‘Christianize' what they saw as a Pagan society. Novgorod's defender, Prince Alexander Nevsky, lured the Germans to the lake, where his troops could take them down one by one, in a battle that went down in Russian lore. In this episode, Arion, Rebecca and Olly reveal how much of the imagery of the battle was in fact crystallised by a controversial twentieth-century filmmaker; consider why the Knights were so unprepared for this particular confrontation; and ask what actual theological differences separated the warring factions… Further Reading: • ‘Lake Peipus: Battle on the Ice' (Warfare History Network, 2005): https://warfarehistorynetwork.com/article/lake-peipus-battle-on-the-ice/ • ‘Alexander Nevsky - Prince of Novgorod and Kiev': https://www.thoughtco.com/alexander-nevsky-profile-p2-1788255 • ‘Alexander Nevsky' (Sergei Eisenstein, 1938): https://www.youtube.com/watch?v=Gq4PaJfod4w We'll be back on Monday - unless you join
Russian history as interpreted by Eisenstein
Some rare Prokofiev, some common Prokofiev. An operatic blast from the past (Price and Tucker). A tribute to Colette Maze, a French pianist who has died at 109. Another tribute to Ewa Podleś, the great Polish contralto. A mixture of music, and thoughts, in this episode. Tchaikovsky, “Miniature Overture” from “The Nutcracker” Prokofiev, Symphony No. 2 Puccini, Love Duet, “Madama Butterfly” Prokofiev, Symphony No. 5 Prokofiev, Amoroso from “Cinderella” Debussy, Arabesque No. 1 Prokofiev, “The Field of the Dead,” from “Alexander Nevsky”
This week we look at the activities of the Teutonic order in Livonia during the 13th century. The situation in Livonia was profoundly different to Prussia and posed a number of new challenges for the brothers. In Livonia there were the powerful bishops of Riga to contend with who had led the crusade there since its inception in the 1180s. The Hanse merchants who have settled in Riga, Reval and Dorpat are no pushovers. Like in Prussia, the Lithuanians are a formidable force able to inflict painful defeats on the brothers as are some of the Baltic peoples who didn't enjoy conversion at swordpoint as much as the planners back in Bremen, Marburg and Acre had hoped. And let's not forget some new neighbors, the Danes in Northern Estonia and the great republic of Novgorod.In 1240 a great effort gets under way to forcibly convert the orthodox Rus'ian states, including Novgorod that are already under pressure from the Mongols. In their distress the boyars of Novgorod make the second son of the grand duke of Vladimir becomes their military leader, a man we know as Alexander Nevsky. On April 5, 1242 Alexander Nevsky and his men stand on the shore of Lake Peipus staring at a squadron of heavily armored cavalry thundering across the ice towards them…Whilst the riders almost certainly weren't accompanied by Prokofief's amazing soundtrack, they may have brought an organ, but that, like everything else about the Battle on the Ice is subject to intense debate, a debate we will examine in this episode.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans
This week we look at the activities of the Teutonic order in Livonia during the 13th century. The situation in Livonia was profoundly different to Prussia and posed a number of new challenges for the brothers. In Livonia there were the powerful bishops of Riga to contend with who had led the crusade there since its inception in the 1180s. The Hanse merchants who have settled in Riga, Reval and Dorpat are no pushovers. Like in Prussia, the Lithuanians are a formidable force able to inflict painful defeats on the brothers as are some of the Baltic peoples who didn't enjoy conversion at swordpoint as much as the planners back in Bremen, Marburg and Acre had hoped. And let's not forget some new neighbors, the Danes in Northern Estonia and the great republic of Novgorod. In 1240 a great effort gets under way to forcibly convert the orthodox Rus'ian states, including Novgorod that are already under pressure from the Mongols. In their distress the boyars of Novgorod make the second son of the grand duke of Vladimir becomes their military leader, a man we know as Alexander Nevsky. On April 5, 1242 Alexander Nevsky and his men stand on the shore of Lake Peipus staring at a squadron of heavily armored cavalry thundering across the ice towards them… Whilst the riders almost certainly weren't accompanied by Prokofief's amazing soundtrack, they may have brought an organ, but that, like everything else about the Battle on the Ice is subject to intense debate, a debate we will examine in this episode.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans
Em 1938, uma comissão cinematográfica muito prestigiada veio até Sergue Prokofiev quando ele foi convidado a escrever a música para o épico Alexander Nevsky , dirigido pelo célebre Sergei Eisenstein (1898-1948). Produto da colaboração entre o diretor Sergei Eisenstein e Serguei Prokofiev , o filme Alexander Nevsky (1938), esta cantata ostenta uma rica história sociopolítica e cultural. O tema do filme era muito patriótico, porém, após ter sido lançado em 1938, teve que ser retirado poucos meses após a assinatura do pacto de não agressão entre a Alemanha nazista e a URSS. Hoje temos o convidado o padrinho Aarão Barreto, do podcast Pilulas de Saúde, ao lado do jornalista Aroldo Glomb FAÇA PARTE DO CONVERSA DE CÂMARA COM O NOSSO PADRIM! Então entre na conversa! No Padrin.com.br você pode ajudar o Conversa de Câmara a crescer e seguir divulgando ainda mais a boa música da humanidade. Mostre que você tem um gosto refinado apoiando a gente no Padrim.com.br https://www.padrim.com.br/conversadecamara RELAÇÃO DE PADRINS Karollina Coimbra, Aarão Barreto, Gustavo Klein, Fernanda Itri, Eduardo Barreto, Ediney Giordani, Tramujas Jr, Brasa de Andrade Neto e Aldo França.
Lacy Lou welcomes Producer Alexander Nevsky to the show! They chat about his latest film, The Night of the Caregiver, behind the scenes fun, and how The one and only Terminator inspired part of the look for the demon in the film! So be sure to check out this interview and check out the film now streaming on Tubi! --- Support this podcast: https://podcasters.spotify.com/pod/show/lacy-williams1/support
Es un santo y uno de los grandes héroes de Rusia. Se forjó en el yunque de la guerra, logrando vencer a la implacable cruzada de los caballeros Teutónicos en 1242. Una película de Eisenstein lo inmortalizó. El gran Pako Gradaille, diseñador de juegos de mesa, vuelve a este programa para contarnos la historia de este hombre: Alexander Nevski. Imagen: Alexander Nevsky (1935) Sergei Eisenstein. Fuentes 1) Life of Alexander Nevsky, manuscrito de alrededor de 1280 https://en.wikipedia.org/wiki/Life_of_Alexander_Nevsky 2) Life of Alexander Nevsky, manuscrito iluminado de entre 1560 y 1570 https://en.wikipedia.org/wiki/Life_of_Alexander_Nevsky_(illuminated_manuscript) 3) The Chronicle of Novgorod, 1016-1471, traducción de Michell, Robert; Shakhmaton, A.A; Forbes, Nevill, 1883-1929; Beazley, C. Raymond (Charles Raymond), 1868-1955 https://archive.org/details/chronicleofnovgo00michrich 4) The Crisis of Medieval Russia 1200-1304, de John Fennell https://www.amazon.es/Crisis-Medieval-1200-1304-Longman-History/dp/0582481503 5) Wikipedia 6) Background Book del juego Nevsky, Teutons and Rus in Collission 1240-1242 de Volko Ruhnke publicado por GMT Games https://gmtwebsiteassets.s3-us-west-2.amazonaws.com/Nevsky/Nevsky_PLAYBOOK-FINAL.pdf Fuentes / Sitios web - Wikipedia Música: La música es de Oleg Zobachev, versionando a Duke Ellington, del Gran Quelonio y de Dunne. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
Pop Art Painter Jamie Roxx (www.JamieRoxx.us) welcomes Joe Cornet, Director & Alexander Nevsky, Producer (Movie: NIGHT OF THE CAREGIVER; Horror) to the Show! (Click to go there) ● IMDB: www.imdb.com/title/tt15520136 ● FB: @joe.cornet.14 ● FB: @АлександрНевский ● IG: @realalexnevsky ITN Studios has obtained the North American rights to the horror film NIGHT OF THE CAREGIVER, directed by Joe Cornet (GUNFIGHT AT RIO BRAVO) and produced by Alexander Nevsky (BLACK ROSE) from a script by Craig Hamann (BOOGIE BOY). Hospice nurse Julia Rowe is hired to be caregiver for Lillian Gresham, who lives in an isolated house in a remote area. Although she is terminally ill, the elderly Lillian is a cordial and sweet lady. However, as the night goes on, Julia suspects something demonic is also dwelling in the house causing she and Lillian to be in grave danger… Alexander Nevsky produced the pic via his company Hollywood Storm. Joe Cornet, Eric Brenner and Douglas “Fini” Finical served as executive producers. Music was written by Sean Murray. ● Media Inquiries: October Coast PR www.octobercoastpr.com
