Podcasts about Shipka

"Sweethearts” star Kiernan Shipka joins the show. Over a salmon bowl, Shipka tells us how she sees her character on “Mad Men” differently now, her “Girls” rewatch and why she loves a self-help book (plus, recs!).  This episode was recorded at Forage in Silver Lake, CA. Learn more about your ad choices. Visit podcastchoices.com/adchoices

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John & Heidi share funny stories of people doing weird things... plus we continue our segment #MovieStarMonday as John chats with Kiernan Shipka and Matt Smukler - WILDFLOWERGET AN "AMAZON PRIME" 30 DAY FREE TRIAL HERE > https://zurl.co/xtXhLearn more about our radio program, podcast & blog at www.JohnAndHeidiShow.com

OK, maybe a couple of hours.Shipka is great in this one.Rahm is great in this one.Much of this one is about the subtle and not so subtle racism people faced at the time and still do face.If you still thought you liked Bert Cooper, maybe watch this one again...Sally meets Lou.We hate Lou.Dine and Dash!The Don and Sally relationship may be one of the best on the show.mp3 download

Kiernan Shipka & Diane Kruger star in the Roku Original series Swimming with Sharks. Based on the 1994 film, showrunner Kathleen Robertson puts a 21st century twist on classic Hollywood mentalities. On this episode of Open Dialogue, Robertson, Kruger and Shipka speak out about the realities of this west coast entertainment industry and its reflections on this new episodic take on Swimming with Sharks.

Chilling Adventures of Sabrina star Kiernan Shipka discusses her new podcast movie Treat (which she stars in and produces) in a spooktacular Halloween episode of The Art of Kindness. Robert also shares three exciting pieces of news and, as always, ends the episode with a practical kindness tip of the week! Kiernan Shipka most recently played the title role of Sabrina Spellman in Netflix's Chilling Adventures of Sabrina, and starred as Sally Draper on seven seasons of the Emmy-winning drama Mad Men. She appeared in FX's Feud: Bette and Joan, and is starring in the upcoming HBO series The White House Plumbers and Roku limited series Swimming with Sharks. Shipka won a Screen Actors Guild award in 2009 and 2010 for Outstanding Performance by an Ensemble in a Drama Series for Mad Men.   Follow Kiernan Shipka: @kiernanshipka Follow us: @robpeterpaul, @artofkindnesspod Support the show! Learn more about your ad choices. Visit megaphone.fm/adchoices

Andrea and Kierra get together for the first Humans of Amplify Podcast and talk about Nicholas Cage pillows, Andrea's origins and career, and so much more! Listen to Swells Learn more about Amplify here! Recorded May 27th, 2020.

In this episode, Jody Shipka talks about how she got into teaching, multimodal pedagogy and multimodal assignments, and edible rhetoric and food studies in the writing classroom.

“Mad Men” fans watched Kiernan Shipka grow up on the small screen in her role as Sally Draper, the daughter of Betty and Don. Her nuanced and captivating performance earned her critical acclaim and an older sophisticated fan base for such a young talent. Since then, Shipka, who was born in Chicago and raised in Los Angeles, has taken on a host of different projects, including Ryan Murphy’s “Feud” and the psychological horror film “The Blackcoat’s Daughter.” At the beginning of 2018, she stepped into the magical, mischievous world of half-human, half-witch Sabrina Spellman in Netflix’s “Chilling Adventures of Sabrina,” based on the Archie comic book series. In this conversation, Shipka, who is about to turn 20, talks about her new film, “Let it Snow,” a teen drama about the friendships, love lives, and futures of a group of high school seniors, co-starring Shameik Moore and Isabel Moner. She also talks lessons learned growing up in the “Mad Men” world, what it’s like now to have a fan base closer to her own age, as well as her style philosophy, her go-to karaoke songs, and her love of a good power nap.

In this episode, Charles (@charlesrockhill) and Christopher (@chrisopotamia) discuss The Silence (2019), superior music videos, body positivity, CGI bats, and new uses for wood chippers.    Thanks for listening and TRY NOT TO DIE!!   Follow us to give us some feedback and listen to episodes once we figure this sh*t out.  Twitter: @DirtyHorrorPod Instagram: @dirtylittlehorrorpodcast Facebook: Dirty Little Horror Please leave a review if you have a moment.   Dirty Little Horror is an LGBT Horror podcast where we try to find the gay subtext and make spooky dick jokes!  

