Podcasts about kandinsky

durée : 00:23:01 - Orthodoxie - par : Alexis Chryssostalis - Première de deux émissions à l'occasion de la parution aux éditions Première partie d'un ouvrage réunissant deux textes de Kandinsky, "Du spirituel dans l'art" et "Du matériel dans l'art", présentés par Philippe Sers, philosophe, critique d'art et grand connaisseur de l'œuvre de Kandinsky. - réalisation : François Caunac - invités : Philippe Sers

Les dernières innovations technologiques et l’impact de l’intelligence artificielle sur notre quotidien ; Marble, un outil transformant images et textes en environnements 3D, avancées en génération vidéo avec Kandinsky V5 et Time to Move. Les infos également sur la création musicale avec Suno et Udio, les défis des IA en éducation, ainsi que les dangers des chatbots pour les jeunes. On parle également du départ du CEO de Mastodon et des complications pour TSMC et Intel dans la production de semi-conducteurs.  Patreon YouTube Discord Modèles IA de la semaine C'est un monde ! Marble, PAN et SIMA 2. Vidéo : Kandinsky 5, Natex, Time to move et Univa. Suno n'est plus sous l'eau. Les IA sont mauvaises en math… ou peut-être pas. Revanche des premières L : les IA se laissent étourdir par la poésie. Les LLM font-ils fondre votre cerveau ? Les vidéos courtes aussi ! Turing 2.0 : si c'est poli, c'est une AI. Même le créateur de Mastodon en a marre des réseaux sociaux… C'est du lourd SC25 : pour les power users. Produire aux US, c'est cher, Intel mise sur le packaging. Des radars terahertz arrivent sur les voitures. 40 nuances de nounours : GPT4o cet obsédé… Parle à ma main : de la suite dans les RFID. Votre mission si vous l'acceptez : trouver une prise USB. Participants Une émission préparée par Guillaume Poggiaspalla Présenté par Guillaume Vendé

I am so excited to say that my guest on the GWA Podcast today is the esteemed curator, Megan Fontanella. A specialist in Modern Art and Provenance at the Guggenheim New York, Fontanella's research interests focus on late 19th and early 20th European art and the avant-garde in the USA. She has organised a plethora of exhibitions for the Guggenheim across the globe, from Visionaries: Creating a Modern Guggenheim (2017); Kandinsky (2020–21); Kandinsky: Around the Circle (2021–22; 2023–24); Young Picasso in Paris (2023), as well as travelling collection exhibitions in Australia, Canada, and Europe. But the reason why we are speaking to Fontanella today is because she is very excitingly curating a monumental exhibition by the German Expressionist, Gabriele Münter. Titled Contours of a World, the show – opening 7 November through to April 2026 – will feature 60 of the artist's luminous, bold, sometimes rapidly-made paintings – from her portraits of friends to landscapes of the German alpine town of Murnau – that chart the changing face of modernism in art. Focusing on 1908 to 1920, it will deep-dive into her involvement with “The Blue Rider” – a group of visionary artists and writers who explored how colour and form could evoke emotion and spiritualist ideas – to the works she made during the First World War. Gabriele Münter: Contours of a World is on view at Guggenheim New York, 7 Nov – 26 Apr 2026: https://www.guggenheim.org/exhibition/gabriele-munter Artists mentioned: Gabriele Münter (1877–1962) Wassily Kandinsky (1866–1944) Marianne von Werefkin (1860–1938) Der Blaue Reiter (“The Blue Rider”) group Artworks mentioned: Gabriele Münter - Still Life on the Tram After Shopping (1909–1912) Gabriele Münter - Portrait of Marianne Werefkin (1909) Gabriele Münter - Boating (1910) Gabriele Münter - Meditation (1917) Gabriele Münter - Future (Woman in Stockholm) (1917) Gabriele Münter - Portrait of Anna Roslund (1917) Gabriele Münter - Lady in an Armchair, Writing (1929) Gabriele Munter -  Breakfast of the Birds (1934)

Dans cette édition :Des suspects peu bavards pour l'instant dans l'affaire du braquage du Louvre, les enquêteurs tentent de les faire parler pour obtenir des informations sur le butin estimé à 88 millions d'euros.Un suspect de 26 ans a été mis en examen pour une tentative de viol dans le RER C, il a été placé en détention provisoire.À l'Assemblée nationale, les députés débattent de la taxe Zucman, une proposition de loi du Parti Socialiste visant à taxer les hauts revenus, qui a été allégée pour répondre aux critiques.La Russie annonce avoir terminé les tests de son missile à propulsion nucléaire, une arme capable de parcourir 14 000 km et de rester en vol pendant plus de 15 ans.L'exposition 'La musique des couleurs' consacrée au peintre Kandinsky est à découvrir à la Philharmonie de Paris jusqu'en février 2026.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Dans cette édition :Des suspects peu bavards pour l'instant dans l'affaire du braquage du Louvre, les enquêteurs tentent de les faire parler pour obtenir des informations sur le butin estimé à 88 millions d'euros.Un suspect de 26 ans a été mis en examen pour une tentative de viol dans le RER C, il a été placé en détention provisoire.À l'Assemblée nationale, les députés débattent de la taxe Zucman, une proposition de loi du Parti Socialiste visant à taxer les hauts revenus, qui a été allégée pour répondre aux critiques.La Russie annonce avoir terminé les tests de son missile à propulsion nucléaire, une arme capable de parcourir 14 000 km et de rester en vol pendant plus de 15 ans.L'exposition 'La musique des couleurs' consacrée au peintre Kandinsky est à découvrir à la Philharmonie de Paris jusqu'en février 2026.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Et si les couleurs pouvaient danser au rythme des sons ? À la Philharmonie de Paris, l'exposition Kandinsky. La musique des couleurs explore le lien intime entre peinture et musique chez le maître de l'abstraction Vassily Kandinsky (1866-1944). Près de 200 œuvres et objets révèlent comment le peintre russe a fait vibrer ses toiles comme des partitions. Une immersion sensorielle, coorganisée avec le Centre Pompidou, qui détient l'un des fonds les plus importants de l'artiste au monde. ► Kandinsky. La musique des couleurs jusqu'au 1er février 2026 à la Philharmonie de Paris.