The Todd Sampler: Night of the Caregiver review with Todd 'Quality' Jaeger NIGHT OF THE CAREGIVER, directed by Joe Cornet (GUNFIGHT AT RIO BRAVO) and produced by Alexander Nevsky (BLACK ROSE) from a script by Craig Hamann (BOOGIE BOY). Starring Eileen Dietz (THE EXORCIST), Natalie Denise Sperl (MANK), Eric Roberts (DARK KNIGHT) and Cornet, the pic will get a theatrical and VOD release on August 15 before rolling on digital and DVD platforms this fall. The plot: Hospice nurse Julia Rowe is hired to be caregiver for Lillian Gresham, who lives in an isolated house in a remote area. Although she is terminally ill, the elderly Lillian is a cordial and sweet lady. However, as the night goes on, Julia suspects something demonic is also dwelling in the house causing she and Lillian to be in grave danger… Alexander Nevsky produced the pic via his company Hollywood Storm. Joe Cornet, Eric Brenner and Douglas “Fini” Finical served as executive producers. Music was written by Sean Murray. “It is my pleasure to announce the release of my new horror film NIGHT OF THE CAREGIVER, through ITN Distribution. I believe audiences will be thrilled by the film's strange and bizarre story, think THE EXORCIST combined with the terrifying elements of a Dario Argento film!” - says Joe Cornet @ITNMovies @BDFilmUK #NightOfTheCaregiver #EileenDietz #MovieReview #2023 #2023Horror #2023movies #ToddJaeger #EricRoberts --- Send in a voice message: https://podcasters.spotify.com/pod/show/withoutyourhead/message Support this podcast: https://podcasters.spotify.com/pod/show/withoutyourhead/support
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Avui hem sentit: "Alexander Nevsky", op. 78, Cantata per a mezzosoprano, cor i orquestra, extreta de la banda sonora per a la pel
Programa de actualidad con información, formación y entretenimiento conectando directamente con los oyentes, presentado y dirigido por Miguel Ángel González Suárez. www.ladiez.es - Informativo de primera hora de la mañana, en el programa El Remate de La Diez Capital Radio, presentado y dirigido por Miguel Ángel González Suárez. Más lluvia y viento en Canarias este Miércoles Santo. El tiempo tenderá a estabilizarse a partir del jueves, aunque se espera que vuelvan las precipitaciones el fin de semana. El viento fuerte del norte seguirá siendo protagonista. Hoy se cumplen un año y 41 días del cruel ataque e invasión de Rusia a Ucrania. Hoy es miércoles 5 de abril de 2023. Buenos días Ucrania. Día internacional de la conciencia. El 5 de abril se celebra el Día Mundial de la Conciencia, una fecha promulgada por la ONU en 2019, y que consiste en promover una conciencia global en el mundo, más allá de acuerdos políticos o económicos. Se refiere a la de proteger a las generaciones futuras de las guerras, de que el ser humano actúe con valores de justicia, democracia, solidaridad y derechos humanos. Se trata de que todas y cada una de las personas, pero también las sociedades y los gobernantes actúen guiados por valores de paz y amor. 1242 Alexander Nevsky, héroe nacional y santo ruso, vence a los caballeros teutónicos en la Batalla del Lago Peipus. 1794 En París guillotinan a Georges-Jacques Danton, líder de la Revolución francesa. 1879 Chile declara la guerra a Bolivia y Perú (Guerra del Pacífico). 1925 En el Reino Unido se introduce la moderna regla futbolística del «fuera de juego». 1955 en Londres, Winston Churchill renuncia como primer ministro. 1963 Se conecta el teléfono rojo. El famoso aparato unía el despacho del presidente estadounidense John Kennedy con el del líder soviético Nikita Jrushchov. 1978 En España se celebra una huelga General, que según los sindicatos CC.OO. y U.G.T. es secundada por 8 millones de trabajadores. santos Vicente Ferrer, Irene, Emilia y Juliana. Donald Trump se declara "no culpable" de pagos irregulares a la actriz porno Stormy Daniels. Finlandia ya es miembro de la OTAN, tras un proceso acelerado. El Kremlin ve a la entrada de Finlandia en la OTAN como "un ataque a la seguridad de Rusia". España marca un nuevo récord de trabajadores tras sumar 206.410 empleos en el mejor marzo de la historia. Los canarios son los españoles que más esperan para operarse. A nivel nacional, 793.521 pacientes están en lista de espera para una intervención quirúrgica no urgente, un nuevo récord histórico que supone 86.781 pacientes más que al cierre de 2021. 34.556 canarios están en lista para operarse, un 5% más, y la espera sube a 157 días. 139.291 pacientes aguardan por una consulta especializada, lo que supone un aumento del 22,7%. El 91% tarda más de cuatro meses. Canarias realizará intervenciones quirúrgicas los fines de semana. El Consejero de Sanidad, Blas Trujillo, puso en valor el notable incremento de la actividad con 64.000 operaciones y 46.000 pruebas diagnósticas en atención Hospitalaria o unas 410.000 consultas más en Atención Primaria con respecto al período anterior. El paro en Canarias cae en 5.775 personas en marzo. En lo que se refiere al dato interanual, Canarias ha experimentado un bajada de 18.362 parados, lo que porcentualmente se traduce en un descenso del 9,10 por ciento. La burocracia le resta a la economía canaria el equivalente a un 20% del PIB. Un informe de la CEOE cifra en 9.466,5 millones el coste que el exceso normativo le acarrea al tejido productivo regional. Las micropymes soportan la mayor carga. Un total de 1,7 millones de personas podrán votar en las elecciones autonómicas de Canarias. La publicación este martes del decreto de convocatoria de elecciones del 28 de mayo conlleva que desde este día y hasta el próximo 29 de mayo estarán prohibidos en España los actos de inauguración y las campañas institucionales de propagada. «Fast Car» es una canción escrita y grabada por la cantante estadounidense Tracy Chapman. Fue lanzado el 5 de abril de 1988, según el primer sencillo de su debut álbum homónimo de 1988. Su aparición es el Tributo al 70 cumpleaños de Nelson Mandela fue el catalizador para que la canción se convirtiera en un éxito en Estados Unidos y en medio mundo. - Sección de actualidad informativa con Humor inteligente en el programa El Remate de La Diez Capital radio con el periodista socarrón y palmero, José Juan Pérez Capote, El Nº 1. - Sección de información y actualidad en el programa El Remate de La Diez Capital radio con el periodista y coronel, Francisco Pallero. - Entrevista en el programa El Remate de La Diez Capital radio, al presidente de la cooperativa del Taxi en Santa Cruz, Emilio Davó
Informativo de primera hora de la mañana, en el programa El Remate de La Diez Capital Radio, presentado y dirigido por Miguel Ángel González Suárez. Más lluvia y viento en Canarias este Miércoles Santo. El tiempo tenderá a estabilizarse a partir del jueves, aunque se espera que vuelvan las precipitaciones el fin de semana. El viento fuerte del norte seguirá siendo protagonista. Hoy se cumplen un año y 41 días del cruel ataque e invasión de Rusia a Ucrania. Hoy es miércoles 5 de abril de 2023. Buenos días Ucrania. Día internacional de la conciencia. El 5 de abril se celebra el Día Mundial de la Conciencia, una fecha promulgada por la ONU en 2019, y que consiste en promover una conciencia global en el mundo, más allá de acuerdos políticos o económicos. Se refiere a la de proteger a las generaciones futuras de las guerras, de que el ser humano actúe con valores de justicia, democracia, solidaridad y derechos humanos. Se trata de que todas y cada una de las personas, pero también las sociedades y los gobernantes actúen guiados por valores de paz y amor. 1242 Alexander Nevsky, héroe nacional y santo ruso, vence a los caballeros teutónicos en la Batalla del Lago Peipus. 1794 En París guillotinan a Georges-Jacques Danton, líder de la Revolución francesa. 1879 Chile declara la guerra a Bolivia y Perú (Guerra del Pacífico). 1925 En el Reino Unido se introduce la moderna regla futbolística del «fuera de juego». 1955 en Londres, Winston Churchill renuncia como primer ministro. 1963 Se conecta el teléfono rojo. El famoso aparato unía el despacho del presidente estadounidense John Kennedy con el del líder soviético Nikita Jrushchov. 1978 En España se celebra una huelga General, que según los sindicatos CC.OO. y U.G.T. es secundada por 8 millones de trabajadores. santos Vicente Ferrer, Irene, Emilia y Juliana. Donald Trump se declara "no culpable" de pagos irregulares a la actriz porno Stormy Daniels. Finlandia ya es miembro de la OTAN, tras un proceso acelerado. El Kremlin ve a la entrada de Finlandia en la OTAN como "un ataque a la seguridad de Rusia". España marca un nuevo récord de trabajadores tras sumar 206.410 empleos en el mejor marzo de la historia. Los canarios son los españoles que más esperan para operarse. A nivel nacional, 793.521 pacientes están en lista de espera para una intervención quirúrgica no urgente, un nuevo récord histórico que supone 86.781 pacientes más que al cierre de 2021. 