Televigion has returned! In a new more focused format and with a new name, Pilot Season. We (James and Rachel) will be recording regular episodes where we have watched the pilot episode of a show and then we'll chat for roughly half an hour. Sometimes we'll know the show, and sometimes we won't. Sometimes we'll like the show, and sometimes we won't. But we promise to have fun discussing it. This episode we're watching The Chilling Adventures of Sabrina on Netflix, a new outing for the Archie Comics character of Sabrina Spellman, a half-witch, half-mortal teenager growing up in Greendale. For the future we're looking for recommendations and guests! Get in touch with us:- Televigion on Twitter, James on Twitter, Rachel on Instagram, Rachel on Twitter, The Televigion Blog or televigionist@gmail.com.

Wer erinnert sich nicht an die beliebte 90er-Jahre-Sitcom Sabrina - Total Verhext!, in der die Lachkonserve ein ständiger Begleiter der Hexenfamilie Spellman um Hauptfigur Sabrina (Melissa Joan Hart) gewesen ist. Nicht so in der neuen Serie Chilling Adventures of Sabrina, die seit Freitag, den 26. Oktober auf Netflix zu sehen ist. Ja, die aufmüpfige Teenager-Hexe ist zurück, jedoch in einem gänzlich anderen Gewand, als es noch vor vielen Jahren der Fall gewesen ist. Die Serienjunkies Mario und Felix sprechen im Podcast über das okkulte Coming-of-Age-Drama und wie dieses Serienprojekt eigentlich entstanden ist. Wir geben Euch einen spoilerfreien Einblick in Chilling Adventures of Sabrina und verraten, was ihr von der Serie erwarten könnt und wo die Stärken sowie Schwächen der neuen Netflix-Show liegen. Wir wünschen viel Spaß!  Feedback, Anregungen, Kritik und mehr könnt Ihr uns via Mail über podcast@serienjunkies.de zuschicken. Wir freuen uns auch über positive Bewertungen und Zuschriften auf iTunes! Am 10. Januar 2019 sind die Serienjunkies auf dem 1Live-Podcastfestival in Köln! Ihr wollt Tickets? Hier entlang: https://podcastfestival.de/serienjunkies-tickets-12.html Wir freuen uns auf Euch!

Three Things This Week 1. Peace Prize What it is: Nadia Murad became the second youngest person to win the Nobel Peace Prize for her efforts “to end the use of sexual violence as a weapon of war.” Why it's a start: In 2014 Mrs. Murad was kidnapped and taken into sex slavery by ISIS, where she and hundreds of girls were repeatedly raped and beaten. Thankfully she escaped to champion the rights of young women caught in the crossfire of war. In our slacktivism world, it’s encouraging to see a young person turn their empathy into action. It’s one thing to express outrage on social media, it’s quite another to go to work to end injustice. Whatever justice movement your teens are passionate about, help them mobilize their beliefs toward real change. Because “emotion without action is irrelevant.”   2. The Chilling Adventures of Sabrina What it is: Releasing October 26 on Netflix, this sister show of Riverdale stars Mad Men’s Kiernan Shipka as Sabrina in a dark spinoff from the original 1970’s Archie Comics character. Why what you watch matters: It seems every TV reboot is more malevolent these days. Shipka even admits, “there’s something next level dark” about the show. This modern makeover has “tons of horror, the occult, and plenty of witchcraft.” Remember, there is a difference between gore and suspense. Research suggests students who prefer gory entertainment have reduced levels of empathy while students partial to suspenseful thrillers express higher than average levels of empathy and compassion. Which type shows are your teens watching and what conversations should you start with them based on their preference? Here’s an interesting video on the psychology of horror-based entertainment. 3. Debunking the Vaping Myth What it is: A new study by the American Physiological Society significantly debunks the myth that e-cigarettes are safer than regular cigarettes. Why you have to talk about it: FDA commissioner Scott Gottlieb says, “E-cigs have become an almost ubiquitous--and dangerous--trend among teens.” Due in large part to the mythic narrative that vaping is safe. This recent research shows that not only vapor harms the lungs, but the added flavor in e-cigs exacerbates the detrimental impact of vaping. It’s a double whammy. Your teens probably believe e-cigs are safe and more significantly they may be drawn to them because vaping just looks cool. Here’re some great tipson how to talk with your kids about the dangers of vaping and smoking.   Should Your Family Celebrate Halloween? Jamie Lee Curtis brings chills and thrills to a new generation with today’s release of the newest installment from the Halloween franchise. Over on Netflix, shows like Veronica, Creeped Out, and The Haunting of Hill House have teens and adults losing sleep from sheer viewing terror. Which should beg the questions: What’s with our culture’s obsession with death and darkness? Why are so many neighborhoods just as festively decorated for Halloween as they are for Christmas (Americans spent $9.1 billion on Halloween last year)? Why do we wait in line at haunted houses and pay for someone to scare us? It is a bit weird. Making sense of your family’s response to and involvement in celebrating Halloween is complicated. As Christians, we are commanded to think on things that are good, beautiful, and true. How should we reconcile those precepts with our penchant for the macabre? Thankfully, we just released a Parent’s Guide to Halloween which gives you practical and theological guidance on how to navigate this holiday with your family. You just might be surprised by our suggestions! Get your copy today! It will equip you with the questions, answers, and framework to think holistically and biblically about Halloween.