Et si les couleurs pouvaient danser au rythme des sons ? À la Philharmonie de Paris, l'exposition Kandinsky. La musique des couleurs explore le lien intime entre peinture et musique chez le maître de l'abstraction Vassily Kandinsky (1866-1944). Près de 200 œuvres et objets révèlent comment le peintre russe a fait vibrer ses toiles comme des partitions. Une immersion sensorielle, coorganisée avec le Centre Pompidou, qui détient l'un des fonds les plus importants de l'artiste au monde. ► Kandinsky. La musique des couleurs jusqu'au 1er février 2026 à la Philharmonie de Paris.

durée : 01:24:23 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Par Georges Charbonnier - Avec Nina Kandinsky (veuve du peintre Kandinsky), Jean Dewasne (peintre), Jean Arp (peintre et sculpteur) et Pierre Volboudt (écrivain et critique) - Lectures Michel Bouquet et Pascal Mazzotti de textes de Kandinsky - Réalisation Georges Gravier - réalisation : Rafik Zénine, Vincent Abouchar, Emily Vallat

durée : 00:03:44 - Le Regard culturel - par : Zoé Sfez - L'exposition “Kandinsky. La musique des couleurs" raconte la recherche artistique totale du peintre russe. Soulignant le dialogue constant de Vassily Kandinsky avec la musique, elle donne vie à l'œuvre, trop souvent intellectualisée, de ce pionnier de l'abstraction.

durée : 00:03:44 - Le Regard culturel - par : Zoé Sfez - L'exposition “Kandinsky. La musique des couleurs" raconte la recherche artistique totale du peintre russe. Soulignant le dialogue constant de Vassily Kandinsky avec la musique, elle donne vie à l'œuvre, trop souvent intellectualisée, de ce pionnier de l'abstraction.

durée : 00:05:04 - Classic & Co - par : Anna Sigalevitch - Ce matin, Anna Sigalevitch, nous emmene à la Philharmonie de Paris pour une exposition qui vient d'ouvrir ses portes : "Kandinsky, la musique des couleurs" en coproduction avec le Centre Pompidou", une exposition qu'on peut voir jusqu'au 1er février 2026 à la Philharmonie de Paris. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:06:17 - Quels sont les liens qui unissent Kandinsky à la musique ? - par : Sofia Anastasio - La Philharmonie de Paris présente l'exposition « Kandinsky, la musique des couleurs ». Elle explore la place fondamentale qu'occupait la musique dans la vie et l'œuvre du peintre russe. Son directeur musical est le pianiste, russe lui aussi, Mikhaïl Rudy. Visite de l'exposition à ses côtés. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Sergio Pérez habla de The Smashing Machine, La sospecha de Sofía, Parecido a un asesinato, Un fantasma en la batalla, Münter y el amor de Kandinsky...

Hey everyone, Alex here (yes the real me if you're reading this) The weeks are getting crazier, but what OpenAI pulled this week, with a whole new social media app attached to their latest AI breakthroughs is definitely breathtaking! Sora2 released and instantly became a viral sensation, shooting to the top 3 free iOS spot on AppStore, with millions of videos watched, and remixed. On weeks like these, even huge releases like Claude 4.5 are taking the backseat, but we still covered them! For listeners of the pod, the second half of the show was very visual heavy, so it may be worth it watching the YT video attached in a comment if you want to fully experience the Sora revolution with us! (and if you want a SORA invite but don't have one yet, more on that below) ThursdAI - if you find this valuable, please support us by subscribing! Sora 2 - the AI video model that signifies a new era of social mediaLook, you've probably already heard about the SORA-2 release, but in case you haven't, OpenAI released a whole new model, but attached it to a new, AI powered social media experiment in the form of a very addictive TikTok style feed. Besides being hyper-realistic, and producing sounds and true to source voice-overs, Sora2 asks you to create your own “Cameo” by taking a quick video, and then allows you to be featured in your own (and your friends) videos. This makes a significant break from the previously “slop” based meta Vibes, becuase, well, everyone loves seeing themselves as the stars of the show! Cameos are a stroke of genius, and what's more, one can allow everyone to use their Cameo, which is what Sam Altman did at launch, making everyone Cameo him, and turning him, almost instantly into one of the most meme-able (and approachable) people on the planet! Sam sharing away his likeness like this for the sake of the app achieved a few things, it added trust in the safety features, made it instantly viral and showed folks they shouldn't be afraid of adding their own likeness. Vibes based feed and remixingSora 2 is also unique in that, it's the first social media with UGC (user generated content) where content can ONLY be generated, and all SORA content is created within the app. It's not possible to upload pictures that have people to create the posts, and you can only create posts with other folks if you have access to their Cameos, or by Remixing existing creations. Remixing is also a way to let users “participate” in the creation process, by adding their own twist and vibes! Speaking of Vibes, while the SORA app has an algorithmic For You page, they have a completely novel and new way to interact with the algorithm, by using their Pick a Mood feature, where you can describe which type of content you want to see, or not see, with natural language! I believe that this feature will come to all social media platforms later, as it's such a game changer. Want only content in a specific language? or content that doesn't have Sam Altman in it? Just ask! Content that makes you feel goodThe most interesting thing is about the type of content is, there's no sexualisation (because all content is moderated by OpenAI strong filters), and no gore etc. OpenAI has clearly been thinking about teenagers and have added parent controls, things like being able to turn of the For You page completely etc to the mix. Additionally, SORA seems to be a very funny model, and I mean this literally. You can ask the video generation for a joke and you'll often get a funny one. The scene setup, the dialogue, the things it does even unprompted are genuinely entertaining. AI + Product = Profit? OpenAI shows that they are one of the worlds best product labs in the world, not just a foundational AI lab. Most AI advancements are tied to products, and in this case, the whole experience is so polished, it's hard to accept that it's a brand new app from a company that didn't do social before. There's very little buggy behavior, videos are loaded up quick, there's even DMs! I'm thoroughly impressed and am immersing myself in the SORA sphere. Please give me a follow there and feel free to use my Cameo by tagging @altryne in there. I love seeing how folks have used my Cameo, it makes me laugh

Comme toujours, nous commencerons notre émission par une discussion sur l'actualité. Le sujet de notre première discussion porte sur le changement de nom du ministère américain de la Défense, qui va devenir le « ministère de la Guerre ». Nous aborderons ensuite un différend historique de longue date entre l'Ukraine et la Pologne, qui a été réglé entre les deux pays. Puis, nous nous intéresserons à un document rédigé à l'intention du ministère américain de l'Énergie par 85 climatologues en réponse au rapport sur le changement climatique produit par l'administration Trump. Et enfin, nous parlerons de la liste des canons culturels du gouvernement suédois, qui comprend 100 œuvres, marques et idées visant à définir l'identité suédoise. Étonnamment, ABBA n'y figure pas.    Notre leçon sera The Imperfect Tense Verbs of the 3rd Group Lesson 3: Verbs ending in eindre, tendre, prendre, and crire. Nous ferons un tour d'horizon des sorties culturelles de la rentrée et nous nous intéresserons particulièrement à deux expositions sur des peintres français de renom : Georges de La Tour et Kandinsky. Pour terminer, nous verrons comment utiliser l'expression de la semaine : Être à cheval sur quelque chose. Le rapport annuel de l'OCDE publié mardi met à jour les caractéristiques du système éducatif français, qui a ses points forts et ses faibles. Mais que retenir de ce rapport ? - Trump rebaptise le ministère de la Défense « ministère de la Guerre » - L'Ukraine et la Pologne tentent de régler un différend datant de la Seconde Guerre mondiale - Les climatologues critiquent le rapport sur le climat de l'administration Trump - Les canons culturels nationalistes et réducteurs du gouvernement suédois - Les expositions de l'automne à ne pas manquer en France - Un rapport de l'OCDE révèle les caractéristiques de l'école en France