34.556 canarios están en lista para operarse, un 5% más, y la espera sube a 157 días. 139.291 pacientes aguardan por una consulta especializada, lo que supone un aumento del 22,7%. El 91% tarda más de cuatro meses. Canarias realizará intervenciones quirúrgicas los fines de semana. El Consejero de Sanidad, Blas Trujillo, puso en valor el notable incremento de la actividad con 64.000 operaciones y 46.000 pruebas diagnósticas en atención Hospitalaria o unas 410.000 consultas más en Atención Primaria con respecto al período anterior. El paro en Canarias cae en 5.775 personas en marzo. En lo que se refiere al dato interanual, Canarias ha experimentado un bajada de 18.362 parados, lo que porcentualmente se traduce en un descenso del 9,10 por ciento. La burocracia le resta a la economía canaria el equivalente a un 20% del PIB. Un informe de la CEOE cifra en 9.466,5 millones el coste que el exceso normativo le acarrea al tejido productivo regional. Las micropymes soportan la mayor carga. Un total de 1,7 millones de personas podrán votar en las elecciones autonómicas de Canarias. La publicación este martes del decreto de convocatoria de elecciones del 28 de mayo conlleva que desde este día y hasta el próximo 29 de mayo estarán prohibidos en España los actos de inauguración y las campañas institucionales de propagada. «Fast Car» es una canción escrita y grabada por la cantante estadounidense Tracy Chapman. Fue lanzado el 5 de abril de 1988, según el primer sencillo de su debut álbum homónimo de 1988. Su aparición es el Tributo al 70 cumpleaños de Nelson Mandela fue el catalizador para que la canción se convirtiera en un éxito en Estados Unidos y en medio mundo
In this episode, Kristen Ghodsee speaks with professor Page Herrlinger at Bowdoin College about the political ramifications of Alexandra Kollontai's untimely seizure of the Alexandra Nesky monastery on January 19, 1918. As Commissar of Social Welfare, it was Kollontai's responsibility to find a place for the wounded soldiers returning from the front after the armistice of December 1917. She did not expect the fierce resistance she encountered. Herrlinger is an historian of Russia, and argues that Kollontai fundamentally misunderstood the important role that faith played in the lives of the Russian women Kollontai was trying to emancipate. Herrlinger's forthcoming book, Holy Sobriety in Modern Russia: A Faith Healer and His Followers, will be out in August 2023. Thanks so much for listening. This podcast has no Patreon account and receives no funding. If you would like to support the work being done here, please spread the word and share with your friends and networks, and consider exploring the following links:Pre-order Kristen Ghodsee's new book now: Everyday UtopiaSubscribe to Kristen Ghodsee's (very occasional) free newsletter. Learn more about Kristen Ghodsee's work at: www.kristenghodsee.comFollow Kristen Ghodsee's account on TikTok: https://www.tiktok.com/@kristenghodsee
Invasion of the Neptune Men finds Chris and Charlotte talking about Prince of Space, traditional Japanese theatre, Braille, pickles, and crackers.SHOW NOTES.Invasion of the Neptune Men: IMDb. MST3K Wiki. Watch at the Gizmoplex!Pick up a copy of The Mads' A Night of Shorts X if you missed it.Our episodes on Prince of Space and Agent for H.A.R.M. (with the Bobo courtroom sketch).Some videos to introduce you to noh and kabuki. (The noh video also does the Abbott and Costello joke, but doesn't stretch it out as long.)Sing, Dance, Act: Kabuki featuring Toma Ikuta.The performance of Harogomo that Chris watched.And the kabuki highlights that Chris mentions.Also check out A History of Japanese Theatre, an excellent overview.Prokofiev: Dance of the Knights.The Battle on the Ice from Alexander Nevsky.Rachel Carson: Silent Spring.Our episode on The Deadly Mantis.The history of Braille.How to read or write Braille.Accessible Canadian money.A video featuring some Braille writing/typing tools, new and old, and another video on the device Charlotte was describing.Chris learned pickling from Linda Ziedrich: The Joy of Pickling.Australian In A Biskit.More Australian In A Biskit.Support It's Just A Show on Patreon, it's what all the cool kids are doing.
Before we get into the show today, this episode was recorded on December 2nd, 2021, 54 days before the Russian invasion of Ukraine. When the invasion occurred Rachael and I made sure that we wanted to make this and the following points clear. We stand with Ukraine and that we made this with the intention of discussing the film's historical and cultural significance and to contextualize it for our time. On today's episode of Cinemallennials I talked to Rachael Crawley, making it 3 out of three K Cut hosts and we talked about Sergei Eisenstein's medieval epic, Alexander Nevsky. Mostly known for his Soviet supported and majorly influential films like Battleship Potempkin, and October: Ten Days that Shook the World, Sergei Eisenstein is not only considered one of the first film theorists, but is often considered as one of the greatest artists the screen has ever known. While Nevsky isn't the first propaganda film, it's visionary director, paved the way we see historical epics and how they are created. From his use of undercranking the camera, shot composition, and use of powerful score, Eisenstein began a seemingly never ending thread of how moving images can influence an audience into believing that they too can emulate the characters and situations on screen. Alexander Nevsky follows the story of The Battle on the Ice, a pivotal conflict in Russian history in which Russian Prince Alexander Nevksy, fought The Germanic Teutonic Order fought to save Russian Orthodoxy. After the knights of the Teutonic Order sack the city of Pskov Alexander rallies his the peasantry to form a small army in order to repel the almighty power of the papally backed Teutonic Knights. Alexander Nevsky and its impact today exhibits just how powerfully long lasting the silver screen can be. SO sit back relax and let there be no more war. Click here to support Ukrainian Refugees You can check out Alexander Nevsky on The Criterion Channel Cinemallennials is a podcast where myself and another millennial are introduced to a classic film for the very first time ranging from the birth of cinema to the 1960s. Myself and my guest will open your eyes to the vast landscape of classic film as we discuss the films' performers, their performances, those behind the camera, and how they and their films still influence our world today. Website: https://dlewmoviereview.com/ Social Media: Facebook: facebook.com/dlewmoviereviews/ Twitter: twitter.com/dlewmoviereview Instagram: @cinemallennials
Synopsis While many great composers have also been great conductors, this can be the exception rather than the rule. On today's date in 1959, the American composer Ned Rorem tried his hand at conducting the premiere of one of his own compositions, a chamber suite entitled “Eleven Studies for Eleven Players.” Rorem recalled: “I learned that the first requisite to becoming a conductor is an inborn lust for absolute monarchy, and that I, alone among musicians, never got the bug. I was terrified. The first rehearsal was a model of how NOT to inspire confidence. I stood before the eleven players in all my virginal glory, and announced: ‘I've never conducted before, so if I give a wrong cue, do try to come in right anyway.'” Fortunately for Rorem, his eleven musicians were accomplished faculty at Buffalo University, and, despite his inexperience, Rorem certainly knew how his new piece should sound. Rorem's Suite incorporated a few bits recycled from music he had written for a successful Broadway hit—Tennessee Williams' “Suddenly Last Summer”—plus a bit from an unsuccessful play entitled “Motel” that never made it past a Boston tryout. Rorem's own tryout as a conductor convinced him to stick to composing, although he proved to be a fine piano accompanist for singers performing his own songs. As for “Eleven Studies for Eleven Players,” it's gone on to become one of Rorem's most-often performed chamber works. Music Played in Today's Program Ned Rorem (b. 1923) — Eleven Studies for Eleven Players (New York Chamber Ensemble; Stephen Rogers Radcliffe, cond.) Albany 175 On This Day Births 1866 - French composer Erik Alfred-Leslie Satie, in Honfleur; 1901 - German composer Werner Egk, in Auchsesheim, near Donauswörth; His original last name was Mayer, and it is said (although denied by the composer) that