Robot Daughter stars Kiernan Shipka as Robbie, Jim Beaver as Ned, Jake Brennan as Dale, Tony Cavalero as Brian Kressler, Maria Blasucci as Shirley, Milana Vayntrub as Tiffany #1/Rhonda, Amy Aniobi as Tiffany #2/Girl in Class, Victoria Park as Tiffany #3/Voice on PA System/Random Partygoer, Ahmed Best as Hobo/Gang Member #2/Football Player #1/Hardass Boss/Cop, Joel Spence as Gang Member #1/Football Player #2/Cute Boy/Homeland Security Agent, and Andrew Reich with stage directions. In this episode, Andrew Reich interviews Greg White (Brickleberry) regarding his dead pilot, Robot Daughter. You'll also listen to live table read of Robot Daughter, performed by some of today's funniest comedic actors.  For more Dead Pilot Society episodes, please subscribe to the podcast! Make sure to like us on Facebook, follow us on Instagram @deadpilotspod, on twitter @deadpilotspod, and visit our website at deadpilotssociety.com.  

What’s the difference between writing and composition? Writing, we think we know what that is: it’s maybe typing out letters on a computer screen, or maybe it’s holding a pen above a legal pad. But what if writing is bigger than that? What if it’s also the prewriting that takes place in your brain, as you drive around town or play racquetball or stare into space? And how about composition? What does that mean? It’s not just writing so could it be arranging speech, or images or even moving bodies? Is dance part of composition? Jody Shipka’s landmark text, Towards a Composition Made Whole, expands our understanding of what we mean when we say “writing and composition.” Today on Mere Rhetoric.   *Intro music*   Welcome to Mere Rhetoric, a podcast for beginners and insiders about the ideas, people and movements who have shaped rhetorical history. I’m Mary Hedengren and I’d like to give a shout out to our sponsors at the Univesity of Texas Humanities Media Project for their support, but today’s topic is right up their alley too--what are the limits of humanities and media?   Shipka is sick and tired of the way that two words are deeply misused in the feild of rhetoric and composition. The first is the word composition itself. Composition, Shipka argues, does not have to be text-based media. Shipka is a proponent of teaching students to compose in a broad sense--using images, music, dance and motion alongside words and letters to create meaning. Drawing on Cheryl Ball Shipka sums up resistence to non-print composition in that “texts are often labeled experimental when (or simply because) audiences are not used to recognizing their meaning-making strategies” (133).   That leads to the other term that Shipka takes issue to--technology. If composition is often view in very conservative terms as something done with pen and paper or a computer, technology is perhaps too-hot. Technology, Shipka claims, does not equal digital. The ferver for “technology” can be just as bad as a prejudice towards newfangled technology.  In her words, “I am concerned that emphasis placed on ‘new’ (meaning digital) technologies has led to a tendency to equate terms like multimodal, intertextual, multi-media, or still more broadly speaking, composition with the production and consumption of computer-based, digitalized, screen-mediated texts” (8) and “we have allowed ourselves to trade in one bundle of texts and techniques for another: pro-verbal for pro-digital” (11).   Technologies are only seen as technologies as long as they are difficult and electronic, she argues, while other methods of multimodal composition can be as or more effective while employing other means. The example that Shipka leads the book with concerns an essay written by a dance student on a pair of ballet slippers. The essay was researched, ‘composed’ and transcribed in a way that uses multiple approaches, but nothing that needs a cord. She quotes Wertsch that “all activity is mediated by tools, whether by psychological tools and/or by technical tools such as hammers, nails [etc]” (43). Elsewhere she writes “when our scholarship fails to consider, and when our practices do not ask students to consider, the complex and highly distributed processes associated with the production of texts (and lives and people), we run the risk of overlooking the fundamentally multimodal aspects of all communicative practice” (13).  