В этом выпуске Анна Несмеева старается разобраться: с каким "минимальным набором" цифровых ресурсов можно штурмовать внутрикомовские задачи? Раскладывает "по полочкам" разнообразные платформы и программы, которые вам пригодятся в работе и сделают вашу жизнь немного легче. А бонусом, подкидывает несколько идей как "это вот всё" применить. Кстати, в каждом уроке курса  МЕНЕДЖЕР ПО ВНУТРЕННИМ КОММУНИКАЦИЯМ есть раздел, с полезными ссылками и перечнем ресурсов для использования. Курс стартует 6/10/2025.  Если вы выпускник или слушатель Школы внутренних коммуникаторов, напишите нам об этом и получите отличный промокод на -12%Ставьте лайки

Predstavljamo vam Samantho Kandinsky finalistko Elle Talentov v kategoriji fotograf. Samantha pravi, da je bila že kot otrok močno povezana z umetnostjo – z očetom sta skupaj risala in jo je učil osnov slikarstva, kar je močno vplivalo na njen občutek za kompozicijo, barve in izražanje skozi vizualni medij.Več si lahko preberete tukaj.Gostja: Samantha Kandinskyhttps://www.instagram.com/kandinsky___/Voditeljica: Petra Windschnurerhttps://www.instagram.com/windschnurer/Spremljate nas lahko še na drugih kanalih:YOUTUBE / METROPLAY/ FACEBOOK / INSTAGRAM / TIKTOK / ELLE.SI

Qu'est-ce qu'une vidéo YouTube, une immense sculpture de centaure et un tableau abstrait peuvent bien avoir en commun ? Des murs de grottes préhistoriques aux vidéos de chatons qui peuplent YouTube, en passant par les grands musées, les animaux parsèment l'Histoire de l'art. Mais qu'est-ce que cette présence des animaux raconte de nous ? C'est la question qu'ont choisi de se poser les équipes du fonds privé Hélène et Edouard Leclerc à Landerneau, en Bretagne, avec l'exposition « Animal !? ». Une araignée géante, un centaure, une biche qui donne naissance à une femme et d'étranges oiseaux à tête de peluche : un impressionnant bestiaire s'est installé au fonds Hélène et Édouard Leclerc pour questionner le rapport que nous, les humains, entretenons avec les autres espèces. Pour Christian Alandete, commissaire de l'exposition Animal!?, « c'est une exposition qui, à travers de l'animal, traite de la condition humaine. À la fois dans l'Histoire de l'art, l'animal est un sujet central, mais aussi dans notre vie quotidienne. Il a d'ailleurs une section sur l'animal domestique, mais aussi sur la manière dont les réseaux sociaux ont utilisé l'animal, au fil des évolutions et des révolutions de notre relation aux réseaux sociaux. On voit que l'animal y joue un rôle très important. » Parmi les thématiques abordées, il y a aussi celle de la place de l'humain dans l'écosystème : « Pendant longtemps, on a cru ; et certains le croient encore ; que l'homme est distinct du règne animal. On sait que biologiquement, on est une espèce parmi d'autres espèces, qui s'est crue supérieure. Et ce sont des idées que les éthologues remettent aujourd'hui en question. » Domination de l'homme sur les autres espèces, mais aussi racisme et homophobie : avec ses 150 œuvres, l'exposition Animal !?  met en lumière des questions de société. C'est le cas d'un court-métrage de l'artiste Isabella Rossellini : « Là, on voit un film d'Isabella Rossellini qui raconte l'histoire de Noé. Il doit faire rentrer des couples d'animaux sur son bateau, mais en s'appuyant sur les informations des scientifiques. Et il va se rendre compte qu'existent dans la nature des êtres hermaphrodites, homosexuels, transsexuels chez des espèces non humaines. » Des thématiques qui parlent aussi aux visiteurs nombreux à venir voir l'exposition. C'est le cas d'Elsa qui vient tous les ans admirer les nouveautés du fonds. « Il y a des peintures, des sculptures et ça permet d'avoir une autre vision sur un thème auquel on n'a pas forcément accès de base. Et j'aime aussi le fait que ce soit relié à des thématiques plus actuelles, comme le racisme par exemple. Je n'ai jamais vu d'autres expositions de ce type. » Les œuvres de Brancusi, Louise Bourgeois, Kandinsky et bien d'autres continueront de se côtoyer au sein de l'exposition jusqu'au mois de novembre.

Qu'est-ce qu'une vidéo YouTube, une immense sculpture de centaure et un tableau abstrait peuvent bien avoir en commun ? Des murs de grottes préhistoriques aux vidéos de chatons qui peuplent YouTube, en passant par les grands musées, les animaux parsèment l'Histoire de l'art. Mais qu'est-ce que cette présence des animaux raconte de nous ? C'est la question qu'ont choisi de se poser les équipes du fonds privé Hélène et Edouard Leclerc à Landerneau, en Bretagne, avec l'exposition « Animal !? ». Une araignée géante, un centaure, une biche qui donne naissance à une femme et d'étranges oiseaux à tête de peluche : un impressionnant bestiaire s'est installé au fonds Hélène et Édouard Leclerc pour questionner le rapport que nous, les humains, entretenons avec les autres espèces. Pour Christian Alandete, commissaire de l'exposition Animal!?, « c'est une exposition qui, à travers de l'animal, traite de la condition humaine. À la fois dans l'Histoire de l'art, l'animal est un sujet central, mais aussi dans notre vie quotidienne. Il a d'ailleurs une section sur l'animal domestique, mais aussi sur la manière dont les réseaux sociaux ont utilisé l'animal, au fil des évolutions et des révolutions de notre relation aux réseaux sociaux. On voit que l'animal y joue un rôle très important. » Parmi les thématiques abordées, il y a aussi celle de la place de l'humain dans l'écosystème : « Pendant longtemps, on a cru ; et certains le croient encore ; que l'homme est distinct du règne animal. On sait que biologiquement, on est une espèce parmi d'autres espèces, qui s'est crue supérieure. Et ce sont des idées que les éthologues remettent aujourd'hui en question. » Domination de l'homme sur les autres espèces, mais aussi racisme et homophobie : avec ses 150 œuvres, l'exposition Animal !?  met en lumière des questions de société. C'est le cas d'un court-métrage de l'artiste Isabella Rossellini : « Là, on voit un film d'Isabella Rossellini qui raconte l'histoire de Noé. Il doit faire rentrer des couples d'animaux sur son bateau, mais en s'appuyant sur les informations des scientifiques. Et il va se rendre compte qu'existent dans la nature des êtres hermaphrodites, homosexuels, transsexuels chez des espèces non humaines. » Des thématiques qui parlent aussi aux visiteurs nombreux à venir voir l'exposition. C'est le cas d'Elsa qui vient tous les ans admirer les nouveautés du fonds. « Il y a des peintures, des sculptures et ça permet d'avoir une autre vision sur un thème auquel on n'a pas forcément accès de base. Et j'aime aussi le fait que ce soit relié à des thématiques plus actuelles, comme le racisme par exemple. Je n'ai jamais vu d'autres expositions de ce type. » Les œuvres de Brancusi, Louise Bourgeois, Kandinsky et bien d'autres continueront de se côtoyer au sein de l'exposition jusqu'au mois de novembre.