the he chose the acronym E-G-K because it stood for "ein grosser Komponist" ("a great composer"); 1923 - American composer Peter Mennin, in Erie, Pa.; Deaths 1935 - French composer Paul Dukas, age 69, in Paris; Premieres 1779 - Gluck: opera "Iphigénie en Tauride" (Iphigenia in Taurus), at the Paris Opéra; 1890 - Mascagni: "Cavalleria Rusticana," in Rome at the Teatro Costanzi; 1904 - Ravel: "Schéhérazade," in Paris, with vocalist Jane Hatto and Alfred Cortot, conducting; 1919 - Ravel: "Alborado del gracioso" (orchestral version), in Paris at Pasdeloup Concert; 1929 - Prokofiev: Symphony No. 3, in Paris, by the Orchestre Symphonique de Paris, with Pierre Monteux conducting; 1933 - Cowell: "Reel," for small orchestra, in New York; 1939 - Prokofiev: cantata "Alexander Nevsky," in Moscow; 1946 - Martin: "Petite Symphonie Concertante," in Zurich, Paul Sacher conducting; 1960 - Ned Rorem: "11 Studies for 11 Players," for chamber ensemble, at the State University of Buffalo (N.Y.), conducted by the composers; 1990 - Rautavaara: "Vincent," in Helsinki at the Finnish National Opera; 2000 - Michael Torke: "Corner in Manhattan," by the Minnesota Orchestra, Eiji Oue conducting; 2001 - Christopher Rouse: Clarinet Concerto, by the Chicago Symphony Orchestra conducted by Christoph Eschenbach, with Larry Combs the soloist; Others 1922 - Music of "The President's Own" reached homes across the nation when the first Marine Band radio program was broadcast; 1969 - Leonard Bernstein's last concert as Music Director of the New York Philharmonic, having conducted 939 concerts with the orchestra (831 as its Music Director); Bernstein conducted 36 world premieres with the orchestra; He continued to appear with the Philharmonic as an occasional guest conductor until his death in 1990; 1978 - Philips Electronics of The Netherlands announces a new digital sound reproduction system from flat, silver "Compact Discs." Links and Resources On Rorem NY Times feature on Rorem at 95
Die furchtlosen Vier sind wieder da! Heiko, Matthias, Marco und Sebastian haben sich heute Anders Thomas Jensens aktuellen Film "Riders of Justice" (2020) vorgenommen. Ein Cast von Jensen-Regulars, angeführt von Nikolaj Lie Kaas und Mikkelsen, brilliert in diesem Rache-Drama als Gruppe von Außenseitern im Kampf gegen eine berüchtigte Rockerbande. Ein düsteres dänisches Highlight mit der erwartungsgemäß bittersüßen Comedynote, über das es sich in der neuen Folge herrlich philosophieren lässt. Außerdem in dieser Episode: The Ugly Swans, Alexander Nevsky, Take a Girl Like You, Crash, Turning Red, Indiscreet, Blade Runner, Guess Who's Coming to Dinner, X, Top Gun, Old, Gunda Matthias Kempke | Twitter | Facebook Marco Felici | Facebook | Instagram Heiko Baro | Sebastian Kempke | Website | Twitter | Facebook Marco bei Letterboxd Sebastian bei Letterboxd Hört die Filmkammer auf Apple Podcasts, auf Spotify und anchor.fm Inner Sanctum by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3917-inner-sanctum License: https://filmmusic.io/standard-license Die versprochenen YouTube Links können wir leider nicht zur Verfügung stellen, da es sich bei den erwähnten Videos nicht um offizielle Veröffentlichungen handelt. --- Send in a voice message: https://anchor.fm/filmkammer/message
“The impure and proud Mamai, Lord of the Volga Horde, ruled over the entire Horde, and he slew many lords and khans and he set up a khan according to his own will. He was, however, in great confusion, and everybody distrusted him because he killed many lords and nobles in his Horde. He even killed his own khan, and although he had a khan, this khan of the Horde was ruler in name only, for it was he, himself, who was ruler and master of all. When he learned that the Tatars loved their khan he became afraid that the khan would assume the power from him. Therefore he killed him and all who were faithful to him and those who loved him.” So the Rus' Nikonian Chronicle describes the situation in the Golden Horde at the end of the 1370s. Thirty years after the death of Özbeg Khan, the Golden Horde underwent another, much more violent transformation. During the reign of Özbeg's son Jani Beg from 1342 to 1357, he had kept the Golden Horde sailing through rough waters as the overland Asian trade began to unravel and the Black Death ravaged his cities. But with Jani Beg's death in 1357, possibly at the hands of his own son Berdi Beg, the good fortune of the Golden Horde came to a sudden and bloody end. Now the Horde was to enter two decades of anarchy; the bulghaq, the topic of today's episode. I'm your host David, and this is Kings and Generals: Ages of Conquest. In 1357, Jani Beg had just returned from his successful conquest of what is now Azerbaijan, when he suddenly died. According to a contemporary writer, al-Ahari, his son Berdi Beg was, at the time of his father's death, still in the Azerbaijani lands. But sources such as the later Nikonian Chronicle have Berdi Beg convinced by a cunning emir to strangle his father himself after bringing numerous princes into an alliance with him. The widespread impression seems to have been that he organized his father's murder, even if the most contemporary sources do not place Berdi Beg there himself. After Berdi Beg left Azerbaijan, the region was lost, seized by the Jalayirids of Baghdad. Berdi Beg in quick order, with the backing of his grandmother Taydula, was proclaimed Khan of the Golden Horde. But feeling he faced threats, real or imagined, the new khan's first actions were violence. Echoing his father and grandfather, Berdi Beg had his brothers murdered: 12 of them, by one count. For one infant brother, Berdi Beg is alleged to have done the deed with his own bare hands, despite the pleadings of grandmother Taydula Khatun. A number of other high ranking princes and officials too met their deaths on Berdi Beg's order. Berdi Beg's actions did little to engender love to the new monarch, for whom Heaven seemed to show little favour. The Horde's trade had declined tremendously in these years. Cities starved and shrunk, as they lost access to international trade, were depopulated by the Black Death and local farmland suffered. The mid-fourteenth century saw the Little Ice Age strike and undo the system built up by the Jochids over the last century. Decreased rainfall over much of the steppe, and likely over-grazing from ever larger herds needed to support cities, when combined resulted in the rapid aridisation across the region. Much of the grassland simply could not sustain the great herds any longer. Almost paradoxically, the Caspian Sea was rising and causing increased flooding along the lower reaches of the Volga, which inundated cities and farmland in the Horde's most densely populated region. The great cities of the Horde saw their population drop rapidly, and the material wealth evaporated without the trade or population to sustain it. The Horde's elites who had enriched themselves off it were frightened, angered and uncertain. Berdi Beg's efforts did little to improve things; he is known, for instance, to have raised trade duties on imports to their highest level ever recorded in the Golden Horde: 5%. And an especially virulent wave of the plague in 1359 really topped things off. His legitimacy already in doubt due to widespread rumours of having murdered his own father, the generally respected Jani Beg, it should not be a surprise that Berdi Beg's rule was on thin ice. After only two years on the throne, Berdi Beg, grandson of mighty Özbeg, was murdered. The exact circumstances are unclear; the Nikonian Chronicle puts the blame on the same beg who had urged Berdi Beg to kill his father. The murder of Berdi Beg Khan in 1359 did not, however, improve things very much. On Berdi Beg's death, the throne was taken by Qulpa, a fellow who is variously identified as a brother or cousin of Berdi Beg. Qulpa was not long to enjoy the throne. After six months, Qulpa and his two sons, curiously with the very Rus' Christian names of Ivan and Mikhail, were all in turn murdered, this time by Nawruz, a brother of Qulpa. Still, the Rus' princes came to pay homage to Nawruz, and momentarily things looked like they might settle. That is, until Khidr came. Khidr ruled an appanage east of the Ural River, and was no descendant of Batu, but of another son of Jochi, named Shiban. In some accounts, he was invited by Taydula Khatun. But he simply may have seen a chance to throw his hat in the ring. Only months after he took the throne, Nawruz and his son were killed by Khidr, who became the new khan of the Golden Horde. So ended the line of Batu Khan, having ruled the western steppes for a century. The purging of the Batuid lineage with every succession since