Okay, and one more quote just to really underline her position: “ “To label a text multimodal or nonmodal based on its final appearance alone discounts, or worse yet, renders invisible the contributions made by a much wider variety of resources, supports, and tools.” This understanding of how we mediate even when we use “analogue” technology lets us expand our concept of buzzwords like “multimedia” and “multimodal.”   These two terms lay the groundwork for what she suggests in her manifesto: a composition made whole, with all processes, projects and media enveloped in the process of composition.  In her words “A composition made whole recognizes that whether or not a particular classroom or group of students are wired, students may still be afforded opportunities to consider how they are continually positioned in ways that require them to read, respond to, align with… a steaming interplay of words, images, sounds, scents, and movements” (21).   Something about Shipka’s work is extremely freeing, both in our research and in our pedagogy--we can expand our work to anything. But it’s also terrifying--what do I know about document design? about video production? about dance?  This same free fall feeling comes when I read about the processes Shipka describes her composers taking. Here in A Composition Made Whole she talks about the process of writing in a big way, similar to how big her definition of composition is. This part reminds me of a chapter that she co-authored with Paul Prior in another place. What Prior and Shipka did was to give their participants a piece of paper and have them draw their writing spaces and their writing practices. What they found is that people’s writing practice goes far beyond the “prewriting, writing, rewriting” steps that we often inculcate our students with. Objects like cigarettes, cats and washing machines and activities like talking over beer, walking the dog and calling a friend become part of the writing process.   Shipka describes some of these writers’ processes in a a composition made whole. For instance, when a writer goes for a run to clear her mind, “what might otherwise look like nonwork--taking a break from the task at hand--functioning as an integral part of the composer’s overall process” (60).   This creates some messy borders of a process we simplify in our research and teaching. If taking a run is part of the compositing process, what else is part? What can be excluded? I found this a difficult question to ask when I began keeping track of my time while working on my dissertation. If was I reading a text or coding data, that was definitely just as much a part of writing my dissertation as putting words on the paper. Meeting with my advisor? Yes. Talking it out with my mom? yes… Thinking about it on a run? I think. Thinking about it when I’m driving?...maybe? It can hard to say for sure what 40 hours a week of academic work looks like because it’s so dispersed. If our students say they have to clean their apartment, or walk the dog or  watch six episodes of Broadchurch in a row before they can write the paper, it’s hard to say whether this is part of their writing process or a procrastination effort. Shipka makes composition as an object and composition as a process very messy or rather, she exposes its inherent messiness to us. If you have a messy writing process, you know what? I’d like to hear about it. You can send us an email at mererhetoricpodcast@gmail.com or if you don’t want to send us text, you would send us a picture, a short video or even ballet slippers.  

This is part 2 of the Dr. Jody Shipka visit sponsored by RSA, ASUGPSA, and the ASU Department of English. We go shopping for old stuff and don't find anything, but we learn to see like Dr. Shipka sees. Zeugma Podcast episodes with Dr. Shipka: http://zeugma.dwrl.utexas.edu/shipka Dr. Shipka's website: http://remediatethis.com/index.html Email me at Stevenwhopkins@gmail.com Tweet to me @seemylittleknee https://twitter.com/seemylittleknee Script available here: https://docs.google.com/document/d/1AsVvU6f0EFfMJb4HSvqbIDkFyTyT0wB8nfOIsVEeM08/edit?usp=sharing

Kate and Danielle wonder aloud why Lifetime Television for Women felt the need for a random made-for-TV adaptation of Flowers in the Attic, starring Heather Graham. Of all people.