(00:50) Nach 90 Jahren sind die grossen Namen der Moderne wieder vereint: Ausstellung «Kadindsky, Picasso, Miró et al.» im Kunstmuseum Luzern. Weitere Themen: (05:05) Internationales Festival für den Fantastischen Film NIFFF in Neuenburg setzt dieses Jahr auf das Motto «Take Care». (09:35) Theaterfestival Avignon bietet viel Tanz und Gegenstrategien zur Barbarei auf der Welt. (13:29) Graphic Novel «Schweigen» von Birgit Weyhe beschäftigt sich mit mangelnder Aufarbeitung von Diktaturen und Folgen des Schweigens über Vergangenheit.

From Code to Clay: The Digital Shaman and Garden 9In the final chapter of the Campos trilogy, Detlef Schlich explores the legacy of Kandinsky as a spiritual visionary—and reflects on his own role as a ritual architect of the 21st century. In poetic dialogue with AI co-host Sophia, the conversation spirals from muddy gardens and tilted Fibonacci spirals to visionary transformations, where Detlef once became a hard drive and began listening to the electric as breath.Garden 9 emerges not as an exhibition but a living altar—where the digital shaman walks barefoot between code and clay, waveform and footprint. This episode culminates in a collaborative song titled “From Code to Clay”, composed by Los Inorgánicos & Sophia.Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork. He is recognised for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, and his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural, and political aspects of media in culture.WEBSITE LINKS WAW BandcampSilent NightIn a world shadowed by conflict and unrest, we, Dirk Schlömer & Detlef Schlich, felt compelled to reinterpret 'Silent Night' to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis results from a trip to West Cork, Ireland, where the beautiful Coastal "Wild Atlantic Way" reaches along the whole west coast!https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYOU TUBE*Silent Night Reimagined* A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culturehttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectSupport this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/donations

Rembrandt, Kandinsky, Picasso – große Namen, große Preise. Aber: Ist Kunst auch ein lohnendes Investment? Falko Block, Anlagestratege, spricht mit Dr. Britta von Campenhausen über Chancen, Risiken und clevere Strategien auf dem Kunstmarkt. Kunst als Kapitalanlage – Spielerei für Reiche oder echtes Investment mit Rendite?

Vor 90 Jahren wurde Luzern zum Pol für die Avantgarde. Eine neue Ausstellung rekonstruiert nun eine legendäre Schau und bringt dafür fast hundert Werke aus der ganzen Welt zusammen.

Today's episode is a tale of two archetypes: the Productivity Power User who color-codes their calendar like it's a Kandinsky painting… and the Procrastinating Professor Slayer who tells himself he'll fix it tomorrow—which, incidentally, is always today when it arrives. Pete, whose relationship with task management involves quad-wielding to-do apps like a productivity warlock, faces off with Tommy, who uses his iPhone calendar like a grocery list taped to a parking meter.Together, they dismantle performative productivity (spoiler: it's emotional self-gaslighting with better fonts), unpack procrastination as an anxiety-fueled death spiral in a trench coat, and lovingly roast each other's ritualistic self-sabotage. There's a chilling tale of Franz Ferdinand, a beeper, and the exact moment the world spiraled into World War I. And if that doesn't scream “calendar hygiene matters,” then friend, you might already be scheduling your next collapse.This episode has everything: analog clock superiority, digital tool delusion, ADHD-fueled shame spirals, the dopamine hit of “not today,” and possibly the best joke ever made about lawn maintenance. It's not just a podcast episode. It's a panic productivity intervention disguised as comedy. You're welcome. Become a Feeling Friend!Help us keep the precinct weird: allthefeelings.funGet early access, bonus content, stickers, and the satisfaction of supporting emotional democracy for only $35 a year. (Or just vote Pete back into office. Either works.) ---Learn more about supporting this podcast by becoming a member. Visit our website to learn more.

C'est l'histoire d'une femme passionnée par l'art, dès l'enfance, douée pour le dessin. Nous sommes à Berlin où Gabriele Münter voit le jour en 1877. Une enfance aisée mais assombrie par la mort prématurée de ses deux parents. L'année de ses 20 ans, le jeune femme décide de partir sillonner les États-Unis, elle y restera deux ans et y exercera son regard par la pratique de la photographie. De retour en Allemagne, elle accompagne le nouveau siècle naissant en s'installant à Munich. Les académies des beaux-arts sont alors fermées aux femmes, c'est peut-être une chance pour elle : elle s'inscrit à l'école Phalanx dirigée par le Russe Vassily Kandinsky qui encourage ses premiers pas d'artiste peintre. Ils formeront un couple illégitime et secret pendant des années. Voyageront ensemble à Tunis, aux Pays-Bas, en Italie. À Paris aussi, où la jeune artiste découvrira l'impressionnisme et le fauvisme. En 1906, Gabriele achète une villa aux pieds des Alpes, à Murnau, en Bavière. C'est autour d'elle et de Kandinsky que se réunissent les artistes d'avant-garde qui composent le fameux groupe appelé « le Cavalier bleu », « der blaue Reiter ». La Première Guerre mondiale séparer les amants. La Deuxième se chargera de faire éclater les cercles des modernes, les moquant, les insultant, les neutralisant, les tuant. Gabriele Münter échappera au pire, et si ses relations avec le régime nazi restent ambigües, c'est elle qui sauvera une grande partie de l'œuvre de Kandinsky. Kandinsky dont elle fut l'élève et l'amoureuse, dont elle fut l'ombre aussi, éclipsée par une aura, trop longtemps, exclusivement, accordée aux hommes. Retrouvons, aujourd'hui, dans sa pleine lumière, Gabriele Münter … Avec les Lumières de Anne Hustache, historienne de l'art. Sujets traités : Gabriele Münter, Munich, assily Kandinsky, peintre, artiste,der blaue Reiter, nazi Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

THESE ARE NOTES ON THE EPISODE - NOT THE TEASER!