Toqta and Nogai's coup in 1291 had reached its final outcome, with Nawruz and his sons the final known male descendants. With the exception of Berke, all the khans of the Golden Horde until that time had been a descendent of Batu. Now, Khidr Khan's actions had essentially opened the succession to any possible claimant. And boy, did it. Within a year Khidr was dead, and over the next twenty years the Jochid throne effectively became the most violent game of musical chairs. Over this period, some 25 khans, possibly more, were declared in Sarai, of varying lineages. Some ruled for two or three years, while many ruled only months. Most of these figures are known only by their names. Some are known only by coinage; in one year, 6 different khans minted coins in Sarai. The consequences were legion. The economic woes worsened as cities were now sacked by opposing forces. For the first time, we see archaeological evidence for fortifications around the Horde's cities in the steppe. A number of cities were outright abandoned. In the west, the condominium with Lithuania was abandoned as the Lithuanian dukes immediately seized the western lands, and in short order the Lithuanian principality extended to the Black Sea coast line. In 1362 under Duke Ol'gerd the Lithuanians won a battle over a Mongol army at the Battle of Blue Waters. In the aftermath, everything between the Dnieper and Dniester came under Lithuanian control, although at least for Podolia, in south-western Ukraine, the Lithuanians continued to pay the tribute to the Mongols well into the fifteenth century. Moldova and other Balkan regions declared independence, while the local nomadic leaders seem to have also stopped heeding the word of Sarai. East of the Ural River, the Blue Horde, ruled by the line of Batu's older brother Orda, too faced its own troubles. The lineage of Orda became extinct in the 1360s and saw its own succession troubles. The khans in the Blue Horde, by the end of the decade, stopped minting coins with the name of the Sarai khans, and started doing so in their own names. The Blue Horde was thus independent once again. The princes of the Rus' stopped making the trips to the Horde to declare their allegiance, for it simply became too dangerous. Rus' princes were now being robbed and held captive by the rival Jochid powers when they made the trip through the steppe. And with the khans being overturned every few months it was now far too dangerous a trip to make so regularly. However the Rus' lands were not to be ignored, as certain Jochid princes and contenders for power, having lost access to the trade they had one relied upon, were now turning evermore to the Rus' as a source of income and loot. The khan's authority decreased further, as many khans did not rule themselves, but were puppets for non-Chinggisid powerbrokers. And the chief of these was Mamai, a powerful military commander based in the steppes near Crimea. As he was no descendant of Chinggis, Mamai had no right to claim the title of khan himself, though he held prestige as beylerbeyi and married a daughter of Berdi Beg. But that didn't mean he could not put someone amenable to his interests on the throne. The first of these fellows was Abdullah, who was alleged to be a son of either Özbeg Khan or his son Tini Beg. He simply may have come from another corollary branch of the lineage, who Mamai had found convenient to play up. That was hardly unusual, as supposed lost sons of Özbeg, Tini Beg and Jani Beg continued to pop up, such as another claimant, Kildi Beg, in 1361. Abdullah Khan was enthroned in Sarai in 1361, and Mamai returned to his Crimean pastures soon after. But Abdullah was quickly ousted by rivals in Sarai and fled back to Mamai. This was to be a regular pattern over the 1360s. Every few years Mamai would march with an army, enthrone Abdullah and return, only for Abdullah to be tossed out or flee when another claimant came a-knockin', or the nobles in Sarai declared someone else khan. The final attempt resulted in Abdullah's death in 1370, upon which Mamai empowered a princess in Sarai, named Tulun Bey. Her exact identity is uncertain. It is commonly assumed that she was the Chinggisid princess who Mamai had also married, a daughter of Berdi Beg Khan. If this is the case, then she was the last to rule from the line of Batu. But she was quickly switched out by Mamai, and replaced with another of Mamai's puppet. And so this pattern continued until 1380, with Mamai's candidates thrown out every few years, and then installed a year or two later. It's caused an endless amount of work for historians to try and determine the order and lengths of reigns of all these khans. It was well known at large that the Khan was a figurehead for Mamai. As the Rus' Nikon Chronicle states, “At that time in Mamai's Horde there was a khan, but he had no power by comparison with Mamai, and was khan in nothing but the title. Even this title, however, was meaningless because all glory and all action were Mamai's. There was much trouble in the Horde and many Tatar lords had killed each other, lost their heads and died at sword's points. Thus, little by little, the Horde's great power was wasted away.” Mamai's intrigues did not merely extend to Sarai, but to the Rus' lands as well, as the Sarai Khans sought revenue from Rus' taxes, and Mamai intervened to earn them himself. In one of these conspiracies, Mamai granted the yarliq, or patent, to the Grand Principality of Vladimir, the chief of the Rus' princes, to the young Prince of Moscow Dmitri Ivanovich. Or as he's better known to posterity, Dmitri Donskoi. Dmitri was a grandson of Ivan I Kalita, the grandson of Alexander Nevsky who had worked so well with Özbeg Khan and began Moscow's rise to prominence. Ivan Kalita had monopolized the position of Grand Prince, the chief tax collector of the Rus', until his death. Upon that, it went to his son Simeon, who died of plague, and then to Dmitri's father, Ivan II Ivanovich, who died in 1359 as the Horde's troubles began. Only 9 years old when his father died, Dmitri could not rely on the Khans' support as his fathers had. We've discussed this matter over previous episodes, but it bears reiterating here. The top title in the Rus' lands was the Grand Prince of Vladimir. Whoever held this was the #1 prince in the Rus', and collected taxes for the khans— skimming off the top for himself, of course, but also giving him great influence among the Rus'. While initially the khans had just appointed whoever the Rus' princes elected as Grand Prince, during Özbeg's reign the khans assumed the right to rescind and appoint the Grand Prince at will. And the Princes of Moscow, a lesser branch of the Riurikid lineage, quite desired it but held no right to the title without the khan's backing. And so a relationship was formed, wherein the Princes of Moscow became the most scrupulous enactors of the khan's will, in order to retain the titles to both Moscow and the Grand Principality, as well as the khan's military support as protection. And correspondingly, from the 1320s onwards Moscow grew in wealth and power, to the displeasure of the other Rus' princes, who saw the Moscow line as upstarts with no right to the Grand title. Flashing forward to 1360, Khan Nawruz took both the Moscow title and the Grand Principality away from young Dmitri, only for it to be returned in 1362 when the new Khan in Sarai granted both back to him. Mamai saw his opportunity here, and also granted Dmitri the patent for the Grand Principality. The rival in Sarai quickly rescinded his support for Dmitri. Without support from either the Khan or other Rus' princes the young Prince of Moscow could only seek the assistance of Mamai. Mamai gained himself an excellent source of revenue in the young Dmitri, who turned out to be a very capable hand, while for Dmitri Mamai's armies gave him security he would not have otherwise as a youth on the throne. With the loss of the overland trade, the income from the Rus' was more important than ever, and Mamai was happy to earn it, and Dmitri did his best to deliver on time. But Dmitri was not passive, and wanted to secure his own base lest the whims of Mamai shift. Through diplomacy, marriage alliances and military threats, Dmitri steadily built his support among the Rus' princes, and incorporated other smaller principalities under Moscow's rule. For the first time, the city of Moscow itself received stone walls on Dmitri's order, which proved their worth in repelling an attack by Lithuania and the rival city of Tver' in 1368. Mamai had use for Dmitri only as long as he provided tribute, so when the Hanseatic League disrupted trade to Dmitri's territories in the late 1360s, thereby preventing Dmitri from collecting the silver for Mamai, Mamai rescinded the patent to the Grand Principality and gave it to Dmitri's rival Mikhail Aleksandrovich of Tver' in 1370. Yet Mikhail proved even worse at sending tribute, and when Dmitri personally presented himself to Mamai to pay homage, accompanied by a great many gifts, Mamai returned him the Grand Princely title. The situation repeated in late 1374 when the Hanseatic League cut the silver export to Novgorod. Mamai once again gave the Grand Princely title to Mikhail of Tver', but due to plague and Mamai's failed attempt to control the Volga trade routes, he was unable to support Mikhail militarily. Dmitri in the meantime had built up Moscow's military and alliances, and in Mamai's absence forced Mikhail to surrender. Confident in his abilities, Dmitri then took his army to the Volga, asserting Moscow's authority as far as Bulghar in 1377. Mamai was not pleased at this development, a threat to his income while an even greater threat loomed on the horizon. Far to the east in the Blue Horde lands, a powerful Chinggisid Prince named Toqtamish, backed by the Central Asian warlord Temür, was rapidly growing in power. The eye of Toqtamish was drifting to Sarai, and he dreamed of assuming leadership of the Golden Horde. Doing so was a threat of unification which would entail a collision with Mamai. Mamai thus needed to prepare for the inevitable battle, but to do this he needed the resources of the Rus' tribute. And to that, he needed Dmitri to play nice with him. In August 1378 a force in Mamai's service was sent to collect the tribute. Dmitri set out, nervously, to meet it head on, intercepting it near the Vozha River. Dmitri's force held firm under their attack, and succeeded in flanking the Mongols. In an attempt to withdraw across the Vozha River, many of the Mongols were killed, and Dmitri looted their abandoned camp. Such was the first real victory an army of the Rus' had ever had over a force of the Golden Horde in battle, though Dmitri gained little from this victory and neither force was large. But Mamai was furious. The next year he ordered a larger, retaliatory attack on the Ryazan' land, causing great destruction, burning several cities. Oleg, Prince of Ryazan' fled before him. The Rus' paid dearly for their effort. In 1378, the same year as the defeat on the Vozha, more alarming news came from the east. Toqtamish had now taken Sarai, and proclaimed himself Khan. Confrontation was imminent, and Mamai could not face Toqtamish with Dmitri rebelling in his rear. If Toqtamish and Dmitri allied, then Mamai would be surrounded by foes. Mamai needed resources to face Toqtamish, and he needed revenue to do that, and Dmitri, as chief tax collector of the Russian principalities and controlling much of the Volga trade, was directly undermining that. It was time for Mamai to confront Dmitri himself. Over the next year, Mamai organized an alliance with Grand Duke Jagailo of Lithuania and Prince Oleg of Ryazan. He called up troops from the Alans, the Circassians, and the Genoese as mercenaries. We are told in the Nikon Chronicle that Mamai furiously studied Batu's conquest of the Rus', trying to learn his tactics and strategy. It got to the point that allegedly, Mamai began to see himself as a second Batu, feeling superior to all others and his own men calling him “Great Khan.” In 1380, Mamai was ready. He ordered Dmitri to deliver a higher amount of tribute than ever, even greater than what had been paid during the times of Özbeg and Jani Beg. The message was a stalling tactic, as Mamai made preparations to march on Moscow with Jagailo and Oleg, hoping to crush Dmitri of Moscow between the three of them. In Moscow, Dmitri quickly organized all the military forces of the Principalities that he could. Surprisingly, most principalities, except Tver', Novgorod or those aiding Mamai, answered Dmitri's call for aid. Dmitri's efforts to build Moscow's influence now bore fruit, as for the first time in their history, the Rus' offered something of a united front against the Mongols. The ascendency of Moscow over the other cities had begun, but first they had to stand against Mamai. In September 1380 in a field on the upper Don River called Kulikovo, Mamai and the Ryazan forces waited for the Lithuanians. In a sign of poor scouting, on the 9th of September Mamai's army was shocked to see the arrival of Dmitri and the Rus' host crossing the Don. Dmitri's goal was simple; defeat Mamai in the field, before the Lithuanians could arrive and overwhelm him. One of the most famous battles in Russian history was about to begin. Numbers for the two armies are uncertain, with Dmitri leading perhaps as many as 30,000 Rus' troops from across the principalities, while Mamai likely had a slightly larger force, consisting of Mongol-Turkic, that is Tatar, cavalry, Circassians, Rus' from Ryazan and Genoese mercenaries. Battle began with a clash of champions; the Rus' monk Peresvet, and a Tatar named variously Chelübei or Temür Mirza. They charged one another on horseback, lances before them. At the collision both were run through and killed, though Perevet's body is supposed to have stayed in the saddle the longer. Battle then commenced. It was across a wide front, extending the Rus' lines thin but ravines and streams hampered the full deployment of Mamai's cavalry. Fighting went on for hours, with Mamai's troops holding the upper hand. Skilled Tatar cavalry and arrows took their toll on the Rus' and both sides tired over the course of the day. Dmitri had given his standard to another to hold, and when that man fell, the Rus' wavered. Dmitri himself disappeared in the clash, supposedly wounded and knocked unconscious. Mamai appeared on the verge of victory and kept his forces engaged. Yet one final trick was left to be put in play. Dmitri's cousin, Vladimir of Serpukhov, was kept in reserve with the Rus' princely cavalry. As both sides were at exhaustion, the freshly deployed Rus' cavalry charged from their hiding place in the trees and into the flank of Mamai's army. Mamai could only watch as his overworked, exhausted army routed, and he too fled. Learning of Mamai's defeat, the Lithuanians rapidly withdrew before ever making contact. So ended the battle on the Kulikovo field. Dmitri had led the Rus' to defeat a major Mongol army in the field, and for his victory he was given the epithet Donskoi, meaning “of the Don.” While today this battle stands tall in Russian popular memory as a struggle for independence, in reality it led to little immediate change for the Rus' or to Moscow's standing. Our main sources come decades after the event and reflect how the battle's stature had grown with retellings. While the more heroic and famous elements of the battle may have little basis in reality, such as the duel before the battle, the general course of events is probably accurate enough. Whether it was as great a defeat for Mamai as popularly imagined is unknown, nor can we know Mamai for certain was even present. Mamai's losses are likely greatly overstated, since the next year he was able to raise another army rapidly, suggesting a small clash may have been turned into a grand duel. Arguments that Kulikovo never actually happened due to a lack of archaeological evidence cannot be sustained, as it is rare indeed for archaeological evidence to survive of a medieval battle. Little of the valuable metal equipment was ever left on site, usually quickly scavenged, while bodies were taken away for respectful burials or disintegrated before they could be preserved in the earth. The slightly earlier battle of Bannockburn in Scotland, for instance, though tracked to a relatively small area, has left almost no presence archaeologically speaking. The real victor at Kulikovo was not Dmitri, but Toqtamish. After Kulikovo Mamai had strength enough to raise another army, and fought Toqtamish on the Kalka River. There Mamai was defeated for the final time. He was soon captured and executed by Toqtamish or by Genoese in Crimea when he fled there. Either way, Dmitri had succeeded in weakening Toqtamish's main rival for rule of the Golden Horde, and the new Khan was ready to assert his authority. So ended the Tale of Mamai. Our next episode takes you through the reign of Toqtamish, as we enter the final period of the Golden Horde, so be sure to subscribe to the Kings and Generals Podcast to follow. If you enjoyed this and would like to help us continue bringing you great content, consider supporting us on patreon at www.patreon.com/kingsandgenerals. This episode was researched and written by our series historian, Jack Wilson. I'm your host David, and we'll catch you on the next one.