Karaoke, todos juntos, vamos: No eres guapo pero con abrigo bien. Qué look Sean Baker te ha quedado. Librería, peli rara y un café.Molas bastante, licenciado. Síiiiii, ooooh. Eres tendencia. Tu podcast es La Cultureta.Eres la fucking referencia, entérate. Tú planchas con La Cultureeeeeeeeta. Frente al mainstream, tú eres más cine iraní: Asghar Farhadi, Kiarostami. Flaubert, Verdi, Dickens, Frida y Marilyn Gauguin, Kandinsky, Joe Satriani. Tu molas todo. Tu podcast es La Cultureta. Tu running y La Cultureeeeeeeta.Yo digo John Wayne, qué bien. Yo digo Bad Bunny para un poco y pon Schopin. Yo digo Van Gogh, Hitchcock, Woodstock, Pollock, Pol Pot. O sea Pol Pot, no. Adelante Shostakovic. Vamos. Dale. Tu podcast es La Cultureta.Cultureeeeeeeeta. Tu podcast es La Cultureta.

Karaoke, todos juntos, vamos: No eres guapo pero con abrigo bien. Qué look Sean Baker te ha quedado. Librería, peli rara y un café.Molas bastante, licenciado. Síiiiii, ooooh. Eres tendencia. Tu podcast es La Cultureta.Eres la fucking referencia, entérate. Tú planchas con La Cultureeeeeeeeta. Frente al mainstream, tú eres más cine iraní: Asghar Farhadi, Kiarostami. Flaubert, Verdi, Dickens, Frida y Marilyn Gauguin, Kandinsky, Joe Satriani. Tu molas todo. Tu podcast es La Cultureta. Tu running y La Cultureeeeeeeta.Yo digo John Wayne, qué bien. Yo digo Bad Bunny para un poco y pon Schopin. Yo digo Van Gogh, Hitchcock, Woodstock, Pollock, Pol Pot. O sea Pol Pot, no. Adelante Shostakovic. Vamos. Dale. Tu podcast es La Cultureta.Cultureeeeeeeeta. Tu podcast es La Cultureta.

"Was zu verschwinden droht, wird Bild: Mensch - Natur - Kunst": Die neue Ausstellung im Lenbachhaus setzt den Klimawandel mit Ölgemälden des 19. und 20. Jahrhunderts in Beziehung. Wie und ob das funktioniert, weiß Tobias Krone. /"With Love, Meghan": Wie viel Love steckt in der neuen Haushalts-Netflix-Serie mit Herzogin Meghan Markle? Von Gabi Biesinger / Und: Der lang erwartete, neue Roman der feministischen Ikone Chimamanda Ngozi Adichie ist da: "Dream Count". Theresa Hübner hat ihn gelesen.

Wheeler, Claudia www.deutschlandfunkkultur.de, Fazit

Wheeler, Claudia www.deutschlandfunkkultur.de, Fazit

Probst, Carsten www.deutschlandfunk.de, Kultur heute

Lauren Mooney and James Yeatman make up the award winning theatre company Kandinsky, who make collaborative new work. Their latest project, More Life, has been developed at the New Diorama, National Theatre Studios and the Royal Court, and will debut at the Royal Court Theatre Upstairs in February 2025.