Title: One Man's Hero is Another Man's TraitorDescription: Today, Steve and Jacob Herr try to find something to like about the 1999 film, One Man's Hero. This film tries to tell the story of the San Patricio Battalion. Does it succeed or is it a nightmare of history in film?Learn More About our Guest:Jacob Herr, actor and historianhttps://www.trendyhistory.org/listing/erin-go-bragh-batallon-de-sa?product=2You can learn more about Beyond the Big Screen and subscribe at all these great places:www.atozhistorypage.comwww.beyondthebigscreen.comClick here to support Beyond the Big Screen!https://www.subscribestar.com/beyondthebigscreenhttps://www.patreon.com/beyondthebigscreenClick to Subscribe:https://www.spreaker.com/show/4926576/episodes/feedemail: steve@atozhistorypage.comwww.beyondthebigscreen.comhttps://www.patreon.com/historyofthepapacyParthenon Podcast Network Home:parthenonpodcast.comOn Social Media: https://www.facebook.com/groups/atozhistorypagehttps://www.facebook.com/HistoryOfThePapacyPodcasthttps://twitter.com/atozhistoryMusic Provided by:"Crossing the Chasm" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/Image Credits:By http://www.cinemotions.net/data/films/0315/39/1/affiche-One-Man-s-Hero-1999-1.jpg, Fair use, https://en.wikipedia.org/w/index.php?curid=22125033Begin Transcript:Thank you again for listening to Beyond the Big Screen podcast. We are a member of the Parthenon Podcast network. Of course, a big thanks goes out to Jacob Herr. Links to learn more about Jacob and his history themed merchandise can be found at trendinghistory.com or in the Show Notes. In this episode, we talk about the 1999 film One Man's Hero based on the history of the San Patricio Battalion in the Mexican American War. In the last episode, Jacob led us through the real history and background of this fascinating story. Listening to that episode only makes this one even better!You can now support beyond the big screen on Patreon and Subscribe Star. By joining on Patreon and Subscribe star, you help keep Beyond the Big Screen going and get many great benefits. Go to patreon dot com forward slash beyond the big screen or subscribe star dot com forward slash beyond the big screen dot com to learn more.Another way to support Beyond the big screen is to leave a rating and review on Apple Podcasts. These reviews really help me know what you think of the show and help other people learn about Beyond the Big screen. More about the Parthenon Podcast Network can be found at Parthenonpodcast.com. You can learn more about Beyond the Big Screen, great movies and stories so great they should be movies on various social media platforms by searching for A to z history. Links to all this and more can be found at beyond the big screen dot com. I thank you for joining me again, Beyond the big Screen.[00:00:00] I'd like to welcome back. Jacob heard to beyond the big screen, Jacob has been on to talk about Billy, the kid and film and in history and in the last episode. So I highly suggest you go back and listen to the last episode. He gave us a ton of background and context on the San Patricio battalion from the Mexican-American war.Today, we are going to talk about the 1990. Film one man's hero, a film that dramatizes the events of the San Patricio battalion during the, the Mexican American war. And like I said, I highly encouraged people to go back and listen to our episode on the history of the St. Patrice CEO's. Catholic deserters from the U S army to the Mexican army during the Mexican-American war.I really think you'll enjoy it. But, um, just to set things up for today in this 1999 film, starring Tom Berenger, what's the very short story of the San Patricio. So the [00:01:00] very short, uh, nutshell version of the, uh, San Patricio, they were a group of immigrants. Most of them, uh, associated with, uh, Catholicism, but others just trying to seek new life in America and winding up in the military at the outbreak of the Mexican American war.And. Through the circumstances of the conflict. Many of these immigrants had ended up, uh, deserving the U S army making their way to Mexico and then offering their services to the Mexican military because they found they found a stronger connection. Culturally to the Mexican people then to the United States.Now this film at stars, as we said, Tom Berenger has Sergeant Lieutenant, captain, John Riley. Uh Berenger. He almost makes a, made a career out of playing the grizzled army Sergeant. And this time he does it with an Irish [00:02:00] accent, we have a . De Alameda, he plays Courtine on. I found him as kind of the shining star of the movie for me, even though his part's kind of almost an explicable, but I think that as an actor, he did a wonderful job and, um, de Alomeda is actually a Portuguese actor and a shout out to, uh, a great friend of the show and a personal friend.On Tonio from Portugal who pointed this out to me. And then the other main star, I guess, or the movie you could say is Daniella Romero who plays in Marta. The love interest in this really strange love triangle between Kortina Tom Berenger's, Riley character, and then Marta. And she was a famous Mexican musician of the eighties and nineties, I guess it's really hard to find a place.Dart with this movie, I guess for me it happens. It's one of my first questions of the movie is [00:03:00] really upfront. And the movie Sergeant Riley, he turns on a dime w I, and he desserts from the army. He's pretty cool with the army. If he's putting the, uh, the, as a us Sergeant, he's putting people in their place.He has like one kind of sorta negative interaction with his, uh, commander and then like, boom, bang, bang keys deserted the us army he's and he's fighting for the Mexican army. I have to imagine in history. And we talked about in the last episode, it didn't happen that quickly, but why do you think in the movie it, they did it that quickly.Um, two reasons. Uh, bad writing. And, uh, secondly, uh, when you're trying to take a history that in courses, multiple years and multiple different political and social environments, and you have to put them together into this two-hour movie that you're going to show to the public and try to make money off of it.[00:04:00] There's a lot to cram in. And that's, I think that's one of the big problems when you have this dramatic shift in. Less than 10 minutes into the movie, it comes off as very awkward. And very poorly written and here's, um, anomaly that I found out about the writing of the movie. Apparently the guy who had written the script, his name was Milton S Gelman.He had actually had a history of writing for television, not an exclusively. Fifties, Western television that we had talked about in our Sam Peck and Paul pat Garrett, and Billy, the kid episode, he wrote episodes for tombstone territory, Gunsmoke that entire sub genre of television in the fifties and sixties.Now here's the kicker. He actually passed away in 1990. So he never actually got to see [00:05:00] this script that he created. Turn into the final product. And so it must have just been bouncing around from one studio to another, before it was picked up by the director and the producer, uh, LanSchool. It makes a lot of sense because it does, it has.Taste and appeal of a Western, but not in a good way either. I just, I love to get your thoughts on this because you're an actor and have done stage and probably have a ton more experience and education in this, but it seemed the whole theme of the movie is a tight shot. Everything is zoomed in to an you on these, like.Moments and you miss the whole big picture, like all the action it zoomed in and we'll get into it. But in the battle of Churubusco you get no sense of the battle. It just looks [00:06:00] like there's like 10 guys on each side going at it. And it just seemed the whole movie to me is it's two zoomed in and you get no idea of the big picture.Yeah. And now granted, I have seen some movies where that is actually used to your advantage, where you have very, a very small amount of extras or main characters. And you're trying to encompass a historical battle that had thousands or tens of thousands of people, you know, shooting at each other and hacking each other to death.Um, but when you're trying to capture it on film, Um, one of the ways that you can try to make things look larger than what you really have to work with is that you use the camera almost as if the camera man is like another person in that battle. Um, Sergei Eisenstein did it in Alexander Nevsky and even, uh, I know another famous director had done [00:07:00] it in an independent project.Orson Welles did it in chimes at midnight, 1965. The difference though, is that when you're using cinematography like that, you're trying to get a first person perspective where everything has to be clear, everything you need to have an established sense of what is at stake. And a connection to the characters.We're not connected to these characters because they're so poorly written. They're not characters, they're caricature and because everything is so hectic, we have no idea. What's. I thought that was, I felt like a day Alameda. Kortina almost Telegraph that he made a line while Berenger is Sergeant Riley, he's injured and Marta's rehabilitating him.
In the second half of my conversation with German action star Matthias Hues, we discuss working together on two new Westerns, Assault on Rio Bravo and Terror on the Prairie starring Gina Carano. We share stories of working with Russian actor Alexander Nevsky, collaborating with producers Dallas Sonnier and Amanda Presmyk, and much more! Matthias also reveals details on the Western he's planning to produce and star in, Kinski Unleashed. I hope you enjoy the conversation. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/makingwesterns/support
Listen to the report from the 50th anniversary debutant ball at the Alexander Nevsky Russian School in Sydney. - В одной из крупнейших русских школ Австралии - школы имени Александра Невского в Хомбуш в Сиднее - прошел юбилейный 50-й выпускной бал.