ABOUT LOUISA WHITMORE:TIK TOK: LOUISA'S BIO:Louisa Whitmore is an architecture content creator on TikTok with over 350K followers, as well as the host of the cable television documentary series “The Nature of Design.” A former commentator for the USModernist podcast, Whitmore has also worked as a live radio host and PSA producer at CHMA 106.9FM, the local radio station at Mount Allison University, where she's currently an honors student studying international relations and French. She enjoys telling stories, and is passionate about sustainable design.SHOW INTRO:Welcome to the NXTLVL Experience Design podcast.EPISODE 75… and my conversation with Louisa Whitmore. On the podacast our dynamic dialogues based on our acronym DATA - design, architecture, technology, and the arts crosses over disciplines but maintains a common thread of people who are passionate about the world we live in and human's influence on it, the ways we craft the built environment to maximize human experience, increasing our understanding of human behavior and searching for the New Possible.    he NXTLVL Experience Design podcast is presented by VMSD Magazine part of the Smartwork Media family of brands.VMSD brings us, in the brand experience world, the International Retail Design Conference. The IRDC is one of the best retail design conferences that there is bringing together the world of retailers, brands and experience place makers every year for two days of engaging conversations and pushing the discourse forward on what makes retailing relevant. You will find the archive of the NXTLVL Experience Design podcast on VMSD.com.Thanks also goes to Shop Association the only global retail trade association dedicated to elevating the in-store experience. SHOP Association represents companies and affiliates from 25 countries and brings value to their members through research, networking, education, events and awards. Check then out on SHOPAssociation.orgLouisa Whitmore is a TikTok creator phenom whose content is about architecture. With almost 400 thousand followers her no holds-barred, straight from the heart and to the point commentary about the buildings she loves and loves to hate, brings a user experience point of view and accessible critique into the mainstream.We'll get to all of that in a moment but first though, a few thoughts…                  *                                  *                                  *The great thing about doing this podcast is it gives me an opportunity to rethink some of the assertions that have held to be true and cross check whether in fact they are immutable or whether there is room for challenging myself and maybe digging into some subtleties and nuances… and seeing things a different way.Like for example the idea of criticism – who does it and its value…I have to admit I haven't been particularly fond of the idea of critics for a very long time. This would be generally true of the kind who dole out the negative kind of commentary.Years ago when commenting on something, I think it was some art piece, and my son said to me “…dad why is it that you never really say you hate anything…”which I sort of thought was kind of funny then. I think I responded “…well because I don't really hate anything… I try to always view things from the other side - a different point of view. I try to get beyond the visceral reaction and look to design principles and comment from a place of applying principles to the work and see how they line up…and then make a comment that is based yes on whether I simply like it, the colors, shapes, energy, feeling , may be a message it is trying to impart AND  whether I can see the value in it based on principles determined to be generally accepted by experts in the domain…” so yeah I don't really hate things…If I apply the idea of casting judgement on art, music, architecture… it got me thinking… again…What is the value of judgement? Is it to determine the appropriateness of something to a particular context or challenge?I have my favorite architects and artists and musical performers, I like different styles and periods. But I don't listen to heavy metal (though my sons love it). I don't know that I can say that I hate it. Perhaps I just don't understand it and maybe if I did, it still wouldn't jibe with me.It just doesn't go in my body well. It's a sensory mismatch.I don't hate it – It makes me agitated. So, I just don't listen to it. And I guess you could say the same thing for certain genres of art.For example… I'm not particularly crazy about a lot of contemporary art.I have a hard time understanding a performance artist dipping her hair in paint and swinging aloft from a rope while her hair drags across a canvas and the painting while on lookers wrapped in dimly lit light bulbs stand slightly by  selling for millions of dollars… it isn't something I quite get. And I know that authorized replicas of the Marcel Duchamp sculpture called the “Fountain” - which is a urinal - sell for somewhere between 3 and $4 million each and here's the kicker... apparently because the original has been lost the financial the value of the original piece is unknown and might be considered as being priceless. I don't know… it sort of leaves me just trying too hard... knowing I'm falling profoundly short of ascending to the intellectualized rarefied air that somehow makes this sort of thing makes sense. And I also suspect that if I'm voicing these concerns or questions that I am likely to get a lot of people commenting that my remarks point out my ignorance, that I just don't understand and I would …well…agree with them.I'm ok with that. Really.And I think I'm not alone in this category of not understanding contemporary art and the extraordinary prices that contemporary art paintings fetch at auctions and then again maybe if I did, I still wouldn't spend $25 million on a Rothko painting.The thing about critics, I think, is that we entrust these individuals with being in the know, of having deep insight, knowledge or experience into the making of the art. That these are people who understand its value and relevancy to culture and somehow able to unfold the deep meaning in the work whatever format the creativity comes in and to bestow upon us their opinion as if it is fact.The challenge of course is that I think there may be an ignorance in the public and that the deeper inner meaning of things is somehow held in reserve for the creators of the work or select few who follow it.But I've always had a challenge with the idea that the critic seems to have the extraordinary power to completely destroy the creative work as well as raise it to high levels of adulation and praise.I think that in some ways we have come to trust to the critic as certainly knowing more than we do and therefore what they say about a particular piece of art or architecture should be taken as truth and the presumed value of the creation lies in whether their commentary is positive or negative.How many people have not gone to see a movie because it only got 2 stars… and who said it should only have two stars?Maybe I would have found the comedy hilarious… but not the critic.I often don't even check reviews by the masses on restaurant or hotel booking sites and if I do read the reviews, I do it very carefully. I look to see what it was that these people did or didn't like. What it was that made their experience a must see or a definite red tomato. Personally, I dig to see if there is anything at a lower level that suggests what was driving the positive or negative review? What it was in this message that this particular critic is trying to convey?I've often thought that to be able to criticize art or other forms of creative invention you'd have to understand what it was the maker was intending to convey.You'd have to understand the basic ideas, for example, of composition to be able to determine whether a Jackson Pollock or a Kandinsky or a Basquiat was worth all the fuss and on what basis you were making the comments about the work.I guess it's not all critics that I have a problem with but maybe more those who simply present negative opinions. And it's not like I should even care that critic X didn't like thing Y. It was their opinion. Okay so they have an opinion. The challenge is the uninformed may come to accept the opinion as fact and turn away from somethings simply because some one says its not good.I guess the role of the professional critic is to study and assess the value of a creative work and pass judgment on the product based on facts and logical assertions. This is kind of like knowing a bit about composition before offering an opinion the write something off.It seems to me that the idea of a critic is to connect ideas, arrive at reasonable conclusions and perhaps open avenues for discussing new directions and fostering an awareness of ideas and cultural trends.It also seems to me that the role of the critic is to challenge our general assumptions about things to get us to look more deeply at our assertions and to get us to not simply accept things at face value but to continue to search for excellence, challenge the status quo, in all of the things that we bring into the world so that we don't fill it with the mundane or banal.There's something about the critic as ‘educator' - increasing our collective level of understanding of things, pointing out where things might likely be improved and offering positive commentary on what might be a series of next steps in order to develop the output and make it better - that I align with.And I know that the idea of making it ‘better' is full of all manner of subtext and necessity to consider contextual considerations… ‘better' for whom, for what and why?And maybe this is where I mostly land on the idea of the value of the critique is that of using constructive criticism for the value of enhancing people's understanding of a particular subject or giving the creator tools to go back to the drawing board, so to speak, and make it better.Jazz master saxophonist David Liebman wrote a concise piece on his website called “The Critic Dilemma: Criticism vs. Review”. He describes many of the same ideas about who's making he comments, are they objective facts or subjective opinions, and why should we trust one critic's opinion over another? Liebman differentiates between critique and a review:“…When the writer's opinion and taste is the focal point, this constitutes a critique. On the other hand, a review should be the dissemination of information with the desired intention being elucidation. The idea is that with this information, the listener is equipped to form his own opinion…”.And this is where this episode's guest Louisa Whitmore begins to fit into the story.When Louisa was 16 years old she began to share architecture commentary on Tik Tok. She blew up the social media sphere with posts that were personal and occasionally pointed. She came at her critiques of buildings not from the expert or architectural practioner point of view but from that of the user, the general public mindset.She didn't profess to be a building expert, to have deep knowledge in construction but rather to simply be part of the general public who experienced the built environment every day but who had little to nothing to do with how buildings got there in the first place.Her negative commentary on 432 Park Avenue - the luxury condo building designed by Rafael Viñoly and SLCE Architects – lit up the digisphere with 100s of thousands of followers lining up behind her to voice their impressions of this building. Most of them not very good I might add. Which was actually ok since there was a ton of press – not particularly good I might add – about problems with the building. Now, Louisa didn't know about these issues about the engineering, the building swaying (which would be natural by the way) and other problems but felt vindicated nevertheless with the press that effectively substantiated her intuitive feelings about this super-tall condo on the Central Park's edge.I see her posts more like David Leibman's construct of the ‘Review' – “…that with this information, the listener is equipped to form his own opinion…”.And opinions her followers had. 1000's of them.In the spirit of “…the dissemination of information with the desired intention being elucidation…” Whitmore turned her attention to projects thatfocused on Biophilia and how buildings with ample integration of plants seemed to simply feel better. Her noteriaty on Tik Tok, articulate whit, intuition and ability to articulate the ‘person on the street's' perception of the built environment, landed her the role as host of “the cable television documentary series “The Nature of Design”.Over the course of a number of episodes Whitmore tours properties talking about biophilic principles and with the support of a variety of experts ranging from architects to neuroscientists she dives into the science of how buildings with a biophilic approach effect our well-being…Whitmore is called a teenage architecture critic. While her rise on social media platforms may have been based on the building she loved to hate, it seems that she is using her notoriety to review and elucidate…. ABOUT DAVID KEPRON:LinkedIn Profile: linkedin.com/in/david-kepron-9a1582bWebsites:  https://www.davidkepron.com    (personal website)vmsd.com/taxonomy/term/8645  (Blog)Email: david.kepron@NXTLVLexperiencedesign.comTwitter: DavidKepronPersonal Instagram: https://www.instagram.com/davidkepron/NXTLVL Instagram: https://www.instagram.com/nxtlvl_experience_design/Bio:David Kepron is a multifaceted creative professional with a deep curiosity to understand ‘why', ‘what's now' and ‘what's next'. He brings together his background as an architect, artist, educator, author, podcast host and builder to the making of meaningful and empathically-focused, community-centric customer connections at brand experience places around the globe. David is a former VP - Global Design Strategies at Marriott International. While at Marriott, his focus was on the creation of compelling customer experiences within Marriott's “Premium Distinctive” segment which included: Westin, Renaissance, Le Meridien, Autograph Collection, Tribute Portfolio, Design Hotels and Gaylord hotels. In 2020 Kepron founded NXTLVL Experience Design, a strategy and design consultancy, where he combines his multidisciplinary approach to the creation of relevant brand engagements with his passion for social and cultural anthropology, neuroscience and emerging digital technologies. As a frequently requested international speaker at corporate events and international conferences focusing on CX, digital transformation, retail, hospitality, emerging technology, David shares his expertise on subjects ranging from consumer behaviors and trends, brain science and buying behavior, store design and visual merchandising, hotel design and strategy as well as creativity and innovation. In his talks, David shares visionary ideas on how brand strategy, brain science and emerging technologies are changing guest expectations about relationships they want to have with brands and how companies can remain relevant in a digitally enabled marketplace. David currently shares his experience and insight on various industry boards including: VMSD magazine's Editorial Advisory Board, the Interactive Customer Experience Association, Sign Research Foundation's Program Committee as well as the Center For Retail Transformation at George Mason University.He has held teaching positions at New York's Fashion Institute of Technology (F.I.T.), the Department of Architecture & Interior Design of Drexel University in Philadelphia, the Laboratory Institute of Merchandising (L.I.M.) in New York, the International Academy of Merchandising and Design in Montreal and he served as the Director of the Visual Merchandising Department at LaSalle International Fashion School (L.I.F.S.) in Singapore.  In 2014 Kepron published his first book titled: “Retail (r)Evolution: Why Creating Right-Brain Stores Will Shape the Future of Shopping in a Digitally Driven World” and he is currently working on his second book to be published soon. David also writes a popular blog called “Brain Food” which is published monthly on vmsd.com. The next level experience design podcast is presented by VMSD magazine and Smartwork Media. It is hosted and executive produced by David Kepron. Our original music and audio production by Kano Sound. The content of this podcast is copywrite to David Kepron and NXTLVL Experience Design. Any publication or rebroadcast of the content is prohibited without the expressed written consent of David Kepron and NXTLVL Experience Design.Make sure to tune in for more NXTLVL “Dialogues on DATA: Design Architecture Technology and the Arts” wherever you find your favorite podcasts and make sure to visit vmsd.com and look for the tab for the NXTLVL Experience Design podcast there too. The next level experience design podcast is presented by VMSD magazine and Smartwork Media. It is hosted and executive produced by David Kepron. Our original music and audio production by Kano Sound. The content of this podcast is copywrite to David Kepron and NXTLVL Experience Design. Any publication or rebroadcast of the content is prohibited without the expressed written consent of David Kepron and NXTLVL Experience Design.Make sure to tune in for more NXTLVL “Dialogues on DATA: Design Architecture Technology and the Arts” wherever you find your favorite podcasts and make sure to visit vmsd.com and look for the tab for the NXTLVL Experience Design podcast there too.