This week we tie up some Mongolian loose ends, take a look at the Novgorod Republic and finally get to meet one of Russia's greatest heroes, Alexander Nevsky. To get in touch with a comment or question - Twitter HistoryRussia1 Website https://www.historyofrussia.net email nordicworld@outlook.com
Valeri Kamensky is one of the busiest executives in Russian hockey. A member of the KHL Board of Directors, vice president of Spartak Moscow and chairman of the league disciplinary committee, he has dedicated his post-playing career to a sport that he calls “his life.” Kamensky's contributions were lauded as high up as the Kremlin, which recently issued him the Order of Alexander Nevsky for his role in Russian hockey development. Kamensky is an Olympic, World and Stanley Cup Champion—rarefied air better known as the Triple Gold Club, one of hockey's most elite distinctions. Host Gillian Kemmerer caught up with Kamensky for the latest episode of Icecast to discuss the Olympic season, his dreams for Russian hockey and much more.
The combined miseries of an economic crunch, a spike in Covid infections and simmering long-standing frustration drove hundreds of people to speak out in public last weekend. The Cuban government often brings out the crowds for mass demonstrations of revolutionary will – but it cracks down hard and fast on any shows of organised dissent. Will Grant has been sensing the pressure mount for months. The world was horrified by scenes from the pandemic in India – but there was less global attention paid to Bangladesh. Covid has utterly changed daily life and families' fortunes there, too – especially since the country imposed its strictest lockdown yet at the start of this month. New infections and deaths are now at record levels and still rising – and there's fear that people fleeing the restrictions in cities will be soon spread the virus in the countryside. Akbar Hossein has been considering the balance of risks. Clearing out a property after relatives have died can be a bittersweet experience, fusing nostalgia with grief. It's harder still when the house is in a different country. Lesley Curwen has back been to the villa in Valencia where her mother and stepfather used to live – and noticed that many of the old certainties of their comfortable ex-pat circle in Spain are eroding. This summer, Russia has been staging dozens of official events to mark 800 years since the birth of a national hero: the warrior prince and later saint Alexander Nevsky, renowned for his military success and tactical genius. There's a clear message being driven home as his relics journey across the country from church to church - as Francis Scarr saw in the city of Tver. We've all had to rethink what balance between isolation and social contact suits us best over the past year and a half. But perhaps not many people have reconfigured their professional and domestic set-up as Stephanie Theobald. She's been living in a cave - as part of an experimental commune in the California desert. Producer: Polly Hope
Defend Mother Russia as we review the 1938 propaganda Soviet film Alexander Nevsky. Alexander is a (not) saint who repels the devilish Catholic Germans in the eve of the Nazi Germans invading Russia in World War 2. The Next Film is The Battle of Algiers (1966)
In this snacky episode we breeze past the great Russian revolutionary filmmaker Sergei Eisenstein who gave us great cinema with - Battleship Potemkin, Alexander Nevsky and Ivan the terrible. You can find his complete films on Youtube. Email id: metaphysicallab@gmail.com/ whats app - 9324431451 Music- "Hard Boiled" by Kevin MacLeod (https://incompetech.com) License: CC BY (http://creativecommons.org/licenses/by/4.0/ You can follow us and leave us feedback on Facebook, Instagram, and Twitter @eplogmedia, For partnerships/queries send you can send us an email at bonjour@eplog.media. DISCLAIMER: The views expressed on all the shows produced and distributed by Ep.Log Media are personal to the host and the guest of the shows respectively and with no intention to harm the sentiments of any individual/organization. See omnystudio.com/listener for privacy information.
Multitalented, and multifaceted, Alexander Nevsky is proficient both in front of and behind the camera. He became closely acquainted with Adrian Paul during their work on the 2014 film Black Rose. Adrian finally got to sit down with Alexander and discuss his history as an actor and filmmaker.
A lifelong artist, Fr. Paul formally studied drawing, painting, printmaking, and design at Tyler School of Art, Temple University, earning a Bachelor's Degree of Fine Arts. Subsequently, he spent a year-and-a-half studying at Holy Trinity Theological Seminary in Jordanville, NY. During that time, he simultaneously worked under the tutelage of master iconographer Fr. Andrei Erastov and began fulfilling monastery orders almost immediately. Since then, Fr. Paul has fulfilled many commissions for both churches and individuals, and his work can be seen coast to coast. He is also the illustrator of the children's book St. Seraphim's Beatitudes, authored by Fr. Daniel Marshall. Fr. Paul is a protodeacon and serves at the Russian Orthodox Cathedral of St. Alexander Nevsky in Howell, NJ.
A lifelong artist, Fr. Paul formally studied drawing, painting, printmaking, and design at Tyler School of Art, Temple University, earning a Bachelor's Degree of Fine Arts. Subsequently, he spent a year-and-a-half studying at Holy Trinity Theological Seminary in Jordanville, NY. During that time, he simultaneously worked under the tutelage of master iconographer Fr. Andrei Erastov and began fulfilling monastery orders almost immediately. Since then, Fr. Paul has fulfilled many commissions for both churches and individuals, and his work can be seen coast to coast. He is also the illustrator of the children's book St. Seraphim's Beatitudes, authored by Fr. Daniel Marshall. Fr. Paul is a protodeacon and serves at the Russian Orthodox Cathedral of St. Alexander Nevsky in Howell, NJ.
This week, we continue to look at the life and events of Alexander Nevsky Questions and queries can be emailed to therussianhistorypodcast@gmail.com or by following @ruhipoca on Twitter.
This week, we look at the end of the Mongol military action in what was the lands of the Rus, as they assault the principality of Kiev. Questions and queries can be emailed to therussianhistorypodcast@gmail.com or by following @ruhipoca on Twitter.
This week Brian sits down with Bodybuilder, Actor and Producer, Alexander Nevsky.See omnystudio.com/listener for privacy information.
BHL's Fit Club -- Black Hollywood Live host Shaka Smith and T.K. Trinidad discusses the hottest dietary and fitness stories for the week of October 3rd, 2018. The Fountain of Youth, the Calf Conundrum and more with former Mister Universe and current action star of Maximum Impact, Alexander Nevsky. Hosts: Shaka: @shakastrong TK Trinidad: @Tktrinidad GUEST: Alexander Nevsky: IG @realalexnevsky
Anne McElvoy investigates the role of culture within historic Soviet expansionism and current Russian geopolitics. She talks to Charles Clover, author of Black Wind, White Snow: The Rise of Russia's New Nationalism about Eurasianism, an old idea with considerable traction in Putin's Russia and why bad ideas tend to win out over good ones . Historian Polly Jones, author of Myth Memory Trauma: Rethinking the Soviet past, 1953-70 and Clem Cecil, in-coming Director of Pushkin House, are in the studio to discuss the extent of Soviet interest in soft power alongside Mark Nash, curator of Red Africa and Ian Christie, co-curator of Unexpected Eisenstein, two new exhibitions in London. The continuing cultural legacy of Cold War relations between the Soviet Union and Africa is the subject of Red Africa, a season of film, art exhibition, talks and events, runs at Calvert 22 in London while at the same time Unexpected Eisenstein, a new exhibition at GRAD gallery in London, tells the story of the anglophile tendencies of a the great Soviet film-maker, Sergei Eisenstein. Eisenstein, whose epic and patriotic films Battleship Potemkin, Alexander Nevsky and Ivan the Terrible, together constitute a visual retrospective of Russian power, was himself hugely influenced by British writers from Shakespeare to Dickins. But as Anne McElvoy hears, the director went on to influence generations of British artists and film-makers, one legacy of his six-week sojourn in London in 1929. It was, as Christie explains, a trip ordered but not precisely sponsored, by Stalin. Producer: Jacqueline Smith
How great artists and thinkers responded to the First World War in individual works of art and scholarship7.Ian Christie on Sergei Eisenstein's Battleship PotemkinFor Russians of Sergei Eisenstein's generation, the experience of the First World War was overtaken by the revolution of 1917, which took Russia out of the war and plunged it into a bitter civil war from which the infant Bolshevik Soviet state emerged. Eisenstein seized the opportunity of serving in the Red Army in order to become a radical theatre director, which led him into film as part of the first generation of Soviet film-makers who would astonish the world in the late 1920s with films like The Battleship Potemkin and October. These films would shape the cultural and political landscape of the interwar years - championed by those who wanted to condemn the Great War as an imperialist struggle, and also foreshadowing the Second World War, as in Eisenstein's Alexander Nevsky. The distinguished film historian Ian Christie untangles this complex story.Producer Beaty Rubens Producer : Beaty Rubens.