OMG omg OMG omg Happy Holidaysssss Baroque BB's! We are so freaking proud of all of you! Thank you for joining us this year and supporting us through lots of ups and downs. We have had such a lovely journey and figured, what better way to end this year than with a SHE-bang?!?! Yes, we all knew that Kandinsky seemed a little TOO cocky about founding abstract expressionism, and we are going to dive into all the hot tea surrounding this hot alien-esque baddy.  There will be SEANCES there will be RELIGIOUS FUSION there will be laughs and there will be uncoordinated silly conversations. Who's comin with us?! Weeeee loveeeee youuuuuuu Xoxoxox The Baroque B's

Kandinsky hat zeitlebens versucht, dem Geheimnis der Welt malerisch auf den Grund zu gehen,erzählt Johanna Schwanberg, Direktorin des Dom Museu Wien. Gestaltung: Alexandra Mantler – Eine Eigenproduktion des ORF, gesendet in Ö1 am 14.12. 2024

In die Kunstgeschichte ist Kandinsky als Pionier der abstrakten Kunst eingegangen,erzählt Johanna Schwanberg, Direktorin des Dom Museu Wien. Gestaltung: Alexandra Mantler – Eine Eigenproduktion des ORF, gesendet in Ö1 am 11.12. 2024

Mekiska, Stefan www.deutschlandfunk.de, Kultur heute

Camille Oudinot Show NotesCamille Oudinot, a French-Argentinian artist based in Paris, shares her artistic journey and the influence it has had on her work. She started painting at a young age, inspired by her father's gouache paintings. Camille's work blends vibrant expression with abstract exploration, often featuring figures merging into the background. She emphasizes the importance of intuition and the flow state in her creative process. Camille also discusses the challenges of finding the right professor and the struggle of being an artist in a society that often undervalues art as a profession. Camille Oudinot discusses her journey as an artist and the challenges she faced in pursuing her passion. She talks about the stigma surrounding painting the female body and how she overcame it. Camille shares her experiences of selling her artwork and the impact it has had on others. She also discusses the influence of artists like Kandinsky on her work and the importance of finding joy in the creative process.Website: https://www.artmajeur.com/camille-oudinotInstagram: https://www.instagram.com/camilleoudinotart/Chapters00:00 Introduction to Camille Oudinot and her Artistic Journey03:19 The Power of Intuition and the Flow State in Art06:08 Art as a Form of Therapy and Emotional Expression10:43 The Magical Experience of the Flow State in Art14:12 Overcoming Creative Blocks and Finding Inspiration18:27 The Influence of Personal Experiences on Artistic Journeys24:20 Exploring Different Creative Outlets and Finding One's True Passion26:41 Navigating the Challenges of Being an Artist in Society28:02 Breaking the Stigma: Painting the Female Body29:35 The Power of Selling Artwork31:05 The Impact of Art on Others32:07 The Journey of an Artist34:47 Finding Joy in the Creative Process Get full access to The Artist Stoop at jillianzepedaguzman.substack.com/subscribe

In this episode of the Exploring Art Podcast, host Jasmine is joined by Burton and Hailey to explore the world of Wassily Kandinsky, a pioneer of abstraction. Together, they analyze a case study that questions whether music and poetry can be equivalents of Kandinsky's work. As they unpack Kandinsky's ideas about synesthesia, they discuss how different artistic mediums evoke emotions. Tune in for an engaging conversation that uncovers the connections between visual and auditory experiences in the world of art while challenging notions of artistic expression. 

In this episode of Exploring Art Podcast, Verónica Dueñasand David Canales take a closer look at WassilyKandinsky's work and examine whether a composer orpoet can really translate the essence of his abstractpaintings into music or poetry. We'll dive into topics likesynesthesia, abstraction, and the deep connectionsbetween visual art and other creative forms.

In this podcast episode we'll be discussing the works of a famous abstractionist, Wassily Kandinsky, and the claim of two artists! One artist is a poet, and the other is a musical composer that each believe their medium of work conveys Kandinsky's original intended emotional responses. This episode is jam-packed with theoretical discussion and with points that support and refute both sides of the equation. Pop on through as Victor and Manu discuss these influential questions.

Met vandaag: Fleur Agema naar voren geschoven als eerste vicepremier | Biedt Oekraïnse vredestop in Zwitserland een sprankje hoop? | Wat te verwachten van de ‘tactische pauze' in zuidelijk Gaza? | Meer dan 60 werken van Kandinsky in Amsterdam | Nieuwe biografie over Karel de Grote | Presentatie: Mieke van der Weij. 

Подводим итоги недели в подкасте Telegram-канала ForGeeks. Говорим о генерации видео, новых гаджетах, распознавании музыки по свисту, увеличении лимита СБП и многом другом. Слушайте свежий выпуск, читайте и подписывайтесь на ForGeeks в Telegram. Кстати, мы есть и в YouTube!​

Listen in as members of the team that devised What Will the Neighbors Say?‘s Third Law—director Coral Cohen, designer Cosette Pin, and performers Sam Hood Adrian and James Clements—discuss their devising process, exploring audience agency, Kandinsky, testing your show with … Continue reading →

Witches in the News returns as a full length episode! What are witches up to in the world, and what humbling horrors can we expect in the future? We are not simply weirdos on the internet longingly looking to the past to make meaning of our present, but, instead, weirdos on the internet making magic TODAY! We are history in the making! On todays episode: Witchtok is all a buzz with this 1800s Swedish psychic and the paintings she made during her astral travels. Did she invent abstraction nearly half a decade before the Russian father of abstraction, Kandinsky? And! Ghibli Park is finally finished with it's latest attraction, Valley of The Witches. Are we going? Please say we're going. AND! Deaths related to witchcraft accusations continue to spike over the past few months. What is being done about it and how can you help? And finally, a witchcraft accusation over a decade ago did not stop this young mother from being reunited with her daughter in Odisha, India. Need more witchy content? Head over to our patreon! Last week we covered everything you needed to know about the spring equinox and next week we're covering another infamous psychic artist, Ingo Swann! Plus over 100 extra episodes and much more! Hosted by Alicia Herder and Terra Keck. Produced by Marcel Pérez. Creative Directing by Mallory Porter. Music by Kevin MacLeod. Official Witch, Yes! Discord! Witch, Yes! on Patreon! Check out our merch on Teepublic! Our Link Tree "Spellbound" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 Support Witch, Yes! by contributing to their tip jar: https://tips.pinecast.com/jar/witch-yes This podcast is powered by Pinecast.

Wassily Kandinsky was an artist, teacher and art theorist in the early 20th century. His work was very influential in the development of modern, abstract art. He was likely able to paint differently because he experienced the world differently. Kandinsky is thought to have had a rare condition called synesthesia, which is a combining of the senses. For him sound and color were linked. He would see music and often used that for inspiration in his paintings as in the case with Improvisation 28 (second version) which I used in the cover art for this episode. That piece is also one of the 250 required works for AP Art History. Check out my other podcasts  Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Poda Bing runs it back on "Pax Soprana". Note: Poda Bing Redux is also on YouTube. 00:00 Intro 01:00 The importance of skin care in this thing of ours 02:25 The importance of proper Italian delis 03:27 Bridge awe (again) 04:16 Sinatra all over Tony's shirt 05:09 Melfi's flirt meter 06:28 Best part about coffee dates 08:38 The power of Melfi's non-answers 10:41 The Elia Kazan-ness of certain shots this episode 12:39 Junior and David Stern 14:00 The respect for everyday characters in the show 14:30 Choice cuts 18:59 Would Tony be a fast texter? 21:25 An idea for Dua Lipa 22:03 The surgical precision of Johnny Sack's introduction 23:56 People at tables waiting 24:52 General writing nerdery 25:56 The ritual of garage conflicts 28:36 How not to court someone 30:45 Chase and Kandinsky connection 31:47 I miss "Flight of the Conchords" 35:11 Tony's path to coming clean to Melfi 39:39 How to handle being a witness to a crime perpetrated by O.C. 43:32 The notion of intermediaries and how Livia is *not* a good one 48:04 "Hesh's Horses" and Vik's quotation book 50:05 The sweet & sour of this episode Poda Bing is an Alternate Thursdays production created by Vik Singh (@helloimvik) Follow @podabing on IG, Twitter or wherever tf All archived episodes are available, for free, at https://podabing.show and anywhere you listen to podcasts.

Apologies for the audio quality. In this lecture, I take you through contemporary art history and its desperate search for a proper means of participation in a desacralized world. This talk is a follow-up to a previous video I did, The End of Desacralization in Art. This time I want to explore with you some specifics on how contemporary art has to confront alienation, power dynamics, and the minimization of yet yearning for ritual, participation, and community. This lecture follows up on a previous video lecture I posted, The End of Desacralization in Art: https://www.youtube.com/watch?v=1WYh20sYBsQ&t=813s YouTube version (important to see images): https://youtu.be/EWc7TKm9jho Timestamps: 0:00 - Preview 0:59 - Intro music 1:24 - Introduction 2:27 - The pendulum swing of deincarnation 3:12 - Brancusi: Find the essence 5:41 - More examples: Kandinsky and Mondrian 8:59 - Opposites attract: Idealism and constructivism 12:38 - Alienation of the art object 17:53 - One extreme calls the other 19:10 - Remember participation 21:12 - Marina Abramovic 28:56 - Resembling rituals 31:55 - Eating as ritual participation 36:37 - Joseph Beuys: Atonement 43:51 - Anselm Kiefer: The weight of history 47:02 - Trapped in the art world 50:55 - Hope